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الشعر الصوفي من افول مدرسة بغداد الى العصر العثماني == The Sufi Poetry from the Disappearane of Baghdad School to the Othomani Era

اسم المؤلف: عبد الوحيد خليل شوكت الشبكي
اسم المشرف: محمد شاكر ناصر الربيعي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: ان التجربة الصوفية تعد من اهم التجارب على الصعيد الوجداني والفكري والابداعي، وهي التي لا تقف عند الاختلافات التي تفرضها ظواهر الاديان بل تتجاوزها دون التهاون بالفروض والاحكام الشرعية ، فما نقصده من التصوف ليس الدروشة او الانقطاع عن الناس في زوايا وصوامع ، ولا الطرق الصوفية التي كثيرا ما تصالحت مع الحكومات الظالمة ، ومارست طقوسا خارجة عن الاسلام كالرقص والغناء ، بل نقصد به التجربة الروحية التي تجلت فيهراوحانية الاسلام وفسرت الدين بعمق لاشباع وتغذية الروح وهي التجربة التي قابلت تجربة الفلاسفة في تقديسهم للعقل وعدم خروجهم عن دائرة الادراك العقلي ، وقابلت ايضا التجربة الفقهية في فهمها للدين على اساس ظاهري لا يتعدى ظاهر الشريعة وصورتها . وبما ان التصوف تجربة نابعة من الوجدان فان الحب هو المظهر والمصداق الحقيقي لهذه التجربة ، والحب شان من عمل القلب وليس العقل ، ومن هنا فان ثمة التقاء ما بين الشعر والتصوف ، وقد لجا الصوفية الى التجربة الشعرية لانها تستجيب بطبيعتها لاسرار هذه التجربة . وقد ركزت هذه الدراسة على مدة زمنية محددة ، وكان تحديد زمن البحث محاولة لدراسة الشعر في مدة ندرت فيها الدراسات والبحوث الاكاديمية ، وبشكل عام يعد الشعر الصوفي اقل الوان الادب العربي حظا في اهتمام المعاصرين . وقد شملت الدراسة نماذج من اشعار الصوفية من القصائد والمقطوعات المبثوثة في الدواوين الشعرية وكتب التراجم والتاريخ ، وكانت منهجية البحث توزيعه الى ثلاثة فصول تسبقها تمهيد وتعقبها خاتمة ، وقد جاء التمهيد متناولا التجربة الشعرية الصوفية بين التقليد والمغايرة ، وفيه تناولت التجربتين الشعرية الفنية والشعرية الصوفية وما بينهما من التقليد والمغايرة . اما الفصل الاول فقد تناول الابعاد الموضوعية للشعر الصوفي وتضمن ثلاثة مباحث : خصص المبحث الاول في موضوع التحول من الحب الانساني الى الحب الالهي ، فقد لجا الصوفية في اشعارهم الى لغة الحب العذري لما يحمله هذا النوع من الحب من عاطفة صادقة وعفة في النفس ، وبما ان الحب العذري يدور في اكثر معانيه حول المراة والحديث عنها فقد استعان الشاعر الصوفي بمفردات الحب العذري وسيلة للتعبير عن حبه للذات العلية ، وكانت لموضوعات الحب العذري الاثر الواضح في شعر الحب الصوفي ، ومن اهمها ظاهرة العذل التي انتقلت من العذرية الى الدينية. واهتم المبحث الثاني من هذا الفصل بموضوع رحلة المحب بين الاغتراب والحنين ، اذ تعد ظاهرة الاغتراب من الظواهر القارة في وجدان الصوفي ، والرحلة في التجربة الصوفية ما هي الا معراج روحي للتخلص من علائق العالم الظاهر او المحسوس والولوج الى العالم الباطن ، وتناول المبحث الثالث التحول من موضوع الانفصال الى الاتصال ، اذ تعد فكرة الاتصال عند الصوفية فكرة محورية ، وتجربة طلب مستمر من اجل التحول والانتقال من الكثرة الى الوحدة ومن الملك الى الملكوت ومن سجن المادة ومحدوديتها الى عالم المعنى اللامحدود ، ومن ابرز ملامح التحول من الانفصال الى الاتصال في الاشعار الصوفية هي : الوحدة والانسان الكامل . وتوجه البحث في الفصل الثاني الى دراسة الابعاد الرمزية واشتمل البحث على مدخل بعنوان الرمز بين المرجعية والخطاب الصوفي ، وبعد هذا المدخل ذكر الباحث ابرز الرموز ودلالاتها الاصطلاحية ومعانيها في ثلاثة مباحث رئيسة : تناول المبحث الاول رمز المراة ، فقد كان للمراة حضور واسع في الشعر الصوفي ، وتعد الجوهر الاساس التي توحي قراءة شفرتها انها ترمز على المحبوب الحق ، والجمال الالهي الباطن ، وحضر رمز المراة ايضا في حب الحقيقة المحمدية انطلاقا من ان حب الرسول من حب الله تعالى ووصاله من وصاله تعالى . اما المبحث الثاني فقد تناول رمز الخمرة ، اذ انتقلت الخمرة من معجمها الحسي عند شعراء الخمريات الى رمز عرفاني يشير بها الصوفية الى معاني الحب والفناء والوجد الصوفي والسكر المعنوي بمشاهدة الجمال المطلق وهذا التحول شبيه بالتحول الذي طرا على الحب العذري . وتناول المبحث الثالث رمز الطبيعة ، فقد ولع الشاعر الصوفي بالطبيعة ، واتخذ منهرامزا يتجلى من خلالها جمال الحق وجلاله . وافرد الفصل الثالث لدراسة الابعاد الفنية ضمن ثلاثة مباحث : تناول المبحث الاول اللغة الشعرية والتي تعد اللغة والاساليب الانشائية والتناص جزء من هذا المصداق . اما المبحث الثاني فقد خصص لدراسة الصورة الفنية كونها من الوسائل الجوهرية لنقل التجربة الشعرية وسمة اساسية في الابداع الشعري ، والصورة البيانية كان لها النصيب الاوفر من شعر الصوفية فقد افادوا من التشبيه والاستعارة والكناية . وجاء المبحث الثالث لدراسة الايقاع بقسميه الخارجي والداخلي في الشعر الصوفي، وقد درس الباحث الايقاع الخارجي من خلال الاوزان والقوافي ، اما الداخلي فمن خلال التكرار والجناس ورد الاعجاز على الصدور . ثم اتبعت الفصول بخاتمة اوجزت فيها اهم النتائج التي توصل اليها البحث . اما المنهج الذي اعتمدته في هذه الدراسة ، فقد كان تحليليا وصفيا غير متجاهل المنهج التاريخي ، معتمدا في دراستي هذه على مجموعة من المصادر والمراجع من كتب التصوف والادب والبلاغة والنقد واللغة والسير والتراجم التي هيات للبحث مادته اللازمة . | This study dealt with the Sufi Poetry in a specific time , The methodology of the research demanded dividing the thesis into three chapters , preceded by an introduction and followed by a conclusion . The introduction dealt with the intellectual activity during the study which included three main demands : The writing movement , the literary movement and the Sufi movement .The first chapter included three themes with a general title called the objective dimensions , The first theme dealt with the transferring from the human love to the divine love , It became clear for us that the Sufi love is a development of the platonic love , the topics of the platonic love had an evident effect on the Sufi love poetry , the most important is the reproach phenomenon that transferred from Platonism to religionism . The second theme transferred to study expatriation , yearning and the liaison of the beauty in the dwellings of the beloved .The third theme dealt with the topic of transferring from separation to connection , the topic of unity and the perfect human was the most prominent features of such kind of poetry. The second chapter dealt with studying the Sufi symbol , the topics of woman , wine and nature distributed upon three essential themes . The third chapter dealt with studying the artistic dimensions within three themes , the first theme dealt with the poetical language which considers the language , the composition and the similarity of the poetical texts a part of this credibility . The second theme dealt with the artistic image which considers rhetorical image of simile , metaphor and metonymy as the most important patterns of it , the Sufi poets used such rhetorical images in their poetry depending widely on metaphorical and metonymical image . The third theme dealt with the two kinds of rhythm , the outer and the inner rhythm , of the sufi poetry , the researcher studied the outer rhythm through poetic metre and rhythm and the inner rhythm through repetition , Alliteration and returning the first part of the verse to the second part . I followed the chapters by a conclusion which I summarized in it the most important results that the research could reach to , the method which I depended on in this study was a descriptive analysis not ignoring the historical method , in this study , I depended on literary , critical , rhetorical , linguistic and historical sources which I supplied the necessary topics for the research .

المنهج النقدي في منجز الناقد باقر جاسم محمد == The Critical Trend In The A Chievemat Of The Critic Baqir Jasim Muhammed

اسم المؤلف: افراح حسين زغير
اسم المشرف: فرحان بدري الحربي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تناول هذا البحث المنهج النقدي عند الناقد باقر جاسم محمد باحثا عن اهم ما انجز الناقد باقر من دراسات متخصصة في المنهج النقدي تطبيقا وتنظيرا وقد طغت تطبيقات الناقد على الدراسات التنظيرية لديه، استطاع الناقد خلال تلك التطبيقات التوفيق بين اليات المناهج المختلفة في الدراسة الواحدة ؛ ابتداء من المنهج البنيوي حيث حاول تطبيق ما جاءت به البنيوية من خلال الزمن ووجهة النظر على نصوص محمد خضير ولطفية الدليمي واخرون وقد شكلت وجهة النظر حضورا في تطبيقات الناقد اكثر نسبيا من تقنية الزمن وقد جاء في الفصل الثاني المنهج السيميائي حيث تناول البحث اليتي التناص والعتبات التي طبقها الناقد على النصوص الابداعية شعرا ونثرا ومن المناهج التي شغلت مساحة من تطبيقات الناقد المنهج الفني والمنهج النفسي ايضا ، وقد تابع البحث كيفية تعامل الناقد مع المصطلح النقدي وكيفية اختيارات الناقد للنصوص الابداعية ، فقد كانت اختياراته متنوعة بين المشهور والمغمور وبين القديم والحديث وبين الشعر والنثر من النصوص مما يثبت سعة اطلاعه وتنوع اهتماماته وقد كان لمرجعيات الناقد الغربية اثرا واضحا في تطبيقاته وقد انتهى البحث بخاتمة حوت اهم النتائج التي توصلت اليها الباحثة وقائمة الصادر والمراجع | This research dealt with the critical approach of the critic Baqir Jasim Mohammed, a researcher of the most important achievements of the critic Baqir of specialized studies in the critical approach in application and perspective has been overshadowed the applications of the critic on the studies of the analogy, the researcher through these applications to reconcile the mechanisms of different curricula in the study one; The structural approach, where he tried to apply the structuralism through the time and the view on the texts of Mohammed Khudair and Latifiyah Dulaimi and others has formed the view of the presence of the applications of the critic is relatively more than the technique of time has been in the second chapter of the semiautomatic approach, The study followed the critique of the critical texts and how the critic chose the creative texts. His choices varied between the famous and the obscure, the old and the modern, Poetry and prose of texts, which proves the extent of his knowledge and diversity of interests has been the references of the Western critic has a clear impact in its applications The research ended with the conclusion of the most important findings of the researcher and the list of issued and references.

المكان في روايات انعام كجه جي == The place in the novels of Inaam Kachachi

اسم المؤلف: نورة عباس علي
اسم المشرف: حسن دخيل عباس الطائي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: A place is considered as a key element which connects directly with human life and has a great effect on human feelings, moods, strains and habits. The place has a great influence on the novelist because it has good and bad memories. So the importance of the past events including characters and events cannot be shown unless there is a specific place for them.This research paper is consisting of an introduction, content of three chapters, conclusion and references. The first chapter is about the associations of friendly place which has good and positive memories. It contains two topics : the first is about the meaning of the friendly place and it’s most important patterns while the second is about the clarification of the place familiarity containing three things that are, tolerance with the other one of different religion, work for the other (helping each other) and participating in the religious ceremonies among different people. The second chapter is about the associations of the adversarial place which has bad and sad memories. It consists of two topics : the meaning (concept) of adversarial place it’s most important patterns and the place violence (violence that happened in a place) which is clear in the novels of the novelist, Inaam Kachachi, in addition to the meaning of violence. The third chapter is about the associations of the place symbolic and cultural concepts containing two topics, the first is the symbolic place concepts like the title, the woman and the picture while the second is about the most important sides of cultural place like the language, folk songs, proverbs, clothes and food that connected with the human personality.

دراسات الدكتور شوقي ضيف القرانية في ضوء النقد الحضاري == Studies of Dr. Shawki Daif Quran in the light of Civilization criticism

اسم المؤلف: حاكم فضيل عطيوي
اسم المشرف: هناء جواد عبد السادة العيساوي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: استجاب الناس بمختلف اقوامهم، وعبر التاريخ لدعوات الرسل، ووقفوا منها مواقف مختلفة، وقرؤوا كلام الله الذي حملوه اليهم وكتبوه، وبدؤوا يتعلمونه، ويفسرونه، ثم ذهبوا فيه من بعد رحيلهم مذاهب شتى، فكانت استجاباتهم عرضة للاختلاف، والتعدد، وان كان ذلك بين الدين الواحد، فدفعتهم ضرورة التفاهم الى الحوار، والقبول بالوساطة؛ حينما ادركوا اختلاف فهمهم وتعدده، وربما حل محله الصراع، والصدام، والاقتتال، وبدافع المساءلة لدراساتهم الدينية، جاءت اهمية هذا الموضوع الذي يقدم نقدا حضاريا لدراسات احد الجامعيين العرب من الذين استجابوا لمعالم الحضارة الاسلامية، وابوياتها المعاصرة، فتمحورت حول القران الكريم، وما دارت عليه من خصومة بين الباحثين المسلمين، والمستشرقين، وما بين هؤلاء وهؤلاء من اختلافات حضارية، وموجهات مذهبية متعددة، فاختص الموضوع بدراسات الدكتور شوقي ضيف القرانية الذي امضى قسطا غير قليل من حياته في التاليف الادبي، والنحوي، فشمل دراسات مختلفة، ابرزها : الفن ومذاهبه في الشعر العربي، والفن ومذاهبه في النثر العربي، وكذلك موسوعته في تاريخ الادب العربي على اجزاء، وايضا في تيسير النحو العربي بعدد من الكتب، وتحقيق التراث العربي بعدد من الكتب، ثم قدم عددا من الدراسات القرانية ضمتها بعض كتبه، وهي : تحقيق "كتاب السبعة في القراءات لابن مجاهد" في عام (1967)، وتاليف "سورة الرحمن وسور قصار - عرض ودراسة" في عام (1971)، و" الوجيز في تفسير القران الكريم" في عام (1993)، و"عالمية الاسلام" في عام (1996) ، و"الحضارة الاسلامية من القران والسنة" في عام (1997)، و"محمد خاتم المرسلين" في عام (2000)، و"القسم في القران الكريم"في عام (2001) ، و"معجزات القران" في عام (2002)، ويمكن عد كتابه "تاريخ الادب العربي - العصر الاسلامي" في عام (1964) من الكتب المهمة في هذا المجال ايضا، فتضمنت هذه الكتب دراسات قرانية ذات استجابات ابوية حضارية يمكن دراستها نقديا؛ لذلك صار عنوان البحث "دراسات الدكتور شوقي ضيف القرانية في ضوء النقد الحضاري"؛ فكان التعامل معه هنا على انه كاتب ذو استجابة ابوية حضارية، ومن باب الوساطة النقدية الحضارية كانت ضرورة النقد الحضاري لاستجابته التي دعته الى احياء المكتوب الاسلامي، واصلاح المقروء الاستشراقي ؛ مما سيتضح اكثره في الفصل الاول المعنون بـ "النقد الحضاري، واضاءة تطبيقية "؛ الذي ضم اولا : مرجعيات النقد الحضاري، وهي المرجعية التاريخية، والمرجعية الفلسفية، والمرجعية الاخلاقية، وثانيا : مفهوم النقد الحضاري للبنية الابوية، وثالثا : المقدمات الابوية للدكتور شوقي ضيف، وهي : المقدمة المذهبية ، والمقدمة القومية ، والمقدمة الاحيائية، اما الفصل الثاني، فعنوانه : دراساته في علوم القران، وقد ضم توطئة اصطلاحية ، وعددا من الدراسات عالج شوقي ضيف في كل منها قضية من قضايا علوم القران، وهي التدوين، والترتيب، والجمع، ورسم المصحف،ونشاة التفسير، والمكي والمدني، والنسخ، والمحكم، والمتشابه، والاعجاز القراني، والقراءات القرانية، وعروبة القران، وكان الفصل الثالث : دراساته في لغة القران، وضم دراسته المعجمية ، ثم دراسته النحوية الذي انقسم على قسمين هما : القسم، والاساليب الاخرى، وان هذا الاجراء في تقسيم البحث اقتضته مادة البحث ومنهجه، وهو يسير مع تفاصيل الكتابة سيرا متسلسلا على وفق متطلبات علمية، وترتيبات منهجية ، ومن الجدير بالذكر هنا انه لم يتعرض لهذا الموضوع احد بدراسة مستقلة لا في العراق، ولا خارجه؛ لذلك حظي هذا الاختيار بالترحيب، والثناء من لدن بعض الاساتذة في الجامعات العراقية وشهادتهم، وقد واجهت اعداد البحث بعض الصعوبات، ابرزها : جلب المؤلفات من خارج العراق، وما تطلبه من وقت وجهد، واخيرا لا يسع الباحث الا تقديم الشكر الجزيل للمشرفة على هذا البحث الاستاذ الدكتورة هناء جواد العيساوي؛ لما قدمته من متابعة موضوعية ، ومشاركة علمية، داعيا الله تعالى لها بدوام العافية ، والتواصل لخدمة الانسانية ، والتوفيق لحسن العاقبة، والحمد لله رب العالمين | The book "The Book of Seven in the Readings of Ibn Mujahid" in 1967, and the composition of "Surat Al - Rahman and Sur - Qasr - Presentation and Study" in 1971, Al - Wajeez in the Interpretation of the Holy Quran in 1993, Islam in 1996, Islamic Civilization of the Qur'an and Sunnah in 1997, Muhammad Khatam of Messengers in 2000, The Quran in 2001, Miracles (2002), and his book "History of Arabic Literature - the Islamic Age" (1964) can be considered an important book in this field as well..Boot entitled to "the concept of cultural criticism, and applied lighting"; which included first : the concept of cultural criticism of patriarchal structure, and secondly : introductions Parental Dr. Shawki guest, namely : Salafi interpretation, and national literature, biome facilitation, and then divided his studies Quranic on two chapters, the first : His studies in Quranic sciences, has been included in preparation idiomatic, and a number of studies Shawki treated guest in each issue of the Koran science issues, namely blogging, combine, drawing the Ottoman, the Mecca and civil, copying, and arbitrator, and of Like, the miracle of the Qur'an, and readings of Quranic, and the Arabism of the Koran , and was the second chapter : his studies in the language of the Corner, included three studies are; his study lexical, and grammatical study, which was divided on two sections : Section, and other . methods, then his rhetoricalIt is worth mentioning here that this subject has not been subjected to any independent study either in Iraq or abroad, so this choice was welcomed. , And praise from some professors in Iraqi universities and their testimony, has faced the preparation of the research some difficulties, most notably : bringing the literature from outside Iraq, and the required time and effort.,It is worth mentioning here that this subject has not been subjected to one independent study, neither in Iraq nor abroad. Therefore, this selection was welcomed and praised by some professors in Iraqi universities and their testimony. The preparation of the research faced some difficulties, And the time and effort required

القصيدة النسوية في الشعر العراقي الحديث بين الرؤيتة الابداعيتة والتجربتة الذاتية : نازك الملائكة وبشرى البستاني مثالا == Feminist Poem in Iraqi Modern Poetry between Creative Vision and Self - Experience (Nazik Al - Malaika and Bushrah Al - Bastani as Models)

اسم المؤلف: ميسون عدنان حسن علوش السعدي
اسم المشرف: علي متعب جاسم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The study of women's legal and what is produced by women in literature, especially poetry, it required to search in self - experience of the poet , firstly Women, and secondly her creative vision in writing her experience , for the purpose of detecting her internal worlds.The study was reported many visions and critical issues imposed by the nature of the subject as it focused on the study of self - experience which required briefing the outer circumstance of the text and at the same time the analysis of text structure and the interpretation of it connotations.Above - mentioned, the study divided into an introduction , preface, three chapters , conclusion and a list of sources and references . The preface entitled (self - experience and creative vision in the perspective of literature).The first chapter entitled (Feminist and ideal interval), it included two sections, the first one devoted the accomplishment poetry of Nazik Al - Malaika under the title (Feminism and the nonappearance in the poetic text of Nazik Al - Malaika), while the second section has been allocated for the accomplishment poetry of Bushrah Al - Bastani under the title (women speeches and ideal interval in Bushrah Al - Bastani poetry).The second chapter, entitled (Feminist loyalty among text thresholds and symbols of women) , it included two sections : the first one for the poet Nazik Al - Malaika under the title (Feminism and symbols of women in the text thresholds for Nazik Al - Malaika), while, the second section was for the poet Bushrah Al - Bastani under the title (Feminism and symbols of women in the text thresholds for Bushrah Al - Bastani(.The third chapter entitled (Feminist between event space and women memory) which included two sections : the first under the title (The representations of feminism and its effectiveness in the event to Nazik Al - Malaika) and the secondsection entitled (feminist dialectical, event effects and the reality of women to Bushrah Al - Bastani).Finally, the study ended with aconclusion included a set of results and a list of sources and references, which varied between old and modern, for the purpose of scientific rigor and objectivity.I would like to extend my sincerest thanks , appreciation and gratitude to the great heart which includes all his students without discrimination my supervisor Dr. Ali Muta'ab Jassim, who was so kindly act through standing by me during the writing period , choosing the topic , supplying the most important sources, opening the doors of his home and his library for students candidates tirelessly or fatigue, retracing the footsteps of the study step by step. He never be a stingy in outpouring generosity , value, guidance and advice.

البحث الدلالي في كتاب الايضاح في شرح مقامات الحريري للمطرزي ت610هـ == Semantic Investigation in Al - Edah Book in the Explanation of Maqamat Al - Hariri for Al - Mutarizi

اسم المؤلف: همم راضي عليوي
اسم المشرف: محمد بشير حسن
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Maqamat Al - Hariri is important literary texts since it represent a lovely literary type in human souls till now. So, the linguists pay attention to it by explaining and clarifying its ambiguities and investigating itsbeautiful areas. Al - Edah book is one of these explanations but itparticularizes from others in that it cares to the semantic side making the linguistic levels its own beginning. So, the researcher pays attention tothis explanation in that she revel the authors’ cleverness. This studyconsists of three chapters. The first one entitled (phonetics andmorphological level) which consists of two sections. The first one (phonetics level) deals with two topics, alternation among voiceless sounds like alternation between (التاء and ,(الھمزة and the alternationbetween voiced sounds and it deals with alternation between (مالفتح والض )and other things. The second section deals with morphological level. It deals with topics like derivation, rigid, minimization, attribution, plurals, and others. The second chapter is entitled (grammar level) which deals with topics like indication of inclusion, deletion, and indications of some names and letters. The third chapter entitled (indication sections in Al - Mutarizi) which deals with two topics, the first is (singular words indication) and ( semantical development)

شعر الغزل بين عمر بن ابي ربيعة وبشار بن برد ونزار قباني : دراسة بلاغية موازنة == Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane (A Pithiest Paralleled Study

اسم المؤلف: خالد فائز ياسين
اسم المشرف: خالد علي مصطفى
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This dissertation title " Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane - A Pithiest Paralleled Study " , inanalyzing romantic poems in stylistic way . This science is a beneficialelement of stylistics and different levels of language " structural ,morphological , and phonological " besides other artistic aspects inanalyzing a literary text . Stylistics deals with a poetic text as being acomplete structure comprising in it elements of the text and partialstructure. Also the direction of criticism is towards poetry not the poet ,by that it is necessary to teach poet's poetry separate or far from theinfluence of desire and felony of generalization .In this study the researcher chose three poets ( as mentioned before )concentrating the speech on a common poetry aspect between the threewhich might barely be the most common in their poetries . This aspect islove , and the study of love in these three poets was not new . It has beendealt previously by several researchers . They studied it separately in eachpoet and demonstrated its types and directions , by studies that could bedescribed as artistic and subjective . But , they did not deal with concernthe stylistic study , even if we find stylistic studies dealing with all thepoets poetry . This study was done dealing with one purpose in poemshaving one subject . On the other hand , the study dealt with the stylisticaspect accurately in each poet by demonstration , and stylistic analysis .The study started with a theoretical part about ; first : stylisticsbetween the theory of the term and the concept ; second : showing themeaning of comparison and its styles in Arabic heritage . Then dealingwith concept of paralleling and its styles in Arabic heritage . Also ,through reading love poetry of the three poets stylistically . The study isdivided into two chapters, each chapter contained five sections . The firstchapter was entitled " structural level " and its sections are ; first section ( style of interrogation ) , second sections ( style of command ) , third section ( style of vocation ) , it is known that these styles are structural ordered styles demonstrating artistic aspects of their usages by each poet and most significant metaphorical aspects of each style , fourth section ( repetition ) mentioning in it types and patterns of a single poetic line , and its style in connecting , and finally the fifth section ( alliteration ) mentioning in it the verbal expressions of this art and its place in poetic line . As for chapter two it is entitled " levels of image formation " and contained five sections , as follows : Section one " sources of forming image of Romances " . Section two " images of simile " .Section three " images of allegory " .Section four " images of allegory " .Section five " contradiction ( antithesis and paralleling ) " .The study came to several results : - The researcher found common manner in structure of interrogation between the three poets . Especially, in the poets " Bashar and Omar " sometimes the researcher finds that their poems have an opening of this kind of style . Also , the technique of concrete interrogation has been found in the three poets . - In repetition and from the samples that has been exposed in the study , it is found that the repetition of expressions has taken a huge space especially in the poems of " Nazar " thought they are different in form it has been employed beautifully . - In alliteration , which is a rich style used by the three poets in all its types and forms , we find " Omar and Bashar " committing to all its classifications and common structural places in the line of a poem . - In the second chapter : we found in section one ( sources of forming image of love ) the experiment of feeling is varied in the three poets with existence of lines the poems that meet in the poems of the poets Omar and Bashar , especially , in the openings of their poems . Where we find them standing on remains addressing friends . This opening toke a wide space in the poems of Omar compared to Bashar , and disappearing totally in Nazar Qubane poems . Then we find narration and dialogue in the three poets with existence of similar art in poetic messages in experience of Nazr Qubane dealing in it with his passions within the frame of his emotions. - In the second section ( simile style ) the researcher found that the three poet's attitudes are to build a complex image of simile , which give an expressional value wider than simile called " individual simile " . - Section three ( allegory ) our study in this section is limited to diagnostic allegory or what is called dynamic allegory since having vitality and flexibility in drawing the poetic image and the researcherfound big constancy in using such kind of allegory.

الهوية النسوية في شعر المراة الجاهلي == Feminism Identity in Pre - Islamic Women Poetry

اسم المؤلف: ماجدة حسن حبيب
اسم المشرف: خالد سهر محي الساعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This dissertation title "Feminism Identity in Pre - Islamic Women Poetry" to discuss the important role of women in Pre - Islamic period. It is divided into three chapters with several sections in each chapter.Chapter one, entitled "Manifestations of women identity in poetic purposes", and this chapter is divided into three sections including the speech of elegy, flirtation, and satire. Chapter two, entitled " Manifestations of women identity in poetic themes", and also it is divided into three sections speaking about women identity and themes of motherhood and childhood, and the discussion about women identity and family life, women identity and theme of affiliation.Chapter three, entitled "artistic structure in pre - Islamic feminism poetic texts". It is divided into three sections dealing with texts about feminism poetic image and poetic language, and speaking about rhythm in its two parts weight and rhyme.The dissertation has been concluded with several results and recommendations. The researcher has depended on important references like Al - Aghane for Abi Farag Al - Asfhanee and the book Balaghat ANesaa for Ibn Tayyfor.

التوظيف الاسلوبي للتثنية في التعبير القراني

اسم المؤلف: عبد الرحمن محمود كريم ناوي
اسم المشرف: وسن عبد المنعم ياسين الزبيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

حداثة جبران في الخطاب النقدي العربي الحديث == The Modernism of Jubran in Modern Arabic Critical Discourse

اسم المؤلف: مروة مهدي صالح فرج
اسم المشرف: خالد علي مصطفى
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This study is based on Jubran's modernism by reviewing the critics' opinions about it. The study falls into an introduction, a background, and three chapters. The introduction discussed the concept of modernism in Jubran's poetry by illustrating the origins of the word "modernism" in Arabic and foreign languages as well as the technical term. Then, moving to the literature of Jubran to identify the aspects of modernism in it. The first chapter discussed "The Modernism in Religious Vision" in two sections. The first section discussed the critics' opinions about his vision on religious ideology. The second section discussed critics' opinions about his vision on philosophy and sophism.The second chapter discussed the modernism of cultural situation which falls into two sections. The first section dealt with critics' opinions about his vision on authority and society and the second section dealt with critics' opinions about his vision on woman and love. The third chapter discussed the modernism in literary issues. Its first section discussed critics' opinions about style aesthetics in his literature while the second section studied critics' opinions about literary types in his literature.The modernism of Jubran is distinguished from other authors pecause it dealt with the different aspects of life like religion, culture , and literature. This can be attributed to vastness of his culture and awareness of the world literature and philosophy which helped him create his own vision that cannot be an imitation of others as affection or effecting.

تحبيك التاريخ في الرواية النسائية العراقية بعد 2003م == Emplotment history of the Iraqi Women's novel after 2003

اسم المؤلف: مريم جبل كاظم سعدون النايلي
اسم المشرف: اوراد محمد كاظم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: This study looked at the novelist models absorbed historic in many ways, as a piece of text space, based on history by making it interactive and absorbing reference transmit it, and reflect the social, political and historical reality as the novel begins from reality to paint and building events, reflecting the shifts and changes that have affected society, and expressive and tragic reality bitter, dominated by the theme of violence as the theme of ideology has been able to occupies a large area in novel writing, including in respect of the effects of the devastation and oppression, through different techniques and methods to evoke historical reference in the novels, some of which were adopted in the events listed on the anonymous Rao, non - participant in the narrative process, some of which was mediated by the characters, or through an external Rao, for a variety of viewing angles, and also through various forms of dialogue, was the product of that accommodate women's history in the novel, and the findings of the researcher : • The writer raised concerns of political and social world, filled with history novels, inspired him to events past and present other, dealt with topics Frequently Asked Overall, I wrote about the wars and revolutions and tragedies portrayed stages of the rebellion, tyranny and corruption of the ruling regimes. • hired novels, social and cultural historical political figures and realistic, of revolutionary heroes, and dictators, summoned by the presence of popular historical figures or mystical within the narrative structure, given roles in the plot fiction as a symbol of the nation path .• refer the imaginary characters in most novels on historical figures; especially as some accounts come with all of the personalities of Tadian mutual role, and offered to lend historical realism feature on the novel; especially related to the terms of reference of time historical, in addition to events imagined, which refers to the real event figures. • varied historical and social issues in the novels, most of them from the current date, and then come back rebounds requiring novel of introduction of some issues that fit with the periods of time which codified them. • The presence of historical reference in the novels and clearly defined, hardly constitutes a phenomenon in the novel, whether it be at the forefront of some of the novels which Tsfh Metn novelist specific historical terms of reference, or is it the middle of, or at the end, it was filled history ample space from them. • In most historical texts contained in the novels, we see the similarity of the historical text with the text of the novel, except for the referral of brokered imaginary narrative as space accommodates historical issues, and references to historical realist. • historical perspective form in the Metn novelist dimensions tag them ideological historical or social, to call historic event that employed by the similarity of the voice of the narrator and central character with history and events and characters, for private novelist vision, or for the connection between the reality of life and the events of history, it was time who spotted the historical vision of the writer related a time of successive wars, which had an impact on the psychological and social structure of a society novel Mstdeih last time more than the present. • historical vision of the structure where the transmitting reveal the meaning to indicative transmit through which the writer on realistic data where the real Palmtejel associated in the context of building the narrative, which talk about the significance of ideology in the spaces of the novel, and the manifestations indication of violence as a space carries the meaning of oppression by the destruction address, and carries political dimensions and cultural and social by describing the geographical location as a space, to reveal the significance produced by the historical time and social time. • handled some accounts the question of identity and Thabayk history and research in the dispersion and Chziha, between domicile origin other country residing in it personal, to try accountability reality, history and re - Thabeckhma; it traced manifestations expatriate figures in the level of words and deeds, and time and place, and succeeded in drawing crisis and permanent suffering and struggle with reality and with the other, a conflict that led her to the ways are blocked, either death or suicide or alienation as his image of the novel, or trying to escape from reality

شعر عبد الامير جرص : دراسة اسلوبية == The poetry of Abdul - Amir Jaras Stylistic study

اسم المؤلف: تارا خالد خلفه
اسم المشرف: صفاء عبيد حسين الحفيظ
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: It's became known that the Iraqi poetic text is a diverse text , that opens to the continuous experimentation field which does not settle down or rest , This text that has seen many transformations, Alterations, Creation and re - creation operations that contributed at maintaining the continuity of its leadership, The '90s Iraqi Poetic text was able to achieve a great artistic richness during its emergence, By a good group of Iraqi poets, Including "Abdul Amir Jaras ", That his mature writings imbued the creativity pouring rain on the land of Iraqi poem fertile, and as a Modernist poet, and as a modernist poet, he deliberately breached the standard poetic language, Employing new structures and syntheses, That contains a lot of sarcastic Paradoxes of the '90s tattered prevailing situation. Abdel - Amir, whose poetry experience has matured in the 90s' of the last century, But as the sons of his generation of poets, His poetry did not take its right of literature study, And didn't receive the attention of researchers, Despite the fact that his texts contain very dangerous and influential images and poetry flashes. From here I grew a desire to study the phenomena and features that characterize his poetry in accordance with the modern approach that reveals the secrets of the text and its interrogation as stylistic. And as the Methodological necessity required this research, To be divided into a preamble, three chapters and a conclusion, In the preface : we briefly presented the most prominent stylistic phenomena of the Iraqis poets of the 90s' generation, Speaking about the impact of intellectual, political, social and economic conditions in their poetry, Then we gave an overview of the life of the poet and a translation of his biography, And then we discussed the different circumstances that formed his experience .As for the first chapter, entitled (audio level) : it was built on two subjects, The first subject dealt with the internal rhythm, Which was addressed to the rhythm of (repetition) and (parallelism),While the second subject dealt with external rhythm, In which we studied the (weight) and (rhyme).The second chapter on the other side, entitled (structural level), included four topics, In which we discussed the most prominent structural stylistic phenomena, In the first subject we studied (query) and in the second (negation), In the third (appeal), in the fourth (submission and delay), the fifth (time), Which is divided into three sections (overlapping, fading and absolute) time, With making statistical tables for all previous phenomena to reach more accurate and objective results .In the third chapter, entitled (Semantic Level), it included three topics : first (semantic fields), Which was devoted to talk about the most prominent fields contained in the poet poetry such as (field of nature) and (flags field and personalities), And in the second section We dealt with (The picture) which is divided into : (mental image) and (sensory image), In the first one We dealt with the (symbolic image) and the (mythical image), In the second (optical image) and (haptic image). And as for the third section it included (image semiotics) and was divided into (punctuation marks), (whites and blacks) and (Typographical space.) And as for The conclusion : it included a summary of the most important results we have reached in the research, Then a list of sources and references and a detailed index of the topics.

الشعر العراقي في المهجر (1968 - 2003م) : دراسة نقدية == The Iraqi Poetry In Diaspora (1968 - 2003) Critical Study

اسم المؤلف: اسامة محمد مهدي الحسناوي
اسم المشرف: عبود جودي عبود الحلي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Art is a creative humane activity that is affected by the nature of the social religious qualities of human.So it is a record that keep exploits , values and the history of the nations. For that reason thesis deals with a vital part of the Iraqi poetry ,which appeared in the diaspora as a result of complex circumstances.This study includes a preface ,four sections and a conclusion.Through the conclusion the researcher shows the most important results and recommendations he had out.The researcher certainly benefited from some important sources in order to accomplish the thesis.The sources including : 1 - The Arabic poetry ,its issues and phenomena by Dr. Is AL Deen Ismail 2 - Representing's of Modernity in the culture of of Iraqi by Dr.Fatima Al Muhsin3 - The language of the Arabic poetry by Dr. Al Saeed AL WWaraqee researcher throughout the study.1 - The concept of poetry is interrelated with to other concept belonging to its semantic field. Refusal and revolution.Refusal is apart of rebelling which is a wide concept include other concepts such as metaphysic refusal and negative refusal.2 - Refusal has shown a willing obligation by poets with issues of society as being members and leaders who are wiling to achieve their hopes for freedom and justice.3 - Poetry of refusal has a role in calling for challing and rejection of oppression in all its types.4 - The literary product is an achievement for poetry of refusal in Iraq.All efforts have to be collaborated to achieved and spread. The researcher calls be for all institutions to do their best to collect this product. The researcher is ready to present any help in this field

عبد الواحد لؤلؤة جهوده النقدية والادبية == Abdul Wahid Lu,Lu,A, His Critical And Literary Efforts

اسم المؤلف: عـماد كاظـم خـضـير العـبـيـدي
اسم المشرف: سعيد عدنان المحنة
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Critic Abdul Wahid is a Lu,lu,a,of critics who have contributed, in a clear way to strengthening the reality of literary criticism in Iraq and the Arab world, to his efforts over the past 40 years. He was a lecturer at the university and participated in scientific conferences organized by academic, cultural and literary institutions in various countries of the world. As well as his books in literary criticism, which collected all his research and lectures in this area, which amounted to ten books, dealt with various types of literary criticism in poetry, story, novel, play and art biography. Where he investigated the literary productions of Arab and international, explaining and explaining and analyzing and criticizing what was on board. Providing a clear service to the Arab reader.Not only that, he was one of the most important Iraqi translators. He translated many books and research from English to Arabic, and vice versa. It was the result of his translations that the transfer of the most important literature of the West to the Arabs are careful in dealing with the Western text after found a mix of foreign concepts and terminology that was translated to the Arab as he is in it and was in literary criticism deals with the text on the basis of a general human feeling and comprehensive, Does not belong to a particular class, nationality, or class.This study deals with all the efforts of the critic Abdul Wahid to explain, detail and analysis, an attempt to reach the search in its midst and uncover the syllables, to know the value of these efforts, and their impact on the Iraqi and Arab achievements of literary criticism

اثر الرصافي في الجواهري

اسم المؤلف: خلود ثعبان يوسف الاسدي
اسم المشرف: سعيد عدنان المحنة
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:

الاقناع في الشعر السياسي الاموي 41هـ - 132هـ

اسم المؤلف: رحيق صالح فنجان
اسم المشرف: حسن حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This study aims to indicate the concept of verbal acts and the most important theoreticians, and their roles in persuasive speeches of political poets of political parties in the Umayyad : Umayyad, Shiites, khawaarij and Zubairians. In fact verbal acts not intended in this instance acts known grammatical but verbs that work to accomplish certain situations which turn words into deeds or informative, guidelines or expressive as Discourse and harnessed to the task of their persuasive in changing the receivers' thoughts and behavior through drawing them emotionally and intellectually to share, accept, or refuse. So such varied acts adopted by poets between guidelines and Expressionism is to convey the voice and ideas of them indirectly. However, those linguistic and rhetoric methods may suggest different meaning implicitly. So that, they fit the nature of poetic language in their hints, brevity, and symbolism. Besides those tip styles of constructional methods and associative techniques led to obtain an expressive function which declared through the political community visions of poets in two tracks : first : the rejection of the political reality imposed on them and the Umayyad policy governance style, was a mask fit disappear behind those emotions partially, appear to some as a symbol of strength and power, while others appear as a symbol of authoritarianism and imposed on them and the Umayyad policy governance style. while others appear as a symbol of authoritarianism and tyranny and violation of SC and Bayat in receiving the reins. Second : they way for their parties and maximizing prestige and show symbols in sacred religious icon image analogue to prove its legitimacy in succession

العنف السياسي في روايات هدية حسين == Political Violence In "Hadiya Hussein" Novels

اسم المؤلف: رغد عبود جودي الحلي
اسم المشرف: عبد الامير مطر فيلي الساعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This research studies the violence in the Iraqi novel feminism taking the Iraqi novelist (Hadiya Hussein) as a case study through the following ten novels : (Girl of Khan 2001, After Love 2003, On the Way to them 2004, Glass of Time 2006, Rain of God 2008, Women of Thresholds 2010, To Be Afraid 2012, The Rock of Hilda 2013, Riyam and Kafa 2014, Time of Joy 2015).The study monitored the forms of political violence and its consequences which appeared in these novels, where the novel became a literary form that portrays the problems of society, no longer an imagined tale for entertainment and fill the leisure, so extrapolated fiction texts sponsor to clarify implicit cultural formats that disappear in and grow with the development of it.The war had a largest share and most hideous in the forms of political violence, and the novelist has shown with possibility of brilliantly that the war does not burn soldiers only, but reflected its impact on the joints of the whole society, and woman has a large share of that fire, she is sponsoring in his absence and the shelter for the family, in addition of her lost and pain, as well as the psychological impact of the distorted life after the war on her, and the ensuing devastation.The research has highlighted the three wars of Iraq, which included the studied novels, namely : (1980 - 1988 Iran - Iraq war, the occupation of Kuwait in 1990, the occupation of Iraq and the fall of the Iraqi government in 2003).The immigration was a sign of bad reality, that echoed in the scene of the novels, and was politically motivated in this study, where the fear of the tyranny of the former regime, the cause of one of them, while immigration in the other coincided with the occupation of Iraq, and in third, it was after the occupation to escape from sectarian violence, which popularized in those dark era of the history of Iraq.In addition, the other forms of violence didn't forgot in this study, such as physical torture, economic blockade, the ruling party and its uniqueness of the provisions of the control of the country and the liquidation of opponents, as well as the chaos and sectarian killings, which became popular after the occupation.Thanks to everyone who helped me and support me in my career, thank God, Lord of the Worlds

بنية الصورة في شعر عبد الكريم راضي جعفر : دراسة تحليلية == Image Structure In Jaffar Aabdul - Kareem Radhi Poetry (An Analytical Study)

اسم المؤلف: نوفة حسين علي
اسم المشرف: كاظم فاخر حاجم الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: In the name of Allah , the most merciful, the most compassionate praise is to Allah , lord of the worlds and peace is upon his prophet Mohammad and his sons.This study that has addressed (Image structure in Jaffa Abdul - Kareem Radhi ) image structure. This study examines the true and composition of the poet. Poets of the sixties in Iraq have known some kind of renewal that characterizes the analogy between the thing and its image. poets at this time used poetic image instead of direct speech until they `re in so much exaggerated.Poet Jaffar Aabdul - Kareem Radhi was able to free itself from the temporal and spatial reality and logic in the formation of the poetic image , at the same time linking that image by the dream. It was far from being the old rhetoric things because of that may be heterogeneous in Iogic and reality.There are several recent studies that have examined the hair of this poet and his life , but did not provide much about him and his poems.There for , this study was designed to give a clear picture of his dealings with the technical image in his hair , the methodology of this study is an analysis of the poems.It consists of an introduction and preface ,three chapters and a conclusion. In the introduction , the researcher studied the conceptof the image in the eyes of scholars ,past and present ,then the role of the imagination and its relationship to the poetic image.In the first chapter ,we find that the main topic is the Avatar. And how the poet used the PIN code ,the symbol contextual and women that have a significant presence in the Arab poem.In the second chapter ,we find the image intertextuality ,and discuss the types of intertextuality including religious , literary and popular.The third chapter deat with the dramatic image that reduce the impact of excessive singing It has been used techniques such as (diaiogue , mask and substantive equivalents).Finally ,the study included the results achieved through research and reached by researcher.

الاخر في شعر لسان الدين بن الخطيب (وفاته 776هـ) == The Other In Lesanddin Bin Khateeb Poetry

اسم المؤلف: فائق نعمة هنيدي الابراهيمي
اسم المشرف: حسين مجيد رستم الحصونة
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: The question of Oneself and Other has occupied a wide area of interest and research in modern times. For it has preoccupied critics and scholars particularly those dealing with poetry. Neither is a bit of poems devoid of Oneself/ Other dualism, nor of the bond between them, whether the relationship be of conformity or difference. The Oneself is influenced by the extent to which it confirms with or differs from Other, in its various manifestations (Man, Time, Place), as well as Other that is sociological, and vice versa. Hence, I found that the issue of Onedelf/ Other is worthy of study and research. The choice was made on one of the leading Andalusia poets in the Murabiteen era, namely Lisanuddin bin Al - Khateeb. My professor Dr. (PhD) Hussein Majid Rostom has the merit for picking up this poet to be the subject of this study. The study aims to investigate the phenomenon of the Other at different levels and the extent to which it has association to and influence on Oneself in the poetry of Lisanuddin bin Al - Khateeb, and to demonstrate the vision of the poet for the Other.The study was divided into three Chapters, followed by Conclusion with central findings of the study and then a list of Sources and References that enriched the academic study.The Introduction has come to study Oneself, Other and dimensions and concepts. Chapter One is devoted to examining the centrality of Other and the marginality of Oneself; it has contained the praised - Other, lamentable - Other, beloved - Other, and satirized - Other.While Chapter Two has proceeded to study the space - time as Other in two sections : The first section has discussed Time as Other in various types : night, gray, eternity and age.However, in the second section, I took up Place with its different manifestations : the religious, historical, geographical and psychological.Chapter Three has approached to discuss the sociological and reconfiguration as Other. It has included the bird as Other, good - fortune and jinx as Other, witchcraft as Other, idols as Other, solace as Other, Jinn as Other, planets and stars as Other.As for the key findings to which the study has reached, they are : - The study revealed the relationship between Oneself and Other (Man) with its diverse manifestations (praised, lamented, beloved and satirized). In the praised - Other, the study revealed the poet's admiration and love for the Prophet (peace be upon him) and his desire to explain his virtues, exhilaration and eagerness to visit his grave with feelings deplete with love for his blessed self. - The other / time represented as a worrying obsession to Oneself, embodied in his fear and concern of the night, its repercussions and psychological effects on the poet. Therefore, the image of the Other / night acted as a cause of fear and anxiety. - The study revealed the stance of the poet towards the other / place in its various manifestations : historical, religious, geographical, psychological. It reflected the nature of the poet and the extent of its harmony with the place as Other. - The study exposed that the poet's self - treatment in its different types (myths and beliefs) was not given as cultural or epistemological legacy. Rather the poet's self was consciously aware of it for its narcotic and inspirational dimensions that helped him to express his feelings, sensations and thoughts.

اشكال التعبير الشعري في شعر خزعل الماجدي مجموعة (خزائيل) اختيارا

اسم المؤلف: بشرى عباس جهاد
اسم المشرف: حيدر برزان سكران العقيلي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:

الخير في كتاب المنتظم في تاريخ الملوك والامم لابن الجوزي ت597هـ : دراسة في البناء والتشكيل == News Structure In "Al - Muntadhem F I Tarik Al - Mulok Wl - Aumam" Book By Abi Al - Faraj Abdul Rahman Bin Ali Ibn Al - Jawzi (Died In 597 AH)

اسم المؤلف: الاء حسن كويش الركابي
اسم المشرف: ضياء غني لفتة العبودي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: The narrative study has won the attention of many scholars who have concentrated their efforts on it. It has occupied a great space of the literary studies , and hands are still continuing to write down in this field. This study has been mentioned in many scientific references , dealing with "narration" in all its various genres.For "News" is being an important genre in Arab culture , our study seeks to clarify the structure of "News" in an Islamic Arab cultural historical record, distinguished by the variety of its knowledge and its comprehensiveness. This record is represented by "Al - Munthadhem in the History of Kings & Nations" Book by Ibn Al - Jawzi.What has perhaps made me choose and study this subject is the rareness of the academic studies dealing with this book. It has been dealt with by just one academic study by Dr Hassan Ali Al - Hakeem in his thesis entitles "Al - Munthadhem Book , a Study in its Methodology , its Resources and its Importance"". In addition , the book includes the characteristics of story with all its kinds , the beauty of narration and multiplicity and variety of knowledge.This study has been built up in three chapters preceded by an introduction , a preface and followed by a conclusion and then a list of references. The preface contains two aspects. The first one deals with the "Muntadhem" book with regard to the methodology followed in its writing and the various information it contains. While the second one deals with the concept of "news" and the efforts of researchers in clarifying its features. The first chapter comes after to study the kinds of "news" and the order of its structure in the book. This chapter is divided into three themes. The first one is specified to study the kinds of "news" in "Al - Munthadhem in the History of Kings & Nations" Book where the study takes an interest in revealing four kinds of news (the political news , ideological news , social news and odd news ). As for the second theme , it is specified to study the news structure.I have initiated it with the study of the beginning order forits being a basic part of the news texts in addition to making acquaintance with its most important functions. Then I deal with the introductory order in "AkhbarIbn Al - Jawzi". Regarding the third theme , it is entitled "Overlapping of Genres" where I pay attention to the poetic attendance in many news prosaic texts.The second chapter deals with the study of the components of the narrative speech. It is divided into three themes. The first one deals with the study of storytellers with stating their kinds and functions. The second one deals with the narrated story , represented by characters and events. While the third one is specified to study those who are told the story. The study clarifies their concepts and kinds of their existence inside the narrative texts.Finally , the third chapter is specified to study the space , which branches into (space of time & space of place). Each of their concepts has been dealt with separately , clarifying its aspects and kinds.This study has depended on the analytical narrative methods in studying news and their presentation.

رسالة التوابع والزوابع لابن شهيد الاندلسي في دراسات المحدثين == The Message Of The Disciples And The Calamities Of The Son Of Andalusian Martyr In The Studies Of Modernists

اسم المؤلف: عمار فاضل صاحب الاسدي
اسم المشرف: علي كاظم محمد علي المصلاوي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Praise be to Allah, the Lord of the Worlds, for whom I have entrusted and to whom I seek refuge, and peace and blessings be upon the Most High, God created the Seal of the Prophets and Messengers of our Master Muhammad (peace be upon him and his family) and on his good and pure family. Because of the prestige and beauty contained in the message of the disciples and the calamities, and because of the skill that was formulated in it, it has become a center for research and study by the modern scholars who tried to study it from all aspects and follow the places of creativity and follow - up that came and study the elements that formed. The researcher will try to follow these studies and criticism and describe the mechanisms used by the researchers in the study of this message, along with the curricula that made it a starting point to explore the areas with the most important monetary issues that stopped Then this work is marked by (the message of the disciples and the calamities of the son of Andalusian martyr in the studies of modernists). The nature of the subject of the study, necessitated that the study comes in the introduction and the preparation of five chapters and conclusion. Download boot address (the life of the son of a creative martyr),The first chapter under the title (the message of the disciples and the whims of their motives, sources and subjects)The second chapter deals with "the rhetorical arts in the message of the disciples and the calamities"The third chapter deals with the elements of storytelling in the message of the disciples and the calamities.The fifth chapter bore the title (between the message of the disciples and the scourges and the forgiveness) and the chapters were accompanied by a conclusion that included the main findings of the research, The approach followed by the study is the descriptive approach, as it was suitable for such studies, it helped me to deal with the ideas and opinions put forward by the updated scholars in regard to the message of the disciples and the calamities, but it was thanks to what is said to him but to stand a pause of reverence and greatness to The Honorable Professor Ali Kazem Mohammed Al - Maslawi, who was honored to be a graduate student to complete this thesis. The modern scholars tried to learn in many aspects in the message of the disciples and the calamities, which they relied on in some of them on the studies of the ancients, and in others they tried to go out to the artistic and aesthetic matters in the message of the disciples and the calamities.

الاساليب البلاغية في شعر السيد جعفر الحلي (ت1315هـ) == Rhetorical Devices In The Poetry Of Said Jafar Al - Hilli

اسم المؤلف: امنـة احمـد عباس المطـوري
اسم المشرف: فالح حمد احمد الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Said Jaafar Al - Hilly is considered as one of the alawis Iraqi poets whose poetry is characterized by its richness at the artistic and semantic levels. His poems also shed light on the political and social reality with a dominant alawian sense. Thus, it is essential to investigate about these aspects with close inspection. This poet was not paid any considerable attention concerning his verse only in scattered articles and papers. Even in modern literary works, there are little references to his art, further, these references do not contribute in showing his artistic and aesthetic writings in verse that may put him in competition with other great poets of his time. This study mainly focuses on the rhetorical perspectives in his poems in an attempt to show the deep meaning of his lexical and syntactic choices in addition to his manipulation of cadence and poetic structure as well as imagery. The current study consists of a preliminary, three chapters and a conclusion. In the preliminary, rhetorical branches are introduced and explained and how these branches are shown to have a role in exposing the poet's artistic writings. This chapter also includes the poet's biography and the themes that he addressed in his verse. Chapter one is attributed to inspecting the cadence level in his poetry. It comprises three sections. Section one is concerned with alliteration. Section two is devoted to explaining repetition and its types and effects in relation to cadence. Section three comes under the title " Other Rhetorical Aspects" that contribute to make rhythmical patterns prominent. Chapter two is essentially devoted to the structural level of his poetry. It comprises three sections. The first one, which is entitled "Recantation in Structure", deals with things such as foregrounding and back - grounding, ellipsis. Section two is entitled "Recantation in the reporting style", whereas, the third section is concerned with the recantation of requesting style such as questions and command. Chapter three deals with the descriptive level of his poetry and it is compose of two sections. The first one is concerned with the study of images according to their artistic frame. Section two pays attention to the size of these images in that it focused on the single and simple images as well as the compound and the total images. This classification comes as a result of what is found in his poems in an endeavor to simplify their study. Finally, I would like to express my gratitude for the dean of the college of Education for Human science, Dr Hussein and for the two assistants as well as for the head of the Arabic department. Also, I would thank my supervisor for his great efforts in showing me the right way of how to accomplish this work.

الفكر الاستعاري العربي في ضوء المنهج الحجاجي == Arabic Metaphoric Thought In The Light Of Argument A Pproach

اسم المؤلف: يوسف رسول حسين
اسم المشرف: فالح كامل اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise be to God and tow years after of research and study ,we finished this research that named ( The metaphoric thought in light of curriculum AL Hijaji) through follow up with administrators I adopted in my study on the Arabic resources and its represent in workbooks was the most important one (the important theories of AL - Hijaj from Aristotle to today) with administrators special team in Manoba university in Tunisia ,and AL Hijaj in AL Koran of most important style characteristics Abdullah revolution and ( AL Hijah in contemporary rhetoric) for Mohamed SlemAmeen and(Al Hijaj in Arabic poetry) for Samia Al Doraidi and ( Al HIjaj and the truth and afaq and interpretations )for Ali Al Shaban and dialogue require in circulation lingual and another of Arabic old and new resources This research divided into three chapters and at the beginning of these chapters an introduction and pave and the researcher took in pave the metaphor in Arabic thought , metaphor in western thought and the metaphor in Al Hijaji’stheories and was under this last title another titles , it was talking about definition of Al Hijaj , Al Hijaj’s theories , Al Hijaj in Berleman and Al Hijaj’s metaphor. In the first chapter there are three parts ; the first part was talking about the mechanisms of Al Hijaj in critics and Al Hijaj in poetry and the conversation include Al HIjaji’s pronunciation resource. In the second part is talking about the research of Al Hijaj in Al Amadi and Abulkahir Al Jerjani and itAl Basrah UniversityCollege of literatureArabic departmenttook the delay’s styles and division and rhetorical styles that put by Al Amadi also the researcher in this part talked about Al Hijaj in Abduikahir Al jerjani. In the third part of the first chapter the researcher talking about the circulation dimension in the Arabic critical speech , He was talking about interesting principle and principle of purpose or the meaning and how to employed from the old Arabic criticsIn chapter tow the researcher talked about Al Hijaj for the old Arabic commentators and he took birth of the term explanation for the Arabic and under this title the speech was about definition of the explanation is language, Al Koran Al Kareem and the ignorant poetry and explanation the poetry that owned by Arabs. after that I’m began reading the books of Al Hijaj and its resources. at the end of the closing I extend my thanks and appreciation for Dr.FalehKamelEscandar who was more than teacher and brother to me and I also thanks all my teachers in Arabic department and all thanks for the members of committee discussion.

لغة الشعر عند عارف الساعدي == Poetic Language To Arif Al Saidi

اسم المؤلف: عباس عبد الحميد عدنان الموسوي
اسم المشرف: عبد الامير مطر فيلي الساعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Due to the poetic tendency formed by modern currents towards new poetic horizons that lead to appearing individual creations; poetic prints started the spoiled Iraqi poetic scene limiting its identity as a new style in the achieved text image. Arif Al Saidi was one of the famous experiments that took part in supplying the literary climate in general and the poetic one in specific for what was achieved by this poet of texts with modern and contemporary spirit. Out of this complexity, it is necessary for the poetic language to witness a case of transforming responding for the stimuli of the modern expansion and emergence for it is described as the incubator of more comprehensive for whatever the underlying poetic textual structures imply. This formed a motif which drew me to engage in poetic language. It is one of the Iraqi poetic experiment with its uniqueness of form and content. This is what recognizes it or makes it very close to the nation's experiment. Nature of the study demanded the thesis to contain four chapters preceded by a preface and followed by conclusion included the most important results. The preface has two sections. The first included the poetic language concept and its turn in the poem constructing. The second tackled Arif Al Saidi's experiment and his poetic achievement. That's why it was entitled Arif Al Saidi : the experiment and affiliation. Concerning first chapter which is entitled poetic rhythmical constructing, the researcher talked about rhythm in his poetic texts. Second chapter which is entitled constructing poetic vocabulary, the researcher dealt with studying the poetic vocabulary that is described as basic foundations that the poet built his linguistic building. Third chapter which is entitled structure of poetic construction, the researcher showed the prominent expressive harmonies that participated in the poetic language construction. Fourth chapter that came under the title constructing the poetic image. Here, the most important image devices were mentioned that the poet resorts to incarnate creative experiment. The current study followed the analytical descriptive approach which depends on interrogating the poetic texts and exploration the prominent stylistic phenomena and their analysis to reach the poet's interests and his artistic ability. In brief the real value of Arif Al Saidi's poetry lies in their deviation of the familiar linguistic, ready - made, and repeated forms especially that the Iraqi poet's sensation in particular and of Arif Al Saidi's in specific belonging to a new limited poetic generation or to a particular group ( for example stanza poetry). It was a pushing power towards more privacy and to be distant isolated of rumination, repetition, and fluctuation in the first position of the particular poetic experiment. That was in spite of its privacy and depth. It is the matter that has deep penetration in the daily, marginal, neglected, and the ignored in the Iraqi real movement
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