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جماليات الخطاب النسوي في فنون ما بعد الحداثة == The Aesthetics Of Feminist Discourse In The Arts Of Postmodernism

اسم المؤلف: فرح علي عبد الرزاق الدليمي
اسم المشرف: محمد علي علوان عباس القره غولي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: عني هذا البحث بدراسة ( جماليات الخطاب النسوي في فنون ما بعد الحداثة) وهو يقع في اربعة فصول الاول لبيان مشكلة البحث، واهميته، والحاجة اليه، وهدفه، وتحديد اهم المصطلحات الواردة فيه، وقد انطوت مشكلة البحث الحالي على الكشف على ان ما شهده العالم الغربي من | Focus this research to study ( The aesthetics of the annual speech in the arts of postmodernism ) is situated in the four chapters of the statement of the research problem, and the importance of, and need for, and purpose, and to identify the most important terms contained therein, have involved the problem of current research to reveal that what the western world has witnessed the a change in the concepts and transformations of intellectual and what happened from the rapid changes has had a clear impact in bringing about changes in the various structures and as a result of those big changes that affected the cultural, literary and cash by engaging in systems as well as cultural, literary and artistic on the other hand engage in systems, it promotes the emergence of new types of literature including feminist who was an anti - hegemony of art and literature male has adopted the theses of feminist criticism pivotal link antithesis between accomplished male dominance and the accomplished feminist and a weak presence on an area of research literature, and the theses postmodern fertile area from which the feminist movement demands, general women and actresses in particular I have proven that every woman is able to achieve the same in the works of art and literature and in line with the philosophical and intellectual propositions of postmodernism.Hence the problem of current research originated through the following questions : - What is the role played by data feminist discourse in the art of post - modernism? - How did the contemporary visual artists, may file accomplishing visually crystallizes feminist speech from an aesthetic perspective holds insights and theses culture feminism? The importance of searching through explanation for literary and monetary concepts contemporary have a close relationship with art feminist masculinity and femininity, and the feminine and feminist and women's notions of parental (Patriarchate) and gender and its relation to the ideas of postmodernism, and represents an attempt to shed light on the nature of the relationship between the aesthetics of feminist discourse and the products of post - modernism, according to interested professionals through access to the findings and conclusions, it has found a researcher that there is an urgent need for this study is the fact that the subject has not been studied previously within the area effective for the products of arts postmodernism, as well as this study the concentration of matter on the contemporary visual artists and knowledge her methods performing and her creative achievements which has been absent for several decades.The aim of this research to know the aesthetics of feminist discourse in the arts of postmodernism was limited research on how long the time period of (1951 - 2016) and of studying the feminist productions for artists postmodern and executed with different materials at different ores in streams (abstract expressionism, pop art, visual art , graffiti art, conceptual art, art synthesis, new expressionism, digital art).The second chapter (theoretical framework) guarantees the three sections, first topic focus to the concept of post - modernism and the arguments of Netasheh and Freud, structural and some concepts that diffusion structuralism, deconstruction and the proposals of Jacques Derrida and Michel Foucault, and a speech after the buzzards and globalization, and a letter of postmodernism and the culture of consumption, while focus second topic entrance into feminism and feminist literature and criticism feminist, language and given the female of the text, while the third section rotation arts postmodern and implications of feminist discourse in streams (abstract expressionism, pop art, visual art, graffiti art, conceptual art, art synthesis new expressionism, digital art).Chapter three has included action research, the researcher reviewed the research community and appointed by the style selected.The fourth chapter focus on results search results and conclusions, summarized the researcher to a range of outcomes, including : 1. Feminist discourse depends on the products of postmodernism on data aesthetic transformation and stylistic and technical as well as formulations structural forms of intellectual and contents and their contents, which appeared in the second half of the twentieth century, has shown the emergence of post - modernism, according to the visions of intellectual feminist adopt a new attitude to express contemporary problems of women, as in the research sample models.2. Gaining visual artists experiments in post - modernism, the dimensions of functioning merge with the experiences of contemporary plastic artists, but up to focus on the necessities of research on the technical trend on the one hand the aesthetic and the inevitability of a departure from the prevailing traditional patterns on the other hand, as in the research sample models.3. The theme of alienation in the products of human visual artists, the investment pattern overlap between the conscious and unconscious, and between reason and emotion, a choice of intellectual touches the essence of the idea of self and carry meanings and connotations, as in most of the research sample models.The researcher has reached a number of conclusions, including : 1. Aesthetics feminist discourse in the arts contributed postmodern elevating of philosophy initiated no mind and the adoption of individual categories and chance and blow up the idea of art through the presence of the idea of demolition and dismantling of the bonds aesthetic realities.2. Uniformity intellectual formulations for aesthetics feminist discourse in the arts of postmodern philosophies with frameworks postmodern theses and feminist criticism, as well as other contemporary monetary concepts that have had an active role in deepening the critical reading and calendar visual feminist done.3. Interpret the visual landscape of the products of feminist art, aesthetically, as manifestation Layout hermeneutical reading and analysis, especially where infrastructure is enhanced mental scene assignments of symbolic probe form actually modulated semantic from the signifier and the signified. The researcher considers a series of recommendations including : 1. Interest in academic studies that specializes in visual themes of feminist art and that the lack of the existing ones in the scientific field, the big and important in the definition of this art with data and types.2. The establishment of cultural institutions and the houses of the Arab local publishing translated foreign sources dealing with plastic feminist art experiences in the world, the lack of such sources in specialized scientific libraries.3. The establishment of plastic arts exhibitions and annual festivals and events and periodic conferences, dealing with plastic feminist art, and the definition of the methods and insights, methods and propositions own visual artists.The researcher proposed the following headings study : 1. Aesthetics feminist discourse in modern art.2. Feminist discourse and representations in products of contemporary Arab art.3. The aesthetics of the image in contemporary feminist art

جماليات التقنيات الرقمية في تشكيل العرض المسرحي العالمي == Aestheticism Of Digital Techniques In The Formation Of The International Theatrical Performance

اسم المؤلف: محمد كاظم هاشم الشمري
اسم المشرف: محمد حسين محمد حبيب
الموضوع العام: الفنون الجميلة
السنة: 2017
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تتكون التقنية الرقمية من الاجهزة والوسائل والمعدات التي تعمل بالنظام الثنائي اي نظام التشفير الذي يتكون من ( 0 , 1 ) ويعد الحاسوب التقنية الرئيسة التي تتفرع منها العديد من التقنيات والاجهزة الرقمية التي تخص العرض المسرحي كاجهزة الاسقاط الضوئي او اجهزة الم | The digital technique consists of the apparatus, tools and means that work in the dual system, i.e., encoding system which is composed of (0 , 1). The computer is considered the main technique which is subdivided into various digital techniques and tools that are related to the theatrical performance such as the apparatus of light focusing or the apparatus of sound and image processing. These techniques have gained aesthetic and creative value through their use as an important technique that plays role in the theatrical performance. These techniques have given the theatrical director vast space in varying his hypotheses and choices via specifying the dramatic environment of the events; they also help in creating new means and forms which have had an important role in establishing the philosophical dimensions of the theatrical director. The letter has four chapters : The first (the problem) is the following inquiry : What aesthetics can be achieved by digital techniques in the world theater? The chapter also includes (importance) by focusing on the importance of digital techniques in theatrical performance. The chapter also includes (Objective) an illustration of the aesthetics of digital technologies in the world theater. This chapter, which is temporarily restricted to the period 2005 - 2015, includes space for international theatrical performances, including foreign, Arabic and Iraqi performances, and an objective study of digital techniques in directing theater performances. The chapter ends with linguistic terms and definitions, both in terms of terminology and procedure. The second chapter, the theoretical framework and previous studies, included three sections : First : digital art; trends and views. And the second : digital technical devices and mechanisms of its work in contemporary theater. The third is the aesthetics of digital technologies. The chapter ends with a discussion of previous studies and indicators coming from the theoretical framework. The third chapter, the procedures, includes the society of the research and the samples which have been chosen intentionally depending on the indicators of the theoretical framework being a tool to analyze in a descriptive, analytical method. Then five performances including (foreign, Arabic and Iraqi). The fourth chapter involves discussing the results, the conclusions, the recommendations, and the suggestions. The chapter ends with the bibliography, the appendices and an abstract in English.

المواطنة وجدلية الهوية في العرض المسرحي العراقي == Citizenship And Dialectical Identity In Iraqi Theatre

اسم المؤلف: مريم صباح العوادي
اسم المشرف: معتمد مجيد حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: ياخذ مفهوم المواطنة والهوية حيزا غير قليل في الثقافة والفكر وفي الدراسات وكذلك الفنون وفي التعبير عنها , والمسرح كونه احد هذه الفنون فهو يقوم بدوره في تنمية القيم التي تدعو الى المواطنة ونشرها.فهو يبقى احد الوسائل الاكثر فاعلية وملائمة لاحتواء | The concept of citizenship and identity takes a space in culture , thought , studies as well as in arts and how to express it. however , theater is one of those methods which is used to develop the values of citizenship and spread it. it is one of the most convenient and effective ways to show the uncivilized practices in order to cross the problem of citizenship in societies. the research is meant to study ( citizenship and dialectical identity in Iraqi theater ) which is an important subject to develop the society. the research is divided to four chapters , the first chapter will deal with (methodological framework) in which the point of the research is discussed as the concept of citizenship and dialectic identity and the mechanism of showing it in the Iraqi theater. the essence of the research deals with citizenship concept and its implications and contents which specify the relationship between the individual and identity and show his rights and duties. in addition , the dramatic performance is used to clarify these contents of identity which is the connection among individuals among one system. the research is beneficial for students and researches because they will be aware of the implications of this concept through theatrical performance and raise the awareness and attendance in belonging to the country. the aim of the research is how to show citizenship and dialectic identity in the Iraqi theatre and then search the spatial , temporal and objective firstly , the spatial boundaries were restricted to theatrical performance which were performed in Baghdad national theater. secondly , the temporal boundaries were used from 2010 to 2016. thirdly , the objective boundary which is represented by studying citizenship and dialectic identity of the Iraqi theater. the chapter ends with specifying the terms and defining them.Chapter two deals with three topics : the first topic describes the concept of citizenship in terms of historical background and locations. the second chapter is concerned with the dialectical identity and it is divided in to two branches : dialectical identity between culturalism and globalization and theatrical approaches. however , the third section is intended to deal with citizenship and identity and how to perform it on stage. the chapter ends with the results induced from the theoretical framework and the previous works.In chapter three (procedural framework ) includes (56) theoretical performances. the researcher depends on indicators resulting from the theoretical framework as a tool in the analysis of ( sour minbjladi ) directed by ahmed muhammed abd al ameer (2012) , the second show is (ahlam cartoon) directed by kazem al - nasar (2014). the third show is (mukashafat) directed by ganim hameed (2016). the fourth chapter includes the results of the analysis and here are some : - The theatrical speech strives to make the interaction among the citizens according to societal values and behavioral practice which expresses cultural maturity and real recognition without distinction of religion , race , gender or sect. - lots of cultural or religious concepts change because of the interfering factors that associated with and may distort their image. this may cause ignorance to the citizens where the directors tried to expose to with criticism and mocking which reflects the distortion it exposed to. - the directors tried to send an idea that belonging to one religion does not mean that there is one identity but individuals differ in culture and tendency due to the difference among the same culture.The chapter also includes results , recommendations and suggestions and it is followed by bibliography and appendices of picturs.

تنوع الاشكال المنفذة على الخزف الاسلامي الاندلسي == The Diversity Of Executing Shapes On Islamic Ceramics Andalusian

اسم المؤلف: منى شاكر عودة
اسم المشرف: رنا حسين هاتف الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: يعنى هذا البحث بدراسة تنوع الاشكال المنفذة على الخزف الاسلامي الاندلسي، فدرس ماهية تنوع الاشكال وطبيعتها التكوينية ومرجعياتها الفكرية بوصفها نشاطا فاعلا في البنية الجمالية والفنية احتوى البحث اربعة فصول : خصص الفصل الاول لبيان مشكلة البحث واهميته والحاجة | This study include the diversity of implemented form of Islamic Andalusia pottery , it includes different types and construction of them and the ideological references as active in artistic composition , also the research includes four parts : The first part include the problem of research and the it's importance , needs , objectives and the most important termed contained category. The problem was identified through answering the next question : What is the variety implement a form of Andalusian Islamic pottery through the formed elements and it's method's. The importance of this research comes from that it represents sight for nature of diversity that occur in implemented form of Andalsium Islamic pottery through searching of it's Composition and construction parts and appearances of ideological concept and it is influences and also the importance of structural and technical wizards that adopted by artist to achieve this diversity , also the study explains to general and private libraries. The purpose of this research is to recognize and idenhfy the different implemental form of Andalusia Islamic pottery through aesthetic organized elements and it's means. As for second part , it includes the theorhcal frame and the previous studies and it contains 3 parts : The first one includes ( the comparisons between different types of philosophical thoughts ). The second one include the formal continent of Islamic art through studying the formal elements in Islamic arts and formal elements. The third one includes the appearance in diversity of forms in Andalusion pottery through different subjects like (Islamic arts and it's properties Islamic Abbasi pottery , Fatimi , pottery , enterance to Andalusain arts and it's methods. As for the third part involve the the procedure of research which include determination of sample research which include determination of research community and the choice of sample research which reach (20) ceramic arts and the research tools and the approach in analyzing the research sample. The fourth part includes the results of research and conclusion , recommendation and suggestion form results that researcher includes like : 1 - The researcher ensures the artistry elements and the organized and it's types through it's forms in related to Andalusion pottery through the artist achievement in formal work to achieve expressive and aesthetic values. 2 - The study distinguishes between the artistry elements and its types in Andalusion pottery because it recognize the importance of work through formal relationships in artistry work. 3 - The formal elements in implemental pottery type of which in spite of it's diversity in relationships to it's forms.4 - The researcher appreciates the nature of different forms of Andalusion pottery through Its appearance in expressive form in order to achieve symbol omitted out of oridinory in pottery arts. The results that the researcher reaches include : 1 - The presence of diversity in artistry elements and organized elements in Andalusion arts in configuration and structure of this art through formal relationships in stearic order and it unites it's parts in the work and it's structure from artistry parts to be in are entity2 - The work's element's and organized elements in Andalusion arts undergo to represent the emotional and expressive sides if the work to display the expressive aesthlic values of the work which results from the artist and it's methods in perform and imovation. 3 - It's go to expressive privacy in Andalusion pottery work through using different ways and archery form and its specific nature to befit to concepts that imposed by Islamic civilizer to be the sign of it's properties. The research ends with some recommendation and proposal and the references and research title and it's abstract in English

الابعاد الجمالية للابيض والاسود في التصوير المعاصر == Dimensional Aesthetic For White And Black In Contemporary Photography

اسم المؤلف: هشام عبـد الســلام مصطفـى العباسي
اسم المشرف: محمد عودة سبتي | عادل عبد المنعم عبد المحسن
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: توسم عنوان البحث الحالي بــ( الابعاد الجمالية للابيض والاسود في التصوير المعاصر ), الذي عني بدراسة الية استخدام الابيض والاسود وقيمتهما الفنية وسماتهما الذاتية ومحاولة الامساك بمرجعياتهما الفكرية والفنية المعاصرة في الاعمال الفنية(الرسم والكرافك) من خلال | The title of the current research is : (The aesthetic dimensions of black and white in contemporary photography), which deals with the study of the mechanism of using black and white and their artistic value and their subjective characteristics and trying to capture their contemporary intellectual and artistic references in the works of art (drawing and graffiti) through four chapters. Which ended with the following question : What are the aesthetic dimensions of black and white in contemporary art?And its importance and need to contribute to highlighting the contemporary art, especially the work carried out in black and white and aesthetic dimensions and technical value and the guidance of their references, and the search for the importance of the employment of black and white in the painting in a distinctive manner, despite the features of these two values of aesthetic and formative, Was to identify the aesthetic dimensions of black and white in contemporary art, while the limits of research related to the subject to study the work of contemporary artists available (black and white) of the artist himself through the subject matter and material and technical touch Serves the media in the output of the painting with their artistic touches implicitly covered. With regional borders including Europe, the United States of America, Asia, and Africa. With temporal limits for the period from the post - World War II period 1945 to 2015, and terms were defined to serve the purpose of the research.The second chapter covered the theoretical framework. The theoretical framework contained three topics. The first topic deals with the study of black and white in the ancient arts, their philosophical origins, and their physiological and psychological interpretations. The second section deals with the study of black and white in the construction of the artistic form. The third topic is the study of black and white artists of contemporary art.The third chapter was devoted to the research procedures (93) pictures, which included the research community, which selected (17) models chosen intentionally, while the researcher took a descriptive approach to the content in the sample analysis.The fourth chapter included the findings and conclusions reached by the researcher.Among the findings of the researcher : 1. The mechanism of works performed in black and white is reflected in the actuality of the act of social, political, cultural, economic and religious reality. The work of art becomes a tool that puts in its first goals everything that achieves an aesthetic dimension to everything without exception, glorifying the individual spirit and elevating the ego on the one hand. To be an implicit invitation to the emotions of isolation, introversion, anxiety and self - imagination and move it with surprise to the recipient with free play, so that these products take formal forms characterized by the adherence to the use of colors with the variety of techniques without constraints that tried to show the aesthetic dimensions.2.The technical aspect has a role in showing the aesthetics of black and white and highlighting some details that distinguish them from others through the texture and the nature of the shapes as in the sample (17.16.14,11,10,9,8,7,3,1,1). The researcher reached a number of conclusions, the most important of which are : 1. The work of artists in Black and White has gained the trait of independence and self - expression in the style of technical innovation, experimentation and bringing new things despite the adherence to color in the output of their works. The style is divided according to the artist's subjective energy and his inner sense between the direct, the immediate, the automatic, the dynamic, (Traditional), fast, simple, complex.The study concluded by presenting a set of recommendations and practical proposals related to the study of the aesthetic dimensions of black and white in contemporary art in order to complement the usefulness, followed by a list of Arab and foreign sources and references and supplements in English.

التفضيل الجمالي وعلاقته بانماط التفضيل المعرفي لدى طلبة كلية الفنون الجميلة جامعة بابل == Aesthetic Preference And Its Relationship To The Patterns Of Preference Cognitivethe Students Of The Faculty Of Fine Arts University Of Babylon

اسم المؤلف: ناريمان اكرم محمود العكام
اسم المشرف: عباس نوري خضير الفتلاوي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: ترى معظم الادبيات ان الجمال هو مثير يولد لدى المتلقي جملة تغيرات جسمية ونفسية ويثير انتباهه وملاحظته ويجعله يندفع الى التفضيل الجمالي، فالتفضيل الجمالي هو عملية سلوكية عامة يقوم بها المرء تجعله يحب او يقبل او ينجذب نحو فئة معينة من اعمال الفن من دون غيره | Most of the literature you see that beauty is sexy generates the recipient among other physical and psychological changes and provokes attention and be seen and makes it rushes to the aesthetic preferences, Valtvdal aesthetic is a general behavioral process carried out by one makes love or accept or gravitate toward a particular class of works of art without the other; were numerous views on the interpretation of aesthetic preferences Some of them sees an innate trait in humans and were seen as the phenomenon of educated and growing and some of them see it affected an objective or subjective factors and these theses remain in need of rigorous scientific testing to verify the sincerity in practice, the receiver factors is the human being who is exposed to acts of aesthetic and responds to a Check is a figure of the total behavioral and cognitive attributes.As well as featuring the current era we live in change and complexity, speed and massive development of the information and the era of knowledge explosion, and so we find in general growing interest in cognitive processes and here the importance of the cognitive aspects come in dealing with information, process and manipulate accounting for this favorite means by educated people in the reception and processing of information and represent patterns knowledge of cognitive strategies to learn an individual's learning style has targeted the current research to identify : - 1. Detection aesthetic preference among students of the Faculty of Fine Arts, University of Babylon.2. Identifying the differences in the level of aesthetic preference among the students of the Faculty of Fine Arts, University of Babylon, according to the race.3. Recognize the preference of cognitive patterns of Fine Arts Students - University of Babylon.4.Identify statistically significant differences in cognitive preference patterns among students of the Faculty of Fine Arts, University of Babylon.5. The relationship between the aesthetic preference and preference patterns of knowledge among students of the Faculty of Fine ArtsThe study included four chapters as follows : - The first chapter included the problem of the study and the importance of and need for, and objectives of the study and its borders as well as determine the terms contained therein.The second chapter included as part of the previous theoretical studies, as it dealt with a researcher at the first section aesthetically philosophy, while the second section has dealt with the researcher aesthetic preference, and the third section patterns of cognitive preference. But previous studies have been presented by the researcher parallel zones of separation and to agree with the current study.While the third quarter included a research procedures, as reviewed by the researcher study population, which included two school years the first and fourth students in sections of art education and fine arts at the School of Fine Arts / Babylon University for the academic year (2015 - 2016) m, totaling 325 students as a researcher ratio was adopted (50%) to extract the sample as it became a research sample (164) students and after excluding Alastmaar invalid were excluded (14) form due to the absence of some students for one scales and his presence in the other measure became a research sample original (150) students, where the number of students in the Department of Art Education, the first school year (61) students, fourth year of study (23) students, while arts assortment section bringing the number of first year students (46) students fourth school year, bringing the number (20 ) students, was selected as the pilot sample of the remaining number of students from the original community and outside the research sample native who expressed their desire to participate in the tests, as the researcher ratio adopted (10%) of the total number of community research is research sample Originally, totaling (32) students representing the proportion (10%) of the research community as it was selected 18 students from the Department of technical Education, as included the first school year (13) students, fourth year of study (5) students, while in the Arts Fine, bringing 14 students since included the first school year (10) students and fourth (4) students Talibh.kma The researcher presented Adata research and comprising the b : A measure of aesthetic preferences and scale patterns of preference knowledge, it has adopted a researcher scale (Aekam, 2013) the component (16), total and after what was presented to experts and their agreement to delete group (i), and to measure patterns of preference cognitive drafted researcher measure which consisted of (15) items every paragraph contains four positions represent the four styles (Heath patterns) distributed in the form of (a , b, c, d) as the character (a) refer to the pattern of remembering and Crafts (b) refers to a style critic and Crafts (c) refers to a pattern of principles and Crafts (d) refers to the application pattern, and thus each paragraph contains four patterns and after having heard the theories and literature and standards and previous studies pertaining to this variable, and offered a number of experts in the field of art education, psychology, and by 15 experts and after using the ratio Almaah, and after extracting the psychometric properties of the scale of the (validity and reliability) measure is ready for the final application. After this dish Almkiesan final Besgtehma the research sample and data collection and discharged in Axel statistical program (Excel) and to address the statistical data used researcher statistical bag (SPSS) program to achieve the objectives of the research, as it used statistical methods (t - test for two independent samples and coefficient Pearson and Kiodr link - richardson and analysis of multi - variance t - test for one sample.While the third quarter included a research procedures, as reviewed by the researcher study population, which included two school years the first and fourth students in sections of art education and fine arts at the School of Fine Arts / Babylon University for the academic year (2015 - 2016) m, totaling 325 students as a researcher ratio was adopted (50%) to extract the sample as it became a research sample (164) students and after excluding Alastmaar invalid were excluded (14) form due to the absence of some students for one scales and his presence in the other measure became a research sample original (150) students, where the number of students in the Department of Art Education, the first school year (61) students, fourth year of study (23) students, while arts assortment section bringing the number of first year students (46) students fourth school year, bringing the number (20 ) students, was selected as the pilot sample of the remaining number of students from the original community and outside the research sample native who expressed their desire to participate in the tests, as the researcher ratio adopted (10%) of the total number of community research is research sample Originally, totaling (32) students representing the proportion (10%) of the research community as it was selected 18 students from the Department of technical Education, as included the first school year (13) students, fourth year of study (5) students, while in the Arts Fine, bringing 14 students since included the first school year (10) students and fourth (4) students Talibh.kma The researcher presented Adata research and comprising the b : A measure of aesthetic preferences and scale patterns of preference knowledge, it has adopted a researcher scale (Aekam, 2013) the component (16), total and after what was presented to experts and their agreement Khzvt group (i), and to measure patterns of preference cognitive drafted researcher measure which consisted of (15) items every paragraph contains four positions represent the four styles (Heath patterns) distributed in the form of (a , b, c, d) as the character (a) refer to the pattern of remembering and Crafts (b) refers to a style critic and Crafts (c) refers to a pattern of principles and Crafts (d) refers to the application pattern, and thus each paragraph contains four patterns and after having heard the theories and literature and standards and previous studies pertaining to this variable, and offered a number of experts in the field of art education, psychology, and by 15 experts and after using the ratio Almaah, and after extracting the psychometric properties of the scale of the (validity and reliability) measure is ready for the final application. After this dish Almkiesan final Besgtehma the research sample and data collection and discharged in Axel statistical program (Excel) and to address the statistical data used researcher statistical bag (SPSS) program to achieve the objectives of the research, as it used statistical methods (t - test for two independent samples and coefficient Pearson and Kiodr link - richardson and analysis of multi - variance t - test for one sample.The fourth chapter included a presentation and discussed the results of the study as well as conclusions and recommendations and proposals and the conclusions of its study : 1. The presence of a low level of aesthetic preference of the students of the Faculty of Fine Arts, as she was the calculated value of $ (1,366) smaller than the tabular value of $ (1.96) at the level of significance (0.05).2. There are no differences in the level of aesthetic preference, amounting to the calculated value (0371), the smallest of the tabular value of the (1.96) at the level of significance (0.05).3. The presence of a high level of patterns of preference knowledge to the students of the Faculty of Fine Arts, as she was the calculated value (6138) and (4202) and (2785) and (2045) Patterns (remember, the principles, the critic, the application) greater than the tabular value of the (1, 96) at the level of significance (0.05).4. A) And no statistically significant differences in the pattern of memory depending on the variable (sex) were in favor of females as the value of (P) calculated (6541) which is greater than the value of tabular the (1.96) at the level of significance (0.05) and the degree of freedom (1) and (149), while the other styles, there are no statistically significant differences.B) And no statistically significant differences for the typical remembering and application depending on the variable grade and was in favor of the fourth stage as the value of (P) calculated (27.842) and (9165) on the sequence which is greater than the tabular value of the (3.89) at the level of significance (0.05 ) and the degree of freedom (1) and (149), while the typical critic and principles, there are no differences.C)There are no statistically significant differences for all styles, as the value of (P) calculated (0602) and (1933) and (0631) and (0476) on the sequence which is smaller than the tabular value of the (3.89) at the level of statistical significance (0.05 ) and the degree of freedom (1) and (149.There were significant differences in the pattern of remembrance for the interaction (sex × grade × specialization) as the value of (P) calculated (5959) was the biggest of the spreadsheet the (2.42) at statistically significant (0.05) and the degree of freedom (4 ) and (149), while the rest of the patterns were not statistically significant.5. The existence of a positive and a weak relationship between aesthetic preference and style to remember (0022), and the existence of an inverse relationship and weak between aesthetic preferences and style of the critic ( - 0.109), while the relationship between the aesthetic preferences and style principles are inverse relationship is very weak ( - 0.018), while the relationship aesthetic preference and style of the application (0125) is a positive and a weak relationship.The researcher made a series of recommendations and proposals, including : - 1. to provide educational institutions starting from kindergarten and up Undergraduate all modes of education on aesthetic preference and interpretation of its implications in all areas.2. Make use of the patterns of preference cognitive measure in determining the student to the style that suits him down as the need to enhance the cognitive patterns of preference among students through the curriculum.The proposals : - 1. relationship preference aesthetic tendencies technical students at the Faculty of Fine Arts.2. Information processing and its relationship to cultural norms cognitive preference among students of the Faculty of Fine Arts

الابعاد النفسية للتعبير الفني في الفن الكرافيتي == Psychological Dimensions Of Artistic Expression In Graffiti Art

اسم المؤلف: حوراء علي عبد محمد
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: يعد الفن الكرافيتي من اخر الحركات الفنية التي نمت في اعقاب الحرب العالمية الثانية لزوال الرقابة الصارمة على الجدار او الاماكن العامة، وتعبيرا مباشرا لمشاعر الفنان بلا قوانين فهو من فن ما بعد الحداثة محملا بابعاد نفسية يصبها على الجدار او الفضاء العام | The Graffiti art is considered as the last artistic movement which appeared at after the second world war The lack of strict control appearance on the wall or puplic places, and a direct expression for the artist feeling without laws art postmodern which loaded by many Psychological dimensions touched by on the wall, or public space to form the contact with the other world forum for debate on any subject, whether economic or political, religious or even sexual. Eating current search the psychological dimensions of artistic expression in graffiti art,the research community is made up of (200) work of art,and select for the period(1975 - 2016) ,and research sample (20) work of art, statistical methods were used scott and cooer and arithmetic mean.among the results that have been reached : 1. psychological dimension has appeared Representatively by the worried among the painters throughout features ( involved and partial shapes ) ( feel the artist loneliness ) and (The presence of the features of imaginary ) and ( the Varity in colors , sizes , details and proportions and ( The intensity of the movement and emotion ) and (fragmentation of forms ) in quantitative statistical analysis , in which three items has gained the high in the arithmetic average for the items (39%) the items indicative of a anxiety , the anxiety has represented among artists (Michelle, Branuc nock ???,bankce, and Keith).2. psychological dimension has appeared representatively by introversion among graffiti art's artists statistically through ( the pessimistic sence and present the world tragically) , (the depth and ambiguity of the ideas presented in the artwork ) , ( using dark colours ) , (neglect the work space or non interest in it ), (the lack of details drawing elements and its sense of stillness ), in which three items has gained the high in the arithmetic average for the items ?????? so that these items indicate the introversion, the introversion has shown with artists ( Mart, Michelle, Banksy, Nock ).3. psychological dimension has appeared representatively by extraversion for the painters statistically throughout ( Idiomatic expression of subjective feelings of the artist ), ( sense of optimism from the atmosphere artwork ) , ( having a sense of Carnival )and ( using colours that represent happiness and pleasure ), in three points in this work area have gained the high in the arithmetic average for the items ?????? these points indicate the extraversion the extraversion has appeared with painters ( Alis , Quik and Miss Van )..Some of the conclusions reached by the researcher : ?. Generally the Postmodernism art characterized by pluralism and overlapping races , varity of art styles , keep away from the constants in the area of individual and temporary methods that the Postmodernism art characterized with and before it , and the psychological dimensions in Graffiti art agreed with the nature of this openness and The overlap of races.?. The big diagnosis in the Graffiti paintings with repetition of the artist's name characteristically in artwork ,If anything, it shows the artist's quest to prove himself , and confirmation of him especially that the Graffiti art painters are oppressed by agencies specialized lifting these paintings and reject its content which pushed to Incitement and a provocation and consider it also titled ugliness.?. The Graffiti art paintings have taken huge area from psychological dimension that filled throughout display conscious and unconscious that characterized in involvement of the recipient, it is like remarkably and exciting letters contain purposes and other media order imposed ,as well as functional ones in several areasthat is how the researcher has concluded her research by recommended and suggestions and then the sources and appendixes

الخطاب الفكري والجمالي في العروض المقدمة لنصوص علي عبد النبي الزيدي المسرحية == The Intellectual And Aesthetic Discource Of The Dramatic Shows Presented In The Texts Of Ali Abdulnnabi Al - Zaidi

اسم المؤلف: بشار صباح جابر الاعرجي
اسم المشرف: محمد فضيل شناوة
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: شغل الخطاب الفكري والجمالي للعرض المسرحي منذ بواكيره الاولى, حيزا مهما وركنا اساسيا في مضمونه وبنائيته , ولاسيما ان العروض المسرحية الحديثة عمدت الى التركيز والتاثيث لفلسفة الخطاب الفكري والجمالي بوسائل اجرائية متنوعة ومختلفة في محاولة لتصوير الواقع | The intellectual and aesthetic discourse of the dramatic show has occupied, since its early times, an important and essential space, as long as its content and structure are concerned; especially, contemporary dramatic shows have proceeded to the concentration and the furnishing of the philosophy of the intellectual and aesthetic discourse using various and different means in an attempt to portray reality and its ideologies. Consequently, every historical phase and every era has its own intellectual and aesthetic discourse that makes it distinct.The dramatic shows, presented for the texts of (Ali Abdulnnabi Al - Zaidi), carry ideological and aesthetic propagations along with a philosophy of discourse that deals with the subject matter bravely and deeply. In addition, they break the taboos, and deviate from the norm clarifying a philosophical and ideological discourse that goes beyond the mental and psychological limits. The study is divided into four chapters. The first chapter deals with the methodical framework including the problem of the study which concentrates on the following question : (What are the ideological and aesthetic propagations that are carried by the dramatic shows that deals with the texts of Ali Abdulnnabi Al - Zaidi?), whereas the significance of the study manifests itself in studying the dramatic shows that deals with the texts of Ali Abdulnnabi Al - Zaidi and the intellectual and aesthetic discourse that is used in such shows to express the reality in such a way that seems to be unfamiliar in treating this reality by using, often, forbidden ideas. As for the aim of the study, it is (to know the intellectual and aesthetic propagations carried by the dramatic shows that deals with the texts of Ali Abdulnnabi Al - Zaidi). Then, the study is limited, in terms of place, to include the dramatic shows of the texts of Ali Abdulnnabi Al - Zaidi in Iraq. In terms of time, the study is limited to the years 2003 - 2016. As for the subject matter, it is limited to study intellectual and aesthetic discourse of such shows. Finally, the chapter ends with the determination and definition of the terms. The second chapter deals with the theoretical background along with the literature review to include three aspects : the first aspect is concerned with studying (the concept of discourse in the philosophical intellect) which is subdivided into two further aspects : the first is the concept of discourse in the international philosophical intellect and the second is the concept of discourse in the Arabic and the Islamic philosophical intellect. The second aspect is concerned with studying the intellectual and aesthetic references for the author (Ali Abdulnnabi Al - Zaidi). The third aspect is concerned with studying the intellectual and aesthetic discourse of the director in the international dramatic show. Then, the chapter is ended with the indicators of the theoretical framework as well as the literature review.The third chapter deals with the procedures of the study including the sample of the study which involves (30) dramatic shows, and the data of the study which is (3) representing a sample for the dramatic shows presented for the Al - Zaidi's texts. This chapter also includes the model of the study and data analysis.The fourth chapter deals with the results that are arrived at by the researcher, and the most important of which are : 1. The three dramatic shows depend on the dichotomies of (good vs. evil), (love vs. hatred), (life vs. death), (war vs. peace), and (doubt vs. certainty). Such shows attempt to find an agreement between these dichotomies and figure out what they are.2. The three shows deal with those who live on the margins of the society along with their problems trying to find solutions for them.3. The three dramatic shows are characterized by their intellectual and aesthetic discourse that swings between reality and absurdity. The drama of Rain of Summer depends on the personification of dolls and human cloning regarding them to be human beings. In the drama of O Allah, the mothers, threatening God, refused to pray and fast. And Macbeth, in The Countdown of Macbeth, has a miserable end as he is buried in rubbish. 4. There is an important presence for the woman in the three dramatic shows where she plays an important role in decision making and changing the plot.5. The three dramatic shows make use of quoting from the Glorious Qur’an and making such quotations the main theme of the intellectual and aesthetic discourse, as in the drama of O Allah. The chapter also includes the conclusions, the recommendations, the suggestions, and a list of the references in addition to the appendices. Then, it presents the abstract in the English language.

النزعة الروحانية في الرسم الاوربي الحديث == The Tendency Of Spirituality In Modern Euroean Painting

اسم المؤلف: مها عبد العزيز ساجت القره غولي
اسم المشرف: عارف وحيد ابراهيم الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تكون البحث الحالي " النزعة الروحانية في الرسم الاوربي الحديث " من اربعة فصول , تناول الاول منها مشكلة البحث والتي حددت بالاجابة عن التساؤل الاتيي : هل هناك نزعه روحانية تمثلت في مدارس فنية متعددة في الرسم الحديث ؟ وماهي مجرياتها وهل هي ناتجة عن صراعات | The current research consists of the tendency of the spirituality in modern European painting.The research including Four chapters.First chapter ,have research problem which is limited by the answer to the following question : First question : Has the spirituality a tendency in modern European painting ? Second question : is there a spirituality tendency in modern European painting ? The first chapter have also included research important and need for it , and also contains the aim of research “Identify the spirituality a tendency in modern European painting “. While the research limitation contains the period between 1870 - 1960. The second chapter includes two research , first research : includes the spirituality in philosophical thought ,while the second research includes spiritual references in art ; moreover ,the same chapter contains ,theatrical frame and its indicators ,and previous studies. The third chapter includes research procedures ,such as research society , research sample and research tool : in addition , research methodology , and analyses sample amounting “16” patterns. The fourth chapter includes results research ,and its discussion ,conclusions , recommendations and suggestions. Among results ,the researcher reached following results : 1 - Spiritual illusion and Sensory perception play important role in modern European painting , Then activate the picture s and the incusion in to the depths of and feeling inspiration of the artist and the search for spiritual reservoirs contact with God.2 - Each of the concepts of time and space associated spiritual tendency , according to the Holy Quran from Dialogues angelic where is no time and no place versa in this relative live.3 - The artist seek for a high tendency in modern European painting and this trend four in the samples analyzed and in respect of the spiritual dimensions which have fixed indication for the liberation of vision depends intuition and free fantasy that reflect the outside word in the European art inspires artists of modernity in the construction of their artwork and using them to produce artistic different drifts expresses the freedom of the spirit of the modern.4 - The pure form discussing modern abstract with modern European painting for regular structure of relation between the elements to produce geometric shapes based on engineering indicative dimension ,but high spiritual idealism in the construction abstract in modern abstract support pictorial idealism situation linked to the reality of spiritual sensory ,while in modern European painting linked to the spiritual aims borrowed from the luxury qualities of absolute monotheistic. The researcher has found a group of the following conclusions : 1 - European artist derived spiritual trend from the ancient Greek civilizations,taking in to consideration the religions, which was carrying the secrets of cosmic through spiritual and mystical contact with that employed by the artist in his paintings component creative form.2 - Spiritual tendency represented the thread of luminous or beam and the rope of connection between the artist and the creator ,the has found pure single spirit of self and pure purity and that string represents the spirit descend a pure artist and close to the body so that the devil receives and disperses it with analyzes the light in to the colors of the solar spectrum which represents indispensable article sensory ,so when the artist liquidates his self and diminishes his attachment with materialism , the light will be increased and liquidates , and then become whit lights as his origin oneself , so Mohammed the prophet “ peace be upon him “ said : “who knows himself knows his lord “. According to what results reached by the researcher and conclusion and perfecting of the interest and knowledge ,the researcher considered the following recommendation : The students of higher studies including students of art and religion and who owns the relationship should benefit from this studying.As a complement to the requirements of research and scientific, ”dimensional spirityality and indication in the works of European artists

الابعاد الجمالية للاشــــــكال الفنية في الفنون الشعبية العراقية ومرجعياتها في اللاشعور الجمعي == Dimensional Aesthetic Art Forms In The Iraqi Folk Arts And Their References In The Collective Unconscious

اسم المؤلف: علي عزيز ناصر
اسم المشرف: دلال حمزة محمد | علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تناول البحث(الابعاد الجمالية للاشكال الفنية في الفنون الشعبية العراقية ومرجعياتها في اللاشعور الجمعي) باربعة فصول ضمن الفصل الاول الاطار العام للبحث وتم فيه عرض مشكلة البحث والتي حددت التساؤلين الاتيين : - هل تمتلك النتاجات الفنية الشعبية من البسط والحلي اش | The research (aesthetic dimensions of art forms in the Iraqi folk arts and their references in the collective unconscious) in four seasons within the first chapter general framework of the research in which the research problem has been identified and Altasaalin the following two : - Are Owns the popular artistic productions of rugs and ornaments forms have aesthetic dimensions representing a phenomenon in terms of the nature of the technical systems of shapes, lines and spaces and technologies. - Do you have the artistic productions as a formality texts of their references in the collective unconscious on the art forms represented in the productions Livni rugs and ornaments of the dimensions of a formal written and color and dimensions Amadaminah (code - listed - values - ideas perceptions). The importance of research in the detection of the aesthetic dimensions of art forms in the Iraqi folk art in which may enrich those in charge of technical education and researchers in the field of folklore studies and anthropological fact that folk art one of the main tributaries of the Iraqi identity. The research aims to identify the aesthetic dimensions of art forms in the Iraqi folk arts and their references in the collective unconscious. Confined to the limits of research forms the technical Folk Art (ornaments popular numerator) for the era of (1900 m - 2015 m), Iraq's adoption of the descriptive approach and the way the descriptive analysis for the purpose of fact - dimensional aesthetic forms of art and their references in the collective unconscious of the Iraqi folk art works for the extension and ornaments. As well as identifying terminology research.The second chapter presented the theoretical framework and previous studies and discussed in terms included three sections, taking the first section of which dimensional conceptual and aesthetic reference for the Arts popular composition represented by the forms and symbols in the cultural heritage of Mesopotamian and Islamic, while taking second section study of folk arts among aesthetic shape and significance, and display the third topic the concept of collective unconscious mechanisms Achtgalath in technical fields through exposure to Helms by the world, "Jonk" about the collective unconscious and mechanisms Jonk. The third chapter contained on the applications of the aesthetic dimensions of art forms in the Iraqi folk art and of rugs and ornaments through a sample of (18) form derived from the framework of a society (180) model and using indicators of research and mechanisms Jonk in the research sample analysis. As it is proven in the fourth quarter results, conclusions, recommendations and proposals, and reached by the search of the most important conclusions, including : 1. manifested many of the characteristics of the forms of roots and historical assets - alravedanah and Muslim - through the emergence of decorations geometric modified, and another with an ideological link Old such as the cross and the star octagonal and triangle Almottagabl the head, which are connected to the cultures and references unconscious association in contexts deliberative.2. larger circle has formed part of geometric abstract involved in the formation of ornaments because of its historical significance and origins of ancient and Islamic folk artist he took it upon himself to be replicated in most of his works of art realized in rhythm all the ornaments samples. Conclusions1. The aesthetic formats in the popular arts represented technician rugs and ornaments derived many Ansagha and their references symbolic and formal design of the structure of the ancient Mesopotamian art and Islamic ones.2. indicate processors Constructivism to the concept of collective unconscious and resulted in the meanings and connotations conceptual, to the existence of civilization continues to derive its terms of reference of the artistic and literary productions of Islamic civilization and the ancient civilization of Iraq.3. The most popular designs rugs based to mathematical logic, based on the structures Alchidah stringent than existing lines and obtuse and acute, to be its forms, including engineering and predominantly (appointed, and the Triangle, and the box and combine them).4. Try to folk artist through gold material moving between abstraction and reality, and the imposition of vegetarian content in a part of the artwork and the content of symbolic and social Kalhilal for example, in another part, which represents the references in the Iraqi and Islamic thought.

جماليات المنحوتات الخزفية في العصر السلجوقي

اسم المؤلف: ميساء سليم عبد الواحد الخفاجي
اسم المشرف: محمود عجمي جاسم الكلابي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: يعنى هذا البحث بدراسة جماليات المنحوتات الخزفية في العصر الاسلامي السلجوقي، والذي يقع في اربعة فصول : تضمن الفصل الاول عرضا لمشكلة البحث والمحددة بالتساؤلين الاتيين : هل شكل العصر الاسلامي السلجوقي ظاهرة في الطرح لما انجز من المنحوتات الخزفية، بحكم م

السؤال بوصفه من وسائل الرقابة البرلمانية على اعمال مجلس الوزراء : دراسة مقارنة == The Question To Be Discriped As The Parliamentary Control Matters On The Acts Of Ministers Council A Comparative Study

اسم المؤلف: محمد فاهم سلمان
اسم المشرف: عدنان عاجل عبيد
الموضوع العام: القانون
السنة: 2017
الموضوع الدقيق: القانون الدستوري
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: اصبحت الرقابة البرلمانية من الموضوعات الاساسية التي تحرص الدساتير على النص عليها، كما ان ممارسة الرقابة البرلمانية تعد ضرورية لضمان عدم انحراف وتسلط الادارة وقيامها بالعمل على وفق السياسة العامة للدولة، فضلا عن انها تنصب على المخالفات، كل ذلك جعل الدس | Parliamentary control has become one of the key issues that are keen constitutions on the text on them, and that the practice of parliamentary oversight is essential to ensure that no deviation and shed management and its work according to the public policy of the state, as well as they focus on irregularities, it all made constitutions governing the methods and procedures of parliamentary oversight. This is parliamentary control aspects of the work of the government or one of its members and their equivalents in the multi - media owned by members of parliament direction of against him, and most important of these means the right of Parliament to ask the Prime Minister or a minister in respect of the affairs under their specialty, is the question parliamentary one way owned by the members of parliament in the face of the government and that enables them to follow government activity in various quarters documented in a formal way, in order to ensure the functioning of the executive branch, according to the will of the nation and its will, especially since the parliamentary oversight is an essential task exercised by the parliament on the agenda and the government's actions and be held accountable when failure to perform its functions in the public interest. Thus, the question is a regulatory tool aimed MP from which to obtain information about something unknown, or check get caught arrived knowing him or find out what the government intends to take in something, and the question several types as may be written in terms requires this type of questions be answered in writing, which may be orally and here are the answer verbally in front of members of parliament, and may be the question sooner draw in case there is an urgent and necessary, and as an asset in not directed at these questions only in matters within the jurisdiction of the government because the government is not responsible for the things that He graduated from the scope of its jurisdiction. And that the objective of the study is to identify how they are to ask the question Parliamentary to the government of the Prime Minister and Ministers concerned by the statement of the conditions necessary to bring the question and procedures, and effects that can arrange it after submitting conform to these conditions and due process, and we decided to shed light on the subject of Parliamentary question by dividing the subject of research in three chapters we discussed in the first parliamentary question what, and we have dedicated the second chapter to the subject of the statement and question the parliamentary procedures, while the third chapter Me effects that can result from asking the question Parliamentary

السياسة الجنائية في تنفيذ العقوبة : دراسة مقارنة == Criminal Policy In The Execution Of The Sentence Comparative Study

اسم المؤلف: حسن خنجر عجيل التميمي
اسم المشرف: محمد اسماعيل ابراهيم المعموري
الموضوع العام: القانون
السنة: 2017
الموضوع الدقيق: القانون الجنائي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: يعد موضوع البحث من المواضيع المهمة لانه يبحث في السياسة الجنائية في تنفيذ العقوبة، بما تمثله لمجموعة الوسائل التي تستخدم لمنع الجريمة او في العقاب عليها، اي انها العلم الذي يدرس النشاط الذي يجب ان تمارسه الدولة لمنع الجريمة من خلال ما يسترشد به المشرع ف | The research topic considers a great importance that revolves around the criminal policy in the execution of the sentence, the penal policy represents a group means used to prevent the crime or to punish it, as it is science that studies the activity that the state must practiced for the prevention of crime and punishment for it through the guiding by the legislature in the fight against crime investigator with the balance between the requirements of the state's right to punishment and implementation of social security in order to protect the interest and the penalty which is to be determined by the legislator and the judge sentenced on every person who commits or abstaining the crime, the law considers it a crime. The stage of execution of the sentence is the stage in which achieved the goal of punishment, and it should work force to achieve power. Implementation is not only deprive the convict the right of his rights according to modern criminal policy, but it is something deeper than that crystallized in the re - sentenced raising him and his rehabilitation of social life away from the risk of deterioration in the crime, though deeply as it is embodied in the implementation of the custodial penalties. The penalty execution considers as a practical translation of the verdict of the criminal conviction, which confirms the importance of this phase and the following phase of punishment for different implementation methods and depending on the quality of criminal penalty. The research is addressing a range of dilemmas seeks to develop an effective criminal policy for the execution of the sentence in order to protect the fundamental interests of society and to achieve greater stability, as well as the need to highlight the sources of the penalty policy, and where they are derived and what is their source, in addition to the execution of the penalty is the ultimate goal, which seeks legislator to achieve after going through several stages, since the occurrence of the crime through the investigation and judgment through the implementation, and we're looking at the best ways and means to ensure their implementation at the same offender, and to the extent necessary for punishment is in line with the gravity of things to do and dangerous criminal without trespassing on his humanity , but versa must search for the best means of implementation to return people together in the community, through the development of rules determined against which the drafting of the texts of the criminal law, the objective was the mother of procedure through which the execution of the sentence ensures the rights of the convict and to ensure that the interests of society, and perhaps the most prominent of these dilemmas about the nature of execution of the sentence is that do you implement the punishment is an act administratively, or pursuant to a judicially, or pursuant to a mixed, and which is a guarantee for the rights of the convict from the arbitrariness of an authority to exclusivity order execution, and at the same time bring us to protect the interest of society in the cropping of the offender and the achievement of the objectives of punishment. The second problem lies in the criminal policy sources in the execution of the sentence, as the law, including the execution of the penalty procedures to find the basis of the will of the legislature, according to the doctrine of positive law, and therefore what is based on the legislator to take his vision to develop procedures for the implementation of the punishment. The third problem about the appearance of the criminal policy of the implementation of the death penalty, as the implementation of the death penalty leads purpose and objective through the implementation within the prison, or to find a public execution in order to lead the purposes and objectives of implementation, particularly in terrorist crimes, to be the instrument of a general deterrence and investigation to justice.The study research in criminal policy in the implementation of the original penalties of corporal punishment and negative sanctions for freedom and financial sanctions axis, as well as criminal policy in the implementation of sub sanctions embodied in the penal ancillary and supplementary penalties and precautionary measures, which is the second part of criminal penalty, according to the provisions of the Iraqi criminal law and some of the criminal comparison laws

جريمة التلاعب باسعار الاوراق المالية : دراسة مقارنة == The Crime Of Manipulating In Stock Prices Comparative Study

اسم المؤلف: عمار فاضل كريم
اسم المشرف: عمار عباس كاظم الحسيني
الموضوع العام: القانون
السنة: 2017
الموضوع الدقيق: القانون الجنائي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تعرف جريمة التلاعب باسعار الاوراق المالية بانها افعال احتيالية يرتكبها الشخص منفردا او بالتواطؤ مع غيره للتاثير على سعر الورقة مالية في سوق الاوراق المالية للحصول على منفعة من خلال اصطناع فرق بين قيمة الورقة وسعرها، ولهذه الجريمة ثلاث حالات يسعى المتلاعب | The crime of manipulation in stock prices can be defined as the fraudulent acts committed by the person solo or in collusion with others to influence the price of the stock in stock exchange market in order to obtain benefit through producing a difference between value and price of equity, and this crime has three states that the manipulator in stock prices seeks to achieve it; which are either through making artificial rise in prices or either in seeking artificial decline in prices or the aim of that is the artificial stabilization of prices.Also the crime of manipulation in stock prices has many social and economic risks which can be seen in destabilizing economic stability and disrupting economic development and giving a misleading image about the value of equity, and finally the crime of manipulation in stock prices is considered as one the most important reasons of occurrence the economic crises.The fact that the material element of the crime of manipulation in stock prices can be achieved only through the positive behavior by committing any act which would compose false or misleading impression about stock prices, on the other hand the mental element of the crime, as well as the general intention, requires special intention stipulated by legislator which is creating false or misleading impression about the effectiveness of the market, besides it needs to do so a special basis through stock that represents the scene where the crime is committed. We dealt with the research theme in three chapters; we devoted the first chapter to identify the crime nature of manipulation in stock prices, the second chapter is devoted to explain the elements of the crime, and we set aside third chapter to demonstrate criminal effects of crime, then we concluded the study with the most important findings and recommendations

مبدا الصحيفة البيضاء في خلافة الدول في المعاهدات == The Principle Of Tabula Rasa In The Succession Of States In Treaties

اسم المؤلف: باقر عبد الكاظم علي الكرعاوي
اسم المشرف: طيبة جواد حمد المختار
الموضوع العام: القانون
السنة: 2017
الموضوع الدقيق: القانون الدولي العام
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The principle of Tabula Rasa (clean slate) is one of the principles governing the succession of States in respect of Treaties, provided for in Article (16) of the Vienna Convention on Succession of States in Respect of Treaties in 1978 and determined the scope of application of the principle according to this article the newly independent states of colonialism without the other new states arise from the separation with the survival of the predecessor State, or the demise of the predecessor State in the case of solving the state, according to this principle, it proceeds to the newly independent state of international life free from the obligations contained in the treaties concluded by the predecessor State relating to the province of new state back.The principle of Tabula Rasa (clean slate) on a fixed legal grounds represent a peremptory rules can not be violated, including that of the newly independent states such as the right of peoples to self - determination and the principle of equality among States, including with regard to the legal nature of the treaties which ( pacta sunt servanda) rule and the principle of the relative effect of treaties. Full two exceptions to this principle, provided them articles (11.12) of the Convention relating to Article 11 treaties established systems to the international border, while Article 12 established treaties and other regional systems relate.The world is very influenced by the political geography and the succession of States, so it need to know when and how to prevent legal liabilities of the predecessor State to the successor State. However very great importance Given to the study of international law regarding the succession of states, and has become the forefront of research, in order to give solutions to international problems resulting from a succession of States, which was still under discussion and disagreement.The subject of a succession of States is not to agree on a uniform international rules that can be applied by States in relation to the succession of States on treaties, because the practice of States in respect of succession is not coherent or cohesive logical, albeit mostly determined by political considerations, not legal, and then develop solutions to the problems of succession on the basis of special agreements.The Vienna Convention on Succession of States in Respect of Treaties of 1978, the distinction between "newly independent states" emerging from decolonization, and other new states is emerging from decolonization, which approved the application of the principle of Tabula Rasa ( clean slate) on the newly independent states, which are thus automatically lack of commitment treaties concluded by the predecessor State (colonial). While this principle does not apply to other new states of separate states it is the colony even though they are all modern states.The previous international practices steady, confirms that the principle of the Tabula Rasa (clean slate) has been applied in cases of separation of Independent States and countries from colonialism, while we see that the article (16), has failed to apply this principle to the newly independent States of colonialism without the separate states.That none of the articles (2) Paragraph (1 / f) or Article 16 of the Vienna Convention for the succession of treaties of 1978, does not refer directly to determine the Newly Independent States to decolonization historical phenomenon. As with any codification of the practices of the process, but put provisions general and abstract terms can be applied to any reality to the change of sovereignty. Search section to the front then the door will look at the first chapter of what the principle of Tabula Rasa ( clean slate) and divide into two chapters look at the first concept of the principle of Tabula Rasa (clean slate) and look at the second chapter the legal foundations the principle of Tabula Rasa (clean slate) The second section we will look the scope of application of the principle of Tabula Rasa (clean slate), and divide into two dedicate the first chapter to discuss the principle of Tabula Rasa (clean slate) personal scale and be described in the second chapter the physical extent of the principle of Tabula Rasa clean slate. Then we included the most important conclusion of the findings and recommendations, which concluded the research

الرقابة المصرفية على عمليات غسل الاموال : دراسة مقارنة == The Banking Supervision Of Money Laundering A Comparative Study

اسم المؤلف: طيبة احمد علي
اسم المشرف: ابراهيم اسماعيل ابراهيم الربيعي
الموضوع العام: القانون
السنة: 2017
الموضوع الدقيق: القانون التجاري
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: يعد موضوع الرقابة المصرفية على عمليات غسل الاموال من المواضيع المهمة والمتعلقة بالنظم الاقتصادية، وذلك لما للمصارف من دور فعال في الحياة الاجتماعية والاقتصادية، فضلا عن دورها المهم في التنمية الوطنية بوصفها مركزا اساسيا للائتمان وتمويل المشاريع التجاري | The role of banks in monitoring money laundering transactions regarded as a main topics in economics systems; as banks play an active rule in so social and economic life.Also banks have vital part in national prosperity because it represent a main center for credit and for funding commercial projects and public services for all members of society.Bank should monitor all of his transactions, and there are a necessity of monitoring legality of bank accounts opening and banking credits. Bank Monitoring guarantee the transparency of financial transactions and avoid the many dangers, especially the phenomenon of transforming money from illegal sources to legal one by money laundering.Money laundering take many forms, some of them related to banks, like guarantee loans , Documentary letter of credit, banks accounts. Other forms are non - banks related, like using stock exchange markets and shell companies or through opening accounts and transferred money by electronic means to avoid detection by authorities.So Bank monitoring divided in two types : internal monitoring commence by bank boards of of administration or any entity have authorization by bank to do so.External monitoring execute by other authorities like central bank and external accounts oversight.The bank have many protocols and procedures to monitoring financial transactions, the main procedures are represent by two stages; The first stage to thwarted money laundering like verification of credibility of clients which include gathering Data from internal and external sources about client's financial status and take a right decision based on that data. Also bank stored all documents related to client's identity and sources of his money and all transactions between the bank and the client which enable bank to use this documents as an evidence to resolve issues arise between them.The second stage start after the discovery of money laundering of suspicion arise about it. This stage have many procedures like inform authorities to investigate the suspicious activities, and also freeze and seized assets related to this activities.From all that we concluded that bank have to make a balance between his right to monitor suspicious activities and the client's right of maintaining good reputation. The reasons for balancing is to avoid damaging client's reputation by issue a hesitate decisions relating to suspicions of money laundering. Also this decisions could held bank responsible in civil compensation especially if the client is a well - known merchant and that weakened his credibility.Also the bad decisions by bank could held him liable administratively by higher authorities, because bank have responsibility to choose right employees.

جريمة الانتفاع من المقاولات او الاشغال او التعهدات : دراسة مقارنة == A Crime Of Benefit From The Construction Works Or Undertakings A Comparative Study

اسم المؤلف: علي حمزة جبر
اسم المشرف: لمى عامر محمود
الموضوع العام: القانون
السنة: 2017
الموضوع الدقيق: القانون الجنائي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تعد جريمة الانتفاع من المقاولات او الاشغال او التعهدات من اخطر الجرائم التي تقع على الوظيفة العامة وعلى المال العام المتمثل بالعقود العامة , اذ ان الجريمة محل البحث تمثل تعديا وانتهاكا للمباديء التي يقوم عليها التعاقد في عقود المقاولات او الاشغال او ا | It is of the most serious crimes, which lies on the public office and public funds that representative by the contracts, since the crime in question represents an infringement and violation of the principles of the contracting, which include confidentiality and respect the principle of equal opportunities and respect for free competition among the candidates to win the tender. However, those principles may be violated by the officials who are responsible for the tendering and contracting, therefore; the legislature intervened to criminalize for employee who is getting benefit or commission of completing these stages that he is in charge of. Thus, based on the importance that imposes itself as a necessity of the necessities of scientific research in such a subject and through what we have mentioned above, we have reached some results , the most important of them is inadequate punitive text cited by the legislator as a punishment against the perpetrators of this crime and that is disproportionate to the size of this crime by increasing its perpetrating rates, and that not following the legislative development given to this crime comparing with the legislation of Kuwait, Egypt who are very strict in the consequences of this crime. Also, we did not find enough attention from the legislature to avoid the occurrence of this crime by strengthening the legislation governing public contracts because this legislation's inflation and its plentiful is another factor of committing this crime. So we have asked the Iraqi legislator to edit the text of Article 319 of the Iraqi Penal Code to increase the punishments with redrafting the text to include the various situations that are used by the perpetrators to commit the crime, also we have asked the Iraqi legislator to issue a public contract law to be the special legal reference for the public contracts, and cancel all legislation, regulations, instructions and classified in one of legislation package. The importance of this topic is come from two sides : The first is the theoretical side, the subject of our research occupies a paramount importance in terms of legal research because there is no a specialized legal reference "in Iraq" has been dealing with this crime in all its parts, and have not get adequate attention by the Iraqi jurisprudence, as the jurisprudence does not mention the crime only through transient signals which do not meet all the tenors and contents of this crime. Furthermore, this topic has passed several of legislative developments in Egypt, Kuwait and France, but did not cast enough attention from the Iraqi legislature, where the legislator did not take the initiative to review the punitive provisions that dealing with the public contracts, including the text of the article (319). The second side is the practical importance of this topic where this importance come from the importance of public contracts themselves for being the mouthpiece of the most important aspect of the management's activities and through which it seeks to meet the needs of individuals as well as of the importance of protected interest which legislator wanted from criminalization text, namely the protection of the integrity of public office and public fund. The problem of the research is concentrated on the inadequacy of the punitive text cited by Iraqi legislator in Article 319 in the Penal Code as a main punishment imposed on the perpetrator of the crime ,and is thus contrary to the principle of aggravation punishment for crimes related to public fund, but that the punishment lagging from the articles that preceded it as the crime of mala fides damage of the funds and interests which cited by the legislator in Article (318).Whoever cause detrimental damage to the of one of the government departments and the public sector will be penalized by an imprisonment while the employee who get benefit from work of contracting will be punished by imprison or imprisonment for a term not exceeding ten years in addition to the lack of clarity of Iraqi legislator concept regarding the case of restitute of public funds for this crime and common crimes having same effect. Sometimes adapts it as a financial penalty and sometimes put it in a vague situation. As part of the applied field, the provisions of the Iraqi judiciary has reinforced the dilemma contained in Article 319 of the Penal Code, which reached to the extent that empties punishment of its content.The majority of rules issued by the judiciary are imprisons, unlike the aggravation that we'll find in judicial rules comparing with other countries, especially Egypt and Kuwait.In line with what has been presented, we have adopted the analytical comparative method in the study through the legislative texts that dealt with subject to reach the results that the study aimed to. Relying on the position of the legislators in Iraq, Egypt, Kuwait, France for the purpose of comparison, also some international conventions that ratified by the legislation under study will be discussed , since it became an integral part of internal legislation, and whenever required for the search.The scope of the research in this study was distributed into two sides : First, is the legislative side, which is limited on the side of criminality punishment only as beyond the scope of our research into the use of public contracts in the administrative legislation and what is the authorization of the management to impose punishment against the beneficiary employee of such contracts. The second is with respect to how to handle the topic of this study, as it was limited on the objective side only, while the procedural aspects that might be against the crime will be outside the scope of our research.A consistent plan has been created in line with the objectives of the study and its goals, and based on that we will divide the research into three chapters preceded by an introduction. The first chapter will be allocated to indicate and explain what the crime of benefit from work of contracting is. This chapter consists of two sections, the first section deals with the concept of the crime of benefit from work of contracting, and the second section deals with the crime essence and the protected interests in this crime. The second chapter is devoted for studying the elements of crime, and this will be through two sections. The first section deals with the special basis of the crime, and the second section deals with the general basis of the crime. The third chapter is displaying the effects of the crime and that's by two sections, the first section is devoted to state the penal effects of the crime, and the second section will state the non - penal effects of the crime. Finally, we will write a conclusion at the end of this thesis, stating the results, recommendations and proposals.

مبدا المساواة في القانون الجنائي : دراسة مقارنة == Principle Equality In Criminal Law Comparative Study

اسم المؤلف: حسين ياسين طاهر
اسم المشرف: اسراء محمد علي سالم
الموضوع العام: القانون
السنة: 2017
الموضوع الدقيق: القانون الجنائي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: مبدا المساواة من المبادئ الاساسية التي يتوقف عليها تحقيق العدالة من خلال ضمان عدم التمييز بين الاشخاص بسبب الجنس او العرق او القومية او الاصل او اللون او الدين او المذهب او المعتقد او الراي او الوضع الاقتصادي او الاجتماعي، لذلك يكفل عدم التمييز بين الاشخا | Equality is regard as a basic principle in criminal law , the fair depend on equality which is all the people ideal target to reach so the powerful men try to concern and pretending equality this is from one side , from the other side the rules of criminal laws conducted with most important rights of human being like his life , body safety , and his freedom and this is cannot be done without non discrimination because of the race, root , or nationality or color or religion or believe or opinion or economic situation or social situation , so non discrimination among people can guaranteed the equality to convince people with absence of non discrimination , but this can face some difficulties in applying because of the privileges awarded to some people due to their law positions and the nature of protected rights by criminal text laws ,so the literal applying of equality caused non equality due to the un fair affected whom their legal positions or the rights under assault so the legislator working to resolve the non discriminated practically with abstract view regardless of personal considerations due to the coverage of solo discrimination is impossible. to reach the equality and getting the target of penalty and guaranteed its effectiveness the judicial power awarded estimated power to increase the rehabilitation versus the hurts of punishment and because both is reached during executions the judicial power authorize the means which could complete the target of punishment by considerations of personal discriminations.The importance of equality in judicial law include all the texts parts and regulations process parts. the changing in the target of penalty reflects on most principals of judicial law including equality which take a modern concept different from the previous concepts. previously the equality was viewed as numerical legal aspect for all people without discrimination and this is a result for logical criminal concepts but after transition in punishment of crimes the personal standard arise and offender start to viewed as person out of right side and the target of punishment is rehabilitations and to reach that the fitness of punishment with the offender should be taken as reality.To cover the subject of research we take it in three parts : The first part is what is the equality in criminal law which is divided into two research the first one subjected to the principal of equality in criminal law.The second part subjected to the basic and its unity of equality in criminal law.The second part subjected with the legal provisions of equality in criminal law which include two research the first for texts for equality in criminal law.The second research for regulations of equality in criminal law.The third parts subjected to two researches the first one for exceptions in equality of crimes and punishments which we deal it in two research.The first one for some exceptions for crime and punishment.The second for the exceptions in rules of regulations

التنظيم الدولي لمكافحة جريمة تجنيد الاطفال في النزاعات المسلحة == International Regulation To Combat The Crime Of Recruiting Children In Armed Conflict

اسم المؤلف: فلاح مهدي عبد السادة
اسم المشرف: سرمد عامر عباس
الموضوع العام: القانون
السنة: 2017
الموضوع الدقيق: القانون الدولي الانساني
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: يشكل الاطفال جزءا كبيرا من المجتمع البشري, اذ يمثل الطفل ثروة الامم والامل الذي ينشده بني البشر لتحقيق اهداف المستقبل, لذا انطلقت الحماية الدولية لحقوق الطفل في صورة تشريعات واتفاقيات وطنية ودولية للمحافظة على تلك الفئة الضعيفة وبالرغم من ذلك الاهتمام

القصص القراني في روايات الامام الصادق : دراسة موضوعية == Quranic Stories In Novels Imam Sadiq (Peace Be Upon Him) : Objective Study

اسم المؤلف: زياد هادي صالح الخاقاني
اسم المشرف: عامر عمران الخفاجي
الموضوع العام: العلوم الاسلامية
السنة: 2017
الموضوع الدقيق: علوم القران
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: it reveals this search for the heritage of Imam Sadiq (peace be upon him) , including irrigated by the novels of development goals for humans in various religious levels , moral , or social , or political , economic , military and others sre designed to exaltation on man what hit him examples of true and authentice listed the Koran in a manner impressive display whatever the effect of the same man. reveals that the Holy Q uran miraculous all science and its parts and one side of a situation including disablement verses stories , Quran worrd of God is difficult to know the truth , according to understanding of the human there is no need to be defined teacher to those facts and science disablement borne verses. and discloser facts Quranic are the prophets Muhammad (peace be upon him and his family) evidence was quoted as saying (peace be upon him and his family) : (( O people Iam one who does what in you the two races that thomapsktm them will not tdilo Aatarta Book Allah and my family , they will not live apart until irda causal pelvis)) among Aatarth prophets is Imam Sadiq (peace be upon him).And addresses many of the problems and suspicions that hit the book in the Quranice stories refuted by the interpretations that are not compatible with the sanctity of the Koran. Also it removed the nonsense that is contrary to the infallibility of the prophets. Among some of the stories of the previous nations of the famous stories in the era of Islam which denied the realities section of Muslims
الملخص:
المصادر:

المعالم الحركية عند السيد محمد حسين فضل الله (رحمه الله) في ضوء تفسيره (من وحي القران) == The Dynamic Features Of Mr Muhammad Hussein Fadlullah (May God Have Mercy On Him) In Light Of His Interpretation Of The Revelation Of The Qur'an

اسم المؤلف: انور اكرم فاضل حسوني
اسم المشرف: رحيم كريم علي الشريفي
الموضوع العام: العلوم الاسلامية
السنة: 2017
الموضوع الدقيق: علوم القران
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The research methodology motor when Mr. Mohammed Hussein Fadlallah was that the Quranic text on the representation of reality, make the Koran is moving in the arena, to cope with the new man in the present and future expected For this topic of great importance to it, because it Astervd verses of the Quran and Istntgaha on the ground and to prove that the Koran basis of everything in life In the field of Theology The importance of kinetic approach is definitely the correct doctrines of man, and to prove that God (Almighty) and one is not the God of God, the liberation of the human dogmas Altazev and slavery to the correct worship , In the field of Quranic sciences emerged importance and took the space, it Fadlallah gave broad role on the theory and application level, since the scope of knowledge and conceptual unity to come out consistent and informative subject As for the moral and social values it has shown questioning Mr. Fadlallah to these values, and its importance in the lifeThese values have represented the individual's relationship with himself, and with the community, and with the family, but in the social aspect popped values that emphasize the unity and cooperation, coexistence and non - violence. The research aimed to Miley : 1. Prove that the Koran neighborhood is not dead and that being the course of the sun and the moon and the night and day 2. Emphasize that the Quran is the book of life; it's speech of Allah (the Almighty) spread over time, since God created until the Day of Resurrection, it is an extension over time, and with humans. 3. BI theory of motion in the Quranic discourse, the fact that this theory gives many dimensions of the Qur'anic discourse, and thus emphasize that the Koran acres of language and their meanings 4. Address the reality under the verses of the Koran issues and identify 5. Get the new direction of the aspects of interpretation of the Koran
الملخص:
المصادر:

الثروة وتوزيعها في القران الكريم : دراسة موضوعية == Fortune And Its Allocation In The Kuran Atlcareen ( Objective Study)

اسم المؤلف: عمار ماجد حمزة
اسم المشرف: عامر عمران الخفاجي
الموضوع العام: العلوم الاسلامية
السنة: 2017
الموضوع الدقيق: علوم القران
الدرجة: ماجستير
الجامعة: جامعة بابل
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The Koran Sea inexhaustible, tender and does not denounce, took all the science all, addressing them on the various economic, social and doctrinal and political fields... etc It came the explanation from among those science explaining and explaining of the Koran, highlighting some sort him not a subjective interpretation, which means the interpretation themes Koran, and wealth among those subjects who dealt with various kinds and Ohklha multiple human scientific Kaltheroh, and natural resources of all kinds of metal Kaltheroh, water and wealth, and wealth marine, plant and wealth, and livestock, as well as financial zakat and five legacy and the revival of disused land resources... etc. The research service of the Koran and Islamic Economics, since the basic pleura relied upon by the reality of the world economic pleura, which is still Mkht conflict States in these economic pleura namely wealth, nor Sama Iraq, as it enjoys a wealth of riches promised economic resource for all countries in the world. Therefore we can say that the Qur'an is a wonderful treasure that derive from it all the research that reaches the whole world for bone This Ketab - it is Halal Bojmah - problems of the world which is not done wrong in the hands of his successor
الملخص:
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