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ردود الصبان على النحاة في حاشيته على شرح الاشموني Al - Subban's Responses To Grammars In His Morgan On Al - Ashmony's Explanation

اسم المؤلف: احمد صفاء عبد العزيز
اسم المشرف: عادل شحاذة علي الخزرجي
الموضوع العام: اللغة العربية وادابها
السنة: 2006
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Many reasons led to the difference of scientists in putting the syntactic Grammar in Arabic language. And among these reasons : The difference of the curriculums which are depended by the scientists in basing the language. These curriculums submit to the circumstances of the culture, place , and time. Thus, the difference became an eminent feature of the Arabic features. And plenty of scientists responded the other opinions which differ from theirs. This is a research I dealt with the syntactic Grammar in the Arabic Language through a scientists responses from the scientists of the twelfth century of hegira, the eighteenth century A.D. that is Mohammed Bin Al - Subban Al - Masri in his margin on the explanation of Al - Ashmoni, on the millennium of Ibn - Malik. This research has included anticipation of Al - Subban's life and his scientists culture, Besides, I dealt with his margin too by description and analysis ; which are followed by three sections. The first section deals with his responses to the scientists of Al - Amzar. It consisted of five parts. And I dealt with his responses to Al - Ashmoni ( the explanation's owner ) and to Ibn - Malik ( Al - Mutin's owner ) , in the second section. I dealt with in the third section his responses his. Sheik ( teacher ) , Yousif bin Salim Al - Hafni, because Al - Subban was very interested in the opinions of his master ( sheik) Al - Hafni, then I shorter the results of the research Qht an end. And some fruit of this research , that it revealed for the researchers the style of this world in its dealing with the syntax and its acceptance or rejection to the other opinions. The reseach has proved that the doctrine of Al - Subban was Basari without any fanaticism. And he was helped by the availability of syntactic such as hearing and the existing of the withess or the acceptable scale. Moreover , his margin of the explanation wasso important one since it contained so many opinions , and different sayings which are related with their owners.

الفنون البديعية ودلالاتها في الحديث النبوي الشريف : دراسة في متن صحيح البخاري

اسم المؤلف: احمد شكر محمد مهاوش
اسم المشرف: جبير صالح حمادي القرغولي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Quran and the honest speech and the other Quranian studies are the origin step for the grammatical studies , the speech science after the Quranian science are the best sciences and the highest sciences. I achieved my hope in this matter (subject) of studying when I chose this subject. So I wanted to study one of grammatical arts in the speech of our prophet and after series of advices and suggestions come (The excellently arts and its signs in the honest speeches of our prophet study in deep saheeh AL - Bukary) the tattle in this study by the suggestion of supervisor Dr - Jaber AL - Qurakuly and encouraged me some reasons the first : the subject didn't deal with it in academic way except some signs in number of some resources which dealt with some speeches concerning the grammatical sides (The prophet speech from the grammatical side) for Dr - Iz AL - Deen Ali Sayeed and (the literature of prophet speech) for Dr - Bakry Shayk A mean and (the arts photo in prophet speech) for Dr - Mohammad AL - Sabbak. The second : The Quaranian studies took large space as compared with the studies of the prophet speech , which didn't take as they deserved from studies specially the grammatical side. The third : the attractive sights for the beauty of the honest speech through the discovery of the product of the excellent arts in. Nowadays we found numbers of the sounds set out from here and there and wanted the study of the AL - Badea science and the study should be accurate and concerning with psychological state for the authors which appeared in the production of phonetical aspects. From here was my studies presented by the best book after the God's book. From the honest speech books adopted by Abi Abid Alla Bin Ismaeal AL - Bukary (256) whose speeches are taken by the sciences : - At the beginning specify the understanding (AL - Badea) in language and repairing and studied how AL - Badea developed from Ibn Motaz (298) and ended by the speaker AL - Qezweny (739) and dealt with the importance of AL - Badea and explained the effects of the prophet speech. The first door was in tittle (The excellent arts in the prophet speech practical speech) and the first chapter was in tittle (The excellent arts in the honest speech) The researcher dealt with AL - Badea arts (the methods and matters) The researcher dealt with all the matters and supported by the Quran and poems , and also the researcher stopped in front of each art and known them. He followed their beings in the honest speech presented from that by numbers of evidence. The second chapter carried the tittle (The excellent arts pronounced in the honest prophet). The researcher dealt with AL - Badea arts and he depended on the same way which depended in chapter one. While the second chapter it came with atittle (Applied the excellent arts in phonotic level) The researcher dealt with the excellent phonetic art which presented in chapter two from the first door , and analysis the evidence which came in each art in accuracy. The researcher ended with a conclusion contained the major thoughts and the important results which he arrived it. The research depended on (saheeh AL - Bujary) the major research for speaches , and also depended on some of the explaination of AL - Bukary , as AL - Kermany explaination (786) called (saheeh Abi Abid Alla Al - Bukary with Al - Kermany detailed) and the explaination of AL - Aeiny (855) called (The readers with the explaination of saheeh Al - Bukary) and the explaination of AL - Qsstlany (923) called (Irshad AL - Sary for saheeh Al - Bukary) and he also depended numbers of grammatical books from the beginning from the book (AL - Badea) to Ibn Motaz (296) to (grammatical arts) for Dr - Ahmed Matloob , then (Arabic grammatical) for Dr - Nasir Halawy and Dr - Talib Mohammad Al - Zawbay , and others explaination and qurnian studies (AL - Kashaf) for AL - Zarkashy and (The skilful of AL - Quran science) for sweaty and there were some of the aspect of language (Alain Dictionary) for Kahlil Bin Ahmed AL - faraheedy , and (The dictionary of the language measurement) for Ibin AL - Fares (Lisan AL - Arab) for Ibn Manthoor helped the research with phonetical evidence. I should mention for the difficulties which faced the research , as the resources which talked about the prophet grammer which needed accuracy because said by the prophet who get Divine inspiration , and also the safety conditions which surrounded the country which effected on the researcher to get the resources in the libraries or from the people who have such kinds of this science even they could find in the city , Baquba , So all the difficulties faced the researcher because of the American occupation and we ask our God to remove it from our chest. I grate my friend shaher Jalal AL - AZi for his generousity and helping me too much , and also I grate each one helped me from near or far. I put my work in front of good teachers , so I wish they admired with it. I ask for request if there is amistake. I ask my God to accept my work and I thank my God too much because of the benefit I get. Finally I beg my God to bless my work and Allah's blessing and peace on our prophet Mohammad

اسلوبية الحجاج في نثر الامام الحسين عليه السلام Stylistics Argumentation In Prose Imam Al Hussein (A.S.)

اسم المؤلف: احمد سميسم علاوي الطوكي
اسم المشرف: عبد الباقي بدر ناصر الخزرجي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: الحمد لله رب العالمين والصلاة والسلام على اشرف المرسلين وخير الخلق اجمعين محمد خاتم النبيين وعلى اله الاخيار المنتجبين، واللعنة الدائمة على اعدائهم من الاولين والاخرين الى قيام يوم الدين. تعد الدراسة حول ادبيات الامام الحسين(عليه السلام) من | To study the literature of Imam Hussein (peace be upon him) is considered one of the richest academic studies due to its linguistic , literary and human richness which enables researchers to sail with holiness sails in the niche which was and still is appreciated and reverenced by all religions and nations. The journey in the stylistics of argumentation in Imam Hussein's prose (peace be upon him) falls into an introduction , three chapters and a conclusion. The introduction presents different critical approaches (semiotic, deconstructuralism structuralism , cultural interactive reception approach ) touching upon the stylistic approach which is used in this study. Argumentation was handled in the past and present touching upon the most important theorists (Perlman, Dikro). Then , the study tackles Imam Hussein's argumentation reference (peace be upon him) , and the relationship of argumentation with the title of the study explaining that the study is stylistic rather than argumentative. The first chapter is “ The Voice Level “. It includes four sections : the first one is “ Repetition ” which is about the types of repetition of letters , articles and utterances ; in addition , it touches upon the rhythmic level. The second section handles “ Alliteration “ which is one of the most important internal music elements that give the text a rhythm which is received by recipients attractively and interestingly since rhythm strongly draws attention. Alliteration is reflected in the Husseini discourse with different levels as it comes to a full alliteration for one time , incomplete alliteration for three times : twice which are subsequent and once which is present , incomplete alliteration ( of Mutraf type ) is mentioned three times. The third section is about alliteration which is one of the major types closely linked to prose. It is considered a basic indicator in the Husseini discourses structure, endowing it with a rhythmic energy which have a substantial impact on the recipient. The fourth section is concerned with the “ hidden rhythms “ which relies on recipient reaction ; four examples have been chosen : surprise rhythm, the rhythm of silence, the conscience and the rhythm of idea.The second chapter touches upon the structural level ; it is a reading related to the structure of the language ; i.e., the syntax of a sentence is structurally linked to its syntactic indication. The relationship between meaning and structure is an overlapping relationship. The chapter falls into four sections. The first section handles interrogation addressing the concept , the tools and the words appearing in this section (hamza, ma , hal , keifa , ein ). The start is with hamza being the most widely used. The second section is entitled “Condition” which gives conditional sentence the possibility of communication with the recipient producing , in the text , a suggestive high - energy , adding semantic light and attracting the recipient to the producer. The tools frequently recurrent in Imam Hussein's texts are : In, Man , Low , Idha , Lowla) ان , من , لو , اذا , لولا ). These tools have a significant presence in the product of lamam Hussein (peace be upon him), giving a remarkable stylistic feature.The third section is Al - Nahy Style “Prohibitive style”. This style or approach suggests a self orientation resulted from a psychological conflict concerning the prohibited demand or target and how to respond to it relying on the will of the person and the extent of his/her awareness of the importance of the demand or the target which gives the text an atmosphere of tension felt by the receiver who will be aware of the mental impact in text.The fourth section handles Command style.This section is arranged according to the figurative purposes of this style in accordance with the sequence of its recurrence in the texts (advice and guidance, absence of constraints, humiliation and degradation, honor). Chapter III studies semantic level which is one of the important fields that are concerned with exploring the semantic changes resulting in uncommon deviation in language, searching new images which enriches the text with semantic meanings. This chapter focuses on the semantic relationships which heavily affect the process of transforming significance and changing meanings. The chapter falls into four sections. The first section is “ The Structure of Similarity “ as it is one of the most important methods to evaluate and determine the sense and diagnose the meaning in the context. Through similarity relationships , a creator combine his/her emotions with their similar ones in the external reality.The second section is the “ Neighboring Structure “. This type of structure acquires its significance from the semantic texture when it deliberately drifts getting the creative text from familiarity area to the area of recipients.The third section is “ Exchange Structure “ which is fulfilled in the metaphor movement between the sensory objects and their implications creating relations which surprise recipients , paving the way for two different graphic scene which would not have been accomplished without the splendor of the exciting Functions.The fourth section is “ Antagonism Structure “. The most important implications of this concept , as a stylistic feature since it belongs to the figures of speech , is producing contrast depending on the creation of an idea matched with another idea, something visible containing something hidden. Contradicting dualism is considered an important pillar of rhetoric and , at the same time , a linguistic structure of language influential in creating realistic visions

التقنيات السردية في روايات سعد سعيد Narration Techniques In Saad Saeed's Novels

اسم المؤلف: احمد حميد فرحان ساجت
اسم المشرف: حيدر فاضل عباس
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Criticism represents the world of exploration, identification and solutions if any. I, myself, have a personal interest in modern literature, especially, novelistic criticism. This has led the present study to choose narration techniques used in Saad Saeed's novels as its subject of investigation. Saeed's novels have been under - researched and are worthy of scholarly investigation from a structural perspective. This study explores the techniques and tools upon which Saeed's novels are built as well as the artistic development of his novels. The study has three chapters with an introduction which introduces the notion of narration in relation to its inception and development, the nature of narration and a biography of the novelist under investigation. Chapter one deals with narrative construction, divided into three sections, namely, narrative patterns, storyteller and story told and vision. Chapter two is concerned with narrative layout, divided into three sections, namely, time, place and continuance. Chapter three presents narrative components, divided into three sections, namely, incident, dialogue and description. It is ended with a concluding section. At the end of this study, the main narration techniques with their different types are identified, the way of critical analysis from a structural perspective is clarified, and the six novels of Saad Saeed are thoroughly investigated and covered. Through the structural perspective, one can find out how criticism can be based on logical and analytical bases far away from a general view, novels can be seen as a complete construction with multiple tools and techniques, besides the success of novel can be contrasted and analyzed compared to others

الخلاف النحوي عند السيرافي في شرحه لكتاب سيبويه

اسم المؤلف: احسان علي حمود
اسم المشرف: حسن جعفر صادق البلداوي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

جهود محيي الدين الدرويش البلاغية في كتابه اعراب القران الكريم وبيانه

اسم المؤلف: ابراهيم منذر عريبي شاطي العزاوي
اسم المشرف: فائز طه عمر التكريتي
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:

الثنائيات المتضادة في شعر ابن الرومي The Opposing Binaries In Ibn Al - Roumy Poetry

اسم المؤلف: ابراهيم محمود سليمان صالح الجميلي
اسم المشرف: فرج منسي محمد
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: الانبار
الصفحات الاولى:
المستخلص: The study has a title (The Opposing Binaries in Ibn Al - Roumy Poetry ) to study the side of many sides relating with the great poetter in the third century A.H.The research contents of three chapters and the end preceed with the introduction and boot. I had studied in the boot the statement of the binaries then the concept of the term (opposing binaries) in the ancient and criollos.In the first chapter with the title (The Emitters of the binaries and the opposing binaries in Ibn Al - Roumy Poetry) This chapter has 2 subjects and signal to the third chapter. The first subject is the social motivation. The second subject is the psychological and the religional motivation. The rest of the 2nd chapter has the title (The Opposing binaries in the level of the linguistic structures in Ibn Al Roumy Poetry) contents of the first subject is the conformation. The second subject is retaliation. The third subject is the opposite and the replacement. The fourth subject is the alliteration and the fifth subject is the exportation (back the miracle of the breasts). Then the third chapter came which contents of proem and three subjects where the first subject is about the comperative image. The second subject is about the partial image. and the third subject is about the dramatically image

اثر سيبويه في كتب معاني القران

اسم المؤلف: ابراهيم احمد عميري علي اللهيبي
اسم المشرف: شهاب احمد ابراهيم
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:

خطاب النقد الادبي عند ادوارد سعيد Edward Said Discourse On Literary Criticism

اسم المؤلف: حيدر علي عبود الطفيلي
اسم المشرف: هناء جواد عبد السادة العيساوي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Praise be to Allah, and peace and blessings on the beloved and descriptive and good creature Secretary Muhammad, his family and the divine good and lasting curse their enemies to do the day of judgment, and yet... The Edward Said of the most critics controversial intellectual of the twentieth century, due to Grandma in cash speech, in addition to numerous factors, including upbringing, education and exile, but the topics covered and private (identity remain, Orientalism, culture, imperialism, and the other, worldly criticism ) is the biggest reason for his feisty critical features mostly, and abroad for critical theory of modern lines being sees it did not meet the aspiration to detect significant text and scaled the reader into the trap of specialization, academic and wandering in the maze of text. Speech came (Said) speech opposed to the structure of Western discourse, being made culture and history which afford grand narratives, revealing knowledge of the system that drives the self - made and the other, and the statement of the concept of cultural power that drives the literary and cultural production process, according to what you are. Said cash speech represents a long legacy of philosophical and linguistic, cultural, and so you see dealt with most of the themes that are the focus of conflict and a mismatch between the intelligentsia conflict, and Ajtrah through cash Amaagath a different understanding and new.Class (Said) of the most important pioneers who sat and contributed to the emergence of cultural criticism that dealt with cultural issues and the mechanism in a way out of the curriculum in schools and literary texts address the way. Said hybrid cosmic also see it, it is named compound (Edward Said) to the birth of Palestine and his travels between Egypt and Lebanon, study the migration to America and Britain made him exiled by force and act all this was stressful to deal with topics dominate the self - free industry and the other spunResearch methodology required to deal with the topic as it goes to be divided in four chapters and boot, and see that it has been able to focus on the concept or question revolved around the thesis, which are worldly critical discourse when (said)? The boot under the title (the speech, awareness and concept) and search the boot so problematic discourse and critical literary and the comprehensiveness of literary criticism and its limits, in other words, is the meaning of criticism mainly about the high literature? What is the meaning of literature in the product of any text? And how the role of culture and history in the text? That is why we stood on the word speech in the broad sense that brought him (Foucault) and used (Said) and thus move (Said) in all Ntegath within this holistic vision that sees the speech includes literary aesthetic criticism as well as a natural extension of cultural factors that affect the text. The first chapter was titled (the foundations and pillars in the said cash speech) As mentioned a little while ago it was (said) hybrid philosophical, linguistic, psychological and social thought, so we raised four axes represent the foundations and pillars that influenced them (Said) and Interview by directly sometimes indirectly at other times.Axis philosophical forward it to most philosophers who came mentioned in the monetary his speech, although we did not stand on most of them but we believe they are the most important in the visions that carried a private in the monetary his dominance, as well as goes the rest of the other hubs in a simple introduction to his life and ends with research in this chapter focus on topics which carried the earthly dimension for each axis and therefore Find walking towards the detection of intellectual heritage of the worldly (said).The second chapter was titled (worldly cultural criticism of Orientalism example) Because the (said) represents one of the pioneers of cultural criticism Find the concept of cultural criticism concept and references that led to his appearance began to have these terms of reference agreed with the terms of reference (Said) in terms of focusing on the worldly events in read the text and move away from the pillars of the metaphysical, then envisioned research and cultural exchange mechanisms, which focuses on non - adherence to monetary theory and the institution and after this introduction Turn Search towards the vision (said) to the concept of cultural criticism worldly theoretically through some of the visions and ideas put forward in embedded which was written by, and applied through book Orientalism and thus was read culturally analysis Tabakie worldly and this is what search him.Download Chapter III Title (worldly Monetary Alabestama culture and imperialist example) is an exchange of knowledge and based on Arcologgio Foucaultian fossils of the earliest mechanisms of cultural criticism and criticism worldly in particular, and this is what Layer (said) in the book of culture and imperialist, The path of research about the concept of imperialism and its manifestations holds concept different cultural authority controlling peoples colony and how to make them search for the conflict of knowledge / power zone, and then between research worldly cash engage through the concept of narrative and cultural resistance and a series of novels adopted by the (said) in a statement narrative move in the field of cognitive detection, said to see I've dish ( Foucault) Drilling Alarclogi revealing worldly knowledge - based analysis of the dimensions of the imperialist narratives.Three chapters made search was more like a development critical to speech (Said) of cultural criticism to criticism of knowledge and then to the idea of basic research on the nature of the secular criticism, came fourth chapter under the title (the secular foundation cash and achievement) questioned this chapter theoretical research for the book (the world's text and critic) which represents Based theoretical research on the development of cash, according to (Said) and the necessity to find a criticism of worldly beyond cultural criticism and critique of postmodernism, has treated research issues addressed by the (said) within the book and of the concept of the worldly, text, text, identity, and intellectual cosmic, or the concept of critic, and theoretical migratory, and the American Monetary left - wing, religious and cash, these concepts overlap on the one hand with the culture on the other hand are cash concepts touches the spirit of criticism, bearing movement (Said) Cash visions of a three - start of the world's text critic, so the search is going on about these essences.The conclusion of this journey is the station with the most prominent search results that were ultimately to this outlook in a speech (Said) cash. It must be noted that the search has not committed to a specific approach and the need to request this topic has relied on the analytical method, texts, research and Dialogue The reason that the subject taught monetary field. I would like to extend my thanks and that was a minor for the best fulfillment of the right of the professor and the mother noble tender overwhelmed me and the beauty of the great spirit of Dr. Hana Abdul AL - saida of all that effort and provided guidance was Mother Yes and yes oriented.Have been made in this work do my best despite the circumstances that were surrounded and God knows it, it was the lack of a decent enough to incorrigible your fingers voltage least bounty to God and to my teachers and virtuous Praise be to Allah

البناء الفني للموشح العراقي The Technical Structure Of The Iraqi

اسم المؤلف: رؤى حميد منديل
اسم المشرف: فرحان بدري الحربي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The Technical Structure of Al - muashah Rema is one of the intellectual its home Al - Andulis or its range in Eastern part of Arab home land , especially in Iraq which gave Al - muashah its luster. Iraqi poets regain Al - muashah's atmosphere and regave it life after a long slumber. This study has come out with some results which confirm the aims of this Thesis. Among these results are The secrets of the beauty of Al - muashah lies in its music and since I study the aesthetic of Al - muashah comes from music. Thus , one of the results is that , Al - Ramal stanza was dominating and it was more popular in Al - Muashah than its use in Arabic poetry in general Iraqi poets of Al - Muashah made use of collocation of some rhyme types and added an aesthetic feature which enable them to achieve deviation in poetic rhyme and this gave it creativity. As far , internal music of Al - Muashah was full of explicitness , repetition and alliteration. I have found that the image sources of Iraqi Muashah did not depart from the earlier sources of Andulsim. Nature dominated the image which has a great verity. This made it easier to understand and carrying more aesthetic and artistic hints indicate to their culture. I also found that their aims were not different from poetic aims such as praise , love and prond. They achieved their intention in shortest and deepest ways. It was void of strang vocabulary , this has mad their rhymes so much related to reality and close to the readers. It has the ability to touch our feelings. The introductions of most Remas were traditional in their start with love and flirt besides using famous characters. All these these features made Al - Muashah poems liable to interpretation which raised the aesthetic value of Al - Muashah. The style of Iraqi poets was full of linguistic structures such as Topicalization , ellipsis and vocation which gave Al - Muashah some aesthetic features which serve to affirm meaning and give more poetic poer to Al - Muashah through using unfamiliar structure

ادب الامام زيد بن علي عليهما السلام : دراسة موضوعية فنية

اسم المؤلف: اسراء محسن حديد حسن
اسم المشرف: مثنى عبد الرسول مغير الشكري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Praise be to God, peace and blessings be upon theprophet, and his household divine good and followed them until the Day of religion, prayers forever, and cut off their number. After.. The idea started for the study of literature Imam Zaid bin Ali, "peace be upon them" from the perspectives settled upon conviction researcher, in the forefront of my admiration Islamic literature and fields and figures, and themes, and issues, and my desire to study a media Al al - Bayt pure, reviving the memory of them by standing on the great heritage, which worthy of study, and the care and attention it, according to find out it from studies, and found that the literature Imam Zaid "peace be upon him" has not been studied academic study means it literature, and his themes, and his criticism, has increased my admiration for the high level of literary shown by the literary heritage of Imam Zaid "peace be upon him "The prose in particular. This is making it one of the no doubt Imam Zaid "peace be upon him" a descendant of the house that they know every thing about the science.I have the desire to find the ways this topic for the reasons that I mentioned.The literature Imam Zaid "peace be upon him" was over the package of studies, and it was mostly revolving around the jihadist side of the revolution, Imam against the tyranny of the Umawy, as well as other research, and articles urged express side of the Imam, in particular is an ally of the Koran, and therefore these studies did not stand impediment to study Academy means the substantive aspects of monetary and technical literature Imam Zaid "peace be upon him."I have derived the message elements and its components from the nature of the literature of the Imam, and his exact extrapolation (prose and poetry), as it appeared on highlighting the substantive and technical aspects, and reservoirs creativity, literary group on type literary at ImamIt has dictated the nature of the research that divide by three chapters preceded by a preface, followed by the finale, proven sources and references.The preface determines the validity of literature documenting Imam Zaid and investigation of literature without mentioning the obligations for it, as well as some sources were not inclusive of all literary offspring, came preface examiners and critic it.The first chapter discusses the genre when the Imam and I mean (poetry and prose), was recorded last significant presence at the Imam Zaid "peace be upon him." The six sections, namely, (public speaking, and praying, and debate, letters, wills, and poetry).And the holding of the second chapter on the issue of the subject, divided in three sections, the first I dressed politician, religious II, and the latter social.The final chapter handled the technical study, which included three sections, the first linguistic structure, and the second where she studied architecture and graphic departments, came last, highlighting the rhythm and its impact on that express intended meaning.Then this study concluded conclusion embodied the most important results reached by this study, and try hard research explored and presented to the space of literary study, which means the study of the heritage of the people of the house, "peace be upon them."The study is based on an inductive approach descriptive, politely Imam foremost text is lost along the reference line, which was based on research it, and informed by some external information, but he had not reckoned, but soon it was back to the text and simulated.It studies that have reported such research is the study of Dr. (Mussa Aboud Khabt) tagged (Literature of Imam Hussein, "peace be upon him," the technical and moral his issues), as reported them in many places in this search. Conclusion : the confession thanks to my teachers at the College of Quranic Studies, University of Babylon honor meditate on something openly, and secretly and openly, and committed him myself as long as I live.As my teacher supervisor Prof. Dr. Muthanna Abdul Rasul Shukri, was the first of this research has great interest and care for no addition of thanks or recognition thanks acknowledged by the injury, so he pointed me choose. r this blessed subject, He refers to choose the good subject

تعدد الاوجه النحوية في شروح الصحيفة السجادية The Several Grammatical Possibilities In The Explainings Of Al Saheefa Al Sajjadia

اسم المؤلف: زياد قاسم دريس الطائي
اسم المشرف: شعلان عبد علي سلطان
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: This research deals with a very important subject in the Arabic grammar , which is the several grammatical possibilities. This research reveals the relation between the grammatical meaning and contextual meaning in the text. Out of the kind of Almighty God , He makes Alsaheefa Alsajjadia the place of study. Because of the importance of this holy work and the holy statue ,It contains the most eloquent words , meanings and the greatest content. Certainly it is a great miracle professed by Imam Zain Al a'abedeen , Ali Ben Alhussein , ( peace be upon him ). This study tries to go deep in the text of Imam Alsajjad to depict the different grammatical possibilities and its discussion that are presented by the explainers of Alsaheefa that's why the title becomes the several grammatical possibilities. This study contains three chapters that preceded by a preface , an abstract in the end and a section for the resources. In the preface , I presented the explainers of blessed Al Saheefa on whom I depended on in the study with a reflection of their policy of explaining for each of them. The first chapter dealt with the reason behind the differentiation in the explaining o f Al saheefa. In the second chapter we have a study to the manners of the different grammatical possibilities in the explainings of Al saheefa for that it contained three sections ; the first is the manners of differentiation in directing the word , the second is the manners of differentiation in directing the sentence and third is the manners of differentiation in directing the semi sentence. Studying the critics that declared by explainers on the grammatical possibilities is in the third chapter which is divided into two sections ; the first is the manners of criticism and second is the basis of criticism. After all , I spent a lot of time to manage this work and if I succeed it will be out of generosity of Allah ( to whom all be ascribed ) and it will be the cause of the instructions of Dr. Sha'alan Abd Ali Sultan. If I don’t succeed it will be the cause of my little experience but I think it is enough that I tried.

تلاحق الاساليب الانشائية في نهج البلاغة : دراسة دلالية Sequence Of Composition Styles In Nahj Al Balagha Semantic Study

اسم المؤلف: دعاء شاكر كاظم
اسم المشرف: عدوية عبد الجبار كريم الشرع
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Praise to ALLAH with him the whole praise is started, with him the speech is concluded, and peace be upon the best creation Muhammed AL Mustafa and his immaculate house holders and his comrades.the subject of the thesis is about the composition styles ,What related to the previous studies an important study had proceeded me for the researcher Faten Fadhel.the study was titled (the sequences in Nahj AL balagha its levels, functions and features) the sequences of composition styles was mentioned in her study which is immature form as phenomena in a chapter under the title ( the structural features as it was meant for sequences of styles and it is a new study in its subject.in my study, I depended on the investigation approach to the style sequences in nahj AL balaga so the study chapters should be divided because of the plenty of styles in it. That resulted imbalance of thesis chapters.the subject and its scope of knowledge should go within a plan which consists of three chapters , conclusion , index ,sources and references so the preface is a definition of sequences and its concept.the first chapter was titled (the sequences of similar styles ) and it was divided for seven sections : so the first section consisted of order sequence , the second section included interrogative sequence , the third section included negation sequence ,the fourth section included vow sequence ,the fifth section include : exclamation sequence, the sixth section include appeal sequence , the seventh section include invocation sequence.the second chapter which was under the title the different sequence included two sections : the first section sequence of two different styles ,the second section sequence of three different styles.the third chapter was under the title ( the interpolated styles) and it was divided in to two sections : interpolated of different styles , and the second section include the interpolating of similar styles respectively.The thesis went within one approach in its text. According to the plenty in everything mentioned in it. I used the book (explanation of Nahj AL balagha for aben abe al Hadeed wich in vestgated by Muhamed abo AL fadhl Ibraheem.The thesis had depended by its cybernetic on different sources and references.my final prayer : - praise to ALLAH the lord of the world , peace and prayer on Muahammed and his immaculate house holders.

الابعاد التداولية في معاني القران لـ (الفراء ت 207هـ) Pragmatic Dimensions Of The Meanings Of The Qur'an According To Al - Farrah 207 Ah

اسم المؤلف: زينب عادل محمود الشمري
اسم المشرف: رحيم كريم علي الشريفي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الحذف والتقدير في كتاب : كشف المشكلات وايضاح المعضلات لجامع العلوم الباقول ت : 345 هـ : دراسة نقدية Omission And Prediction In The Book Of “Kashf Al - Mushikilat Wa Eedhah Al Mu’Athilat” For Jama’ Al U’Lum Al - Baquly (543 A.H.) Critical Study

اسم المؤلف: هند مناضل عباس
اسم المشرف: حسن عبيد المعموري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Omission is a vast topic in the study of Arabic. Arabic is a language of terseness. Omission is one of the two methods of terseness in Arabic. These two methods are : terseness of limitation and terseness of omission. Arabic native speakers averted from complicated structures; they were more inclined to use simple and easy structures. Quran was revealed in Arabic; it is, however, a heavenly book, miraculous in its lexical, semantic, and stylistic systems. Each word in Quran serves a purpose and is accurately placed, not arbitrarily. Therefore, the statement : there is omission of a particle, word, phrase or sentence is unsettled argument amongst classical and modern scholars. Hence, grammarians adopted the approach of omission and prediction in Quran since their purpose is to parse, to teach the grammar of Arabic, and to find out the abrogators and abrogated. Nonetheless, this approach does not necessarily befit Quran since it is imperative to understand Allah's speech without omission - dropping words - or prediction - adding non - existent words which are not mentioned in the original text to refer to certain meaning. Accordingly, there would be deviation the intended meaning (referent) to which utterances - particles, verbs, phrases, and sentences - are used. Essentially, in Quran, each particle, word, and Sura is connected to one another in meaning and reference as if they are connected rings that should not be separated which, in turn, shows one secrete of the Quranic miraculousness.The reason of choosing this topic is basically motivated by the suggestion of my supervisor. After having read Keshif Al Musshkilat (Revealing Conundrums), I found it, for the most part, basing the analysis of the Quranic text on omission. Almost all the pages contain a parsing possibility or a grammatical explanation that is based on omission. Accordingly, I came to the realization that this topic is of critical importance and worthy of investigation and study. Therefore, seeking the help of Allah, I entitled my topic of inquiry as : Omission and Prediction in the book of “Kashf al - mushikilat wa Eedhah al Mu’athilat” for Jama’ Al U’lum Al - Baquly (543 A.H.) - Critical Study.The study is divided into three chapters prefaced by a prologue entitled “The concepts of omission and prediction and Al Baquly's approach” and followed by epilogue contains the findings of the investigation. The three chapters are as follows : chapter one, omitting particles, includes the discussion of omitting prepositions, the interrogative “hamzah”, “in” of infinity, “fa’a” of the result clause, and “waw”. Chapter two, omitting nouns, focuses on omitting “Mubtada, khabar, object, the praised, the disrepute, and tamee’z, mudaf, and matu’uf, and a’aid. Chapter three, omitting sentences and clauses, includes omitting the result clause in the conditional sentence, the answer of the oath, the sentence of qaul, the sentence modified by an adverb, and the clause of a preposition.

نثر المعري : دراسة في ضوء النقد الثقافي

اسم المؤلف: محمد حليم حسن الكروي
اسم المشرف: علي ابراهيم محمد الزرقاني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

فساد الراي النحوي في العربية The Corruption Of Grammattical View In Arabic

اسم المؤلف: عهود صبر راهي الزيادي
اسم المشرف: حامد عبد المحسن كاظم الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Chpter one studiesthe corruption of grammatical view'in nouns, it consists thses sections, the first deals with symptoms structurs, the secerd studies Al - Tawabea, while the third deals with miscellaneous. Chapter two deals with the corruption of grammatical view in verbs. It consists of these sections preceded by introduction a bout the verbin Arabiclanguaga. Sectionone studies kana and its sister " verbs to be "and what like them. The seand seation treats what is related to the verbs and its parts. Seation three studiesthe rauns of the verbsand transitive verb.Chapter three studiesthe corruption of grammatical view in letters, It consists three srctions, section one deals with the corruption of grammatical view in mono letters, section two andiesition dual and triple letters , while the third seation deals with the corruption of grammatical view in quadrilateral letters.Chapter four consists of three seations, the first concerns with the corruption of grammatical view in the exception, the sucand different - in rnost cases - from one grammerion to a nother and from school to a nother. This lead some grammrtians to reject many of previous and contemporary provisions when ~ they realize that this view is corrupted and describe it as break the rules of compatibility and harmony between the grammatical phenomena and effairs. From this, the searchin this topic doesnot slope at theseproblems, but it goes to search in grammatical roots, standing and questioning what is behind thses problems. In order to be grammatically corrupted or corruption ~iew of the grammarians.That is why this study is under the title (The Corruption of Grammattical View In Arabic)·Following these views and standing upon their reasons lead to expansion of this research, and analyzing the grammatical is sues is to reach to the essence of its corruption. So, this study contains in troduation, foun chapters, and followed by conclusion of what the search gets efreasults. The intereduction consists of the concept of the corruption and its roots In The name of Allah, The merciful and Compassionate. Thanks for God who makes the thanks as a key for - his mention. He creates the fhings speaking in his praise andthanks. The pray and peace are upon the prophet Mohammed whose name is derivative of God's name (Al - Mahmood) , upon his pure family of virtues and generosity , upon his selected followers , and upon those who follow them in charity to the day of judgment. The corruption of view for Grammarias - has special importance for what cansequentit of effairs and provisions which relate to grammatical phenomena by the grammerians a bout linguistic material, observing what changes might occur and takeing carefor it's use. All these allow the grammarian to take these viwsand select between them dependanding upon evident in his acceptance or rejection of grammatical view or material. So, normally for these view are to be varified, depending upon the source which they are taken from according to mductive effort. This effort is by the ancient grammarians whose views because essential, to build upon it theprovisions and results. They are

شعر ابي تمام : دراسة بنيوية تكوينية Abu Tammam Poetry Structural , Formative Studying

اسم المؤلف: ايناس كاظم شنبارة الجبوري
اسم المشرف: عباس محمد رضا حسن البياتي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: All researchers agreed that the poet Abu Tammam represents an important poetical school in the history of Arab's verse, that is because of his poetical experiment represented a modifying stage in the Arabic innovation, he transferred the experiment from the emotion to the intellect and from the instinct to the meditation and prying. I presented in my current research a new reading to the verse of Abu Tammam according to the structural and formative method. That comes after an accurate study to Goldman's method and adjust his procedural tools notably in his book ( Hidden God) and I came up with that the method is about four major corners, first is : Discovering the vision of the world for Abu Tammam and then find the conceptual path that joined him with the conceptual level that represented him and make him one of its individuals. After understanding reading to his verse aimed to discover the referring environment that ruled the poetical experiment and give it the final shape. Finally, reading the structure of the Early AbbasiEra from all economic, political and cultural sides and discover the dominant conceptual structure at that time which resulted in producing that level and forming its individuals by that way exclusively and the impact of that over the formation of Abu Tammam 's verse. The early Abbasi Era is different from all other eras that preceded it, most distinguished things are : Culture and conceptual opening on the out world led to the cultural mixing between the culture of Persian, Greece , India with the Arab culture. Many conflicting conceptual schools have turned up. One of the schools is Almuatazila as the most important conceptual and cultural school represented that era and dominated all its joints and extended to the extent that Almamoon declared that it is the formal ideology of Abbasi state. Almuatazila school depended upon the mind among all conceptual schools, it analyzed the religion and prying the universe and solved problems depending upon the mind thoroughly. That came as a logic result due to the culture of the school that relied on the Greece philosophy. We can find out these prints very clear in the verse of Abu Tammam and in his conceptual attitude that he was well - known of his producing a poetic vision in which mind is raised over the instinct and emotion. In addition to the dominance of the philosophical style over his poetic language that push some researcher to return his roots to the Greece and Roman. The conceptual changes that occurred in the structure of Abbasi Era have affected on the politics and made the era of Al - Mammon is different from other eras and then affected on the society, culture and the intellect till Abu Tammam came up with a extraordinary poet as a logic result to the changes of the era.

مقبولية الانسجام في النقد الادبي العربي حتى نهاية القرن الخامس الهجري The Acceptability Of Coherence In Arabic Criticism Till The End Of The Fifth Century Of Hegira

اسم المؤلف: علي قيس حمزة الخفاجي
اسم المشرف: محمد شاكر ناصر الربيعي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The Title of this thesis has been based on two important technical terms taken from text linguistics : (acceptability) and (coherence), in order to coin a new term, i.e. the acceptability of coherence. The aim of doing so is to investigate the critical conceptions and applications written by ancient Arab critics which might be congruent with the intended significance of this new critical term. This is especially true according to the fact that the significance of the acceptability of coherence has gained important attention by the ancient Arab critics as this research has shown. The Arabic literary and critical movements had depended on what could be called (acceptability) in accepting the literary products or in putting them in hierarchical ranks since the acceptability was declared by (very well qualified persons) according to the most important criterion of the seven textual criteria of the text linguistics, i.e. coherence. Yet, the researcher will try to extend the concept of the coherence and make it more congruent with the topic of this study. The non scholarly treatment has been very helpful in this respect; moreover, making use of this concept has enabled in shedding light on the topic of this research.The topic has been based on a plan of three chapters preceded by an introduction and followed by a conclusion which included the most important and salient results. Then, a full bibliography of reference and consulted books has been supplied.The first chapter, entitled (The Acceptability of Coherence in the External Rhythmic Dimension) which is divided into two subsections : the first, (The Acceptability of Coherence in the Prosodic Dimension); and the second (The Acceptability of Coherence in the rhyming Dimension). The second section deals with (The Acceptability of Coherence in the Internal Rhythmic Dimension). The second chapter is devoted to discuss (The Acceptability of Coherence in the Syntactic Dimension). It includes two sections : the first studies (The Acceptability of Coherence in the Syntagmatic Axis), and the second investigates (The Acceptability of Coherence in the Poetic Necessity). The third chapter, which is entitled (The Acceptability of Coherence in the Semantic Dimension), also includes two sections : (The Acceptability of Coherence in the Semantic Correlation) and (The Acceptability of Coherence in the Reproduction Dimension). All these chapters have been dealt with two critical points of view : the theoretical critical conceptualization and the application efforts concerning central the concept of the acceptability of coherence.Investigating the data of the ancient Arabic criticism has shown that the referential concept of almost all critical judgments is coherence. As a result, it is noticed that whenever this criterion is available, the acceptability will be achieved. Since coherence focuses on the semantic aspect of the ideas and thoughts found in the text, then the process of judging the consistency in the syntactic aspect will be, according to the theoretical point of view adopted in this research, either through the coherence of the semantic concordance of all the elements of a given text, or through several texts. The same is true in case of information and whether it is based on the semantic factors or on the contextual factors. This point can be achieved according to whether it tries to join the situation & the intended significance and the intentionality as the relational link between intention and the given semantic significance in the text. Accordingly, intertextuality, i.e. the inevitable relationships between literary texts, is just the semantic linkage of the syntactic components of several diverse texts on one hand and the components of the new text on the other hand. This means that coherence is linking thread between these elements which necessitates that acceptability of the coherence can be achieved whether this coherence is semantic, consistent, informative, contextual, intentional, or contextual. Using the techniques and terminology of the text linguistics in studying the Arabic critical texts covering the period of pre - Islamic decades till the end of the fifth century of Hegira has shown that every critical behaviour or speech can be rendered to only one specific foundation the acceptability. This term be very useful in pinpointing the main characteristics of the Arabic unified critical conceptualization of literature and poetry. Subsequently, this type of conceptualization can present a comprehensive account of its issues, solve its problems, and reveal its diverse attitudes. It also shows that modern criticism is able to get deep insights in the ancient Arabic criticism and make use of its vivid and active features. It also reveals the type of coherence, its examples, and throws light on the area of acceptability and its activeness in the ancient Arabic criticism.

اثر الاستعمال اللغوي لاسلوبي الاستفهام والنفي في الدلالة القرانية

اسم المؤلف: زاهد جميل هاشم الحسيني
اسم المشرف: علي عبد الفتاح محيي الحاج فرهود الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The topic of the research is "The Effect of Lingual Usage of interrogative and negative in The Quran's connotation" , and it has great importance at the field of indicative studies, because it shows or (for showing) the type of negation or (denial), and interrogative as lingual and typecast. As well as modern connotation rely on the type of lingual way and its connotation' s Indicatives and through this kind of study could understand the development In the public field of life for all people relying on the depiction of the lingual type, and what it produces of semantics with regard to target audience (addressee). The Thesis included introduction , and it has research summary and flatten (pave) the language of "Quran" , and its knowledge mysteries, and the first chapter deals with the grammatical effects towards connotation. On the other hand the second chapter ; the effect 'of interrogative type in connotation. Finally, the third chapter deals with the effect of negation on connotation, at the end of it we find the results of the research as well as resources and references

المثال في الدراسات النحوية الحديثة : دراسة تحليلية تقويمية

اسم المؤلف: يسرى محمد رضا حسن الدجيلي
اسم المشرف: بان صالح مهدي الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Linguists and grammarians have agreed that the function of the made grammatical proverb is the explication of the grammatical rules and rounding them off to the mind of the recipient, ancient and modern. However, the modern grammatical proverb stops not at the borders of clarification and rounding as the old grammatical proverb did. Grammar scholars have found out that made proverbs can lead to other functions of no less importance in clarification and rounding, albeit these being the desired goal. The modern made proverb has proved that it has a role in building the society, for it is an important means of education and planting ideas that promote morality through what meanings it carries as love for goodness, respect for others, obedience to parents, and the rejection of mendacity, selfishness, disobedience to parents, and the neglect of work and knowledge. Moreover, the made grammatical proverb has proved that it is a means of knowledge transfer through what historical, literary and linguistic information it carries, which increases the experiences of the learner and recognizes the heritage of his nation, its great men, and what scholarly information reached by modern man it carries. The modern made proverb is also distinguished from the ancient proverb in the beauty of its words. It is full of interesting rhetorical pictures which add suspense to its style that has had a significant impact in the same recipient. In addition, the modern made proverb takes recipients into consideration through the great diversity of methods and meanings that characterize the cultural levels of the under - cultivated recipients, such as children, the average cultivated, and the specialized cultivated.

الجهود النقدية حول شعر محمد مهدي الجواهري Criticism Efforts About The Poetry of Mohammed Mahdi Al - Jawahri

اسم المؤلف: وجدان يحيى حافظ الكفائي
اسم المشرف: حمزة فاضل يوسف
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: Praise be to Allah, prayer and peace be upon the Prophet Noble and The God of the good and virtuous. After : He has raised Jeweler hair Shelley illustrious contemporary to him and delayed him monetary efforts, which was compounded by the accumulation of these efforts on his hair, Vtnolh critics and different visions of multiple approaches and they are unanimous in its leadership classical stage in modern Arabic poetry and renovated and out all the modalities of the flags of literature poetic classic Kalrsafa and Zahawi, this is what enticed the researcher to choose the monetary efforts revolved around the Jeweler felt the subject of his doctoral thesis. After extrapolation of literary criticism, which revolved around Jeweler hair and determine the curriculum and vision required the processing of these efforts of the various plan consists of a boot and three chapters dealt with in the boot of poetry and monetary environment in which the capillary landmarks formed when the jeweler, so what the environment from the impact in shedding light on the nature of the text cash, which constitutes the other party off the poetic text, which has the most prominent role in efforts to raise this cash around Jeweler hair and, by contrast, there was the highlight of the poetic text Majaal text Jeweler in order to touch the art feature text Jeweler restricted to this study. The first chapter has assumed the contextual study of curricula that have been text Jeweler according Vaaih cash visibility prevailing at the time and the judge read poetry in terms of its relationship to what surrounds him of the reasons for and the circumstances and conditions, has entailed four sections. Took the first part, the study of the historical method, which Jesper Gore subjective experience of the poet read through external influences, while the second section has assumed social study curriculum, and the third on the curriculum or the Impressionists (influence), while the fourth section has assumed study Integrative approach. The second chapter went to the induction scriptsapproaches in the study of Jeweler hair. The third chapter Jeweler hair as an engine in cash, came in two sections : I dealt with them according to the poetic form artistic effervescence who took a three - way distribution deals with language, image Ptholadtha rhetorical, and poetic rhythm, both internal and external. The second topic : Eating poetic subject in the text of the jeweler and how it was able to move out the subject of cash denominated in the text which is not aesthetically pleasing, and discussed two important issues : the social issue and the multiplicity of readings cash, women and the multiplicity of monetary readings. Thus ends the thesis to the conclusion and summary results and classification of sources. Can not afford the researcher after the completion of the offer to the joints of her research, however, suggests that it is beholden to her teacher supervisor Prof. Dr. (Fadel Hamza Yusuf) for his help and support every day of the search, Vdzah Me God richly rewarded.I extend my sincere thanks and gratitude to Shiyoukhi in the way of science, particularly professors of the Arabic Department at the Faculty of Education - University of Qadisiya and each of the D me a helping hand to achieve my purpose, God Vdzahm Me penalty benefactors. And Praise be to Allah, the Lord of the Worlds

نظم الحوار في سورتي (الكهف) و(مريم) : دراسة في الدلالة النحوية Dialogue Coordinate In Two Surats (Al - Kahf And Maryam) A Study In Grammatical Significance

اسم المؤلف: نبا حميد بكيع المسافري
اسم المشرف: علي عبد الفتاح محيي الحاج فرهود الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Koran is miraculous, as the highest speech, it cannot keep up with it or get close to it. It is still outrigger for scholars. So, it is the wider field and the sufficient spring from which scholars water their topics in all ages. This study attempts to show the significance of dialogue coordinate in both surats (Al - Kahf) and (Maryam), how the dialogue coordinate has been built in both surats, the arrangement of its linguistic structure (fronting, delaying, repetition, elision, and mention) and the styles on which this coordinate has been built. This study comprises three chapters, in front of them, there is introduction, named (the significance of the dialogue coordinate) deals with the concept of the dialogue in the language and in the convention as well as its figures and styles. The first chapter, (structural styles), presents two sections : the first section ( the request or demand styles) such as : interrogative, imperative, inhibition, prayer, call, please, show, customize), the second section includes the unrequested styles that are not found in both surats except the style of ( Al - Qassam). The second chapter, ( the predicate styles), shows the concept of the predicate, language and convention, the predicate purposes, and its styles : ( the primary predicate, the requested predicate, and the denial predicate).The third chapter, (the dialogue structure), has three sections : The first section deals with the fronting delaying style and significances and intimations that belong to this style. The second section presents the repetition style such as the repetition of some sounds, some words, and sentences. The third section shows the phenomenon of elision and mention , the scientists' opinions about it and what its significances are. Finally, there is the conclusion that includes the most important results arrived at this study, as follows : 1 - The composition styles, as in : interrogative, imperative, inhibition, prayer, call, please, show, customize. They are considered as one of the contents the principal dialogue and they are found highly in the two surats (Al - Kahf) and (Maryam). 2 - Most of the interrogatives that found in the Quran dialogue in both surats (Al - Kahf) and (Maryam) are interrogatives about events that have happened or will happen which refer to something that is movable and renewed and this suited with the verb that refers to the occurrence. 3 - The repetition records the distinctive structural style in the Quran dialogue especially in the surat of (Maryam). 4 - The dialogue coordinate in both surats has more than one significance, some related to the vocal side, and other related to the abstract side.

اثر الصفات الصوتية في تشكيل البنية الصرفية The Effects of Sound Characteristic In Morphological Structure Formation

اسم المؤلف: مصطفى حسين مزعل
اسم المشرف: مصطفى حسين مزعل
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Most modern linguistic studies are moving toward analyzing language in several levels of : sound, structure of word in Morphology,structure of sentence in Grammar and the semantic.The multiplicity of levels do not lead to separate themduring analyzing the continuous operation ,cause that Arabic language is A social phenomenon or as described by IBN GINI " people express their need and purposes by their own voices"These separationsbetween the levels did not exist in the levels at the advanced of Arabic scholar and then their morphological lesson did not separate from phonological lesson and this fact was certified from many modern studies in studying the relation between languages levels.The modern Arabic and Western lesson produced many Modern linguistic theories in Morphological and auditory field and if we checked our heritage we will find that their interest was focus on the structure of word morphologically.If we checked in our phonetic & morphological heritage we will find their concern in directing the cases that concerned the morphological structure of the word phonetically.The aim of this research is to proof the relation between sound and morphology By clarifying the impact of sound character in analyzing the structure of morphology.The reasons of studying this Topic clarified in two reasons : 1.The detection of the participation of ancientscholars is the strong relation between sound and morphology certified their realization in employing the ideas of sound in morphological issues.2.Sound character does not study over a wide area in modern linguistic studies regarding sound morphological otherwise most of authors neglect the effect of sound character on morphological structure.This research is consist of preface ,three chapters and conclusion that indicates the summary of results.the preface was dealing with (Relation of sound with Arabic morphology )as ancients scholar said.The first chapter consist of (Sound character relation with morphological structure) its term and concept also it's divided in two topic; the first one about term and concept of sound character, the second one about term and concept of Morphological structure.Most modern linguistic studies are moving toward analyzing language in several levels of : sound, structure of word in Morphology, structure of sentence in Grammar and the semantic.The multiplicity of levels do not lead to separate them during analyzing the continuous operation ,cause that Arabic language is A social phenomenon or as described by IBN GINI " people express their need and purposes by their own voices" Noting that these separation do not exist in the levels at the advanced of Arabic scholar and then their morphological lesson does not separate from phonological lesson and this fact was certified from many modern studies in studying the relation between languages levels.The modern Arabic and Western lesson was produced many Modern linguistic theories in Morphological and auditory field and if we checked our heritage we will find that their interest was focus on the structure of word morphologically This aim of this research is to proof the relation between sound and morphology By clarifying the impact of sound character in analyzing the structure of morphology.The reasons of studying this Topic clarified in two reasons : 1. The relation of ancient scholar participation the strong relation between sound and morphology certified their realization in employing the ideas of sound in morphological issues.2. Sound character does not study over a wide area in modern linguistic studies regarding sound morphological otherwise most of authors neglect the effect of sound character on morphological structure.This research is consist of preface ,three chapters and conclusion that indicates the summery of results.the preface was dealing with (Relation of sound with Arabic morphology )as ancients scholar said.The first chapter consist of (Sound character and morphological structure) its term and concept also its divided in two topic; the first one about term and concept of sound character, the second one about term and concept of Morphological structure. The second chapter deals with (Sound character that consist the Arabic structure) it also divided to The third parts ,the first one about characteristic of improved sound on morphological structure) ,second part about (The effect of meeting word sound structure in harmony and dissonance, the third one about( increasing number )The third chapter discuss three issues and divided into three part, the first one about (Similarity of sound characteristic in reverse to the original), second one about (monthly sound as in FAAL - EFAAL) third part about Prolong ALMAAD sound before Hamza.The Results found in the study : 1. The relation between sound and morphology is very strong that the morphological said that interpretation and analyzed morphological structure.2. The ancient unrest in the term crossing (Acoustic status)and this term was applicable him to many of the ancients and modern. 3 - The ancient predecessors Westerners in their innovations in the characteristics theory for the voices. 4. The entrance of the tip sounds in the morphological constructions of the word which is contained in it made it in relation with the tip of morphology through the characters of these sounds from power, the voice bill, & making balance & equalization between the heavy sounds in the structure of the word.5. It's not in the lightness & heaviness in the quantity & the number of the sounds of the word, but in the equality of the duration & the speed of saying the sounds of the structure, based on this the triple construction of the equalized constructions even if it was the dual less than it.6. The sounds of closing the mouth & the palate in touch with the upper jaw could be replaces for the tip sounds which improve the construction of quintuple through its acoustic character (magnification).7. The sounds are in harmony with each other on the level of the meaning which based on the characters of the sounds, the pronunciation level represented by the diverge of the exit of the sounds which could be the only reason in this harmony.8. The increase of the long extension sounds in the construction of the word added on this construction an improved character, because of the clearance of the extension sounds in hearing.9. The lack & the plenty usage of the increasing letters is contact with its approach the character of the extension sounds.10. The referring by using facial & acoustic expressions can be considered is a part of similarity in the silent sounds because there will be a transmission from the strong acoustic character to next sound to it which change it to another acoustic character.11. The acoustic character affected the next sounds in the construction of the word by modulating these sounds from its origin in saying & sometimes in writing.12. The second Arabic sound (ع) in the word like in (Faal) which can be said in (Maftooh&Maksoor) when it's called by the Arabs in the verb (Faal&Yafal) (which means in English did - do) if the first & the second sound were from pharynx, it based to the theory of emphases through putting the sound movement of the letter (ع) next to the emphasized sounds.13. the reason behind extending the extending sounds before the(HAMZA(ء)), is to keep the extending feature in the extending sounds so that not to the extending effected by the(HAMZA (ء)), thus the balance would be achieved between extending and the difficulty of pronouncing the (HAMZA (ء) ).
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