البحث — المستودع الرقمي العراقي

المستخلص: ان التراث المعماري الاسلامي ليس تراثا ماديا او شكليا فحسب، بل هو تراث فكري يعبرعن حاجة انسانية طبيعية، واذا اردنا اثبات ان تراثنا وعمارتنا الاسلامية ليس انتخابيا selective))، (وهذا راي بعض المفكرين الغربيين والمستشرقين)، يجب علينا القاء الضوء على | The Islamic architectural heritage is not material or formal heritage but the heritage of the intellectual and expresses natural human need, and its our response to prove that ours (our Islamic building) is not (elected)! This is the opinion of some Western thinkers and the Orientalists. We should shed light on this heritage, study and criticize their joints, and refer to the Islamic intellectual assets and sources of confusion in it. The research paying attention to the philosophical study of Islamic architecture (based on intellectual assets) and the root of this study to clarify the difference between (Islamic architecture) and (Architecture of Muslims), so the discovery and identification of critical joints of Islamic architecture will reveal a large part of this difference. Critical studies around the Islamic architecture is not sufficient to solve the problem of critical fact that do not rise to the production of solid intellectual foundation, for the shape of the Iraqi Islamic school, so the provision of critical examination philosophical critique of critical joints in Islamic Architecture (after detection and identification), it will save our societies from the paradoxical situation and the intellectual antagonism experiencing at the present time between trends and theories of Western, and Islamic intellectual needs (which may conflict with these directions).The critical joints in Islamic architecture will also have a critical rule through criticism of Islamic buildings ,and global with it , and to identify "critical joint " is the change that is made on a continuing phase and change it to another phase may be negative or positive, through the themes and architectural studies on the philosophical architecture on Islamic critical joints can be concluded in Islamic architecture and can develop the physical reality, and to give a clear vision about the need for the future " , sources of architectural form , Architecture relationship to man , subject and object and their relationship to architecture, Architecture as an object, Rule and order in Islamic architecture, engineering and mathematical relations in Islamic architecture, criticism of Structural in architecture and criticism of phyenomenology in architecture.The current architecture is not one that attaches to the research priorities and research attention, while attention is the need to shape an idea of the future Islamic Architecture (stemming from the Islamic asset),The study of the Islamic intellectual assets and production techniques architectural forms entrench us information theory to compare them to shape and develop our idea of the Islamic school for the future.The need for actual criticism will appear , in the criticism of Western theories and trends that apply to the Islamic bulildings now (or criticize the buildings) and was founded by intellectual analysis and comparison of what is ours from the Islamic intellectual assets, to distinguish in line with the thought and contrasts with, in essence. These trends are (Phenomenology, Existentialism, Structuralism, and Marxism).The search is now paying attention to (Islamic architecture), the Islamic heritage of intellectual (and spiritual), and the need for Islamic architectural future, Our architectural path need a clear objective aim, and future - oriented stems from the genuine Islamic thought to occupy a position of real Islamic architecture.

الموقف القيمي لجماليات العمارة العراقية المعاصرة == The Valuation Attitude For Aesthetics In Iraqi Contemporary Architecture

اسم المؤلف: فرح احمد خضر

اسم المشرف: عبد الحسين العسكري

الموضوع العام: الهندسة المعمارية

السنة: 2008

الموضوع الدقيق: هندسة العمارة

الدرجة: ماجستير

الجامعة: جامعة النهرين - كلية الهندسة

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: تعددت الدراسات المتعلقة بالجمال والجماليات المعمارية، كما تنوعت الحقول التي قامت بدراسة كل منهما، مثل الفلسفة وعلم النفس والاجتماع. فقد شغل الكثير من الفلاسفة بموضوع الجمال، واستمر البحث فيه وفي مصادره في مختلف العصور، وقد حاول علماء النفس والاجتماع وضع ت | Many studies were made about beauty and architectural aesthetics, as a variety of fields, which had studied each, such as philosophy, psychology and sociology. Beauty was always philosophers’ concern, and continued research it and it sources in various ages, psychologists and sociologists tried to find interpretations of the aesthetic experience according to their attitudes. The values were still the subject of research and study to this day. They were studied by philosophers, sociologists and psychologists and also by architects to see their influence on architecture. This research is a mere attempt to have a better understanding of the subject of beauty and its sources and its impact on the architecture and how to accept it and deal with it. From which the research’s problem appear which is the attempt to find the influence of the value situation on the architectural aesthetics of the Iraqi contemporary architecture. The research tries to combine the subjects of architectural aesthetics and values, and identifies the rule that values have in the matter of “aesthetic taste” for individuals and societies. Proceeding from the idea that beauty could be in subject or object or both, the research discusses the impact of values or values sequence in society on those two factors (subject and object). Thus the theses suggested to solve the research’s problem included the necessity of the value situation, which depends on not only philosophical bases but also social factors, to understand the architectural aesthetics; the second thesis included the importance of values’ situation to direct the “aesthetic taste”. The third thesis was says that due to the inconsistency of the political, economical and social situations in Iraq, a case of confusion in the aesthetic preference appeared, which requires finding the criteria to solve this problem.Values have different sources, their power and obligation increase according to the power of their sources. So in order to study these values the research went back to their sources to further understand them, then analyze their impact on the subjective and objective factors of architectural aesthetics. Chapter one of this study included the discussion of values, beauty, aesthetics and attitude, with a brief demonstration of their history and sources. While chapter two discussed architecture and it’s significance for society, then found that architecture carries the values of the society and thus it’s aesthetic sense, chapter two also gives a brief description of contemporary Iraqi architecture and the most important events that effected it. As for chapter three, there is a summery for all the information and conclusions made throughout the study and a subtraction of the main terms that form the objective and subjective characters of the architectural aesthetics, then they were put into comparism with the value situation to find their effect on aesthetics, then these relations were applied to examples of Iraqi architecture, the study found in the forth chapter that the relationship between values and aesthetics is strong, for both subjective and objective terms, because values are indicators and rules that society follow, and as long as the architecture follows these rules - values - it would be accepted by society and beautiful, and this is one of things that gives identity of architecture in a certain place and time The study also found that if the society was well connected and had strong and sacred values, its architecture will carry its identity and stands for its as well as all it’s arts.

التباين القيمي في العمائر == Axiological Diversity In Architecture

اسم المؤلف: زينب صلاح هادي الاعرجي

اسم المشرف: Arshad A.Abdullah alanizi

الموضوع العام: الهندسة المعمارية

السنة: 2010

الموضوع الدقيق: هندسة العمارة

الدرجة: ماجستير

الجامعة: جامعة النهرين - كلية الهندسة

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: تتباين مظاهر العمارة على مختلف الازمنة والامكنة على الرغم من وجود سمات مشتركة في الزمان الواحد والمكان الواحد، فترجع اسباب هذه التباينات الى الاختلافات الكامنة وراء تبني قيم محددة لفكر تلك المرحلة، فالقيم هي معايير سلوكية مفضلة كما تعرف على انها ما يجب ا | Varied aspects of architecture at different times and places, despite the existence of common features in one time and the one place, are due in the reasons for these discrepancies to differences underlying the adoption of specific values of the thought of that stage, the values are the standards of conduct favorite also known as what should be in return for what is an object, and those values often vary from one stage of thought to another, which is Born question which form of the problem of public research, which is how the impact of thought on the emergence of the theory of architecture and the production of manifestation of different groves, and more particularly the impact of variation value system on the manifestation of architecture in the movements of the different architectural which form the problem of search, which was born three problems dealt with research moral reflection contrast to three intellectual vocabulary (central universe, how to acquire knowledge and what the architecture), which form the three hypotheses The disparity value system in the central universe, which leads to variation in the manifestation of Architecture, and the consortium will form the second quarter were investigated variation of that individual in the mind of the most important movements Architecture (Classical, Modernism, postmodernism, deconstruction, folding, green, and Islamic thought) and investigate the the impact of such individual to produce Appearances for those buildings by presenting some examples of architecture. The contrast value system of ways to acquire knowledge, which leads to variation in the manifestation of Architecture, which form the third quarter were investigated variation of that individual in the mind of the most important movements Architecture (Classical, Modernism, Postmodernism and Islamic thought), and investigate the influence of the individual to produce Special appearances of these buildings through the presentation of examples of architecture. The disparity value system in the definition of what architecture is, which leads to variation in the manifestation of Architecture, which form the fourth quarter, which was investigated varying the individual at the thought of movements architecture that was mentioned earlier to get to the possibility of the impact of varying the individual to produce manifestation especially of the building. In the fifth chapter was reached that the contrast value - winning research in the vocabulary have the ability to create a variation in the manifestation of Architecture and production aspects of her own is a reflection of the thought of that stage to prove any relationship thought the document architecture, especially the vocabulary of research addressed by the research.