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العجائبية في الرواية العربية من عام 1970 الى نهاية عام 2000

اسم المؤلف: فاطمة بدر حسين
اسم المشرف: شجاع مسلم العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

تاصل اللهجة البغدادية على وفق الاستعمال المعجمي

اسم المؤلف: ريا جعفر عبد الهادي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

النقد النحوي بين نحاة القرن الرابع الهجري ومحاولات التسيير النحوي الحديثة

اسم المؤلف: سماح عبد الحسين جاسم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

القرائن اللفظية في تفسير الثعالبي ت 875ه دراسة دلالية

اسم المؤلف: اسراء جاسم محمد
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

التقارب الصوتي في الاصول الاشتقاقية دراسة دلالية

اسم المؤلف: هدى شامل حسن
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

التفسير النحوي بين المنحى التركيبي والمنحى الدلالي

اسم المؤلف: امال ياسين محمد
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

التداولية في الدراسات العربية الحديثة

اسم المؤلف: سناء منير عبد الرزاق
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

الابعاد التداولية في النحو العربي عند ابن هشام

اسم المؤلف: اميرة عبد الواحد فليح
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

اسس الترجيح الصرفي عند شراح الشافية في القرن العاشر الهجري == The Basis of the Morphological Weighting in Al - Shafi Commentators in the Tenth AH Century

اسم المؤلف: رفل هادي مهدي القره غولي
اسم المشرف: خديجة زبار الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

المنحى الاجتماعي في مؤلفات ابي علي الفارسي ت 377هـ

اسم المؤلف: ابتسام صالح عليوي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب - النقد
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

الاتجاه الايديولوجي في الرواية العراقية (2003 - 2013)

اسم المؤلف: شميم راضي عبد حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

نقد المقدس الديني في الرواية العراقية

اسم المؤلف: وسن مرشد محمود
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

دلالة الرياح ورمزيتها في الشعر الاندلسي عصر الطوائف والمرابطين والموحدين 400ه - 636ه دراسة موضوعية فنية

اسم المؤلف: ايناس عبد السادة جودة
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

جهود الدكتور علي الزبيدي في دراسة الادب العربي == The efforts of Dr. Ali Al - Zubaidi in a study of the Arabic literature

اسم المؤلف: هبه عادل مهدي جبر العلوي
اسم المشرف: صلاح كاظم هادي العبيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

بلاغة التراكيب ودلالاتها في روايات جمال الغيطاني

اسم المؤلف: نادية عبد الرضا علي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

الصورة في الرواية العراقية المعاصرة

اسم المؤلف: اسماء اديب عباس
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

الاصمعيات من منظور التحليل التداولي

اسم المؤلف: سرى مؤيد عبد اللطيف
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
مكان الجامعة: بغداد

تقديم الشخصية في السير الشعبية العربية == Introducing Character in Arabic Folkloric Biography

اسم المؤلف: رغد عبد النبي شنين
اسم المشرف: سعيد عبد الهادي المرهج
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: We mean, when we mention a folk biography, that its popularity belongs only to the people and the people heritage, customs and traditions, this biographies are alike in between all folks, having the same plot which sometimes belongs, (popular biography), to the public tales , and this belonging is what makes them form far from of the higher cultures which were totally deal with high class people ,that led to carless with these tales and their description and writing. The folk biography include a number of long narrative works with similar artistic features and similar artistic objectives, as being an independent storytelling art, with its own artistic rules which are adopted by the most complete biographies and also, those biographies were written before the accruing of the higher artistic forms, and before it has all the clear features of the artistic folk biography.We have chosen, in our study of the folk biography, an important element of narration which is “the character” that may be the most important between these elements as it is develops the narrative event and contribute in its rise to an end in a time and a place determined by the producer of the text, and the critics have talked enough about the character, but they did not come up with a clear identification for it, the reasons may due to their perceptions of it, which is based mainly on qualities, also, on deference of reference systems which the concepts have derived their existence from, of which secures purpose of these reference systems. The references of those who are specialized in psychology are different from the reference of the Theology, Genetics and Sociology, and thereupon the concepts are different. .The limitations, that we can use for exploring the personal presentation techniques, are a number of artistic narrative methods which the novelist relies on to reveal the curtain from his characters before the reader and we will examine those methods in order to know the methods of characters presentation, we shall that especially in the folk biographies. My study is distributed between three chapters, and preceded by an introduction named(Folk Biography) and the Techniques of Characters Presentation), where I talked briefly about the folk biography concept and characters presentation techniques in the narrative, the first chapter was on character models in the Arabic folk biographies, and it included three sections, in the first one, I talked about the protagonist, the co - protagonist and the antagonist, whether in the second named (Secondary Characters), I talked about historical characters , wonder characters and realistic characters The second chapter was titled (The Presentation of the Character) and by using (Informing Presentation), and it comes in three suctions, the first one is titled (Description of the Feature) and (External Shape) , the second was titled (Naming Building and its symbolism) and the third was titled (Description of the inner worlds of the character) The third chapter was titled (Characters Presentation by using the Description (Appearing Presentation) which comes in three sections, the first was titled (The outer dialogue) , the second was (The inner dialogue), and the third was (The poetry dialogue).My work has faced a lot of obstacles which was difficulties like finding folk biographies copies and their study references which are existed in other countries other than Iraq, so I had to travel for them, also, the biographies was long and have a big number of characters and stories, as they represent an old era, and I had more problems like languages of these biographies as they were written in between the formal and street languages, ex : Bedouin, Syrian and Egyptian, that contain difficult Phrases to be understand, specially it represent an old era which contains a lot of grammatical and literal mistakes, and requires, for the purpose of scientific trust, quoting them from the biographies as the same as they are, after that, and for that reason I had to put my comments of correction, all that took a lot of my time and efforts but, by the help of Allah, my supervisor assistance and other teachers, I managed to accomplish what I think its suitable with the level I have reached in my study, and honors my university name

الفضاء السردي في شعر الاغتراب العراقي 1970 - 2012

اسم المؤلف: وسن علي عبد الحسين الزبيدي
اسم المشرف: صبحي ناصر حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الاحتفاليـة في روايات ابراهيم الكـوني == The Carnivalesque In The Novels Of Ibrahim Al - Koni

اسم المؤلف: وسن عبد السادة جودة محمد
اسم المشرف: فاطمة بدر حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: In this study, we dealt with festive themes in literature novelist Libyan writer (Ibrahim Al - Koni) according to Bakhtin's theory for the ceremonial character which is known as "carnival". The study was divided into introduction and four chapters and a conclusion. In the first chapter (rites and ceremonial appearances) we found in the first section rites, achieved ceremonial primitive in all manifestations of pagan gods, and offerings and vows, both human sacrifice and non - human, then magic and sorcery in primitive societies. As modern celebration was divided into two ceremonial dramas , decorative and ceremonial celebration which was marked by dramatic coherence of the dramatic event and often have to do with the murder festivities (music, dance, singing and population ) The celebration shows the decorating aspects of the celebrations of dancing, singing, music, songs and games ceremonial, which gives rise to heritage and stimulates memory when the receiver will be present in the text conscious and aware of these celebrations, especially if the people of the desert, as it documents the popular tradition for the people of the desert (Touareg). The existence of these festivities decorating artistic necessity in the novel ceremonial; because it is serving a ceremonial meaning in this novels texts. The celebration represents the aesthetic novels and there must be a decorative ornament , formalism and the rhythmic. In the second section (The celebration appearances) it has the celebration appearances in all its forms which came from : the exchange of roles , masquerades , bet and profathin free and the celebration links away from the cost. We have seen in the course of the analysis that the antibody, is the foundation upon which all the celebration appearances which referred to came in the folds of the analysis of model novels in general. In the second chapter (sarcasm celebration), we found that sarcasm is one of the necessities of ceremonial check, wherein the characters and laughter resound smiles different connotations between innocence or abuse and defamation, sarcasm meaning laughter and ridicule include. Therefore, the researcher found that the term of mockery to be inclusive of many of the concepts that led one of the meanings of sarcasm in laughter or ridicule. We identified sarcasms ways by : humor, satire , satirical image and nicknames of the inclusive of these methods in achieving sarcasm methods The third chapter (intertextuality in The celebration) represents intertextuality mechanism to establish linkages and relationships between the various texts. Ibrahim Al - Koni has shown these relationships with diverse texts, whether mythological or religious, historical or literary, past or contemporary, according intertextuality laws the province or absorption or dialogue. Chapter fourth (technical structure in the novel Carnivalesque) studied aspects of technical building elements that are in the concept of Carnivalesque service and help to achieved its presence in the novelist text : narrative, carnival characters (miraculous) , language and dialogue, and the ceremonial place

اشكالية الخطاب العربي في (الكتاب) لادونيس == The Problematic Issue Of The Arabic Discourse In The "Book" For Audunece

اسم المؤلف: وداد هاتف احمد وتوت
اسم المشرف: سعيد عبد الهادي المرهج
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: 1 - The study examined the concepts, and the idioms of "problematic, discourse, writing, and copying" in accordance to special curriculum, and that is archeo - geniological curriculum. which is related the French philosopher Micheol Foco. And the curriculum and what are related to it of inspecting the traces of the thoughts, their shaping way, their overrating, and were shown on the body of the society; a new curriculum in Artistic critics, it provided the ultimate way to interpretate Audence accomplish "The book yesterday is the place today". Where the writer pursue the same curriculum in the way of molding his intellectual adoptings, creativeness, and what he wanted to say through this work.2 - After the proving of the study that the accomplish under the study "The book yesterday is the place today", is not mere Artistic text, but it is a speech in what speech is mean in its communicational of comprehensiveness, and big ideal. The reader discourse concept, was very good way in dealing with this accomplish, where the spirit of this concept was represented, in what was contended of cultural codes, and intellectual partteners that worked the production of the texts and directed their interpreting process. 3 - The concept of the writing, as concept by passed the speech of the kind, was the last of what Audence version settled on, and based on his good dealing in the description of modernistic works, especially the creative accomplish - field of study - of writing transfigurations which did not stand in specific cue of creative writings types, in poetry, and in prose. From this point of view this dissertation did not accept the describition of this work as collection of poems, in that it is a kind of writing which is comprehensive for poetry, prosaic, for historic, intellectual, and Artistic, it is the comprehensive speech of the comprehensive vision, which ruled its appearance, and did its speech.4 - The dissertation pick the standing contradiction between foco / foko concept of madness, Audonece, and then to his speech, where the former spoke about the real madness, and how the restrictions of the dealing were limited to types of speech, having no connection temadness, but to some undesirable categories spelled by the western society for the safety of the all, and by this he exposed the arrogance of the western society, while Audonece stance was similar to the Islamic intellectual where madness in the Arabic thing, is a tool in the hands of the group to face oppressive political regimes. And it was another type of madness, it was a metaphoric madness, which was able in its departing for reality space to pass the speech of rejecting, accusing, worning and giving advice in the name of religion, and for the sake of people in addition madness have another vision, in Audonece poetic vision and self discourse. His presence was clear, where its type of unknown similarity in this glob and the search in its hidden places, getting use of surreal vision in this matter. 5 - The study present the discourse of "the book….) as Archeo - geontic vision of the Arab - Islamic thinking, in all its parts. Dived in the roots of the intellectual crises since the starting of Islamic Arabic state since its founding, till nowadays. as well it got benefit of the reader discourse concept in the analysis of the accomplish understanding, where Audunece in his treating for intellectual and poetry issues in "The book…" a discourse reader, and historical symmetric standing in the Arabic discourse speech.6 - The thematic equivalent, represent a basic stand in treating "The book…", where from its beginning, of the Di - pattern, of the little in it main and branch types, its gender indicator, and it authorizing, as well the forms of the writings on the page space were divided in its almost in four writing forms, as equivalent to Arabic foggy thinking, and the loosing of the self between the past which was full in contradiction, burden with constraints and overcame with the control on present day thinking. In addition to the main sample, the motive of the work who is Al - Mutanabbi.7 - Audiences writing in "The book…" came in this variant form, which is full with references to be thematic equivalent for his book the authord to what is a function to concept of the author for Foko - and his rich thoughts and activity variation. In that this accomplish short half century walk, characterized with seriousness and balled, which which was byest to all what were different, and problematic, basing to the exploring, and thematic analysis a way from all before submissives accepted by the foundation - whether they were intellectual, cultural or social, the study did not adopt the concept of the mask, where despite its narrow space and its accupying with the self side of the mask and the person who wearing it, came under the thematic equivalent concept with no doubt.8 - The researcher conclude her research by admitting the fact the book today is the place tomorrow, is a deep study for Arabic - Islamic thinking life history, in all its appearances, identify, its almost biggest crisis, and the most dangerous effect for the presence and the future of this nation. And what distinguish this study is its departure to all what are expected of the writing forms, or research works, that limit its freedom in the search and explore, in that it dives in time and place, and shed light on dark paths to enlighten them in exploring and exposing to show the defects for the audience for treatment that may raise the place and it dwellers.

الفضاء الروائي في الرواية النسوية العراقية 2003 - 2013

اسم المؤلف: وجدان يعكوب محمود
اسم المشرف: زينب هادي حسن
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

القرائن النحوية بين الاصوليين والنحويين : دراسة موازنة

اسم المؤلف: نور فاضل بنيان محمد
اسم المشرف: لمى فائق جميل العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الاتجاه التوافقي بين لسانيات التراث واللسانيات المعاصرة : الدكتورعبد الرحمن الحاج صالح انموذجا == Coherent Direction Between The Cultural Lingnistics And The Contemporaray Linguistics Professer Abed Al - Haaj Salah As An Example

اسم المؤلف: معالي هاشم علي ابو المعالي
اسم المشرف: بان صالح مهدي الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study aims to find the direction of a compromise between linguistics heritage and contemporary linguistics represented by the efforts of the flag of the flags of the lesson lingual modern Arabic in the Arab world and is Dr. Abdul Rahman Al Haj Saleh, who tried to digest contemporary linguistics through a re - reading of the Arab heritage and especially (thought Khalili) , and is the approach adopted by the distinctive collection of Arab linguists, and that the absorption of the tongue of modern science in the West, and to understand and represent, and to fathom the Arab heritage lingual, like what he is doing some linguists in the Arab world, including : Dr. Ahmed Mutawakkil and Abdel - Qader Fassi Fihri from Morocco, Abdul Salam Masdi of Tunisia and Mazen rugged of Syria and Michel Zakaria of Lebanon and Dr. Karim Hussein Khalidi of Iraq and others, he has introduced these researchers thought lingual Arab in scientific dialogue with real thought lingual contemporary determines the location of it, as well as that this dialogue sponsor researcher to enter the Arab world to search lingual to become Arabs Meshmin real output in the lingual and put forward a development; because we have thought for Sanya can develop it, or develop aspects of it to be put forward for contemporary Sanya on a global level. Thus, we can say : It is not a shame that we learn what creativity for others, and do not take them as befitted origins of modernity, but this does not justify Azova for our credit linguistic and do not even cognitive General; and so the best solution to this issue, is to adopt the trend compromise is not excessive and do not overcook it preserves the originality of our heritage, and familiar with the principles of the modern curriculum. And thereby avoid prison of our heritage and a huge cast him into the world, Fteratna thought authentic, and we will not prove this unless Okhrzinah originality to the world, and the world will not undo blades, but what if we used the keys to reading contemporary Evqgaha everyone. And any action that can not be accomplished unless motives, the motives that motivated me to choose this subject, perhaps the most important, cash bitter face of research and linguistic studies that take direction harmonic approach in her research, as well as try some researchers undermining heritage and underrated. It also grew the desire I have to open up the search trends lingual contemporary by rooting for our heritage Arabic language, and identify the most important bases and objectives Portal last of these motives absence of approaches to linguistic between linguistics heritage and contemporary linguistics, take direction harmonic approach her, it is still these studies represent an arena Thera research and study, and deserves - right - multiple efforts to revive the Arab heritage in general and especially the language. And has research found a number of important results are : • The research revealed that the trend is more harmonic presence trends in reading the Arab heritage. • Research has proven that the term (linguistics Heritage) is actually in the arena of search lingual Arab and intended to re - read the linguistic heritage of the Arab in the light of modern linguistic approaches. • To stop the search when (Alhalilih modern theory), which is a direct continuation of the thought - Khalili, as well as it is of the most important experiences of Dr. Abdul Rahman Al Haj Saleh, has promised to this theory, the most important experiences of facilitation of linguistics and rounded specialists in Arabic language studies. • Find relied heavily on the (book Sibawayh) and the contents of the views of the grammatical Sibawayh sheikh of Hebron and in the detection of scientific facts;, and that the adoption of Dr. Abdul Rahman Al Haj Saleh this blog linguistic huge. • research to see Dr. Abdul Rahman Al Haj Saleh in theory Alhalilih modern, which represents the most important key features for the study of ancient sounds linguistic divide them (phonetics) and (phonology) as the author's opinion that each and every one of these sections can be devoted to his study on the unit and be used in the approaches and modern techniques, with great admiration for what was stated in the work of the ancients as the majority of the results of their studies have reached precision to ask. • Find proved the authenticity of Arabic grammar, and response, Dr. Abdul Rahman Al Haj Saleh suspicions argument with emotion as the Arab Aristotelian logic; and so as evidenced by the testimony of the mind and history. • Dr. Abdul Rahman Al - Hajj that the theory of the coolest factor is what scientists invented the Arabs - and especially Hebron and Sibawayh - and found that the theory of global connectivity to Chomsky her Arab roots. • Find demonstrated through his harmonic on the existence of the assets in a deliberative linguistic heritage / Arab rhetoric. • The trend shows harmonic clearly defined when Haj Saleh in his efforts in translation and terminology, as it has always sought to revive the old Arab term; to be the most appropriate for the context in which it is given and the accuracy of the terminology used by the ancients.

الخلاف اللغوي في ضوء دراسة لهجات شبه الجزيرة العربية == Liguistic Diversity In The Study Dialects Of The Arabian Peninsula

اسم المؤلف: ليلى علي فرج
اسم المشرف: ولاء صادق محسن الاسدي | منذر علي عبد المالك
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The most important results obtained in the thesis it is that the dispute linguistic fertile subject of the Arabic language subjects, said in a boot importance of studying accents suspicion of the Arabian Peninsula in the study of differences of language, and looked at the first chapter voice dispute in the light of the study of the Arabian Peninsula accents Among the most important findings : - 1. The dialects participated in twelve way out of the exits of the votes.2. The origin of the voice (GEEM) to be whispered, described the ancient voice of DH description is true, and the origin of the sound (TAA) Speak out, and voice (QAAF) whispered.3. The Arabian Peninsula accents is consistent in speaking out recipes and whisper amplification and instability in their voices.4. The origin of the movements is long movements, and that the referral is a secondary development of ALLF and YAA and originated from opening a branch of it.5. The (focal point) does not exist in the Arabian Peninsula accents, their movement is not transmitted, and the phenomenon of insults facilitate a common phenomenon in the Arabian Peninsula accents.6. The voice is not a Noon rather than movement, and supports Noon with other letters.7. The scholars differed in some voices which (O Allah)8. Where Meem where the amplification and veneration, and the origin of (even) the eye and is not HAA, and (garlic) in which the original Althae dialects and got rid of it and replaced it in the SEEN and the SHIN.And discussed in the second chapter in the light of the controversy morphological study of the Arabian Peninsula dialects and found : - 1. The doors of the act, which counted abnormal scientists are the origins of these dialects in the present tense, although breaking the old linguistic phenomenon of a character, and share these dialects in Waw deleted from the present tense.2. The opening, which will be the second and third annular feature in the Arabian Peninsula accents characters, and the formula (FAAIL) is origin of the name - acting formulations, though Quartet words derived from bilateral substance in these dialects.3. The weights of the six names of mono and bi assets in these dialects.4. These dialects has not adhered to when combining and Deuteronomy markings to distinguish between masculine and feminine, and there were to Fezta (both, and both) Mtnah in these dialects gathered Aloagamah collection of evocative names in Salem.5. The Hamza appear on the image in these dialects.6. I found (Alta) in all the Arabian Peninsula accents to denote the feminization albeit thousand feminization is only the evolution of Alta which turned out to E and then to a thousand.7. Verb matches actor in the recall and feminine in the Arabian Peninsula accents.8. Rehabilitation of some of the terms that scholars have differed in, and these words of the word (name) in which the original is (Shin and Almim), but the word (human) origin on Flan weight, but the word (Emmen God) is derived from Yemen, but the word (devil) Noon the original, and others of the terms that reported assets in light of the study of the Arabian Peninsula, including accents (rIBA, flood, values, and how much) and others.9. Altmiam subsequent voice in Akkadian corresponds Tanween in Arabic, did not mention to distinguish between the outgoing and unspent, or between the name and the verb, or between singular and added.10. The basic meaning of the Decrease in the Arabian Peninsula accents is belittling.11. AZ catch the six names in the addendum in Hebrew and Arabic condition.Discussed in Chapter III : Grammar dispute in the light of the study of the Arabian Peninsula accents and revealed that : - 1. The syntax is the origin of the nouns and verbs, and that assertion is not in the syntax it is a linguistic phenomenon occur in the language, syntax, and it came to ease on the tongue, and that the collection Almant Salem riveted slot in all the Arabian Peninsula accents.2. The present tense parsed not being similar to the names, but for being a kind of act, and raised in Akkadian despite the entry of the monument factors and boots him, but the word (even) preposition and monument of the verb tense in the Arabian Peninsula accents.3. The Alljhat is barely differentiate conjunctions (but Waw) did not respond to the present tense erected after him, and that the origin of conditional sentence to be a reaction condition past and Answer condition Mdharaa brought.4. The verb is in the Arabian Peninsula dialects derived from the tenses.5. The distraction in the management definition in the Arabian Peninsula accents met Hamza in Arabic, and that the pronouns in which the original conscience as a whole, and (Ia) are the basis for Mufaolah mark originally in the conscience of the separate (you) word as a whole, the common root of the name of the signal (ZAA) in accents the Arabian Peninsula, and the use of reference name instead of conjunctive name out in these dialects, and waw in the word (those) out and not overloaded.6. Complex numbers Mdghamh with each other in Akkadian do not know the number of the boat in. In Hebrew intervention definition on complex number deficit tool.7. Agree accents the Arabian Peninsula in the feminization of the masculine number (3 - 10).8. The ground in the word (one hundred) original and not overloaded.9. Described accents the Arabian Peninsula being the actual accents, which are divided into actions past and PRESENT permanent and done, and cause non emphasis acts Almdharah them.10. Share these dialects in many of the characters, including the character (to) benefit reasoning, and (lam) in which the meaning of consensus (in order), and that the original etymological's (not) and (not) one, and (Seine) part deductible from (you will), responded (Ba) for Tbaad in these dialects, and (lam) in the sense (in a) and (a) indicate the different meanings.11. The scholars differed in some words of them (now) origin in the light of the study of the Arabian Peninsula accents expressing but not built, and (so) did the name, (not) a vehicle of exile character (not) and verb (ACE) in the sense (none), and ( Latt) to Alta which is not for the feminization of it is the origin of the word.
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