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اداء الممثل في الاساليب الاخراجية الحديثة وتطبيقاته في العروض المسرحية العراقية == The Actor’s performance in the Modern Styles of Direction and its Applications in the Iraqi Theatrical Performances

اسم المؤلف: محمد فضيل شناوة
اسم المشرف: عقيل جعفر مسلم الوائلي | حميد علي حسون الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2002
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

تحليل عناصر البناء الدرامي للمسرحيات المقتبسة عن اسطورة الملك اوديب == Analysis Elements of Dramatic Construction For Adopted Plays a bout Legend Oidipous King

اسم المؤلف: نورس محمد غازي
اسم المشرف: عقيل جعفر مسلم الوائلي
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

خصائص رسوم الاطفال وعلاقتها بالذكاء == Characteristic of the Children's drawings and their Relation with Intelligence

اسم المؤلف: سهاد عبد المنعم عبد المحسن شعابث
اسم المشرف: كاظم مرشد ذرب
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

جماليات الشكل والمضمون في رسوم علاء بشير == Aestheticism of figure and content with Alaa Bashir's Drawings

اسم المؤلف: فاطمة عبد الله عمران المعموري
اسم المشرف: حامد عباس مخيف المعموري
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الابعاد الفكرية والفنية للمصوغات السومرية

اسم المؤلف: رحاب خضير عبادي
اسم المشرف: عبد الحميد فاضل البياتي
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

تصميم وتطبيق وحدة تعليمية نمطية في مادة الماكياج المسرحي لطلبة كلية التربية الفنية جامعة بابل == Designing and Applying a Unit of Stylistic Educational in the Theatrical Make up

اسم المؤلف: حميد عبد الله علوان
اسم المشرف: هدى هاشم محمد الربيعي | عباس محمد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الملامح الفكرية والفنية لمسرح ما بعد الحرب في العراق (1991 - 2000)

اسم المؤلف: احمد محمد عبد الامير الجبوري
اسم المشرف: محمد عبد الرضا ابو خضير | سمير شاكر عبد الله اللبان
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الخصائص الفنية لرسوم طلبة المرحلة الثانوية ذوي القدرات الابتكارية == The Artistic Features of the Peuintings of the Secondary stage Pupils who have Highly Creative Abilities

اسم المؤلف: حيدر عبد الامير رشيد الخزعلي
اسم المشرف: فاهم حسين الطريحي | عباس نوري خضير الفتلاوي
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

العوامل العقلية للابداع واثرها في التصوير العراقي المعاصر

اسم المؤلف: حامد خضير الحسنات
اسم المشرف: كاظم مرشد ذرب | عباس نوري الفتلاوي
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: الفن المعاصر
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

ظاهرة الانتظار في العرض المسرحي العراقي : نماذج مختارة == Waiting as a Phenomenon in Iraqi Dramatic Performance (Selected Specimens)

اسم المؤلف: محمد حسين محمد حبيب مجيد
اسم المشرف: ضياء شمسي حسون
الموضوع العام: الفنون الجميلة
السنة: 2003
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

واقع المسرح المدرسي في العراق وسبل النهوض به == Really of the School Theatre in Iraq and The Ways to Develop It

اسم المؤلف: ايفان علي هادي بيرم
اسم المشرف: فاضل خليل رشيد | كامل حسون القيم
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

المفاهيم الفكرية والجمالية لتوظيف الخامات في فن ما بعد الحداثة == Thoughts and aesthetic concepts in using materials in post modern art

اسم المؤلف: ثائر سامي هاشم المشهداني
اسم المشرف: عبد الجبار عبد الستار النعيمي | عارف وحيد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: الفن المعاصر
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الفطرية في الرسم العراقي المعاصر

اسم المؤلف: ايمان عامر نعمة شبر
اسم المشرف: عبد عون عبد علي | علي شناوة
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

توظيف الحرف العربي في الخزف العراقي المعاصر == Functioning of the Arabic letter in the Contemporary Iraqi ceramic

اسم المؤلف: ابتسام ناجي كاظم علي السعدي
اسم المشرف: عبد الهادي محمد علي العزام | عباس جاسم الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الحدس وتطبيقاته في الرسم الحديث == Intuition And Its Applications In Modern Painting

اسم المؤلف: علي مهدي ماجد
اسم المشرف: مكي عمران راجي الخفاجي | علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

توظيف المضامين التعليمية والتربوية لمسرح بريخت في المسرح العراقي

اسم المؤلف: فارس شرهان شعلان العبيدي
اسم المشرف: نصيف جاسم الدليمي
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الزمن في رسوم يحيى بن محمود الواسطي == UNIVERSITY OF BABYLON COLLEGE OF ART - EDUCATION

اسم المؤلف: مجيد حميد حسون خضير
اسم المشرف: حسن مجيد حسين العبيدي | عبد السادة عبد الصاحب الخزاعي
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الخصائص الفنية والدلالية للخط في رسوم الواسطي == Artistical Characteristics and Denotative line in AL - Wasity Drawings

اسم المؤلف: محسن رضا محسن حسين القزويني
اسم المشرف: كاظم نوير كاظم الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

اشكالية المطلق في الرسم الحديث

اسم المؤلف: فاخر محمد حسن الربيعي
اسم المشرف: عاصم عبد الامير الاعسم | مكي عمران راجي
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

سمات الحداثة في الرسم العراقي المعاصر == FEATURES OF MODERNITY IN CONTEMPORARY IRAQI PAINTING

اسم المؤلف: مواهب عبد الحميد عبد الله علي الخفاجي
اسم المشرف: عارف وحيد ابراهيم الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الابعاد المفاهيمية والجمالية للمهمش في فن ما بعد الحداثة == Conceptual & Aesthetic Aspects Of Marginalize In Post - Modern Art

اسم المؤلف: رحاب خضير عبادي
اسم المشرف: علي شناوة وادي | عبد عون عبد علي
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: الفن المعاصر
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الانفتاح العلامي في الفن المفاهيمي == The Symbolic Openness In The Conceptual Art

اسم المؤلف: سامرة فاضل محمد علي
اسم المشرف: مكي عمران راجي الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: عني البحث الحالي بدراسة ( الانفتاح العلامي في الفن المفاهيمي ) ويقع في اربعة فصول، خصص الفصل الاول لبيان مشكلة البحث واهميته والحاجة اليه، وهدفه، وحدوده، وتحديد اهم المصطلحات الواردة فيه. وقد تركزت مشكلة البحث على الطبيعة التاويلية للعلامة في ال | This research paper is interested in studying (the symbolic openness in the conceptual art) and consists of four chapters. The first chapter is about the research problem, importance, goal, limits and identifying the most important expressions. The research problem is focused on the interpretation nature of a symbol in the conceptual art in all its expressions resulted by the changes of the world after modernity including the social, politic, economic, and cultural pressures which affect negatively on the level of vision, acceptance and sense. This is guaranteed due to the relation between the art and the modern development which include all human durations across history to be in cope with this change. So the artist is obliged to be more courageous and spontaneous in expressing himself and thoughts to cross the limited lines for the traditional painting to present conceptual artistic works that are not restricted with one artistic style or type to include all exist in nature including the human body, language and consumable items. So the current research's problem is begun through answering the following question, (how can the artist make the recipient as a second author for the artistic script?).The importance of the research is clear because it establishes a critical study to give the searchers, and those who interest in the graphic sides, a chance to be informed about the kinds of the conceptual art including the symbolic openness.The searcher finds this study is so important because there are no previous studies focusing on the symbolic openness in the conceptual art. The searcher also wants to be interested in the basis of this study to fulfill the intended goal which is identifying the symbolic openness in the conceptual art.The subjective research limits include the study of the symbolic openness in the conceptual art in all its branches, elements, time limits (1965 - 2016) and place limits including (USA, UK, Germany, Mexico and France). The important expressions in this research are also clarified.The second chapter is about the theoretical frame and the previous studies which includes four topics : the first topic is about the theories of a symbol in the critical studies. The second is about studying the thoughtful basis of the symbolic openness in arts after modernity. The third is about the conceptual art, the conceptual context and the graphic system. The last is about the indicators. The second chapter ends with the previous studies which are not closed to the current study.The third chapter is about the research procedures including identifying all the samples which is (200 artistic works) and choosing and analyzing only (20 artistic works) intentionally.The fourth chapter includes the results which are : 1 - Achieving the symbolic openness through interaction and conversation and be away from autism and introversion in all research samples.2 - There are many sides of the conceptual art including the language, graphic art, geography and the human body. So it is an art of moved concepts which are effective in the daily life of a human being and his environment.3 - The idea in the conceptual art is the tool which makes the art through its philosophic embodiment. This leads to make an argument which raises questions that make the visual perceiver be in harmony with senses and mental action and the artistic work to obtain the symbols, signs and concepts. Another results are : 1 - The searcher tries to clarify the script origin and its openness to be interpretable to make the recipient (second author) read and understand more meanings and facts as in the research samples. 2 - The recipient is responsible for understanding the artistic work to create new items that help in understanding the work.The research ends with recommendations, suggestions, references and appendixes.

مظاهر العنف الاسري في رسوم المراهقات == Appearances Of Domestic Violence In Teenage Graphics

اسم المؤلف: شيماء مهدي وادي الجنابي
اسم المشرف: هدى هاشم محمد الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: حظيت ظاهرة العنف الاسري باهتمام العديد من الدراسات، كون الاسرة المصدر الاول للثقافات واقوى الجماعات في التاثير في سلوك الابناء، فهي من اهم عوامل التنشئة والتطبيع الاجتماعي فالاساليب التي يستخدمها الابوان في معاملة ابنائهم كالاهمال والقسوة والتفرقة واستخدا | The phenomenon of the domestic violence meets high attention in many studies , as the family is the first resource of cultures and the it is the strongest group in affecting the behavior of children , also it is the most important factor of nurturing and social customization.. Methods of parents in treating with children , by neglecting, hardness , segregation, the use of swear words , deferent kinds of beating and any other type of bad methods which come within violence actions ((psychologically , physically and verbally)) , all these methods could leave negative impact in the souls of children , especially during earlier adolescence as it is the most dangerous age stage of the individual life, due to what it carries in its folds of conflicts and psychological disorders and changes in all physical, mental and emotional aspects.. Girls in this stage may suffer their families practices of violence against them , so the intensity of female sensitivity to problems could form psychological pressures which could make her a troubled personality teenager who lacking self confidence, isolated from others and with reluctant behavior, also for far future she may have an aggressiveness and violent motives.. Since the arts generally and graphics arts in particular have a role to alleviate the suffering of human , they assist to achieve the emotional equilibrium and allow the self - expression and emotions as well as they achieve the inner harmony and poise of personality in relationships with others , so this factor allowed the researcher to answer about following question : Does the domestic violence have appearances that could be reflected in graphics of teenage girls through lines , shapes and colors ? Could the graphics be equal with the pronounced language in guidance to the meanings , transferring the ideas and hardships and to be connected to others ? So the current research had aimed to the following : 1. Exposing the types of domestic violence which is addressed to teenage girls.2. Exposing the appearances of domestic violence in graphics of teenage girls through graphics properties , then the research importance and the need to it , in addition to research outlines and abbreviations, those come the first chapter of the research.. The second chapter includes the theoretical framework and the previous studies , as the research is consisted of two studies , the researcher in the first one is addressed to the conception of the domestic violence, in which she included many sections , but the second one is addressed to the adolescence and graphics of adolescents , while the previous studies included 5 ones and were about the domestic violence and the graphics of adolescents. The third chapter included the research arrangements ((society of the research , its approach and samples of 330 pupil of second intermediate class who were divided randomly to 9 intermediate schools and high schools in the center of Babylon province. The research needed to use two ways to measure the violence degree , the "Fartoosi" scale which was prepared to measure violence of pupils of high schools , and was amended to be proper with the samples of the current research , then checked its credibility and stability , as it was showed to some experts and specialists in the psychology field , but the second way was about analyzing the graphics of the teenage girls which was formed by researcher in depending upon literatures of specialists , the previous studies , indications of the theoretical framework, notes of graphics of teenage girls and the modest experience of the researcher , also it was showed to some experts and specialists of the arts education , Fine arts psychology fields to check the credibility and the capability to analyze the graphics , in addition to a couple of statistical methods which are proper and suit the purposes of the current research. The fourth chapter includes the results and their interpretations that the researcher reached to , in addition to their conclusions, recommendations and suggestions, the results of the research revealed a higher ratio of psychological violence beside the verbal violence and the physical violence.. Also the domestic violence has specific appearances in the graphics of teenage girls (the upper faction) which were represented in 16 traits , and unspecific appearances of domestic violence in graphics of teenage girls (the lower faction) which were represented in 19 traits , there were also 6 traits of statistical meanings among both factions.. The conclusions clarify that there are 14 traits which are considered as a specific appearances of psychological violence in the graphics of teenage girls (of upper faction) , while there was 1 trait , it was considered as specific appearance of the verbal violence in the graphics of the teenage girls (upper faction).. The recommendations of the research is exposing generally the violence against women (through arts fields - the graphics for example - by specialist educational administrations , including the the intermediate schools and high schools to until reaching the universities to exceed their reasons by educational and scientific methods , as the teenage girl is a project of a future woman.. The research included a number of suggestions with Arabic and English resources and appendixes beside a brief in English language..

الحوارية ومقارباتها الجمالية والدلالية في رسوم بابلو بيكاسو == The Dialogisme And Approaches Beautifulness And Denotation In Portrayals Pablo Picaso

اسم المؤلف: روى ناظم حسن الحسناوي
اسم المشرف: فاطمة لطيف عبد الله الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2016
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تبنت الباحثة موضوعة بحثها الذي بني انطلاقا من مشكلة تتمحور في دراسة ( الحوارية ومقارباتها الجمالية والدلالية في رسوم بابلو بيكاسو ) , وذلك لكون الحوارية مفهوما له ابعاده الجمالية والدلالية التي تظهر من خلال البناء التشكيلي للعمل , لتحقيق التواصل وال | The researcher adopted study built from the basic problem that centered in the study (The Dialogisme and Approaches Beautifulness and Denotation in Portrayals Pablo picaso ). And so as the concept of aesthetic and semantic dimensions to talk shows that appear during the construction of the visual work of art, as it seeks to achieve communication and continuity.The first chapter has included the objective of the study which is detected (talk shows and Mgarbadtha aesthetic and semantic in fees Pablo Picasso) and provided for the period of (1901 - 1946).In the theoretical framework includes five sections, the first section has studying talk shows (conceptually, and principles, and mechanisms), and the second section included two axes, and the first axis finding approach between the talk show concept, aesthetic and cognitive thought, it start from the Greeks and up to the modern philosophers and contemporary of them, while the second axis has cared for studying dialogue structure in the arguments of psychology, and included third section read talk shows critical reading of the status of the dialogue theory, finding points of engagement with the concept of semantics and subtraction semiotic,while Section fourth included the works technically talk and according to its historical development, from primitive art and up to the modern technical schools and is interested in section five (Picasso) art, highlighting the most important stages that make up a key point in the birth of the creative work of the talk show - style and new technology. At the end of the theoretical framework researcher it conducted a comparison between previous studies placed with her research, and also was addressed to the outcome of the indicators.In The third chapter included the community research who cannot promise to capacity size, although informed researcher on a lot of photographers, and sources relevant, such as (books, magazines, sites and the Internet), but it was unable to limit the research community statistically, and the sample Search (13) artworks included oily technique, collage, and the various technical stages undergone by the (Picasso)) The researcher ended his work by using content analysis tool, the coefficient of stability of the tool, and the sincerity of the tool, and then use statistical methods, the equation (Cooper) to calculate the sincerity of the tool, and an equation (Scott scoot) to calculate the stability of the tool. The researcher has adopted the analytical method (hermeneutical) in the sample analysis.The fourth chapter was devoted to reviewing (Results - Conclusions - Recommendations - proposals) as the researcher reviewed the search results, and that was as follow as : 1 - The actually humanly dialogue (self - objectively) do according to the act of dialectic knowledge base side of the artist creator of the artwork, and the receiver, which is an essential part in setting up and continue the dialogue.2 - Dialogue as a kind of freedom from restrictions in the classic art of reading, which does not stop at certain limits, and dialogue interested by flexibility because they coincide with all the Arts and at various schools, including the rules include (philosophical - scientific - stylistic) resound nearly absolute.

المثاقفة وتمظهراتها في العرض المسرحي العراقي المعاصر == Acculturation And Its Demonstrations In The Iraqi Contemporary Theatrical Performance

اسم المؤلف: علي عبد الحسين عبد الشيباني
اسم المشرف: علي محمد هادي الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2016
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: وظفت مفاهيم المثاقفة واجراءاتها العملية في ميادين انسانية كثيرة ومنها الفن المسرحي بوصف المسرح ميدانا لخطاب فني / انساني قائم على عمليات التواصل والتفاعل والتاثر والتاثير بين الامم والثقافات, وبين الذات والاخر على اساس من الشراكة الضمنية, يهدف الى انت | Hired acculturation concepts and procedures of the operation in humanitarian fields and many of them theatrical art as Theatre Square speech technician / inhumane based on communication and interaction, vulnerability and influence among nations and cultures, processes, and between the self and the other on the basis of the implicit partnership, aimed at the production of localized knowledge depends on the existence of an intellectual and artistic elements , went in my intention (ego) to (other). Where they can not conceive of a theatrical presentation does not belong in the process of becoming the Performing to acculturation with other operations, which carries the same deliberate motives, in order to influence the other heading his theatrical discourse, this study aims to monitor the acculturation concepts and mechanisms of functioning as it presents are manifestations which acculturation Which shows in multiple letters of knowledge (historical, literary and artistic), including the theater, especially in the theater, to open doors on jurisprudence and the experiences of the cultural dialogue and the exchange of knowledge - based and interactive communicative stems from acculturation as a truly civilized based on the interaction and communication between different cultures, which means that the play is based on acculturation play with the other is determined mainly through the presence of the tributaries of the play from different cultures, which requires the presence of acculturation theatrical haunted obsession identity and try to consolidate the theatrical phenomenon in the Iraqi theater and the Arab world.This dilemma stems from a researcher at the establishment placed his research is marked (acculturation and their appearance in the contemporary theater of Iraq). The study came in four chapters formulated according to the following conformation : Chapter One : a methodological framework for the study. The researcher of the research problem, related to the phenomenon of acculturation as a given, civilizational, cultural, and scientific and technical give would represent entirely on the nature of the performance and its practical applications in the theater. And for which I got transformations and alterations drastic manner display through the possibility of dialogue and interaction on the intellectual level and formal appearances and their interaction in the aesthetic and semantic markup.Then go researcher to the importance of research, and its objectives, and its borders, determine the terminology, where linguistic definitions and terminology adopted by the terms (acculturation) and (manifestations) depending on the operational definition for both.The second chapter, a theoretical framework, it came with three topics : First topic : Epistemology acculturation. Three axes.The first axis : Prospects and theoretical concepts.The second axis : the types of acculturation (levels - Varieties - mechanisms).The third axis : acculturation under cultural globalization.The second topic : data models of acculturation in a speech literary culture. Specifically in models including : (Trips - Translation - Intersexuality - comparison - Literary criticism).The third topic : theatrical manifestations of acculturation between local and global privacy. It came with double.The first axis : manifestations of acculturation in the world stage.The second axis : manifestations of acculturation in the identity and privacy of rooting in the Arab and Iraqi theater.He concluded the second quarter indicators of the theoretical framework and previous studies, and the most prominent indicators : 1. characterized acculturation theatrical feature correlation theatrical performances, all displayed offset by another offer, within the fabric of quotations and previous assignments and contemporary performances of different directions.2. benefit acculturation theatrical cultural exchange effect between culture and other humanitarian consideration given common heritage of all nations. The third chapter, research procedures, related to an inventory of community search and selection of research sample. Access to research sample that consisted of theater the following analysis : • A play women in the war.• A play Ali Al - ordeiy and rivals.• A play Camp.• A play red carpet. The fourth chapter, it has dealt with the results of the research sample and discuss the analysis, including : - Contributed acculturation operations in most of the presentations to the activation of the intellectual and cultural aspects on the one hand, and self - knowledge and point of reference on the other. - Dealing with cultural globalization as an imported culture, it was a positive feature, making them Meet director with the local culture to be intellectually tunic / new practice, as a show of renewal carries attributes.And then conclusions, and including : - The play with the offsets Cultural lead to the widening of intellectual meaning and significance, and not necessarily lead to the break approved expectation and create an aesthetic distance. Which establishes a mission to an area of interpretation. - The effectiveness of acculturation contribute to the theater to achieve a state of communication between what refers to the width of multiculturalism on the one hand, and between the cultural repertoire receiver on the other. Deepening receiving effective. Then came the recommendations and proposals that emphasized the importance of the effectiveness of acculturation in the play and the need to expand work out and study them systematically. Then concluded Find a list of references in Arabic and translated sources, foreign sources, as well as a summary of the search in English
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