اشكالية المطلق في النص المسرحي العراقي == Absolute Problematic In The Iraqi Theater Text
Author name:
هبة عمران نجم الشمري
Supervisor name:
احمد سلمان عطية
General topic:
Fine Arts
Specific topic:
Theatrical Arts
Degree:
Master
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T1205 - p.pdf
Abstract:
يعد موضوع المطلق من المواضيع التي شغلت بال الانسان قديما وحديثا، فهو من المواضيع التي توقف عندها الانسان منذ بداية تواجده على الارض، فمنذ ان فتح عينية في هذا العالم حاول جديا ان يفسر الظواهر الطبيعية وما يعتريها من اشكال وصور والغاز، بعدها اخذ يكتشف | This research included (absolute problematic in the Iraqi theater text) four chapters : The first chapter (methodological framework of the research), the research problem which Balastfham follows : What is the absolute problematic in the Iraqi theater text? While importance of current research demonstrated by highlighting the theme of absolute, as the study of this concept is an important pillar for the detection of the creative process and know Khvayaha, as well as being accomplishing cognitive benefit college students and fine arts institutes in addition to working in the theater and critique interested. The limits of the research was confined to the scripts Iraqi started between the year (2001 AD - 2010 AD), and concluded chapter identifies some of the terms contained in the title search.The second chapter (theoretical framework) has included three sections : Me first study of the concept of absolute religions and includes two axes : the first study the concept of absolute religious position, has been chosen both religion (Zoroastrianism - Hinduism - Buddhism). The second axis within a monotheistic religions (Judaism - Christianity - Islamic). The second part has me study the concept of absolute philosophical. And some have been selected philosophers and opinions on but not limited to : (Thales - Anksyma_s - Anksamenderas - Pythagoras - Parmenides - Plato - Aristotle - Hegel - was - Schopenhauer - Nietzsche). With me the third research study of the concept of absolute in the theatrical version also included the first two axes : Worldwide : (Greek - Roman - Middle Ages - Renaissance - neoclassical - Romance - realism - natural - Avatar - Expressionism - existentialism - the absurd (tampering)). Second : Arab World : (Tawfiq al - Hakim - Salah Abdel Sabour - Saadallah news - Meliani Hassan). We have concluded this chapter the most important indicators to which each theoretical framework, either previous studies have found a researcher only one study a doctoral thesis titled (absolute problematic in modern painting), Dr. (Luxury Mohammed Hassan al - Rubaie).The third chapter goal on (research procedures) and included the research community consisting of (20) Text theatrical Iraqis started between the year (2001 - 2010 AD), and selected (4) texts to represent a sample search as intentionality according reasons, plays are : (runway, the bridge to the imams, brutal ritual, Mnakan), and researcher pursued (descriptive and analytical) in the analysis of samples.The fourth chapter : annexation of the most important results, including : 1. Embodies the concept of absolute protagonist (runway) (Abdul Hussein Mahuad) as follows : (God), (self), (abundance and diversity), (the will of life), (Destiny), (mind).2. Represents the concept of absolute protagonist (the bridge to the Imams (l) Falah Shaker) as follows : (God), (article), (the will of life), (the will power), (Destiny).Then the researcher reached inter conclusions demonstrated through what emerged from the results, and also came with some recommendations and made some suggestions which I found important to complete aspects of the research, the researcher concluded Find a list of sources and supplements and a abstract in English.
