عرض: 25 50 75 100 النتائج

نتائج البحث: 25 من أصل 50

توظيف الرمز في المسرح التركي المعاصر نماذج مختارة == Engaging the symbol in the text of modern Turkish theatre (chosen models)

اسم المؤلف: احمد ناصر حسين الشندل
اسم المشرف: حسن عبد المنعم الخاقاني
الموضوع العام: الفنون الجميلة
السنة: 2016
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

الابعاد الفكرية والجمالية للحلي الشعبية العراقية وتناصاتها مع الحلي السومرية == The intellectual and aeathetic dimensions of popular jewelry and its similarity with Sumerian jewelry

اسم المؤلف: سجى صاحب عباس حسون المعموري
اسم المشرف: علي مهدي ماجد | رحاب خضير عبادي
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

المتحول في الهيئة المقدسة لمنحوتات عصر النهضة == The Transformable in the Sacred Visage of the Renaissance Sculptures

اسم المؤلف: ادهم علي حمزة
اسم المشرف: محمود عجمي الكلابي
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الخصائص الشكلية والتقنية في المنجز الكرافيكي الرقمي == Technical and Formal Features in The Graphical Digital Accomplished Artwork

اسم المؤلف: وجدان نجاح عبد الرزاق
اسم المشرف: سلوى محسن حميد
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

ثقافة الاقصاء وتمثلاته في الخطاب المسرحي العراقي == Culture of Exclusionism and its Representations in Iraqi Theatre Speech

اسم المؤلف: اسيل خلفه كاظم البكري
اسم المشرف: اياد كاظم طه السلامي
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

سمات التعبير في رسومات بيكاسو للمرحلتين الزرقاء والوردية == expression features in Picasso's for the two - stage blue and Rosary

اسم المؤلف: حسن عمران كيف حمزه الكيف
اسم المشرف: عارف وحيد ابراهيم الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

تحولات الانساق الثقافية في الخطاب المسرحي العراقي == Transformations of Cultural Systems In the Iraqi Theatrical Discourse

اسم المؤلف: ياسر عبد الصاحب البراك
اسم المشرف: محمد عبد الرضا ابو خضير | عبود حسن عبود المهنا
الموضوع العام: الفنون الجميلة
السنة: 2016
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الميتا مسرح وتمثلاتها في العرض المسرحي العراقي المعاصر == MetaTheater and Tmtheladtha supply Contemporary theatrical Iraqi

اسم المؤلف: احمد ضياء هادي
اسم المشرف: محمد عبد الرضا ابو خضير | محمد عباس حنتوش
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

المقاربات الاسلوبية للانية الفخارية المنفذة على دولاب الفخار في العراق القديم == APPROACHES STYLISTIC VESSELS OF POTTERY EXECUTED ON THE WHEEL IN THE OLD IRAQ

اسم المؤلف: احمد حسن عبود
اسم المشرف: محمود عجمي الكلابي
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

السمات الجمالية في عروض مسرح مدينة كركوك العراقية == The Aesthetic Features in the shows of Kirkuk Iraq Stage A Thesis Submitted to the Council a Fine Arts College Babylon University

اسم المؤلف: سعد حميد محمد امين الحمداني
اسم المشرف: حميد علي حسون الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

مظاهر العنف الاسري في رسوم المراهقات == Appearances Of Domestic Violence In Teenage Graphics

اسم المؤلف: شيماء مهدي وادي الجنابي
اسم المشرف: هدى هاشم محمد الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: حظيت ظاهرة العنف الاسري باهتمام العديد من الدراسات، كون الاسرة المصدر الاول للثقافات واقوى الجماعات في التاثير في سلوك الابناء، فهي من اهم عوامل التنشئة والتطبيع الاجتماعي فالاساليب التي يستخدمها الابوان في معاملة ابنائهم كالاهمال والقسوة والتفرقة واستخدا | The phenomenon of the domestic violence meets high attention in many studies , as the family is the first resource of cultures and the it is the strongest group in affecting the behavior of children , also it is the most important factor of nurturing and social customization.. Methods of parents in treating with children , by neglecting, hardness , segregation, the use of swear words , deferent kinds of beating and any other type of bad methods which come within violence actions ((psychologically , physically and verbally)) , all these methods could leave negative impact in the souls of children , especially during earlier adolescence as it is the most dangerous age stage of the individual life, due to what it carries in its folds of conflicts and psychological disorders and changes in all physical, mental and emotional aspects.. Girls in this stage may suffer their families practices of violence against them , so the intensity of female sensitivity to problems could form psychological pressures which could make her a troubled personality teenager who lacking self confidence, isolated from others and with reluctant behavior, also for far future she may have an aggressiveness and violent motives.. Since the arts generally and graphics arts in particular have a role to alleviate the suffering of human , they assist to achieve the emotional equilibrium and allow the self - expression and emotions as well as they achieve the inner harmony and poise of personality in relationships with others , so this factor allowed the researcher to answer about following question : Does the domestic violence have appearances that could be reflected in graphics of teenage girls through lines , shapes and colors ? Could the graphics be equal with the pronounced language in guidance to the meanings , transferring the ideas and hardships and to be connected to others ? So the current research had aimed to the following : 1. Exposing the types of domestic violence which is addressed to teenage girls.2. Exposing the appearances of domestic violence in graphics of teenage girls through graphics properties , then the research importance and the need to it , in addition to research outlines and abbreviations, those come the first chapter of the research.. The second chapter includes the theoretical framework and the previous studies , as the research is consisted of two studies , the researcher in the first one is addressed to the conception of the domestic violence, in which she included many sections , but the second one is addressed to the adolescence and graphics of adolescents , while the previous studies included 5 ones and were about the domestic violence and the graphics of adolescents. The third chapter included the research arrangements ((society of the research , its approach and samples of 330 pupil of second intermediate class who were divided randomly to 9 intermediate schools and high schools in the center of Babylon province. The research needed to use two ways to measure the violence degree , the "Fartoosi" scale which was prepared to measure violence of pupils of high schools , and was amended to be proper with the samples of the current research , then checked its credibility and stability , as it was showed to some experts and specialists in the psychology field , but the second way was about analyzing the graphics of the teenage girls which was formed by researcher in depending upon literatures of specialists , the previous studies , indications of the theoretical framework, notes of graphics of teenage girls and the modest experience of the researcher , also it was showed to some experts and specialists of the arts education , Fine arts psychology fields to check the credibility and the capability to analyze the graphics , in addition to a couple of statistical methods which are proper and suit the purposes of the current research. The fourth chapter includes the results and their interpretations that the researcher reached to , in addition to their conclusions, recommendations and suggestions, the results of the research revealed a higher ratio of psychological violence beside the verbal violence and the physical violence.. Also the domestic violence has specific appearances in the graphics of teenage girls (the upper faction) which were represented in 16 traits , and unspecific appearances of domestic violence in graphics of teenage girls (the lower faction) which were represented in 19 traits , there were also 6 traits of statistical meanings among both factions.. The conclusions clarify that there are 14 traits which are considered as a specific appearances of psychological violence in the graphics of teenage girls (of upper faction) , while there was 1 trait , it was considered as specific appearance of the verbal violence in the graphics of the teenage girls (upper faction).. The recommendations of the research is exposing generally the violence against women (through arts fields - the graphics for example - by specialist educational administrations , including the the intermediate schools and high schools to until reaching the universities to exceed their reasons by educational and scientific methods , as the teenage girl is a project of a future woman.. The research included a number of suggestions with Arabic and English resources and appendixes beside a brief in English language..

الحوارية ومقارباتها الجمالية والدلالية في رسوم بابلو بيكاسو == The Dialogisme And Approaches Beautifulness And Denotation In Portrayals Pablo Picaso

اسم المؤلف: روى ناظم حسن الحسناوي
اسم المشرف: فاطمة لطيف عبد الله الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تبنت الباحثة موضوعة بحثها الذي بني انطلاقا من مشكلة تتمحور في دراسة ( الحوارية ومقارباتها الجمالية والدلالية في رسوم بابلو بيكاسو ) , وذلك لكون الحوارية مفهوما له ابعاده الجمالية والدلالية التي تظهر من خلال البناء التشكيلي للعمل , لتحقيق التواصل وال | The researcher adopted study built from the basic problem that centered in the study (The Dialogisme and Approaches Beautifulness and Denotation in Portrayals Pablo picaso ). And so as the concept of aesthetic and semantic dimensions to talk shows that appear during the construction of the visual work of art, as it seeks to achieve communication and continuity.The first chapter has included the objective of the study which is detected (talk shows and Mgarbadtha aesthetic and semantic in fees Pablo Picasso) and provided for the period of (1901 - 1946).In the theoretical framework includes five sections, the first section has studying talk shows (conceptually, and principles, and mechanisms), and the second section included two axes, and the first axis finding approach between the talk show concept, aesthetic and cognitive thought, it start from the Greeks and up to the modern philosophers and contemporary of them, while the second axis has cared for studying dialogue structure in the arguments of psychology, and included third section read talk shows critical reading of the status of the dialogue theory, finding points of engagement with the concept of semantics and subtraction semiotic,while Section fourth included the works technically talk and according to its historical development, from primitive art and up to the modern technical schools and is interested in section five (Picasso) art, highlighting the most important stages that make up a key point in the birth of the creative work of the talk show - style and new technology. At the end of the theoretical framework researcher it conducted a comparison between previous studies placed with her research, and also was addressed to the outcome of the indicators.In The third chapter included the community research who cannot promise to capacity size, although informed researcher on a lot of photographers, and sources relevant, such as (books, magazines, sites and the Internet), but it was unable to limit the research community statistically, and the sample Search (13) artworks included oily technique, collage, and the various technical stages undergone by the (Picasso)) The researcher ended his work by using content analysis tool, the coefficient of stability of the tool, and the sincerity of the tool, and then use statistical methods, the equation (Cooper) to calculate the sincerity of the tool, and an equation (Scott scoot) to calculate the stability of the tool. The researcher has adopted the analytical method (hermeneutical) in the sample analysis.The fourth chapter was devoted to reviewing (Results - Conclusions - Recommendations - proposals) as the researcher reviewed the search results, and that was as follow as : 1 - The actually humanly dialogue (self - objectively) do according to the act of dialectic knowledge base side of the artist creator of the artwork, and the receiver, which is an essential part in setting up and continue the dialogue.2 - Dialogue as a kind of freedom from restrictions in the classic art of reading, which does not stop at certain limits, and dialogue interested by flexibility because they coincide with all the Arts and at various schools, including the rules include (philosophical - scientific - stylistic) resound nearly absolute.

المثاقفة وتمظهراتها في العرض المسرحي العراقي المعاصر == Acculturation And Its Demonstrations In The Iraqi Contemporary Theatrical Performance

اسم المؤلف: علي عبد الحسين عبد الشيباني
اسم المشرف: علي محمد هادي الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2016
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: وظفت مفاهيم المثاقفة واجراءاتها العملية في ميادين انسانية كثيرة ومنها الفن المسرحي بوصف المسرح ميدانا لخطاب فني / انساني قائم على عمليات التواصل والتفاعل والتاثر والتاثير بين الامم والثقافات, وبين الذات والاخر على اساس من الشراكة الضمنية, يهدف الى انت | Hired acculturation concepts and procedures of the operation in humanitarian fields and many of them theatrical art as Theatre Square speech technician / inhumane based on communication and interaction, vulnerability and influence among nations and cultures, processes, and between the self and the other on the basis of the implicit partnership, aimed at the production of localized knowledge depends on the existence of an intellectual and artistic elements , went in my intention (ego) to (other). Where they can not conceive of a theatrical presentation does not belong in the process of becoming the Performing to acculturation with other operations, which carries the same deliberate motives, in order to influence the other heading his theatrical discourse, this study aims to monitor the acculturation concepts and mechanisms of functioning as it presents are manifestations which acculturation Which shows in multiple letters of knowledge (historical, literary and artistic), including the theater, especially in the theater, to open doors on jurisprudence and the experiences of the cultural dialogue and the exchange of knowledge - based and interactive communicative stems from acculturation as a truly civilized based on the interaction and communication between different cultures, which means that the play is based on acculturation play with the other is determined mainly through the presence of the tributaries of the play from different cultures, which requires the presence of acculturation theatrical haunted obsession identity and try to consolidate the theatrical phenomenon in the Iraqi theater and the Arab world.This dilemma stems from a researcher at the establishment placed his research is marked (acculturation and their appearance in the contemporary theater of Iraq). The study came in four chapters formulated according to the following conformation : Chapter One : a methodological framework for the study. The researcher of the research problem, related to the phenomenon of acculturation as a given, civilizational, cultural, and scientific and technical give would represent entirely on the nature of the performance and its practical applications in the theater. And for which I got transformations and alterations drastic manner display through the possibility of dialogue and interaction on the intellectual level and formal appearances and their interaction in the aesthetic and semantic markup.Then go researcher to the importance of research, and its objectives, and its borders, determine the terminology, where linguistic definitions and terminology adopted by the terms (acculturation) and (manifestations) depending on the operational definition for both.The second chapter, a theoretical framework, it came with three topics : First topic : Epistemology acculturation. Three axes.The first axis : Prospects and theoretical concepts.The second axis : the types of acculturation (levels - Varieties - mechanisms).The third axis : acculturation under cultural globalization.The second topic : data models of acculturation in a speech literary culture. Specifically in models including : (Trips - Translation - Intersexuality - comparison - Literary criticism).The third topic : theatrical manifestations of acculturation between local and global privacy. It came with double.The first axis : manifestations of acculturation in the world stage.The second axis : manifestations of acculturation in the identity and privacy of rooting in the Arab and Iraqi theater.He concluded the second quarter indicators of the theoretical framework and previous studies, and the most prominent indicators : 1. characterized acculturation theatrical feature correlation theatrical performances, all displayed offset by another offer, within the fabric of quotations and previous assignments and contemporary performances of different directions.2. benefit acculturation theatrical cultural exchange effect between culture and other humanitarian consideration given common heritage of all nations. The third chapter, research procedures, related to an inventory of community search and selection of research sample. Access to research sample that consisted of theater the following analysis : • A play women in the war.• A play Ali Al - ordeiy and rivals.• A play Camp.• A play red carpet. The fourth chapter, it has dealt with the results of the research sample and discuss the analysis, including : - Contributed acculturation operations in most of the presentations to the activation of the intellectual and cultural aspects on the one hand, and self - knowledge and point of reference on the other. - Dealing with cultural globalization as an imported culture, it was a positive feature, making them Meet director with the local culture to be intellectually tunic / new practice, as a show of renewal carries attributes.And then conclusions, and including : - The play with the offsets Cultural lead to the widening of intellectual meaning and significance, and not necessarily lead to the break approved expectation and create an aesthetic distance. Which establishes a mission to an area of interpretation. - The effectiveness of acculturation contribute to the theater to achieve a state of communication between what refers to the width of multiculturalism on the one hand, and between the cultural repertoire receiver on the other. Deepening receiving effective. Then came the recommendations and proposals that emphasized the importance of the effectiveness of acculturation in the play and the need to expand work out and study them systematically. Then concluded Find a list of references in Arabic and translated sources, foreign sources, as well as a summary of the search in English

اثر دراسة الفن في اتساق الذات لدى طلبة جامعة بابل == The Effect Of Studying Art In The Self - Consistency Of The University Of Babylon Students

اسم المؤلف: بيداء كاظم عليوي الطائي
اسم المشرف: كاظم مرشد ذرب
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: يرى الفلاسفة والعلماء والمفكرون والتربويون ان دراسة الفن او ممارسته تسهم او تزيد من بناء شخصية الانسان في جوانبها (المعرفية، والوجدانية، والمهارية ) مما يؤدي الى تحسين سلوك الفرد نحو الافضل الامر الذي تؤكده التربية بشكل عام، ولكن هذه الاراء والطروحات ت | Philosophers and scientists, thinkers and educators believe that studying art or practicing it contributes or increases the building the human character in its aspects (cognitive, emotional, and skill) which leads to improving the individual's behavior for the better, which emphasizes the education in general, but these views and propositions remain within the limits of the assumptions unless it is verified sincerity by scientific research. Hence it identified the problem of current research, which summed up the following question : Do the study of art have an impact of the self - consistency on the students of Babylon UniversityThe Two goals of the research : The current research includes two goals, they are : 1. Build a scale of self - consistency of the University of Babylon Students.2. Detecting the impact of art study in the self - consistency of the students of University of Babylon through the verification of three null hypotheses.Research hypotheses : The research includes the following hypotheses : 1. No impact to the study of art in the self - consistency of the University of Babylon students at the level of significance (0.05).2. No trace of technical specialization variable in the self - consistency of the University of Babylon students at the level of significance (0.05).3. No trace of the sex variable in the self - consistency of the University of Babylon students at the level of significance (0.05)The research community and specimens : Due to the fact that the research methodology in the current study is the descriptive approach (as a scientific comparative study) has required a comparison between a group of studying Art for four years of study, they are fourth - grade students at the Faculty of Fine Arts / University of Babylon and three other groups have not studied art, they are : First grade students at the College of Fine Arts and the fourth grade students in the College of Pharmacy, and fourth - grade students at the Faculty of Law. Total research community in these colleges for the year stood at (2015 - 2016) (957) students, of which 456 males and 501 females. Due to the researcher to build scale of self - consistency, it has required the withdrawal of three samples from the original research community : the reconnaissance sample reached (64) students pulled intentionally, and sample of building a measure amounted to (394) pulled in a random stratified way 50% of the orgional community, to withdraw the basic research sample, the researcher used the percentage way of the remaining the fourth stage male of The Faculty of Fine Arts as the percentage of males (0.53) The percentage of female fourth Faculty of Fine Arts was (0.47), and the total (224) male and female students.Research Tool : The researcher built an objective tool to measure a variable (self - consistency) according to the following steps : 1. Defining the concept of (self - consistency) procedural definition and analyzing its content into four areas : the relationship with others, and uniqueness, work, and gaining knowledge. And drafting (67) items distributed among them.2. Sincerity tool : the researcher used two methods for the sincerity, they are : A - making sense method : Through content analysis or substance which resulted in the deletion of (11) paragraph of the measure after presenting it to the arbitrators, bringing the number of paragraphs (56) items plus four paragraphs to detect objectivity the scale became a paragraph consists of (60)items and after the researcher has checked the sincerity of scale logically, she has put a the Quintet estimation scale of in front of each paragraph and planned a correction key accordingly. Then she has applied it to build a sample to extract the pilot sincerity.B. Pilot method : extracted in three ways : First - Peripheral comparison method between the upper and lower sets.Second - internal consistency method.Third - factor analysis method.3. 3. The stability of the tool : stability of the tool has been achieved in two ways : A method (Cronbach's alpha) : the stability of the scale amounted to (0888).(B) Midterm Fragmination method : the value of the stability of half - scale (744) since this value represents the stability of half scale, so the researcher used the equation (Spearman - Brown) to edit and extract the full value of scale and get a degree of firmness reached (0853), which confirms that the scale has a high degree of constancy and reliable. These measures have resulted in a measure consists of four areas include (45) items and (4) items were added to detect the objectivity, the researcher used the scale of the Quintet estimation in front of each paragraph and prepared correction key accordingly.Application of the tool : after the tool Completed conditions of validity, the researcher applied it to the basic sample of amount (224) students, and after collecting the forms, the researcher corrected it and discharged electronically in accordance with the statistical program (spss), (5) not valid Form were excluded as the respondent did not complete the answer. Add to the exclusion (18) Form where the submitted to the response objectivity and compare it with the spoken class for the absolute differences was larger than the spoken class and thus the form number has become (201) valid forms,they have been statistically analyzed and the results were extracted.Statistical methods : The researcher used the social statistical Pouch (spss) for data processing were used, the Pouc was used in the following topics : 1. Percentage : used by a researcher to unload arbitrators responses, used in the interpretation of the accepted factors and to withdraw the basic sample.2. Mean : Use in substantive response extraction, strength discriminatory clauses. As well as to find Means for computational research samples.3. Standard Deviation : 4. The standard error : 5. Test (T - Test) independent and equal number of samples. To measure the moral significance of the scale paragraphs, which is used to compare Means when samples are big and equal.6. Person Corrlation coefficient)) : To calculate the internal consistency (ratified paragraphs of scale) and to find the relationship between each paragraph of the scale with the total score of the scale, as well as a way to extract the fortitude fragmentation midterm.7. (Sperman Brown Formula) : used to modify the scale and extract the value of the stability of the entire measure, since after measuring the correlation coefficient between the two halves of self - consistency for estimating half of the test, has been modified the mentioned equation.8. Cronbach's alpha formula : to calculate the tool stability.9. Test (F) to calculate the harmony between the two halves of the scale.10. Used in the factorial analysis procedures and find them as follows : - Simple Pearson correlation. - Contrast interpreter. - The underlying root. - Relative importance.11. Unilateral variation analysis of the samples is of equal size : the researcher used it to calculate the significance of differences in general between the three colleges.12. Sheffe Test : The researcher used it to find the smallest difference between the average scores for the three colleges.13. T - test : for two independent samples and unequal. The researcher used it to find a sign of the moral differences between the first stage and the students of the fourth stage at the Faculty of Fine Arts in the level of self - consistency, as well as the use of the knowledge of the moral significance of the differences in the sex variable in self - consistency among students.Search results : Current search yielded the following results : 1. Having a positive impact for the study of art in diverse branches of self - consistency of the Babylon University students, thus I refused the null hypothesis which says (no effect to the study of art in the self - consistency of the University of Babylon students at the level of significance (0.05).2. The lack of a significant difference between the Faculty of Fine Arts departments in the level of self - consistency, which calls for acceptance of the null hypothesis that refers to : No trace of technical specialization variable in the self - consistency of the University of Babylon students at the level of significance (0.05).3. The absence of a significant difference between (male and female) of the fourth stage at the Faculty of Fine Arts in the level of self - consistency, which calls for acceptance of the null hypothesis that refers to : No trace of the sex variable in the self - consistency of the University of Babylon students at the level (0.05 ).

تكنيك ميسنر ومقارباته في اداء الممثل المسرحي العراقي == Meisner Technique And Its Approaches In The Performance Of The Iraqi Theatre Actor

اسم المؤلف: سرمد سليم عباس حسن
اسم المشرف: محمد فضيل شناوة | عقيل جعفر مسلم
الموضوع العام: الفنون الجميلة
السنة: 2016
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تعد تكنيك ( ميسنر ) لاداء الممثل من الاطروحات المعاصرة في مجال فن التمثيل المسرحي, ومن هنا عنيت الدراسة في البحث الحالي بمقاربات هذه التكنيك في اداء الممثل المسرحي العراقي, اذ جاءت في اربعة فصول. تناول الفصل الاول الاطار المنهجي للبحث, اذ ضم مشكلة البحث | Meisner technique of the actor's performance is one of the contemporary subjects in the field of theoretical acting. Hence, this study deals with the approaches of this technique in the performance of the Iraqi theatre actor. This study is divided into four chapters. The first chapter deals with the methodological framework of the study which is identified by the following question : What is the Meisner technique? And what are its approaches in the performance of the Iraqi theatre actor? The importance of the research lies in studying Meisner technique and its approaches in the performance of the Iraqi theatre actor and it is needed because of the following : 1. It is useful for those who are specialized in theatre acting to develop their skills on stage. 2. This study can be described as one of the studies that participate in developing the capacity of theatre actors. The objective of the research is identified by defining Meisner technique and its approaches in the performance of the Iraqi theatre actor. Furthermore, this chapter includes the research limits (place : Iraq Baghdad national theatre / time : 2009 - 2015) and the objective limit of the Meisner technique and its approaches in the performance of Iraqi theatre actor. This chapter is concluded by identification and definition of terminology. The second chapter tackles the theoretical framework and previous studies. It contains three topics : the first topic studies the philosophical and technical starting points of Meisner technique. The second topic studies Meisner technique (mechanism and engagement), while the third topic tackles the applications of Meisner technique in the international and Arab theatre. Finally, this chapter is concluded with indicators resulting from theoretical framework, and then previous studies. The third chapter contains the research procedures. It includes the research community consisting of 38 plays containing approaches to Iraqi theatre actors from Meisner technique. It also contains the research sample which consists of (5 plays). These plays, which are intentionally selected by the researcher as they represent the research community, are : Al - Iskafi, Al - Waqiaa Street, Nashaz, Summer rain, and Mannisama. However, the researcher depends on the descriptive (analytical) approach to meet the objective of the research. The researcher also uses the notes form as a main tool to analyze the sample depending on references and literature, as well as indicators that resulted from the theoretical framework as analytical standards, and then the sample analysis. The fourth chapter tackles the results and findings that are reached and discussed by the researcher, including : The play (Al - Iskafi)The most obvious result of this play is that the representation in this play is far from any role of personal memory in the performance of the role of the theater, it did not have an investment in the performance of the characters of the theater, and this clear approach to what calls (Meisner) to direct the actor to dispense The Iraqi actor has come very close to achieving this lawsuit without passing the techniques of (Meisner), in terms of which is the technology has provided a systematic way and for the first time to these The problem, however, the Iraqi actor in this presentation did not go through solutions to the impediments of representative performance through the technique of (Meisner) deliberately, but the practical experience of the art of acting led to the realization of the problems and approaches of solutions.Results : 1. Meisner technique has been approached through replacing the emotional memory by the artistic imagination as a source for acting by Iraqi theatre actor, although this situation keeps him away from what's happening on stage.2. Meisner technique has been approached through Iraqi theatre actor's dependence on the immediate experience as a source for acting and not to enhance his spontaneous performance and reactions between him and the other actors on stage. 3. There is no approach for Meisner technique when the actor depends, in the Iraqi theatre show, on his character as a source for actor, without taking into account the imagined theatre conditions, which negatively affected the vitality of the acting performance on stage.This chapter also includes some recommendations and suggestions.The research ended with a list of sources, references, appendices and an abstract in English.

اثر تحول البنية البلورية لاوكسيد الحديد في زجاج عالي الحرارة == The Effect Of Crystal Structure Transformation Of Iron Oxide In A High - Temperature Glaze

اسم المؤلف: علي صلاح فلاح السلطاني
اسم المشرف: تراث امين عباس
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: يعنى هذا البحث بدراسة اثر تحول البنية البلورية لاوكسيد الحديد في زجاج عالي الحرارة , والذي يقع في اربعة فصول , حيث تضمن الفصل الاول عرضا لمشكلة البحث والمحددة بالتساؤل الاتي : ما هي تحولات الاطوار البلورية لاوكسيد الحديد في زجاج عالي الحرارة , والتقنيات ا | This research means to study (The effect of crystal structure transformation of iron oxide in a high - temperature glaze) , it consists of four chapters, the first chapter presentation of the problem and the specific questioning follows, what are the changes the crystalline phases of iron oxide in a high - temperature glaze , and techniques resulting from them? While the research objectives legally set as follows : Define the shift in the crystalline phases of iron oxide in a high - temperature glaze.Define the techniques resulting from these transformations of iron oxide in a high - temperature glaze.The second chapter mean theoretical frame and previous studies, is divided on several axes, where mean first axis study crystalline structure, while the second axis mean studying the crystalline structure of the ceramics, and the third axis mean studying iron oxide red (Fe2O3) properties and crystal structure, and the last axis mean has studied stoneware (stoneware).The third chapter dealt procedures for the search, which was conducted the work of five firing and cooling programs and these programs are, oxidized firing program (OG) reduction firing program (RG) slow cooling oxidized program (SG) the Program of firing crystalline (CG) and the program of firing multilayer glaze oxidized (LG), and in the light of these programs and the results of exploratory experiments were selected a number of mixes glaze according to each burn and cooling program, has been added red iron oxide (Fe2O3) to these mixtures different proportions.The formula unit is to calculate (Formula Unites) using an electronic formula calculation program (Glaze Master) which illustrates the totals for the three oxides values (RO2 - R2O3 - RO, R2O) set the temperature from which the inference coordinates system (Matrix).The researcher also conducted several laboratory tests the chemical Analysis , physical examinations of samples of pottery and clay (Linear Shrinkage, Apparent Porosity) and checking mineral analysis (X.R.D) for mixtures of glaze as well as examine chromatography analysis according to the system (LAB) through the use of a chromatography analysis (Precise Color Reader).The fourth chapter mean displays the results and discuss them the most important conclusions are : 1. Transformations taking place in the crystalline phases of red iron oxide (Fe2O3), resulting from the heat and cooling agents.2. Different atmosphere fire given changes in the crystalline structure of the oxide red iron (Fe2O3) by firing oxidized and reduction programs.3. It gave atmosphere reduction fired best shift of the crystalline structure of the iron oxide red, as the transformation from hexagonal crystal system with a crystallized form of a Rhombohedral system to the crystal cube.4. Proved that the oxidized firning program and slow cooling oxidized and fire the crystal's ability to keep the crystal structure of the iron oxide red in the crystal system is hexagonal shaped crystal Rhombohedra.5. Get the display technical amorphous (Crystalline Glazes) of red iron oxide, using feldspar Potash or soda, without resorting to the use of (Frit).

شعرية النصوص المكتوبة لليوم العالمي للمسرح : دراسة ثقافية

اسم المؤلف: انس راهي علي الصالحي
اسم المشرف: عباس محمد ابراهيم التاجر
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الفنون المسرحية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: يعد الاعلام من المنظومات المهيمنة على شكل الحياة اليومي والتي تتناغم مع الفرد وتسيطر علية من خلال العلاقة المشتركة والمتبادلة حديثا التي تؤسس لمفهوم اعلامي , وما ياتي ذلك المشترك المتبادل الا من خلال مضمون رسالي , الذي يعد احد العناصر الاتصالية والتي لا ت | Considering the media as one of the systems which dominates on the style of daily life getting along with the individual and it takes control on him through the associated and mutual relation recently leading to the concept of recipient media which that the associated - mutual comes but by means of epistolary signification is one of the communicative elements , not limited to it but there the means which is not only presenting this signification and completing the relation in the presence of the recipient and then the virtual outputs from this process the sender did. This process makes the media on a par with modern critical opinions aim to adopt the communities wholly and the marginalized particularly since it is a reason to be dominant on by comparison with the developed countries or others as being honest image for the positive honest media. This what was coincided with the field of cultural studies which presents in this modern age a combination of the theories and approaches appointing itself to determine and peruse the social styles as well as to show up the culturalism of the identity in this society. It is juxtaposition of perusal of media and its purpose in revealing the daily life , though the usages all agree with that is the media becomes seeking in positive and negative sides.It is worth that theatre would be typical informative and cultural message contributes in exposing facts for society. It is the official document for thespians which is reliable for the researcher is (the written texts of Universal Day of Theatre) that issues every year on 27th of March and the contributor in feeding the theatre as well as the theatrical community what is new for life by the daily performance of one year in order to reveal the importance of the theatre and its political social tenors …etc. From this the researcher adopted three points contributing in evaluation the theatrical scene and emphasis on humanistic progress , promotion of cultural levels in the countries and the marginalized groups for their belonging to the geography of theatrical knowledge. Hence, current research has included four chapters the first chapter on the methodological framework which concerns with the query of research , as follows : * What are the foundations and specifications that cultural studies operate accordingly in the written texts of the International Day of theater through modern media system?. Then the importance of research and the need for it and that came on the research which adopts a subject has not been studied, particularly in the field of theater, and it exists in the search and pursuit of cultural studies and how they are formed in the communities, and also the possibility to benefit from this research in informing scholars of literature and art, criticism and the revolution of modern communication , especially the theatrical art as being more important cultural theme….etc, then the aim of research and transition is to set the terms linguistically, idiomatically and procedurally in the second chapter, which contained the theoretical framework has been divided into four sections are.1. Section I : the media and the means of reception , contemporary cognitive and technological foundations : - (A) the concepts of media and its educational role. (B)the reception of media and understanding of its foundations technologically and culturally.2. The second topic : the intellectual and cognitive references for cultural studies.3. The third topic : the privacy of written texts Universal Day of Theater and their poetical concepts.4. Section IV : the effectiveness of media for written texts in the Universal Day of Theatre and the features of the cultural studies.Then the previous studies and indicators which lead up to the theoretical framework.In the third chapter, the separation of the procedures that researcher adopted on search community consists of (14) theatrical text, and in the samples and their analysis so he has chosen four samples and by method of selection of a regular random sample. in the fourth chapter, the separation of the findings, conclusions , recommendations and suggestions that researcher reached a number of which are of the most important 1. employment of media and its available possibilities for the theatrical / cultural operation that affect on the people and its cultures being a mediator rhetorically toward the other2.The media machine contributed significantly to the cultural developments and continues to find ways of various communication are based on the quickness that time we live is distinguish of. 3.written texts for the International Day of Theater sough o express the underdeveloped / folk / marginalized cultures through investment of media and the concepts which the cultural studies present.4.large developments can take place through the activation of the basic role that the theater acts. And also the awareness of cultural studies and then changing the public opinion toward the right and optimization of human. According to the conclusions the researcher has set 30 conclusions 1. diversity of media and means of audio, visual, readable, and fixed that means diversity of communication and continuity. 2.uses and gratification which constitutes the operation of liberalization of meanings the recipient concludes that is the opportunity has been granted to meet the reception of media 3.The absence of differences and the limitless between / local , international and popular cultures for Kramchi. 4.Universal Day of Theater identifies with other global - day as the Day of Human Rights and Child and Labor Day.5. the selection of the writer of the written text writer for the Universal Day of Theater according to the specifications of the global presence and his humanistic artistic achievements which is more important. 6.written texts of the International Day for the theater sought to remove the borders between cultures and humanistic societies. And then the researcher came up with a set recommendations and suggestions. Praise to be to God The Cherisher and Sustainer of the Worlds

الطرائق المعاصرة في صيانة الاعمال التشكيلية == Contemporary Methods For Maintenance Of Plastic Art Works

اسم المؤلف: سيف حسام علي الشلاه
اسم المشرف: محمد علي علوان عباس القره غولي
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تناولت مشكلة البحث الموسوم : (الطرائق المعاصرة في صيانة الاعمال التشكيلية) دراسة في الطرائق المعاصرة المستخدمة في صيانة الاعمال التشكيلية. وقد جاء البحث في اربعة فصول : اهتم الفصل الاول بالاطار المنهجي للبحث متمثلا بمشكلة البحث واهميته والحاجة اليه , وهدف | The research which entitled "contemporary methods in maintenance of plastic art works is divided in to four chapters, where the first chapter concerns the systematical frame work of research, that is by : research problem, research importance, research need, research aim, research limits and research terms. so the research deals with the study of the mentioned contemporary methods. research problem also concerns presenting the scientific and technical turn which leads to the development of maintenance procedures that conducted in treating the damages which affected the artistic works. these procedure are according to a modern scientific visions and methods, which differ in a great extent from the traditional methods that were adopted previously in artistic works maintenance. basing on this, the techniques of artistic work remedy were in a direct properties with great evolutions in the plastic art movement along it's long history. so the testers and those who interested in maintenance affairs have to be aware about the successful and active technique for repairing artistic work damages, by more technical and scientific additions which enhanced the artificial contemporary maintenance methods.by this aspect, the research problem originated through the answers of the following question : • what are the maintenance procedures. that adopted by the contemporary methods in the maintenance of plastic art works?• how can a maintenance worker to achive a sort of coordination between the damages nature and the scientific apparatus used for remedy. research importance and its need are integrated , where research concerns the ability of keeping the aesthetic and artistic heritage of art works through repair in its damages, and to renew its display in a better form as well. also to keep abreast of scientific development in maintenance of plastic art works which subjected to the so phisticated technology and science philosophy as well.the research represents an attempt to open the horizons of practical knowledge for researchers in maintenance of plastic art works, and to encourage them to search the nature of this science and to realize its mechanization. the research provides a scientific effort for our plastic art libraries, in order to make it easy for readers and those who concern this topic to get a knowledge about maintenance science in it's both theoretical and practical sides. advanced studies students, also may make use of this research, through their eruditeness on this research especially, research procedures, research results and conclusions, research aim is to make a knowledge about the contemporary methods in maintenance of plastic art works. research limits was specified by the study of the contemporary methods used in maintenance of plastic arts works which executed by different materials on different surfaces. this study includes the scientific procedures, apparatus, technical means, chemical materials and physical stuffs. for time, a group of plastic art works were chosen within the period (1923 - 2005) for place, they were chosen from Iraqi and Egyptian art. chapter two which entitled "The theoretical from work consists of three brochures, the first entitled maintenance concept between science and art" which includes many topics such as : maintenance and repair in concept and the difference between them, aging concept, damage concept, maintenance kinds, maintenance science and revelation techniques in art works. second brochure deals with traditional means and technical mechanization of plastic art works, in which the art work components were explained. third brochure studies the "contemporary methods in maintenance of plastic art works", in which the methods and its mechanization were explained.chapter three assigned for choosing the research group which consisted of (62) sample with different kinds of damages, (38) of them were from Iraq and (24) from egypt, (5) specimens were choosen with different surfaces, (3) from Iraq and (2) from egypt. research procedures were done by maintaining and repairing (5) specimens according to highly phisticated scientific laboratory methods. each art work subjected to a different repairing plan.chapter four consisted of : research results, conclusions, recommendations and suggestions. the researcher concluded a sum of results in the context of the answer of research aim such as : - the experimental knowledge of contemporary maintenance methods widen the importance and value of the work to be repaired treatments that achieve a functional aspect in reforming the artistic work, then presenting it in anew effective manner.that is clear in the specimens of the research sample. - the scientific knowledge of contemporary maintenance methods which used in specimens of research sample effected by the activity of physical and chemical factors, and by their interaction as well. that was clear through conducting many laboratory tests for materials and item used in repairing and maintenance processes.Research treated the specimen (No.4) according to scientific analysis done by vertical photo microscope (V.P.M), which contributed in repairing treatments of damages through marking the detects, cracks, detachment and revealing the original clours. Researcher applied the process which known "Fourier transform in treated spectroscopy" (FTIR), for repairing the specimen (No.4) through making use of it to find out the work consistent and the way by which the colours were applied.Researcher had concluded the following conclusions : • repairing treatment according to contemporary maintenance methods contributed in displaying a new results, which differ from the results of traditional previous methods. That is because of the use of the new developed techniques of the modern maintenance apparatus, as well as using a specialized new devices which operate quickly and precisely.• The use of contemporary scientific apparatus shows a variety categories of testing and scientific analysis for all detects and damage that infect the painting, beside showing the ability of damage treatment by the adopted maintenance and repairing mechanization. Then it is clear that the joining of analysis process with maintenance treatment emphasizes the necessity of searching of temporary scientific and technical alternatives, coming to enhance the structure of the artistic work and repairing it as well, beside keeping it away from danger and circumstances which may infect it.Researcher submitted a sum of recommendations, suggestions and a list of resources.

الملامح الدرامية وتمثلاتها في منحوتات بلاد النهرين == The Dramatic Features Which Are Represented In The Sculptures Of Two Rivers Land

اسم المؤلف: محمد علوان كاظم العتبي
اسم المشرف: عبد الحميد فاضل البياتي
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: This study intends for plastic creations which belongs to the civilization for two Rivers Land , and entitled "The dramatic features which are represented in the sculptures of Two Rivers Land ". It is a perusal to the protruding sculptures and the cylindrical stamps in attempt to know the dramatic structure they contained , through which the artist of the Two Rivers established plastic images change by their meanings the oratorical to imitate the human action and its religious , political and social connections by describing them as intellectual concepts, their methodology is the brain of the Two Rivers since the semi - writing age until the decline of modern Babylon, The study included a discussion of the dramatic construction elements and the mechanism of their working in the sculptures with regard to their formal and conceptual symmetries. The study included four chapters, the first chapter contained the methodical frame of the study , starting with the problem ended with the following inquiry : How were the dramatic features represented in the sculptures of Two Rivers Land ? The study is important because it highlights the dimensions of drama a concept by describing them as an aesthetic structure controls in a gestation of Two Rivers Land sculptor, which forms a new perusal to the sculptural texts which belong to that age with its historical sequences. The study also paves the way for larger understanding of Two Rivers culture in its artistic and historical aspects. The purpose of the study summarizes in coming to know the dramatic features represented in the sculptures of Two Rivers Land. The chapter also included the limits of the study represented ( by subject ) in the sculptural , protruding product and the cylindrical stamps , and ( by place ) the Two Rivers Land , and ( by time ) from the semi - writing age till the end of the modern Babylon age. Moreover , the researcher defined the terms of the title of the study used in the theoretical frame and the procedures , when on the other hand , the second chapter included the theoretical frame and the previous studies of the research, for it included three basic studies , the first took an interest in the drama concept and its rise, in which the researcher reviewed a preface about the rise of drama and the elements of the dramatic structure ( the plot, personality , language, the idea and the visualizations ) , in addition to the historical roots of the rise of drama in the plastic arts and their changes through the ages. The second research was entitled " The dramatic features in the thought of the Two Rivers Land " which branches into two axes , the first " The dramatic features in the religious thought ( the beliefs, rites and legends ), the second axis included the dramatic features in the authoritative thought , through which the researcher reviewed the dramatic ceremonies concern the ownership and its religious connections. The title of the third research was " The dramatic features in arts of Two Rivers Land " , which tackled the dramatic works in the plastic arts ( building , sculpture , cylindrical stamps , crockery and the mural ). The third chapter was based on the procedural frame contained the whole study , included the sculptures of the Two Rivers Land ( the protruding and cylindrical stamps ) which come to ( 120 ) samples , regarded as an establishing base to choose the study specimen which comes to ( 20 ) samples , and were choose intentionally according to reasons allowed by the researcher to comply with the study purpose, among them , depending on the texts in which the dramatic features concentrated within their formal and conceptual systems which drive at the realization of the dramatic structure which was contained in the sculptures of the Two Rivers Land. The researcher also depended on the cognitive indicators which were revealed by the theoretical frame as an instrument for research , but the research methodology is the ( descriptive, analytic ) as the followed methodology in the artistic and aesthetic studies followed by analyzing samples of the study specimen. The fourth chapter was a review of the most important results which were reached by the researcher after analyzing the sculptural samples represented the study specimen , the most important among them was : The dramatic features become clear in the sculptural texts through treating the dramatic structure elements by the artist. The researcher reviewed the approaches of those elements and the mechanism of their working in the samples mentioned in the analysis and the dramatic action rise in the specimen samples through the concept of ( the struggle ) which materializes in the sculptural views according to the action structure and its subject, where it reflects the human behavior structure and the wills contradiction in the content of the dramatic performance and in the light of those results , the researcher reaches several deductions , the most important among them are : the Two Rivers Land artist had a large capacity in observing and comprehension the reality and in imitation it , in addition to his awareness to his awareness to the intellectual changes through the history of that civilization , therefore , the sculptural works came to embody the cultural scene and its development in every age , followed by recommendations which the researcher thinks can serve and develop the artistic production movement in Iraq, then the researcher offer some suggestions to continue what he has started according to what he has raised of topics in the tour of his study. Finally , the researcher put the sources and the references which contributed in the theoretical establishment of the study and what followed it , in analyzing of the study specimen , then he put the appendixes which contained the illustrative tables regarding to the subject of the study , until the study is concluded by an abstract in English language.

بنية الخطاب في الاشكال الواقعية للخزف المعاصر == The Structure Of The Speech In Real Forms Of Contemporary Ceramics

اسم المؤلف: حوراء كاظم عبد الحسين شبر
اسم المشرف: تراث امين عباس
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: انطوى الخطاب الواقعي على معاني دلالية تعد مؤشرات العقل وطبيعة النظر الى العالم والحياة, الامر الذي جعل من الشكل الواقعي خطابا متحركا يتسم بطابع الهيمنة والتعدد والتنوع, تبعا للتحولات الفكرية والتقدم العلمي والتكنولوجي فضلا عن دور الفنان /الخزاف في خلق | This involved the realistic discourse on the tag metals are mind indicators and the nature of looking at the world and life, which made of shape realistic speech moving in character hegemony and pluralism and diversity, according to the transformations of intellectual and scientific and technological progress as well as the role of the artist / potter in creating speech Khozvia reflect the reality of their community and their culture and Aydlewjyatem through an important tool, but a ceramic art form Vakzb realistic structure of knowledge and replace it from rolling to the reality and the reality of a new esthetic and it Address the current research study (the structure of the speech in real forms of contemporary ceramics), which is located in the four chapters devoted the first chapter to a statement of the research problem and identified by answering the question follows : What is the structure of the speech in real forms of contemporary ceramics?And it demonstrated the importance of research to highlight the dominant in the Western world of letters to find out what is happening in the Western world and the culture of their community, as is the art realistic cornerstone in our contemporary life and as an opportunity to recognize the cognitive facts also included the figure unrealistic technical letters with inferences of thought which have an impact Brphi curriculum in cognitive and academic institutes and colleges and the Centre for Fine Arts.While ensuring objective of the study know discourse structure in realistic forms of contemporary ceramics and at the level of the cultural pattern contained therein that form either the limits of the research included the objective limits studying business ceramic realism of the forms and the limits of temporal from the (2000 m - 2015 m) and the limits of spatial in the United States and some European countries They also reviewed the terms are (infrastructure, letter, shape, realism).While the second chapter of the theoretical framework and the most important indicators that resulted, and previous studies, as it included a theoretical framework three sections explain which influenced the speech unrealistic shifts intellectual, mental and the accompanying change of ideological ideas, social conventions taking place in the center of human things that make each style stage a certain amount of rhetoric unrealistic, and therefore have Me first section addressing approaches conceptual discourse the second section was devoted eating discourse realistic across different time period explained through which shifts discourse realistic structure in the ancient art of the Middle Ages and then in the Renaissance and then shift Alazaara discourse realistic in contemporary art while eating the third section speech figure in contemporary ceramics.The third chapter dealt with procedures for search and included the research community and appointed by the research methodology, which the researcher approach adopted Alosfi - method of analysis based on the indicators resulting from the theoretical framework as a tool for the analysis of the sample, (15 guestrooms) in accordance Khozvia from an adult search community number is (159) in accordance with Khozvia.The fourth chapter discusses the results reached at her research, including : 1. The speech took formations cognitive structure in the form of a realistic and contemporary modes of communication in order to make it within the circle of virtual reality, for reality puts an endless production of images.2. cleared discourse structure in Figure realistic ceramic, Kpnip synchronous moving up to read the event through the picture, and create an image of the event, and in both cases is the characterization of the reality of the current era, and this is what made the unrealistic figure holds a narrative structure.3. Generate realistic figure in the contemporary ceramic art a moving speech in the field of sensual pleasure, came realistic figure, such as building a knowledge of the structure of the speech from the visual experience.As well as the conclusions of the research, including : 1. The structure of discourse in contemporary ceramic forms of realism, is the restoration of the Queen of the perception of the taste aesthetic ceramic formations process visually, after the departure of those models Zmcantiha first and functions.2. The structure of the contemporary discourse in the form of a realistic ceramic axes can be included daily events of contemporary life and the requirements of modern man, and the culture of consumption and commodification of social and that social structures and economic structures, political structures, and the culture of technology and electronics.3. The forms constitute a realistic reading and revive the values of margins and documents that make up the culture of the current era, and realistic figure in contemporary ceramics, converts vocabulary borrowed the structure of the group of letters.And continue with the conclusions and recommendations were followed by suggestions The list of sources and references.

تاثير الحرق الاختزالي في زجاج الرماد الملون == The Effect Of Burning Meiosis In Stained Glass Ash

اسم المؤلف: زهراء رسول كاظم الاوسي
اسم المشرف: حافظ كاظم المشايخي
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تناولت هذه الدراسة تاثير الحرق الاختزالي في زجاج الرماد الملون, اذ تم اختيار طينة الكاؤولين (الدويخله البيضاء) لتحملها درجة حرارة عالية, اذ تم صياغة خلطة الطين المتكونة من الكاؤولين (Kaoline) والطين الناري (Fire Clay) والسليكا الزجاجية (Flint) الفيلدسب | This study include the effect of reductive firing in colored ash in which I chose koaline clay in (Dwakhla) because it with stands the high temperature, it constitutes from kaoline., clay fire flint, filsbar. Alsodume I chose two types of ash (saef ash, and alqash ash) the added constituets (filsbar Alsodum (Na2OAl2O3.6Sio2) Borax (Na2o2B2o3) Calcium Carbonate (CaCo3).In order to decrease the tempreture of ash, I chose six colored oxides three paints which in cluede : (managanese oxide (MnO) , Copper oxide (CuO) , Redlron oxide (Fe2O3) , Chromium oxide (Cl2O3), but the red, yellow, blue paints are present in Babylon governorate.For the part of the ortical aspeet, (second part) had three researches : The first Glaze which had special effects which include the historical aspect which include the ash glaze salt glaze, bone ash.The second part include the major glaze components and the colored effects of colored oxides in the research and the third part include clays, firing place, reductive objects in the research.The third part of research procedures include research methodology used, were prepared from clay and burned at temperature (1200 - 1250 - 1300 ) and was prepared glaze and subdue all components of the mixture of glaze the unit formula act which materials.Temperature (1150 , 1200 , 1250 ) and featured the best one temperature (1200) was prepared glaze and subdue all components of the mixture of glaze to the unit formula Act which added materials as base Secker and reached number mixture (4) mixtures were grinding glaze process by the centrality of the mill and plate glass output on the objects of pottery and the use of gaseous furnace in the burning process and temper atures (1150, 1200, 1250) best one temperature (1250) and by an electronic device was measured and burning has reached the number of samples that the tzgegeha (90) samples and by experts in the technical field were selected (40) samples to be conducted tests on them where they were examined chromatography analysis using a device (precise color reader) and check - equipped projector using a device (digital microscope) and examine the texture by experts with competence after the appointment of a scale of three standards by the researcher is composed of (coarse, medium and fine and medium fine). And then was a calculation to measure the surface tension and density of the glaze ceramic.After that I do mathematical calculation in order to measure the surface tention, density of ceramic ash, the results to research glaze samples in which. I use 2 types & glaze : saef ash and kasab ash glaze, the study concluded that kasab ash glaze is better than saef ash glaze in oxide live process, but the reductive results concluded different results and appeased better results in nephthalin redacted and wood dust redacted in colored homogeneity in all samples which had good fusion and good aphesis properties.In the surface in either the color homogeneity in results of redacted samples (Nephthalin) wood dust ash, gas, carbonate, silica and the results were compatible with research hypothesis

زجاج الخزف الحجري المطفئ وتطبيقاته على الاطيان العراقية == Matt Stonware Glaze And Its Applicatins On The Iraqi Clay

اسم المؤلف: جمانة محمد خليل النيار
اسم المشرف: سامر احمد الكرادي
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الفكر التنويري وتمثلاته في الخطاب المسرحي العربي (نماذج مختارة) == Enlightenment Thought and Its Representation in the Arab Theatrical Discourse : Selected Samples

اسم المؤلف: علي سمير عوض
اسم المشرف: عبود حسن عبود المهنا
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

التعدد التقني في اعمال الخزاف ميتشيل كرافتون == Multi - techniques in the works of the potte Mitchell Crafton

اسم المؤلف: ايات عبد الستار عباس
اسم المشرف: احمد عباس سعيد
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى: