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المراة العراقية في سرديات السجون والمعتقلات == Iraqi Women In Prisons And Detention Centers Narratives

اسم المؤلف: صابرين سمير عبد الخالق
اسم المشرف: سعيد عبد الهادي المرهج
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study contributed to the elucidation of important aspects of Iraqi women experience in the narratives of prisons and detention centers, through research and exploration in the literary productions without writers and writers Iraqis, reviewers image of women in political prisons as a counterweight to the power of man's endurance and commitment to ideological Bmwaagafhn and Aatqadathn intellectual, political, and presented to readers and learners.After dig deeper in a number of prison and narrative texts adopting technical analytical approach with historical and social dimension, showing the true and pre - eminent role of women experience prison and wrote about these informative and varied stage, women from different walks, including Islamist and left - wing oriented all suffered the experience of oppression and imprisonment, endured a lot of pain and agony. The study was initiated efforts to talk about the outlook literature prisons, and the statement of the concept of the prison, and then move on to the statement of historical extension of the hand, and the difference between ordinary prisoner (criminal) political prisoner and the prisoner and the prisoner on the other.Either The reality and the imagined narratives in the prisons, the study indicated in the first chapter to the two forms of texts, the first reflected the realistic experiences, and represented the second imagined texts. This was followed by talk about the relationship between literature, politics, and the political novel, and how policy has become present in the core of our lives, and then produced literature taken from the world of prison, a place and a world and a theme also addressed the role of Iraqi women in the field of political action.The woman's figure axis narratives in prisons and detention centers came a detailed explanation included all about character, and its concept and its importance, and patterns together with the main and secondary characters and characteristics and relationships, this is dealt with the second quarter. As well as the implications of intimacy and hostility, emerged through the narratives Elzimkanah infrastructure in prisons and detention centers in the last chapter of the study, which in turn wire two - way, from the first time and he went to his concept and its importance in the construction of the events and the techniques used in it. And the second to build a place and its characteristics and the impact of the places on the characters, the places have also been divided into open and closed, all by a sense of the characters that inhabit it and thus ended the semantics other Mqsidih The intimacy and hostility.

شعر النصح في عصر بني الاحمر : دراسة موضوعية فنية 635 - 897هـ == The Advising Poetry In Bani Al - Ahmer Era " An Artistic Objective Study 635 - 897H

اسم المؤلف: سرى ظافر سلمان
اسم المشرف: محمود شاكر محمود
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: In this study , which is entitled ( The Advising Poetry in Bani AL - Ahmer Era " An Artistic Objective Study " ) , I dealt with the concept of advising and how the poets utilized this concept in their poetry production not only to reform their society but also to preserve the last remaining of what they had from Andalus.This kind of these themes emerged in that dark period of Andalus history.The study is divided into three chapters preceded by the introduction and followed by the conclusion.In the introduction , we difined the advice and also showed the dimentions of its effect on a society.The first chapter deals with an objective study which is divided into two sections ,the first one deals with religious advice while the other deals with social advice.The second and the third chapters both are dedicated to the artistic study.The second chapter is divided into two sections, the first one included the poetic lexicon as well as the prominent styles which were adopted by the poets in their advising while the other dedicated to the artistic image.The third chapter,which deals with the poetic rhythm, cosists of two sections, the first section is for the framing rhythm (external) and the other is for the internal rhythm.Finally, the study ended up in the conclusion which summarizes the most important findings of the study

الطفولة في شعر رواد قصيدة التفعيلة في العراق : دراسة موضوعية فنية == Childhood In Pioneering Poets’ Free Verse In Iraq (An Objectivity Artistic Study)

اسم المؤلف: سجا مجيد حميد
اسم المشرف: فاطمة حيدر علي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Iraqi pioneers poets (Al - Sayyab , Al - Bayati , Nazik Al - Malaika , and Al - Haidari) affected by symbolism that linked at that period to the West and found its reaction at Arab Mation , including Iraq , They used a symbol of childhood in their poetry, There was differences among poet's childhood and as a result each poet influenceel with circumstance , where he live : for example AL - Sayab who lived in countryside and lost his mother at age of four or six his poetry connected with a losting mum and paradise , on the other hand AL - Bayati covered with hardness of city that lost the innocence of childhood , but Nazik her poetry represnted with the lovely life of childhood and playing on the sand also we see homelessness in AL - Haidary poens through his pesimists ponit of view for life.The poets used a symbol of childhood to fight the Authority by showing the defect of government in too ways : a - The authority shouId potect children because the represent the future. b - The children , women and old people are the weakest part in ‚me society and the cant face the cruelty of power people ‚ in my research I examined the phenomenon of at their poetry escaping from chilhood and found that their memories related with the village or city where they lived and I looked for the reasons and found they compensated their failure by looking for a period of childhood that represented for them a green oasis and beginning at the life also the study appears the capability of poets to use the childhood a symbol of diffrent meanings to show their experiences and goal in the life depending on their belief ideology ‚ their love and sacrifise for the homeland.

نقد البلاغة : دراسة في المشروع البلاغي للدكتور محمد العمري == Rhetoric Criticism Study In The Rhetoric Project Of Dr. Mohammed Al Omari

اسم المؤلف: زينب ميثم علي
اسم المشرف: فائز هاتو الشرع
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: فقد بينت النظريات والمناهج النقدية المعاصرة, بعد تفعيلها قراءة النص ان النصوص التراثية قابلة للتشكل وفق تصور حديث قد يختلف عن تصور منتجها, وقد اتضح مدى عمق كشف هذه النظريات للاسس التي ارساها بلاغيو العرب, التي كانت, ولا تزال محط انظار كبار النقاد والباحثي | Showed the theories and methods of monetary modern yet activated to read the text that the traditional texts are constituted in accordance with the perception of an interview differs from the perception of governing, as evidenced by the depth of these theories and foundations established by the Arabs, which was and still is the focus of attention leading critics and researchers rhetoric, reflected this perception in the project Dr. Mohammed Omari in reading the Arab eloquence, and it was the title of our research "Rhetoric Criticism study in the rhetoric project of Dr. Mohammed Al Omari" to solidify this perception, came divided Find the three seasons after booting between the Biography scientific Dr. Mohamed Omari, the concept of criticism of rhetoric, either the first chapter was titled "terms of reference of the project" has included three sections are : References Greek, Arabic and references, and the third section of Western references.The second chapter entitled "read the rhetoric" and included three topics are : the history of rhetoric, which included the history of magnificent poetic, and the date of the statement of rhetoric, and the date of the public rhetoric, the second section theories of rhetoric, which included the receipt of Western theories, Arabic and theories, while the third section was titled criticism rhetoric, which included cash of trends in rhetoric, and rhetoric bosses, and rhetorical Studies in cash.The third chapter, entitled "rhetorical project," which included three sections weakness : the concept and the term that was affiliated beneath terms that re - flick about, localized terminology, innovative and terminology, while the second section titled theoretical dimension included poetic discourse, discourse deliberative Hajaji, and of public rhetoric , while the third section came under the name Applied oriented included voice applications graphic, persuasive applications deliberative, public rhetoric applications. He concluded several search results Perhaps the most prominent. - Greek, Arab and Western Omari Project, it was the Greek in the establishment of the theoretical basis deliberative side persuasive, while formed to study the root acoustic balance, while contributed Western references in the order of these topics and consistency in a new configuration. - Track Dr. Omari in "read the rhetoric," its history and progress and the different sciences receive literature and speech from rhetorical to another in spaced periods of time, noting obtained evolution, as explained various theories special Ultimate received.

السيرة الذاتية النسوية في العراق == Women Curriculum Vitae In Iraq

اسم المؤلف: رنا رياض فياض
اسم المشرف: اثير محمد شهاب
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The subject of the study deals with the search for "Biography of women in Iraq" proceeding from the fact that this topic highlights an important aspect of the literary and cultural product of Iraqi women, that is represented by autobiography, which is especially important in the modern age for it can introduce information on the lives of people and communities throughout important multiple historical periods, this autobiography side with the official history which is written by the authorities away from the people's pulses and pains that are often obscured, therefore this study comes to cast the light on important aspect of these biographical works and sought to expose the side of women's contribution in this area.In culture, the importance of biography subject, that is considered as literary art, which found its way, expanded and published in the Arabic culture in general and it scored success records in writing personal and public history for writers of biography and in different styles, so this topic has been chosen after reviewing a number of topics. And after researching, we found that studying feminine biography is very importance. The importance of this literary art in academic studies for the time being is because these biographies offer live testimonies for important historical areas. This claim can be confirmed by the large number of biographies which is printed daily worldwide and the global demand for acquiring this type of writing, so Ilooked for Iraqi woman to find where she put her footstep in this area and found that there is no academic study devoted to tracking the feminine product of biography in Iraq, while this biography reserves a paramount importance as a cultural and civil indicator of the developmental process of the Iraqi society progress with the beginnings of the woman's movement, which has devoted its efforts in the field of women's rights to teaching and education, which later on developed into a participation of women in political conflicts, and the witness on the historical stages experienced by Iraq starting from the Ottoman occupation, the royal area of Iraqi history and the struggle against dictatorial authority down to events of the years after 2003.Finally, the study aimed to reveal the reality of Iraqi woman in addition to the disclosure of the reality of writing the feminine biography in Iraq, as it is described as a part of the Iraqi cultural reality.The frame of the study dealt with 11 biographies of Iraqi women, whether the biographies are written by a man, an Iraqi woman or by non - Iraqi hands, they are all considered within the framework of the women's biography.Hence the research was divided into introduction and preface which dealt with women biography and awareness of writing.The research discussed writing biographies for a number of Iraqi women writers in an effort to disclose the presence of women Iraqi writers who wrote biography in a way that makes writing a biography is common in Iraqi culture, trying to present the problems with that type of biographies in a time with too many types which helped in putting a different pathway between men biographies and women biographies, through which women tried to get their freedom. - The first chapter (from the body to self), dealt with the status of Iraqi woman previously and how she was treated and how she sought to have an identity, in addition to the application on some biographical models. - The second chapter (feminine point of view), dealt with the narrator and how he became an external narrator once, internal or aware narrator at another time, which had been applied in some biographical models. May be the motive that made me stand on the concept of point of view and the narrator, even though they are criticizing point of views on which had been talked about with prolixity, is tendency of writing in the text of women biography, while she is trying to hide in order to narrate her biography in different styles, including what it contains of confession, taboo, and confusions, so that the narrator took an active role in narrating divertive texts of biography. - The third chapter (maps and concept of place in the women's biography), dealt with the place in terms of being locked or open which was shown that through the application on some biographical models. Finding that the place is the most predominant in this biography because of its relation with the woman who is a result of eastern culture which makes her prisoned in a closed place.The most prominent finding which our research reached is that the Iraqi woman possessed an identity. And proved her presence and became side by side with the man completing him , not behind or following him.

تضمين مشاهد القصة الموسوية في الشعر الاندلسي عصور (الطوائف، المرابطين، الموحدين، وبني الاحمر) == Inclusion Of Scenes From Musa Story In Andalusia Poetries In ( Tawaef ,Murabit , Muahdeen And Beny Al - Ahmar )

اسم المؤلف: رغد فاضل علي
اسم المشرف: فاطمة حيدر علي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The importance of Andalusia Poetry in the four periods : Tawaef , Murabit , Muahdeen and Beny Al - Hmar that includes Quranic story ( the story of the prophet Musa ( p b u h ) technical and sin poetry acquiring high skilled aspects.Through it the poet showed his ability and culture by his continuous communication with holly Quran.It shows inclusion of Quranic words , terms and expressions in both reference and indication according the mechanism of construct texts and include them in Andalusia poetry through various thoughts and doctrines.Also through motives that could introduce the poetry according to the necessity of the motive either this motive was religious or social.Then it reach the poetic image that is based on giving poetic speech a sensitive scene that penetrate the mind of the perceiver to bring the image as soon as possible and visual dimension which gives the originality and roots to the poetic experience specially it is mixed with religiousaspect in the prophet Musa story.

الحجاج في شعر الصعاليك فـي العصـرين الجاهلي والامـوي

اسم المؤلف: جنان خالد ماهود الجواري
اسم المشرف: علاء جاسم جابر
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The present research probes into the portrait of argumentation in AlSalik's poetry. The significance of this research derives from the crucial role played by argumentation in the active intellectual life. This research makes use of modern literary theories in examining AlSalik's poetry. Previous research has overlooked this issue examining other issues like the linguistic or rhetoric aspect of this kind of poetry. It is worth noted that most of AlSalik's poetry is full of argumentation, persuading attempts and submissiveness making it argumentative and far from being simple. This research has dedicated itself to the examination of this kind of poetry from the Pre - Islamic era to the end of Umayyad era. It is theoretical and applied research in nature falling into three chapters with an introduction. The introduction entitled "The Argumentation and its Development" tackles what is meant by argumentation and how it is evolved! Start with defining argumentation linguistically and technically, and following its historical development for westerners and easterners. Chapter one entitled" Elements of Argumentation" has three sections. Section one deals with the AlSaluk poet in the Pre - Islamic, Islamic and Umayyad eras and the reasons behind the emergence of such kind of poets like the poverty, the tribal system and self - conditions. Section two sheds light on the audience of the AlSalik's poetry such as the tribe and the people in the power position. And section three presents the subjects of AlSalik's poetry like adventures, elegies, praising, etc. Chapter two explains the different types of argumentation and arguments. It has two sections. Section one spots light on the various types of argumentation such as acting argumentation, interpreting argumentation and measuring argumentation. Section two deals with the two main types of argument based on Perelman's taxonomy. Chapter three, on the other hand, is divided into two sections. Section one lists the main mechanisms or techniques of argumentation adopted by these poets to persuade their audience including linguistic tools (such as lexical choices, argumentative conjunctions and some verbs), rhetoric tools (such as simile, metaphor and allegory) and metrics (such as antithesis, antonymy and metaphor). Section two is a detailed analysis of Alshanfri's poem shedding lights on his biography and the argumentative nature of his poem. It details the main techniques of argumentation used by the poet in persuading his audience. Finally, the research has been concluded with the main findings achieved highlighting that AlSalik's poetry is not naïve in its nature rather it is based on reasoning which affects the audience and their means.

الشخصية في روايات احمد سعداوي == The Character In Ahmed Sa'Adawy's Novels

اسم المؤلف: بشرى رياض جوير
اسم المشرف: سهير صالح ابو جلود
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This thesis which titled (The character in Ahmed Sa'adawy's Novels) aims to study a Narrative term that is (the character in the novel). The study divided in to an introduction, two sections and conclusion.The introduction studied the characters and its transformations in the Iraqi novel after 2003, and Ahmed Sa'adawy as a novelist. The first section is titled (the types as character). Its divided, in turn, in to three chapters : the marginal character, the mythicized character, and cultured character. The second section is titled (The Image of language), which divided, in turn, in to three chapters. The stylization, the dialogue and the intermediate forms, and the Aliens genres.This thesis has come up to a conclusion summarizing the final academic results. I hope that this thesis gives its benefits in the future studies to help researchers concerned with the world of narrative.

البعد الصوفي في الشعر المهجري

اسم المؤلف: بشار جمال بغدادي الخفاجي
اسم المشرف: كاظم فاخر حاجم الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: بعد هذه المسيرة الشاقة الممتعة في رحاب الروح المتعففة والمطمئنة المتمثلة بتجربة المهجر الصوفية , فلابد للبحث ان يسجل النتائج التي خرج بها , فقد عرض الموضوع ( البعد الصوفي عند المهجر ) عددا من القضايا الهامة اهمها ان المهجريين كان تصوفهم غير ديني ؛ اذ ي

الفضاء الشعري في الغزل الاندلسي من الفتح حتى نهاية عصر الطوائف

اسم المؤلف: ايمان حميد هدرس الزيدي
اسم المشرف: محمود شاكر محمود
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الانساق الثقافية في رسائل الجاحظ (ت255هـ) == Cultural Formats In Jahez Messages (255 AH)

اسم المؤلف: مثنى حسن عبود الخفاجي
اسم المشرف: عباس محمد رضا حسن البياتي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Cash studies have done and did not sit in the modern and contemporary on Cultural done protruding cash and reality, and had Abu Usman among trace a few of the old intelligentsia unbroken attention counterpart on the part of the largest public vast majority of researchers and scholars Arabs, and remained read mine fertile and Mcnza thickly lesson literary and rhetorical and even cash in the Arab culture, but what draws attention really is the scarcity of cultural studies that have been the heritage of bigeye through the ages and offset to some extent lack extinction and annihilation, and this is what stimulated the researcher and encouraged him towards the foot on the approach Gahzi text, Baltae cultural exchange tools, procedures and strategies monetary mechanisms large numbers, that deal with cultural material, including linguistic texts as cultural speeches overflowing serious connotations and brimming with heavy contents and the carrier of the culture of the times, which were produced under Islamic rule, and the heir to the features and Twabah and brands negative and positive, and is involved with its institutions and overlapping with their contexts and responsive to the bets and requirements and influenced and influential Bhawwadth all the circumstances, and here the central dogma espoused by cultural criticism believes in the need to approach the texts in light generated culture him; which requires the development of texts in the womb of cultural contexts snare him from all sides, if, seeking access to the results of Ttoshh specific and respectful of accuracy, objectivity and scientific far, these are cash mental nominated by the study and adopted by the researcher Barutea grasped the most trustworthy in the bigeye read messages and relentless pursuit to discover the cultural formats mingled in the cultural discourse year, which is the fundamental objective of the study diligently in order to nail him. It was Astefaina messages bigeye, among other writings to be material anatomical these to our study, the starting point of fully represent us to the awareness of cultural criticism and responsive to him, who is trying to focus on the margins of cultural material, and struggling for the sake of all phenomena care and practices that were suffering from neglect and oppression and suffocation and repression The expulsion and absenteeism on the part of the previous monetary practice, as naive and menial and trivial and practices vile and despicable and ridiculous does not deserve attention phenomena does not require study, Vrsail bigeye not partaken so large share of the study, which won him the other writings Kalpaan and Signifying, animals and even stingy, here is worthwhile to point that we adopted in our study on three different editions investigation messages bigeye, the first achievement of Dr. Abdul Salam Mohammed Haroun, the second investigation, Dr. Ali Bou Melhem third achievement Mr. Hassan Sndoba; in order to accommodate all Almtozaah messages on the three editions written by bigeye. Material research, nature and recalled that the study is divided in three chapters : above each one entrance represents the threshold is a must to enter the Mnachath and ambiance and tourism in the internal Aoualemh, preceded by an introduction and followed by a conclusion included the most important findings of the research through the study, and download the first chapter address (assets, buildings and cultural exchange) and included four topics are : the concept of cultural criticism, and the roots of cultural criticism, and the concept of the text in cultural criticism perspective, the concept of the cultural pattern, and carry the second chapter title (format obedience to the Abbasid authority and defend), and included two topics, namely : the other dropping sectarian represented the people of modern Salafi doctrine Imami Shia religious other and suppress incarnated the Christians, carrying the third quarter and the last address (coordinated social Almadlj aligned), and included two topics is the other two : aligned chromatography (concentrated blacks and the marginalization of the egg), and sexual bias (concentrated men and the marginalization of (women

خطاب النقد الادبي عند ادوارد سعيد == Edward Said Discourse On Literary Criticism

اسم المؤلف: حيدر علي عبود الطفيلي
اسم المشرف: هناء جواد عبد السادة العيساوي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Praise be to Allah, and peace and blessings on the beloved and descriptive and good creature Secretary Muhammad, his family and the divine good and lasting curse their enemies to do the day of judgment, and yet... The Edward Said of the most critics controversial intellectual of the twentieth century, due to Grandma in cash speech, in addition to numerous factors, including upbringing, education and exile, but the topics covered and private (identity remain, Orientalism, culture, imperialism, and the other, worldly criticism ) is the biggest reason for his feisty critical features mostly, and abroad for critical theory of modern lines being sees it did not meet the aspiration to detect significant text and scaled the reader into the trap of specialization, academic and wandering in the maze of text. Speech came (Said) speech opposed to the structure of Western discourse, being made culture and history which afford grand narratives, revealing knowledge of the system that drives the self - made and the other, and the statement of the concept of cultural power that drives the literary and cultural production process, according to what you are. Said cash speech represents a long legacy of philosophical and linguistic, cultural, and so you see dealt with most of the themes that are the focus of conflict and a mismatch between the intelligentsia conflict, and Ajtrah through cash Amaagath a different understanding and new.Class (Said) of the most important pioneers who sat and contributed to the emergence of cultural criticism that dealt with cultural issues and the mechanism in a way out of the curriculum in schools and literary texts address the way. Said hybrid cosmic also see it, it is named compound (Edward Said) to the birth of Palestine and his travels between Egypt and Lebanon, study the migration to America and Britain made him exiled by force and act all this was stressful to deal with topics dominate the self - free industry and the other spunResearch methodology required to deal with the topic as it goes to be divided in four chapters and boot, and see that it has been able to focus on the concept or question revolved around the thesis, which are worldly critical discourse when (said)? The boot under the title (the speech, awareness and concept) and search the boot so problematic discourse and critical literary and the comprehensiveness of literary criticism and its limits, in other words, is the meaning of criticism mainly about the high literature? What is the meaning of literature in the product of any text? And how the role of culture and history in the text? That is why we stood on the word speech in the broad sense that brought him (Foucault) and used (Said) and thus move (Said) in all Ntegath within this holistic vision that sees the speech includes literary aesthetic criticism as well as a natural extension of cultural factors that affect the text. The first chapter was titled (the foundations and pillars in the said cash speech) As mentioned a little while ago it was (said) hybrid philosophical, linguistic, psychological and social thought, so we raised four axes represent the foundations and pillars that influenced them (Said) and Interview by directly sometimes indirectly at other times.Axis philosophical forward it to most philosophers who came mentioned in the monetary his speech, although we did not stand on most of them but we believe they are the most important in the visions that carried a private in the monetary his dominance, as well as goes the rest of the other hubs in a simple introduction to his life and ends with research in this chapter focus on topics which carried the earthly dimension for each axis and therefore Find walking towards the detection of intellectual heritage of the worldly (said).The second chapter was titled (worldly cultural criticism of Orientalism example) Because the (said) represents one of the pioneers of cultural criticism Find the concept of cultural criticism concept and references that led to his appearance began to have these terms of reference agreed with the terms of reference (Said) in terms of focusing on the worldly events in read the text and move away from the pillars of the metaphysical, then envisioned research and cultural exchange mechanisms, which focuses on non - adherence to monetary theory and the institution and after this introduction Turn Search towards the vision (said) to the concept of cultural criticism worldly theoretically through some of the visions and ideas put forward in embedded which was written by, and applied through book Orientalism and thus was read culturally analysis Tabakie worldly and this is what search him.Download Chapter III Title (worldly Monetary Alabestama culture and imperialist example) is an exchange of knowledge and based on Arcologgio Foucaultian fossils of the earliest mechanisms of cultural criticism and criticism worldly in particular, and this is what Layer (said) in the book of culture and imperialist, The path of research about the concept of imperialism and its manifestations holds concept different cultural authority controlling peoples colony and how to make them search for the conflict of knowledge / power zone, and then between research worldly cash engage through the concept of narrative and cultural resistance and a series of novels adopted by the (said) in a statement narrative move in the field of cognitive detection, said to see I've dish ( Foucault) Drilling Alarclogi revealing worldly knowledge - based analysis of the dimensions of the imperialist narratives.Three chapters made search was more like a development critical to speech (Said) of cultural criticism to criticism of knowledge and then to the idea of basic research on the nature of the secular criticism, came fourth chapter under the title (the secular foundation cash and achievement) questioned this chapter theoretical research for the book (the world's text and critic) which represents Based theoretical research on the development of cash, according to (Said) and the necessity to find a criticism of worldly beyond cultural criticism and critique of postmodernism, has treated research issues addressed by the (said) within the book and of the concept of the worldly, text, text, identity, and intellectual cosmic, or the concept of critic, and theoretical migratory, and the American Monetary left - wing, religious and cash, these concepts overlap on the one hand with the culture on the other hand are cash concepts touches the spirit of criticism, bearing movement (Said) Cash visions of a three - start of the world's text critic, so the search is going on about these essences.The conclusion of this journey is the station with the most prominent search results that were ultimately to this outlook in a speech (Said) cash. It must be noted that the search has not committed to a specific approach and the need to request this topic has relied on the analytical method, texts, research and Dialogue The reason that the subject taught monetary field. I would like to extend my thanks and that was a minor for the best fulfillment of the right of the professor and the mother noble tender overwhelmed me and the beauty of the great spirit of Dr. Hana Abdul AL - saida of all that effort and provided guidance was Mother Yes and yes oriented.Have been made in this work do my best despite the circumstances that were surrounded and God knows it, it was the lack of a decent enough to incorrigible your fingers voltage least bounty to God and to my teachers and virtuous Praise be to Allah

مقبولية الانسجام في النقد الادبي العربي حتى نهاية القرن الخامس الهجري == The Acceptability Of Coherence In Arabic Criticism Till The End Of The Fifth Century Of Hegira

اسم المؤلف: علي قيس حمزة الخفاجي
اسم المشرف: محمد شاكر ناصر الربيعي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The Title of this thesis has been based on two important technical terms taken from text linguistics : (acceptability) and (coherence), in order to coin a new term, i.e. the acceptability of coherence. The aim of doing so is to investigate the critical conceptions and applications written by ancient Arab critics which might be congruent with the intended significance of this new critical term. This is especially true according to the fact that the significance of the acceptability of coherence has gained important attention by the ancient Arab critics as this research has shown. The Arabic literary and critical movements had depended on what could be called (acceptability) in accepting the literary products or in putting them in hierarchical ranks since the acceptability was declared by (very well qualified persons) according to the most important criterion of the seven textual criteria of the text linguistics, i.e. coherence. Yet, the researcher will try to extend the concept of the coherence and make it more congruent with the topic of this study. The non scholarly treatment has been very helpful in this respect; moreover, making use of this concept has enabled in shedding light on the topic of this research.The topic has been based on a plan of three chapters preceded by an introduction and followed by a conclusion which included the most important and salient results. Then, a full bibliography of reference and consulted books has been supplied.The first chapter, entitled (The Acceptability of Coherence in the External Rhythmic Dimension) which is divided into two subsections : the first, (The Acceptability of Coherence in the Prosodic Dimension); and the second (The Acceptability of Coherence in the rhyming Dimension). The second section deals with (The Acceptability of Coherence in the Internal Rhythmic Dimension). The second chapter is devoted to discuss (The Acceptability of Coherence in the Syntactic Dimension). It includes two sections : the first studies (The Acceptability of Coherence in the Syntagmatic Axis), and the second investigates (The Acceptability of Coherence in the Poetic Necessity). The third chapter, which is entitled (The Acceptability of Coherence in the Semantic Dimension), also includes two sections : (The Acceptability of Coherence in the Semantic Correlation) and (The Acceptability of Coherence in the Reproduction Dimension). All these chapters have been dealt with two critical points of view : the theoretical critical conceptualization and the application efforts concerning central the concept of the acceptability of coherence.Investigating the data of the ancient Arabic criticism has shown that the referential concept of almost all critical judgments is coherence. As a result, it is noticed that whenever this criterion is available, the acceptability will be achieved. Since coherence focuses on the semantic aspect of the ideas and thoughts found in the text, then the process of judging the consistency in the syntactic aspect will be, according to the theoretical point of view adopted in this research, either through the coherence of the semantic concordance of all the elements of a given text, or through several texts. The same is true in case of information and whether it is based on the semantic factors or on the contextual factors. This point can be achieved according to whether it tries to join the situation & the intended significance and the intentionality as the relational link between intention and the given semantic significance in the text. Accordingly, intertextuality, i.e. the inevitable relationships between literary texts, is just the semantic linkage of the syntactic components of several diverse texts on one hand and the components of the new text on the other hand. This means that coherence is linking thread between these elements which necessitates that acceptability of the coherence can be achieved whether this coherence is semantic, consistent, informative, contextual, intentional, or contextual. Using the techniques and terminology of the text linguistics in studying the Arabic critical texts covering the period of pre - Islamic decades till the end of the fifth century of Hegira has shown that every critical behaviour or speech can be rendered to only one specific foundation the acceptability. This term be very useful in pinpointing the main characteristics of the Arabic unified critical conceptualization of literature and poetry. Subsequently, this type of conceptualization can present a comprehensive account of its issues, solve its problems, and reveal its diverse attitudes. It also shows that modern criticism is able to get deep insights in the ancient Arabic criticism and make use of its vivid and active features. It also reveals the type of coherence, its examples, and throws light on the area of acceptability and its activeness in the ancient Arabic criticism.

الخطاب الاقناعي في كتاب الوساطة بين المتنبي وخصومه == Discourse of Cogency In Al - Wasaata Book Between Al - Mutanabi And His Opponents

اسم المؤلف: زينب مهدي صالح
اسم المشرف: جابر خضير جبر
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: In general, Persuasive discourse, in modern that carries linguistic, rhetorical and critical implications in its dialogues and style. Consequently, when the writers apply these cultural systems in prose discourse, they are, actually, looking for satisfact

ادب الامام الصادق (عليه السلام) : دراسة موضوعية فنية == Literature Imam - Jafar AL - Sadiq (peac be upon him) Death : 148 AH Objective study of art

اسم المؤلف: فرح عباس عبد جاسم الفتلي
اسم المشرف: فرحان بدري الحربي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

مظاهر السلطة في الشعر العباسي 246هـ/284هـ : دعبل الخزاعي والبحتري

اسم المؤلف: عروبة كاظم شعبان
اسم المشرف: افتخار عناد اسماعيل الكبيسي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الصورة السمعية في جزء عم : دراسة اسلوبية

اسم المؤلف: حسين علي ناصر الجعفري
اسم المشرف: عبد اللطيف حمودي كاظم الطائي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

السفارة في ادب عصر صدر الاسلام والعصر الاموي : دراسة تحليلية == EMBASSYLITERATURELSLAMIC AND AMAYA

اسم المؤلف: انتهاء عباس عليوي
اسم المشرف: عبد اللطيف حمودي كاظم الطائي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الخصائص الاسلوبية في ايات القيم الاخلاقية : الكرم والاحسان انموذجا

اسم المؤلف: امل محمد حسن جاسم الاسدي
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

كتاب المعجب في تلخيص اخبار المغرب لعبد الواحد المراكشي (ت 647هـ) : دراسة فنية == Book A dmirer in Sumnarizing Morocco News Ar tisyic Study

اسم المؤلف: ازهار جاسم مهنا
اسم المشرف: اناهيد عبد الامير الركابي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

علامات النص الشعري عند يحيى السماوي == The Markers of the Poetic Text of Yahya Al - Simanwy

اسم المؤلف: صلاح راهي ابراهيم
اسم المشرف: فاطمة كريم رسن البحراني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
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