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كميت بن معروف الاسدي (حياته وشعره)

اسم المؤلف: عبد اي عبد العباس حمود
الموضوع العام: اللغة العربية وادابها
السنة: 2005
الموضوع الدقيق: الادب
اللغة: العربية
مكان الجامعة: النجف

خطب الامام علي (عليه السلام) في كتاب نهج السعادة في مستدرك نهج البلاغة : دراسة تحليلية

اسم المؤلف: شيماء عبد المهدي سلمان
اسم المشرف: رحيم خريبط الساعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف

تحولات النص الشعري العراقي بين الرواد والستينيين

اسم المؤلف: عماد صباح عباس
اسم المشرف: حسن عبد عودة الخاقاني
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الكلمات الدلالية:
  • الشعر , التحولات, النص, الرواد, الستينيين.

اهل البيت في الشعر المسيحي اللبناني من 1900 الى 2000 : دراسة ادبية

اسم المؤلف: زيد عبد الحسين يوسف
اسم المشرف: حسن عبد عوده الخاقاني
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الكلمات الدلالية:
  • اهل البيت المسيحي اللبناني الامام علي والامام الحسين

اتجاهات الادب المقارن في الدراسات العربية 1990- 2015

اسم المؤلف: هادي رزاق محمد علي
اسم المشرف: علي كاطع خلف
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الكلمات الدلالية:
  • الادب المقارن، المقارنية العربية، المدارس، الادب الحديث، الادب الاسلامي.

شعر اديب كمال الدين : دراسة تحليلية == the Poetry of Adeeb Kemalul-Deen : Analytic Study

اسم المؤلف: عذراء مهدي حسين العذاري
اسم المشرف: عادل عبد الجبار زاير
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

السرد في شعر حسب الشيخ جعفر ما بعد عام 1975

اسم المؤلف: هند ياسين طه الجزائري
اسم المشرف: حسن الخاقاني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

ملوكيات الجواهري : دراسة فنية == Al-Jawahiri's Malukyat : Artistic Study

اسم المؤلف: ستار جبر حسين
اسم المشرف: رحيم خريبط عطية الساعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

الاتجاه الشعبي في شعر العصر العباسي الثاني == Peoples Poetry's Tendency in the Poetry of the Second Abbasid Era

اسم المؤلف: ورود وليد حمود حسين الصراف
اسم المشرف: حافظ كوزي عبد العالي المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

الرؤى الاجتماعية في شعر الشريفين (الرضي والمرتضى) : دراسة في الموضوع والفن == Social Visions in the Poetry of (Al-Shareef Al-Redhy and Al-Shareef Al-Murtadha) A Study in the Subject and Art

اسم المؤلف: رجاء مهدي زكي نوري
اسم المشرف: ظاهر محسن جاسم
الموضوع العام: اللغة العربية وادابها
السنة: 2021
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الكلمات الدلالية:
  • الرؤى الاجتماعية في شعر الشريفين ( الرضي والمرتضى) دراسة في الموضوع والفن
  • الفصل الاول العلاقات الاسرية
  • الفصل الثاني العلاقات الاجتماعية
  • الفصل الثالث الدراسة الفنية
الصفحات الاولى:
المستخلص: يعد الشريفان من كبار سادة عصرهما اذ نظما في شتى الاغراض الشعرية، فقد هدفت الدراسة لبيان الرؤى الاجتماعية في شعرهما في جانبي الموضوع والفن بعنوان (الرؤى الاجتماعية في شعر الشريفين الرضي والمرتضى دراسة في الموضوع والفن).
اقتضى البحث ان اقسمه على تمهيد وثلاثة فصول. فالتمهيد بعنوان (الواقع السياسي والاجتماعي في حياة الشريفين) درست فيه حياة الشريفين اسمهما ولقبهما وكنيتهما الى اخر محطة في حياتهما وهي وفاتهما.
امّا الفصل الاول: (العلاقات الاسرية) قسمته على مبحثين الاول: (العلاقات الاسرية الخاصة) درست فيه اولاً: الابوة ومنزلته عند الشريفين من مدح وتهنئة ورثاء... وثانياً: الامومة وفيها مكانة الاوم، ورثاء الام ، وثالثاً: الاخوة تناولت فيه رثاء الاخ والاخوات، ورابعاً: الزوجة... اما المبحث الثاني:( العلاقات الاسرية العامة ) درست فيه اولاً: الاقارب تناولت فيه كل ما يتعلق بالاقارب من تعزية ورثاء...، وثانياً: النساء وثالثاً: المولودات تناولت فيه التهنئة والرثاء بالمولودات.
والفصل الثاني:( العلاقات الاجتماعية) وهو على ثلاثة مباحث: الاول (الصداقة والصديق) درست فيه مدح ورثاء وتعزية الاصدقاء... والثاني (المكانة الاجتماعية) تناولت فيه المكانة الاجتماعية للشريفين وما يتمتعان به من منزلة اجتماعية ودينية... ثم المبحث الثالث (نقد السلوك الاجتماعي السلبي) درست فيه نقد الشريفين للسلوك الاجتماعي السلبي كالحسد والنميمة والنفاق.
والفصل الثالث (الدراسة الفنية) وقسمته على ثلاث مباحث الاول: الاول: (اللغة الشعرية) ، والثاني (الصوة الفنية )، والثالث (الايقاع).
وختمت الفصلين بخاتمة ومنها:
- حضور بارز للرؤى الاجتماعية من خلال تطرق الشاعرين الى موضوعات حاضرة في عصرهما.
- غلبت صفة البداوة والحضارة، في شعرهما.
- وجود بعض الاختلاف بين شخصيتي الرضي والمرتضى فقد برز الجانب السياسي على شخصية الرضي، بينما كان الشريف المرتضى زاهداً في السياسة فاتجه الى طلب العلم والتاليف.
- استعمال الالفاظ التقليدية بنسبة قليلة جدا في حسن التخلص مثل( دع ذا ، ودع عنك...) وكثرة استعمال الطرق الغير موروثه، ويدل هذا على قدرتهما وامكانيتهما الفنية من خلال الاسلوب الذي يستعملانه.
- استثمر الشريفان مكانتهما الاجتماعية التي افصحت عنها المناصب مثل امارة الحج، ونقابة الطالبيين، والنظر في المظالم، فاستثمرا كل هذه في التاثير في بعض المظاهر الاجتماعية في العصر العباسي.
- لم يخلُ شعرهما من الاغراض الشعرية السائدة فكان المدح في مقدمة اغراضهما الشعرية ويليه الرثاء، وكل هذه الاغراض تدخل ضمن الموروث الادبي لدى شعراء العرب، فكان شعرهما موجهه للمجتمع باعتبارها رسالة يستفاد منها.
- حرص الشريفان على اظهار براعتهما في نظم الشعر ويبرز ذلك في استعمالهما القوافي الصعبة الغير مالوفة، فضلاً عن استعمال القوافي الذلل.
النص الكامل:

عبد الرزاق محي الدين ناقدا

اسم المؤلف: جولان حسين جودي ساني
اسم المشرف: علي كاظم اسد
الموضوع العام: اللغة العربية وادابها
السنة: 2001
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

اثر البواعث في تكوين الدلالة البيانية شعر جميل بثينة انموذجا

اسم المؤلف: صباح عباس جودي عنوز
اسم المشرف: علي كاظم اسد
الموضوع العام: اللغة العربية وادابها
السنة: 2001
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

بنية الخطاب الروائي : روايات قادسية صدام انموذجا

اسم المؤلف: حمزة عبد الحمزة عليوي
اسم المشرف: نصيرة احمد حمزة الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 1999
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

الاداء البياني في شعر عبد الباقي العمري

اسم المؤلف: ايمان وهاب كاظم
اسم المشرف: علي كاظم اسد
الموضوع العام: اللغة العربية وادابها
السنة: 2000
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

شعر محمد صالح بحر العلوم : دراسة موضوعية وفنية

اسم المؤلف: حميد قاسم هجر الموسوي
اسم المشرف: علي كاظم اسد
الموضوع العام: اللغة العربية وادابها
السنة: 1999
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

شعر عبد الرزاق محيي الدين : تحقيق ودراسة فنية

اسم المؤلف: محمد حسين كاظم عبد الحسين الخفاجي
اسم المشرف: علي كاظم اسد
الموضوع العام: اللغة العربية وادابها
السنة: 1999
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

حماد الراوية وجهوده في الرواية الادبية

اسم المؤلف: رجاء عبد الحسين شعلان مهدي العتابي
اسم المشرف: حاكم حبيب الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2000
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

اثر ايام العرب الجاهلية في الشعر الاموي

اسم المؤلف: عذراء مهدي العذاري
اسم المشرف: حاكم حبيب الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 1998
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

الاداء البياني في شعر علي الشرقي

اسم المؤلف: صباح عباس عنوز
اسم المشرف: علي كاظم اسد
الموضوع العام: اللغة العربية وادابها
السنة: 1998
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

اثر التماسك النصي في تكوين الصورة البيانية : شعر خالد الكاتب انموذجا == The Effect of Textual Cohesion on the Rhetoric Image Formation Khalid AL-Katib Poetry As A Model

اسم المؤلف: كاظم عبد الله عبد النبي
اسم المشرف: علي كاظم اسد
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

ابن جني ناقدا == Lbn Jenni As Critic

اسم المؤلف: حيدر كريم هادي الشمري
اسم المشرف: علي محمد حسين الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2010
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Al - Atheer (637 A.H.) The study reached many results which can be summarized as follows : Important critical issues attained great attention of bin Jinni, he was not confined to the theoretical aspect only, rather he dealt with the applied analytic aspect. In roost of these issues, his viewpoints were artistic.No less degree of interest was linguistic criticism also, he was not confined to the theoretical aspect, but dealt with the applied aspect, especially his opinions in linguistic criticism of word and structure. As for his rhetorical criticism, it is pretty good, though it is ambiguous in many places and had to be justified. In some other places, it was artistic, in which he depended on the Arab uses of eloquent art and rhetorical style as a critical criterion through which quality of poetry can be measured.The fourth chapter concluded that bin Jinni was one of the critics who are known of various critical methods. He was not confined to one specific method, and this refers to his ability and wide breadth in criticism. While the fifth chapter revealed that he is one of the critics who left great effect on the Arabic criticism, especially on the most outstanding critical movement in the history of the Arabic criticism, of which those aroused against Al - Mutanabbi. This is revealed through his explanation of his poetry, and his affection by three great figures of Arabic criticism who took from his researches, affected by his opinions, and make use of him in their critical discourse Ibn Jinni is one of the scholars who are known of wide knowledge in the Arabic language and its different sciences such as grammar, morphology, phonetics, dialects..... so on.In addition, he was writer, explainer and critic of poetry, especially that of al - Mutanabbi who has close relation with him. He explained his divan twice : the first, which is the greatest, is called "al - Fasr", and the second, the smallest, is "al - Fat'h al - Wahabi". Besides, he has many opinions and critical pauses distributed in his other works, especially "alKhasa'es". On this basis, came the research idea to shed light on an important aspect of bin Jinni i.e., his being one of the fourteenth century critics.Research plan required to be divided into five chapters preceded by a preface, and conclusion. As for the preface, it was about the nature of criticism during his age. The first chapter was devoted to talk about critical issues according bin Jinni, such as literary thefts, form and meaning, old and modem, poetry, religion, and morals. The second chapter studied linguistic criticism, and included poetic license, narrative, and measures of linguistic criticism. The third chapter was devoted to talk about rhetorical criticism, and included criticism of simile, metaphor, and metonymy, in addition to other critical styles such as renovation. The fourth chapter talked about the critical method of bin Jinni, while the fifth chapter discussed effect of bin Jinni on the Arabic criticism : his effect on the critical movement aroused against Al - Mutanabbi, and his effect on the Arab critics as Al

الاداء البياني في خطب الحرب في نهج البلاغة == The Clarification Performance In Warfare Orations In Nahj Al - Balagha

اسم المؤلف: نجلاء عبد الحسين عليوي الغزالي
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2002
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: The Islamic oration was affected by rhetoric which was enlightened by the Holy Quran and the Prophet's Pure Talks to promote the art mode of the Arabic literature to such a remarkable level that couldn’t be noticed in the pre - Islamic period. Thus, it reached the peak. Oration is the only means of spreading and establishing new thoughts and concepts.At that time the orator became more comparable than the poet because oration was badly needed by people for establishing the principles of Islam and spreading its authority through preaching and directing them in the right way, and finally allow them to win what would enlighten their life on earth and after death. This also helped in uniting society, evoking determination and making enemies fear Islam.“Nahj Al - Balagha” represents a remarkable feature in the Islamic literature, being a unique mode and principle for all. It is a historical literal document second to the Holy Quran and the Pure Prophet's Talks in gaining rhetorical accuracy and magnificent mode.The Communder of the believers, Al - Imam Ali Bin Abi Talib, the henchman of Islam and the Prophet's son - in - law, was a caliph, a leader and a orator. He was the most revered and deliberate in manner; the knight who never hesitated to sacrifice for Islam and establish the good and right. He left behind unforgettable most effective literal inheritance for everyone and as our President Saddam Hussein (Allah may save and guard) said with regard of the evil forces “We are fighting them with the sword of Al - Imam Ali(peace be on him) to protect principles”. Indeed it is the sword of the right and good. And when one looks deeply into his words, he recognizes his rhetoric orations emerging from the bottom of his heart that was not free from pain These features appear in his oral and written orations. The warfare orations of Al - Imam make us feel that we are in front of a perfect magnificent rhetoric wording emerging from the bottom of a heart with some pain, so you find it stressed wording. He included in it what expresses God fearing and God worshipping and good deed. Oration was one of the Imam's weapons in his fights. He used it, owing to its being rhetorical, to evoke his men and encourage them and arousing their feelings and making them reach the aim he wanted them tounderstand and be aware of. I have chosen particularly the warfare orations in Nahj Al - Balagha to be aware of what they have from clarification. This is because those orations were often oral and none - officious, and free from any features of art. They are pure, so they represent the mode of the rhetorics. Some recent investigators have dealt with “The Nahj Al - Balagha” in general, and the orations in particular, but they were in grammatical and linguistic and artistry limitations. “The Clarification Performance in Warfare Orations” has not investigated the altogether content, but there are some bright images I utilized and some others I talked about.The references regard books of rhetoric, criticism and indication; and interpretation books of the Holy Quran and the Prophet's Talks sciences, and the proverbs as well as the Arabic literature cultural inheritance. I depended on Nahj Al - Balagha (Mohammed Abda Explanation) in determining the texts regarding warfare orations; and I also made use of Ibn Abi Hadeed Explanation.My research is arranged in three chapters proceeded by an a relusion and ended by a conclusion and as follows : Chapter one deals with the clarification performance aspects in warfare orations in Nahj Al - Balagha and includes four researches : assimilation, similitude, personification and association. Chapter two deals with the resources of the clarification performance of these orations - warfare orations - . The investigations are about The Holy Quran and the Pure Prophet's Talks and the Arabic poetry and then the Arabic proverbs.Chapter three deals with the functions of the clarification performance which comes in sequence as : the mental function, the psychological function, and the religious function.The conclusion includes : what the results that the research has arrived at. Then comes my whole tool in investigation, analysis, justification, and conclusion. These are the old and the new references. I have done my best and thanks to Allah I ended this research aided by Allah first, and by my supervisor Dr. Hakem Habeeb Al - Guraity who helped me much like a guiding torch in direction and reform. My thanks and respect to all those who never hesitated to offer help.

البحث اللغوي في كتاب التعليقات والنوادر لابي علي الهجري

اسم المؤلف: مديحه خضير كاظم
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

ادب الشهيدة بنت الهدى القصصي : دراسة في الفن == The Fictional Literature Of The Martyr Bint Al - Huda (Study In Art)

اسم المؤلف: قاسم نجم عبد الربيعي
اسم المشرف: علي كاطع خلف المحمداوي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Al - Alwyaa , the martyr , Bint Al - Huda had many novls and short stories.In the Field of novels , she wrote " The Virtue Wins " , " Two women and aman " , " That who looks for the truth " and " A meeting in the hospital ". In the field of short stories , she had three groups " I wish i knew " , The lost aunt " , and " a struggle from real life ".The experience of the Martyrs narrator had a difference in the artistic level , sometimes , in the simplicity of froms inspite of good themes as in her novel " two women and a man " or in her short story " The lost aunt " but in some texts , we find a high artistic work written by a professional writer who knows how to write as in her novel " The virtue wins " and in her short story " The voice of conscience ".Althongh the experience of the writer had a growth in quantity , it witnessed agrowth in quality also. The Martyr narrator and through her understanding for the philosophy of writing stories works to define all the differences in life , its opposites and its basic unities through the credence on many elements , so we find in her stories many historical texts , verses , proverbs and wisdomsThrough the use of those implements , she was able to understand what is found in life and used it in her stories. The story for Bint A - Huda had enumeration directed by an artistic hand and sometimes , we find dialogues, and dramatic scenes and description and the credence on the Poetic language in many of her stories especially the short ones.It is a kind of contrast , the writer used it to reveal and discover the false ideology of the other discourse as adiscourse that produces the loss and poverty.These are some of the artistic features which we noticed through the study and research , but what is important to us is that which is related to the " martyr narrator " herself and her position in the world of literature and art especially in the field of novls and short stories.The martyr narrator has a clear understanding of the circumstances in which she lived. she knew the historical , ideological and social structures in her society and she worked to absorb and re - build them in her stories. This shows us that the writer interacts with those complex circumstances and work with a clear thinking that gives her the chance to destroy the negative aspects and disclose them in her stories and made the reader takes the side of the positive - voices and ideas that the writer wants to explain in her stories.The martyr writer, in all of her stories was interested in the struggle between the good and the evil and she did her best to make the voice of the good , the highest , and make it the basic way in human communication. In her rich experience which contained , what is artistic , scientific and what is political , she was abl to disclose the depths of the humanitic soul in all its kinds which she had known well. we are in front of awriter who watched and understood her socity , so the story for her , is that which looks for the meaning , principles and the virtue in aworld in which the principles had confused. In her novel " The virtue wins ". we find ourselves infront of a trial of the humanstic decay in one of the Moslems houses and in her novel " That who looks for the truth " we find ourselves sympathize with that girl and look together for away that leads us to the bright truth which is represented by Islam.

المعنى في النقد العربي القديم حتى نهاية القرن السابع الهجري

اسم المؤلف: حسين لفتة حافظ الزيادي
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Meanig in its simplest Logical definitions is : the copception or idea on the technical structure of the poem and the poet language a and it became clear that there is un acceptable kind of praising because there is agop between the receirer and the technical effect the same method was followed with the other poetic purposes revealing the goodness and badness elements of the poetic purposes by balancing and throwing lights on the defects and trying to amending it in the second chapter a studied the meaning criticism standards according to the critical opinions that are set by the critics and rhetoricians and how did thes standards became fixed basis on which the scholars depend to deduce the basic principles of studying the poetic texts , the most disting uished standars are, honestg , exaggeration, relingion , clarity and ambiguity , these are relating to the poetic meaning and the poet taste and the effect of civilization on that taste.A throu lights on the civilized development that occur in the abbasid era due to the prosperity of that era the arabic criticism issues and its effect on meaning hare been dealt with in the third chapter emphasizing on orgnizing orgnizing , nature, attribute, ancient,modern and poetic balancing or scaling , in a delition to the types of meaning and its significance, where a noticed that each of these issues has its deep effect on the poetic meaning a ccording to era through which these issues passed , and a stopped with its mostdisting uishd figures suchas al - jahidh , abdul - qhaher al - jerjany and hazim al - qhertajenng.in the fourth and the last chapter a dealt withrhetorics, issues and its effect on meaning the research emphasized on eloquence, summarization , description , metaphor and imagerg, where it becameclear that rhetorics is associated with the arabic criticism and handnever a purted from it till the late ags, and that most of the critics are areb rhetoricians such as ibn selam, al murad. ibnqhutaybah and ibn tabataba. there is no doubt that rhetorics had affeeted the poetic text and meaning because it is away to understand the text and findout its beauty poins by the image. the rheterical studies were fleurished dwe to the holy quren which is the eloquence source and the basic motive of these studies that tried to know the prodigy secret of the quranic text.in the conclusion a set the most important results of this study, such as.1 - the research reveals the critics interesting on ' the meaning of the meaning ' which is on element of the literary theay and the creativeness of linguistics, because the talked about the first branching of meaning aor about including mang meanings which they colled' the other'secend' meanings2 - the research shows that the reason of the less interesting of lamentation poetry is that this kind of poetry did not suit what the arab wanted for himself of strength, because lamentation poem usually involvedthe human emotions which rereals weakness withcraying and sorrow a and the arab refused that due to the societg nature at that time. 3 - the criticism theory is as ancient as arobs themselres, even that it was not with its modern concept, before the third centuty of hejira, it was perfeed within the critical judgement of the pre - islamic are.4 - the critics emphasiza the grammatical ruly and standars in the arabic speah, poetry and prose, because folloing these rules is a conditions for the speech rightness, and in literature we ask what is beyond rightness, it is creativness.5 - one who check the arob critics efforts who deal with the menning , will find that those critics and the poets were aware of this case importness, so they dealt with it early a and its derelopment was due to the arabic educational status, change.6 - through the research of the poetic purpose and the meaning effect which affect the ancient arabic poetry because by it we can define the poem weather it was satir, courtly ….j,e there was akind of independnce and throwgh this purpose the critic presented his ideas and opinions.7 - the research shows that the ancient crities, opinions had aneffect on the ancient arabic poetry a but sometimes these opinions were not accept able by the creative poets who has his own rules that lead him away from the critics judgement.8 - in spite of the quranic emph asis on the moral principel of the poetic text, through the research it appears that the arabic criticism went away from this field that it saperated the arts from morals.9 - the plagiarism standard rereals that it is possible to njudge the writer and his position and interactien with his enviornment. in addition it helps us to know the resoures of the writers and their psyhchological direction and their educational and intellectualsituntien ,so this standerd is abasic one for the literary criticism. 10 - the study shews that praising lexicon in the ummayed era became axiture of the in herited pre. is lamic mennings and the new sslamic mennings as wellas the environ ment effects and the general life development in the ummayad society
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