العلم العراقي
عرض: 25 50 75 100 النتائج

نتائج البحث: 9 من أصل 34

جماليات الشكل البصري في المسرح التفاعلي نماذج مختارة == Visual Form Aesthetics In Interactive Theatre Selected Samples

اسم المؤلف: بردى عطية ثابت
اسم المشرف: قاسم مؤنس عزيز
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This research deals with the visual form aesthetics in the interactive theatre, which is shaping from a number of elements that triggers recipient aesthetics excitement through organizing these elements in order to take their proper place and then achieve form, aesthetic and beneficial function, and by the same time achieving the required meanings and indications for inspiring the recipient to be an effective element in the showing. This research includes four chapters. The first chapter shows the problem under the question : how can the operations of the visual form weave the aesthetics in the interactive theatre? The importance of the research is clarified by it attempt to identify the visual form operation that leads us to the aesthetic aim of the artistic work, for the last is being one of the most important factors in a theatrical show. This research can be very beneficial to workers in all technical aspects. The research aims to identifying the visual form operation and its aesthetics in the interactive theatre.The limits of this research has been identified from the year 2010 to 2015. They are limited to some presentations in Hollywood - Jordan - Kuwait and they all show the visual form aesthetics in the interactive theatre. The chapter is concluded by terms identification and procedural definitions for each of the following (aesthetic, visual form, interactive theatre), the researcher has taken them as the research path and curriculum.The second chapter includes the theoretical framework and has three sections.Section one deals with the tributaries of the interactive theatre. the researcher talked about it in two detailed points; the first is the modernists experiments and the change in the theatre after their experiences, while the second is technology and the modern techniques that refined theatre and opened new ways with other cultures.Section two consists of the elements of the visual form aesthetics : the actor, the lighting, the décor, the costume and props, and make up. They all work together to create the unity of the theme and become of great value than its being just elements. The artistic work is not just a random operation, it is rather an organized operation work according to certain thoughts and meanings that are conveyed to the recipient through these elements.Section three shows how to operate the visual form in the interactive theatre throughout its components (line, mass, formation and color) and through its meanings and indications that are resulting from, and how to convey the meaning of these components to the recipient.Chapter two concludes with the indications of the theoretical framework. They are : 1. Knowledge and its technical mechanisms are considered among the most important tributaries of the interactive theatre. knowledge is sensually and intellectually connected to each element of the showing, that work on lifting it up to a technology degree reflects the progress of the elements in changeable digital math formulas, and then to give one thought that has either a lighting or musical or gestural motion to attract the recipients attention and have them as an important element in the show through incorporation.2. The use of big screens of different kinds provides special areas of greater aesthetic and intellectual importance because they fill up the visual vision area for the spectator.The third chapter includes the research procedures which discuss the research curriculum, research community, research sample, research tool and sample analysis.The fourth chapter includes results and conclusions. The following points are among the research results : 1. The transition speed between what is realistic and what is virtual by the lighting, has added new aesthetics to the showing.2. The visually lines overlap has added aesthetic touches which sends the recipient to interact with them.And the following points are among the conclusions : The contemporary theatre makes use of all the modern techniques abilities in visual and sound effects, by making virtual backgrounds of positive impact on recipient, incorporating imagination with reality and technology with real world.

جالميات الحداثة في تقنيات العرض المسرحي == Aesthetics of Modernity In Theater Techniques

اسم المؤلف: حبار جودي العبودي
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The problem of thes thesis deals with how the aesthetics of modernism effect the technique of the theatre performance specially the scenery and lighting. The goal of this research is to discover the effects of modern aesthetics on the elements of the play production. Chapter one deals with the phillosophy of modernism and the ideas of some phillosophers like ( Heigel , Kant , Dicart ). chapter two concens the review of literature discusses the aesthetics of modernism of the technical aspects of the theatre performance and the effects of the technology devices. In the third part of the review the researcher discusses the experiments of some modern stage directors like ( Piscator , Brecht , Brook , Kantor , Meyrhold ) on the theatrical technique and its aesthetics. In the precdure of the thesis the researcher chooses three samples from the American and Euorpean theater and he analyses the technical aspects of them as follow : 1. Shakespear's sonnets directed by ( Robert Wilson ).2. The Totem directed by ( Robert Lepage ).3. Travelers a motionless directed by ( Philippe Genty ).The researcher reaches the following conclusions : 1. The languge of the modern perfarmance depend on the visual theatre and its compositions more thar depending on the auditory elements.2. The technology devises play an important role in shaping , the modern teatrical performance.3. The aesthetics of the technical aspects of the modern theatre give the performance new perspectives.4. The aesthetics of modernism renewed the technical aspects of acting , directing and designing.5. The aesthetics of modernism depend on the new devices of technology.6. The aesthetics and the technique of the modern performance create new envirnmants.7. The aesthetics of modernism establised a new relashionships with audience.8. The aesthetics of modernism interrelates the sensual and spritual aspects.9. There is an important role for the different sciences in the modern performance.

توظيف السينوغرافيا في مسرح الدمى نماذج مختارة == Alcinogravea Employment In Puppet Theater (Selected Models)

اسم المؤلف: غسان هاشم احمد عباس
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد مسرح الدمى بانواعه المختلفة احد المسارح المهمة المقدمة للاطفال والكبار على حد سواء، وهو بمساحته المحدودة وبشكله المميز يمنح المتلقي فرصة كبيرة لاستخدام خياله في عملية التلقي، واكتشاف طبيعة الاماكن التي تدور فيها احداث المسرحيات المقدمة.وبالرغم من | The dolls different forms Theatre one of the theaters important for children and adults alike, and is geographically limited and distinguished form gives the receiver a great opportunity to use his imagination in the receiving process, and the discovery of the nature of the places where the events spin plays the foreground.Despite the fact that this art did not take its natural place in the Iraqi theater, but it took evolve in the western theater and in the Arab theater as well, prompting the researcher to address this issue and highlight the concept and characteristics and the nature of Achtgalath chose the title of his research (employment Alcinogravea in puppet theater (models selection)..)..lki Be input for consideration..Research is divided into four chapters task : - Chapter I : - (methodological framework), addressing the problem of research and the need for him as researcher found that the problem lies in not full attention to such necessary theaters for adults and Alassaar / proposed to solve the problem to answer the following question (Is there a hiring of scenography in the puppet theater?), And this question and answer is an urgent need to study that subject, then he stopped after that to the object of this research, as research aims to detect ranges employ elements of scenography in the puppet theater, then the importance of research as it found that the importance of research lies in the educational significance as well as monitoring of the placed aesthetic very important.According to research all Alcinogravea designers and those interested in the theater of the child, and all colleges and institutes of Fine Arts students, has developed a researcher limits to his research objective (elements Alcinogravea in puppet theater), and spatially, theaters puppets in Iraq and in the Arab world, and in the world, and temporally from (2006 to 2015) He then moved to determine the terms, namely, (Employment / Alcinogravea / puppet theater).The second chapter includes the theoretical framework and previous studies, which included three sections and are as follows : - First topic : - the aesthetics of cinematography in the puppet theater. Specifying the types of spaces and landscapes and fashion lighting and accessory, makeup and music, highlighting the role of the actor in a simulation engine that Alcinogravea as the basis for dolls amid those Alcinogravea.The second topic : - concept and techniques of puppet theater.. highlighting the origins and characteristics and how the puppets in the theater.The second topic : - Achtgalat Alcinogravea in puppet theater.. He explained three levels to those Alachtgalat a formal level, and substantive level, and aesthetic level, explaining the most important aesthetic characteristics in puppet theater.This chapter also included on the previous studies and the most important indicators resulting from the theoretical framework. It is the most important indicators : • that the industry stands out as Alcinograveh appear in the first design Bodvha moving entity independent from vision dimensional looking for a dazzling effect.• The cinematography is my perception fantastically in the field of movement activity and perception of the space listed spoken dramatic, objective of extending the area and place a major humanitarian emotions which art space coordinate and control its shape in order to achieve the objectives of the offer.Chapter III : - ensure research procedures.. dealt researcher community Find It includes (40 / fortieth sample) four samples is my intention and chose them to provide Alcinoraveh elements, recorded and illustrated them, copy, and it covers the limits of search spatial and temporal and these samples are : .1 / Speck Beck... Iraq2 / Sahsah sloths... Egypt.3 / Grandfather and grandson... Egypt...4 / The Nutcracker... Austrian theater. The researcher descriptive analytical method chosen in the research sample analysis.Chapter IV : - it has contained and discussion of results and conclusions, as the researcher to some results of the analysis, including : - ? open Alcinogravea the symbolic references extend to refer it to the exotic magic ritual.? reflected realistic Alcinogravea through the realistic nature of the characters and events.? granted directorial contemporary trends to hire a dominant presence in the building Alcinogravea display units across Ckladtha stylistic.This chapter also contains the recommendations and proposals, as the researcher recommended that a systematic lesson in colleges and institutes of arts is determined puppet theater, and is building a private theaters with toys for the development of this art, either proposed has proposed a researcher studying the technical side in the toy industry.. then eat the fourth quarter a list of sources and references, and appendices and finally summary Search in English

التحولات التقنية واشتغالاتها في الانتاج الدلالي للعرض المسرحي العراقي == Technical Transformations And Its Work In Semantic Production In Theatrical Display In Iraq

اسم المؤلف: انعام معن ابراهيم
اسم المشرف: صلاح مهدي القصب
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Technological techniques have become part of the daily living reality in all joints of social life, both of them, or those that are related to other concepts ,and is no longer a narrow area and inappropriate to make changes that fit the stage.the technological means became the active component in the structure of society and life as it cannot be dispensed with in every forum that artistic activity in the community has the greatest role in shaping and building process of the joints and other life.So it is no longer art in general and theater in particular is able to dispense with these technologies and employ them to suit the listed job to provide all that is fun and useful for its various components.Theatrical field became platform to employ those techniques, which added a lot of aesthetic, intellectual and emotional values, and that made him at the center between the arts.The theatrical art is that art speaking with language and culture of bearer and crossing all his needs and desires and on the light of it researcher felt to shed light on the important topic of those techniques illustrated through the problem posed for dealing to interpret it within the four chapter, which consisted of them the dissertation tagged (Technical Transformations and its Work inSemantic Production in Theatrical display) which dealt in First : the first chapter , which included a research problem, which were represented by a question posed by the researcher and that( are techniques of all kinds Is able across its transforming capacity and its frequencies to produce another meaning in the theatrical display), and then explained the goal of the research is to investigate the effect of moments shifts to those techniques in the production of another meaning for theatrical display.I also showed the importance of research is one of the modest efforts that serve all workers in the field of theater from technicians and technical workers.Then, the researcher determine the limits of this research, which represent between year 2010 and2014, because this period has witnessed many changes in the quality of the presentations that submitted because its area became a broad and open and was conclusion of this chapter with defining the terms contained in the title which is that of (Transformation ,Technique, - Works - Production)Secondly - the second chapter researcher divided into three sections the first with the title of - Technical production in theater, which included three topics in the first one I dealt with the use digital programs in theatrical display, highlighting on the latest technologies that can be used in these offers, such as technology ofdigital actor and the animation technique that is incorporated with the show and during the representation and technique of hyper Tkst and the text to dump into several texts all of it has its meaning and connotations then digital audio technology and finally technology moot, digital influencesThe second topic represents with using techniques of laser light in the theater because of its importance and great benefit in reducing costs and thus produce different meanings in their implications for the meaning to have produced for it.The third topic has been included on the importance of forming three - dimensional drawings or hologram.In the second topic the researcher dealt with the importance of hiring technical elements in building of theater Scenography, which was also divided into four themes dealt with in the first techniques of conventional lighting and their modern projections in the theater.In the second topic highlighted on the theater decor and space configurations.In the third topic researcher dealt with the subject of fashion and accessories, and its role in enriching the display scenography.The fourth topic and the latter has dealt with the music and sound effects and the construction of these offers in the third section researcher explained the importance or instant aesthetic shiftaccording to the relationship between the body and the technical elements that make up the display.This chapter has been terminated with previous studies that shed light on some of them, which focused on the subject of technology, but did not find it close to the subject of her research, which deals with the production of meanings and connotations to offer a statement and then some indicators reached ;Third Chapter, who called the search procedures, the researcher analyzed the five deliberate samples so as to employ techniques offer of theatre with its different images and produce to us more enriching the meanings of these offers and these samples are ;1 - ( Eight week daeis ) Directed by Rassil Kadhum2 - ( Ice ) Directed by Samim Hasseb Allah3 - ( Al - hussain now) Directed by Akeel Mahdi4 - ( Al - Maqam Allowasti ) Directed by Zuhair Kadhum5 - ( question mark) Directed by Qasim MunesEach one of these samples have advantages, especially in recruiting techniques theatrical display clearer and more enriching for the offer.The first sample, the director employed traditional lighting techniques and their modern projections in the theatrical display as making of light another element and an active, participant more than is traditional in his dealings with representative.The second sample was sought by the director to the combination between body technique and audio display technology, in a contemporary vision of despite of age temporal event.The third sample has hired technique of décor and formed by the events of the play and its events, and the fourth sample employed modern techniques with traditional ones in the formation of decorative theatrical presentation, which made clear idea of display from it.The final sample used the human body and instant transformations in the manner of handling with the techniques of Scenography from lighting, accessories and fashions etc. from audio and visual elements.The fourth and final chapter dealt with the researcher's findings with a discussion of each result and then the conclusions and recommendations and then the list of sources and references in Arabic and English, finally summary of research in English

التقنيات الحديثة في سينوغرافيا العرض المسرحي == The Modern Technique In Scenography of Drama Show

اسم المؤلف: انعام معن ابراهيم
اسم المشرف: صلاح مهدي القصب
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان المسرح كائن حي يتفاعل مع كل المتغيرات والمستجدات القائمة، فلم يكن يوما ولن يكون بعيدا عن هذه المبتكرات والتطورات الحديثة في عالم التكنولوجيا. فالعرض المسرحي تساهم في بنيته وسائط تقنية عديدة يتم توظيفها من قبل اختصاصيون في مختلف الانشطة العلمية ,كالم | The second chapter (theoretical frame) is divided it into five section , in the first, the researcher has explained the importance of technology and its reflections on dramatic culture through the concept of cultures dialogue which was elaborated by the French thinker ( Rojeh Garody) who embraced Islam. In the second section ,the researcher explain the work of that technology through composing dramatic speech. The third section is divided in to two directions; in the first she refers to the most important technical techniques that contributed to development of drama show structure ;identifying it by computer firs and then by internet, while in the second she talks about the most important computer techniques and how to employ it in designing the element of drama show. The fourth section touches the most important direction techniques of directors whom the researcher has divided into tow current, each has a different way when building the Scenography of drama show in the light of using those techniques. She closed the section with the most important techniques used by modern theatre which are body performance through gesture language, sound expression and dancing. She concludes this chapter with former studies and set of indexes resulted from theoretical frame; the most important of them is that the modern theatre is mixture of many cultures that is affected by those cultures, furthermore the director has dealt with the actor as a body having mythological and expressing abilities capable of producing a new language with the receiver. However, modern techniques don't neglect the human being role and his creation, but it increases the opportunities of innovation and renewal in modern theatre.The third chapter includes the research procedures throug the research society and samples represented by the following designs and drama shows : 1 - The play of "The Bedouin and the Orientalist" directed by Akeel Mehdi. Theatre is considered as a living thing that interacts with all standing and revived variables, it was ever and will never be far from these modern innovations and developments in the world of technology. Several technical means contribute to drama show, these means come from specialists in various scientific activies such as musicians, lighting designers, sound effects, optical tricks, as well as designers of fashion, building and shaping. Today theatre also depend on various expressing techniques represented by using the language and grace of the body to put through the meaning by shaping gesture movement, singing and dancing so that the receiver can interact with. So, technology in theatre is not a newborn, but it accompanied it since the Greek times till the present. Consequently, it appeared with a new language whose features have been employ in the artistic currents that emerged and spread definitely after the Second World War in Europe,USA and the Arab World. These current used technology as a technical means employed in various innovation processes to discover its abilities and its intellectual and aesthetic dimensions. Upon this basis ,the researcher has identified the research problem in the first chapter of her thesis designated " Modern techniques in Scenography of drama" , in the following question : How to employ modern techniques to build the Scenography of drama show?Then, the researcher has explained the importance of her research which is regarded as one of the scientific efforts looking for the importance of technical development and its inflection on drama show techniques in Scenography building, and she considered it as an important reference for students at Fine Arts Academy. Then ,she explain the objective of the research , its limits and finally defining the most important term that is the concept of technology and Scenography.

جماليات الازياء في عروض المسرح العراقي == The Beauties of Fashions In Iraqi Theater Shows

اسم المؤلف: محمود جباري حافظ الربيعي
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نبحث في تكوينات الازياء المسرحية من اجل الكشف عن الفكر التاويلي الفلسفي،وايضا عن معاني الصور البصرية المتشكلة بفعل علاقات عناصر العرض المسرحي بعضها بالبعض الاخر، فضلا عن مدى تمثيل شكل الزي المسرحي (سلطة او هيمنة) على مظهر الممثل في ساحة التمثيل، وذلك | My Research in making up of the theater Fashion about the Secret of philosophical thought and about the meaning of Optical pictures Which shaped by the relation ships of Optical Pictures which shaped by the relationships of element of the theatre show , which connects with each other. As wellas the extences of acting the shape of theater Fashion (control) on appearances of the actor in the Field of ailing Fashion covers the natural body of the actor and express the appearances and dimensions of the fashion lakes part outside emotional expression , For the actor in the play averts. The dramatic fashion accused important optical avenge with the rest of visual elements , That style of fashion design stir up beautiful feelings by using fashion forming that is suitable with the nature of designable treatments to other elements. The fashions contains the nature of relation ships of educational address and the kind of beliefs , So the visual beauty is limited for those relation which are the designer fashion tried to redesign and set them anew. so as to goes with beautifully with the last visual for dramatically scene. For this reason the research divided the beauties of fashions in the dramatically shows of Iraqi theater to five scenes : The first Term (methodical frame) includes the research problem it's about the following questions : ( WHAT IS THE BEAUTUL FORMS of THE FASHIONS AND THEIR RELATION SHIPS IN THE IRAQI SHOW PIAY ? ) The importance of the research comes to save scientific subjects for specialists in dramatic Arts in general and to fashion designers specialty. The aim of the research is to limit to reveal the forms of fashions beauty and its relation ship with play show. The place of the research is Baghdad city the time is from (1992 _ 2007) , The subject is the fashion of characters of Iraqi play show. the idiom of beauty and fashion was assigned. The visual frame has been divided in to two terms the second term consists of three researches under the title of the formal dimension for dramatic fashion. The third term includes the things that takes places to the research , the choice for the sample was by mean they are : A _ Media play produced by Adel Kareem. B _ Who splayed raving awake produced by Gamin hammed. C_ Othel in the kitchen , by semi Abdul _ Hammed. D_ Macbeth , by salad Al _ Quad. E_ The Nomad and the Orientalist , by Aqeel _ made. I have hadalat of production as a result to samphs analysis , The most important of them are : 1_ The formation of dramatic fashion is assigned beautifully by two things.The first is by analysis the parts of the formal fashion which are (colures stripes , touching , space, emptiness , mass and shape). As well as its formal parts which are (the unity balance , harmony , mastery , correspond , differences , contradictory , structure , light , shadow , progression , direction , similarity , tune , repetition ) and to got their relations. the relalconship between the fashion designer and the producer of the show and the ability of the designer and its suitable with the desire of the receiver beautifully. 2_ To the formation of fashion beauty value itself reached to its meaning by the formal structural and beautifully designing by the unity of the subject which he wanted to do in his design , whenever the designer got the freedom to choose the design and carrying out increased movement in enlarging its beautiful limits using cloth of fashion. Beautiful arrarement by the continuance to rerch the relationship the combines the special structure that belongs to the dramatic fashion. 3_The relationship of the dramatic fashion with the elements of the play show is dased on the perfection marvelous technical communication among the show designers on the nature of forming these elements and the circumstances around the play show from the show place and its time. The fifth Term is the discussion of the results of the research is done and show the important results. The following is some of them : 1 _ The use of some of formal elements ( stripes , colors , touches , space , mass , and shape ) in the designing of the characters of the play. Neglecting using the others leads not achieve the value of formation of the dramatic fashion. 2_ To the structural elements for the design unity essential role in confirming the beauty of the dramatic fashion. Unused most of those elements leads to obscurity in design and that reflects on the general forming of play show. 3_ The historical dramatic fashion is very important it gives information about the appearances of the time and it reflected subjectively on the erase of receiving and their containment that leads to make the actor do his dramatic play show. The fifth term includes also the important commandments and suggestions. The Research is ended with a list of Arabic and English references in to the English language.

التحولات الفنية لفن التنكر وتوظيفها في العرض المسرحي المعاصر == Arhcal Transformations In The Art of Disguise And Their Employment In The Modern Theratrical Show

اسم المؤلف: اسيل ليث احمد
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن التنكر من الفنون التي شكلت تطورا في الظاهرة الادائية على مدى قرون، فقد سعت الحضارات الى حفظ اشكالها المتنوعة على وفق المتغيرات الكبيرة في الظاهرة الانسانية، حيث تم استحضار اغلب المراحل الزمنية التاريخية وما تتطلبه من مهمات اساسية في عملية فهم الظو | Is the art of disguise of art that formed the advanced performance in the phenomenon over the centuries - has sought to preserve cultures and diverse forms according to the major changes in the phenomenon of humanity where most of the period evoke the historical time and the requirements of the core tasks in the process or understanding the phenomenon and facts. The art of disquise re - representation of these facts through the re - configure stuff legendary deeply ingrained in the human mind - as the astablishment of variuaies configurations of existence and gives it expressly based and symbolic - fitr is varied within the act of incarration that would restore image - building knowledge in the time ¬frame the spitil and gives a shift avariety of features exist. and apporoaching the characterization fora new and growing to alleveviate the world understand the sources and manifestations. And gives the art disguise tmzarath tathbera various psychological and realistic visual display on system whel"c the process of change and transition in the pattern of shadowy figure and the shift in the dimensions of various formations lead to, a significant shift in the system performance for display by the shifting course of the actions of the characters and the emergence of manifestions of various interernal and external, which is a shift in its conflicts and its behavior h< - ~s co buted to the art of denial to give a new personality traits thl"ough diffent Aejddalaskkal fit whit the n.llure of transition experieneed by the changing world of pt'ogressive consensus process created by the art of denial among the various configuration able to create visual effects and behavioral reactions varied. In order to monitor the historical developments art disguises Personal patterins type and components. Movement performance analog and different psychological behavior, Aidwakl affecting the personal representative and the nature of performance. Dynamic composition and physical synergy and a caustic. Concluded, then the theoretical frame work a researcher with a number of indicators which were considered an important tool for research as well as othe,' tools in the analysis of sample. The third chapter has devoted to the search procedures which have addressed the researcher community, and search tools method and reason for selecting the research sample~ then the researcher analyzed the research sample : First myth Zhou.Second Sidra. Third Othello Fourth Shose.Fifth scheherazde The forth chapter was contend on findings from research. fifth chapter contain the conclusions it ,has concluded a list of research sources and references in English language.

تحولات القراءة الجمالية للخطاب البصري في عروض عقيل مهدي المسرحية == The Trans Formations of Aesthetic Reading For Visual Speech In Aqeel Mahdi'S Plays

اسم المؤلف: وسام مهدي كاظم
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد المسرح واحدا من الاكتشافات الخاضعة والممتلئة بالاحالات، كما انه يتمتع بخاصية معرفية جمالية تنتج له القدرة على تقديم مفاهيم جمالية بقراءات معاصرة ذات خطابات بصرية تنقل من خلالها الخطابات الادبية، الى منطقة الرؤية والتحليل. ان مفهوم القراءة والقراءة | Theatre is regarded as one of the discoveries that Subjected to referrals and filled with them. It enjoys with an aesthetic and cognitive property that enables it to present aesthetic concepts with modern reading having visual speeches through which trans forms literary speeches to area of vision and analysis. The concept reading and contemporary reading has ability to deconstruct any speech whether it is literary or pictorial. It is the Medium through which transformation passes with its semantic and significant Concepts. Today, theatre moves side by side with modern discovery in this world indeed, it has ability to benefit from some discoveries to introduce them in the fabric of its theatrical performance in a form harmonized with the requirements of the age. The Visual speech is a cognitive, artistic and technical concern to establish a cultural system which is a communicative channel between sender and receiver. It is not a new phenomenon , but its roots dated back to Greek civilization , developed by discoveries that occurred in all fields of knowledge in general, and theatre in particular. That process exposed to a lot of transformations that helped in discovering multiple readings Strengthened by a visual speech that gave to the system of theatrical performance new forms and implications. These readings and trans formations had Various concerts, some of their sides exposed to dilemmas, So there was a need to solve them. Based on that, the researcher determined the problem of his research entitled " The Trans formations of Aesthetic Reading for visual speech in Aqeel Mahdi's Plays". The research consists of four chapters : The first chapter includes the problem of the research and the need to moke it (Study and analysis of the transformations of Aesthetic Reading for visual speech in Aqeel Mahdi's Plays). The researcher also determined the goal of his research by revealing the aesthetics of visual speech and its reading trans formation in Aqeel Mahdi's Plays. The importance of the research lies in highlighting unknown sides in the Visuality of the plays. The researcher determined the determinants of his research as follows : Time determinants : All Aqeel Mahdi's Plays presented since the first play till the moment of writing this research - Objective determinants : These are Aqeel Mahdi's Plays that Characterized with the transformations of aesthetic reading for the visual speech. The researcher determined his research terms and defined them, selecting to them procedural definition : "Transformation, Reading visual speech". The Second chapter divided in to four parts : the first one contaned the concept of Visual Speech. It began with a cognitive sequence and mental, artistic and technical analysis, then the researcher dealt with the dilemma of visual speech according to numerous concepts, finally, he dealt with the general concept of finally, he dealt with the general concept of visual speech in the system of theatrical performance. The Second part of the Second chapter was entitled "The Aesthetic of visual lmage" , Firstly the part explained the aesthetic of visual image according to the concept of image culture, then it presented the aesthetics of visual image in theatrical performance according to Some modern theatrical experiments. The third part was about the visual speech with a preface, then it dealt with intellectual and aesthetic complex for visual speech. It also dealt with the elements of visual formation in the play. The final or the fourth part dealt with aesthetic reading in Ageel Mahdi's Plays and with his theatrical experiment on the level of writing, theorizing, direction and what associated with it as aesthetic, philosophical and technical aspects. This part also included the previous studies and indications which produced theortical frame , the most import ant of them are : 1 - Visual Speech has components, the most important of them is image in its meanings and significance associated with searching for keys to decode the symbols of that speech.2 - Place and space regarded as two important elements of formation of visual speech in performance.3 - The most important domain of the philosophical, artistical, intellectual and aesthetic domains that affect the creative system for Aqeel Mahdi's dependend on the pvinciple of Civilizatons dialogue. The third chapter included the procedures of the research containing the research Popucation Methodology and tools of research in addition to research samples in addition to research Samples including the followings : 1 - Performance of "Gorilla" Play.2 - Performance of "Jeanne d'ASrc" Play.3 - Performance of "Bedouin and orientalist Play".4 - Performance of "Ali Al - wardi and his rival Play".5 - Performance of "Cobbler" Play. Some tools used to analyse these samples are as follows : 1 - The theoretical frame and its implications.2 - Photographs.3 - Compact discs "C. D"4 - Papers "What was written a bout the plays.5 - Observation. Then, these samples were analysed by the researcher to indicate the transformation of aesthetic reading for visual speech in Aqeel Mahdi's Plays. The fourth chapter contained the findings and their discussion , for example : 1 - Using Space and place as essential elements for transformation of visual speech as in the plays "Cobbler" , "Ali Al - Wardi and his rival" and " Bedouin and orientalist"2 - Regarding the visual formation as one of the tools of transformation in aesthetic image and rebuilding it by the imagination of director associated with his formation senses. That was observed in all Aqeel's plays.3 - The two elements of light and color were regarded as two essential elements for visual speech as in the plays "Cobbler" , "Ali Al - Wardi and his rival", "Jeanne d'Arc" "Gorilla" and " Bedouin and Orientalist. The fourth chapter also included concluded conclusions, recommendations and suggestion, in addition to sources and references, finally an abstract in English.

اشتغالات المنظر في العرض المسرحي العراقي (عباس علي جعفر) انموذجا == Astgalat Scene In The Iraqi Theater (Abbas Ali Jaafar) Model

اسم المؤلف: مزاحم خضير حسين الجبوري
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان اشتغالات المنظر في العرض المسرحي قد اكتسبت دلالات مختلفة مرت بها الية تصميم المنظر المسرحي على الخشبة، اذ انطلقت فيها الممارسات التصميمية للمصمم عباس علي جعفر بين مساحات الخيال والابتكار وبين مساحات الواقع لخلق توافقية تنسجم مع المضامين الفكرية والجمال | The Achtgalat scene in the play have gained different connotations passed out mechanism design theorist theatrical on stage, as it was launched by the practices of design for the designer Abbas Ali Jaafar between the spaces of imagination and innovation, between spaces reality to create a consensus consistent with the implications of intellectual and aesthetic display of theatrical, as the researcher of mechanism functioning of the scene when the designer Abbas Ali Jaafar as artistic interpretation and aesthetic and technique for the delivery of the subject in an integrated manner to the recipient, as a researcher wanted to reach through the problem discussed stand on the experience of the designer Abbas Ali Jaafar and the resulting interaction is based on mixing and homogenization techniques theater The research includes four chapters : - Chapter I : - methodological framework for the search, which includes the research problem and the need for and importance of research and research objectives and its borders and determine the terms, since emerged the importance of research and focused on one of the means of expression in the theater, a recognition Achtgalat scene in the play, but needed it to identify experience designer Abbas Ali Jaafar in the Iraqi theater, and that this study will benefit all students and workers in the fields of art in general and theater in particular, and can be generalized to the modern curriculum in the future The researcher identified the limits of his research, a temporal boundaries of the presentations since 1980 and even in 2010 theaters Baghdad The objective is the border with Iraq plays Elachtgalat scenic developed and owns Mkhil high design, and conclude chapter defines the terminology (of operation, parallax) The second chapter : - has included the theoretical framework and previous studies, which included five sections and are as follows : - The first topic : the foundations of design theorist theater, which make up the landscape theater, which is employed by the designer in order to give a theatrical work recipe beauty during harmonies and contrast in the organization of the desired shape, with me the second part, which consisted of two axes, the first axis : - parallax between the designer and the director , as it was the opening salvo in an approach to the understanding of the landscape between the vision and directorial vision that convey design ideas and connotations contained in theater The third topic : - handled the theatrical landscape and trends and how to adopt each director and designer in shaping the play according to the direction that meets the aspirations of art The fourth topic : - Astgalat scene in the play, as it ensures designers to eat this or that direction through the incarnation and the manner in theater to achieve the desired effect in the theatrical landscape Section V : - Abbas Ali Jaafar and dealing with the elements of the play, which dealt with the researcher stand on the biography of the artist Abbas Ali Jaafar by Maaktsabh of expertise in the study phase and the phases that followed and stand on artistic experience through the implementation and design of the landscape in the Iraqi theater and evolution in the theater and the subsequent general evolution of the view in a private theater and experiences gained by Iraqi artists through their studies outside Iraq It also included this chapter on the most important indicators that resulted from the theoretical framework and previous studies Chapter III : - contained research procedures, containing : 1 - the research community, which consists of theatrical performances presented on the stages of Baghdad, for the period from 1980 to 2010, and the research sample, containing the three samples have been selected in a deliberate namely : - King Lear, b - Goat Island, c - Macbeth 3 - the search tool relied on as indicators resulting from the theoretical framework, and Manscher in media 0.4 - Research Methodology : adopted as a researcher on the descriptive approach (analytical) in the review samples Chapter IV : - consisted of the results and discussion, as the researcher to some results of the analysis of samples, including : - 1 - The recruitment and Achtgalat landscape designer with Abbas Ali Jaafar shows through diversity places with theatrical presentation of an exhibition hall to the traditional circular theater to theater in the open air, and so by employing various spaces in order to conform with the requirements of theatrical text 2 - The Iraqi experiences with designers and directors Iraqis was able to form the new features of the generated forms and bodies reflect the aesthetic philosophy to produce movement visible through the scenic formations and deal with them Representative to paint a visual image to express instead of dialogue 3 - The Achtgalat scene in the play came through visions compatibility between the director and the designer, which gave room for a multiplicity of visions and multiple interpretations which indicates good experience in the capture, interpretation and analysis of successive images in the play in shaping the image of the future theater
1 2