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التقارب الصوتي في الاصول الاشتقاقية دراسة دلالية

اسم المؤلف: هدى شامل حسن
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

التفسير النحوي بين المنحى التركيبي والمنحى الدلالي

اسم المؤلف: امال ياسين محمد
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

التداولية في الدراسات العربية الحديثة

اسم المؤلف: سناء منير عبد الرزاق
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

الابعاد التداولية في النحو العربي عند ابن هشام

اسم المؤلف: اميرة عبد الواحد فليح
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

اسس الترجيح الصرفي عند شراح الشافية في القرن العاشر الهجري == The Basis of the Morphological Weighting in Al - Shafi Commentators in the Tenth AH Century

اسم المؤلف: رفل هادي مهدي القره غولي
اسم المشرف: خديجة زبار الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

المنحى الاجتماعي في مؤلفات ابي علي الفارسي ت 377هـ

اسم المؤلف: ابتسام صالح عليوي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب - النقد
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

الاتجاه الايديولوجي في الرواية العراقية (2003 - 2013)

اسم المؤلف: شميم راضي عبد حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

نقد المقدس الديني في الرواية العراقية

اسم المؤلف: وسن مرشد محمود
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

دلالة الرياح ورمزيتها في الشعر الاندلسي عصر الطوائف والمرابطين والموحدين 400ه - 636ه دراسة موضوعية فنية

اسم المؤلف: ايناس عبد السادة جودة
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

جهود الدكتور علي الزبيدي في دراسة الادب العربي == The efforts of Dr. Ali Al - Zubaidi in a study of the Arabic literature

اسم المؤلف: هبه عادل مهدي جبر العلوي
اسم المشرف: صلاح كاظم هادي العبيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

بلاغة التراكيب ودلالاتها في روايات جمال الغيطاني

اسم المؤلف: نادية عبد الرضا علي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

الصورة في الرواية العراقية المعاصرة

اسم المؤلف: اسماء اديب عباس
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

الاصمعيات من منظور التحليل التداولي

اسم المؤلف: سرى مؤيد عبد اللطيف
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

تقديم الشخصية في السير الشعبية العربية == Introducing Character in Arabic Folkloric Biography

اسم المؤلف: رغد عبد النبي شنين
اسم المشرف: سعيد عبد الهادي المرهج
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: We mean, when we mention a folk biography, that its popularity belongs only to the people and the people heritage, customs and traditions, this biographies are alike in between all folks, having the same plot which sometimes belongs, (popular biography), to the public tales , and this belonging is what makes them form far from of the higher cultures which were totally deal with high class people ,that led to carless with these tales and their description and writing. The folk biography include a number of long narrative works with similar artistic features and similar artistic objectives, as being an independent storytelling art, with its own artistic rules which are adopted by the most complete biographies and also, those biographies were written before the accruing of the higher artistic forms, and before it has all the clear features of the artistic folk biography.We have chosen, in our study of the folk biography, an important element of narration which is “the character” that may be the most important between these elements as it is develops the narrative event and contribute in its rise to an end in a time and a place determined by the producer of the text, and the critics have talked enough about the character, but they did not come up with a clear identification for it, the reasons may due to their perceptions of it, which is based mainly on qualities, also, on deference of reference systems which the concepts have derived their existence from, of which secures purpose of these reference systems. The references of those who are specialized in psychology are different from the reference of the Theology, Genetics and Sociology, and thereupon the concepts are different. .The limitations, that we can use for exploring the personal presentation techniques, are a number of artistic narrative methods which the novelist relies on to reveal the curtain from his characters before the reader and we will examine those methods in order to know the methods of characters presentation, we shall that especially in the folk biographies. My study is distributed between three chapters, and preceded by an introduction named(Folk Biography) and the Techniques of Characters Presentation), where I talked briefly about the folk biography concept and characters presentation techniques in the narrative, the first chapter was on character models in the Arabic folk biographies, and it included three sections, in the first one, I talked about the protagonist, the co - protagonist and the antagonist, whether in the second named (Secondary Characters), I talked about historical characters , wonder characters and realistic characters The second chapter was titled (The Presentation of the Character) and by using (Informing Presentation), and it comes in three suctions, the first one is titled (Description of the Feature) and (External Shape) , the second was titled (Naming Building and its symbolism) and the third was titled (Description of the inner worlds of the character) The third chapter was titled (Characters Presentation by using the Description (Appearing Presentation) which comes in three sections, the first was titled (The outer dialogue) , the second was (The inner dialogue), and the third was (The poetry dialogue).My work has faced a lot of obstacles which was difficulties like finding folk biographies copies and their study references which are existed in other countries other than Iraq, so I had to travel for them, also, the biographies was long and have a big number of characters and stories, as they represent an old era, and I had more problems like languages of these biographies as they were written in between the formal and street languages, ex : Bedouin, Syrian and Egyptian, that contain difficult Phrases to be understand, specially it represent an old era which contains a lot of grammatical and literal mistakes, and requires, for the purpose of scientific trust, quoting them from the biographies as the same as they are, after that, and for that reason I had to put my comments of correction, all that took a lot of my time and efforts but, by the help of Allah, my supervisor assistance and other teachers, I managed to accomplish what I think its suitable with the level I have reached in my study, and honors my university name

تشكل حكايات بخلاء الجاحظ وتحليلها وتاويلها == The Stories Of Bigeye Analysis And Interpretation

اسم المؤلف: اشواق عبد الكريم محسن
اسم المشرف: صلاح كاظـم هادي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This reaearch deals with many questions most important of that is an ability to practicc a sort of the criticism or repeat reading the old texts as AL - Bukhala'a , so from this reading to the beautiful semantics and ideaulgy or what deal with it.This studding contain tudy story a sit a known literal sort Jahadh'sstorys came an expression sort deal with Jahadh's affect on the current problems.We wish from this study to reach to how to from groub , the textal mixing and interval organize which consisting the story cal building for AL - Bukhla'a.This subject come from the storys representing.The spot of what Jahadh think as well as , Jahdh represents one of the Arab famous persons and a critical litteral presnts , we must stop on him.This study depends on an introduction text , three section end ending , we submit in an introduction storys articles and their relation with the current , The first section is under title forming story of Jahdh , the second research deals with forming AL - Jahadh's storys and the third research deals with the shapes of this story , But the second section is under analyzing of AL - Bukhala' storys and its title deals with the sort of the story and litteral sorts deals with the text space place attendance and time , the third reach represents AL - Jahdh's title explain Jahadh's storys and the section consists of two research , the first is under title the missing text in Jahadh's , the other one is what its consisting on this story as it represntng as mark

شعر الغزل بين العباس بن الاحنف وابن زيدون : دراسة موازنة == The Love Poetry Between Al - Abass Bin Al - Ahnaf And Ibn Zydun

اسم المؤلف: بشرى احمد قاسم محمد ابو حسنة
اسم المشرف: حميدة صالح البلداوي
الموضوع العام: اللغة العربية وادابها
السنة: 2005
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The compete between the one period poets or the following periods on the first skillful period in the pervious poem to the fineness in the poem and to be the reason in the comparative and the budget either if this through intention from the poets themselves or from the fond critics bound in this and between them our study “ The love poetry between Al - Abass Bin Al - Ahnaf and Ibn Zaydon budget study “, and we want to reach the agreement and the separation and research about the beautiful and the other in their poetry and this what require to be the study in itroduction three chapters and conclusion. The first chapter devoted for the Poets life, their relationship, their period, their personality and their death, while the second chapter treated love meaning in the two poets. The third chapter depend on study the invention process summary in the two poets with out expected the love on specified on it. The important results which are reached on them this study. - Although the different in their period and the contradiction in the strength of the two state which are they lived in them but the psychology structure for them was a approach one another. - It is clear in the love side for the two poets victory of the virtuous side for AL - Abass bin AL - Ahnaf and victory of the sensible side for Ibn Zaydun. - The language dictionary for AL - Abass was characterized by the emotional side according to the political and social dictionary while the emotional dictionary was competed with the social and political for Ibn Zaydun. - The two poets depended on the language structure approached means but also identical like the interrogative the repeating and the foreign authority. - The Similarity between them reflective in the invention the poem`s meters except AL - Maded Ibn - AL - Ahnaf was invested it and Ibn Zaydun was not.

الفخر عند الفرزدق والمتنبي : دراسة موضوعية فنية == Pride In The Poetry Of Al - Farazdaq And Al - Mutanabi Technical Objective Study

اسم المؤلف: علا وفقي محمود العباسي
اسم المشرف: انعام داود سلوم
الموضوع العام: اللغة العربية وادابها
السنة: 2008
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Study depends on two Poets from two different ages, they are (AL - Farazdak) and (AL - Mutanabbi) who is genius distinguished at Poetry art of (Pride) which is dish gushed from their other Poetry arts.Without doubt the Pride is alumni tertian phenomenon but its incentives are different from one poet to other and the reason which urged the poets to embrace or follow this kind of Arabic poetry is the genuine (original) Arabic Values which were considered by them of pride position, and this was as a response to that environment and noble values, for it express their natural tendency towards disdain and pride.The two poets were so skilled at this art in the way it became in normal in their poetry in general.The (Farazdak) is one of the eminent poets of the first (Omawi) age distinguished with Arabism genuineness, and he is of nomad (Bedouins) tendency with pride and vaunting tendency. (AL - Mutanabbi) is one of the masters of (AL - Abbasi) age distinguished with pride from his earliest youth , once imitating and on other time (creator) contriving , and he stayed with his character , distinguished feature so that his pride was the key it know his character.The study depended on the introduction and three chapters. The introduction included the most important development stages through which the (pride) passed since the (pre Islam) age till the (Abbasi) age. The first chapter included the political, social and physiological life and there effect on the pride poetry of the two poets. The second chapter includes the intellectual (ideological) dimensions of pride which depended on three axes : - 1) Pride with once soul and this has many incentives (anger, rebellion, to advance - promote - the self /ego, narcissism, grandness and glory).2) Pride with poetics and it has many incentives (struggle between the old and the new - modern - , competition, publicity, spreading - circulation - poetry superiority, materialistic earning - gaining - ).3) Pride with the group this includes pride with the characteristics of the group such as (generosity) munificence, courage, heroism, patience and (prudence) mildness. The third section included the technical study of the pride poetry, the first topic subject is for the structure of the pride poetry and what is the single lion of poetry and what is the independent poem, the second topic subject is about the poet language including the pronunciations, ideas and meanings of the pride poetry with the two poets, the third topic / subject includes the poetry picture including rhetorical (eloquence) arts as simile , metaphor , metonymy - antonomasia - also the rhetorical beautifying such as alliteration (paronomasia) And antithesis in addition to adaptation (adoption) and implication. At the end I don’t forget remember who helped and assisted me and gave me the chance , first of them is my supervisor ms Dr.Anaam Dawood Salloom who helped me to over come great difficulties and gave me a lot of her time , science and knowledge , may god reward her with the best reward. Also may I thank with gratitude other teachers of Arabic section specially Dr. Adel ketab and Dr. Runak tawfik with all my respect to them. I hope this study enlightened even a little the dark ways and gave the first torch to the new scholars to expose new secrets which assist our study and make it as radiant land mark to the generations.

الفضاء السردي في شعر الاغتراب العراقي 1970 - 2012

اسم المؤلف: وسن علي عبد الحسين الزبيدي
اسم المشرف: صبحي ناصر حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الاحتفاليـة في روايات ابراهيم الكـوني == The Carnivalesque In The Novels Of Ibrahim Al - Koni

اسم المؤلف: وسن عبد السادة جودة محمد
اسم المشرف: فاطمة بدر حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: In this study, we dealt with festive themes in literature novelist Libyan writer (Ibrahim Al - Koni) according to Bakhtin's theory for the ceremonial character which is known as "carnival". The study was divided into introduction and four chapters and a conclusion. In the first chapter (rites and ceremonial appearances) we found in the first section rites, achieved ceremonial primitive in all manifestations of pagan gods, and offerings and vows, both human sacrifice and non - human, then magic and sorcery in primitive societies. As modern celebration was divided into two ceremonial dramas , decorative and ceremonial celebration which was marked by dramatic coherence of the dramatic event and often have to do with the murder festivities (music, dance, singing and population ) The celebration shows the decorating aspects of the celebrations of dancing, singing, music, songs and games ceremonial, which gives rise to heritage and stimulates memory when the receiver will be present in the text conscious and aware of these celebrations, especially if the people of the desert, as it documents the popular tradition for the people of the desert (Touareg). The existence of these festivities decorating artistic necessity in the novel ceremonial; because it is serving a ceremonial meaning in this novels texts. The celebration represents the aesthetic novels and there must be a decorative ornament , formalism and the rhythmic. In the second section (The celebration appearances) it has the celebration appearances in all its forms which came from : the exchange of roles , masquerades , bet and profathin free and the celebration links away from the cost. We have seen in the course of the analysis that the antibody, is the foundation upon which all the celebration appearances which referred to came in the folds of the analysis of model novels in general. In the second chapter (sarcasm celebration), we found that sarcasm is one of the necessities of ceremonial check, wherein the characters and laughter resound smiles different connotations between innocence or abuse and defamation, sarcasm meaning laughter and ridicule include. Therefore, the researcher found that the term of mockery to be inclusive of many of the concepts that led one of the meanings of sarcasm in laughter or ridicule. We identified sarcasms ways by : humor, satire , satirical image and nicknames of the inclusive of these methods in achieving sarcasm methods The third chapter (intertextuality in The celebration) represents intertextuality mechanism to establish linkages and relationships between the various texts. Ibrahim Al - Koni has shown these relationships with diverse texts, whether mythological or religious, historical or literary, past or contemporary, according intertextuality laws the province or absorption or dialogue. Chapter fourth (technical structure in the novel Carnivalesque) studied aspects of technical building elements that are in the concept of Carnivalesque service and help to achieved its presence in the novelist text : narrative, carnival characters (miraculous) , language and dialogue, and the ceremonial place

اشكالية الخطاب العربي في (الكتاب) لادونيس == The Problematic Issue Of The Arabic Discourse In The "Book" For Audunece

اسم المؤلف: وداد هاتف احمد وتوت
اسم المشرف: سعيد عبد الهادي المرهج
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: 1 - The study examined the concepts, and the idioms of "problematic, discourse, writing, and copying" in accordance to special curriculum, and that is archeo - geniological curriculum. which is related the French philosopher Micheol Foco. And the curriculum and what are related to it of inspecting the traces of the thoughts, their shaping way, their overrating, and were shown on the body of the society; a new curriculum in Artistic critics, it provided the ultimate way to interpretate Audence accomplish "The book yesterday is the place today". Where the writer pursue the same curriculum in the way of molding his intellectual adoptings, creativeness, and what he wanted to say through this work.2 - After the proving of the study that the accomplish under the study "The book yesterday is the place today", is not mere Artistic text, but it is a speech in what speech is mean in its communicational of comprehensiveness, and big ideal. The reader discourse concept, was very good way in dealing with this accomplish, where the spirit of this concept was represented, in what was contended of cultural codes, and intellectual partteners that worked the production of the texts and directed their interpreting process. 3 - The concept of the writing, as concept by passed the speech of the kind, was the last of what Audence version settled on, and based on his good dealing in the description of modernistic works, especially the creative accomplish - field of study - of writing transfigurations which did not stand in specific cue of creative writings types, in poetry, and in prose. From this point of view this dissertation did not accept the describition of this work as collection of poems, in that it is a kind of writing which is comprehensive for poetry, prosaic, for historic, intellectual, and Artistic, it is the comprehensive speech of the comprehensive vision, which ruled its appearance, and did its speech.4 - The dissertation pick the standing contradiction between foco / foko concept of madness, Audonece, and then to his speech, where the former spoke about the real madness, and how the restrictions of the dealing were limited to types of speech, having no connection temadness, but to some undesirable categories spelled by the western society for the safety of the all, and by this he exposed the arrogance of the western society, while Audonece stance was similar to the Islamic intellectual where madness in the Arabic thing, is a tool in the hands of the group to face oppressive political regimes. And it was another type of madness, it was a metaphoric madness, which was able in its departing for reality space to pass the speech of rejecting, accusing, worning and giving advice in the name of religion, and for the sake of people in addition madness have another vision, in Audonece poetic vision and self discourse. His presence was clear, where its type of unknown similarity in this glob and the search in its hidden places, getting use of surreal vision in this matter. 5 - The study present the discourse of "the book….) as Archeo - geontic vision of the Arab - Islamic thinking, in all its parts. Dived in the roots of the intellectual crises since the starting of Islamic Arabic state since its founding, till nowadays. as well it got benefit of the reader discourse concept in the analysis of the accomplish understanding, where Audunece in his treating for intellectual and poetry issues in "The book…" a discourse reader, and historical symmetric standing in the Arabic discourse speech.6 - The thematic equivalent, represent a basic stand in treating "The book…", where from its beginning, of the Di - pattern, of the little in it main and branch types, its gender indicator, and it authorizing, as well the forms of the writings on the page space were divided in its almost in four writing forms, as equivalent to Arabic foggy thinking, and the loosing of the self between the past which was full in contradiction, burden with constraints and overcame with the control on present day thinking. In addition to the main sample, the motive of the work who is Al - Mutanabbi.7 - Audiences writing in "The book…" came in this variant form, which is full with references to be thematic equivalent for his book the authord to what is a function to concept of the author for Foko - and his rich thoughts and activity variation. In that this accomplish short half century walk, characterized with seriousness and balled, which which was byest to all what were different, and problematic, basing to the exploring, and thematic analysis a way from all before submissives accepted by the foundation - whether they were intellectual, cultural or social, the study did not adopt the concept of the mask, where despite its narrow space and its accupying with the self side of the mask and the person who wearing it, came under the thematic equivalent concept with no doubt.8 - The researcher conclude her research by admitting the fact the book today is the place tomorrow, is a deep study for Arabic - Islamic thinking life history, in all its appearances, identify, its almost biggest crisis, and the most dangerous effect for the presence and the future of this nation. And what distinguish this study is its departure to all what are expected of the writing forms, or research works, that limit its freedom in the search and explore, in that it dives in time and place, and shed light on dark paths to enlighten them in exploring and exposing to show the defects for the audience for treatment that may raise the place and it dwellers.

الفضاء الروائي في الرواية النسوية العراقية 2003 - 2013

اسم المؤلف: وجدان يعكوب محمود
اسم المشرف: زينب هادي حسن
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

صورة الكورد في الرواية العربية في العراق ( من 2000 - الى 2015 ) == Picture Of The Kurds In The Arab Novel In Iraq (From 2000 - To 2015)

اسم المؤلف: هديـل حسام الدين احمد
اسم المشرف: سعيد عبد الهادي المرهج
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Novel has been academically occupied for more than a decade in our country as it could expand and take up a place comparable to poetry, and it was the best way which could express a nation that had no stability and for it is the closest to reality, I have found an appropriate way through it to study the nature of the relationships between the components of this country(my country), so I can participate in restoring some of our image on the statement of how it was originally portrayed and what the lines of deformation are or the lines of fake beauty through which it was painted as well as how far it is realistic.The research field was to study the other people (Kurds) and be fully knowledgeable of who they really are.Here we are researching about the Kurds as other people and how the Arabs portrayed and imagine them, the Kurds who are different from the Arabs in terms of nationalism, language and culture and who have in common with each other in terms of living in the same country.How was the image portrayed? Was it negative or positive? How was the relationship between the two people politically inside that unified space? , this is what we are endeavoring to answer through our research relying on the following plan : Preface (portray of the latter (Kurds), concept and representation) : Theoretical presentation, in which we handled the concept of the portray, the latter, representation and idioms related to the latter (Kurds) as well as the ideology as an effective factor in establishing the portray of the Kurds.Regarding chapters and how they are divided, the thesis was in three chapters, each has two sections (researches).Chapter one is entitled as (the political portray of the Kurds and the ideological representation), in which we handled the relation between politics and ideology and literature; therefore, it was classified into two researches (sections) : The first one is (political portray/against the Kurds - with the authority), we stated how the political events affected between the two nationalities in establishing a negative image (portray) about the Kurds and how that taken portray leaked out. We handled novels which could be described as political ones in which there were political portrays formed against the Kurds.The second is entitled as (political portray/ with the Kurds - against the authority), we presented the events which resulted in meeting between the Arabs and Kurds as well as handling novels which contained positive images for the Kurds.Regarding the second chapter, it handled how the social relationships between the two parties (the social image of the Kurds) in the novel and it are divided into two sections (researches) : The first entitled as (Kurds are self participant - peaceful coexistence) in which we presented the meaning of peaceful coexistence and we also handled the novels which depicted the Kurds as participant to the Arabs through presenting portrays of peaceful coexistence between them.The second is entitled as (Kurds are self - paradox - self transformations and persistence) in which we presented an explanation for self concept and we studied novels depicted the selfness of the Kurds which was transformed, changed or dispersed in terms of identity and portrays for characters which were maintained in identity as well as our endeavor to state the formation of women's selfness.As for the third and last chapter, we took a pause at the nature of establishing the portray of the Kurds through establishment of technical studied novels (technical portray of the Kurds in the Arabic novels and it is in two researches : The first is entitled as (place shifts) in which we presented a theoretical presentation about the place and we handled the place shifts (the Kurd or how he is related to it) and its significance in the novels which presented portrays for the Kurdish environment and the places which were the settling ones for them.The second one is entitled as (point of view), it contained a theoretical introduction about (point of view) and then we studied point of view and visions in novels, subject of study as point of view establishes a technical standard in dealing with events from an angle.Eventually, we finished our research reaching to a closure which included all what we had come up with, I tried in my research(study) to answer all the questions that we put forward in the introduction and research them even relatively and prepared a summary for critical reading through which I endeavored to analyze novels and decode them.

الابنية الصرفية ودلالاتها في الغريب المصنف لابي عبيد القاسم بن سلام (ت224هـ) == Morphologic Buildings And Connotations In The Al GHARIB AL MUSAN'NAF Lexicon Written By Abu Obeid Bin Qasim Bin Sala'Am (D 224 Ic).

اسم المؤلف: هبة فائز احمد الصالح
اسم المشرف: حسين علي عزيز الموسوي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: It was the subject of the thesis tagged " Morphologic buildings and connotations in the Al GHARIB AL MUSAN'NAF Lexicon Written by Abu Obeid Bin Qasim Bin Sala'am (D 224 IC)".Have necessitated the nature of the search after depending on God to be in three chapters preceded by a boot, and followed Conclusion of the most important findings. Boot on two demands : the first requirement : About his life, the second requirement : definition of his book was (Gharib musanaf). The first chapter : study disciplines architectures names naked and significance was on four topics. First topic : significant buildings full name abstract Open Fa, and the second topic : significant buildings full name abstract embraced Fa, third topic : the indication buildings full name abstract Broken Fa, and Section IV : Full name indication buildings abstract. The second chapter : the study of buildings and appropriated the names of whipped and significance, was on the three sections. First topic : significant buildings full name more with the letter, and the second topic : significant buildings full name two letters more and more, third topic : the indication buildings Full name more. The third chapter in the study of buildings allocated to the naked acts of whipped and significance, was on five topics First topic : Significant buildings abstract act and the second topic : significant buildings act more with a single character, and the third section : significant buildings act more two letters, and the fourth section : significant buildings act more three characters, and Section V : significant buildings act quartet more. The study ends with a conclusion sums up the findings of the study.

الظواهر العروضية في شعر قبيلة اسد في الجاهلية

اسم المؤلف: نور فرحان سعدون
اسم المشرف: محسن علي عريبي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The exposition science is the basic component for poetry structure, its rhythms is the beating heart that makes life legged, crawl in the poetry structure, it is one of science that keeps poetry stance in general, for Arabic poetry in particular , to try to apply this science, study it, chose group of poetry rich of expositoryphenomena as Assad tribe poetry, for many factors connected with name of this tribe, as priority of poetry what follows that of weighing difference, in addition to general life that tribe lived in, passing through periods distinguished this tribe poetry with many distinctions as poetry rhythm with music , as will clear by the research consists of : Preamble, I studied expository phenomena then moved to initial definition Assad tribe in a brief about ancestors , places , social life , culture , belief , most prominent wars , its days , that led to dive the tribe according to three historical periods passed them this tribe adopted different way from others of Arabian tribes insurgent against sole political structure , it is first & last tribe kingdom in the ignorance period , its poetry documented this direction with all its periods , the life environment in Arabian peninsula was severe suffered by it tribe of Assad as more of tribes that coexisted them , as difficulty of life , destitution , subsequent wars , policy of the existence for the strongest , different situations of how to express about love of survival , affiliation , with war in time or ith a word in another time , the last come from the tribe's poets , its uttering tongue , poetry is considered the historical document that witnessed to the era , tearing Assad tribe on lost glory , its humbled pride indicated to high situation of prestige of this tribe before o be subjected to Kinda sovereignty , so Hajar Bin Al - Harith did not find acceptance by Assad tribe , that led to making accumulations , suppressed for anger feelings resulted in exploding first stone point of revolution between Arabian tribes against kings , so these events reflected on poetry of Assadieen& their language , where this tribe passed through three periods , firstly lived in case of defeatism , weakness under control of Kinda kingdom , till stir ember of revolution fire made ended to ruling of Kinda tribe , return back the glory of Asadieen to its previous era , so the tribe lived period of satisfaction that led to make second period , it is stability period that represented period of poets who ( lived through several epochs ) , so divided poets into three groups , every group specified in one period , every one axes around poet distinguishes that period ( who has printed poet divan ) , Obaid Bin Al - Abras is the axis of first period , Besher Bin AbiKhazim represented as an axis for second period , every of Amar Bin Shaas , Saheem Abed Bani Al - Hashas is third period , therefore by time dividing for periods with his living during period & era of the kings of that period or during their participating in wars that its time of happening is known , ObaidAser Al - Munther the Elder Bin Maa Al - Samaa& he was killed by his hands , BesherAser Al - Noaman Bin Al - Munther , but Amar &Saheem are from doubled - periods poets where their epoch represented by poets who ( lived through several epochs ) who lived in ignorance period and Islam So whole of the poets are fifty four ( 54 ) poets , of them ( 16 ) poets in the first period , (12 ) poets for second period , twenty six ( 26 ) for third period , with what my poetry increase more than three thousands verses , appeared in it a group of expository phenomena that are divided into three chapters , every chapter divided into three researches , first one studied period of weakness of the tribe , second one period of strong , third period is stability , I discussed in first chapter about expositions , their structures , ratio of prevailing most prominent of weighs of poetry of every period , so appeared poetry weighs suitable for their psychological case , inconsistent with about what are commonly stated for that long exposition has more used ratio in ignorance era , simple exposition was available chance owner in first period for consistence its rhythms with condition of the poet to stir feelings of sadness or sorrow , where in second period the available is prevail exposition over poetry of that period for its rhythmic fast and flexibility that makes it corresponding with pride , sense of joy , victory , arriving to third period we find progress of long exposition , this advance come in late period , that means in period of the poets of (( lived through several epochs )) the long made common in the last of ignorance periods , Assad tribe has its special impression , its poets spout simulation between each other , that interprets prevailing certain exposition in specific period , besides rising in proportion of shaking for more of participating Bani Assad in wars of conquers & Islamic apostasy , from other hand connected with first period with case of priority of the poetry at Obaid Bin Al - Abras , what in his poetry of disorder or unrest that led to phenomenon appeared in poetry of the period that is phenomenon of mixing weighs , but about second or third periods thephenomenon of mixing weighs within it , was not because of disorder in the poetry , but because of entering some flip flops , accounts , defects that move weigh from exposition to another because of completing the poetry in two these periods , this mixing come in complete verse different from weigh of the poet or sectioned or in one of its intersects Then chapter two divided by the same dividing in the first chapter as the researcher , specify every research for time period of periods of the tribe , second chapter studies the most important of variables that appeared on verb with form that makes a phenomenon as two types of Valetudinarianism ( mayhem ) & screening ( ferret )where stated clearly jointly among all three periods , but phenomenon of novena verb restricted on first research , where its star vanished away in the following researches to become instead of current defects as stream of crawler within variables that made on initial of poetry verse Third chapter come to be divided into three researches in the same method of studythe periods in the previous two chapters , this chapter studied singing anthem phenomena are represented by rotating , wrestling , poetry necessity are considered of Assadi poetry distinctions for Assad has special language , which is of tribes Arabic language taken from it , then rhythm , more used types in poetry of Bani Assad subsequently of more uses at least : ( repeating , realization , compounding ) just in third period of tribe , where increased with other type of rhythms in poet of ( 10 ) on synonyms rhythm , with distinction their poetry with system in letters narrated rarity of organizing in it as Sad , Taa , Dhad , Alf , Jeem , Haa , on the other hand stated in their poetry the strength between defects of rhythm in second period , its ratio increases in third period , whereas present of strength in first period active with make it expository phenomenon within defects of rhythm , letters of narration are arranged on them , such as defects of rhythm as strength phenomenon Follow these chapters come the conclusion that has concluded the research of results , then list of references , depended on references divans of four poets printed ( Obaid Bin Al - Abras , BNesher Bin AbiKhazim , Amar Bin Shaas , Saheem Abed Bani Al - Hassas ) in addition to divan Bani Assad gathering , investigating Mohammed Ali Daqqa , depended on books of biographies , ancestors , predecessors , language dictionaries , terms , books of literature , history literary , books of expository , music of poetry and rhythm.

القرائن النحوية بين الاصوليين والنحويين : دراسة موازنة

اسم المؤلف: نور فاضل بنيان محمد
اسم المشرف: لمى فائق جميل العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
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