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الانعكاس الجمالي للتفاعل البيئي في اثراء تصاميم الفضاءات الداخلية == Aesthetic Reflection of The Interaction of Environmental Enrich Designs Interior Spaces

Author name: صلاح الدين قادر احمد الجاف
Supervisor name: جبار محمود حسين العبيدي | لطف الله جنين عبد اللطيف
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: If any civilization has the estethic and its environment beautiful you'll feel design next to Ihorha and translated language unique and special Amzjha people are aesthetic in a very magnificence, where is the interior design of the systems aesthetic cognitive vehicle to fit on a Masasat interactive producer and overlapping and associated knowledge contiguous may be real or phenomenon which makes this specialization added to the cognitive level specialties who needs an outstanding level of expertise and performance or outstanding level of analysis and synthesis, and that as well, it must check to see intentional provide the data for such interaction and the inevitable overlap. That the situation of intellectual trying Almmazjh between thee formations fact objective and our understanding of it as a tool or utility and a means to achieve the goals of utilitarian and functional in order to maintain the composition necessitates the existence of this interaction. And that this interaction is live that raises a conflict within the Concept itself and system design seeks to interact and continuity and renewal, That's where the form of the environment and estethic result from the interaction of three basic components through the needs and requirements and types environment which components dynamic configuration, and then fixed factors which are determinants in the composition of the interior, such as patterns and interaction of these Alaoml that determines how that form the body of the Interior. This means the integration of factors, continuity and the inability to be separated in the environment design which is always a mirror that reflected ones, which lead to enrich spaces of the Interior, through the meanings and multiple interpretations andconnotations and abundance of the elements interacting to achieve a system design simple or complex In light of this.. The study objective reflection of the aesthetic of the interaction of environmental enrichment and its importance within the internal space of houses residential, is important in interior design, where lies the study, said in a statement that the awareness of the environment has become a necessity designed by the nature of this age and that what struck the environment from imbalance and disorder of thehuman environment This has become imbalance is growing rapidly unusual, that the goal of clarify Alatarmufahimi the interaction of environmental and aesthetic reflection to be a Bmanihama texture integrated and comprehensive and their impact on interior designs, whether existing urban areas or the environment for new components of the interior design elements Where that take advantage of the philosophical concepts of the environment and its components and enriched and its aesthetically pleasing design reflected on housing designs and commensurate with the culture and habits of everyone to keep pace with the progress and evolution. As unveils what carries Avcarelvelsfah and theories that you need to identify them and highlighted and an understanding of the attempt to take advantage of them. The study also trying to shed light on the philosophical concepts of beauty and the design and estethic idea and innovative sense of aesthetic idea. It is by recognizing the aesthetic organization and keep it within the phenotypic traits. Which aims to refine and refine and enrich the development, in order to realize the rights and the aesthetic appearance in nature and the technical and business aspects of behavior It can illustrate the importance of studying the interaction of environmental andaesthetic reflection of the following points The interaction of environmental and aesthetic reflection of the environment help to personal growth because it gives new possibilities for the behavior and recognize that the interaction of environmental and aesthetic reflection at teak and place a sense of intimacy and thus love with the place and belonging and Esida the spirit of cooperation As the study of this research was to enrich the library and try to fill the void is clear in this matter and as a result of the lack of technical studies and the process by which this subject is specialized to demonstrate the concept of interaction artistic Darcyan and researchers in the fields of interior design of the interior spaces and promote relevant theoretical knowledge, including the promise of opinions and explanations - based philosophical related to the environment and estethic with expression guaranteed in the aspects of the intellectual environment of the Interior, and also contribute to enhancing the possibilities of the use of semantic systemsdesign in spaces Interior and enrich the interaction of the internal environment and the extent of their relationship in the processors aesthetic design with the organization of the elements of the inner space environment within a philosophical frameworkAnd through informed researcher on many spaces interior modern residential, it was found necessary to identify the implications of the aesthetic of the interactions of environmental, where the use of philosophical concepts of the environment and itscomponents and enriched and its design reflected aesthetically pleasing designs housing and commensurate with the culture and habits of everyone to keep up with the progress and development and consistent with the area and the size of the internaldeterminants that it was necessary to exit the position illustrates the aesthetic reflection of the interaction of environmental enrichment designs interior spaces and consistent with the privacy of research topic, consisting of four chapters.. Making it afertile field for study in theoretical research and analytical For this researcher found that includes the (first quarter) formulation of the research problem which can be summarized by asking the following : What are the elements of environmental interaction of reflection to enrich the aesthetic designs interior spaces?.. In light of this objective researcher research focused in determining the tributaries of the interaction of environmental and aesthetic level reflected in enriching designs interior spaces, and through study and exploratory.. The researcher found that the study did not address it one of the researchers.. This is found justified logically and scientifically focused on clarifying the goal of research... As for the limits of research has identified in terms of the substantive study of the reflection of the aesthetic of the interaction of environmental to enrich spaces of the Interior, as included limits the spatial and temporal study spaces, interior designs for residential global contemporary countries continents (Asia, Europe , and South America), especially for the period from 2000 m - 2012 m.. As the researcher also define many of the terms relevant to the subject search In order to reach the objective of this research was to draw the second quarter your theoretical Blotar.. To study includes three sections in this chapter It first section dealt with the concept of beauty based on clarifying the concept of aesthetic philosophical thought.. With reference also to the study of the concept of reflection and stages Ncaha and theories, have adopted all of these threads to review many of the aesthetics of environmental and spatial and the most important characteristics of vision aesthetic andbehavior, experience and preference and judgment aesthetic to illustrate the importance of beauty to be the starting point and the base of the current study While focused second part, on a study to identify the concept of interaction and theories and objectives as well as the concept of environment, history and forms and elements and the mechanism of interaction of environmental through identity, and the types of Alostnvaa also discussed topic on the concept of place philosophically and their interaction with the place and organize space and characteristics of interactive spaces interior design The third section has included review of the concept of enrichment in interior design, levels and conditions and the role of beauty in enriching thought inventive and attractions visual rechaer in design and factors affecting it, also addressed the topic enrich the meaning innovation through artistic taste with reference to the role reversal aesthetic perception and mental In interior design enrich the image of the place through interaction chromatography It must be pointed to the adoption of a researcher in this chapter on the tables, charts, illustrations for the subject of study.. As well as from the picture Alfotgraveh for some modern residential spaces as well as the adoption of the researcher to some photographs of the interior designs that have been obtained from the references and sources, and adopting as examples and basic underlying base build a theoretical framework.. The researcher also to draw the most basic indicators that resulted from the three theoretical framework Investigation The third chapter specialization in determining the subject of research procedures, since it relied on the descriptive analytical approach has included research community schedule includes (6) states.. from within (7) continents, which showed a whole diverse and varied for the constituent elements of the space residential houses... Since that study is looking for the tributaries of environmental interaction, has been relying on intentional selective method of sample of the original research community.. Which has been on the track select models sample research elected that serve the purpose of the study and the closest to achieve, and the (6) states of the total (3) continents at a rate (45%) of the research community, and because it has been designed thoughtfully for the interior design and architectural , has also been selected based on the views of experts in the field of scientific and professional competence In order to achieve the goal of the research, based on the approach, it has adopted a researcher at the collection of information relating to research on the scoping study and landing sites marked by form numbers as a tool to gather information. And then the numbers include identifying Form axes analysis, consisting of primary and secondary passages have been organized according to the scientific method to search.. This is in addition to the experience of the researcher in theadoption of illustrative photos Models Search designs. For the purpose of confirmation of the validity and comprehensiveness of the analysis tool, has been presentation form Conversation analysis on a group of competent experts to demonstrate the comprehensiveness and validity to achieve the goal of the research..For the purpose of the correct application of the tool on the research sample, then resorting to extract stability analysis The fourth chapter has included discussion of a number of results within (three) main axes achieve the goal of the research and the findings of the research study to analyze the models elected, based on the means statistical.. In the light of the results and discuss the researcher to a range of results within this chapter, which was including1 - that the possibility of enriching the aesthetic employment was achieved in all samples2 - The design environment created by and interacted within the range of symbols and they owned the meaning or set of meanings that crossed from fiction was a cause for change and interaction3 - The traditional strategy of shape and material used and the nature of the user as well as light colors was one of the fundamentals of enriching the interior spaces Finally annexation Search List of Arab and foreign sources and a summary of the study in English.. Researcher and so could that complements the research process with the help of God Almighty

تشاكل اجناس التشكيل المعاصر : دراسة في ضوء المنهج التداولي == The Amalgmation of Contemporary Genres of Plastic Art

Author name: شيماء وهيب خضير
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: نحن نعيش عصر تغلب عليه العواصف الاجتماعية والهزات والتناقضات على المستوى الثقافي عامة والفن بنحو خاص.لقد اصبح الفن المعاصر الذي تنوعت طرائقه ومواده وتعذر توفع تعبيراته يتحدى كل مبدا منطقي لما كان يعرفه الفن على المستوى التاريخي وصولا الى الثورة الكبرى عل | We live in an age dominated by social storms and earthquakes and contradictions at the cultural level in general and special about art.It has become contemporary art which varied methods and materials and could not Tof expressions defies every principle logical because he knew the art at the historic down to the great revolution on the principle of form and rules and kind, and that any analysis or reading and interpretation of the forms of creativity current will stop at the borders conflict with each rational aesthetic. So the reality turned into forms and then split shape or correlation and clashed with another is not of the same sex or kind and dominated the culture of diversity and multiplicity and heterogeneity and Altsnat loss or loss of significance meaning.This research on the administration of fossils in technical Alchakl and read these deviations historical form of art in everyday life and the project life turned into a work of art, and vice versa.. The assumptions of the system concerned deliberative Palmassatah major global border dropped while I worked on the assumption that art can be found in the place in anything and reproduction formats will be rootless..In light of this research is divided on : Chapter One : included research problem, and its importance, and his goals and boundaries and define some terms in the board.Chapter II : Conceptual Framework : The three topics : 1 - First research : Alchakl - concept and outputs - 2 - The second topic : the concept deliberative and تشاكل races technical and deliberative correspond Arts3 - The third topic : contemporary aesthetic discourseConcept and analysis toolsChapter III : ApplicationAnd community - based research, and the sample placed lesson and tools used.Chapter IV : And includes the findings and conclusions that came out of research.

خطاب التصميم الداخلي وانعكاسه السلوكي في فضاءات السلطة : قاعات البرلمانات انموذجا == Discourse of Interior Design And Its Behavioral Reflection On Spaces of Authority : Parliaments Chambers A Sampling

Author name: علاء الدين كاظم منصور الامام
Supervisor name: سعد علي يوسف البصري
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

المرجع المحلي واليات التغريب في العرض المسرحي العراقي == The Local Reference And The Mechanisms of Alienating In The Iraqi Theatrical Performance

Author name: سهى طه سالم
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: At the begging the subject of analysis should be determined and the intended thing should be marked when talking about the reference and its multiple discourse mechanisms. The connection between determinants and frames, though it the real elements in life and sup positive elements in the art of theatre may be caught, is a connection may be clarified by the theatrical sender that, in its allegorical root, consists of tales, stories, myths, and heritage through the most complicated theatrical senders as plot and theatricalizaing. The juxtaposition to understand theatre should be based on multiple uses “word and image", indeed one of its juxtapositions is the complication of word and image as to simulation and trace. As soon as we determine the subject of analysis from its multiple paths, we may study implications of reference in all that related multitude, then we may study the primary reserves that required by the research and the expectations appeared by it, and the context of their appearance and disappearance. So, the different functions of analysis for such a complex and interrelated system should be considered. Studding a theatrical phenomenon in certain place and time "as Iraqi theater" is not free acquainting all its details at the level of historical achievement or its joining with other world experiments by texuality adaptation and misrepresentation. Consequently, the research took multiple trends and re - reading the silent things "that means things which never dealt with " when some methodologies where confined to description and presentation. Such methodologies were external searching artistical and advertising careers for the people of theatre, but not for society of theatre. The analysis of Iraqi theatre and its reference roots may make researchers and the people concerned with theatre able to deal with the most important centers and focuses from which theatre starts, when they are chasedand their forms will be known. Any review for he history of Iraqi theatre will guide us to some probes for its creation formation. Based on this trend, the present research is determined on the preference priorities for local an inherited tales, stories and strange stories born from the momb of Iraqi life after series of wars and structural shocks that had hit its social joints and what followed after them as events and strange things. So, theatre should alienate itself from the traditional methodology that formed its image, way and trends across years. Such an action took a wide area of the research. In addition to focusing on some related topics that most specialized like textuality and intertextuality in Iraqi play - writing. It is worthwhile that studying theatre requires awareness of this phenomenon and to get rid of the crowd of reading subjective experience and to deal with methodologies that awaken by some contemporary reading. The research consists of four chapters as follow : The first chapter : included the problem of the research and its importance, aims, determinants and determine the most important terms. The second chapter : based on the theoretical frame including four parts as follow : The first part : The dilemma of reference between realty and imagined. The allegorical delusion in the theatre. The pictorial imagination in the theatre. : The reference sources for the theatre : The second part A : Myth. B : The trends of Myth. C : The Myths of natural phenomena. The source of popular theatre “folklore” The kinds of power tales. : The third part „1? Alienating 2 - Formalism and alienating The mechanisms of alienating in Iraqi theatrical performance A. The elements of alienating in the theatrical performance. B. Alienating and receiving in theatre. C. Towards juxtapositioning of dilemma in theatrical reception. D. The role of audience in theatrical alienating. E. The epic theatre : change instead of catharsis. F. Theatre of cruelty : the spectator?s body is pivot of reception. G. The poor theatre : the spectator is base of theatricalizing. : visible and invisible in the The fourth partmanifestations of Iraqi theatre; a. The local reference in Iraqi theatre. b. Tale and mythical reference. c. The path of foundation. d. The references of modern Iraqi theatre. e. The political reference in Iraqi theatre. f. Calling the popular reality and observing it. g. The experiments of modernism in Iraqi theatre. h. The theatre of eighties, the real and experimental theatre. i. The militarilisation of theatre The Iraqi theatre between the shaking of historcal structure and the factors of change. : is a procedural and applied The third chapterattempt dealing with five samples “plays” as follow : 1 - The Shadows 2 - The dew of rain3 - Face Book 4 - The rival of roses 5 - Al - Hussein now : included the findings and The fourth chapterconclusions reached by the researcher through her analysis relating to the aim of the research, in addition, the chapter included a list of references and sources, and abstract in English.

المرجعيات الاعلاماتية في الرسم المعاصر : دراسة في تحولات النسق == The Influence of Media On Contemporary Painting A Study In Transformation of The Style

Author name: ندى عايد يوسف
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: الحمد لله العليم الذي لا ينسى من ذكره ولا ينقص من شكره، ولا يخيب من دعاه ولا يقطع رجاء من رجاه. بعد ان تم انجاز هذا البحث يقتضي واجب الاعتراف بالجميل ان اتوجه بالشكر والتقدير الى الدكتور بلاسم محمد المشرف على هذه الاطروحة لما قدمه من عطاء ثر وتوجيهات وار | The media system as a power that controls the masses' tastes and kinds of education needed, can identify the concepts and strategies concerned with the media information. This sort of information is considered the legend that is used by the economic institutions aiming at controlling the public knowledge and the masses' opinions to promote the implied stated objectives. This research discusses the dimensions of the relation between Contemporary art and the infomedia system and the reciprocal influence between the two sides. However, the educational discourse is imposed by the institutions governing the media information. This imposed discourse has altered the art concepts and values, and as a consequence these new concepts and values define the future of the art's theory and practice. The question does not deal with the drawing as an art based on established criteria; but rather detects areas of the renewal and the sequential difference in its systems and drawing the attention to a particular phenomenon transferring it from the Local orientation towards making it global. In order to achieve this aim, the techniques of communication should be activated; otherwise, the project's existence is not recognized. It is necessary to cover the informational data and references that are related to art making. This necessity is drawn from the prominent problems in building an informational vision for the future art moderations and compositions compared to the aesthetic values, communicative abilities, range of media control, means, and the appropriate techniques. leading a search in the references of art and modeling it according to the desired goal show results after the completion of the work.This study " The Influence of media On Contemporary Painting - A Study in Transformation of The Style. This research include an introduction and five chapters. The research's introduction included procedures of research problem identified in the disclosure of the impact of Information and media presence in contemporary art, with a view to finding a holistic interpretation within the cultural context depending on a range of fields and building artistic awareness that is configured to draw informational references according to the justifications of communication. The importance of this research is focused on some global art variables in order to discover the importance of the system's configuration. As well as shed light on the communicative relationship between artwork and audience.The objectives of the research can be summarized as follows : 1. Revealing The Influence of media system On Contemporary Painting.2. Detecting the informedia references in the contemporary art. While confined to the limits of search plastic arts that extended from the year (2003) until the year (2012). The first chapter deals with the problem of format and technical monitoring shifts by two sections. The first section reveals the possibilities of developing forms that can be traded outside the spatial boundaries. This system's importance comes from producing communicative forms that link between the artwork and the public recipients. And dealing with the other search after receipt by displaying the views of some theorists who contributed to the confirmation of the role of receiving while reading the features of art work; that led to his ascendancy to the throne of power and the exclusion of the role of the artist; consequently, that led to certain effects contributed to form shifts in artistic taste.The second chapter consists of three sections. The first is about communication theory and research in multimedia that play a role in making art a communicative mean that led to a change in the system of technical patterns in offsets and retreat of the museum's role , artistic identity, information, and commerciality. As a consequence, art has been deriving its presence from the subjects displayed on television, the internet revolution, watching, the deliberative convention, and the historical shift. While second section focused on the output of contemporary art, the photographical violation and trading arts. While The third section deals with the influence of the impact of the network on art and it displays a range of art movements emanating from the effects of the computer.The third chapter includes three sections. The first section focuses on the media information and the body use, while the second section sheds light on art and globalization. The third section is entitled Art and Architecture.painting on the theoretical frame work classes with a total investment reached the appropriate levels that Chapter four includes. In this chapter, an analysis of a group of samples is made. These samples are selected to be sort of systems that accept the use of multiple techniques and technologies adopted in artistic styles.The fifth chapter deals with the research's results, recommendations and proposals. Finally, this research has led to certain points as results for what has been included throughout this paper : 1. The digital revolution and the spread of the computer's effects has made certain changes in the art of painting and opened new horizons for the artists to take advantage of this medium, as well as from the virtual world's space to make it real. It is through the interaction between technical standards and digital programs became possible to create works that achieves aesthetic purposes with the help of computer and software that requires openness and lack of commitment to previous theories of beauty.2. Despite successive systematic shifts, the change made by media information has not affected the essence of painting, but the difference in the techniques and mechanisms and means of output and modes of delivery. the substance can be expressed with oil and light, assembly, the screen, and the Internet. The difference is between the ages and cultures intellectual concepts that urged a change. And that would contribute to the creation of shifts in the vision way, taste and achieve the dazzling and surprising component.3. The media information focuses on techniques' investment and new media to ensure communication. Offering technical art at the expense of artistic experiments that reflect the individual self. It is made by the integration of modern technology with traditional techniques to create art carries aesthetic value.4. The media information is eligible to study communicative systems that can turn the illusion into reality and contribute to the consolidation of belief through forced intrusion on all levels of society through art. In order to achieve technical communication requires the formation of attendance different from the other.5. this reference produces many services and countless connotations that are implicit in the work of art that cannot be reduced and intensity and unifying media information references; Every action has its terms of reference that have nothing to do with the other works.6. Art history since its inception to today based on a range of different references. But with the media information, it is not intended to be the iconographic, symbolic reference, or indicative, or any other divisions. It is the reference that follows from the relations that generate at the moment watch the action. To detect speech disguised behind the artwork. Which may be political, or social, or existential, or utilitarian, or advertisements, or media.

التمثلات البنائيــة وتـحولات العلامة لانتاج الدلالة في الفيلم الامريكي المعاصر == Representations And Structural Transformations Sign To Produce Significance In The Contemporary American Film

Author name: نجيب اصليوة حيدو
Supervisor name: علاء الدين عبد المجيد جاسم
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتلخص البحث الموسوم بـ ( التمثلات البنائيــة وتـحولات العلامة لانتاج الدلالــة في الفيلم الامريكي المعاصر ) , والعلاقة بين تجسيد البنى وتحولات العلامة لانتاج الدلالة وانعكاسها على المنجز النهائي في الفلم السينمائي الامريكي المعاصر. وتوزع البحث على اربع | Find boils down to is marked by ( representations and structural transformations sign to produce significance in the contemporary American film), and the relationship between the embodiment of structures and shifts the mark to produce significant impacts on the completed and final film in contemporary American cinema. Find and distributed five chapters The first chapter discusses the methodological framework for the search, which included the research problem and is as follows (what are the modalities to achieve structural representations of brand transformations to produce significance in contemporary American film?). The research goals and objectives, including : . 1 - To identify the mechanism of functioning of the representations and structural shifts in the production of brand significance in contemporary American film.2 - detection of possible mechanisms of transformations of the mark in contemporary American film.And the limits of research and definition of key terms, which came in the search. The second chapter, a theoretical framework and previous studies. The distribution of the theoretical framework of the four sections, the first section contains structural representations extrapolate the term and concept of the structure and the types of representations as well as the levels of the structural study. The second topic dealt with aspects of the structure and significance of the structure and meaning of which semantic structure, meaning and significance of the relationship, and the meaning and context, and the meaning and science. The third section shifts the mark in reading. The fourth topic addressed the structural representations and transformations brand produced in contemporary American film. Including assimilation Kpnip formality and elements of cinematic language of the camera, lighting, color and movement in the film and the time and place and the sound of the dialogue, music and effects and silence, and then clothing and decor and Monag, as well as assimilation Kpnip implied, and then structure in the film American contemporary.In the third chapter, which has been allocated to research procedures, which included research methodology, and appointed and included four films are : 1 - Name the movie : Lord of the Rings c 3 - Return of the King The Lord of The Rings : The Return of King C3. Year 2003.2 - The name of the film : Troy. Year 20043 - The name of the film : Jasmine Blue Blue Jasmine Year 3013.4 - Name the movie : 12 years of slavery, 12 YEARS A SLAVE Year in October 2013.As well as the research community and its tool and the unit of analysis and the analysis steps and then the fourth quarter analysis of the sample Filmah The fifth chapter Vahtoy results, including : 1 - contributed to the modern infrastructure in the film industry a new mechanism lies in breaking the traditional narrative Strategy in contemporary American film to open up to the mark at the end. As shown in the samples.2 - helped shapes that represent the structure of the film depends depth and detail in the image to serve as a traditional plot, works through the receiver and raising format film product.As well as the conclusions reached by the researcher, including : 1 - the form of structural assimilation to draw shapes Filmah the screen frame so irreplaceable is interconnected and overlapping and mutually influencing and influenced by the structure of the artwork for the production of semantics through signs and transformations.2 - characterized sample movies embody Aaltmthel structural Filma expressive of the place and significance of the production shifts brand through camera movements and angles of different sizes and stills.As well as the recommendations and proposals. It must research of this type that contains the sources support the process of scientific research. As well as supplements and summary of the research in the English language.

التذوق الفني وعلاقته باسلوبي الادراك (التاملي - الاندفاعي) و(الاستقلال - الاعتماد على المجال)

Author name: نضال كاظم مطر الربيعي
Supervisor name: محمد جابر علي الزبيدي | جبار محمود العبيدي
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

المنحوتات العاجية المكتشفة في بلاد اشور == IVORY SCULPTURES DISCOVERED IN ASSYRIAN LAND

Author name: نزار عبد اللطيف احمد العبيدي
Supervisor name: طارق عبد الوهاب مظلوم | احمد قاسم الجمعة
General topic: Fine Arts
Specific topic: Sculpture
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

التحولات المعرفية للجنسانية في النص المسرحي == Transformations of Epistemology of sexuality in the Theatrical Text

Author name: زيد ثامر عبد الكاظم مخيف الجبوري
Supervisor name: هدى هاشم محمد الربيعي
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

بوليفونيا التصميم الضوئي في العرض المسرحي التجريبي == Light Design Polyphony in the Experimental Theatrical Performance

Author name: نورس محمد غازي
Supervisor name: عقيل جعفر مسلم الوائلي
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

الاداء النصي للجسد في منظومة العرض المسرحي العراقي == The performance of the body text in the Iraqi theater system

Author name: نشات مبارك صليوا
Supervisor name: عبود حسن عبود المهنا
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

ملامح الخطاب الفكري لدى ميشيل فوكو وتمثلاته في فنون ما بعد الحداثة == Features of the intellectual discourse of Michel Foucault and Tmtlath in postmodern art

Author name: مهدي عبد الامير اسماعيل حمد الطفيلي
Supervisor name: علي شناوة وادي
General topic: Fine Arts
Specific topic: Modern Art
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

انتاج خزف بركاني وتطبيقه على الاطيان العراقية == The Production of Ceramics Volcanic and Applied on Iraqi Clays

Author name: منذر محمد سليمان محسن الجلبي
Supervisor name: محمد حمزة المعموري | عبد الحميد فاضل البياتي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

حقيقة الروح والنفس في القران الكريم وتمثلاتهما في الفن الاسلامي == The Truth of Soul and Spirit in the Holy Quran and their representation in the Islamic art

Author name: منال خضر عبيس العبيدي
Supervisor name: حسن مجيد حسين العبيدي | عامر عمران الخفاجي | صفاء حاتم سعدون
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

السيبرنتيكا في العرض المسرحي : دراسة تحليلية == THE CYBERNETICS IN THE THEATRICAL SHOW An analytical study

Author name: مصعب ابراهيم محمد الطائي
Supervisor name: علي محمد هادي الربيعي | حميد علي الزبيدي
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

الحقيقة والوهم في الرسم الاوربي المعاصر

Author name: محمود شاكر نعمة شبر
Supervisor name: فاخر محمد حسن الربيعي
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

اشكالية خطاب ما بعد الكولونيالية في عروض المسرح العراقي == The problem of post - colonial discourse in the Iraqi theater performances

Author name: محمد كريم خلف
Supervisor name: طارق عبد الكاظم العذاري
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

سمات الرسم العراقي في المهجر == Features of Iraqi Painting in the Place of Migration

Author name: محمد علي اجحالي محمد الكرعاوي
Supervisor name: عاصم عبد الامير الاعسم
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

الخطاب وتمثلاته في الفن البيئي الغربي == Discourse And Its Representations In The Western Environmental Art

Author name: كوثر عبد الصاحب كاظم
Supervisor name: مكي عمران راجي الخفاجي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

الابعاد الفكرية والبنائية للمنظور في الرسم الاوربي == Intellectual and structural dimensions of the European perspective in the drawing

Author name: فاطمة عبد الله عمران المعموري
Supervisor name: عباس جاسم حمود الربيعي | عاصم عبد الامير الاعسم
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

تمثلات الموت في الرسم الحديث == The Representations of Death in the Modern Painting

Author name: غسق حسن مسلم الكعبي
Supervisor name: فاخر محمد حسن الربيعي | حسن مجيد العبيدي
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

دلالات الراس البشري في حركة النحت العربي الحديث == HUMAN HEAD SEMANTICS IN MODERN ARAB SCULPTURE MOVEMENT

Author name: علي عبد الله عبود الكناني
Supervisor name: عبد الحميد فاضل البياتي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

النص المسرحي العراقي بين النسق والسياق التاويلي == Iraqi Theatre Text between Symmetry and Contextual Interpretatio

Author name: علي عبد الامير عباس الخميس
Supervisor name: عقيل جعفر مسلم الوائلي
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

اليات التمرين واشتغالاته في العرض المسرحي العراقي المعاصر == TECHNIQUES OF REHEARSAL AND HOW IT WORK IN THE IRAQI CONTEMPORARY THEATRE

Author name: علي رضا حسين بقلي
Supervisor name: عباس محمد ابراهيم التاجر
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

اثر تطبيق نظرية برونر في تعلم المفاهيم الفنية == THE EFFECT OF APPLICAION BRUNER'S THEORY TO LEARNING the concepts of Arts

Author name: علي حسين خلف معتوك السعدي
Supervisor name: عباس نوري خضير الفتلاوي
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
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