Author name:
ثائر خليل اسماعيل
Supervisor name:
فراس ياسين جاسم
Abstract:
This Research consisted of five chapters with a list of sources and supplements, as follows : Chapter one addressed the methodological framework of the research, viewing research justification, spotlighting on the musical style as one of the intellectual concepts for understanding the artistry characteristics, which vary according to mentalities and philosophies they descended from. The musical style in Iraq, especially in instrumental music, began to appear starting from 30's of 20th century, which considered the most important time of Iraqi music history, after establishing Institute of Music (Institute of Fine Arts), as it became a musical renaissance time after some Iraqi artists' graduation whose used many musical forms in their compositions, especially Sam?'I form, which was varied in melodic and rhythmic structures because of its importance in musical structure. For lack of previous researches dealt with Iraqi musicians' styles in Sam?'I form, emerged the justification of a scientific and analytic study about composing Sam?'I form style at Iraqi musicians. Then, the researcher showed the importance of his research, and research objective, revealing of the style of Sam?'I form at Iraqi musicians, using. After that, the researcher explained the limits of his research and he defined the terms. Second chapter included the theoretical framework and previous studies, theoretical framework consisted of three subjects; first subject highlighted on style concept, Second subject was about musical composition, Arabian music characteristics, reality of instrumental music in 20th century, Institute of Music (Institute of Fine Arts), ?erif Muhiddin Haider and his school characteristics. Third subject presented popular vocal and instrumental musical forms in Arabic music, reviewing the musical instrumental forms up to Sam?'I form, which it's the main subject of this research, and its parts, melodic and artistic formation, rhythms, composition, and its history. Then the conclusion of the theoretical framework and the previous studies. In third chapter, researcher presented the research procedures, where he identified the research approach taken, and set the research community, whereas it contained tow communities, first one consisted of 13 Iraqi musical composers composed Sam?'I form within (1936 - 2003). Second community consisted of 65 Iraqi musical compositions in Sam?'I form. Then he identified the sample size intentionally within these communities according to objective justifications serve the research procedures and fit in with the goal of research. Then the researcher named his research tools and the analytical standard that he was prepared, and finally his researcher requirements. Fourth chapter studied the musical analysis of 10 selected samples. Finally, Chapter 5 set the results of the musical analysis of samples selected, depending upon these results the researcher presented his conclusions, recommendations, suggestions, and then the list of sources, and finally the research abstract in English.
