اسم المؤلف:
فرح علي عبد الرزاق الدليمي
اسم المشرف:
محمد علي علوان عباس القره غولي
المستخلص:
عني هذا البحث بدراسة ( جماليات الخطاب النسوي في فنون ما بعد الحداثة) وهو يقع في اربعة فصول الاول لبيان مشكلة البحث، واهميته، والحاجة اليه، وهدفه، وتحديد اهم المصطلحات الواردة فيه، وقد انطوت مشكلة البحث الحالي على الكشف على ان ما شهده العالم الغربي من | Focus this research to study ( The aesthetics of the annual speech in the arts of postmodernism ) is situated in the four chapters of the statement of the research problem, and the importance of, and need for, and purpose, and to identify the most important terms contained therein, have involved the problem of current research to reveal that what the western world has witnessed the a change in the concepts and transformations of intellectual and what happened from the rapid changes has had a clear impact in bringing about changes in the various structures and as a result of those big changes that affected the cultural, literary and cash by engaging in systems as well as cultural, literary and artistic on the other hand engage in systems, it promotes the emergence of new types of literature including feminist who was an anti - hegemony of art and literature male has adopted the theses of feminist criticism pivotal link antithesis between accomplished male dominance and the accomplished feminist and a weak presence on an area of research literature, and the theses postmodern fertile area from which the feminist movement demands, general women and actresses in particular I have proven that every woman is able to achieve the same in the works of art and literature and in line with the philosophical and intellectual propositions of postmodernism.Hence the problem of current research originated through the following questions : - What is the role played by data feminist discourse in the art of post - modernism? - How did the contemporary visual artists, may file accomplishing visually crystallizes feminist speech from an aesthetic perspective holds insights and theses culture feminism? The importance of searching through explanation for literary and monetary concepts contemporary have a close relationship with art feminist masculinity and femininity, and the feminine and feminist and women's notions of parental (Patriarchate) and gender and its relation to the ideas of postmodernism, and represents an attempt to shed light on the nature of the relationship between the aesthetics of feminist discourse and the products of post - modernism, according to interested professionals through access to the findings and conclusions, it has found a researcher that there is an urgent need for this study is the fact that the subject has not been studied previously within the area effective for the products of arts postmodernism, as well as this study the concentration of matter on the contemporary visual artists and knowledge her methods performing and her creative achievements which has been absent for several decades.The aim of this research to know the aesthetics of feminist discourse in the arts of postmodernism was limited research on how long the time period of (1951 - 2016) and of studying the feminist productions for artists postmodern and executed with different materials at different ores in streams (abstract expressionism, pop art, visual art , graffiti art, conceptual art, art synthesis, new expressionism, digital art).The second chapter (theoretical framework) guarantees the three sections, first topic focus to the concept of post - modernism and the arguments of Netasheh and Freud, structural and some concepts that diffusion structuralism, deconstruction and the proposals of Jacques Derrida and Michel Foucault, and a speech after the buzzards and globalization, and a letter of postmodernism and the culture of consumption, while focus second topic entrance into feminism and feminist literature and criticism feminist, language and given the female of the text, while the third section rotation arts postmodern and implications of feminist discourse in streams (abstract expressionism, pop art, visual art, graffiti art, conceptual art, art synthesis new expressionism, digital art).Chapter three has included action research, the researcher reviewed the research community and appointed by the style selected.The fourth chapter focus on results search results and conclusions, summarized the researcher to a range of outcomes, including : 1. Feminist discourse depends on the products of postmodernism on data aesthetic transformation and stylistic and technical as well as formulations structural forms of intellectual and contents and their contents, which appeared in the second half of the twentieth century, has shown the emergence of post - modernism, according to the visions of intellectual feminist adopt a new attitude to express contemporary problems of women, as in the research sample models.2. Gaining visual artists experiments in post - modernism, the dimensions of functioning merge with the experiences of contemporary plastic artists, but up to focus on the necessities of research on the technical trend on the one hand the aesthetic and the inevitability of a departure from the prevailing traditional patterns on the other hand, as in the research sample models.3. The theme of alienation in the products of human visual artists, the investment pattern overlap between the conscious and unconscious, and between reason and emotion, a choice of intellectual touches the essence of the idea of self and carry meanings and connotations, as in most of the research sample models.The researcher has reached a number of conclusions, including : 1. Aesthetics feminist discourse in the arts contributed postmodern elevating of philosophy initiated no mind and the adoption of individual categories and chance and blow up the idea of art through the presence of the idea of demolition and dismantling of the bonds aesthetic realities.2. Uniformity intellectual formulations for aesthetics feminist discourse in the arts of postmodern philosophies with frameworks postmodern theses and feminist criticism, as well as other contemporary monetary concepts that have had an active role in deepening the critical reading and calendar visual feminist done.3. Interpret the visual landscape of the products of feminist art, aesthetically, as manifestation Layout hermeneutical reading and analysis, especially where infrastructure is enhanced mental scene assignments of symbolic probe form actually modulated semantic from the signifier and the signified. The researcher considers a series of recommendations including : 1. Interest in academic studies that specializes in visual themes of feminist art and that the lack of the existing ones in the scientific field, the big and important in the definition of this art with data and types.2. The establishment of cultural institutions and the houses of the Arab local publishing translated foreign sources dealing with plastic feminist art experiences in the world, the lack of such sources in specialized scientific libraries.3. The establishment of plastic arts exhibitions and annual festivals and events and periodic conferences, dealing with plastic feminist art, and the definition of the methods and insights, methods and propositions own visual artists.The researcher proposed the following headings study : 1. Aesthetics feminist discourse in modern art.2. Feminist discourse and representations in products of contemporary Arab art.3. The aesthetics of the image in contemporary feminist art
