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تمثلات الثيوصوفية في التشكيل البصري لفنون بعد ما بعد الحداثة == The Theosophical Representations In The Visual Composition of after - Postmodern Art

Author name: الاء مكي خضير حبيب
Supervisor name: رياض هلال مطلك
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:

النظم المغيرة للخطاب الفني في المنممات الاسلامية == The changing systems of artistic discourse in Islamic Miniatures

Author name: منى خضر عباس علوان
Supervisor name: عادل عبد المنعم عبد المحسن شعابث
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

تمثلات الروحي والمادي في الفن الهندي المعاصر == The spiritual and physical representations in contemporary Indian art

Author name: حمزة علاوي مسربت مهوس
Supervisor name: علي مهدي ماجد
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

الخصائص الفكرية وتمثلاتها في فن الحضارة الكنعانية == Intellectual properties and their representations in the art of Canaanite civilization

Author name: بان سمير شهاب العزاوي
Supervisor name: ايناس مهدي ابراهيم الصفار
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:

دافعية الانجاز وعلاقتها بالقدرات الابداعية لدى طلبة كلية الفنون الجميلة == The Achievement Motivation and Its Relation to the Creative Abilities of the Students of the Faculty of Fine Arts

Author name: بـشار جواد نومي
Supervisor name: حامد خضير الحسنات
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:

النرجســـية في الرســـم العـراقي المعاصر == Narcissism in Contemporary Iraqi Painting

Author name: بشرى سلمان كاظم شاني الجبوري
Supervisor name: عباس نوري الفتلاوي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

جماليات تشكل الصورة في الفن الاوربي للفترة من 1000 - 1400 م == Aesthetice of the painting Formation in European art from 1000 to 1400 m

Author name: احمد لطيف حميد محمود
Supervisor name: حيدر عبد الامير رشيد
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الانساق الاجتماعية وتمثلاتها في فن ما بعد الحداثة == Their representation In and Social systems Post Modren Art

Author name: احمد علي كاظم عبد
Supervisor name: كاظم نوير كاظم الزبيدي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

الملامح السريالية ودلالاتها النفسية في رسومات فريدا كاهلو == FEATURES OF SURREALISM AND ITS PSYCHOLOGICAL EVIDENCES IN THE PAINTINGS OF FRIDA KAHLO

Author name: ايه هاني مجيد بهية
Supervisor name: فاطمة عمران راجي الخفاجي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الابعاد النفسية للوجودية وتمثلاتها في رسومات سلفادور دالي == The psychological Dimensions of Existentialism and It's Representations drawings of Salvador Dali

Author name: محمد عبيس حمزه
Supervisor name: علي حسين خلف السعدي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:

تمثلات الفكر الفلسفي لدى جان بول سارتر في النحت المعاصر == Representations of the philosophical thought of Jean - Paul Sartre in contemporary sculpture

Author name: سندس محمد عبد الامير محيسن
Supervisor name: علي شناوة وادي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

الابعاد الفكرية والجمالية للحلي الشعبية العراقية وتناصاتها مع الحلي السومرية == The intellectual and aeathetic dimensions of popular jewelry and its similarity with Sumerian jewelry

Author name: سجى صاحب عباس حسون المعموري
Supervisor name: علي مهدي ماجد | رحاب خضير عبادي
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
Language: Arabic
University location: Babylon
First pages:

مظاهر العنف الاسري في رسوم المراهقات == Appearances Of Domestic Violence In Teenage Graphics

Author name: شيماء مهدي وادي الجنابي
Supervisor name: هدى هاشم محمد الربيعي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: حظيت ظاهرة العنف الاسري باهتمام العديد من الدراسات، كون الاسرة المصدر الاول للثقافات واقوى الجماعات في التاثير في سلوك الابناء، فهي من اهم عوامل التنشئة والتطبيع الاجتماعي فالاساليب التي يستخدمها الابوان في معاملة ابنائهم كالاهمال والقسوة والتفرقة واستخدا | The phenomenon of the domestic violence meets high attention in many studies , as the family is the first resource of cultures and the it is the strongest group in affecting the behavior of children , also it is the most important factor of nurturing and social customization.. Methods of parents in treating with children , by neglecting, hardness , segregation, the use of swear words , deferent kinds of beating and any other type of bad methods which come within violence actions ((psychologically , physically and verbally)) , all these methods could leave negative impact in the souls of children , especially during earlier adolescence as it is the most dangerous age stage of the individual life, due to what it carries in its folds of conflicts and psychological disorders and changes in all physical, mental and emotional aspects.. Girls in this stage may suffer their families practices of violence against them , so the intensity of female sensitivity to problems could form psychological pressures which could make her a troubled personality teenager who lacking self confidence, isolated from others and with reluctant behavior, also for far future she may have an aggressiveness and violent motives.. Since the arts generally and graphics arts in particular have a role to alleviate the suffering of human , they assist to achieve the emotional equilibrium and allow the self - expression and emotions as well as they achieve the inner harmony and poise of personality in relationships with others , so this factor allowed the researcher to answer about following question : Does the domestic violence have appearances that could be reflected in graphics of teenage girls through lines , shapes and colors ? Could the graphics be equal with the pronounced language in guidance to the meanings , transferring the ideas and hardships and to be connected to others ? So the current research had aimed to the following : 1. Exposing the types of domestic violence which is addressed to teenage girls.2. Exposing the appearances of domestic violence in graphics of teenage girls through graphics properties , then the research importance and the need to it , in addition to research outlines and abbreviations, those come the first chapter of the research.. The second chapter includes the theoretical framework and the previous studies , as the research is consisted of two studies , the researcher in the first one is addressed to the conception of the domestic violence, in which she included many sections , but the second one is addressed to the adolescence and graphics of adolescents , while the previous studies included 5 ones and were about the domestic violence and the graphics of adolescents. The third chapter included the research arrangements ((society of the research , its approach and samples of 330 pupil of second intermediate class who were divided randomly to 9 intermediate schools and high schools in the center of Babylon province. The research needed to use two ways to measure the violence degree , the "Fartoosi" scale which was prepared to measure violence of pupils of high schools , and was amended to be proper with the samples of the current research , then checked its credibility and stability , as it was showed to some experts and specialists in the psychology field , but the second way was about analyzing the graphics of the teenage girls which was formed by researcher in depending upon literatures of specialists , the previous studies , indications of the theoretical framework, notes of graphics of teenage girls and the modest experience of the researcher , also it was showed to some experts and specialists of the arts education , Fine arts psychology fields to check the credibility and the capability to analyze the graphics , in addition to a couple of statistical methods which are proper and suit the purposes of the current research. The fourth chapter includes the results and their interpretations that the researcher reached to , in addition to their conclusions, recommendations and suggestions, the results of the research revealed a higher ratio of psychological violence beside the verbal violence and the physical violence.. Also the domestic violence has specific appearances in the graphics of teenage girls (the upper faction) which were represented in 16 traits , and unspecific appearances of domestic violence in graphics of teenage girls (the lower faction) which were represented in 19 traits , there were also 6 traits of statistical meanings among both factions.. The conclusions clarify that there are 14 traits which are considered as a specific appearances of psychological violence in the graphics of teenage girls (of upper faction) , while there was 1 trait , it was considered as specific appearance of the verbal violence in the graphics of the teenage girls (upper faction).. The recommendations of the research is exposing generally the violence against women (through arts fields - the graphics for example - by specialist educational administrations , including the the intermediate schools and high schools to until reaching the universities to exceed their reasons by educational and scientific methods , as the teenage girl is a project of a future woman.. The research included a number of suggestions with Arabic and English resources and appendixes beside a brief in English language..

الحوارية ومقارباتها الجمالية والدلالية في رسوم بابلو بيكاسو == The Dialogisme And Approaches Beautifulness And Denotation In Portrayals Pablo Picaso

Author name: روى ناظم حسن الحسناوي
Supervisor name: فاطمة لطيف عبد الله الخفاجي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: تبنت الباحثة موضوعة بحثها الذي بني انطلاقا من مشكلة تتمحور في دراسة ( الحوارية ومقارباتها الجمالية والدلالية في رسوم بابلو بيكاسو ) , وذلك لكون الحوارية مفهوما له ابعاده الجمالية والدلالية التي تظهر من خلال البناء التشكيلي للعمل , لتحقيق التواصل وال | The researcher adopted study built from the basic problem that centered in the study (The Dialogisme and Approaches Beautifulness and Denotation in Portrayals Pablo picaso ). And so as the concept of aesthetic and semantic dimensions to talk shows that appear during the construction of the visual work of art, as it seeks to achieve communication and continuity.The first chapter has included the objective of the study which is detected (talk shows and Mgarbadtha aesthetic and semantic in fees Pablo Picasso) and provided for the period of (1901 - 1946).In the theoretical framework includes five sections, the first section has studying talk shows (conceptually, and principles, and mechanisms), and the second section included two axes, and the first axis finding approach between the talk show concept, aesthetic and cognitive thought, it start from the Greeks and up to the modern philosophers and contemporary of them, while the second axis has cared for studying dialogue structure in the arguments of psychology, and included third section read talk shows critical reading of the status of the dialogue theory, finding points of engagement with the concept of semantics and subtraction semiotic,while Section fourth included the works technically talk and according to its historical development, from primitive art and up to the modern technical schools and is interested in section five (Picasso) art, highlighting the most important stages that make up a key point in the birth of the creative work of the talk show - style and new technology. At the end of the theoretical framework researcher it conducted a comparison between previous studies placed with her research, and also was addressed to the outcome of the indicators.In The third chapter included the community research who cannot promise to capacity size, although informed researcher on a lot of photographers, and sources relevant, such as (books, magazines, sites and the Internet), but it was unable to limit the research community statistically, and the sample Search (13) artworks included oily technique, collage, and the various technical stages undergone by the (Picasso)) The researcher ended his work by using content analysis tool, the coefficient of stability of the tool, and the sincerity of the tool, and then use statistical methods, the equation (Cooper) to calculate the sincerity of the tool, and an equation (Scott scoot) to calculate the stability of the tool. The researcher has adopted the analytical method (hermeneutical) in the sample analysis.The fourth chapter was devoted to reviewing (Results - Conclusions - Recommendations - proposals) as the researcher reviewed the search results, and that was as follow as : 1 - The actually humanly dialogue (self - objectively) do according to the act of dialectic knowledge base side of the artist creator of the artwork, and the receiver, which is an essential part in setting up and continue the dialogue.2 - Dialogue as a kind of freedom from restrictions in the classic art of reading, which does not stop at certain limits, and dialogue interested by flexibility because they coincide with all the Arts and at various schools, including the rules include (philosophical - scientific - stylistic) resound nearly absolute.

اثر دراسة الفن في اتساق الذات لدى طلبة جامعة بابل == The Effect Of Studying Art In The Self - Consistency Of The University Of Babylon Students

Author name: بيداء كاظم عليوي الطائي
Supervisor name: كاظم مرشد ذرب
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: يرى الفلاسفة والعلماء والمفكرون والتربويون ان دراسة الفن او ممارسته تسهم او تزيد من بناء شخصية الانسان في جوانبها (المعرفية، والوجدانية، والمهارية ) مما يؤدي الى تحسين سلوك الفرد نحو الافضل الامر الذي تؤكده التربية بشكل عام، ولكن هذه الاراء والطروحات ت | Philosophers and scientists, thinkers and educators believe that studying art or practicing it contributes or increases the building the human character in its aspects (cognitive, emotional, and skill) which leads to improving the individual's behavior for the better, which emphasizes the education in general, but these views and propositions remain within the limits of the assumptions unless it is verified sincerity by scientific research. Hence it identified the problem of current research, which summed up the following question : Do the study of art have an impact of the self - consistency on the students of Babylon UniversityThe Two goals of the research : The current research includes two goals, they are : 1. Build a scale of self - consistency of the University of Babylon Students.2. Detecting the impact of art study in the self - consistency of the students of University of Babylon through the verification of three null hypotheses.Research hypotheses : The research includes the following hypotheses : 1. No impact to the study of art in the self - consistency of the University of Babylon students at the level of significance (0.05).2. No trace of technical specialization variable in the self - consistency of the University of Babylon students at the level of significance (0.05).3. No trace of the sex variable in the self - consistency of the University of Babylon students at the level of significance (0.05)The research community and specimens : Due to the fact that the research methodology in the current study is the descriptive approach (as a scientific comparative study) has required a comparison between a group of studying Art for four years of study, they are fourth - grade students at the Faculty of Fine Arts / University of Babylon and three other groups have not studied art, they are : First grade students at the College of Fine Arts and the fourth grade students in the College of Pharmacy, and fourth - grade students at the Faculty of Law. Total research community in these colleges for the year stood at (2015 - 2016) (957) students, of which 456 males and 501 females. Due to the researcher to build scale of self - consistency, it has required the withdrawal of three samples from the original research community : the reconnaissance sample reached (64) students pulled intentionally, and sample of building a measure amounted to (394) pulled in a random stratified way 50% of the orgional community, to withdraw the basic research sample, the researcher used the percentage way of the remaining the fourth stage male of The Faculty of Fine Arts as the percentage of males (0.53) The percentage of female fourth Faculty of Fine Arts was (0.47), and the total (224) male and female students.Research Tool : The researcher built an objective tool to measure a variable (self - consistency) according to the following steps : 1. Defining the concept of (self - consistency) procedural definition and analyzing its content into four areas : the relationship with others, and uniqueness, work, and gaining knowledge. And drafting (67) items distributed among them.2. Sincerity tool : the researcher used two methods for the sincerity, they are : A - making sense method : Through content analysis or substance which resulted in the deletion of (11) paragraph of the measure after presenting it to the arbitrators, bringing the number of paragraphs (56) items plus four paragraphs to detect objectivity the scale became a paragraph consists of (60)items and after the researcher has checked the sincerity of scale logically, she has put a the Quintet estimation scale of in front of each paragraph and planned a correction key accordingly. Then she has applied it to build a sample to extract the pilot sincerity.B. Pilot method : extracted in three ways : First - Peripheral comparison method between the upper and lower sets.Second - internal consistency method.Third - factor analysis method.3. 3. The stability of the tool : stability of the tool has been achieved in two ways : A method (Cronbach's alpha) : the stability of the scale amounted to (0888).(B) Midterm Fragmination method : the value of the stability of half - scale (744) since this value represents the stability of half scale, so the researcher used the equation (Spearman - Brown) to edit and extract the full value of scale and get a degree of firmness reached (0853), which confirms that the scale has a high degree of constancy and reliable. These measures have resulted in a measure consists of four areas include (45) items and (4) items were added to detect the objectivity, the researcher used the scale of the Quintet estimation in front of each paragraph and prepared correction key accordingly.Application of the tool : after the tool Completed conditions of validity, the researcher applied it to the basic sample of amount (224) students, and after collecting the forms, the researcher corrected it and discharged electronically in accordance with the statistical program (spss), (5) not valid Form were excluded as the respondent did not complete the answer. Add to the exclusion (18) Form where the submitted to the response objectivity and compare it with the spoken class for the absolute differences was larger than the spoken class and thus the form number has become (201) valid forms,they have been statistically analyzed and the results were extracted.Statistical methods : The researcher used the social statistical Pouch (spss) for data processing were used, the Pouc was used in the following topics : 1. Percentage : used by a researcher to unload arbitrators responses, used in the interpretation of the accepted factors and to withdraw the basic sample.2. Mean : Use in substantive response extraction, strength discriminatory clauses. As well as to find Means for computational research samples.3. Standard Deviation : 4. The standard error : 5. Test (T - Test) independent and equal number of samples. To measure the moral significance of the scale paragraphs, which is used to compare Means when samples are big and equal.6. Person Corrlation coefficient)) : To calculate the internal consistency (ratified paragraphs of scale) and to find the relationship between each paragraph of the scale with the total score of the scale, as well as a way to extract the fortitude fragmentation midterm.7. (Sperman Brown Formula) : used to modify the scale and extract the value of the stability of the entire measure, since after measuring the correlation coefficient between the two halves of self - consistency for estimating half of the test, has been modified the mentioned equation.8. Cronbach's alpha formula : to calculate the tool stability.9. Test (F) to calculate the harmony between the two halves of the scale.10. Used in the factorial analysis procedures and find them as follows : - Simple Pearson correlation. - Contrast interpreter. - The underlying root. - Relative importance.11. Unilateral variation analysis of the samples is of equal size : the researcher used it to calculate the significance of differences in general between the three colleges.12. Sheffe Test : The researcher used it to find the smallest difference between the average scores for the three colleges.13. T - test : for two independent samples and unequal. The researcher used it to find a sign of the moral differences between the first stage and the students of the fourth stage at the Faculty of Fine Arts in the level of self - consistency, as well as the use of the knowledge of the moral significance of the differences in the sex variable in self - consistency among students.Search results : Current search yielded the following results : 1. Having a positive impact for the study of art in diverse branches of self - consistency of the Babylon University students, thus I refused the null hypothesis which says (no effect to the study of art in the self - consistency of the University of Babylon students at the level of significance (0.05).2. The lack of a significant difference between the Faculty of Fine Arts departments in the level of self - consistency, which calls for acceptance of the null hypothesis that refers to : No trace of technical specialization variable in the self - consistency of the University of Babylon students at the level of significance (0.05).3. The absence of a significant difference between (male and female) of the fourth stage at the Faculty of Fine Arts in the level of self - consistency, which calls for acceptance of the null hypothesis that refers to : No trace of the sex variable in the self - consistency of the University of Babylon students at the level (0.05 ).

الابعاد الجمالية للابيض والاسود في التصوير المعاصر == Dimensional Aesthetic For White And Black In Contemporary Photography

Author name: هشام عبـد الســلام مصطفـى العباسي
Supervisor name: محمد عودة سبتي | عادل عبد المنعم عبد المحسن
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: توسم عنوان البحث الحالي بــ( الابعاد الجمالية للابيض والاسود في التصوير المعاصر ), الذي عني بدراسة الية استخدام الابيض والاسود وقيمتهما الفنية وسماتهما الذاتية ومحاولة الامساك بمرجعياتهما الفكرية والفنية المعاصرة في الاعمال الفنية(الرسم والكرافك) من خلال | The title of the current research is : (The aesthetic dimensions of black and white in contemporary photography), which deals with the study of the mechanism of using black and white and their artistic value and their subjective characteristics and trying to capture their contemporary intellectual and artistic references in the works of art (drawing and graffiti) through four chapters. Which ended with the following question : What are the aesthetic dimensions of black and white in contemporary art?And its importance and need to contribute to highlighting the contemporary art, especially the work carried out in black and white and aesthetic dimensions and technical value and the guidance of their references, and the search for the importance of the employment of black and white in the painting in a distinctive manner, despite the features of these two values of aesthetic and formative, Was to identify the aesthetic dimensions of black and white in contemporary art, while the limits of research related to the subject to study the work of contemporary artists available (black and white) of the artist himself through the subject matter and material and technical touch Serves the media in the output of the painting with their artistic touches implicitly covered. With regional borders including Europe, the United States of America, Asia, and Africa. With temporal limits for the period from the post - World War II period 1945 to 2015, and terms were defined to serve the purpose of the research.The second chapter covered the theoretical framework. The theoretical framework contained three topics. The first topic deals with the study of black and white in the ancient arts, their philosophical origins, and their physiological and psychological interpretations. The second section deals with the study of black and white in the construction of the artistic form. The third topic is the study of black and white artists of contemporary art.The third chapter was devoted to the research procedures (93) pictures, which included the research community, which selected (17) models chosen intentionally, while the researcher took a descriptive approach to the content in the sample analysis.The fourth chapter included the findings and conclusions reached by the researcher.Among the findings of the researcher : 1. The mechanism of works performed in black and white is reflected in the actuality of the act of social, political, cultural, economic and religious reality. The work of art becomes a tool that puts in its first goals everything that achieves an aesthetic dimension to everything without exception, glorifying the individual spirit and elevating the ego on the one hand. To be an implicit invitation to the emotions of isolation, introversion, anxiety and self - imagination and move it with surprise to the recipient with free play, so that these products take formal forms characterized by the adherence to the use of colors with the variety of techniques without constraints that tried to show the aesthetic dimensions.2.The technical aspect has a role in showing the aesthetics of black and white and highlighting some details that distinguish them from others through the texture and the nature of the shapes as in the sample (17.16.14,11,10,9,8,7,3,1,1). The researcher reached a number of conclusions, the most important of which are : 1. The work of artists in Black and White has gained the trait of independence and self - expression in the style of technical innovation, experimentation and bringing new things despite the adherence to color in the output of their works. The style is divided according to the artist's subjective energy and his inner sense between the direct, the immediate, the automatic, the dynamic, (Traditional), fast, simple, complex.The study concluded by presenting a set of recommendations and practical proposals related to the study of the aesthetic dimensions of black and white in contemporary art in order to complement the usefulness, followed by a list of Arab and foreign sources and references and supplements in English.

التفضيل الجمالي وعلاقته بانماط التفضيل المعرفي لدى طلبة كلية الفنون الجميلة جامعة بابل == Aesthetic Preference And Its Relationship To The Patterns Of Preference Cognitivethe Students Of The Faculty Of Fine Arts University Of Babylon

Author name: ناريمان اكرم محمود العكام
Supervisor name: عباس نوري خضير الفتلاوي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: ترى معظم الادبيات ان الجمال هو مثير يولد لدى المتلقي جملة تغيرات جسمية ونفسية ويثير انتباهه وملاحظته ويجعله يندفع الى التفضيل الجمالي، فالتفضيل الجمالي هو عملية سلوكية عامة يقوم بها المرء تجعله يحب او يقبل او ينجذب نحو فئة معينة من اعمال الفن من دون غيره | Most of the literature you see that beauty is sexy generates the recipient among other physical and psychological changes and provokes attention and be seen and makes it rushes to the aesthetic preferences, Valtvdal aesthetic is a general behavioral process carried out by one makes love or accept or gravitate toward a particular class of works of art without the other; were numerous views on the interpretation of aesthetic preferences Some of them sees an innate trait in humans and were seen as the phenomenon of educated and growing and some of them see it affected an objective or subjective factors and these theses remain in need of rigorous scientific testing to verify the sincerity in practice, the receiver factors is the human being who is exposed to acts of aesthetic and responds to a Check is a figure of the total behavioral and cognitive attributes.As well as featuring the current era we live in change and complexity, speed and massive development of the information and the era of knowledge explosion, and so we find in general growing interest in cognitive processes and here the importance of the cognitive aspects come in dealing with information, process and manipulate accounting for this favorite means by educated people in the reception and processing of information and represent patterns knowledge of cognitive strategies to learn an individual's learning style has targeted the current research to identify : - 1. Detection aesthetic preference among students of the Faculty of Fine Arts, University of Babylon.2. Identifying the differences in the level of aesthetic preference among the students of the Faculty of Fine Arts, University of Babylon, according to the race.3. Recognize the preference of cognitive patterns of Fine Arts Students - University of Babylon.4.Identify statistically significant differences in cognitive preference patterns among students of the Faculty of Fine Arts, University of Babylon.5. The relationship between the aesthetic preference and preference patterns of knowledge among students of the Faculty of Fine ArtsThe study included four chapters as follows : - The first chapter included the problem of the study and the importance of and need for, and objectives of the study and its borders as well as determine the terms contained therein.The second chapter included as part of the previous theoretical studies, as it dealt with a researcher at the first section aesthetically philosophy, while the second section has dealt with the researcher aesthetic preference, and the third section patterns of cognitive preference. But previous studies have been presented by the researcher parallel zones of separation and to agree with the current study.While the third quarter included a research procedures, as reviewed by the researcher study population, which included two school years the first and fourth students in sections of art education and fine arts at the School of Fine Arts / Babylon University for the academic year (2015 - 2016) m, totaling 325 students as a researcher ratio was adopted (50%) to extract the sample as it became a research sample (164) students and after excluding Alastmaar invalid were excluded (14) form due to the absence of some students for one scales and his presence in the other measure became a research sample original (150) students, where the number of students in the Department of Art Education, the first school year (61) students, fourth year of study (23) students, while arts assortment section bringing the number of first year students (46) students fourth school year, bringing the number (20 ) students, was selected as the pilot sample of the remaining number of students from the original community and outside the research sample native who expressed their desire to participate in the tests, as the researcher ratio adopted (10%) of the total number of community research is research sample Originally, totaling (32) students representing the proportion (10%) of the research community as it was selected 18 students from the Department of technical Education, as included the first school year (13) students, fourth year of study (5) students, while in the Arts Fine, bringing 14 students since included the first school year (10) students and fourth (4) students Talibh.kma The researcher presented Adata research and comprising the b : A measure of aesthetic preferences and scale patterns of preference knowledge, it has adopted a researcher scale (Aekam, 2013) the component (16), total and after what was presented to experts and their agreement to delete group (i), and to measure patterns of preference cognitive drafted researcher measure which consisted of (15) items every paragraph contains four positions represent the four styles (Heath patterns) distributed in the form of (a , b, c, d) as the character (a) refer to the pattern of remembering and Crafts (b) refers to a style critic and Crafts (c) refers to a pattern of principles and Crafts (d) refers to the application pattern, and thus each paragraph contains four patterns and after having heard the theories and literature and standards and previous studies pertaining to this variable, and offered a number of experts in the field of art education, psychology, and by 15 experts and after using the ratio Almaah, and after extracting the psychometric properties of the scale of the (validity and reliability) measure is ready for the final application. After this dish Almkiesan final Besgtehma the research sample and data collection and discharged in Axel statistical program (Excel) and to address the statistical data used researcher statistical bag (SPSS) program to achieve the objectives of the research, as it used statistical methods (t - test for two independent samples and coefficient Pearson and Kiodr link - richardson and analysis of multi - variance t - test for one sample.While the third quarter included a research procedures, as reviewed by the researcher study population, which included two school years the first and fourth students in sections of art education and fine arts at the School of Fine Arts / Babylon University for the academic year (2015 - 2016) m, totaling 325 students as a researcher ratio was adopted (50%) to extract the sample as it became a research sample (164) students and after excluding Alastmaar invalid were excluded (14) form due to the absence of some students for one scales and his presence in the other measure became a research sample original (150) students, where the number of students in the Department of Art Education, the first school year (61) students, fourth year of study (23) students, while arts assortment section bringing the number of first year students (46) students fourth school year, bringing the number (20 ) students, was selected as the pilot sample of the remaining number of students from the original community and outside the research sample native who expressed their desire to participate in the tests, as the researcher ratio adopted (10%) of the total number of community research is research sample Originally, totaling (32) students representing the proportion (10%) of the research community as it was selected 18 students from the Department of technical Education, as included the first school year (13) students, fourth year of study (5) students, while in the Arts Fine, bringing 14 students since included the first school year (10) students and fourth (4) students Talibh.kma The researcher presented Adata research and comprising the b : A measure of aesthetic preferences and scale patterns of preference knowledge, it has adopted a researcher scale (Aekam, 2013) the component (16), total and after what was presented to experts and their agreement Khzvt group (i), and to measure patterns of preference cognitive drafted researcher measure which consisted of (15) items every paragraph contains four positions represent the four styles (Heath patterns) distributed in the form of (a , b, c, d) as the character (a) refer to the pattern of remembering and Crafts (b) refers to a style critic and Crafts (c) refers to a pattern of principles and Crafts (d) refers to the application pattern, and thus each paragraph contains four patterns and after having heard the theories and literature and standards and previous studies pertaining to this variable, and offered a number of experts in the field of art education, psychology, and by 15 experts and after using the ratio Almaah, and after extracting the psychometric properties of the scale of the (validity and reliability) measure is ready for the final application. After this dish Almkiesan final Besgtehma the research sample and data collection and discharged in Axel statistical program (Excel) and to address the statistical data used researcher statistical bag (SPSS) program to achieve the objectives of the research, as it used statistical methods (t - test for two independent samples and coefficient Pearson and Kiodr link - richardson and analysis of multi - variance t - test for one sample.The fourth chapter included a presentation and discussed the results of the study as well as conclusions and recommendations and proposals and the conclusions of its study : 1. The presence of a low level of aesthetic preference of the students of the Faculty of Fine Arts, as she was the calculated value of $ (1,366) smaller than the tabular value of $ (1.96) at the level of significance (0.05).2. There are no differences in the level of aesthetic preference, amounting to the calculated value (0371), the smallest of the tabular value of the (1.96) at the level of significance (0.05).3. The presence of a high level of patterns of preference knowledge to the students of the Faculty of Fine Arts, as she was the calculated value (6138) and (4202) and (2785) and (2045) Patterns (remember, the principles, the critic, the application) greater than the tabular value of the (1, 96) at the level of significance (0.05).4. A) And no statistically significant differences in the pattern of memory depending on the variable (sex) were in favor of females as the value of (P) calculated (6541) which is greater than the value of tabular the (1.96) at the level of significance (0.05) and the degree of freedom (1) and (149), while the other styles, there are no statistically significant differences.B) And no statistically significant differences for the typical remembering and application depending on the variable grade and was in favor of the fourth stage as the value of (P) calculated (27.842) and (9165) on the sequence which is greater than the tabular value of the (3.89) at the level of significance (0.05 ) and the degree of freedom (1) and (149), while the typical critic and principles, there are no differences.C)There are no statistically significant differences for all styles, as the value of (P) calculated (0602) and (1933) and (0631) and (0476) on the sequence which is smaller than the tabular value of the (3.89) at the level of statistical significance (0.05 ) and the degree of freedom (1) and (149.There were significant differences in the pattern of remembrance for the interaction (sex × grade × specialization) as the value of (P) calculated (5959) was the biggest of the spreadsheet the (2.42) at statistically significant (0.05) and the degree of freedom (4 ) and (149), while the rest of the patterns were not statistically significant.5. The existence of a positive and a weak relationship between aesthetic preference and style to remember (0022), and the existence of an inverse relationship and weak between aesthetic preferences and style of the critic ( - 0.109), while the relationship between the aesthetic preferences and style principles are inverse relationship is very weak ( - 0.018), while the relationship aesthetic preference and style of the application (0125) is a positive and a weak relationship.The researcher made a series of recommendations and proposals, including : - 1. to provide educational institutions starting from kindergarten and up Undergraduate all modes of education on aesthetic preference and interpretation of its implications in all areas.2. Make use of the patterns of preference cognitive measure in determining the student to the style that suits him down as the need to enhance the cognitive patterns of preference among students through the curriculum.The proposals : - 1. relationship preference aesthetic tendencies technical students at the Faculty of Fine Arts.2. Information processing and its relationship to cultural norms cognitive preference among students of the Faculty of Fine Arts

الابعاد النفسية للتعبير الفني في الفن الكرافيتي == Psychological Dimensions Of Artistic Expression In Graffiti Art

Author name: حوراء علي عبد محمد
Supervisor name: علي شناوة وادي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: يعد الفن الكرافيتي من اخر الحركات الفنية التي نمت في اعقاب الحرب العالمية الثانية لزوال الرقابة الصارمة على الجدار او الاماكن العامة، وتعبيرا مباشرا لمشاعر الفنان بلا قوانين فهو من فن ما بعد الحداثة محملا بابعاد نفسية يصبها على الجدار او الفضاء العام | The Graffiti art is considered as the last artistic movement which appeared at after the second world war The lack of strict control appearance on the wall or puplic places, and a direct expression for the artist feeling without laws art postmodern which loaded by many Psychological dimensions touched by on the wall, or public space to form the contact with the other world forum for debate on any subject, whether economic or political, religious or even sexual. Eating current search the psychological dimensions of artistic expression in graffiti art,the research community is made up of (200) work of art,and select for the period(1975 - 2016) ,and research sample (20) work of art, statistical methods were used scott and cooer and arithmetic mean.among the results that have been reached : 1. psychological dimension has appeared Representatively by the worried among the painters throughout features ( involved and partial shapes ) ( feel the artist loneliness ) and (The presence of the features of imaginary ) and ( the Varity in colors , sizes , details and proportions and ( The intensity of the movement and emotion ) and (fragmentation of forms ) in quantitative statistical analysis , in which three items has gained the high in the arithmetic average for the items (39%) the items indicative of a anxiety , the anxiety has represented among artists (Michelle, Branuc nock ???,bankce, and Keith).2. psychological dimension has appeared representatively by introversion among graffiti art's artists statistically through ( the pessimistic sence and present the world tragically) , (the depth and ambiguity of the ideas presented in the artwork ) , ( using dark colours ) , (neglect the work space or non interest in it ), (the lack of details drawing elements and its sense of stillness ), in which three items has gained the high in the arithmetic average for the items ?????? so that these items indicate the introversion, the introversion has shown with artists ( Mart, Michelle, Banksy, Nock ).3. psychological dimension has appeared representatively by extraversion for the painters statistically throughout ( Idiomatic expression of subjective feelings of the artist ), ( sense of optimism from the atmosphere artwork ) , ( having a sense of Carnival )and ( using colours that represent happiness and pleasure ), in three points in this work area have gained the high in the arithmetic average for the items ?????? these points indicate the extraversion the extraversion has appeared with painters ( Alis , Quik and Miss Van )..Some of the conclusions reached by the researcher : ?. Generally the Postmodernism art characterized by pluralism and overlapping races , varity of art styles , keep away from the constants in the area of individual and temporary methods that the Postmodernism art characterized with and before it , and the psychological dimensions in Graffiti art agreed with the nature of this openness and The overlap of races.?. The big diagnosis in the Graffiti paintings with repetition of the artist's name characteristically in artwork ,If anything, it shows the artist's quest to prove himself , and confirmation of him especially that the Graffiti art painters are oppressed by agencies specialized lifting these paintings and reject its content which pushed to Incitement and a provocation and consider it also titled ugliness.?. The Graffiti art paintings have taken huge area from psychological dimension that filled throughout display conscious and unconscious that characterized in involvement of the recipient, it is like remarkably and exciting letters contain purposes and other media order imposed ,as well as functional ones in several areasthat is how the researcher has concluded her research by recommended and suggestions and then the sources and appendixes

الاصول الرمزية في رسوم پول كوكان == Symbolic Orgins In Art Works of Paul Gauguin

Author name: حيدر صاحب جبار
Supervisor name: كاظم نوير كاظم الزبيدي
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث : (الاصول الرمزية في رسوم پول كوكان) اربعة فصول، عرض في الفصل الاول الاطار المنهجي، من حيث مشكلة البحث التي حددت بالسؤال الاتي : (ما الاصول الرمزية في رسوم پول كوكان ؟)، مع بيان هدف البحث الذي كان (كشف الاصول الرمزية في رسوم پول كوكان) واهمي | This research : (Avatar Symbolic in Art work’s of Paul Gauguin) Vahtoy Find the four seasons meant the first chapter the methodological framework for the search evolved to includeboth research problem identified by asking the following : ( what assets Symbolic in Art work’s of Paul Gauguin ?) , As well as chapter contains the goal of research who was detected assets Disclosure of assets symbolic in Art work’s of Paul Gauguin) ) This research as well as chapter containsAnd identifies current research study ( Avatar Symbolic in Art work’s of Paul Gauguin) oily implemented in the years from 1881 to (1903 ), produced in France , and the islands of Tahiti.The second quarter included four topics in turn divided into several axes. Guarantees thefirst section (the icon in the human thought ) while taking second topic ( symbolism in thearts ) The third topic was interested in studying ( assets symbolism in modern painting ) withincludedSection four ( the life of Paul Gauguin ) The fifth topic handled (attributes of cash ,and the aesthetic in fees Gauguin ) , has concluded the second quarter review of thetheoretical framework of indicators to take advantage of them in the construction of the search tool and analyze appointed.The chapter contains a third search procedures , which included the research community and which consisted of ( 180 ), a work of art ( for (Paul Gauguin ) oil on Alcanvas , and sample amount (20 ), a work of art then search tool that has been built on the light of the indicators of the theoretical framework , where included tool axes assets Avatar which assets : (Mesopotamian , Pharaonic , Greek, Chinese , Japanese, Tahitian , religious , Jewish , classical , romantic ) , has been placed on the horizontal axis in the form of analysis , and then placed shapes Avatar Other, and configuration items , and after that offered the tool on a number of experts and specialists in the field of art education , and fine arts , to express their views in their validity , it has been modified form is deleted , and added some paragraphs of them and having gained the tool honesty ; became ready for application , the researcher : (conducted a stability of the tool through) (agreement between analysts external) Pthalilhma individually the content itself , on the basis of his followers the same steps , and analysis rules , and ( the agreement over time ) : Ptousel researcher to the same results after the decomposition of thesame content again after a certain period of time , and to follow the same rules and procedures in doing and the analysis.After the application of statistical methods by which included both (equation Cooper) to calculate the sincerity of the tool, and the percentage of agreement among the experts (83%) to acquire sincerity content after it gained honesty virtual, and equation (Scott) to calculate the stability of the tool, since the rate of stability in which the proportion(82.5%).The fourth chapter, has included the search results, and conclusions, and contained the search results, and conclusions as well as recommendations and suggestions, the researcher has reached to remember the basic results, including : 1. Formed religious symbols and their meanings obsession deep into the artist orientations of Sufism , and the Catholic associated with church , likening constant in Jesus Christ as , and pain and suffering , which made the orientations religious ecclesiastical , Christianity , Buddhism , and other religions constitute reference inherent in his paintings.2. Use ( Paul Gauguin ) Jewish symbols , and so out of Jewish influence on Europe in general and France in all special.3. Borrowed artist ( Paul Gauguin ) Some symbols mechanisms narrative Novelist , and the stories the old classic with inherited European necessitating thus symbols through flashbacks classic based on the laws stringent technical , but he borrowed , and added them a lot of symbolic nature , and expressive in order to give her a symbolic dimension somewhat different what brought him classical movement.The main findings were : 1. That influenced the artist ( Paul Gauguin ) arts ancient and primitive as it is found in European civilization which the grapes source of threat , and the destruction of self and fled , including searching for primitive life in places not reached European civilization , and to escape from the community who felt secession , and alienation with him because the community did not appreciate his talent.2. Arad, artist ( Paul Gauguin ) in his drawings Liberation Art of limitations generally accepted that left schools that preceded it , and the schools that the grapes try to find new ways , and symbols alternative inspired by the ancient civilizations of the flows into their art , and to convey movement Avatar horizons another that would make him , and his art immortality.As well as research has included : proven sources , and supplements , and a summary of research in English.

جمالية الايهام البصري في رسوم سلفادور دالي == Aesthetic Visual Illusion In Paintings of Salvador Dali

Author name: شاكر عبد النبي جباره وطبان
Supervisor name: محمد عودة سبتي
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: Fill Find beauty of human thought since ancient times, being an important part of his feelings and his sense of the world, which showed the his attempts at making beautiful as he sees fit consistent with the feelings and human identity and social affiliation, and characterized without other creatures of being beautiful pictures and creator maker, this led to allocate some of the search the values of these images and their interpretation, Venco so aesthetics, has produced a lot of art images from the caves to the present day, and the great artists who excelled in this area a significant impact in the technical experience considering that their greatest impact on the thoughts and emotions of the people, and who left a legacy artistically valuable a significant impact later is the Spanish artist (Salvador Dali), which occupied a prominent position and an excellent location in the history of European art.The current research has dealt with (Aesthetic visual illusion in Paintings of Salvador Dali) and containing these fees from the beauty of art through the methods of structural treatments, techniques and technologies.Salvador Dali acquires great importance as an artist, he is an artist Urby singularly in his career, and has a level of privacy on the aesthetic tools and on the level of human and social position.As artist Silvader Dali belongs to the school Surrealism, which emerged and was famous in the early twentieth century and affiliation that did not make it affected the fundamentals of technical classic, but search for himself space to override contrary in outside those limits, making it the most famous surrealist artist from among a number of his peers Europeans.As long as his work is that talk, Salvador Dali has left a number of important works, carrying privacy orientations Surrealism.This research is an attempt to reveal the editorial systems in his art, and the qualities that could be achieved in the aesthetic elements of the plastic painting very magnificence and excitement is not technically part, but in metaphor and embedding elements configuration.The search is over to combine analysis who cares fragmented, examination and induction and formulate conclusions,.Thus adopted research the following question : (What aesthetic the illusion in the Salvador Dali fees?)The research is divided in four chapters, the first chapter included, the problem of the definition of research and its importance and need for, and the aim of the research that has been summed up as : (learn visual aesthetic giving the impression in painting of Salvador Dali). The first chapter also includes a definition of the limits of the search, and determine the terms contained therein.The second chapter, which is the theoretical framework of the research, it has been divided in four sections : 1. The first section Me (perceptive formal in painting between reality and create the illusion).2. The second section Me ( illusion in modern painting)3. The third topic Me (Surrealism, origination, vision and method).Also included a theoretical framework and previous studies indicators.While the third quarter included research procedures, from the research community, and a sample search, search tool, the research methodology and analysis of the research sample.• The fourth quarter included the search results, Among the findings of the researcher : 1. The arguments of Surrealism seemed clear in the works of Salvador Dali imagined and underlying vocabulary that seemed a substitute for logic and reason authority since defected to the fundamentals of building formal relations that would achieve a balance between the painting and the unity and harmony dimensions allowing the artist to form a pattern of Fine relations and Avatar on the surface Photogrammetry which met the elements of alienation, imagination and subconscious.2. How important photo in the works of Salvador Dali appeared by employing them in collage techniques as it appears in the painting (3), or in making it as an essential element for the establishment of his work with elements of playing is reflected in the paintings (9.11, 14, 15) of the sample research.The most important conclusions : 1. Depending on the different themes of the diversity of the latest so that the grapes can be classified into the task of the artist's life stages where it was confirmed on a specific theme which completed a large collection of his works2. create the illusion that the key element in most of the works of Salvador Dali Surrealism within the period in his artistic life form.• recommendations, including : the need to establish cultural and intellectual relations between the global arts colleges and technical institutions) with arts colleges in Iraq to take advantage of the technical expertise and experience and acculturation between them, and interest in the study Surrealist art depending on Salvador Dali techniques in the implementation of his paintings.• proposals, including : the impact of Salvador Dali fees in contemporary art.Then comes after chapter four : sources, supplements index, and abstract in English.

دلالات الشكل في رسوم عامر العبيدي == Figure Connotations In Amer Al - Obeidi’s Drawings

Author name: خمائل محسن رشيد الشمري
Supervisor name: علي مهدي ماجد
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث الحالي دلالات الشكل في رسوم عامر العبيدي، وقسم البحث على اربعة فصول، تضمن الفصل الاول عرضا لمشكلة البحث، ان عملية تقصي الدلالة هي حاجة ملحة للكشف عن المضمون الذي يروم الفنان التعبير عنه عبر الاشكال فيما تحدد ت حدود البحث الحقبة التاريخية ( | The current research has figure connotations in Amer al - Obeidi’s drawings , the Research divided to four chapters, the first chapter included a presentation of the research problem, the process of finding significance is an urgent need to detect a content which the artist looking to express about it through forms. While the research boundaries defined at the historical period (1981 - 2012 m)The second chapter included a theoretical framework which included three sections : the first section has (figure indicative between meaning and concept) where the concept of significance and its mechanism functioning in art in addition to the kinds of connotations shapes and its mechanism functioning in art has been mentioned. While the significance approaches in the art has been mentioned in the second topic, ensuring : ancient Iraqi art, art of the Middle Ages, Renaissance, modern European art and the contemporary Iraqi art.The third section included biography of the artist and a brief from a revivalists group to which Amer al - Obeidi belongs to. The third chapter included procedures of the search which the researcher adopted on the descriptive style content analysis, with a total of180 models of the research represented the research sample that chosen in deliberately by experts.The fourth chapter contains several results that reached by the researcher after analyzing the research sample was the most prominent : 1 - Signs Diversity from iconic to Indicative and symbolic and that leads to a diversity of readings from closed to open meaning as in most of the artist works.2 - The Iraqi ancient civilization forms in its lines , vocabularies and symbols a formality reference and semantic content of the artist which represented by symbols of Sumerian’s ,Babylonian’s , Acadian’s and Assyrian’s art. 3 - The artist inspired elements of Islamic architecture to escalation of civilized connotations in the artwork depending on collecting architectural forms represented in domes , arcs , columns and lighthouses and niches that each bearing its symbolic , mystical and religious connotations cross geometry Islamic form and distributing it within the painting in balance and juxtaposition and consistency and harmony attaining through it religious and cultural semantics as in the sample4 - Horses forms occupied wide part in al - Obeidi works where deprives from its utilitarian connotations and devise it in a frilly amount holds aesthetic connotations to be the horses complement for that frilly total , that means it turns into animal ornament in most of his works.5 - Amer al - Obeidi loaded spiritual and sacred connotations in some of his works through forms which he browed from Christian art and he describes it in a new style that Special to the artist while he carries it a symbolic significance indicates absolute infinite , metaphysician ,eternal divine and unifying the heavenly messages6 - Amer al - Obeidi’s some works are featuring in dealing with space with repentances of breach the space by forms hanging from the top and describing the space as a form , that has a symbolic suggestive significant which represented in extension , infinity , unity and loss 7 - Part of Amer al - Obeidi’s work has political patriotism nationalism connotations through shapes that included in the technical work such as horses and knights armor and gear in the deserts and spaces while it considered indicative signs with terms refer to war or revolution in addition to violent rebel knights and horses movements, which showed a conflict between antagonists or more.The search also included many of the conclusions, recommendations and proposals and the researcher finalized her letter with a list of sources, references and appendices and the abstract in English

دلالات الحب في الفن التشكيلي العراقي المعاصر

Author name: حاتم عباس بصيلة
Supervisor name: عباس نوري خضير الفتلاوي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
1 2 3