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الفضاء النصي في الشعر العراقي التسعيني == Textual Space in Nineties Iraqi Poetry

Author name: بدور حبيب ظاهر البازي
Supervisor name: علي هاشم طلاب الزيرجاوي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna

المرجعيات الثقافية للفكر النقدي عند طراد الكبيسي == The Cultural References to The Critical Thought of Tarrad Al-Kubaisy

Author name: ولاء حميد نعمة
Supervisor name: محمد فليح حسن الجبوري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

الشخصية في روايات اسماعيل فهد اسماعيل

Author name: علي عصام عبد
Supervisor name: فوزية لعيوس غازي الجابري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

الخواتيم في نهج البلاغة : دراسة جمالية == Al - Khawateem in Nahj Al - Balaghah An Aesthetic Study

Author name: رفل عبد الامير محسن
Supervisor name: وليد شاكر النعاس
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

الاشهار في النقد العربي الحديث == Advertisement in Modern Arabic Critici sm

Author name: علي حسين انشينش البركي
Supervisor name: محمد فليح حسن الجبوري
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Muthanna
First pages:

ادبية السيرة بين الثابت والمتحول : واقعة الطف اختيارا == Literary biography between fixed and mutated wagaa al - taf by choice

Author name: ابتهال حسن كاظم
Supervisor name: عامر صلال راهي الحسناوي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

النقد البيئي : شعر العصر العباسي الاول اختيارا

Author name: نضال جبري طابور
Supervisor name: وليد شاكر النعاس
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Muthanna
First pages:

شعرية الالغاز في الشعر العباسي حتى نهاية القرن الخامس الهجري

Author name: هدى عبد الرحمن شهاب جياد
Supervisor name: عامر صلال راهي الحسناوي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

العتبات النصية في شعر سيف الرحبي == Thresholds text in Saif Alrahbi's poet

Author name: حياة بعنون سواري الجياشي
Supervisor name: وليد شاكر نعاس
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

شعر خالد المعالي : دراسة اسلوبية

Author name: عبد المجيد حميد نغمش البركي
Supervisor name: محمد فليح الجبوري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

شعر ابن هانئ الاشبيلي : دراسة وفق منظور المنهج النفسي == The paradox in the psychological perspectivein aHany Andalusian poetry

Author name: قاسم احمد خضر
Supervisor name: قاسم احمد خضر
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

الشعر ما بعد 2003 في المثنى : دراسة موضوعية فنية == The Poetry after 2003 in Al - Muthanna : a Thematic - Artistic Study

Author name: حسن عبد الواحد سهيل العنزي
Supervisor name: محمد فليح الجبوري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

بلاغة الحجاج في شعر مهيار الديلمي

Author name: زهراء ابراهيم رؤوف
Supervisor name: عامر صلال راهي الحسناوي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

المعايير النصية في خطب المسيرة الحسينية == Textual Criteria in the Discourses of the Husseini Journey

Author name: ولاء محمد عباس
Supervisor name: عايد جدوع حنون
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

تمثلات اليهودي في الرواية العربية 2018 - 2000 م : دراسة في الانساق الثقافية == Personification of Jewish in the Arabian Novel 2000 - 2018 A.D. A study in the cultural fashion

Author name: فاضل حمد مكوار
Supervisor name: فوزية لعيوس غازي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Muthanna
First pages:

الحاكمية في فكر الامام علي (عليه السلام) : دراسة في ضوء الانساق الثقافية == MAGISTRACY IN THE THOUGHT OF IMAM ALI (AS) IN THE LIGHT OF THE CULTURAL PATTERNS

Author name: عبد الامير دلي مجباس الزيدي
Supervisor name: وليد شاكر نعاس الرفاعي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:
Abstract: MAGISTRACY IN THE THOUGHT OF IMAM ALI (AS)Praise be to Allah, the Lord of the worlds, and peace and blessings be upon the master of the messengers and his purified progeny and companions .Magistracy or assuming power has been one of the topics that attracted the attention of man throughout ages and it has been the focus of his thought and most engaging concern because of what this issue has been characterizedwith as regards its being the source of the misery or welfar and happiness of the society ; hence it has been realistic and a living matter or affair which is inevitable and unavoidable. Chapter two is entitled "manifestations of the magistrate" in which the researcher dealt with, in a critical study, important issues in the Islamic history such as allegiance in addition to practicing the magistrate by Imam Ali(AS) and those who preceded him as well as those who came after him.Chapter three carries the title ' patterns of conformity and differences" in which the researcher dealt with the extent of the conformity of the magistrate practices with the Islamic revivalistic constructive project within the historical, patrimonial and juristic patterns of Imam Ali (AS) and other rulers.A conclusion has been annexed to the research in which most of the findings and general and specific outlines have been included in addition to a comprehensive bibliography of sources and references.The conclusion of our prayer will be : Praise be to Allah, Lord of the Worlds! These steps have been accompanied by a series of difficulties distributed between the topic difficulty and the abundance of the scientific material which the thesis haswithin this framework.The structure of the research required that it contain(s) a preface and three chapters followed by a conclusion . The preface has been devoted to highlighting the broad concepts of magistrate and cultural criticism .The chapters have been as follows : The title of chapter one is " scope of identity" in which the researcher has dealt with the nature of the pre - Islam Arab incubator socially, religiously and economically. Later on the well - known changes took place on the Arab field after the advent of IslaDespite the difference in people's thought , religion, culture and the discrepancy of their languages, magistrate remained an obsession irking those who incline towards it and sacrifice everything to have it in his command and to sit on its throne.So it is conspicuous that the study of this topic is of great significance especially in an era or epoch which represented the first dose for that age : an age in which the flame of assuming power glowed , specifically in the thought of a man whose period of governance was full of hidden patterns or formats not yet revealed neither by history books nor ancient critical studies.In this person , practicing magistrate varied according to philanthropy, religious culture , knowledge of the basics of religion and the extent of consistency with what religious law2 and custom through the prophet Muhammad (peace be upon him and his purified progeny).

شروح بردة البوصيري في الدرس الادب القديم حتى نهاية القرن الثالث عشر الهجري

Author name: عقيل عبد الحسن جبر الفتلاوي
Supervisor name: ياسر علي عبد سلمان الخالدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:
Abstract: Burd s explanations represent the flower of literary production throughout the ages because of the rare literay news linguistic rhetorical and critical contents and the meanings of the meanings of the poem the poem contains high - level literary profiles characterized by its classification and each according to its orientation and do ctriue whether linguistic or literary or Sophia has been formulated by us a wonderful art from and easy to understand and to acquire meanings arranged alogical arrangement easy to the recipient after viewing annotions printed and compositions vision for directions statement of their efforts to cashin this regard divided the study to boot and three chapters unprecedented an interoduction to ensure the boot life al bosairy and his poem albordatalked about the circumstances which was born in which the poem and its importance at critics also ensures boot explicits of the borda best known their order time also ensures agreat annotations any reasons called explicits to explain the poem albordaDiscussed in the first chapter direction language in three sections were section I recently about oriented grammar which included the efforts of explicits grammatical section ll was recently about oriented morphological guarantee the correction explicits and their impact on alborda as for section lll talked in it for oriented semantic because examined in this section contents read that referred explicits and its effect in construction of the poem And chapter2 themed direction the include three investigation of the first of meanings studies the meanings rhetorical which goes out to the question and meanings that goes out to appeal and meanings rhetorical which goes out topray for deletion as for section 2 was informed the statement because examined the analogy in ......... section 3 talked about science budaiya as guarantee the most prominent methods … received the poem that referred… then came the third chapter entitled direction cash and ensures three sections I was on the construction of the poem as contents of the beginning and good getrid conclusion of the poem as it is anovelpillar of the basicbused upon …. In section 3 tallked about the issues of cash other studied the phenomena of music and quotation …. The introduction and conclusion included the most prominent findings of this study ,and proven tributaries

الاخر في شعر ابن هانئ الاندلسي == The Other in the Poetry of Ibn Hani' Al - Andalusi

Author name: حسن هادي منشد
Supervisor name: ستار جبار رزيج
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:
Abstract: The topic of my thesis (The Other in the Poetry of Ibn Hani' Al - Andalusi(died 362A.H)) which is one of the topics that emerged as a result of the evolution of life and its expansion . The subject of the other which is prominent these days is the most widely researched among scholars . After the expansion of the Arab ego , it began to aspire to the non - Arab other. Comparisons have been conducted between this ego and the other especially the Roman and the Persian ones.The term , therefore, has emerged as a relative changing concept; its connotations were varied : it denoted all that which was different from the self such as man in contrast to woman, Arab in contrast to non - Arab and the slave in contrast to the master.This study has dealt with the other in the poetry of Ibn Hani' Al - Andalusi. The latter has addressed the other whether hostile or friendly, agreeing or differing with that other. The image of the other has , therefore, been coloured according to the multiplicity of colours of the life of the poet who touched upon the manifestations of the hostile other since the very beginning of one's life as represented by the Omayyad other ; consequently , his sect and religious belief lead him to clash even further . He has faced the Abbasside and Persian other. It was not only this : the poet formed an image for the other different from the hostile image which is the image of the other compatible with his ego or self . The poet has crowned all this with various meanings the most conspicuous of which were the praised other , the woman and the lamented other .The poet did not stop at this point ; rather he tried to form an image for the other through his self because the cultural heritage stored by his self and which was the best aid for him in highlighting the image of the other through the technique of symbolization and mythology which have been employed to uphold the image of the praised. These mythological symbols have represented the other for the poet's self.The research have arrived at the following conclusions : 1. The images of the other in the poetry of Ibn Hani' Al - Andalusi were varied in their being human and non - human and this other may agree or disagree with the self because the self composing poetry has varied as regards acceptance and rejection and reflected the psychological aspects as represented by the ego of the poet.2. The image of the praised other has occupied a wide space of the poets product and this image has carried meanings with numerous forms which became apparent in describing the other/ the praised through epithets revealing the poet's admiration of this other and in which the other embraced the self on the one hand and a close contact and solidarity between the characteristics of the other/ the praised and its religious sect on the other. Therefore, the ego and the other the praised representing the religious faith became compatible .3. The poet depicted one of the levels of the other compatible with the ego and that depiction was the woman in contrast to man . This woman was not separated from him (the man) and the concentrations of the loved woman the other was predominant in his poems whether in his introductions or within his poems and may be a felt reality or imagination . The other depiction was of the mother as in his lamenting of J'afar's and Yahya's mother and it seemed it was an influencing factor in the ego of the poet because he saw in her the mother of which the poet was deprived throughout .4. The research has concluded that the other , the lamented has been represented by the poet through Imam Hussein( peace be upon him) : an expositions which had a dimension for the individual and the Shi'a collective ego because he has depicted the dimension of the Omayyad hostility for the Shi'a aspect of self through depicting Karbala calamity which carried a positive landmark or fingerprintsss in the poet's product , thus it was an expression of the ego or the self

الشفاعة والاستعطاف في شعر العصر الاسلامي : دراسة موضوعية فنية

Author name: فاطمة سعد دواس
Supervisor name: محمد فليح حسن الجبوري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

اساليـب الطلب فـــي ديوان الشيخ عبد الحميد السماوي : دراسة دلالية تداولية == Methods Of Request In The Diwan Of Sheikh Abdul - Hameed Al - Samawi : Grammatical Semantic Study

Author name: حمد عدل ناصر الغانمي
Supervisor name: وليد شاكر نعاس الرفاعي | محمود عبد اللامي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:
Abstract: وقد اقتضت طبيعة البحث تقسيمه على تمهيد وثلاثة فصول متبوعة بخاتمة, اما : التمهيد فقد خصص لدراسة الكلام والانشاء الطلبي. واما الفصول فقد جاءت مقسمة على ثلاثة فصول, مبتدءة بالفصل الاول الذي تناولت فيه اسلوبي الامر والنهي. واما الفصل الثاني, | (Methods of Request in the Diwan of Sheikh Abdul - Hameed Al - Samawi : Grammatical Semantic Study)In the name of Allah, the most compassionate, the most MercifulThanks to Allah, peace and blessing be upon the master of all mankind and his rightly guided progeny and peace be upon their followers until the Day of Judgment.The nature of the research has necessitated dividing it into a prologue, four chapters followed by a conclusion. The prologue has been allocated to study the poet biography; as this study is the first dealing with his works. The research has been divided into four chapters; the first of which has dealt with three concepts : speech, Composition and request, for two reasons; the first is that the reference of the methods of request are those three concepts, and the other reason is that this research is meant to keep pace with modern linguistic studies, particularly the deliberation theory. The second chapter which has studied the two modes - commands and interdictions - is divided into three sections; the first section has dealt with the command linguistically and idiomatically as well as its indication of time. The second section has addressed the forms referring to the commands which have been dealt with in the diwan. The third section has discussed the necessitating functions of the command mode. Chapter three has been allocated for interrogation methods and divided into two sections beginning with a preface dealing with interrogation linguistically and idiomatically, while the first section has addressed interrogation particles according to their occurrences in the diwan and they are classified as particles and nouns. The third section has studied the necessitating functions of the interrogation mode. The fourth chapter entitled (other methods namely the vocative, optative, hoping, offering and urging cases), has been divided into three sections : the first has dealt with vocative mode (nature, particles, and object). The second section has dealt with the necessitating functions of the vocative. The third chapter has been allocated for (optative, hoping, proposing and urging) cases. The chapters of the research are completed with its conclusion and findings, the most important of which are : 1 - Al - Samawi's diwan includes the main original and necessitating methods of request such as commanding, praying, appealing and etc.2 - The poet took too much care of the feminine addressing in his use of the command mode , which means that he take on this mode for its efficacy in influencing society more than the confrontation mode; also, he used it when sensing pain and bitterness for what he saw of the community situation.3 - The research has proven the need to differentiate between the verb of command as an act of the speaker, which is associated with the present time, and whose significance occurs at its saying, and the compliance phase with which the verb deviates from the command implication.

الخلود في شعر عبد الحميد السماوي == Eternity In The Poetry Of Abdul Hamid Al - Samawi

Author name: اساور ناجي حسين صالح الحسناوي
Supervisor name: محمد فليح حسن الجبوري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:
Abstract: We have chosen the term "eternity" in the poetry of Abdul Hamid Al - Samawi because of the indications of awareness of eternity it carries and the way of employing it, in addition to the role it plays in engineering the text : a process which is considered one of the most important streams of the poetical experience of the creative person whie it is on the threshold of producing a new text. The nature of the topic has required that it be divided up into a preface and two parts preceded by an introduction and followed by a conclusion containing most of the findings arrived at Finally, a list of references has been added.I have followed in my research the inductive descriptive approach.The preface has been given the title" Eternity between Philosophy and Poetry", while the first part has been devoted to the" Objective Study". As for the second part ,it has been devoted to keeping an eye on the artistic factors by mean of the tools of the aesthetic molding.The research has arrived at the following findings : *It has become clear the Al - Samwi's poetry has mixed between imitation and innovation at the same time. That is to say, his collection of poetry has included the traditional topics and the modernized ones which appeared in modern Arabic poetry. It has become clear that the subject of "eternity" was conspicuous.*It has become clear that the main motive behind composing poetry was the society in general and the Samawa environment in particular. This is considered one of the most important outside attitudes to which the motive responds. The influence of the environment has been apparent in Al - Samawi's poetry as a result of how he viewed it. The influence of religious occasions has been also clear which has made the poet long for contemplating the landmarks of eternity as represented in Ahlul Bayt(AS) lofty edifices.The third motive has been represented in in Al - Samawi's pondering over life and death.Life in all its troubles and pains imposes on him pains and sufferings which makes him criticize its leisure. He has ,therefore, kept a close eye on all its manifestations. As for his pondering over death, the poet launches into mentioning death prolonging contemplating it. He has also expressed his delight upon seeing graves and casted long looks on them. He has also pondered over universe and existence.His existential concern has been clear which was its main motive to think of the other world and the eternal rest.*It has become clear that Al - Samawi's has penetrated the language looking into it as deep as his emotions using its styles in line with what he deems convenient for his psyche and doctrine. He reclines once on the eternity expressions of the heritage while in other times uses simple expressions , but the language of eternity which has taken a distinctive feature is the easy and simple language. His poetic lexicon has been characterized by the domination of the eternity expressions and their derivatives. They are considered the most dominant expressions over the poet's vision. Through these dominating expressions , he has been able to express cases struggling in his mind whether in reality or in imagination.*It has been apparent that Al - Samawi made manifested the linguistic structure in the poetry of eternity in more than one meaning as deemed convenient according to his poetic experience. The poet , therefore, has subjected for this purpose expression and constructions which he thinks they can achieve this objective. These style have varied and they have been controlled by his poetic feelings and emotions.*Al - Samawi has adopted the traditional criteria in the metrical structure of his poem. Examining carefully and employing the Arabic metres , he has revealed to us the intensity of his use to specific metres as used by ancient poets such as the metres of the Kamil, Tawil, Khafif, and Basit. He has intentionally resorted to metres diversity in texts where homogeneous and heterogeneous metres are used for the sake of waving movements among feet. As for rhyme, it looked as though it were a rich multidimensional sonorant action which has contributing to granting the text sobriety and stability.in addition to shedding light on the semantic dimension of texts.*The internal music for the poetry of eternity has reflected in alliteration and bringing the reare to the fore to express what Al - Samawi feels of. it has also been found that he resorts to repetition in its being one of the styles of expression. The poet had recourse to creating his own internal music through repeating a group of sounds which have a specific type of phonetic characteristics. He has repeated letters, utterances and constructions to perfect the meaning and fix it alongside phonetic effects to achieve musical harmony.*Al - Samawi has found in the Glorious Quran an inexhaustible fountain of meanings and utterances which have been absorbed by his mind and filled the depths of his soul. So, he started to drink of this sweet fountain living with the verses of eternity to such an extent that his texts were formation of many texts rephrased to meet his poetic attitude and vision.*The role of the religious symbol in the poetry of eternity has become apparent and the most outstanding symbol has been that of religious and historical heritage. The poet has been in the habit of recalling his immortal religious characters whichreflects his feeling that such characters were of great richness especially when we take into consideration that his look is in accordance with his psyche and poetic experience ; thus he has cared a lot for his doctrinal thought which formed later on a discourse specific to him in order to achieve cohesion between his experience and the symbol of eternity because he has expressed what he has inside himself by means of subjective motives.*The study has revealed the domination of personification in an imaginative context adopted by the poet in more than one poetic image. This personification has emanated from the passion and psyche of the poet. Imagination has extended over a huge space as regards his depictions especially after he has made the inanimate possess the qualities of the human being which has made the recipient understand and grasp the meaning more clearly ; hence the poet has been able to construct a multitude of new unrelated depictions.

التناص القراني في نهج البلاغة : الخلق مثالا == Intertextuality Between The Quran And Nahj Alblaghah Creating - Sample

Author name: زينب ساطع عباس
Supervisor name: وليد شاكر نعاس الرفاعي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:
Abstract: This research "Quotation Nahj Alblaghah from holly Qur'an - Creature as sample - " discusses four subjects; holly Qur'an, Nahj Alblaghah of Imam Ali (AS), the intersexuality and the creation. At first, it discusses the concept of intersexuality trying to a

شخصية المثقف في روايات علي بدر : دراسة تحليلية == Intellectual Character in Ali Badrs Novels Analytic Study

Author name: محمد فاضل جدوع المشلب
Supervisor name: فوزية لعيوس غازي الجابري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

القيم الاخلاقية في نثر العصر الجاهلي : دراسة موضوعية تحليلية == Moral values of narrative uneducated age (specific and analytical study)

Author name: علي اسماعيل خليل العزاوي
Supervisor name: وليد شاكر نعاس الرفاعي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

شعرية الخطاب عند الشعراء الفرسان في عصر ما قبل الاسلام == The poetic Discourse when knights poets In the pre - Islamic Age

Author name: نضال جبري طابور
Supervisor name: وليد شاكر نعاس الرفاعي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:
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