عرض: 25 50 75 100 النتائج

نتائج البحث: 75 من أصل 162

تحولات اداء الممثل في المسرح الملحمي وتطبيقاتها في المسرح العراقي

اسم المؤلف: فائز طه سالم العبيدي
اسم المشرف: وليد شامل حسين
الموضوع العام: الفنون الجميلة
السنة: 2006
الموضوع الدقيق: التمثيل
اللغة: العربية
مكان الجامعة: بغداد

دراسة مقارنة بين الفيلم التعليمي المتحرك

اسم المؤلف: رياض هلال مطلك الدليمي
الموضوع العام: الفنون الجميلة
السنة: 1996
الموضوع الدقيق: الافلام
اللغة: العربية
مكان الجامعة: بغداد

تقويم واقع الاعلان التجاري التلفزيوني

اسم المؤلف: شذى حسين محمد العاملي
الموضوع العام: الفنون الجميلة
السنة: 1996
الموضوع الدقيق: الاعلانات
اللغة: العربية
مكان الجامعة: بغداد

تقنيات اداء الممثل في تحول العلامة الاجتماعية في العرض المسرحي العراقي == Actor's performance techniques for social sign transformation in the Iraqi theater show

اسم المؤلف: علاء مهدي حسن
اسم المشرف: مظفر كاظم محمد
الموضوع العام: الفنون الجميلة
السنة: 2020
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الكلمات الدلالية:
  • التمثيل المسرحي
الصفحات الاولى:

تمثلات النسق الثقافي في افلام ما بعد الحداثة == Representations of the Cultural Paradigm in Postmodern Films

اسم المؤلف: احمد جبار عبد الكاظم
اسم المشرف: علاء الدين عبد المجيد
الموضوع العام: الفنون الجميلة
السنة: 2020
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

المعالجات الفكرية والتقنية للشخصية في افلام الفنتازيا == Intellectual and personal technology treatments in fantasy films

اسم المؤلف: دعاء قاسم عبد الصاحب
اسم المشرف: علاء الدين عبد المجيد جاسم
الموضوع العام: الفنون الجميلة
السنة: 2020
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

المعالجات الاخراجية للاحداث في افلام المكان الواحد == Directorial treatments of events in single-location films

اسم المؤلف: سيف سعد عبد الهادي حسين القصاب
اسم المشرف: براق انس المدرس
الموضوع العام: الفنون الجميلة
السنة: 2024
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التمثلات الفكرية لادب التغيير في الفيلم السينمائي العربي == Intellectual representations of the literature of change in the Arab cinema

اسم المؤلف: بدر شوقي بدران
اسم المشرف: فادية فاروق سعيد
الموضوع العام: الفنون الجميلة
السنة: 2022
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

النوع الفلمي المركب وتحولات الانساق السردية والتقنية في السينما الرقمية == THE COMPOSITE FILM TYPE AND NARRATIVE FORMAT TRANSITIONS AND TECHNOLOGY IN DIGITAL CINEMA

اسم المؤلف: حيدر فيصل كريم
اسم المشرف: ماهر مجيد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2020
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

السمات الجمالية لاسلوب المخرج كريستوفر نولان == Aesthetic features of director Christopher Nolan's style

اسم المؤلف: حاتم كريم فهد
اسم المشرف: علي صباح سلمان
الموضوع العام: الفنون الجميلة
السنة: 2020
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الادلجة الدرامية لشخصية المراة في الدراما التلفزيونية العربية == The dramatic ideology of the woman's personality in the Arab TV drama

اسم المؤلف: شيماء سعدي محمود
اسم المشرف: ياسر عيسى الياسري
الموضوع العام: الفنون الجميلة
السنة: 2020
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

جدلية الفاعل الكوميدي والحدث الدرامي في الوسيط السينماتوجرافي : دراسة تحليلية في عينة مختارة == The dialectic of the comic actor and the dramatic event in the cinematographic languge Analytical study in a selected sample

اسم المؤلف: احسان دعدوش حسن
اسم المشرف: عبد الباسط سلمان
الموضوع العام: الفنون الجميلة
السنة: 2020
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

توظيف جماليات عناصر التعبير الفلمي في افلام السايكودراما == Using aesthetics of the elements of film expression in the Psychodrama films

اسم المؤلف: علاء حسن خلف
اسم المشرف: رعد عبد الجبارالشاطي
الموضوع العام: الفنون الجميلة
السنة: 2020
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التحولات الدلالية واعادة تشكيل المادة الفلمية الخام في الفلم الروائي == Sementical Changes and refouming the Film raw - material in the Narrative film

اسم المؤلف: عامر فتحي جميل الغرايبة
اسم المشرف: رعد عبد الجبار ثامر الشاطي
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

خطاب العنف والجريمة في السينما الامريكية دراسة في انتاج المعنى والانساق السمعبصرية == CRIME AND VIOLENCE DISCOURSE IN CINEMA : ASTUDY ON MEANING PRODUCTION AND AUDIO - VISUAL SYSTEM IN AMERICAN CINEMA

اسم المؤلف: طاهر عبد مسلم علوان
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2005
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

مهارة اداء الممثل الكوميدي في السينما المصرية == Performance Skill of Comedic Actor In Egyptian Cinema

اسم المؤلف: منهل جواد محمد حسين الهاشمي
اسم المشرف: عادل كريم سالم
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الملامح الدرامية في البرامج التلفزيونية غير الدرامية

اسم المؤلف: منير طه سلمان
اسم المشرف: عبد الكريم حسين السوداني
الموضوع العام: الفنون الجميلة
السنة: 2005
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

السمات الاسلوبية لسينما المؤلف في اعمال محمد خان السينمائية == The Stylistic of Author Cinema in Mohammed Khan’s Films

اسم المؤلف: عكاشة محمد صالح
اسم المشرف: حمودي جاسم
الموضوع العام: الفنون الجميلة
السنة: 2004
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التشكيل الدلالي للمعنى الايديولوجي في الدراما التلفزيونية العربية

اسم المؤلف: احمد عبد العال حسين
اسم المشرف: عبد الكريم حسين السوداني
الموضوع العام: الفنون الجميلة
السنة: 2006
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

توظيف المؤثرات الصورية في الدراما التلفزيونية == EMPLOYMENT OF THE VISUAL EFFECTS IN THE TELEVIUSAL DRAMA

اسم المؤلف: هاني عبد علي الركابي
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الصياغة السينمائية للحكاية الشعبية الخرافية في الفيلم الروائي

اسم المؤلف: عدنان مزهر لفتة
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2004
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

السمات الفنية والتقنية والفكرية في الفلم الروائي الامريكي (1990 - 2000) == The Technical, Ideological and Artistic Aspects in the American Novelistic Films (1990 - 2000)

اسم المؤلف: ثائر علي جبر الله
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2005
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

تمثل القيم الاجتماعية في بناء شخصية المراة في الفلم الروائي العراقي

اسم المؤلف: ايمان حمادي عبد الامير محمد علي
اسم المشرف: رعد عبد الجبار ثامر الشاطي
الموضوع العام: الفنون الجميلة
السنة: 2005
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

توظيف الوعي الايروتيكي في بنية الفلم الروائي ودلالاته السينمائية

اسم المؤلف: فراس عبد الجليل الشاروط
اسم المشرف: طه حسن عيسى الهاشمي
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التوظيف الجمالي لعناصر الشكل الفني في البرامج التلفزيونية

اسم المؤلف: شروق مالك حسن
اسم المشرف: عبد الكريم حسين السوداني
الموضوع العام: الفنون الجميلة
السنة: 2005
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اشكالية الجميل في الاتجاهات السينمائية المعاصرة

اسم المؤلف: علاء الدين عبد المجيد جاسم
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اليات البناء الحركي للمشاهد البوليسية وكيفيات توظيفها في الدراما التلفزيونية العراقية

اسم المؤلف: بهجت عبد الواحد عبد الله
اسم المشرف: حمودي جاسم
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

المعالجات الاخراجية للمتغير الاجتماعي في الدراما التلفزيونية العراقية ما بعد عام 2003 == Treatment Directorial of Social Variable In The Iraqi TV Drama After 2003

اسم المؤلف: رعد نعمة عزيز
اسم المشرف: متي عبو بولص
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لقد استحوذت الدراما التلفزيونية على ذهن المتلقي بصورة كبيرة لما لها من تاثير على افراد المجتمع وكونها تمثل جزءا من واقع المجتمع وبالاخص الدراما التلفزيونية الاجتماعية التي تعرض بعض القضايا الاجتماعية والافكار والاتجاهات التي يتميز بها كل مجتمع.وهنا ي | We have acquired a TV drama on the mind of the receiver dramatically because of the impact of Li members of the community and because it is part of the reality of society and especially social TV drama that displays some of the social issues, ideas and trends that characterize each community. And here comes the role of the Iraqi television drama in the process of changing society through the values and the topics raised in this drama, and change here includes several aspects, it is not social change but a cultural change, intellectual, and economic and political. Que To The importance of the subject of the changing social TV drama Iraq after 2003 comes this research work scientific modest seeks researcher from which to processors directorial which is based upon the drama television through treatment literary text (scenario) and the development of solutions directorial the scenes video in order to configure a new reality. And has divided researcher of this research into four chapters have contained the first chapter methodological framework on the research problem formulated in the form of the question follows : What are the treatments directorial the variable social TV drama Iraq beyond 2003 and importance and goals aimed at detecting the changing social and make way in the style of put and processed Akharajia in Iraqi TV drama, and the limits of the search, which included the period of 2003 - 2012 to the Iraqi drama and determine the terms, and has the second chapter contains a theoretical framework and included three major Detectives are : 1 - notion of directorial processors.2 - social variables of the Iraqi society after 2003.3 - Iraqi TV drama after 2003.Researcher and I came out of the theoretical framework of indicators that have adopted it as a tool for the analysis of the sample, either studies Bah has not been mentioned three studies approached next to or part of our current and other aspects were divided.Chapter III research and action may be contained on the research methodology chosen researcher Qaida for suitability nature of the research is descriptive method, which involves the analysis, and ratified the tool.The fourth chapter analysis of selected samples - the results and the conclusions of the researcher to several findings and conclusions, including : 1 - was able to Iraqi TV drama after the social variable that reflect the new values (kidnapping, murder, bribery, corruption and displacement).2 - The TV drama after the variable Iraqi social addressed to recipients and calls in their orientation to be a carrier of the correct values, positive and aimed at education, education, cooperation and social solidarity.The conclusions1 - requires the drama director and writer extraordinary efforts in the selection of the changing social issues and his handling of the television drama through investigation and research, and examination of the topics covered in order to highlight the social variables.2 - Construction work requires the use of television drama moot all the elements and sound that make up the technical construction of the work of television drama.This chapter also included also recommendations, which deemed necessary by the researcher and researcher concluded the list of sources and references, and some supplements and 987, as well as abstract in English.

التمثلات الفلسفية للحداثة في خطاب السينماتوغراف == Representations Philosophy of Modernity In The Structure of Assets Cinematograph Speech

اسم المؤلف: ماجد عبود الربيعي
اسم المشرف: محمود اكباشي خلف الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Form engaging in philosophical modernist structure speech Alcinmaturav phenomenon articulated it and the latest irregularities unprecedented make it produces or generates a logic of its own and in order to examine this Alachtgalat This study tagged ( representations of philosophical modernity in a speech Alcinmaturav ) which are arranged through the chapters four came first in which the title frame systematic and included a research problem and its importance and its goals and limits of the most prominent and the terms contained in its title as well as the paragraph previous studies. While the second quarter and marked the theoretical framework on four key sections as follows : First research \ entrance to process philosophy historically , functioning Alcinmatugrave.The second topic \ philosophical trends and strategy in assimilation.The third topic \ modernity ( the project and assimilation Alcinmatugrave.The fourth topic \ representations philosophy of modernity in the structure of assets Alcinmaturav speech.The researcher reviewed the first section of the panorama of historical experienced by the philosophy through the ages , pointing to the most prominent names of the task and milestones witnessed by philosophical thought , while touched second section of the most important trends philosophical shining four trends are ( pragmatism and existentialism and Marxism and idealism ) and noting some of the Achtgaladtha and Tmtheladtha Alcinmaturav in the structure of speech , and singled out the third section of the contest in the term and concept of modernity and its most prominent thinkers of the Enlightenment and in the film Achtgaladtha Alcinmatugrave money while the fourth section to the practical applications of philosophical representations of modernity in the structure of the elements of audio and visual components of speech Alcinmatugrave.Through review of the most prominent theoretical perspectives and institutions Alalstamologih constituents thought the philosophies of modernity researcher unearthed a number of indicators conclusion theory for the second semester and adopted as one of the research tools and a standard measure by the elected Qsidia research specimens.The third chapter , entitled action research has consisted of research methodology used and the research community , and specimens marked by models film following ( The Last Samurai , The Devil's Advocate , Mr. Nobody , Homes in that alley, an avatar ), which cited a researcher some justification for some reason selected , and also contained this chapter the search tool and the unit of analysis as well as samples paragraph film , which relied on what Achtgah researcher of the standard indicators of research theoretical framework after obtaining the approval of the Committee of Experts and Mahknyn it.The fourth and final chapter has been included on most final results derived from the analysis of the samples of the five film and that was the most prominent : 1 - The statements and perceptions problem of philosophical thought Batjahath four ( pragmatism , existentialism , Marxism , idealism ) and Tmtheladtha in the structure of speech Alcinmaturav remain in character and descriptive abstract , and remain within this space even linked to the content is appointed in life or art , and then reflected across assets or elements pampering filming to produce a concept or connotation.2 - show that modernity has Mthaana irregularities within the drift has specific knowledge of their requirements and the logical and technical reflected in the building and the Metn Gaii speech Alcinmaturav unconditionally college , but his being in positions Mtaana it ( footage , scenes , parts, chapters.... etc. ).3 - to remain philosophical representations that the receiver always seek effective and positive for the acquisition of meaning and understanding of the significance , and that the psychological needs of the recipients constantly intervene to read or identify those representations , and Lighting essence through the structure of the assets of the synthetic speech Alcinmaturav.It also included a chapter on conclusions Achtgaha researcher of search results and recommendations as it deems necessary , as well as suggestions for future studies of the suffix with the thrust of this study In conclusion cited researcher list of sources and scientific references adopted in consideration and some supplements and abstract in English.

الاشتغال الدلالي للتشفير في التعبير الفيلمي == Semantic Work For Coding In Film Expression

اسم المؤلف: سعد ناظم عيسى الزبيدي
اسم المشرف: رعد عبد الجبار ثامر الشاطي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اخذت السينما تشق طريقها لتنحت لنفسها مكانا بارزا بين الفنون الاخرى. ليبدا هذا الطريق بدراسة السينما سيميائيا، وكانت اولى الخطوات في هذه الدراسة هي محاولة اثبات امتلاك السينما للغتها الخاصة، وذلك من خلال مقارنتها باللغة من حيث الوظيفة والوحدات والتنظي | Cinema started to make its own way to build special place among other kinds of art. The first steps on this study were a try to prove that the cinema has its own language; this was done by comparing it by the language from many angles, such as function, units, organizing and shape.Many results were appeared from this comparison; the most important one was the similarity between the film and the language in functionality. Also, the ability of implementing most of the linguistic aspects on cinema like coding, messaging, system, building, …, etc.As these aspects are common in all communication systems, any system has its own signs and symbolic meanings which are organized in the form of rules that permit to understand the messages built on similarity and difference relationships, which shows multiple kinds code.In addition to the codes in the film structure, as a part of semantic systems, depending on the aim of delivering messages with deep meanings, using all of its elements. For studying this process in details, and for analyzing the terms it contain, like sign, code, communication, meaning, culture, and for establishing scientific research basis, so this study represents an attempt to read the semantic work for codes which are included in the film texts. This study; named (Semantic work for code in film expression); contained four chapters as follow : Chapter One : Includes research problem which is represented by the study of the film code by explaining how they work, and explaining the role of the film expression elements in showing the film code. This chapter also contained the goals, the limits, the importance of this research and a definition for all of the used terms.Chapter Two : Theoretical frame and past studies, was divided into six parts, as follow : 1. Cima Part : Here we mentioned the Cima science and the founders of it, some important classifications for it and some important points for studying this science.2. Communication Part : The communication theory was discussed here (using Jackson diagram with the six levels), the importance of each level and some other important information about these levels.3. Codes Part : Explaining what is the code generally, then what is the cinematic code.4. Sign, Symbol and Code : The three aspects are discussed together as a one part and as different parts.5. Semantic Science Part : This science was discussed in details in this part.6. Film Expression Part : What is the film expression? How can we distinguish between the similar aspects in this field? The answers were mentioned here.Then, a quick show of the past studies was done.Chapter Three : Research procedure, includes the research process and the sample explaining. The samples were two films (Devil's Advocate, and Da Vinci Code).Chapter Four : This chapter contains the conclusions and the recommendations we get from this study, the most important one was the ability to form the complex indirect semantic for the cinematic code, by using the icon - pointer or the icon - symbol, as the iconize is a method (code) to recognize the direct and the indirect semantic, while pointer and symbol are tools to reach to the deep messages of the film. Last, the research contained suggestions and resources list and the English abstract.

الدراما التلفزيونية العراقية بعد 2003 (المضامين والمعالجات الفنية) == Iraqi Television Drama Post 2003 (The Implications And Artistic Treatments)

اسم المؤلف: رضوان مكي عبد الله
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تشغل المضامين وطريقة عرضها وتجسيدها اي (معالجاتها الفنية) اهمية كبيرة في الدراما التلفزيونية، وتتازر تلك الاهمية مع اهمية التلفزيون بوصفه من اهم وسائل الاتصال الجماهيري، واكثرها انتشارا وتاثيرا، فالتغيرات الكبيرة التي شهدها العراق بعد عام 2003 ادت الى ايج | The intellectual and aesthetic implications and the way of exposing and embodying them occupy a great importance in TV drama. This importance goes side by side with the importance of television as being the most important, most spreading and most effective mass communication media for the great changes witnessed by Iraq post 2003 led to finding new ideas and goals non - existent in the Iraqi society culture. Those changes had their wide echo in the Iraqi TV drama produced post 2003. To know the implications distributed by the stage and how to treat them, this research came to take care of studying the Iraqi TV drama post 2003 - the implications and artistic treatments. The researcher divided the research into four chapters. The first chapter "The Methodological Frame" included the research problem which was formulated in the shape of the following question : what are the intellectual implications and how are they treated artistically in the Iraqi TV drama post 2003?, the research significance, aims which aim at identifying the intellectual implications and their artistic formulation in TV drama produced post 2003, research limitations and definition of terms. As to the second chapter, it contained the theoretical frame including three main titles : Section one : Iraqi TV drama - a Historical Prospect Section two : Implications in TV dramaSection Three : Artistic Treatments of intellectual implications The researcher got out with indications from the theoretical frame which would be relied on as an instrument to analyze the sample, while related to the previous studies, three studies were mentioned for their approximation to a side or a part of our current research. The third chapter "Research Procedures" contained the research method selected by the researcher for its suitability to the research nature, i.e., the descriptive method embracing the analysis, then the research sample which was selected purposively, research instrument, analysis unit and instrument validity. As to the fourth chapter "Results and Conclusions", the researcher arrived at several results and conclusions the most important of which were the following : 1 - The Iraqi TV drama produced post 2003 focused on showing many implications such as (rejecting the occupation, necessity of science and culture, rejecting war, freedom of expression, respect of law, security loose, administrative corruption, tolerance, affection, cooperation, aid, freedom, authentic customs, popular heritage, absence from homeland, importance of love and marriage and open criticism of the government). Whereas the conclusions were as the following : 1 - The artistic treatments included literary treatments (scenario) and directing (video) treatments, i.e., the artist's capability of transforming the abstract thoughts into concrete thoughts perceived by senses. This chapter also carried the recommendations and suggestions. Also, the last pages included a list of references, then came the appendices and finally the research English abstract.

التوظيف الجمالي والدرامي للماكياج في افلام الرعب == Recruitment Aesthetic And Dramatic Makeup In Horror Movies

اسم المؤلف: اسيا علي محمود
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يحظى فن الماكياج بدراسات غنية في مجال الفنون المسرحية , كونه يشكل عنصرا مهما في تعبيرية البناء الشكلي الطبيعي لشخصية الممثل , وتطور هذا الفن اليوم بفضل التقنيات الحديثة التي اخذت طريقها الى السينما والتلفزيون , وبات يشكل ايضا احد العناصر المهمة في رسم | The art of make - up enjoys rich studies in the field of performing arts, being an important element in the expressionistic formal and natural building of the character actor. This art has evolved today, thanks to modern techniques, which took its way into film and television; in addition it became one of the important factors in shaping dramatic character and its expressive performance, whether in the reality or fiction movies, but especially in horror films, and film Fantasia. Hence, the art of make - up has emerged into horror movies, as well as its importance in the formation of the natural dimension of character where it became a narrative element that is closely related to the emotional and psychological dimension of characters. We should refer to the role of modern technologies and its addition to the industry of the art of make - up in terms of the accurate possibilities, and the ability to embodiment of (realistic and nonrealistic) of the characters in horror movies, eventually become the magnet of interest to the recipient incorporating all patterns filming characters and a variety of forms between personalities which are (familiar and unfamiliar). These patterns possess the ability of persuasion and have emotional and reactive presence within the receiver. On the basis of this perception, came this study to cover part of the large role played by the art of make - up in the design and construction of the dramatic character, especially in the (horror movies) in the light of which the researcher identified the title as : (Employment of aesthetic and dramatic makeup in horror movies), and the research included five chapters as follows : Chapter I (methodological framework), which included the following : 1. Research problem : which centered in the following question : How can makeup represent aesthetic and dramatic dimension to a character in the movie?2. Research objective : to identify aesthetic and dramatic employment of makeup in horror movies.3. Research Importance : the researcher finds that the art of make - up in the field of cinema did not take enough share of the study, particularly in the importance of its employment in the (horror movies); however theater studies have found addressing make - up, especially at the level of the plays exclusively.4. Research limits : Objective limits : study of (make - up in horror movies).Time boundaries : within the limits of horror movies produced (2007 - 2013).Place boundaries : (films that have been produced in American cinema) The chapter is finalized with identifying the most important terms.Chapter II, include (the theoretical framework and previous studies), the theoretical framework is comprised of 3 sections as follows : • The first section : a historical overview of the evolution of the art of make - up and its relationship to cinema.In this section, we studied the beginning of the evolution of the (make - up - mask) art and tracked down its development from the beginning of its inception in civilizations to being important element in drama and under the requirements of the drama its was taken as an essential element in the film, especially in the fantasia movies of which (thrillers, science fiction movies, and legendary film).• The second section : Aesthetic and dramatic dimensions of cinematic makeup.In this section we stressed the importance of the make - up and the level of its use in terms of natural dimension of the aesthetic and expressive sides, as well as the its aesthetic and drama importance in horror movies, both in the functioning of the colored pigments with a light element on the dramatic characters.• The third section : The role of make - up in drawing dramatic character in horror movies.In this section, we focused on the importance of the role of make - up and its impact in the creation of characters somewhat between the (realistic and unrealistic) characters, as well as the importance of employing the art of make - up tricks in its variant types ( normal , plastic , mechanical , and digital ) in the construction of the characters in horror movies.Previous studies : : No study on the research topic or problem or the importance of research in the field of the cinematic arts.The third Section included (research procedures) : Includes research methodology and the research communityThe researcher relied on the on the descriptive analytical method in the analysis of samples, based on the theoretical framework indicators as a tool for analysis, after being shown to a group of experts and arbitrators. Then a sample was selected deliberately for search due to reasons including : 1. Includes functions of make - up art on the level of building characters to respond to the requirements of the objectives of the research.2. They are movies that attracted a wide range of views by audience, because of its element of suspense and fear.The fourth section included an analysis of the three samples as follows : 1. The Underworld / Part 4. 20132. Resident Evil / part 3. 20073. Wolf man. 2010The fifth section included (the findings, conclusions, recommendations and proposals) : The main findings of the researcher after analyzing the sample are : 1. The techniques of the art of make - up in its varied types (natural, plastic, mechanical, digital) of the characters in horror movies were able to embody unfamiliar forms and far from reality. The main conclusions reached by the researcher : 1. The horror movies are based on the presence of abnormal characters, through transformation and change of their external appearance, because characters need in the in case of transition to (monsters, wolverines, zombies, vampires... etc.) to several techniques of make - up art that are merged with actor features to create creatures that far from reality.

التراكيب الدرامية والدلالية في البرامج التفاعلية التلفزيونية == The Dramatically And Semantically Structures In The Television Interactivity Programs

اسم المؤلف: عمار ابراهيم محمد الياسري
اسم المشرف: عبد القادر خلف الدليمي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: مما لاشك فيه ان الانفتاح الفضائي الهائل للفن التلفزيوني على كل ارجاء المعمورة وبساعاته المستمرة بدون انقطاع دفع القائمين على هذه المحطات الى البحث عن اشكال سينماتوغرافية او تلفزيونية غير مالوفة تستطيع فرض ابهارها على المتلقي، وهي اشكال اصبحت في بعض الاحيا | There is no doubt that the great opening to the television art all over the world in his continuous hours without breaking pushes the workers in these channels to look for unfamiliar cinematographic figures. Some times, these figures became one of the new weapons of the informational war which drops all the government , but the people who calls about development ,they looked to revolt against what is spread and holy in the literary achievements and they declare in many occasions on the necessity to attract the audiences to the structure of the event These suggestions which mentioned early and more push many people in the channels and producers to look for new figures which can go side by side with the sounds that demanded by the necessity of changing and looking for new and unfamiliar figures, as a result of what was carried by the cinema from theories which made from the reality its subject , and what is presented by the game programs of nations which is shown by television in addition to the live shows of sport matches and political events help to appear an idea to the television programs producers sine the end of the seventieths in the previous century and this a real life of TV programs which started to make its place in the middle of the ninetieths in the same century then there was a widely opening to the internet through voting and participating to make the interactivity programs which opened to the audiences and declared their revolution in the holy text which is closed on the wrier himself , many of the academic studies in the college art and information when they deal with classifications or TV shapes and they don’t talk a bout the structure of these programs or their names or their classifications , and they don’t talk a bout what is the kind of drama ? Is it arastos dram ? or something else ? and it only do the division of TV shapes into TV drama and the different TV programs. Therefore it left the interactivity works of TV which started to take widely space in the structure of the daily show, From here the researcher in spires his problem which he put it under the following question : what are the dramatical and semantical in the interactivity of TV programs ? and the researcher put his research under the title , the dramatical and semantical structures in the televisional interactivity programs , the importance of the research is to focus on drawing the attention to the new subject which isn’t studied earlier and it became centre of academic and informational problem. The importance of research focus on finding out what are they ? and the classification of these televisional interactivity programs ? which work in it , the bounds of the research focus on the shown programs in 2011 year in the different international channels and it focus on intended samples which suit the requirements of the research. The theoretical frame included five inquiries ,the first inquiry called the televisional interactivity between the appearance and classification ,it deals with the first beginning of the appearance of the televisional interactivity through clarifying the figures to televisional programs of realty , the second inquiry called the appearance of televisional interactivity figure from among the cienamtographic , the researcher say in this inquiry that the televisional interactivity of realty is a result of all the theories of realty ,the third inquiry include the shape structure in interactivity programs, the researcher discussed in it the televisional interactivity shaps through its visual elements , the fourth inquiry called the dramaticl structures which work in the interactivity programs structures ,as mentioned earlier , the researcher clarifies the elements of the drdmdtical structures for televisinal programs of reality and in what is unique in the televisional interactivity programs of reality , in same characteristic figures which differ from other dramatical works , the fifth inquiry called the semantical structures in the interactivity programs. the third and fourth section included the analysis of the three sample which is the Saudi program, bet al attar , and the germane programs ,XY , and children's programs,Aesh safri , in the end section , there are the result , conclusion , recommendations , suggestions , and then re souses and appendix then the summary in the English language

البناء الاستعاري لعناصر التعبير في الصورة السينمائية : دراسة في افلام ستيفن سبيلبرغ == Construction Metaphor Elements of The Expression In The Photo Film (Study In Films Steven Spielberg)

اسم المؤلف: حيدر صبري جعفر
اسم المشرف: رعد عبد الجبار ثامر الشاطي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتلخص البحث بكونه يتصدى لاحدى الاساليب البلاغية لكتابة الصورة السينمائية وهي الاستعارة التي يلجا اليها صانعو الافلام من اجل ايصال معان ودلالات قد تعجز الصورة المرئية التقليدية عن ايصالها , فاستخدامها يعمل على تصوير المعقول وجعله ماديا متجسدا, لتضع تصور | The metaphor is considered as one of direction means and treatments to which the film makers resort so as to convey meanings and indications that the real visual picture is unable to convey. So it depicted the sensible and made it embodied physical to lay an imagery and answers in renewable methods, thus it creates a new reality with more accuracy and adjustment via the cinematic picture due to what it owns of elasticity and great capacities on embodying the reality and the imagined together which make it of credibility and rhetoric in expression influencing the receiver. The metaphoric construction in the cinematic picture works at the formation between the visible expression elements that exist in this picture like the shape and the generated meaning. It is not possible to solve the intermingle of the metaphoric structure without addressing the vertical constructs and getting away from the linear or the horizontal reading, which means that metaphor relies basically on the intellectual construction and the aware imagery of the receiver to solve the reticulation of the metaphoric structure. The metaphoric structure refers to outside the limits of action or incidence itself, yet it has an intellectual dimension inside the pictorial frame that is a pillar for understanding the basic action. The metaphoric construction became a artistic need that works at more than one level inside the structure of the cinematic film, hence our study was within this axis under the title (The Metaphoric Construction ofthe Expression Elements in the Cinematic Picture). Thus, the study here is interested in addressing the metaphor and how it operates with the expression elements in a way that leads to enriching the optical and intellectual content in the scene structure and what the content of expressing intension achieves, expands and deepens the pictorial meaning and increases the receiver's attraction to interact with it. This is what the thesis contained through its chapters divided by the researcher into four chapters. The first chapter came as a methodological framework for the research comprising of the research problem and its necessity where the problem was defined by the following question : what are the ways according to which the metaphoric construction of the expression elements is made in the cinematic picture? Chapter two included the research theoretical framework and the most important previous studies which are connected with this research. This chapter included three sections, the first one was (The Concept of Metaphor) addressing the analysis of metaphor structure in language, its concept for the linguistic philosophers and modernist, its concept according to the modern theory in addition to the conceptual and cultural asymptotics and its concept in the cinema. The second section entitled (The Patterns of Cinematic Metaphor) was a definition of the metaphoric patterns which are shown in the cinematic picture. It was a must first to try to understand the properties and conception of the picture and its role in producing the meaning, also the context role in defining the meaning of metaphor and which the citations say that they attract the receivers' attention as a metaphor. In the third section entitled (The Operating Mechanisms of the metaphor in the System of Expression Elements), the researcher addressed the metaphor structure and its relation with the picture, thedirector and the receiver, the montage role, the phonetic structure and its different elements, the camera, the formation and the colors in constructing the metaphor in the cinematic picture. The research should extract indicators by which he is guided to analyze his samples, thus his indicators submitted to the evaluation of an elite of experts encompassed the analyses contained in the research. Some of the indicators were as the following : It was a must to be guided by the previous studies addressing the research topic, in that the researcher did not find academic studies join this research in address, but some limited uses of metaphor were found within their researches and the ones concerned our current research were discussed. As to chapter three, it was the chapter that contained the research procedures including the research method which was the descriptive method and the research sample.The fourth chapter included the extraction of the final result stemmed from the analysis which came to answer the aims posed by the researcher. The research concluded a group of conclusions deduced from the research results, this chapter also included some recommendations found necessary by the researcher as well as suggestions for next studies that are similar to some axes of this study which we could not answer and encompass them for future researches. The research also contained a list of references and sources on which the researcher relied.

المعالجات الاخراجية وانفتاح النص في الفيلم الملحمي

اسم المؤلف: حياة حيدر محمد علي
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناولت الباحثة في هذا البحث(المعالجات الاخراجية وانفتاح النص في الفيلم الملحمي) في محاولة للتعرف على سبل وتنوع المعالجات الاخراجية السينمائية للفلم الملحمي عبر وسائل واساليب استعمال عناصر اللغة السينمائية استنادا الى رؤى وافكار المخرج السينمائي بما يحمله

حداثة الشكل الفلميى وانفتاح النص == Modernity Figure Film And Openness of The Text

اسم المؤلف: نور علي كريم
اسم المشرف: ماهر مجيد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

المعالجة الاخراجية للموضوعة التاريخية في الدراما التلفزيونية == Treatment of Directorial Placed In Historical TV Drama

اسم المؤلف: صادق كاظم عبد علي جابر المياحي
اسم المشرف: عصام عيسى علوان السامرائي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اهتمت الدراما التلفزيونية بانتاج المسلسلات التليفزيونية التي تعالج الجوانب التاريخية، اذ تقدم للمشاهد احداث التاريخ في مسلسل درامي، بكل ما في العمل الدرامي من تشويق واثارة وحركة وحيوية، والعمل الدرامي التاريخي هو عمل فني يقدم قيمة فنية وقيمة انسانية تتجاو | Focused on the television drama produced dramas that deal with historical aspects, as it offers the viewer the events of history in a drama series, with all the drama of suspense and excitement, movement and vitality, and the drama historical is a work of art offers artistic value and the value of humanity beyond the specificity of time and place, as it kicks off director the stage of certain historical, have certain privacy in time and place through treatment directorial sight to humanitarian to address the rights for the time being, and that he wants from which to send a humanitarian message concerning the reality of modern man, and the care with drama historical being reflect the historic moment ago re - formulation of a new and according to the processors directorial based on the nature of this historic moment and transformations of social, political, cultural, economic, and historical works, ranging from the work of dealing with periods and historical events full of ancient history, while fighting others in the facts and events still resonate with us today, and the other dealing with biographies of a number of figures that have had an active role one way or another in guiding the march of history or converted in this way or the other in the dates of ancient and modern, and I found these concepts resonate through the contents of the current research came the title search (treatment directorial the placed historical TV drama ), the Department researcher Find the four seasons, were as follows : The first chapter (systematic framework) : It included research problem that has adopted the following question : What are the qualities that have been achieved processors purine placed in historical TV drama? On the importance of research and the need for him to have touched researcher imperatives and the need that led him to embrace the subject, and then select the aim of the research from the title and the problem, as follows : Detection modalities that have been achieved treatment purine placed in historical TV drama. And select Find a researcher limits the boundaries of the three, Chapter II (theoretical framework) : the oath researcher on the three sections, as follows : Section I : (historical drama film and television) and the researcher (film historical) and (historical drama television) and how taken film and television from the date on the subject of the two, as meet in this work of art with dramatic historical reality to produce artistic work, and the specificity of each type them in dealing with the history and the historic walk. The second topic : was (the structure of TV drama), and researcher in this section components of TV drama, especially the serial drama television and dramatic structure, which is part of the foundation to connect the components of the artwork through the interaction of all elements of drama with each other to create an integrated unit to draw the events inside the artwork, and its constituent elements, namely, (personal, and plot elements, language, conflict. The third topic : the theme of (purine processing elements Aalgh Moot placed in the historical drama Allgzioneh), in which they discussed the creative output for the recruitment of language elements sham in order to find treatments for historical placed. After that previous studies have been identified for the search, and upon completion of the theoretical framework, the researcher suggested a set of indicators adopted as tools for the analysis of the research sample after taking the opinion of a panel of experts and esteemed arbitrators. But in the third quarter (action research) : research methodology to ensure separation, the search tool, and the unit of analysis, sincerity tool, sample research, where the researcher identified the reasons for his choice of the sample. In the fourth chapter, which included analysis of the research sample, a television series (Roof of the World), directed by Syrian Necdet Ismail Anzor. After analyzing the research sample, the researcher found a set of (results), including : - Has been relying on the figures that are contemporary function listed events which are of unique specifications and dimensions, either historical figures came module sometimes unique and at other times has been confirmed in some of them on the psychological dimension. Based on the theoretical framework and the findings of the researcher, was developed conclusions, including : - Dealt with historical events and historical figures are genuine historical facts and maintain installed in the historical sources and not be manipulated and dispose of them in which makes the negative repercussions on the receiver, especially historical figures that carry positive features in the mind of the spectator. And finally been developing recommendations and proposals. Find and seal a list of sources, supplements and finally foreign - language summary.