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تشكل صورة نقد المجتمع في الشعر الاندلسي عصر الخلافة مثالا

اسم المؤلف: محمد جميل مصطفى
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الجامعة: جامعة ديالى
مكان الجامعة: ديالى

الايقاع انماطه ودلالته في شعر مظفر النواب

اسم المؤلف: غراي درع فاضل
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الجامعة: جامعة ديالى
مكان الجامعة: ديالى

تمثلات مابعد الحداثة في الشعر العراقي

اسم المؤلف: معتز قاسم ابراهيم
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الجامعة: جامعة ديالى
مكان الجامعة: ديالى

البديع اللفظي في الخطاب النقدي المعاصر

اسم المؤلف: اسراء عبد الخالق جاسم
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الجامعة: جامعة ديالى
مكان الجامعة: ديالى

شروح الشواهد الشعرية في الفعل دراسة موازنة

اسم المؤلف: محمد عيسى جعفر حميد
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الجامعة: جامعة ديالى
مكان الجامعة: ديالى

القصيدة الجاهلية المكون الثقافي والاداء الشعري

اسم المؤلف: ماجدة يعقوب نجم
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الجامعة: جامعة ديالى
مكان الجامعة: ديالى

رواية الشخصية : دراسة في الرواية العراقية الحديثة من (2033 الى 2017م) == Character Novels A Study in Iraqi Modern Novels (2003-2017)

اسم المؤلف: زبيده جلال جاسم
اسم المشرف: نوافل يونس الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

التمثل السردي للتاريخ في روايات زيد الشهيد

اسم المؤلف: مها خالد سلمان
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الجامعة: جامعة ديالى
مكان الجامعة: ديالى

رواية (مدن الملح) لعبد الرحمن منيف دراسة في ضوء السانيات النص

اسم المؤلف: بشائر علي عبد عباس
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الجامعة: جامعة ديالى
مكان الجامعة: ديالى

شعراء البيان الستيني في العراق من الرؤية النظرية الى المواقف النقدية

اسم المؤلف: عبد الله عبد الرحمن غضيب
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الجامعة: جامعة ديالى
مكان الجامعة: ديالى

القصدية في قصص القران الكريم

اسم المؤلف: صادق بريسم كيطان العزاوي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الجامعة: جامعة ديالى
مكان الجامعة: ديالى

الاخر في شعر صدر الاسلام

اسم المؤلف: جنان خليفة عباس حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الجامعة: جامعة ديالى
مكان الجامعة: ديالى

الرمز في الشعر العراقي 2000 - 2014

اسم المؤلف: علي ماجد عباس ناشد
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الجامعة: جامعة ديالى
مكان الجامعة: ديالى

عالم ميسلون هادي الروائي دراسة في الاشكال والمضامين

اسم المؤلف: زينب عبد الرضا علي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الجامعة: جامعة ديالى
مكان الجامعة: ديالى

التراث الشعري تمثلا معياريا عند ادونييس في كتابه ديوان الشعر العربي

اسم المؤلف: محمد طه ياسين درويس
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الجامعة: جامعة ديالى
مكان الجامعة: ديالى

مظاهر التشكيل السينمائي دراسة في لوحات الصراع في الشعر الجاهلي

اسم المؤلف: شيماء حاتم عبود مطر الصباحي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الجامعة: جامعة ديالى
مكان الجامعة: ديالى

القصيدة النسوية في الشعر العراقي الحديث بين الرؤيتة الابداعيتة والتجربتة الذاتية : نازك الملائكة وبشرى البستاني مثالا == Feminist Poem in Iraqi Modern Poetry between Creative Vision and Self - Experience (Nazik Al - Malaika and Bushrah Al - Bastani as Models)

اسم المؤلف: ميسون عدنان حسن علوش السعدي
اسم المشرف: علي متعب جاسم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The study of women's legal and what is produced by women in literature, especially poetry, it required to search in self - experience of the poet , firstly Women, and secondly her creative vision in writing her experience , for the purpose of detecting her internal worlds.The study was reported many visions and critical issues imposed by the nature of the subject as it focused on the study of self - experience which required briefing the outer circumstance of the text and at the same time the analysis of text structure and the interpretation of it connotations.Above - mentioned, the study divided into an introduction , preface, three chapters , conclusion and a list of sources and references . The preface entitled (self - experience and creative vision in the perspective of literature).The first chapter entitled (Feminist and ideal interval), it included two sections, the first one devoted the accomplishment poetry of Nazik Al - Malaika under the title (Feminism and the nonappearance in the poetic text of Nazik Al - Malaika), while the second section has been allocated for the accomplishment poetry of Bushrah Al - Bastani under the title (women speeches and ideal interval in Bushrah Al - Bastani poetry).The second chapter, entitled (Feminist loyalty among text thresholds and symbols of women) , it included two sections : the first one for the poet Nazik Al - Malaika under the title (Feminism and symbols of women in the text thresholds for Nazik Al - Malaika), while, the second section was for the poet Bushrah Al - Bastani under the title (Feminism and symbols of women in the text thresholds for Bushrah Al - Bastani(.The third chapter entitled (Feminist between event space and women memory) which included two sections : the first under the title (The representations of feminism and its effectiveness in the event to Nazik Al - Malaika) and the secondsection entitled (feminist dialectical, event effects and the reality of women to Bushrah Al - Bastani).Finally, the study ended with aconclusion included a set of results and a list of sources and references, which varied between old and modern, for the purpose of scientific rigor and objectivity.I would like to extend my sincerest thanks , appreciation and gratitude to the great heart which includes all his students without discrimination my supervisor Dr. Ali Muta'ab Jassim, who was so kindly act through standing by me during the writing period , choosing the topic , supplying the most important sources, opening the doors of his home and his library for students candidates tirelessly or fatigue, retracing the footsteps of the study step by step. He never be a stingy in outpouring generosity , value, guidance and advice.

البحث الدلالي في كتاب الايضاح في شرح مقامات الحريري للمطرزي ت610هـ == Semantic Investigation in Al - Edah Book in the Explanation of Maqamat Al - Hariri for Al - Mutarizi

اسم المؤلف: همم راضي عليوي
اسم المشرف: محمد بشير حسن
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Maqamat Al - Hariri is important literary texts since it represent a lovely literary type in human souls till now. So, the linguists pay attention to it by explaining and clarifying its ambiguities and investigating itsbeautiful areas. Al - Edah book is one of these explanations but itparticularizes from others in that it cares to the semantic side making the linguistic levels its own beginning. So, the researcher pays attention tothis explanation in that she revel the authors’ cleverness. This studyconsists of three chapters. The first one entitled (phonetics andmorphological level) which consists of two sections. The first one (phonetics level) deals with two topics, alternation among voiceless sounds like alternation between (التاء and ,(الھمزة and the alternationbetween voiced sounds and it deals with alternation between (مالفتح والض )and other things. The second section deals with morphological level. It deals with topics like derivation, rigid, minimization, attribution, plurals, and others. The second chapter is entitled (grammar level) which deals with topics like indication of inclusion, deletion, and indications of some names and letters. The third chapter entitled (indication sections in Al - Mutarizi) which deals with two topics, the first is (singular words indication) and ( semantical development)

شعر الغزل بين عمر بن ابي ربيعة وبشار بن برد ونزار قباني : دراسة بلاغية موازنة == Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane (A Pithiest Paralleled Study

اسم المؤلف: خالد فائز ياسين
اسم المشرف: خالد علي مصطفى
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This dissertation title " Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane - A Pithiest Paralleled Study " , inanalyzing romantic poems in stylistic way . This science is a beneficialelement of stylistics and different levels of language " structural ,morphological , and phonological " besides other artistic aspects inanalyzing a literary text . Stylistics deals with a poetic text as being acomplete structure comprising in it elements of the text and partialstructure. Also the direction of criticism is towards poetry not the poet ,by that it is necessary to teach poet's poetry separate or far from theinfluence of desire and felony of generalization .In this study the researcher chose three poets ( as mentioned before )concentrating the speech on a common poetry aspect between the threewhich might barely be the most common in their poetries . This aspect islove , and the study of love in these three poets was not new . It has beendealt previously by several researchers . They studied it separately in eachpoet and demonstrated its types and directions , by studies that could bedescribed as artistic and subjective . But , they did not deal with concernthe stylistic study , even if we find stylistic studies dealing with all thepoets poetry . This study was done dealing with one purpose in poemshaving one subject . On the other hand , the study dealt with the stylisticaspect accurately in each poet by demonstration , and stylistic analysis .The study started with a theoretical part about ; first : stylisticsbetween the theory of the term and the concept ; second : showing themeaning of comparison and its styles in Arabic heritage . Then dealingwith concept of paralleling and its styles in Arabic heritage . Also ,through reading love poetry of the three poets stylistically . The study isdivided into two chapters, each chapter contained five sections . The firstchapter was entitled " structural level " and its sections are ; first section ( style of interrogation ) , second sections ( style of command ) , third section ( style of vocation ) , it is known that these styles are structural ordered styles demonstrating artistic aspects of their usages by each poet and most significant metaphorical aspects of each style , fourth section ( repetition ) mentioning in it types and patterns of a single poetic line , and its style in connecting , and finally the fifth section ( alliteration ) mentioning in it the verbal expressions of this art and its place in poetic line . As for chapter two it is entitled " levels of image formation " and contained five sections , as follows : Section one " sources of forming image of Romances " . Section two " images of simile " .Section three " images of allegory " .Section four " images of allegory " .Section five " contradiction ( antithesis and paralleling ) " .The study came to several results : - The researcher found common manner in structure of interrogation between the three poets . Especially, in the poets " Bashar and Omar " sometimes the researcher finds that their poems have an opening of this kind of style . Also , the technique of concrete interrogation has been found in the three poets . - In repetition and from the samples that has been exposed in the study , it is found that the repetition of expressions has taken a huge space especially in the poems of " Nazar " thought they are different in form it has been employed beautifully . - In alliteration , which is a rich style used by the three poets in all its types and forms , we find " Omar and Bashar " committing to all its classifications and common structural places in the line of a poem . - In the second chapter : we found in section one ( sources of forming image of love ) the experiment of feeling is varied in the three poets with existence of lines the poems that meet in the poems of the poets Omar and Bashar , especially , in the openings of their poems . Where we find them standing on remains addressing friends . This opening toke a wide space in the poems of Omar compared to Bashar , and disappearing totally in Nazar Qubane poems . Then we find narration and dialogue in the three poets with existence of similar art in poetic messages in experience of Nazr Qubane dealing in it with his passions within the frame of his emotions. - In the second section ( simile style ) the researcher found that the three poet's attitudes are to build a complex image of simile , which give an expressional value wider than simile called " individual simile " . - Section three ( allegory ) our study in this section is limited to diagnostic allegory or what is called dynamic allegory since having vitality and flexibility in drawing the poetic image and the researcherfound big constancy in using such kind of allegory.

الهوية النسوية في شعر المراة الجاهلي == Feminism Identity in Pre - Islamic Women Poetry

اسم المؤلف: ماجدة حسن حبيب
اسم المشرف: خالد سهر محي الساعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This dissertation title "Feminism Identity in Pre - Islamic Women Poetry" to discuss the important role of women in Pre - Islamic period. It is divided into three chapters with several sections in each chapter.Chapter one, entitled "Manifestations of women identity in poetic purposes", and this chapter is divided into three sections including the speech of elegy, flirtation, and satire. Chapter two, entitled " Manifestations of women identity in poetic themes", and also it is divided into three sections speaking about women identity and themes of motherhood and childhood, and the discussion about women identity and family life, women identity and theme of affiliation.Chapter three, entitled "artistic structure in pre - Islamic feminism poetic texts". It is divided into three sections dealing with texts about feminism poetic image and poetic language, and speaking about rhythm in its two parts weight and rhyme.The dissertation has been concluded with several results and recommendations. The researcher has depended on important references like Al - Aghane for Abi Farag Al - Asfhanee and the book Balaghat ANesaa for Ibn Tayyfor.

التوظيف الاسلوبي للتثنية في التعبير القراني

اسم المؤلف: عبد الرحمن محمود كريم ناوي
اسم المشرف: وسن عبد المنعم ياسين الزبيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

حداثة جبران في الخطاب النقدي العربي الحديث == The Modernism of Jubran in Modern Arabic Critical Discourse

اسم المؤلف: مروة مهدي صالح فرج
اسم المشرف: خالد علي مصطفى
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This study is based on Jubran's modernism by reviewing the critics' opinions about it. The study falls into an introduction, a background, and three chapters. The introduction discussed the concept of modernism in Jubran's poetry by illustrating the origins of the word "modernism" in Arabic and foreign languages as well as the technical term. Then, moving to the literature of Jubran to identify the aspects of modernism in it. The first chapter discussed "The Modernism in Religious Vision" in two sections. The first section discussed the critics' opinions about his vision on religious ideology. The second section discussed critics' opinions about his vision on philosophy and sophism.The second chapter discussed the modernism of cultural situation which falls into two sections. The first section dealt with critics' opinions about his vision on authority and society and the second section dealt with critics' opinions about his vision on woman and love. The third chapter discussed the modernism in literary issues. Its first section discussed critics' opinions about style aesthetics in his literature while the second section studied critics' opinions about literary types in his literature.The modernism of Jubran is distinguished from other authors pecause it dealt with the different aspects of life like religion, culture , and literature. This can be attributed to vastness of his culture and awareness of the world literature and philosophy which helped him create his own vision that cannot be an imitation of others as affection or effecting.

المقدمة وعلاقتها بالمتن في كتب النقد الادبي القرن الخامس الهجري مثالا == An Introduction and Its Relationship to the Literary Criticism Books of the Fifth Century A.H. as a Model

اسم المؤلف: حنين وسام جياد عباس
اسم المشرف: علاء حسين عليوي البدراني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: يقوم بحث (المقدمة وعلاقتها بالمتن في كتب النقد الادبي) على بيان اهمية المقدمة كونها تمثل جانبا يكاد يكون متجاوزا عند بعضنا, فهي تمثل اضاءة لما سياتي في المتن, ووظيفتها تبقى فاعلة ومتواصلة حتى تمام المتن, وتاتي اهمية هذه الدراسة في محاولة تضييق شق التباين الذي طغى على دراسة المقدمة بمعزل عن المتن في الزمن الذي مضى, وقد تميزت المقدمة عن غيرها من العتبات النصية كونها تقدم للقارئ خلاصة وافية عن محتويات المتن, وفيها تبرز شخصية المؤلف واسلوبه وذوقه, والمقدمات في تراثنا العربي تعد احدى المكملات الاساسية في كل عمل ادبي, فالمؤلفون قديما ادركوا اهميتهوااولوها عناية كبيرة . وتاتي اهمية دراسة المقدمة وعلاقتها بالمتن في تحديد مدى التطابق بين مقدمات القرن الخامس الهجري ومتونها اي تحديد الخيوط التي تربط بين المقدمة والمتن وكذلك التنافر ما بينهما . وقد اشتمل بحثنا على مقدمة وتمهيد وثلاثة فصول وخاتمة, تناول التمهيد : ابرز المسارات النقدية في القرن الخامس الهجري, مع بيان مفهوم العتبات النصية والمقدمة قديما وحديثا واختلاف التسمية في المصطلح . اما الفصل الاول فكان بعنوان (فلسفة المقدمة في الرؤية النقدية), واقتضت طبيعة الموضوع ان يقسم الى ثلاثة مباحث تناول المبحث الاول (اهمية المقدمة ووظيفتها), اما المبحث الثاني فقد تناول (بناء المقدمة), اما المبحث الثالث فقد تناول (انواع المقدمات) , تبعه الفصل الثاني الذي كان بعنوان (التطابق الموضوعي والشكلي), وهو على مبحثين : الاول منه بعنوان (الجانب النقدي لمؤلفات القرن الخامس الهجري في ضوء الدراسات الحديثة), والمبحث الثاني كان بعنوان (المقدمة وما تطابق منها), اما الفصل الثالث فقد جاء بعنوان : (التنافر الموضوعي والشكلي) وهو على مبحثين ايضا الاول منه بعنوان (المقدمة وما تنافر منها), اما المبحث الثاني فهو بعنوان (المقدمات الفرعية الملحقة بالمقدمة الاصلية), وتضمن البحث خاتمة سجلنا فيها اهم ما توصلنا اليه من نتائج . | The study (An introduction and its relationship to the literary criticism books) states the importance of the introduction which represents almost a surpassing aside to some of us, it represents as a light of what will come in the body, and its function remains active and continuous until the completion of the body. The importance of this study is an attempt to narrow the slit disparity which dominated the introduction in isolation from the body in the time that has passed, the introduction has been characterized from other scripts thresholds that being offered to the reader a compendium of the body contents, and it highlights the author personality and his style and taste. The introductions in the Arab heritage is one of the basic supplements in every literary work, In the past, authors realized the importance that they placed great care. The importance of studying the introduction and its relationship to the body in determining the extent of overlap between the introductions to the fifth century A.H. and its bodies to identify any strings that bind between the introduction and body as well as discordance in between. The study includes an introduction , preamble and three chapters as well as a conclusion. The preamble has been included, the most critical currents in the fifth century (A. H.), with an indication of the concept of thresholds texts and the old and new introduction at different label in the term. The first chapter was titled (introduction philosophy in a critical vision). The necessity due to the nature of the subject that is divided into three sections, the first section dealt with (the importance of introduction and function), while the second section dealt with (building the introduction), while the third section dealt with the (types of introductions) followed by the second chapter, which is entitled (substantive correspondence and formal), which is on two themes : the first part entitled (the critical side of the writings at fifth century in light of recent studies), and the second part is entitled (introduction and what is matched with it), the third chapter is entitled : (thematic and formal discordance), which is also divided into two sections, the first section is entitled (introduction and what is matched with it), while the second section is entitled (sub introductions attached to the original introduction). The study includes a conclusion where it recorded the most important findings or results

المجاز في الرؤية النقدية العربية المعاصرة == Metaphor in the Contemporary Arabic Critical Vision

اسم المؤلف: فنن نجم عبد الاله
اسم المشرف: اياد عبد الودود عثمان الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This study deals with the use of metaphor in different critical studies and how such studies tackle with the contemporary criticism .No doubt that the contemporary rhetorical need more investigation and search in order to see the relation between such studies and the rhetorical heritage, as well as benefit the got from the technical and critical variables which attached the creative process in different periods.Metaphor considered as one of the active and wealthy systems which have aesthetic and semantic value at the same time .Metaphor excludes the apparent meanings and transforms them into deep positive meanings ,such a thing makes the recipient feel the enjoyment the meanings conveyed by metaphor. So, many studies shed more light on metaphor and they engaged in such rhetorical art such as Dr.Mahdi Al - samaraai s study entitled (metaphor in Arabic Rhetoric),such study has great effect in the settlement of the most significant critical principles for metaphor in spite of its different method in accordance with m study.This study finds that there is an influential significance in restricting the introduction to deal with the clarification of the two terms (vision and visions )which show the gap and he overlap between the two terms.The first chapter in this study deals with the traditional trend of metaphor in the modern critical visions , then the chapter is divided into three sections preceded by a prologue that identifies the origin of the traditional rhetoric and its trends . The first section deals with the contemporary critical views who denied the existence of metaphor in Holy Quran and the prophetic traditions, as well as the views which assure the existence of metaphor in Holy Quran and prophetic traditions. While the second section dealt with the fractional and logical views which prevail the Arabic culture - specially metaphor - by Al - Sakaki and others who follow him though many critics refused such vision which takes metaphor away from art, beauty and aesthetic .Finally, the third section sheds light on the previous standard norms about metaphor through the creative achievement .Accordingly, it has been found that many critics had adopted this vision though its danger since it limited the creativity of the creator on one side and dominated the recipient’s taste on the other side .cThe second chapter dealt with the stages of development of metaphor ,practically it has been divided into three sections. The first one studies the metaphorical image and the relation of this image with metaphor in the light of the contemporary critics’ views ,also ,it concerned with the problem of originating the metaphorical image .The second section sheds light on metaphor as one of the poetic tropes with reference to the various visions that of the critics ,also this section includes the poetic study of the prose not to be limited to poetry since the language of prose nowadays dissipated from the daily life language so it has the feature of being literary .Thirdly, we find that the section dealt with the sign and the connection of sign with metaphor to generate the inspiration energy and to acquire sensitive and expressive meanings.The third chapter includes two sections ;the first one dealt with the cultural criticism and the mechanism of the entire metaphor and its impact on the implicit cultural formats through the various environments ,accordingly metaphor might not be considered as a rhetorical trop only but it might include all the format dimensions in the speech and in the receptive verbs .Moreover , it has been revealed that this study has expanded to include more about the cultural criticism and the reason behind this since it is a new term unclear to many new Arabic and western critics. The second section dealt with metaphor through the modern theories which elucidate the philosophy of using metaphor and actually the most well - known theories which tackled the contemporary critics’ views as the replacement theory, and the interactive theory which have a great position in the ancient Arabic rhetorical criticism till the modern age as well as the relation theory , the contextual theory and the pragmatic theory..Finally, the aim of this study with all its rights and faults - is to be the first step in the knowledge way.