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Search results: 25 out of 119

اشكالية مدونة الخطاب الراهن في عروض المسرح العراقي == The problem of the current discourse blog in Iraqi theater shows

Author name: عمر فاروق محمد

Supervisor name: يوسف رشيد جبر يوسف

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Doctorate

University: University of Baghdad - College Of Fine Arts - Department of Theatre Arts

Language: Arabic

University location: Baghdad

خصائص الاداء التمثيلي في العرض المسرحي للصم والبكم : دراسة تطبيقية == Acting performance characteristics In the theatrical presentation of the deaf and dumb : applied study

Author name: حنان عبد العظيم بداي

Supervisor name: هيثم عبد الرزاق

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Master

University: University of Baghdad - College Of Fine Arts - Department of Theatre Arts

Language: Arabic

University location: Baghdad

تقنيات اداء الممثل في تحول العلامة الاجتماعية في العرض المسرحي العراقي == Actor's performance techniques for social sign transformation in the Iraqi theater show

Author name: علاء مهدي حسن

Supervisor name: مظفر كاظم محمد

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

ملامح التجريب في العرض المسرحي الاكاديمي العراقي == Features experimentation in theater Iraqi academic

Author name: يوسف حسام عباس

Supervisor name: Hussein Ali Altkmahja

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

المبالغة في اداء الممثل المسرحي بين الانفعال العاطفي والاحساس الجمالي في عروض المسرح العراقي == The Exaggeration in performance of Drama Actor between Emotional Passion and Aesthetic sense In the Iraqi theater Offers

Author name: عمار شاكر عبد القطبي

Supervisor name: عبد الكريم عبود كريم المالكي

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

الممثل واداء الشخصية بين المسرح الملحمي والمسرح الاحتفالي في العروض العراقية == Personal Representative and performance between the theater and epic theater gala : Comparative Study

Author name: فاطمة رفعت حسين السعدي

Supervisor name: زهير كاظم علوان

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

المعالجات الاخراجية لعروض مسرحيات الحرب : المسرح العراقي انموذجا == Directoral Treatment For war Play Performance : Iraq as example

Author name: كاظم عمران موسى

Supervisor name: حسين علي كاظم التكمهجي

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Doctorate

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

الثنائيات الضدية وتمثلاتها في نصوص مسرح ما بعد الحداثة == Counter- Binaries And their Representations in the Texts of Postmodernist Theatre

Author name: ميثم فاضل عبد الامير عبد علي

Supervisor name: محمد عبد الرضا ابو خضير

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Doctorate

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

المسرح الاحتفالي في العراق : دراسة تحليلية

Author name: محمد حسين محمد حبيب مجيد

Supervisor name: وليد شامل حسين

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

الالقاء في الدراما

Author name: عبد المنعم فتحي خطاوي

Supervisor name: بدري حسون فريد

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Doctorate

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

مقومات كتابة نص مسرحي تعليمي للمرحلة المتوسطة في ضوء منهج برشت == The Principles of Writing an Instructional theatrical text for inter mediate stage according to Prisht method.

Author name: زيد طالب فالح مهدي

Supervisor name: Hassen Ali Harif | Read Aziz Abdulah

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

جماليات البيئة في عروض مسرح العبث : نماذج منتخبة == The Environmental Asetaatic Theatre - in Absurd Show - Election samples

Author name: صارم داخل احمد السلطاني

Supervisor name: عقيل مهدي يوسف | محمد عبد الرحمن الجبوري

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Doctorate

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

العرب في مسرح شكسبير : دراسة مقارنة للمقاربتين النصية والاخراجية == The Arabs In Sahkespears’ Plays Comparative Study - The Textual and the Directional Approach

Author name: سامي عبد الحميد

Supervisor name: عباس علي جعفر العبيدي

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Doctorate

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

توظيف نظرية التفصيل التعليمية في تدريب الطلبة على اليات كتابة نص مسرحي للطفل

Author name: عامرة خليل ابراهيم العامري

Supervisor name: صالح احمد الفهداوي | حسين علي هارف

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Doctorate

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

الرمز والترميز وتطبيقاته في النصوص المسرحية العراقية (1965 - 2005)

Author name: نداء هاشم خضير

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

تداخل انماط الصراع في بنية النص المسرحي العراقي == The Interference of the struggie patterns In the structure of the dramatic text

Author name: منتهى طارق حسين المهناوي

Supervisor name: عبد المرسل فليح الزيدي

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

اشكالية المطلق في النص المسرحي العراقي == Absolute Problematic In The Iraqi Theater Text

Author name: هبة عمران نجم الشمري

Supervisor name: احمد سلمان عطية

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: يعد موضوع المطلق من المواضيع التي شغلت بال الانسان قديما وحديثا، فهو من المواضيع التي توقف عندها الانسان منذ بداية تواجده على الارض، فمنذ ان فتح عينية في هذا العالم حاول جديا ان يفسر الظواهر الطبيعية وما يعتريها من اشكال وصور والغاز، بعدها اخذ يكتشف | This research included (absolute problematic in the Iraqi theater text) four chapters : The first chapter (methodological framework of the research), the research problem which Balastfham follows : What is the absolute problematic in the Iraqi theater text? While importance of current research demonstrated by highlighting the theme of absolute, as the study of this concept is an important pillar for the detection of the creative process and know Khvayaha, as well as being accomplishing cognitive benefit college students and fine arts institutes in addition to working in the theater and critique interested. The limits of the research was confined to the scripts Iraqi started between the year (2001 AD - 2010 AD), and concluded chapter identifies some of the terms contained in the title search.The second chapter (theoretical framework) has included three sections : Me first study of the concept of absolute religions and includes two axes : the first study the concept of absolute religious position, has been chosen both religion (Zoroastrianism - Hinduism - Buddhism). The second axis within a monotheistic religions (Judaism - Christianity - Islamic). The second part has me study the concept of absolute philosophical. And some have been selected philosophers and opinions on but not limited to : (Thales - Anksyma_s - Anksamenderas - Pythagoras - Parmenides - Plato - Aristotle - Hegel - was - Schopenhauer - Nietzsche). With me the third research study of the concept of absolute in the theatrical version also included the first two axes : Worldwide : (Greek - Roman - Middle Ages - Renaissance - neoclassical - Romance - realism - natural - Avatar - Expressionism - existentialism - the absurd (tampering)). Second : Arab World : (Tawfiq al - Hakim - Salah Abdel Sabour - Saadallah news - Meliani Hassan). We have concluded this chapter the most important indicators to which each theoretical framework, either previous studies have found a researcher only one study a doctoral thesis titled (absolute problematic in modern painting), Dr. (Luxury Mohammed Hassan al - Rubaie).The third chapter goal on (research procedures) and included the research community consisting of (20) Text theatrical Iraqis started between the year (2001 - 2010 AD), and selected (4) texts to represent a sample search as intentionality according reasons, plays are : (runway, the bridge to the imams, brutal ritual, Mnakan), and researcher pursued (descriptive and analytical) in the analysis of samples.The fourth chapter : annexation of the most important results, including : 1. Embodies the concept of absolute protagonist (runway) (Abdul Hussein Mahuad) as follows : (God), (self), (abundance and diversity), (the will of life), (Destiny), (mind).2. Represents the concept of absolute protagonist (the bridge to the Imams (l) Falah Shaker) as follows : (God), (article), (the will of life), (the will power), (Destiny).Then the researcher reached inter conclusions demonstrated through what emerged from the results, and also came with some recommendations and made some suggestions which I found important to complete aspects of the research, the researcher concluded Find a list of sources and supplements and a abstract in English.

التفاعلية بين الضوء والمنظر في انتاج دلالة العرض المسرحي == Interactive Between Light And The View In The Production of A Theatrical Show

Author name: فلاح كاظم حسين سلمان

Supervisor name: رياض شهيد علي الباهلي

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Doctorate

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: ان مسالة تكامل الفكر الانساني تجاوزت تداخل العلوم المتعاصرة لتعطي بعدا تفاعليا اخر، وهو ان الفكر الانساني في اي حقبة ليس وليد لحظته، وانما هو تراكم فكري منذ بدا الانسان الاول تجاربه واكتساب معارفه وخبراته، وهذا يعني ان تشكل معارف الانسان اليوم ليس من انت | The issue of the integration of human thoughts beyond the issue of overlapping Science Almtasrh to give dimension to interactive else , which is that human thoug in any era not the result of zth , but it is the accumulation of intellectual since the eginning of the first human experiments and the acquisition of nowledge and experience , and this means that constitute the human nowledge today is not the production era it is consequential to what preceded the production of an intellectual , and verlapping with, has also become interactive according to data recent tudies impact open Tagged reacts and Itlahak with it , as everyone with one intention , which is the same that the *problems which saw *phenomenology , it establishes in the world and Deitna humanitarian progress is not philosopher and psychologist only , but the artist also assertions raise Tfaalath technical creativity , and then he basically for something for the world to submit views and images are open , and that Aaadana always something else we see who shows the convergence of art in the form of what can be called Baltmathlat in infrastructure " ( ) , and because theater is a human activity provides the shape and composition of the creator aims to retrieve the life experience of self , or the structure of a virtual experience virtual produced fantasy conscious within formats and builders of light revealing the contents of the environment implausible and interaction by the receiver where the logical relationship that is supposed to be between the real world and the world of the assumption that is an interactive theater so that it is viewable add intellectual and conceptual knowledge to his regime , it is not only in accordance with the artistic vision and aesthetic intentionally designed to be employed in the technical structure of the play , in order to have a public value in an impressive receiver.The aim of the technical development of the industry landscape playwright and use be linked to meeting specific requirements in terms of reducing the effort required to perform the job with industry conditions and appropriate elements aimed at creating a sensual pleasure associated with the senses of all , it has undergone the light of the developments of several technical , different ages, and varied its importance in each point in time , and within the overlap speed and technology , it has been breached theatrical space , the move paved the way for the theater to get out of rigidity within the forms adopted modern technology in the formation of light dependent uses synthetic within the relationship - related interactive and technical transformation for those elements that formed a quantum leap in the origination and achieve good business where not addressed by researchers in addressing this aspect to maintain the continuity of the bid and raise the offer theater , so the researcher finds that puts search an indication of the importance of light and its role within the relationship of synthetic and nature of the energy proliferating in the production of the play by the qualitative and the application of the method and details are done , so it will answer the researcher on the following question : Mather interaction relationship between the light and the view through the installation process and advanced technologies to produce the display indication , here was a proposal from the title search ( ( interactive between light and landscape in the production of theatrical presentation indication)).

الانزياح الدلالي في الخطاب المسرحي == Semantic Shift In The Theatrical Discourse To The Council of The Collage of Fine Arts As Partial Fulfillment of The Requirements of Master Degree

Author name: سعاد نعمة حسين

Supervisor name: رياض موسى سكران

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: في المسرح تكتسب الاشياء التي تقوم بدور العلامات المسرحية مقومات خاصة وخصائص نوعية وصفات لا تملكها في الحياة الواقعية. بمعنى ان كل ما يكون في المسرح هو علامات ذات وظيفة دلالية , لان التجلي الحقيقي والواقعي للظواهر على خشبة المسرح يفقدها وظيفتها العملية ال | In the theater gaining things that play a role play elements of private labels and quality characteristics and qualities not possessed in real life. In the sense that everything will be in the theater is the signs of a semantic function, because the Transfiguration real and realistic phenomena on stage loses her job process, which seeks to clarify the role of the semantic code. At a time that is in the show theme in everyday life more important than its meaning, then lose the display structure of the task built a theater symbolic significance based upon the structure Avatar. Characterized by the nature of the play marks a special ability to produce connotations included, and the inclusion of this comes within the context of cultural, social or moral structures for special theatrical presentation of actors and spectators. Where you specify the semantics according to a tacit agreement between the supply and the future. In this context can be expressed decoration - for example - at the level of a particular social or cultural. It can reflect the fashion for a feature of the figures as attributes moral and social as well. Where in this process is gaining each additional sign of play semantics. As well as the real implications of each sign, there are indications, including the result of a cultural agreement implied about the significance of the sign, and this leads to the understanding of pluralism semantic markers in the theater. So it can be a sign of one of several indications that lead. The brand is characterized by high drama In dynamic because they lead to the exchange of elements play with each other, and this leads to the replacement of mutual formats to mark the play. In the display can mark certain belong to more than a certain format. The sense that the significance of the table can be produced for a certain movement performed by the body of the actor. The table that belong to the pattern is indicative decoration and then expressed by the body that belongs to the coordinated movement or gesture, and this is to be the representative element to generate President connotations place. That any actor can have is through a certain movement that depicts scenes of the existence of a river or a door or fence.... Etc.. Hence, we conclude that he can sign one play that kill jobs Tag is finished and this is what we are seeing in the theater mobster in general. And that the growth of the semantic probably was the cause of the occurrence of an objective process of semantic displacement in the texts, as the literature was not a specific connotation, like other sciences, or topics. It was the growth in the promotion of universal semantic earned him more than others. In order to reach the objectives of this study came four seasons and the following format : - In the first quarter it included a research problem by questioning follows is (Is there shift indicative discourse playwright?) And then came the importance of research which provides a critical study looking at the formation of the speech playwright through a variable displacement and movement semantic see the creative aesthetic and the light of the results from these visions of outputs in media discourse playwright as well as the benefit of students in the field of jurisdiction and stated aim of the research to reveal the offsets semantic discourse playwright and limits the temporal and spatial and objectivity of the research as limited offers on the province of Baghdad exclusively was the time period from 1995 until 2005, then touched search to define terms Thread. The second chapter came, including three sections of which the first interested in the concept of significance origination, development and care of the second part, in terms of the text and the significance of the display either the third section has himself to the concept of displacement semantic discourse theater and then came indicators theoretical framework approval to offer the detective to ask then explained the researcher that he there were not previous studies or a similar approach to study them. Then came the third quarter, which meant the samples were analyzed three samples are : 1. Othello in the kitchen to Sami Abdul Hamid 2. Play Macbeth directed by Salah reeds 3. Drama Ghost, directed by Adel Karim Find then concluded the fourth quarter, which included findings, conclusions and recommendations and proposals. Finally, Arab and foreign sources which Adopted researcher examined and then placed in the appendices and summary in English.

الغرائبية في نصوص مسرح الطفل == Exoticism In The Texts of Children'S Theatre

Author name: اسراء علي سلمان القيسي

Supervisor name: يوسف رشيد جبر

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: ان قلة نادرة من البنى المسرحية وجدت طريقها في الذيوع والانتشار بين العامة مثلما وجدت بنية الغرائبية، لكثرة ما دار حولها من جدل ونقاش بغية تفسير مدلولاتها ومعانيها وحصر مكوناتها التي اختلفت باختلاف الثقافات والبيئات الاجتماعية المختلفة. لقد تعددت الرؤى وال | The lack of a rare theatrical structures and found their way to publicity and spread among the public, as found between exoticism, for the large number around the house of controversy and debate in order to interpret their meanings and their meanings and inventory components that differ in different cultures and different social environments.I have multiplied visions and ideas about the process of using this structure in the theater in general, and particularly in children's theater where they can reflect the themes and drafted meticulously crafted to reach the connotations and meanings with values intellectual bear the stamp of education - education - an education from this perception identified researcher title researched (exoticism in the texts of children's Theatre), the search was organized in four chapters as follows : Chapter I : (methodological framework) : Which includes a research problem and the need for as represented through the problematic question (how it works exoticism in the texts of Children's Theatre), as well as a researcher by highlighting the importance of research and its objectives and seal its borders and separation required number of terms.The second chapter (the theoretical framework and previous studies), has been divided into three sections came as follows : • The first topic : exoticism concept.• The second topic : exoticism in children's literature.• The third topic : the ages of the child.The chapter concluded with the theoretical framework indicators, and previous studies.The third chapter, a chapter on action research by taking indicators theoretical framework analysis tool after it was presented to a group of experts, and research methodology adopted a descriptive approach - analytical and research sample for the period (2001 - 2010) has been selected three texts play, then the unit of analysis, where the researcher adopted as a scene analysis unit, as well as the sincerity of the tool where the researcher relied on virtual honesty to ascertain the veracity of the analysis tool.The fourth chapter included the most important findings and conclusions reached by the researcher, including : The results are : 1. The exoticism is given the role of beauty for the emergence of the Transfiguration through events and actions more attractive and realistic and expressive.2. The exoticism is an effective impact on the feelings of the child, and the content of the passionate and emotional content comes according aware of aesthetic and scientific drama.The conclusions reached by the researcher were : 1. The theme most Exoticism texts, based on educational issues - educational, and were formulated in a way Western and unfamiliar, but she eventually refer to the nature of the subject formulated it.2. Personal Exoticism has the same qualities of the ordinary in terms of personal feelings and emotions, but it is characterized with its extraordinary capabilities and boundless acts, and it appears that through its actions.And finally been presented recommendations and proposals, and then concluded Find a list of sources and references, appendices and abstract in Englis

مفهوم اللعب في اداء الممثل المسرحي العراقي

Author name: يحيى ابراهيم فليح

Supervisor name: هيثم عبد الرزاق علي

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

تصميم الزي للمسرحيات التعبيرية : دراسة تطبيقية

Author name: روعة بهنام شعاوي

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

التاثيرات الفلسفية في الادب المسرحي العراقي

Author name: ثامر كريم عبد

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Doctorate

University: University of Baghdad

Language: Arabic

University location: Baghdad

مفهوم التشكيل الحركي (الميزانسين) وتطبيقاته في العرض المسرحي العراقي

Author name: عبد الصاحب نعمة مرعي

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Doctorate

University: University of Baghdad

Language: Arabic

University location: Baghdad

تجارب الشباب الاخراجية في المسرح الاردني : دراسة تحليلية

Author name: نبراس خالد الريموني

General topic: Fine Arts

Specific topic: Theatrical Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad