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التوجيه الصوتي للقراءات القرانية عند السمين ت 756 هـ في كتابه عمدة الحفاظ في تفسير اشرف الالفاظ

Author name: احمد هادي جاسم
Supervisor name: احمد حسين عبد السادة
Specific topic: Language
Degree: Master
Language: Arabic
University location: Muthanna
First pages:
Abstract: Quranic readings are considered to be one of the most important sciences due to the fact that the sciences have so many subjects and distinguished by its researches and issues. The subjects of Quranic readings are from Quran and the ways of its performance .Al - Sameen Al - Halabi was a famous figure in the linguistic and interpretation heritage. He is one of our scientists, who left a great heritage to be benefited by the scholars after his death. He was a linguist, interpreter, and prominent grammarian due to his two great books that are considered to be his most famous ones.The researcher’s thesis is (Sounds Directions of the Quranic Readings in Al - Sameen Al - Halabi's The Basis of Conservation in Interpreting the most honourable Words) . It is chosen by the researcher for some reasons : Joining between Quranic readings and Al - Sameen Al - Halabi, the researcher claims that those who have written about Al - Halabi did not cover the search about morphological direction and when reading the book, he or she will feel that Halabi is a great linguist in Arabic language and has a deep sight.The paper has three chapters preceded by brief preface followed by brief conclusion. The preface has Halabi’s perspective ofBQuranic readings and his methodology in directing it. Chapter one includes replacement in vowels and voiceless sounds. This chapter also includes two parts : the first one is replacement in vowel sounds and joins the replacement of the sound (al - dhad to al - sad and vice versa), the sound ( al - ghain to al - ain), the sound (al - qaf to al - fah), the sound (al - bah to al - tah), the sound (al - sad to al - seen), (al - bah to al - thah), the sound (al - hah to al - jeem), and the sound (al - thal to al - dal). The second is the vowel sounds which joins replacement (al - fatha to al - kasera),(al - dham to al - fatha), (al - kasera to al - dham), (al - dham to al - fatha), (al - fatha to al - kasera) and (al - fatha to al - dham). Chapter two is about weighting and mitigation. It also includes two parts : the first one is weighting and joining it to vowel and voiceless vowels and the second is mitigation and joining it to vowel and voiceless sounds. Chapter three is about al - hamza and its facilities. Also, it has two parts : the first one is achieving al - hamza, obligatory, optional hamza and exceptional hamza and the second tackles facilitating al - hamza and facilitating al - hamza by deleting. The paper ends with a conclusion that sums up the findings.The researcher has faced some difficulties such as difficulty in phonological direction sometimes, not all Halabi’s readings are directed phonologically that is why the researcher

المركز والهامش في الرواية النسوية العراقية 2003 - 2010 == Center and margin in the Iraqi feminist novel 2003 - 2010

Author name: ابتهال كاظم احمد الطائي
Supervisor name: فوزية لعيوش غازي الجابري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

الطبيعة في شعر مكفوفي العصر العباسي == The Nature In The Poetry Of Blind Poets Of Al Abbassi Era

Author name: وسن حسين غيث الظالمي
Supervisor name: عامر صلال الحسناوي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Muthanna
First pages:
Abstract: After a long journey, joyful and fun with blind people in the world of nature we looking forward now to see the results of this trip and we review the most important thing we came up with : The psychological factor has played an important role and essential in the orientation of the blind toward nature in which he found a safe haven, to escape from the community was a hostile environment for him. Multiple cognitive and cultural resources for poet blind, provided him confounded cognitively culturally Thera, had the largest share of this stockpiling return to the product of poets sighted; since found a blind wellspring Bmaanyh and his words that cemented in his mind and filled the depths of his soul, he took draws, including wills him meanings and images of nature, and which appeared excellence where Bashar and Maari, as he leaned on the language inherited by coming in in language daily - the first sources of culture blind cognitive - represented by parables, and he has brought the blind signals Koran which carried descriptions of nature, and who help him in drawing pictures descriptive, as well as tributary ideals and goes, and tributary to read and see, and found the researcher's role Zip historical and legendary in the poetry of nature; since summoned the poet blind symbols of personalities historical, and legends belong to nature, and had Me'ri a distinct presence in calling these symbols; indicating the depth of the culture, and intellectual maturity. Entered the nature formative element in the formation of the poetic image when the blind poet, and stirred his imagination and Ncttha, and expanded its horizons, and become rich Balchbhet drawn pictures and images which reflect the different fertile imagination. Description of nature, like the blind poet of poets sighted, and in the collection and described between tradition and innovation, and came a picture of nature is often mixed with the rest of the purposes of poetry, and rarely came in the form of separate pieces. Occupied the descriptions of the camel and horse center stage in systems poets blind departing from the benefits of those animals Fmdoa statement descriptions, forms, and colors - for Khil - , while the rest of the animals was calling the poet blind her for the purposes of spinning or praise or lamentation or spelling - including awarded the horizon simulator or prepared him, including his expressive many of the tributaries - and not for the description itself only rarely. More poets blind from the description of the bird in the animated nature, focusing primarily base on their voices and a private bathroom, which interpreted his voice according to the psyche, it was happy two thousand in his voice twitter and vocals, and was sad like his voice has a scar and crying, while such Algrab - code Banshee - in most images guide fences and separation. Most of the descriptions of the plant came overlapping with other purposes poetic when poets are blind, and Mbthoth within them, and rarely pure Maogdna description of the plant, which was of the tribe of Ben Altaaoive where the largest share outstanding on the rest of his companions in this area. Suffered the blind poet of the length of the night to move around a fixed Vleilh With regard to the lexicon industrial nature, has described the poet blind ships relying on a picture ship descriptions of camels and horses, aided in completing his portrait of poetry this much of the descriptions of the desert, and the poet in all of this compares between his ship and the camel, and how she does not feel defrauding a sailing the river, and had superiority to Bashar and dad Hes in this area, have also been blind to describe the depths of the buildings as well as exposure to mention dilapidated homes, fully demonstrating the superiority of the blind poet blind in this area because it excelled in the accuracy of the description. In the field of industrial tools Hafez arms in the Abbasid era to the status they had since the pre - Islamic era, received the sword replaced the lead of offensive weapons in the abundance of material noodles contained when the blind, has mastered in accurately described as male parts, and its industry, and its qualities, and its impact on resolving the bout, and replaced swords and Indian Mishrefeh replace a head start and progress on the other, followed by a spear, shield, which then accounted for Maari as among his peers, while not share and bow attend impressively between several blind war. I have to stop the blind poet to describe tools lighting of candles and lanterns taking of forms and qualities to express what it feels are suggestive art. Pervaded the poetry of the blind as winery Fathdthoa for undimmed and serenity pictures of visual spectacular grabbing the receiver to the beauty of the formulation and the magnificence of their descriptions, Vngnoa paid to the concerns, Margen on the color and characteristics, as well as the value of psychological Altnafisah, and was distinguished for Bashar in the field description winery and tools drinking. Drawing poet blind pictures of scenes of the desert through his trips to the land of acclaimed mediated camel, described and its share and walk in the tread rugged, noting the rigors of travel and the difficulty faced by them in order to reach acclaimed, for a lot of tender first, then to boast Pfrossith II; being prowling float lonesome and alone. It was a blind poet pause on the ruins of the fees and what they contain and landmarks, Vahtam out, and absorbed a lot of the traditional meanings mentioned by the poets sighted, he asked and complained and cried and pictures of homes and the effects of their charges and the impact of rain and wind on them. Deliberately poet blind to the coloring of his paintings of poetry, the desire to keep up with the sighted was adopted in image color on the covenantal audio and especially the poet, the blind, who could not give a true picture of the color of a given, but he was able to give indications of the colors by his concept to her, and it was white checkered and black are the most presence of the rest of the colors, perhaps due in to the psychological impact of these colors in the lives of the blind, being in permanent conflict with the light in the shadow of darkness eternal imposed equally upon, and as usual it was the largest share in these pictures colorimetric Bashar and Maari who Tfoqa - Godh - frequent and even on other newly blind. The auditory sense is most present in the poetry of nature, followed by olfactory, and tactile, Valdhuqah. Taking freelancing senses dimension poetic special when the poet blind making of images and compositions phones in the poetry of nature painted painting Bogdan poet, and pulse sense, is up talent poet blind and creativity peak in the use of compositions poetic visual, auditory, and olfactory and gustatory, and plays a sense of the poet blind delicate an important role in moving his mind about this line of rationing artwork. Have revealed chapters message as well as the substantive results, the results of other art, was the fact that most of the poems of nature when the blind had been organized on the seas long, took the sea long space bulk of the hair nature, followed by (full, simple, generous) and the use of the poet for this seas Related Activations long; for shows and separates accurately manifestations of nature, as well as the weights of poetry such as (shun, and Lilt, and light) and the seas again came about very few (k Almnsarh, and prolonged, and convergent), as we found through research that the poet uses rhymes that are clarity and power, such as a character (Alaba, and signifier, and ra, and harvest), as well as the use of rhyme both types of absolute ones and restricted, has had a rhyme broken luck and abundant in the poetry of nature when the blind, and followed embraced, and then open the rhyme restricted did not appear in the poems blind but in a way few. As for the rhythm of internal Fimthelh repetition; since sought poet blind by repeating words to assert the idea that, while repeating the letters aims to make a melody musically rhythmically rest his vocal and Thuah, as well as a common method of recycling in the poetry of the blind, and subjected to the atmosphere of emotional psychological; to achieve Using convergence moral terms, as they could through alliteration and Altbara to achieve harmony of music in the context of the House of poetry, as well as impart these methods of semantic and moral values on the hair nature. Shred poet blind in the formulation of an image of nature formulation of fine art, it has more of the use of similes; since used the analogy of different types (the sender, and the total, and detailed, and eloquent, and inverted), moving from similes sensual, to comparisons technical suggestive expressed taste poet blind, who was tends to innovation, and innovation in the poetic image, as well as the emergence of style (metaphor) as a means; to deepen the significance of meaning through use, not for what put him, and had to borrow tools attend the largest of metaphor declarative, and the style (metaphor) has shown the poet blind desire for non - disclosure, or disclosure of the meanings that was Eptgaha directly, resorted to metaphor for character, and for metonymy described, this method of taking a way to achieve what aspire. Most of the methods demand was orbiting the emotions psychological poet, and receiver alike, and for this reason is often found poets blind out about the real meanings to gloss metaphorical; what gives him the freedom to express their feelings and make the recipient to contact and communicate with what he says poet. As regards (Reliable Wholesale) has appeared in Poetry Nature Methods synthetic contributed to the enrichment of meaning, and the strengthening of the building, and clarity in showing the positions that have a link with affection poet blind, and his imagination, and these methods are (submission delays, Chapter interfaces, and male and deletions). After these are the most important results of the question raised by this study, do not pretend it Facts final for granted, but at the same time figured I done everything I can in order to access them, and in conclusion, I would put this study made it my best, and I tried what I could display which opens the way for new studies of the nature of poetry when the blind in the other literary ages, and praise be to God always.

لهجة ناحية ابصية وصلتها بالعربية الفصحى == The Population Of Bsaya District

Author name: واثق حسن مجهول
Supervisor name: محمود عبد حمد اللامي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Muthanna
First pages:
Abstract: There is no doubt that the study of dialects has great importance and as such was given special care by Arabic language scholars in order to be acquainted with many linguistic phenomena which have become prevalent in our language, in addition to authenticating many contemporary dialects and tracing them back to their ancient roots and unveiling the historical stages they pass through and the impact of environment , place and time on their linguistic development since their very emergence.The Arabs cared a lot for their language through authoring numerous linguistic books which included within them many references to ancient Arab languages though it fell short of the specialised accurate study as a result of being content with mere references to restoring the names of languages to the names of their tribes. This has led to deprive us of knowing much about many of these languages more accurately.In order to grant the languages ,i.e. the dialects, their full right to be treated, a group of modern researchers have endeavoured earnestly to study the language and its relation to modern dialects. For the sake of catching up with these attempts, I have decided to opt for the topic, " THE Dialect of bsayah and its Relation to classical arabic " for my thesis. The research has arrived at the following findings : - The dialect of the population of Bsaya has been found to be a trace of ancient Arabic languages because it cannot be separated from the Arabic dialects because language is a living entity which grows and develops throughout time : a process which shows that many of the traits of contemporary Arabic dialects have their origin in classical Arabic which has represented the utmost evolution that affected ancient Arabic dialects. - The study has traced the linguistic and historical development for many of the THE Dialect of bsayah and its Relation to classical arabic authenticating its various linguistic uses ,such as the use of the kasrah for the letter of "presentness"such as nikash, niCzib, tiCshun,…etc. or using the kasrahfor the first letter in the morphological scalefor nouns and adjectivessuch as shihid ,zi'ir, sha?ir, etc.This is a common phenomenon in most of ancient Arab dialects - The study has shown that the dialect of Bsayah is irregular in most of its linguistic phenomena such as the substitution of the?ad for the sin such as ?akhab for sakhab or it could be vice versa such as sahra for?ahra' - As for the morphological study the overwhelming part of it has come in agreement with classical Arabic. The change has been superficial in the structure of the dialect of the population of Bsayah : this change has been either in form or by adding or reducing a letter whereby some of theparticiples and the derivations have deviated from their regular forms to the irregular ones such as the irregular forms of the feminine which are numerous in the dialect of Bsayah. Examples of these arekadar , jabad, ?a?ah , etc. - The study has confirmed that some utterances represent Arabic dialects which make masculine and feminine without using any suffix or sign for feminisation such astaa , or prolonged or confined 'alifsuch as biyr, jiliyb, ?iriyj, sibiyl, for bi'r, qaliyb, ?ariyq, sabiylrespectively.As faras the grammatical aspect are concerned, the study has shownthe adherence of Bsayah dialectto the ya' in pluralising and dualising the masculine in all the parsing cases : the nominative, the accusative and the genitive.The Arabs used to substitute the plural for the dual such as " ?adhim 'al - manakib (i.e., mankabain)" and "ghalidh 'al - hawajib(hajibain)".The Bsayah dialect, like other contemporary Arabic dialects, has beencharacterised by its being free of the parsing diacritics or signs and the inclination of its speakers to put a sukunat the end of its words. This could be a phenomenon which prevailed in an early time of the prevalence of solecism and the corruption of languages because of the Islamic wars and conquests.

الخطاب الشعري للشريف الرضي بين الانا والاخر == Al Sharif Alradhis' Poetic Speech Between The Ego And The Other

Author name: عادل ياسر كاظم الركابي
Supervisor name: ستار جبار رزيج
Specific topic: Language
Degree: Master
Language: Arabic
University location: Muthanna
First pages:
Abstract: This study is an attempt to extrapolate the poetic discourse of , Sharif alRedhi between the ego and the other Based on the concept of discourse as a modern linguistic studies secretions. this term has take a long range in these studies and in other areas oflife and became the term of speech in recent time a common term , but it branched , and had many paths , and different concepts so that finding it and selecting it became difficult , so the speech became used widely among critics and researchers , and became with different concepts , and became expressing many things in multiple areas and within all disciplines , poetic art has specific speech and aims to deliver its intended message , as well as a lot of other arts.the field of the ego and the other was taken from the side poetic speech of poet and his overall intentions , whether political , social or religious ,the researcher wanted to observe these phenomena in the poets books , and criticism books that dealt with the speech of poetry in general , the reliability of the researcher to interrogate the poetic texts , taking advantage from the language of the text itself, and understand it , or special perceive by interpretation , to read the text and thinking in it and insight into the depths and disclosure of its connotations , so the research methodology came spread over three chapters preceded by a preface, followed by a conclusion so we reached to a set of results that emerged from the study , including : 1 The political speech of alradhi is characterized by style which is convincing , which is intended to a commercial reaching function that cannot leave him under any circumstances , a coherent build is taken from article ideology of special technical owned by alredhi which has excitement spirited by using rhetorical mechanisms.2 his frequent use of the exciting words in his speech, was from his mental interactions experienced at the beginning of his childhood to his youth , and what he suffered of pain of need for his ambitions.those words represent tone raised in his poetic speeches pictured his illusions as champion in the battles waged in his imagination , seeming as negatively center he paid intention around so that his art became not realistic.3 his sense of himself led to making his own identity based on differentiation from others. his own conscious and passion and safe ideas led to consciousness by being different from others and a preferring himself, and its superiority over the others in one hand , and on having the principles of harmony , cohesion and synergy with the others including consistent and satisfy himself and save psychological tension , but here we can not only to be satisfied with such results , asking the Almighty to guide us.the researcher

التوجيه الصرفي في كتب مشكل اعراب القران في القرنين الخامس والسادس الهجريين == The Morphological Channeling In The Books on The Obscure of Parsing The Quran In The Fifth And Sixth Century

Author name: رقية سجاد حسن
Supervisor name: علي فرحان جواد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Muthanna
First pages:
Abstract: This study deals with the morphological channeling in three books the common subject matter of which is the obscurity of the parsing of the Quran. These books are : 1.Mushkil '?rab 'al - Quran by Makki Ibn Abi Talib al - Qaisi (d.437 A.H.).2.Kashf al -

الظواهر الصوتية في كتاب (كشف المشكلات وايضاح المعضلات) لابي الحسن الباقولي (ت543هـ) == The Phonetic Phenomena In (The Problems Detection and Dilemmas illustration) Book Of Abi Al - Hassan Al - Baqouli (D543 H)

Author name: علي عواد ميزر
Supervisor name: صاحب منشد عباس الزيادي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

انماط التعليل في نهج البلاغة : دراسة نحوية ودلالية

Author name: تيسير حبيب رحيم
Supervisor name: محمود عبد حمد اللامي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

صفات الانبياء غير اولي العزم في القران الكريم : دراسة دلالية == The Prophets' Attributes other Than the Leaders in Holy Quran - Guidance Study -

Author name: ابهر هادي محمد
Supervisor name: محمود عبد حمد اللامي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

علل التعبير القراني في تفسير الميزان للطباطبائي (ت1402هـ) == The Causes of Quranic Expression in Al - Meezan Explanation for Al - Tabtaba'i ( D. 1402 H )

Author name: عبد العزيز فزاع شايب
Supervisor name: علي فرحان جواد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

القراءات القرانية في تفسير البيضاوي : دراسة صوتية == Readings AL - Quenranih In The Interpretation AL - Bedhawi (Sound Study)

Author name: شيماء محمد صبري
Supervisor name: صاحب منشد عباس الزيادي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Muthanna
First pages:
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