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التشكيل الصوتي للبنى النحوية The Voice Modulation Of A Grammatical Structure

اسم المؤلف: نهى ابراهيم حريجة العظماوي
اسم المشرف: شاكر سبع نتيش الاسدي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: تبحث هذه الاطروحة الموسومة بـ (التشكيل الصوتي للبنى النحوية) في تاثير وحدات التشكيل الصوتي (الفونيم والمقطع والنبر والتنغيم) في البنية النحوية (التركيب والاسلوب)، وهي في تمهيد وثلاثة فصول وخاتمة. وتناولت في التمهيد مفهوم التشكيل الصوتي، وتعدد ترجماته في | This dissertation so called (the voice modulation of grammatical structures) are looking at the effect of units voice formation (phoneme, syllable, stress and toning) in grammatical structure (composition and style) and in clouding a preface, three chapters and conclusion. I explained in the preface the concept of voice for mation and the concept of grammatical structure. The chapter one was entitled (voice formation of grammatical structure bearing phoneme) and in clouded an in reduction and seven sections.In the first, I studied the phoneme in Arabic language which had com prised it and offered types of short and long allophones in Arabic. In second I studied the phonemes of the movements in the Arabic language and offered the functions of the movements (fixed and variable) in the linguistic structure and pointed out how changing move ments (emergency) in grammatical structure and I studied at the third section the reason for the appearance of phonemic (Altham and tween of Altham that it is short vowel add to the word that marked by on a partial (subject and predicate, present verb and subject) had shown how the impact on syllabic structure of partial attribution in the case of replacing the phonemes of (Altham and tween) on with other by depending on the reasons for the appearance. In the fourth I studied the reseason for the appearance of the phonemes Altham and tanween) in operating of derivatives and their impact in functional terms. In the fifth I showed the cause of the appearance of phonemes (al fatah and tanween of fatah that it is short vowel add to the word that marked by) on the object and the complement of clause and affect it. In the sixth, I studied the phoneme sukun in the feminine taa with the present tense almajzum as in fleetional movement because of the effect of the job it. In the seven, I studied the effect of long movement in a grammatical structure in case of past verbs and imperative verb and I explained the syllabic structure and long movements as phonemes (movements) in the nouns. The chapter two was entitled (the voice syllabic structure of a grammatical structures) that involved an in troduction and three sections, the first involved the past and the present verbs nd imperative and the pronouns of syllable.In the second sections, I studied (the emphasis noon) and correlation it with present and imperative verbs, while the third section, I studied the syllabic structure by erected verbs. The chapter three was entitled (the stress toning of the grammatical composition) that it involved an introduction and five section. The first the concept of the stress and its actions in the Arabic language.the second sections I studied the types of the stress in Arabic language and I showed (the precedents and suffites) with the word. In the third, I studied the concept of the toning and its types in Arabic. In the fourth I studied the matter of the difference of the modernists in the presence of the toning in Arabic language in the fifth section I concerned by the effect of toning by the grammatical style and how to change from style to style.The conclusion involved the main results as following 1 - the phoneme of skunk had main role of a grammatical structure. 2 - the phonemes of aldham and alfatah appeared in the past verb. 3 - the appearance of phoneme alfatah as the inflectional movement at the end of the present verb. 4 - the present verb asserted by the final syllable of the verb. 5 - the stress and toning considered from the voice units

شعر سعد علي مهدي : دراسة صوتية Saad Ali Mahdi'S Poetry Sound Study

اسم المؤلف: زهراء جاسم محمد
اسم المشرف: ابراهيم صبر الراضي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: Great thanks to Almighty Allah and peace and prayer upon his passenger, Mohhammed and his household, the kind and the pure. Then…The fact, this science had gained my attention since the first year of my study of Master of Arts , so I want to research in a subject that related to The Holy Quran But there was a lot of these subjects from the sound view. So My supervisor Choose "Saad Ali Mahdi poetry" and I accepted his choice because this poetry has a lot Poetry collection that deserve to study , for it beautiful meanings that takes the reader to the higher meanings.The study consists of introduction ,four chapters ,conclusion ,references and resources.In the Introduction I researched the biography of the poet, his culture ,his books And his Lattice sharesIn chapter one " phonetics harmony " , I divided it into two parts , in the first one I study the phonetics harmony in the voice phenomena and that represented by the replacement of the verb form and replacements and in the second part I study the phonetics harmony in adjectives and sound exits.In the second chapter " phonetics rhythm " I divided it into two parts , in the first one the external rhythm and that represented by phonetics syllable and prosody in the phonetics researches , Rhyme in the new phonetics researches , in the second part I study the internal Rhythm and that represented by paronomasia , phonetics repetition and parallelismIn the third chapter " Laboratory and meanings Researches " , I divided it into two parts , in the first one I study " Praat " program and some laboratory samples from Saad Ali Mahdi poetry , in the second part I study suprasegmentaux in Saad Ali Mahdi and that represented in accent , intention and laboratory samples And I tailed the research with a conclusion that contain the result that I reached in this research , and finally I write the references and sources.

الدراسات السردية في مجلة فصول Narrative Studies In The Journal Of Fousol

اسم المؤلف: بلسم خير الله سباهي
اسم المشرف: هادي شعلان حمد البطحاوي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: This study entitled (Narrative Studies in the Journal of Fousol) is directed towards the (Journal of Fousol) a peer reviewed and scientific Arab journal and the pioneer in the literary and intellectual criticism.because of the innovative studies of literary criticism in all fields of theoretical and applied monetary and discourse as the Journal did not stop at the type sample of studies, but included a narrative and poetry studies that aimed the researcher of this study to study part of its creations related studies. After a careful reading, we found that the Journal Fousol has published studies in all Critical methodologiy without losing sight of introductory studies for each approach inside the magazine from 199 to 2015 as it repesesents this period of artistic twist and stylistic literary criticism.Criticism has adopted, inside the journal, new contents, methods and curricula updated Besides the contents of the heritage as the narrative studies inside the journal accounted for quite a few which published by the magazine of the studies we have considered to count them in order to stand on the proportion of their existence and the distance they've run inside the magazine; either composed or interpreter is forgetting the monetary effort that already Fousol and its foundational role in the Arab arena of modern curricula.The approach in the study of studies in the journal of Fousol is the curriculum (analytical and statistical) desire to provide a full panel of the issues of the journal and studies as criticism or in the direction of its properties that advantage from others and caused infrastructure and its painted structure, interior and regulations on according to special rules curriculum and required that the division of the study into five chapters preceded by preliminaries and attached by a conclusion. We have dedicated preliminararies to discuss the foundation of the journal and its cultural project.We have dedicated the first chapter to talk about structuralism and its subdivisions( Citations structural and structural formative and Alsame structural and Formalism narrative). Chapter ll deals with studies beyond the text (the receiving, cultural criticism,cultural feminist and identity).Chapter lll deals with techniques and types of feature (intertexteuality and novel educational and police and biography). Chapter IV deals with contextual studies ( historical, social and psychological). The most important conclusion has reached to the findings of the research.

فنون البديع في الشعر الاندلسي : بنو الاحمر انموذجا Arts Of Rhetoric In Andalusian Poetry Banu - Al - Ahmer As A Sample

اسم المؤلف: اسامة عبد العباس عبد اليمة حمود
اسم المشرف: قصي سالم علوان الجلبي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Andalusian Literature represented a shining page in the History of the Arab Literature for its creativity and enrichment of the literature; and the Poetry of Banu - al - Ahmer was only one part of that literature for its real enrichment.As the Age of Banu - al - Ahmer was the last of the Andalusian literary age,I decided to study an artistic angle no researcher has ever tackled ,i.,e., (The Arts of Rhetoric of the Andalusian Poetry - Banu - al - Ahmer as a sample).This does not mean that there were no such studies that proceded this one. There were many studies in the field that tackled the poetry of the Age, which we referred to i9n the Introduction of the research. I decided to make my study to the poetry of this age in following way : a forward and three chapters precede by an introduction, followed by a conclusion and results. The forward is a kind of entry to the study, which came into two subjects : the first is a bird's eye - view about rhetoric and our point of view and the other is a general view about the Poetry of Banu - al - Ahmer.In Chapter One we study (the Musical Arts) represented by : alliteration, studding, reversing the first part of the line with the second, all types of repetition, division, recreation, reverse and replacement and "the necessity of what is not possible".Chapter Two deals with (The Arts of Playing) - these arts are given this name "playing" ,as we mentioned and explained in the Introduction - we gave it a short definition - represented by puns and emphasizing praise to resemble slander, and good reasoning an ignoring the knower.In Chapter Three we studied the (Moral Arts) ,which include : counterpoint, synonymy, peer account, citation, embedding and exaggeration. There is a point I would like to draw attention to ,viz., the inequality in their dealing with the arts of rhetoric and ours in talking about them. The conclusion illustrated the most important resulted the researcher got to followed by the resources we made use of in competing our research. I traced, in my study, the poetry of the Age from the books and poetry books I could get and from the books that studied the poets along with their poetry.Finally, this humble effort is nothing but a fruit of continuous hard work.For what suffices is that I did my best ; so if I made something good ,then thank Allah. But If wronged ,then it is my own weakness

القراءات المنسوبة لائمة اهل البيت : دراسة لغوية Quranic Reading Accredited To Ahlualbait : A Linguitic Study

اسم المؤلف: زكي سعدون عبد الصبيح
اسم المشرف: نوري حساني علوان الكاظمي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Quranic Readings are considered of holy rank as it illustrates how to perform the pronunciation of Quranics wordings which convey the meaning of the divine message in order to deliver it to the people so they will have no plea against Allah after the Messengers. This thesis (Readings of Ahl Albait, The Infallible, Semantics Study) contributes towards the investigation and research process of the reading that represents an extension to the reading of the prophet pbuhap in performance and manner to become effective factors in delivering the divine message successfully.To meet this target, this thesis adopted the following methodInductive method; this will be through inducing the wording that the infallible Ahl Albeit used in their reading. Then working on objectively classifying this wording based on the semantics of the pronunciation that was delivered. This thesis is studied from three aspectsFirstly : the theoretical side. This is will be via the explanation of the infallible’s character and his reading features. In addition, what this thesis has revealed about the unique nature of this reading that segregate it from all other public readings; that is its focus on the illustration side in reading, and in particular, the illustration at the ideological level which represents the essence of religion and the divine message.Secondly : researching derivative and spiritual approaches of the references of the reading, considering the first lexical, reading, as a reference to explain the wording, and the second lexical as a reference to explain jurisprudential rule. All that by leveraging of : the common points and the joint connector which refers to the linguistic lexical. That is in addition to, the effort of the researcher to establish a “Semantics approach” between the reading, as a performance, and the Quran, as the theater of this performance. This thesis revealed the meeting of the pronunciation, lexical, reading and Quran on a common Indication that links them all to the deriving’s origin from that tripartite term.Thirdly : The analytical side. Wordings that Ahl Albait expressed its readings will be analysed and classified into two indicative levels, the morphological level and the grammarian level. This paper will not deal with pronunciation and lexical semantics due to the fact that Ahl Albait reading is not preoccupied with sound resources like “Alemala”, “Alaalal” or substitution or any other audio study resources. The focus of Ahl Albait is directed towards the explanation of the meaning and enlightening the receiver with guidance that Quran has come with. Their reading has not bothered with pronunciation performance but made pronunciation as mean of contact and communications between spokesperson and the receivers. As of the lexical level, their reading did not come up with wordings that are sufficient to establish a chapter on this subject. However, it may be noticed that this subject is slightly referred to in the study of morphological and grammarian levels.This paper has been presented in an introduction, three chapters and a conclusion as per the following : The Introduction, where the reason behind selecting this subject is explained. As well as highlighting the importance of the subject and its intended goals. Then winding up with a plan of study of this paper.Chapter one, is a research study on the characteristics of Ahl Albait reading at the reader’s level and at reading materials’ level. Adding a research study to explain the relation between the lexical material, the reading and Quran due to their common lexical and semantics material. This chapter is wind up with a semantic approach between Quran and the narrations to illustrate the explanatory reading.Chapter two : presents a research study on the morphological level in Ahl Albait reading within three aspects. The first is on the morphological level and its relation with the explanatory reading. The second on conjugation morphology in Ahl Albait’s (pbut) reading. The third on the derivative morphology in their reading (pbut).Chapter three : a research study on grammarian level of the reading of ahl Albair (pbut). This chapter contains foreword and two case studies. The first case study addresses (increase and decrease) in ahl Albait’s reading and its effect on the structural indication. The second case study addresses the changes in structural wording and its effect on the semantics.Conclusion : summerises the output that this paper has reached, which represent the outcome of the research path of this thesis in a subject that may be looked at as unpresented in the academic research field.Praise be to Allah alone and peace be upon Mohammed and his progeny.

كتاب اخبار الزجاجي : دراسة لغوية Al - Zijaji Akhbaar : A Linguistic Study

اسم المؤلف: عمر عبد الهادي مطر الزهير
اسم المشرف: محمد عبد كاظم
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: كتاب اخبار الزجاجي من كتب الامالي الجميلة الذي احتوى على كثير من الفوائد في اللغة العربية، وقد اخذت في دراسته مقسما عملي على تمهيد وثلاثة فصول وخاتمة. تكلمت في التمهيد عن وصف الكتاب وما احتوى بداخله من مواد مختلفة من اللغة. وقد جعلت الفصل الاول من الرسا | Al - Akhbaar is one of the most important books of the famous. Scholars in Arabic language Al - Zijaji who dears in this book with number of famous literary texts. Al - Akhbaar was the subject of the M.A. thesis done in Basra University entiled "Al - Zijaji Akhbaar : A linguistic study". The study falls into an introduction, three chapters and conclusion. The introduction presents a deseription of Al - Akhbaar showing the Syntatic and morphological issues in the book. The first chapter is devoted for the Syntatic issues and their reasons and why Al - Zijaji has chosen the problematic issues in Syntax. The second chapter discusses the Syntatic reason because Al - Zijaji is one of the pioneers in investigating reasons. The third deals with the important linguistic, morphological and Phonological studies in Al - Akhbaar.

قراءة الخطاب الاستشراقي في الثقافة العراقية المعاصرة : مجلة الاستشراق العراقية انموذجا

اسم المؤلف: محمد جاسم محمد الاسدي
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

النقائض في الدرس النقدي العربي الحديث Al NAQA 'ID In The Modern Arabic Criticism Studies

اسم المؤلف: كامل عبد المحسن جاسم الحسن
اسم المشرف: احمد حياوي السعد
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study deals with contemporary critics and scholars ' opinions for one of the poetic arts that strongly emerged in the literature of the Amawi era , namely , ( Al NAQA'ID ). The Study aims to discover the way through which the Arabic critical blog of the modern age treats such type of heritage texts as well as reveal the shifts which hit the Modern Arabic Critical system in the first place , so - called the Age of (Revival) , the time when contextual methodologies widely prevailed and were concerned mainly with outer contexts of the social , historical and psychological conditions surrounding the text and its cultural and social medium through (textual criticism) in the age of Modernism up to Reading & construe methodologies in the Post - Modernism age. The study is based on two concepts. The first one is based on the concept of discourse as a group of texts directed into a specific critical scope. The second is stemming from the constructive concept of Arabic Poetry in the Arabic Criticism system since long ago , which is based on the fact that the lyric poem is a linguistic structure includes ( form and content). Form is meant to include the issues of language , rhythm and Poetic Imageries. On the other hand , Content represents the meanings and thoughts included in the form. Hence , the researcher went ahead in dismantling this discourse into two sides. The first one contained the thematic issues and phenomena. The other side is the artistic issues and phenomena. In terms of Arabic critical methodologies , they represented the central crystal with which the discourse was concerned. It is indeed a methodological discourse based on methodical bases as specified by Modern Western methodologies , taking in consideration cultural Arabic particularity. The most important outcome of this research is the confirmation that The Modern Arabic Critical Discourse compared with Al NAQA'ID was coinciding with critical shifts that touched the modern Arabic discourse structure in general and they furthermore approved the dominance of thematic sides in the heritage text at the expense of artistic ones. Moreover , they manifested the strong presence of the historical and social methodology with a relative absence of the psychological one in terms of themes. Concerning artistic sides , the researcher noticed the intensive care that Arabic critics and scholars lavished so as to disclose the recognized artistic structure of Al NAQA'ID text through their works of disclosing the linguistic nature therein and the denotation of metaphor element in its structure. I also disclosed their endeavors in studying the rhythmical level , poetic imagery , as well as the critics ' interest in studying the involvement of the thematic phenomena such as Irony phenomenon , meaning exploration , expatriation , cultural involvement. Moreover , involving artistic phenomena such as bi - antagonism , argumentation and repetition. Furthermore , The research showed the critics ' agreement over the emptiness of such art from organic unity which was replaced by line unity on the poets part thereof equal to the heritage texts in Old Arabic Poetry.

الجملة في ديوان المعبد الغريق للسياب البناء والدلالة The Sentence In Collection (Temple Drowning ) For Sayyab Syntax And Semantics

اسم المؤلف: مهند احمد ابراهيم
اسم المشرف: عدنان عبد الكريم جمعة السالم
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The study is a wholesale basis in the understanding of the text , You may enter the world of the poet and reveal the meaning and connotations Thus, it opens the doors of the textTelly can be important in this letter the following : 1 - Sayyab did not come out too much about grammar originally syntax LittleThe impact of poetic weight in the formation of wholesale sometimes.2 - Linguistic context and the impact on the feelings of the poet syntax Since carrying a poet of conditions inside the poem.3 - Sayyab used two types of sentences which do not depart from the actual nominal and it is characterized by the palace and height. 4 - Find among the reasons for being in the Palace Wholesale literary position summary. 5 - Find between the delete of the sentence and the reasons for it. 6 - Find among the reasons for sentence length and the elements that led to the complete length in the poetic image. 7 - Sayyab ties linking his sentences moral and verbal. 8 - The most important contextual relations in linguistic cohesion sentence in the poetry collection. 9 - The temple is drowning ( customization , situational , ratio, dependency ). 10 - Sayyab adopted wholesale methods clearly , namely : A - It came a private Alastvhambesaagh style , in charge of your feet and often the last tool Interrogative. B - Call style came in and out of some compositions from the original for the purposes of rhetorical. C - This style came in different formats and different connotations. D - Exclamation style came in different formats , exclamation Balastvham , and the appeal , and so on.E - Came wishful thinking style (Leigh , though ).F - Apply condition method and delay came , and overlapping methods with him , as occurred Answer condition.G - Diversity among temporary exile and life imprisonment , according to entering the tool on the nominal and actual sentence.

دلالة المصطلح النحوي عند الكوفيين في ضوء الدراسات المعاصرة The Conceptual Meaning In Al - Kufi'S Syntactical Expression In The Light Of The Modern Studies A Practical Study

اسم المؤلف: هادي خلف رسن القرناوي
اسم المشرف: هناء عبد الرضا رحيم الربيعي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise to God, the creator of the universe and his messenger, Muhammed the last of prophets and missionary, and on his sacred, kind household and fellowmen and those who followed him graciously and kindly till the Judgement Day and thereafter.... The expression occupies or takes over a prominent outstanding position or status in man's intellectual life, it is key or code that man can reach science, as mentioned by theancients. Through the expression the recipient understands and realizes the gateway of this science from its symbols that within the expressions, the vague, mysterious, equivocal points or issues become obvious in any science, all oblique and unclear issues are dissolved. The syntactical expression, as any liguisticexpression, formulates part of total, complementary structure, subject as other expressions subject to special or particularusage for specialized class or group inside the science that contains it that it becomes to have features drived from the environment that lives in, grows up and thrives. It is an accurate subject that needs a thorough reasearching, this makes different writings deal with the expression in different or various frames. Our subject attemptsto deal with thesemantic side of the expressions.The idea of study entitled "The meaning of the Syntactical Expression at Al - kufiee's in the Light of the Modern Studies" concentrates on a general study to the meaning of the syntactical expression, and the choice of the application of Al - Kufiee's syntactical expression was intentional and deliberate because the subject of syntacti - cal meaning needs a reconsedration in the subject so as the bases that are subsumed under the syntactical expressions be delimitied. As it is usual, Al - Kufiee's syntactical expression like a healthy suitable environment for such a study since it is subsumed under a limited schooling system included methodoligical, intellectual orientations or directions which characterizes this study. Despite this soecification or limitation there has been a give and take state with Al - Basra's syntactical expression owing to its priority and pecedence because there are notion and opinions stating that the rise or origin was at the same time and from scholars who were contemperaries to the establishment of Al - Basra's syntax. This was a reason for electing and choosing such a study because many of the meaning's features apply to it according to the methodo - logy of studying the expression. The study necessitates a descriptive, theoretical, and applicational methodology in expression, the reseracher tries to make use of what has been tackled in the former studies of Al - Kufiee's syntactical expression and applies at the same time what the study has arrived at in the field of researching that in a numerous titles have been mentioned derived from the actual applicational study of the expression. The relied on methodolgy started from what really exists and not from what is assumed to exist. This necessitates modifying or changing the methodology for more than once and in lieu of the subject in question. The sources and refrences connected with my study, either those concerned with the syntactical expressions in general or with Al - Kufiee's expression in particular had their effect in paving the way towards reasoning and argumentation and aiding me to delimit the scope of my study and its objective domain or field. The sources or refere - nces I depended on most in allocating the applicational positions of Al - Kufi's syntactic expression are the following references : (The Meanings of the Qura'n) by Ali - Bin Hamza Al - Kisaae (189H), (The meanings of the Qura'n) by Yahyia Bin Ziyad Al - Ferra (207H), (The Concise Syntax) by Ibin Sa'adaan Al - Kufi (231H), (Logic Reformation), by Jacob Ibn Isaac bin Al - Sukeit (244H) , (Thalab's councils) by Ahmed bin Yahyia Thalab (291H), (The Explication of Pauses and beginning), (The Explanation of the long Seven poems), (masculine and feminine) by Muhammad bin Al - Qassim Al - Anbari (328H) in addition to other traditional sources which contributed to stand on Al - Kufi's syntacti - cal expression and to make a comparison between him and Al - Basra's Syntactical expressio. As for the refrences that I greatly benefitted from in my study, these inclu - ded studies that concerned with the Syntactical expression in general and with Al - Kufi's in particular or with both schools like : (Kufa School and its methodology in studying language and its methodology in studying language and syntax) by doctor Mehdi Al - Makhzoumi, (The syntactical schools) by doctor Khadega Al - Hadithi, (Abu Zakarya Al - Faraa and his creed in Language and syntax) by doctor Ahmed Mekki Al - Ansari, (The Syntactical expression, its rise, development till late third century A.H) by doctor Awadth Hamed Al - Kouzi), (The syntactical expression and the origin of meaning) by doctor Riyadh Othman, (The Encyclopedia of the Syntactical) by doctor Yokhana Mirza Al - khamis,and many other studiesd that eased the difficulty of the Study and helped in directing some Kufi's syntactical expressions to the suitable place, all these difficulties were overcome with the aid of God and hid grace. The title of the thesis obliged me to have a look at some academic theses and disseratations entitled (The Syntactic Expression). All these studies tried to remedy and treat the stablizied syntactical expression at a particular syntactical personality or numerous ones. The land marks of one thorough syntactical expression cannot be clarified in the light of one personality because the world might be electric in opting its expressions in accordance with its intellectual directions which differ or vary according to individuals. This may not endow a fixed picture or vie for the subject if we followed the same means or method of researching.

الثنائيات الضدية فــي شعر المتنبي : دراسة في الموضوع والفن Binary Oppositions In Poetry Al - Mutanabbi

اسم المؤلف: مهدي مخيلف كاغد الصبيحاوي
اسم المشرف: فالح حمد احمد الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This Thesis Comes to attempt to describe some of the manifestations : ( Binary oppositions in poetry Al - Mutanabbi).Showing in itself Contradiction between the two cases each of them about the other stands the opposite of the case of the antibody.But which cares about the plan followed, It appeared in the preface, three chapters and a conclusion. The preface in three axis the 1st concept of binary oppositions language &idiomatically But the second preface axis imported studies in Consciousness and ancient eloquence and third axis in field of binary oppositions Modern Monetary Studies and contemporary. Interested in the first Chapter study some Binary oppositions in poetry Al - Mutanabbi and it contains five topics ( ego/poet, other (life /death,young/old age , dream/ impertinent / glory/humiliation The second chapter interested for study forms binary oppositions the level of language ,and consist in content three forms , the first binary oppositions the level of direct verbal antagonism , second for binary oppositions the level of Exile and proof. And comes third under title binary oppositions for the level of Paradox.And the third chapter consist of binary oppositions for the level of Image for two axis ,the first about the image antithesis constrictive. Second studied texts application in poetry Al - Mutanabbi. Then the research ended with conclusion with the most important which resulted in the study.

ثورات العلويين ومواليهم في شعر العصر الاموي : دراسة في الموضوع والفن

اسم المؤلف: كريم حميد منشد سحيب الخلف
اسم المشرف: احمد حياوي السعد
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

مفهوم الشعر في الموروث الادبي القديم The Concept Of Poetry In The Old Literary Heritage

اسم المؤلف: بتول نعمة علي الموسوي
اسم المشرف: فالح حمد احمد الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The concept of poetry is considered the centre point around which all issues of the old criticism move. most of literary views and critical theories are connected to this concept. This is why our research is devoted to show the features of Arab poetry in critical and rhetorical heritage. The title of this paper is "The concept of poetry in The Old Literary heritage". We do that to know the essence of this aesthetic structure and creative art by which Arabs doted all over ages. This paper consists of four chapters preceded by an introduction and ended with a conclusionIn the introduction , we explained the function and importance of poetry in heritage to show its position which is above all arts because it has a great importance in Arab social , cultural and life. The first chapter is about "The factors which effect the crystallization of poetry concept". These factors were psychological factors which move poets to say poetry and the comfort which poetry makes. There are also environmental factors (social , natural, political and cultural). We also show religious factors and moral ideals and their effect on poet's verse. The second chapter is about the study of poetry concept and its rhetoric. It also shows development and changes that took place. It also focuses on the poet's concept of poetry since pre - Islam age until the Abbasid age. The third chapter is about critics' concept of poetry through the issues of old criticism such as articulation , meaning , meter , rhyme scheme , and plagiarism. We also explained their critical views and things they agree or disagree with. The fourth chapter is about the study of poetic image because it is means which gives beauty, vitality and motion to poetr. The poetic image has an effect on the receiver. It also has relation with imagination and rhetoric styles through which different patterns of image are generated. The conclusion has the results made by a tour among criticism books.

ايات الاصحاب في القران الكريم - دراسة دلالية The Verses Of "As - Haab / Companions" In The Holy Quraan : A Semantic Study

اسم المؤلف: صفاء حميد ضيوف
اسم المشرف: مرتضى عباس فالح السلمي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The present thesis aims at studying the verses that explicitly use the term "As - haab/ companions" and its derivatives within the specified context and the context of other verses related to it so as to show its semantic value , know its deep details, show the contents of its expressive ways , show the hiddens and psychological impulses in every type of companionship which reveal the true nature of their deeds , actions and behaviours. It also aims at portraying their present and future circumstances. This study depends on describing the linguistic phenomenon in the Quranic usage and analyzing it through pursuing the Quranic verses related to the subject. The nature of the subject has necessitated that the study of its verses be divided into three chapters starting with an introduction and preface and rounded up with the main conclusions followed by a list of the sources and references cited in the study and used by the researcher.The preface deals with the concept of "as - haab" by studying both the linguistic and idiomatic meanings and its expression in the Quranic usage. The first chapter is devoted to studying the companions of the earthly place. The researcher is interested in studying the place to which the term "as - haab" was attributed in accordance with the partnership of the general meaning to which theses places refer. This part was studied in two sections : The first is about the companions of the place enjoying heavenly care.The second is about companions of the place enjoying heavenly punishment. Chapter Two is about the afterlife companions and falls into two sections : The first involves companions of symbolic place.The second is about companions of the other life.Chapter Three is dedicated to studying the other meanings of companionship mentioned by the Holy Quraan; the words attributed or added to "as - haab" or one of its derivatives. The attempt has been to give a complete picture of the verses of "as - haab" in the Quraan to show the semantic features of the various companions and to what they lead in the context they come in and the meaning they came up with in the light of studying meanings of the linguistic styles of the verses. The chapter is in two sections : The first is studying man to man companionshipThe second is about studying other attributed companionships

صورة البطل في كتب المقاتل الحسينية : دراسة في ضوء النقد الثقافي Image Of The Hero In The Books Of The Fighter.. Hosseinieh Study In Light Of Cultural Criticism

اسم المؤلف: علي محمد عبد الرضا
اسم المشرف: ضياء راضي محمد الثامري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This message has sought to highlight the perfect picture of the Arab Muslim hero, as drawn by the Arab cultural patterns, represented by Imam Hussein (AS) and his family and his companions in Karbala finest representation, and my studies came in three chapters preceded by a preface, followed by a conclusion. The boot has dealt with the concept of the language and idiomatically hero, the hero image in heritage, then proceeded to kill off the definition of the language and idiomatically, then the definition of books fighter, and the statement of significance between those of the other books of literature, The first chapter was entitled (the image of the hero through the other) in two sections, the first image : ( hero through the other equitable), while the second : ( hero image through the other peer), Chapter II Anonth : ( hero image through dialogue), was visits with human elements, including (sidekick placebo, and real), and the other with elements of non - human, and includes (age, animals and dialogue Gin), to come third chapter titled (Picture hero in hair fighter) and includes poetic purpose (pride praise Lament), to come Conclusion to show what I could stand it results from the praise of God and the virtues of acceptance pleading with him, he responds to pray

بلاغة الاقناع في مقالات غازي القصيبي في ضوء مبادئ ارسطو الاقناعية Rhetoric Of Persuation In The Essays Of Ghazi Al - Qusaibi In Light Of Aristotilian Principles Of Persuation

اسم المؤلف: شيماء عثمان محمد
اسم المشرف: فالح كامل اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Modern studies of rhetorics are interested in persuasion as one of the objectives in realistic prosodic discourse that involves displaying personal thoughts and ideas by employing certain technique to contribute to persuading the addressee of the discourse directed to him.Aristotle was the first who talked about persuasion and described in details the techniques and stages in prosodic discourse in his book ‘Oratory ’. Thus, the researcher preferred this book to be the main source and guide in our study of the techniques of persuasion in essays of Ghazi Abd Al - Rahman Al - Qusaibi, which were gathered from newspaper a journals and edited in a book.A question might be raised about the validity of studying such essays that belong to an independent genre with its own characteristics and aims. The answer is that the two genres ( essay and oratory) are similar in type. Both of them are realistic prosodic discourses and thus can be built by the same tools of persuasion. On the other hand, Aristotle began his work in this book by classifying oratory into three types : argumentative, consultative and proving. He assigned specific characteristics for each type as we will mention in details later. The researcher found an artistic and objective similarity between consultative oratory and essay specially in the aims behind using them.Additionally, Greek oratory at that time, in addition to drama, was a well - known and common tool of communication with people to convey thoughts, ideas, suggestions, and reforms. With time, techniques of communication developed and the press emerged and thus essay becomes one of the genres that can achieve the same aim intended by oratory. Furthermore, topics and subjects of ancient and modern Arabic and western rhetorics were influenced by the Greek rhetorics and ideas of Aristotle. Those subjects and ideas were not assigned to be conveyed in a certain specific genre. Rather, they were conveyed both as prose or poetry and not in a specific genre. All the reasons mentioned above led us to study rhetorics of persuasion and the techniques it utilizes in essay writing in light of the techniques that were set as bases for oratory.Our main source in this study is Aristotle’s ‘Oratory’, translated from Greek and introduced by Dr. Abd Al - Rahman Badawi and published by the House of Public Cultural Affairs in the Journal of Afaq Arabbia, Baghdad, **edition.The researcher adhered to Aristotlian principles in persuasion. Accordingly, the study is divided into an introduction and three chapters. The introduction highlights three points. The first point is abaut rhelorics in language and terminology and its status and development for the Greeks and its relation to persuation. The secand is persuasion in language and terminology, persuasion in verbal communication, introducing the idea of persuasion by Aristotle and stages and participants of persuasion. The third point tackles the essay and its types.Chapter one ‘ Source of the Proofs’ starts with preliminaries in which we show what it is meant by the source of the proofs and Aristotle’s opinion of them. The chapter includes three sections; a section for each source. The first section is about the speaker ( the orator) and his impact on persuasion and his scientificity and ethics that help him achieve persuasion. Section two sheds light on the speech of the orator and what participants and proofs it should contain to contribute to achieving persuasion. Section three talks about the listener (the addressee) and what should be the effect on him so as to persuade him of what is said.Chapter two ‘ The Style’ starts with a long section of preliminaries because of the much details about Aristotle’s style. The chapter includes three sections. Section one is about the linguistic style that contribute to achieving persuasion whereas section two is about the rhetorical styles as represented in the rhetorical images. Section three tackles the other styles including those mentioned by Aristotle i.e. narration, saracism and rhyme as techniques that support towards persuasion.In the preliminaries of chapter three ‘Sequence of the Discours’, the researcher talks about the parts of speech of Aristotle and the method that should be followed to classify them. In section one of the chapter, the researcher discusses the introduction and its types in essays of Ghazi Al - Qusaibi : section two discusses the intext and section three is about the conclusions.The Study arrived at some conclusions concerning the most important techniques that Ghazi Al - Qusaibi used to persuade his readers about the thoughts, ideas that he wrote to them and that might developed the society culturally, politically, and economically. Definitely, the researcher faced some difficulties; the most complicated of them is that the text of the book of oratory itself is translated and not the origin. The style is sophisticated and some of the expressions are ambigious; its terms are different from those known in books of Arabic rhetorics and in modern rhetorical studies. This difference can be obviously seen in the illustrative examples put by Aristotle for every term. The expressions were very abbreviated and shortened especially those when Aristotle talked about ethics of the speaker and how they could be reflected in his speech. Consequently, the researcher depended on books of modern linguistic and rhetorical studies that are concerned with rhetorics of discourse and pragmatics in language

الادب الاندلسي بين محاولات القمع وهاجس الابداع من عهد الامارة الى نهاية عهد الموحدين (138هـ - 635هـ) Andalusian Literature Between Suppresaive Attempts And Creativity Premonition From Era Of Emarate Till The End Of Monothesists Era (138 A.H - 635 A.H)

اسم المؤلف: نوران جمعة ابراهيم الحجاج
اسم المشرف: علي مطشر نعيمة الشريفي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The creativity is deed the utmost aim for which the literary inspirits to trough it, facing its consequences and problems to adjunct the group of eminent of his pairs ; poets and authors thus we found that he attempts hardly to eternize his name and to document his creative work with all literary brogue and ability enhancing him to complete his way of brightness in the field of art. Thus, we accredited in this research on finding creativity aspects of this Andalusian and what he exposed to the intrigue and conspiracy of the Prince's high structure scarifying on their interests and objectives,plan of study we applied is consisted of three chapters were preceded by introduction, preface and finally a conclusion. preface arguedthe linguistic and terminology concepts for the terms of repression and obsession of creative and the most important constituents exciting literary to be creative and to realize his aim and then detect the obstacles and problems prevent achieving this purpose which occupied the mind of creative AndalusianLiterary. First chapter argues the forms of repression the Andalusian Literary exposed to in the high structure from the slanderers enemies who dedicated their efforts to monitor literates and making traps to repressive them by poetry removing them from high structure. And also express the attitude of some rulers and princes in Andalusia towards poets and literary and their creativity.Second chapter was to show the attitude of registering authority from the Andalusian Creativity individually such as exposure to the poets themselves or massively representing by repression some literary sorts which the Andalusians their unique insight and talents.Third chapter including the Andalusian Art achievement which is the outcome of their mind and creativity to promote the Andalusian Art proving the Andalusian identity forwarding a message including that Andalusians are eligible to reach the summit and be like their pairs if they get opportunity exciting them to render poems and assisting them to present their activity.At conclusion which is deemed the summary of research, we show most important results we concluded.

التماسك النصي في السور السبع الطوال Cohesion In The Seven Long Chapters Of Quran

اسم المؤلف: خليل عبد المعطي عثمان
اسم المشرف: صيوان خضير خلف المياحي سالم يعقوب يوسف
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: In Iinguistics , a new branch has recentIy emerged , i.e. ' Text Linguistics ' which gives fuII consideration to texts and the way in which these texts hang together as cohesive texts , performing various purposes in different ways. As such , the topic of text Iinguistics in generaI and grammaticaI cohesino in particuIar has become an area of interest of many Iinguists. One of the many reasons for seIecting this topic is to obtain more KnowIedge in this area , i.e. ' grammaticaI cohesion ' aIong with its different schooIs of thought , hoping to appIy it to Quranic texts in an attempt to anaIyze it textuaIIy. The significance of this study Iies in : 1)studying Quranic texts by adopting a text Iinguistics - based approach focusing on cohesion in generaI and grammaticaI cohesion in particuIar. 2) utiIizing both modern Iinguistic terminoIogy and traditionaI terminoIogy.3) focusing on ' cohesion ' as an approach to studying and anaIyzing the seven Iong chapters of Quran as sampIe of the study. The study fuIIs in to five chapters ( two chapters deaI with the defining matters and the theoreticaI part of the study and three chapters deaI with the practicaI part of the study )preceded by an introduction and foIIowed by concIusions and Iist of references. In the introduction , issues such as the reasons behind seIecting the topic , its significance and methodoIogy adopted are introduced. Chapter one, for its part , deaIs with the text and its grammar , and the difference between the sentence grammar and text grammar. Chapter two titIed ' Text Iinguistics and Cohesion ' focuses on the different opinions proposed by various schoIars ( be they oId or modern ) , cohesion and its types as weII as the schoIars ' views on cohesion and its importance in discourse anaIysis. WhiIe chapters three deaIs with grammaticaI cohesion ,such as reference , eIIipsis, substitution and conjunction and chapter four focuses on IexicaI cohesion , such as reiteration , coIIocation and its types , chapter five , for its part , deaIs with the infIuence of context.text recipient and occasion on text cohesion. Chapter six , for its part, speIIs out the main concIusions that the researcher has drawn : 1)AIthough it is not easy to define what " text" exactIy mean, any text shouId be cohesive.2) Cohesion is the main eIement in anaIyzing any text and thus distinguishing a text from just a group of Iinguistic eIements.3) Some schoIars , such as HaIIiday and Hasan did not mention 'reIative pronouns ' as cohesive devices , but the researcher and some other schoIars have identify them as cohesive devices.4) There is no harm to use modern Iinguistic ideas to study Quarnic texts as Iong as there is no contradiction them and our reIigion

المرجعيات الثقافية في شعر اديب كمال الدين Cultural References In Adeep Kamaladeen'S Poetry

اسم المؤلف: ياس عوض رشيد البصري
اسم المشرف: علي مجيد داود البديري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The cultural references in the poetry of the Iraqi poet "Adeeb Kamaladeen" has formed a significant presence through their abundant frequency. Such references are various in their frequency and difficult in their source. Some of them have had obvious presence while the others are less frequent in his poetic texts. The diversity of cultural references have made the research consisted of four chapters based on six references, Quranic reference is one of them that featured by the most prominent presence in the experience of "Kamaladeen". Such experience has varied in its role into two kinds. One of them has inspired its presence from Quranic story, while the other has derived it from Quranic verse. The second reference is the mystic one, by which the poet has derived the mystic heritage from mystic conditions and stages. He has also employed the prominent figures, such as "Annefery, Alhallaj, and Altawheedi" in his poetry. Whereas the other references are historic and mythological ones which have been included in one chapter, because they are less frequent than the previous two references. Regarding the historic reference, the poet has manipulated "Karbala incident" and "Imam Hussain", who is the the most important person in that incident, Iraq¬¬ - Iran war in 1980 and other wars, which followed. In connection with the mythological reference, the poet has employed several myths, one of them is "Gilgamish myth" which has formed a striking presence in "Kamaladeen's poetry" In addition, the poet has used the artistic and literary reference, that has been combined in one chapter, through which the poet has employed the most famous Iraqi and Arabic singers. He has also used Iraqi and Arabic poets and novelists, as well as foreigners through the literary reference. Hence, all these references have signified variety of the poet's education and his continuous acquaintance with multiculturalism that has consequently served his poetic experience.

حداثة ابي تمام في ضوء النقد العربي القديم حتى نهاية القرن السابع الهجري Abu Tammam'S Modernism From The Perpective Of Classical Arabic Criticism Till The End Of The Seventh Hijri Century

اسم المؤلف: رنين ناظم يوسف
اسم المشرف: مسلم حسب حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This research studies modernism of Abu Tammam on the basis of the theory of classical Arabic criticism which consisted of rules and conditions put by the Arab critics and applied by the poets to make their poetry eloquent and solid with clear and vivid meanings.But Abu Tammam was keen to deviate from all these rules and principles in his poetry. Al - Amidi considered him as a rebel against the common foot of poetry because he played on words in his poems and became fond of rhetorics and figures of speech which he used extremely. Consequently,his poetry was corrupted by the heavy use of antithesis and paronomasia. Thus, he became the target of a strong movement of criticism that represented the conflict between the old and the new.Classical Arabic poetry was a summary of the experiences of the old poets. It directly expressed the social, cultural and intellectual aspects of their life. It was characterized by features of clarity of expression, agility and simplicity of language because it was natural and not superfacial. That was the case in the Arab poetry during the pre - Islamic time, beginning of lslam and the Ummaid era in addition to the majority of the poetry of the Abbasid era during which the way of living of the Arabs changed from nomadism to urbanism. Thus, there appeared a type of new Arab poets who had special knowledge and high education like Bashar Bin Burd, Muslim Bin Al - waleed and the most prominent of them was Abu Tammam.Modernism of Abu Tammam went far beyond the familiar in his illogical and unreasonable similies and metaphors. There was no appropriateness in his metaphor and no approximation in his similies. Besides, he played on words and used too much antithsis and paronomasia. He was good in some of them but not so in the others. That caused the Arab critics to attack him and refused his poetry which they said it deviated from the common foot of the Arabic poetry that was defined by Al - Marzooqi to have seven categories. any studies of criticism were conducted about Abu Tammam and his poetic school. This study is made up of an introduction,three chapters and conclusions. Chapters one and two consist of three sections each. Chapter three contains two sections.The introduction highlights modernism of poetry as viewed by the classical Arabic criticism both literally and as a term. It also reviews the concept of modernism since its appearance till the time of Abu Tammam. Chapter one is interested in the questions of imitation and nnovationin that Arabic criticism. Section one of the chapter shows the attitude of the linguists and narrators of the modern poetry, the position of khalef AL - Ahmar and his experience in criticism and the position of the critics of the classical poetry which they considered as the highest model that Arab poets should imitate and create in their poetry as a product of the individual liking. Section two is devoted to discuss modernism in relation to the theory of the foot of poetry that was represented in the seven categories as introduced by ALMarzooqi in the introduction of his book Commentary on Diwan of Ardor of Abu Tammam. The section also explains the principles of the poetic imagery in similie and metaphor and the role of poetic imagination to bring about new images and novel meanings that reflect beauty and psychological effect.Section one of chapter two discusses modernism in the poetry of Abu Tammam and the rules of the poetic language in the theory of Arabic criticism. The section also shows what was accepted and what was not in his language. The section shows how Abu Tammam, very heavily, used the rhetorical patterns especially antithesis and paronomasia where he was unsuccessful in some of them and good in others. Section three tackles the poetic meaning and the logical and mental characteristics that should be available in these meanings to be correct so that the poetry be undertood. This was agreed upon by the old Arab critics such as Qudama Bin Jaafar, Abi Helal Al - Askari, Abd Al - Qadir Al - Jirjani, Hazim Al - Qirtajinni and others. The section includes description of the meanings and their relation to the levels of description as far as exaggeration and excessiveness are concerned in that Qudama Bin Jaafar considered excessiveness as the best of the two schools of description.Finally, the section discusses ambiguity and complexity as products of corrupted poetic composition. Chapter three deals with modernism in the rhetorical image, modernism and the changes modern poets add to poetry in this concern. Modern poets paid more attertion to the form rather than to the meaning in their poetry. That led to the appearance of a new poem with specific features particulavly concerning the rhetorical image that depended on similie and metaphor. The poets started using these styles in new ways that were unfamiliar to the Arabic liking and taste. The first section of this chapter deals with similie and description and the rules put by the Arab critics to achieve approximation between the two sides of the similie; otherwise the similie would be exotic and not allowed. It was conditioned that the description contained most of the cases being described. The section mentions some samples of the similie and description in the traditional poem which the critics considered as better in comparison to the modern similies and description that deviated from the artistic critera and the common poetic taste. Section two talked about the metaphor and its definition by the Arab critics and availability of the conditions of approximation between the metaphoric expression and what it stood for. However, modern poets, particulary Abu Tammam, did not adhere to these conditions. Thus, Some of their metaphors were controversial. The conclusion presents the results of the study; the most important of which are that the classical Arab critics had a theory of criticism reflected in the opinins they stated in their books and set by Al - Marzooqi in the 5 Hijri century in a systematic approach that was finally shaped in what was later known as the foot of poetry that included seven categories and each of these categories represented a critical measurement of a certain question in poetry.

اسرار التعبير القراني في تفسير تسنيم للعلامة الشيخ عبد الله الجوادي الاملي دام ظله

اسم المؤلف: ميثم عزيز جبر
اسم المشرف: احمد رسن صحن
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study starts with a preface discussing four points : AlAamily translation, the reason behind calling his book (Tasneem), and his method in Tafsir, the meaning of Secrets according to Al - Aamily, and the meaning of expressions in linguistics and terminology. In the first chapter (the secrets of words in Koran) the researcher discussed the linguistic meaning of the word in three sections : firstly the reason behind choosing a word in particular, secondly the secret of morphological form, thirdly the secret of definiteness and indefiniteness. The second chapter (the secrets of sentence in Koran) studies the meanings of the sentence and it is of two section : the first one is the secret of declarative sentence and its processes as deletion, backward and forward, and restriction. The second section is the secrets of the construction of the sentence as the imperative, negative, interrogative, and proclamation sentences. The third chapter (the secrets of the text and Koran) discusses the meanings and linguistic structures and rhetorical themes in more than a phrase as being intervented and the text title. It is of three sections : the first one is the secret of apostrophe. The second is about conjunction and disjunction. The third is about the secret of agreement in which the researcher mentioned the meanings of agreement and holy Koran. It is of three sections : agreement among Ayat in one Surah, agreement of the title of the Surah with its contents, and the agreement of the beginning and the end of Surah. Research methodology : The researcher’s method in this study is choosing the subject followed by a general overview about it. Then mentioning the most important samples mentioned by A - Aamily in the title and discussing each one respectively after viewing the opinions of the interpreters. After that the study shows the opinion of AlAamily to see what is the new addition. Results : The researcher has ended with recognizing the meaning of the secret according to Al - Aamily in linguistics and the reason behind it. Also the researcher detected the secrets of the word, sentence, and the text and what purposes and meanings they have and connecting all these things with external facts because the interpreter sees that all of these recording words of Koran express universal facts in existence because it is an inspiration from the Almighty Allah. The researcher also tried to expose several rhetorical themes such as clarifying forms of the text like apostrophe, conjunction, and agreement among Ayat by applying the modern textual norms of sentential multiplicity, cohesion and coherence. Then identifying the notion of text and modern linguistics and applying it to rhetorical Arabic heritage.

افعال الحركة للطبيعة في التعبير القراني Verbs Of Movement For Natural In Qurans Expression

اسم المؤلف: عبد الحي عبد النبي زيبك العبادي
اسم المشرف: فاخر هاشم سعد الياسري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise be to Allah, Bari creatures wholes, and Mustafa Muhammad, may Allah bless him and his family, and Adam between water and mud, and prayers and peace be upon him and his family a granite blessed, and his companions Almentajabin.After : throughout the ages was a field ground for study and a field plenty of Tnkir in its goals, thanks to its cognitive and aesthetic depth, starting with his own language, which disable all?Koran the book of God immortal, and search of the noblest blessings that can fade researcher and adds to the old his years ago because the word of Allah a statement, and his style flowing senses static move in every place and time, and imagination semantic in the words of the Koran, including an astounding bright minds, with great likeness and beautifully woven and depth of sense, and which of the miracles and the statement allows multiple study which can be added to other Quranic Studies.Among the most prominent reasons that stood behind the choice of subject, because of the reaction of two characteristic distinguish it from is from the words, the two time event, in addition to the importance of the verb in the language, making it the centerpiece of significance, his work in the compositions Whatever his rank, moreover how it connotations sensory and moral , field of study was in the vicinity of the actions of the movement, which radiate out the implications of the central acts and grow in the context of the features of aesthetic and suggestive.Came this study feed into a tributary of the Quranic joists dealing with words, has been classified researcher study into three chapters, the first chapter singled study (the actions of the movement related to living with nature), has been ranked on five sections, according to the living creatures that have been associated with the movement acts, animals and birds, and fish, insects, reptiles, and certainly human does not enter into these categories, as well as the plant.The second chapter under the title (the actions of the movement of nature are silent), has been ranked on five Investigation Also, four of which are classified according to the elements it includes the perceived universe of heaven earth, sun, and the moon, and the fifth section was under other acts title included elements shooting stars and mountains , natural phenomena associated with the elements of Silent nature like a deluge and wind.The third chapter titled (artistic expression of some acts of nature movement in the Koran), this chapter enrolled, according to totals dictated by movement acts related to nature, live and silent and in both, and these acts studied dependent manner artistic taste in the actions of the movement and characteristics expressive in Quranic context links analysis and came five sections, too, and the study followed the conclusion of the most important findings of the researcher, and then followed by a proven sources and references

وسائل الاقناع في كتاب منة المنان في الدفاع عن القران للسيد محمد محمد صادق الصدر Persuasion Means In Minat Al - Minan Book For Defending Al - Quran

اسم المؤلف: فرقد جاسم محينة
اسم المشرف: فالح حمد احمد الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Definitely the persuasion is a theory which has been taken deep roots in the western tradition, as Aristotle had written his famous book (Eloquence art) unveiling in it the most distinguished means of persuasion in the persuasion theory such as the eloquent morals (ITOS), and(BATOS), the receiver emotions and (logos) the arguments and evidences. In the Arab tradition, the persuasion theory is appeared clearly and openly, in the rhetoric with Hazim al - Qurtajni as he intermixed between what is poetic (imaginable) and what eloquence (persuadable) according to the varieties in the rates between them, pursuant to the eloquence nature and its purpose. During the twentieth century some western studies has focused light upon this theory. The most important studies of are the book titled (fresh eloquence) which has been written by (Chaim Perelman) with (Olbricht Tetka) as Chaim has given life to the persuasion theory in eloquence in his book, bringing a persuasive function to the rhetoric, plus the aesthetic function.Under the light of what has been mentioned of the summary clarification on the persuasion theory, our study to the book (Minat al - Minan) has been given within the framework of this theory, due to the presenting of the persuasion theory clearly in the book purpose. Therefore, this study has been written in three chapters preceded with introduction and followed by an ending. in the introduction the persuasion concept I have researched the language and the term and the persuasion activity components in its practical dimension and the persuasion rooting in the western and Arab traditions.This study has three chapters; in the first chapter I have researched about the persuasive nature in Minat al - Minan book. In the first research I have studied the initial dimension for the persuasion through its features which have been formed of such as (title suggestive, introduction revelation, withdrawal method). Therefore, its features have been shaped as defined as persuaded means driven for attracting the receiver and push him argumentatively for entering inside the text subject. In the first research, also, I have studied the conversational dimension as defined ad persuasive way, presented the persuasive mode which has been committed by Sayyid al - Sader (God may sanctify his soul) and continued in his book. In the second research I have studied the persuasive method (passages of the persuasion operation) which has been clarified how the persuasion operation may become in the Minat al - Minan book)In the second chapter, I have studied the persuasion communicated means, in the first research I have been researched the continuation in the persuasive eloquence, focusing under its light the speech variety method and the speech conversation and the speech arrangement and the psychology impact in the speech as defined as the most distinguished persuasive means of al - Sader. In the second research I have research the persuasive communication with the receiver. As these levels which are personified with the receiver by the direct model and upon the receiver of the undirected model and the special (assuming) receiver and the (mind) imaginable receiver. In the third chapter, I have studied, the most important language and mind means for the persuasion. I have studied in the research of the language way in argumentatively style and the test effect, and the eloquence in the rhetoric. And I have researched in the mind means of persuasion in the induction conclusion, and the persuasive in the standard conclusion, finally I have ended up the research in the finale, including the most important results which I have researched.In this study the research I have depended on analytic descriptive method done terms as defined as the argument way enlighten in the book (Minat al - Minan) for defending the Quran, then analysing it according to the persuasive dimension in it.

الحكم العطائية لابن عطاء السكندري (ت709هـ) : دراسة اسلوبية Al - Hakame Al - Attaiah To The Son Of Ataa Alscandary (D. 709 AH) : Stylistic Study

اسم المؤلف: علي عبد الحسن جاسم ال جليهم
اسم المشرف: خالد نعيم الشناوي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Sufi literature is still tender fecund for study and research, because of its aesthetic attributes and expressed for the cognitive values, was (Al - hakame Al - Attaiah) by Ibn Ataa Allah Alscandary texts the value that was quite popular among the commentators, but it has not received from researchers proper attention, and described these texts as a brief and intense significance of the rule,described strongly foundries and beauty method, and the number is ( 264 ) text , so we chose the stylistic study to enter into their world of knowledge and aesthetic.The stylistic one of extrovert studies, which made its way in a statement properties up. The stylistic set of performance measures that practiced modalities structures linguistic statement relationship analysis and detection of functional and aesthetic characteristic values of the text itself, and it revealed the modalities of speech and description it includes aspects aesthetic, so it was the text of the son of a tender of Alexandria, the focus of the study, as the study came across three chapters, the first we dealt with the vocal stylistics in sections three, the first of the stylistic impressionism, and the second stylistic expressive, to be the end of the chapter by vocal suggestive, where he emerged as sound as an influential element in giving the impressionist aesthetic dimension effect actor in a dynamic text with the time, was the interlocking Semantic present at all levels.The second chapter titled ( stylistic Almorvo synthetic) , divided into four sections , we discussed in the first of the major structures , consisting of the text, and came detective others to look at ( the accumulation junctional parallel , formats nominal and actual sentence, and then formats the methods), respectively , has emerged as a standard text as a selection of suits and cognitive capabilities so as to create the recipient to retrieve assets and roots that provided the text of cognitive his visions , and had the thrill element prominent role in creating the necessary excitement in most word.The last chapter titled ( stylistic textural and contextual ) in two sections , the first of the stylistic formative brought together several themes : ( stylistic title, axis words , stylistic pilgrims and reasoning , brevity , partitioning , text unit) while we checked stylistic contextual in subjects ( simile , metaphor , metonymy , intertextuality , irony ).The study concluded that the most prominent stylistic features in Ibn Ataa text lies in weaving standard formats intense significance interconnected knowledge , taking to each other , it has emerged as vocal stylistics , including added aesthetic aspects that will improve the text, giving dimension impressionist great importance in most word.The isomorphism derived from the similarity and contrast linguistic structures an actor and a distinctive to the Ibn Atta text , as prevailed most of the texts balance, and attended other features indicate the stylistic creative and Albasimologih foundations from which , as evidenced by his choice of title or his penchant for pilgrims and reasoning and other.

الفصــول والغايات لابـي العلاء المعــري : دراسـة اسلوبيـة

اسم المؤلف: سعد عزيز القطراني
اسم المشرف: عبد الواحد زيارة اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
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