العلم العراقي
عرض: 25 50 75 100 النتائج

نتائج البحث: 14 من أصل 114

اليات الارتجال ووظائفه في اداء الممثل المسرحي == The Events of Improvisation And Its Functions In The Performance of Theatrical Actor

اسم المؤلف: فراس محمد رضا الموسوي
اسم المشرف: وليد شامل حسين
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شكل الارتجال في فن التمثيل احد المحاور الاساسية المهمة في الاداء بوصفه لا يستند الى نص درامي معين، بل انه يعتمد على القدرات الذاتية للممثل كونه يمتلك موهبة العطاء الفني مما يجعله في موضع التركيز الدائم، اذ اصبح من الضروري ان يستند المسرح المعاصر على ال | The Improvisation in the art of acting is a main points task performance as not based on the text of a particular drama , but it depends on the capabilities of the representative of the talent he possesses technical bid , making it permanent in focus , as it has become necessary to place that is based on contemporary theater Activity improvise when more filmmakers starting from ( Arto and Peter Schumann ) and others , and perhaps this achievement creative improvisation has public functions , especially in the style of a theatrical performance , prompting a lot of directors to open studios , or workshops for representative in order to make a theatrical presentation of contemporary authorized to work crews on the one hand , and improvisation on the other hand so that the contemporary theater depends on the dramatic text and evaluates the improvised theatrical shows derived from the cooperation and participation of the Technical Group.The researcher dealt with the concept of improvisation, and his activities in the theoretical framework, which explained its importance in the uses of the fact that spontaneous or artificial, but this title was maintained for it to go on the level of exercise and width, has been shown to improvise supports standard design, and the idea of automatic rationality also depends on the power of observation, and speed intuitive, and immediate response, and the speed of communication with the unit topic, event, and dialogue, and the target. the first chapter of the research problem, and need for, and importance of, and purpose, affection extent, the definition of terms.The second chapter of the theoretical framework researcher divided in three sections , the first section : the concept of improvisation , the second topic : improvisation trends in contemporary theater , while the third topic : the improvisation activities and functions.The third chapter allotted researcher for two things discussed a specific community, and specimens and analyzed , namely : A - A play written further notification to Abdul Karim Sudanese, directed by Sami Abdul Hamid.2 - Burda written and directed by Ghassan Ismail.3 - apologized to my teacher did not mean that authored the emotions of bliss , output Dr. Haitham Abdul Razak.The fourth chapter guarantee results and conclusions of the researcher to decompose over the eyes of this chapter also included proposals researcher and a list of sources " and references.

اشتغالات التجريب في عروض المسرح العراقي == Ostgalat Experimentation In The Iragi Theater Offers

اسم المؤلف: قصي شفيق توفيق امين الدلوي
اسم المشرف: زهير كاظم علوان الشمري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Experimentalism has become the most essential components according to artist of theater in presenting all the additions and innovations because it is not a luxury but technical solutions come closer with the wishes, needs and the language of the viewer, to know that experimentalism is a multiplicity of visions, various trends, and that is the secret of the richness of the artwork. The present study attributes to the characteristics of experimentalism, and the most important experimental innovations that emerges through the creative achievement by the Iraqi director of theatrical art, pointing to the most important experimental additions of theater show and what are the methods by which to achieve these experimental additions of Iraqi theater.The present study consists of four chapters : Chapter I : Methodological Background which includes : The problem, the aims, the hypotheses, the procedures, the limits of the study and the value of the study.Chapter II : Theoretical Background which includes : • The first topic : the Concept of Experimentalism : The researcher presented the concept of experimentalism and the most important definitions, and then the emergence of the factors of experimentalism in the theater, and its characteristics. • The second topic : the Characteristics of Experimentalism in the Theater : The researcher presented the characteristics of experimentalism in the Greek theater, the Roman theater, the Middle ages, and the Renaissance age, where the researcher refers to the theater directors and their experimental innovations through their creative theatrical shows• The third topic : Experimentalism in Modern Theater : The researcher presented the characteristics of the trends of Aristotelian experimentalism in the theater, the trends of non - Aristotelian experimentalism in the theater, and the experimentalism in the contemporary theater. The researcher pointed to the characteristics of the theater - directors in the world.The researcher pointed to the most important results that came out from the theoretical background and has been applied to examine its validity upon Iraqi theatrical shows presented in Baghdad by professional Iraqi directors.The researcher refers to the previous studies were two of them related to the performance and directing, which arranged by date as shown : A. Diya' Kereem Rzeig, "Experimentalism And Its Impact On The Iraqi Theater." 1989. B. Bahaa Zuhair Kadum," Characteristics of Performance Analog In Experimental Theater In The College of Fine Arts." 2012. C. Mudaffar Kadum Mohammed, "Experimental Theater Techniques And The Development of The Performance.".2012. D. Yusuf Hashim, "Characteristics of Experimentalism In Academic Iraqi Theater.".2014. Chapter III : The Procedures : Selected samples based on a questionnaire presented to the theater experts, pointing through it to the theater shows which have experimental features. The researcher adopted the descriptive methodology in analyzing these samples. The study includes tools like documents including books, magazines, CD and Photography which adopted by the researcher in tracking the attributes of experimentalism of the selected theatrical shows.The Selected Samples : A. The Play : " Diamond Party" Directed by Salah Al - Qasab.B. The Play : "Cedra" Directed by Fadel Khalil.C. The Play "One Who Stayed awake In His Hallucination" Directed by Ghanem Hamid.Chapter IV : The results and conclusions, recommendations and suggestions for further studies, list of references, appendices and abstract in English

انعكاس ثقافة المجتمع على اداء الممثل العراقي == A Reflection of The Culture of The Community On The Performance of Iraqi Acter

اسم المؤلف: سعد فاخر شبوط
اسم المشرف: راسل كاظم عودة
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: As the diversity of the phenomenon of cosmic manifests itself in the world of nature , and because of this diversity of manifestations of creation major , so culture is a necessity in the renaissance of peoples so that you see human life at every level , including social, economic, political , and religious and cultural heritage , it must be multiple in both life and concepts , systems and traditions , and people's habits , and actor as one of the pillars of cultural , this research answers the following question : how the reflection of the culture of the community on the performance of the Iraqi theater actor , has included research on four chapters : Chapter I : methodological framework , which consists of : ( a search problem , its importance, and its goal, and the limits of the search, and determine the terms ). The second chapter has dealt with the theoretical framework , the research has been divided into three sections are : The first section : the concept of culture : in which he addressed to the concept of researcher Culture and Taalgah with society and the environment The second section : ( the art of acting and performance references ) : in which the researcher tracking the art of acting wath references the culture Section III : ( cultural component and the actor 's performance in theatrical trends ) : In this section the researcher reflections on culture trends plays , on the performance of the actor. The third chapter : dealt with the search procedures , has been divided into five sections : ( search procedures , and society, and the research sample , method , and the search tool ). The research sample was represented by five Iraqi theater has offered since 2003 to 2013 The fourth chapter : was the search results and the conclusions and recommendations and proposals. The research concluded with a list of sources and references , and a ABSTRACT in English

سمات الاداء التمثيلي في عروض مسرح ما بعد الحداثة

اسم المؤلف: اياد رحمان بدن الذهبي
اسم المشرف: ميمون عبد الحمزة الخالدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: والصلاة والسلام على سيد الانبياء والمرسلين محمد واله الطيبين الطاهرين وصحبه المنتجبين.وبعد : تحدد هذا البحث بدراسة مختارة عن مفهوم وجماليات الاداء التمثيلي في مسرح ما بعد الحداثة، وكشف ماهية هذه الجماليات، وخصائص الاداء ومعرفة اوجه الاختلاف الحاصل بينها

جماليات العرض المسرحي في الفضاء المفتوح نماذج منتخبة من المسرح العراقي

اسم المؤلف: فرحان عمران موسى
اسم المشرف: صلاح مهدي القصب
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: وفقا للتطور السريع في المجالات الفكرية والفلسفية وحركة التطور الصناعي والتكنولوجي تغير مفهوم الفضاء تغييرا جوهريا على مستوى العلمي والمستوى الانثربولوجي, واصبحت مجالات التاثير الصوري تقترن بفضاءات ورؤى واسعة تستند على تغيير معنى المسافة والخلفية والتاث | The concept of space has dramatically changed on both scientific and anthropological levels incompatibility with the rapid development in the intellectual and philosophical spheres and with the development of industry and technology. The imagery influence fields have become connected with wide spaces and vision based on changing the meaning of space , background and their imagery influence. Such changes have contributed in the emergence of theatrical trends that have defied the stereotype of conventional shows of the closed space (can theater). In the advent of the twentieth century, and as a reaction to the closed theatrical space and in search of new visions , the concepts of space enlignment and merging auditorium with stage and finally performing in the open space based on the different aesthetic deviation and changing them in to esthetic values contrary to what common or excepted, be it as a content or innovative theatrical performance or as a total environment affecting the recipients thoughts. The open space enjoys neutral aesthetic characteristics, semantic flexibility, and can never be restricted to features or constant traits. No sooner the aesthetic values are employed in the theatrical discourse than it changes into space whose aesthetic features and aspirations also increase so as to inject an aesthetic energy which copes with the modernity and needs of the recipients. This geographical and parameter change in the open space imposes aesthetics that are different from those of the closed space. All these issues have encouraged the researcher to investigate the aesthetics of the show when employing the open space on both form and content, its impact on performance, the intellectual and philosophical field of the theatrical accomplishment and how the theatrical elements work and finally what's the aesthetic variable that influences the recipient when the show aesthetics work in the open space. Accordingly, the researcher has chosen his study under the title (Aesthetics of Theatrical Show in the Open Space - Selected Models from the Iraqi Drama).The study falls in four chapters : • Chapter One : deals with the methodology and consists of the problem, significance, objectives, limits, and identification of terms.• Chapter Two : includes four sections : ? Section One : deals with the philosophical explanation of space.? Section Two : deals with the architectural evolution of the open space.? Section Three : deals with the aesthetic employment of open space in theatrical show.? Section Four : touches upon the network of relations between the recipient and the open space. It also studies the theoretical framework in addition to the previous studies. • Chapter Three : deals with the procedures through the identification of community, sample, instrument and the methodology of procedures. The researcher has chosen three models of three Iraqi drama directors (Salah Al - Qassab - Solitude in Crystals) , (Adel Kareem - Platoon on Death Road) , (Haithem Abdul Razak - Disease of the Democratic Orient).• Chapter Four : contains the findings, discussions, suggestions, recommendations, and list of references

المرجع المحلي واليات التغريب في العرض المسرحي العراقي == The Local Reference And The Mechanisms of Alienating In The Iraqi Theatrical Performance

اسم المؤلف: سهى طه سالم
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: At the begging the subject of analysis should be determined and the intended thing should be marked when talking about the reference and its multiple discourse mechanisms. The connection between determinants and frames, though it the real elements in life and sup positive elements in the art of theatre may be caught, is a connection may be clarified by the theatrical sender that, in its allegorical root, consists of tales, stories, myths, and heritage through the most complicated theatrical senders as plot and theatricalizaing. The juxtaposition to understand theatre should be based on multiple uses “word and image", indeed one of its juxtapositions is the complication of word and image as to simulation and trace. As soon as we determine the subject of analysis from its multiple paths, we may study implications of reference in all that related multitude, then we may study the primary reserves that required by the research and the expectations appeared by it, and the context of their appearance and disappearance. So, the different functions of analysis for such a complex and interrelated system should be considered. Studding a theatrical phenomenon in certain place and time "as Iraqi theater" is not free acquainting all its details at the level of historical achievement or its joining with other world experiments by texuality adaptation and misrepresentation. Consequently, the research took multiple trends and re - reading the silent things "that means things which never dealt with " when some methodologies where confined to description and presentation. Such methodologies were external searching artistical and advertising careers for the people of theatre, but not for society of theatre. The analysis of Iraqi theatre and its reference roots may make researchers and the people concerned with theatre able to deal with the most important centers and focuses from which theatre starts, when they are chasedand their forms will be known. Any review for he history of Iraqi theatre will guide us to some probes for its creation formation. Based on this trend, the present research is determined on the preference priorities for local an inherited tales, stories and strange stories born from the momb of Iraqi life after series of wars and structural shocks that had hit its social joints and what followed after them as events and strange things. So, theatre should alienate itself from the traditional methodology that formed its image, way and trends across years. Such an action took a wide area of the research. In addition to focusing on some related topics that most specialized like textuality and intertextuality in Iraqi play - writing. It is worthwhile that studying theatre requires awareness of this phenomenon and to get rid of the crowd of reading subjective experience and to deal with methodologies that awaken by some contemporary reading. The research consists of four chapters as follow : The first chapter : included the problem of the research and its importance, aims, determinants and determine the most important terms. The second chapter : based on the theoretical frame including four parts as follow : The first part : The dilemma of reference between realty and imagined. The allegorical delusion in the theatre. The pictorial imagination in the theatre. : The reference sources for the theatre : The second part A : Myth. B : The trends of Myth. C : The Myths of natural phenomena. The source of popular theatre “folklore” The kinds of power tales. : The third part „1? Alienating 2 - Formalism and alienating The mechanisms of alienating in Iraqi theatrical performance A. The elements of alienating in the theatrical performance. B. Alienating and receiving in theatre. C. Towards juxtapositioning of dilemma in theatrical reception. D. The role of audience in theatrical alienating. E. The epic theatre : change instead of catharsis. F. Theatre of cruelty : the spectator?s body is pivot of reception. G. The poor theatre : the spectator is base of theatricalizing. : visible and invisible in the The fourth partmanifestations of Iraqi theatre; a. The local reference in Iraqi theatre. b. Tale and mythical reference. c. The path of foundation. d. The references of modern Iraqi theatre. e. The political reference in Iraqi theatre. f. Calling the popular reality and observing it. g. The experiments of modernism in Iraqi theatre. h. The theatre of eighties, the real and experimental theatre. i. The militarilisation of theatre The Iraqi theatre between the shaking of historcal structure and the factors of change. : is a procedural and applied The third chapterattempt dealing with five samples “plays” as follow : 1 - The Shadows 2 - The dew of rain3 - Face Book 4 - The rival of roses 5 - Al - Hussein now : included the findings and The fourth chapterconclusions reached by the researcher through her analysis relating to the aim of the research, in addition, the chapter included a list of references and sources, and abstract in English.

الوظيفة الدرامية للضوء واللون في العرض المسرحي

اسم المؤلف: جلال جميل محمد
اسم المشرف: عباس علي جعفر
الموضوع العام: الفنون الجميلة
السنة: 1981
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: دبلوم عالي
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

توظيف التقنيات السينمائية في العرض المسرحي == Employ of Cinematic Techniques On Dramatic Show

اسم المؤلف: عباس علي عبد الغني
اسم المشرف: جلال جميل
الموضوع العام: الفنون الجميلة
السنة: 2005
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: ماجستير
الجامعة: جامعة بغداد - كلية الفنون الجميلة - قسم الاخراج المسرحي
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الرؤيا الاخراجية للماسي الاغرقية عند المخرج العراقي

اسم المؤلف: عبد الرضا جاسم حمزة
الموضوع العام: الفنون الجميلة
السنة: 1991
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد

التمثيل الايماني مفهومه وتطبيقاته في العراق

اسم المؤلف: كوكب كاظم سرهيد العامري
الموضوع العام: الفنون الجميلة
السنة: 1998
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد

فن التمثيل ونظم الاتصال المسرحي

اسم المؤلف: جبار خماط حسن
الموضوع العام: الفنون الجميلة
السنة: 1995
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد

الاتجاهات الاخراجية الحديثة وعلاقتها بالمنظر المسرحي في العراق

اسم المؤلف: احمد سلمان عطية
الموضوع العام: الفنون الجميلة
السنة: 1996
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد

تاثير التقنيات والنظريات السينمائية العالمية على اسلوب المخرج السينمائي العراقي

اسم المؤلف: رعد عبد الجبار ثامر
الموضوع العام: الفنون الجميلة
السنة: 1988
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد

الرؤيا الاخراجية في الفيلم الروائي العربي (الاحلام) الارض

اسم المؤلف: صبيح طارق العبيدي
الموضوع العام: الفنون الجميلة
السنة: 1988
الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
1 ... 3 4 5