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النزعة الروحانية في الرسم الاوربي الحديث The Tendency Of Spirituality In Modern Euroean Painting

اسم المؤلف: مها عبد العزيز ساجت القره غولي
اسم المشرف: عارف وحيد ابراهيم الخفاجي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: تكون البحث الحالي " النزعة الروحانية في الرسم الاوربي الحديث " من اربعة فصول , تناول الاول منها مشكلة البحث والتي حددت بالاجابة عن التساؤل الاتيي : هل هناك نزعه روحانية تمثلت في مدارس فنية متعددة في الرسم الحديث ؟ وماهي مجرياتها وهل هي ناتجة عن صراعات | The current research consists of the tendency of the spirituality in modern European painting.The research including Four chapters.First chapter ,have research problem which is limited by the answer to the following question : First question : Has the spirituality a tendency in modern European painting ? Second question : is there a spirituality tendency in modern European painting ? The first chapter have also included research important and need for it , and also contains the aim of research “Identify the spirituality a tendency in modern European painting “. While the research limitation contains the period between 1870 - 1960. The second chapter includes two research , first research : includes the spirituality in philosophical thought ,while the second research includes spiritual references in art ; moreover ,the same chapter contains ,theatrical frame and its indicators ,and previous studies. The third chapter includes research procedures ,such as research society , research sample and research tool : in addition , research methodology , and analyses sample amounting “16” patterns. The fourth chapter includes results research ,and its discussion ,conclusions , recommendations and suggestions. Among results ,the researcher reached following results : 1 - Spiritual illusion and Sensory perception play important role in modern European painting , Then activate the picture s and the incusion in to the depths of and feeling inspiration of the artist and the search for spiritual reservoirs contact with God.2 - Each of the concepts of time and space associated spiritual tendency , according to the Holy Quran from Dialogues angelic where is no time and no place versa in this relative live.3 - The artist seek for a high tendency in modern European painting and this trend four in the samples analyzed and in respect of the spiritual dimensions which have fixed indication for the liberation of vision depends intuition and free fantasy that reflect the outside word in the European art inspires artists of modernity in the construction of their artwork and using them to produce artistic different drifts expresses the freedom of the spirit of the modern.4 - The pure form discussing modern abstract with modern European painting for regular structure of relation between the elements to produce geometric shapes based on engineering indicative dimension ,but high spiritual idealism in the construction abstract in modern abstract support pictorial idealism situation linked to the reality of spiritual sensory ,while in modern European painting linked to the spiritual aims borrowed from the luxury qualities of absolute monotheistic. The researcher has found a group of the following conclusions : 1 - European artist derived spiritual trend from the ancient Greek civilizations,taking in to consideration the religions, which was carrying the secrets of cosmic through spiritual and mystical contact with that employed by the artist in his paintings component creative form.2 - Spiritual tendency represented the thread of luminous or beam and the rope of connection between the artist and the creator ,the has found pure single spirit of self and pure purity and that string represents the spirit descend a pure artist and close to the body so that the devil receives and disperses it with analyzes the light in to the colors of the solar spectrum which represents indispensable article sensory ,so when the artist liquidates his self and diminishes his attachment with materialism , the light will be increased and liquidates , and then become whit lights as his origin oneself , so Mohammed the prophet “ peace be upon him “ said : “who knows himself knows his lord “. According to what results reached by the researcher and conclusion and perfecting of the interest and knowledge ,the researcher considered the following recommendation : The students of higher studies including students of art and religion and who owns the relationship should benefit from this studying.As a complement to the requirements of research and scientific, ”dimensional spirityality and indication in the works of European artists
الصفحات الاولى:

الابعاد الجمالية للاشــــــكال الفنية في الفنون الشعبية العراقية ومرجعياتها في اللاشعور الجمعي Dimensional Aesthetic Art Forms In The Iraqi Folk Arts And Their References In The Collective Unconscious

اسم المؤلف: علي عزيز ناصر
اسم المشرف: دلال حمزة محمد علي شناوة وادي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: تناول البحث(الابعاد الجمالية للاشكال الفنية في الفنون الشعبية العراقية ومرجعياتها في اللاشعور الجمعي) باربعة فصول ضمن الفصل الاول الاطار العام للبحث وتم فيه عرض مشكلة البحث والتي حددت التساؤلين الاتيين : - هل تمتلك النتاجات الفنية الشعبية من البسط والحلي اش | The research (aesthetic dimensions of art forms in the Iraqi folk arts and their references in the collective unconscious) in four seasons within the first chapter general framework of the research in which the research problem has been identified and Altasaalin the following two : - Are Owns the popular artistic productions of rugs and ornaments forms have aesthetic dimensions representing a phenomenon in terms of the nature of the technical systems of shapes, lines and spaces and technologies. - Do you have the artistic productions as a formality texts of their references in the collective unconscious on the art forms represented in the productions Livni rugs and ornaments of the dimensions of a formal written and color and dimensions Amadaminah (code - listed - values - ideas perceptions). The importance of research in the detection of the aesthetic dimensions of art forms in the Iraqi folk art in which may enrich those in charge of technical education and researchers in the field of folklore studies and anthropological fact that folk art one of the main tributaries of the Iraqi identity. The research aims to identify the aesthetic dimensions of art forms in the Iraqi folk arts and their references in the collective unconscious. Confined to the limits of research forms the technical Folk Art (ornaments popular numerator) for the era of (1900 m - 2015 m), Iraq's adoption of the descriptive approach and the way the descriptive analysis for the purpose of fact - dimensional aesthetic forms of art and their references in the collective unconscious of the Iraqi folk art works for the extension and ornaments. As well as identifying terminology research.The second chapter presented the theoretical framework and previous studies and discussed in terms included three sections, taking the first section of which dimensional conceptual and aesthetic reference for the Arts popular composition represented by the forms and symbols in the cultural heritage of Mesopotamian and Islamic, while taking second section study of folk arts among aesthetic shape and significance, and display the third topic the concept of collective unconscious mechanisms Achtgalath in technical fields through exposure to Helms by the world, "Jonk" about the collective unconscious and mechanisms Jonk. The third chapter contained on the applications of the aesthetic dimensions of art forms in the Iraqi folk art and of rugs and ornaments through a sample of (18) form derived from the framework of a society (180) model and using indicators of research and mechanisms Jonk in the research sample analysis. As it is proven in the fourth quarter results, conclusions, recommendations and proposals, and reached by the search of the most important conclusions, including : 1. manifested many of the characteristics of the forms of roots and historical assets - alravedanah and Muslim - through the emergence of decorations geometric modified, and another with an ideological link Old such as the cross and the star octagonal and triangle Almottagabl the head, which are connected to the cultures and references unconscious association in contexts deliberative.2. larger circle has formed part of geometric abstract involved in the formation of ornaments because of its historical significance and origins of ancient and Islamic folk artist he took it upon himself to be replicated in most of his works of art realized in rhythm all the ornaments samples. Conclusions1. The aesthetic formats in the popular arts represented technician rugs and ornaments derived many Ansagha and their references symbolic and formal design of the structure of the ancient Mesopotamian art and Islamic ones.2. indicate processors Constructivism to the concept of collective unconscious and resulted in the meanings and connotations conceptual, to the existence of civilization continues to derive its terms of reference of the artistic and literary productions of Islamic civilization and the ancient civilization of Iraq.3. The most popular designs rugs based to mathematical logic, based on the structures Alchidah stringent than existing lines and obtuse and acute, to be its forms, including engineering and predominantly (appointed, and the Triangle, and the box and combine them).4. Try to folk artist through gold material moving between abstraction and reality, and the imposition of vegetarian content in a part of the artwork and the content of symbolic and social Kalhilal for example, in another part, which represents the references in the Iraqi and Islamic thought.
الصفحات الاولى:

الطرائق المعاصرة في صيانة الاعمال التشكيلية Contemporary Methods For Maintenance Of Plastic Art Works

اسم المؤلف: سيف حسام علي الشلاه
اسم المشرف: محمد علي علوان عباس القره غولي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: تناولت مشكلة البحث الموسوم : (الطرائق المعاصرة في صيانة الاعمال التشكيلية) دراسة في الطرائق المعاصرة المستخدمة في صيانة الاعمال التشكيلية. وقد جاء البحث في اربعة فصول : اهتم الفصل الاول بالاطار المنهجي للبحث متمثلا بمشكلة البحث واهميته والحاجة اليه , وهدف | The research which entitled "contemporary methods in maintenance of plastic art works is divided in to four chapters, where the first chapter concerns the systematical frame work of research, that is by : research problem, research importance, research need, research aim, research limits and research terms. so the research deals with the study of the mentioned contemporary methods. research problem also concerns presenting the scientific and technical turn which leads to the development of maintenance procedures that conducted in treating the damages which affected the artistic works. these procedure are according to a modern scientific visions and methods, which differ in a great extent from the traditional methods that were adopted previously in artistic works maintenance. basing on this, the techniques of artistic work remedy were in a direct properties with great evolutions in the plastic art movement along it's long history. so the testers and those who interested in maintenance affairs have to be aware about the successful and active technique for repairing artistic work damages, by more technical and scientific additions which enhanced the artificial contemporary maintenance methods.by this aspect, the research problem originated through the answers of the following question : • what are the maintenance procedures. that adopted by the contemporary methods in the maintenance of plastic art works?• how can a maintenance worker to achive a sort of coordination between the damages nature and the scientific apparatus used for remedy. research importance and its need are integrated , where research concerns the ability of keeping the aesthetic and artistic heritage of art works through repair in its damages, and to renew its display in a better form as well. also to keep abreast of scientific development in maintenance of plastic art works which subjected to the so phisticated technology and science philosophy as well.the research represents an attempt to open the horizons of practical knowledge for researchers in maintenance of plastic art works, and to encourage them to search the nature of this science and to realize its mechanization. the research provides a scientific effort for our plastic art libraries, in order to make it easy for readers and those who concern this topic to get a knowledge about maintenance science in it's both theoretical and practical sides. advanced studies students, also may make use of this research, through their eruditeness on this research especially, research procedures, research results and conclusions, research aim is to make a knowledge about the contemporary methods in maintenance of plastic art works. research limits was specified by the study of the contemporary methods used in maintenance of plastic arts works which executed by different materials on different surfaces. this study includes the scientific procedures, apparatus, technical means, chemical materials and physical stuffs. for time, a group of plastic art works were chosen within the period (1923 - 2005) for place, they were chosen from Iraqi and Egyptian art. chapter two which entitled "The theoretical from work consists of three brochures, the first entitled maintenance concept between science and art" which includes many topics such as : maintenance and repair in concept and the difference between them, aging concept, damage concept, maintenance kinds, maintenance science and revelation techniques in art works. second brochure deals with traditional means and technical mechanization of plastic art works, in which the art work components were explained. third brochure studies the "contemporary methods in maintenance of plastic art works", in which the methods and its mechanization were explained.chapter three assigned for choosing the research group which consisted of (62) sample with different kinds of damages, (38) of them were from Iraq and (24) from egypt, (5) specimens were choosen with different surfaces, (3) from Iraq and (2) from egypt. research procedures were done by maintaining and repairing (5) specimens according to highly phisticated scientific laboratory methods. each art work subjected to a different repairing plan.chapter four consisted of : research results, conclusions, recommendations and suggestions. the researcher concluded a sum of results in the context of the answer of research aim such as : - the experimental knowledge of contemporary maintenance methods widen the importance and value of the work to be repaired treatments that achieve a functional aspect in reforming the artistic work, then presenting it in anew effective manner.that is clear in the specimens of the research sample. - the scientific knowledge of contemporary maintenance methods which used in specimens of research sample effected by the activity of physical and chemical factors, and by their interaction as well. that was clear through conducting many laboratory tests for materials and item used in repairing and maintenance processes.Research treated the specimen (No.4) according to scientific analysis done by vertical photo microscope (V.P.M), which contributed in repairing treatments of damages through marking the detects, cracks, detachment and revealing the original clours. Researcher applied the process which known "Fourier transform in treated spectroscopy" (FTIR), for repairing the specimen (No.4) through making use of it to find out the work consistent and the way by which the colours were applied.Researcher had concluded the following conclusions : • repairing treatment according to contemporary maintenance methods contributed in displaying a new results, which differ from the results of traditional previous methods. That is because of the use of the new developed techniques of the modern maintenance apparatus, as well as using a specialized new devices which operate quickly and precisely.• The use of contemporary scientific apparatus shows a variety categories of testing and scientific analysis for all detects and damage that infect the painting, beside showing the ability of damage treatment by the adopted maintenance and repairing mechanization. Then it is clear that the joining of analysis process with maintenance treatment emphasizes the necessity of searching of temporary scientific and technical alternatives, coming to enhance the structure of the artistic work and repairing it as well, beside keeping it away from danger and circumstances which may infect it.Researcher submitted a sum of recommendations, suggestions and a list of resources.
الصفحات الاولى:

بنية الخطاب في الاشكال الواقعية للخزف المعاصر The Structure Of The Speech In Real Forms Of Contemporary Ceramics

اسم المؤلف: حوراء كاظم عبد الحسين شبر
اسم المشرف: تراث امين عباس
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: انطوى الخطاب الواقعي على معاني دلالية تعد مؤشرات العقل وطبيعة النظر الى العالم والحياة, الامر الذي جعل من الشكل الواقعي خطابا متحركا يتسم بطابع الهيمنة والتعدد والتنوع, تبعا للتحولات الفكرية والتقدم العلمي والتكنولوجي فضلا عن دور الفنان /الخزاف في خلق | This involved the realistic discourse on the tag metals are mind indicators and the nature of looking at the world and life, which made of shape realistic speech moving in character hegemony and pluralism and diversity, according to the transformations of intellectual and scientific and technological progress as well as the role of the artist / potter in creating speech Khozvia reflect the reality of their community and their culture and Aydlewjyatem through an important tool, but a ceramic art form Vakzb realistic structure of knowledge and replace it from rolling to the reality and the reality of a new esthetic and it Address the current research study (the structure of the speech in real forms of contemporary ceramics), which is located in the four chapters devoted the first chapter to a statement of the research problem and identified by answering the question follows : What is the structure of the speech in real forms of contemporary ceramics?And it demonstrated the importance of research to highlight the dominant in the Western world of letters to find out what is happening in the Western world and the culture of their community, as is the art realistic cornerstone in our contemporary life and as an opportunity to recognize the cognitive facts also included the figure unrealistic technical letters with inferences of thought which have an impact Brphi curriculum in cognitive and academic institutes and colleges and the Centre for Fine Arts.While ensuring objective of the study know discourse structure in realistic forms of contemporary ceramics and at the level of the cultural pattern contained therein that form either the limits of the research included the objective limits studying business ceramic realism of the forms and the limits of temporal from the (2000 m - 2015 m) and the limits of spatial in the United States and some European countries They also reviewed the terms are (infrastructure, letter, shape, realism).While the second chapter of the theoretical framework and the most important indicators that resulted, and previous studies, as it included a theoretical framework three sections explain which influenced the speech unrealistic shifts intellectual, mental and the accompanying change of ideological ideas, social conventions taking place in the center of human things that make each style stage a certain amount of rhetoric unrealistic, and therefore have Me first section addressing approaches conceptual discourse the second section was devoted eating discourse realistic across different time period explained through which shifts discourse realistic structure in the ancient art of the Middle Ages and then in the Renaissance and then shift Alazaara discourse realistic in contemporary art while eating the third section speech figure in contemporary ceramics.The third chapter dealt with procedures for search and included the research community and appointed by the research methodology, which the researcher approach adopted Alosfi - method of analysis based on the indicators resulting from the theoretical framework as a tool for the analysis of the sample, (15 guestrooms) in accordance Khozvia from an adult search community number is (159) in accordance with Khozvia.The fourth chapter discusses the results reached at her research, including : 1. The speech took formations cognitive structure in the form of a realistic and contemporary modes of communication in order to make it within the circle of virtual reality, for reality puts an endless production of images.2. cleared discourse structure in Figure realistic ceramic, Kpnip synchronous moving up to read the event through the picture, and create an image of the event, and in both cases is the characterization of the reality of the current era, and this is what made the unrealistic figure holds a narrative structure.3. Generate realistic figure in the contemporary ceramic art a moving speech in the field of sensual pleasure, came realistic figure, such as building a knowledge of the structure of the speech from the visual experience.As well as the conclusions of the research, including : 1. The structure of discourse in contemporary ceramic forms of realism, is the restoration of the Queen of the perception of the taste aesthetic ceramic formations process visually, after the departure of those models Zmcantiha first and functions.2. The structure of the contemporary discourse in the form of a realistic ceramic axes can be included daily events of contemporary life and the requirements of modern man, and the culture of consumption and commodification of social and that social structures and economic structures, political structures, and the culture of technology and electronics.3. The forms constitute a realistic reading and revive the values of margins and documents that make up the culture of the current era, and realistic figure in contemporary ceramics, converts vocabulary borrowed the structure of the group of letters.And continue with the conclusions and recommendations were followed by suggestions The list of sources and references.
الصفحات الاولى:

تاثير الحرق الاختزالي في زجاج الرماد الملون The Effect Of Burning Meiosis In Stained Glass Ash

اسم المؤلف: زهراء رسول كاظم الاوسي
اسم المشرف: حافظ كاظم المشايخي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: تناولت هذه الدراسة تاثير الحرق الاختزالي في زجاج الرماد الملون, اذ تم اختيار طينة الكاؤولين (الدويخله البيضاء) لتحملها درجة حرارة عالية, اذ تم صياغة خلطة الطين المتكونة من الكاؤولين (Kaoline) والطين الناري (Fire Clay) والسليكا الزجاجية (Flint) الفيلدسب | This study include the effect of reductive firing in colored ash in which I chose koaline clay in (Dwakhla) because it with stands the high temperature, it constitutes from kaoline., clay fire flint, filsbar. Alsodume I chose two types of ash (saef ash, and alqash ash) the added constituets (filsbar Alsodum (Na2OAl2O3.6Sio2) Borax (Na2o2B2o3) Calcium Carbonate (CaCo3).In order to decrease the tempreture of ash, I chose six colored oxides three paints which in cluede : (managanese oxide (MnO) , Copper oxide (CuO) , Redlron oxide (Fe2O3) , Chromium oxide (Cl2O3), but the red, yellow, blue paints are present in Babylon governorate.For the part of the ortical aspeet, (second part) had three researches : The first Glaze which had special effects which include the historical aspect which include the ash glaze salt glaze, bone ash.The second part include the major glaze components and the colored effects of colored oxides in the research and the third part include clays, firing place, reductive objects in the research.The third part of research procedures include research methodology used, were prepared from clay and burned at temperature (1200 - 1250 - 1300 ) and was prepared glaze and subdue all components of the mixture of glaze the unit formula act which materials.Temperature (1150 , 1200 , 1250 ) and featured the best one temperature (1200) was prepared glaze and subdue all components of the mixture of glaze to the unit formula Act which added materials as base Secker and reached number mixture (4) mixtures were grinding glaze process by the centrality of the mill and plate glass output on the objects of pottery and the use of gaseous furnace in the burning process and temper atures (1150, 1200, 1250) best one temperature (1250) and by an electronic device was measured and burning has reached the number of samples that the tzgegeha (90) samples and by experts in the technical field were selected (40) samples to be conducted tests on them where they were examined chromatography analysis using a device (precise color reader) and check - equipped projector using a device (digital microscope) and examine the texture by experts with competence after the appointment of a scale of three standards by the researcher is composed of (coarse, medium and fine and medium fine). And then was a calculation to measure the surface tension and density of the glaze ceramic.After that I do mathematical calculation in order to measure the surface tention, density of ceramic ash, the results to research glaze samples in which. I use 2 types & glaze : saef ash and kasab ash glaze, the study concluded that kasab ash glaze is better than saef ash glaze in oxide live process, but the reductive results concluded different results and appeased better results in nephthalin redacted and wood dust redacted in colored homogeneity in all samples which had good fusion and good aphesis properties.In the surface in either the color homogeneity in results of redacted samples (Nephthalin) wood dust ash, gas, carbonate, silica and the results were compatible with research hypothesis
الصفحات الاولى:

تقويم تدريس الطلبة المطبقين في قسم التربية الفنية اكاديمية الفنون الجميلة جامعة بغداد Evai.Vation Teaching Practice Of Students In Art Education Depar'L'Ment Acadj!My Of Fine Arts Tjniymsity. Ot Baghd.Ad

اسم المؤلف: عبد المنعم خيري حسين
الجامعة: جامعة بغداد
اسم المشرف: سعدي لفتة موسى
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 1986
مكان الجامعة: بغداد
المستخلص: Evaluation is considered as a vital factor in the·education.field.Preparation of the art teacher academically and the practical education, appliance in the high school is a funda11entai part in theoretical student preparation in four years duration.When any element of artistry educational occupational l does not exist, it may affect efficiency of (student/teache ) during practical application.us to study the practical aim~ The necessity requires from that they must exist in the behaviour of student/teacher during training perlod. The importance of research is to explode from the followingpoints : 1 I Academy of Fine Arts requires such'study, this is ascientific study in the qualified field of art educa•tion.2 It shows the internal efficiency of Art Education Department in ~he Academy of Fine Arts··, Univer
الصفحات الاولى:

البناء التشكيلي للرسوم الموجهة للاطفال The Formation Structure of The Painting For Children

اسم المؤلف: كاظم عبد الزهرة رسن
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: Developed countries got interested in comic stories after they touched the amount of their broad impact on the development of the child 's perceptions and influence on the growth of his character , and reached this limit interest forcing governments themselves to the legislation of laws that regulate and develop basic obligations and the rules of this art.It was a comic fount major supplying communities with knowledge and science and the publications that contain Comics spread widely distributed millions of copies and were conducted in the world hundreds of thousands of research studies and articles about this art , while the remaining Arab world and the Iraqi JH particular deals with this art has led to marginalize him , what was a major reason for the decline in the level of what is produced in this field of fees , in the Arab world is seen drawing for children as a limited role on decorating books and magazines is not seen critics and researchers to outcomes that will be drawing the bulk of them , but from the perspective of educational denial role art - making communities.From here came the attention of the researcher and its insistence on research in the history of this art and details and patterns , trends, and especially after it was discovered that the Arab Research and Studies in this regard are not available at all Never before an Arab researcher that the research in this field.Can be summed up what he had done researcher in this research are as follows : Researcher touched in the first quarter of the research to the research problem , and the spatial and temporal boundaries , and goals , and the definition of terms for a definition of the research linguistically ,in termly and procedurally.In the second chapter , which included theoretical framework , touched a researcher in the first section to the child's personality and how to grow , noting that growth determinants and reviewing the school when it came , in the fields of psychological and social science theories.While the second part consisted of comics history with a review of the most important patrons referring to the history of censorship art Alcolmx and laws enacted by governments because of the spread of this art is widely and people wanting it.In the third section reviewed the researcher styles and trends pursued by graphic artists are important in the world referring to a group of professional painters who left a clear imprint in the history of this art.While ensuring the fourth section a review of the history and active storyboards in Iraq , and was talking about the pioneers of this art in
الصفحات الاولى:

المنظومة الضوئية وتغير المكان في العرض المسرحي العراقي Lighting System And The Change of Place In Iraqi Theatrical Show

اسم المؤلف: علي محمود محمد السوداني
الجامعة: جامعة بغداد
اسم المشرف: قاسم مؤنس عزيز
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
الصفحات الاولى:

معطيات المعرفة العلمية للمتحول التقني في المنهج الصناعي Personal Representative And Performance Between The Epic Theater And Gala Theater Offers In Iraq

اسم المؤلف: صلاح نوري محمود الجيلاوي
اسم المشرف: قدوري عراك صكر هدى محمود عمر
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: The current study entitled (the given scientific epistemological knowledge for the technical transformation in industrial product), approached the subject of design in general, and modern industrial product design, in particular, which employed modern techniques and have new concepts and ideas, which was the main element in making significant changes in product appearances. the first chapter included the research problem which it concentrate about identifying the epistemological systems and structure and foundations, which allows us to understand the mechanism and relational components of industrial product , according to that knowledge that contribute to the activation of mental images and imaginative abilities of industrial designer, and reproduction of ideas that used in identifying the technical transformation for that product. According to that, the research problem has crystallized by these questions : 1. does the scientific knowledge has contributed in evolving the product design, and how techniques effected by the upcoming of scientific knowledge? 2. the extent to which the Awareness of industrial designer expertise cumulative knowledge gained through the stages of time?While the importance clarified through the data of scientific knowledge and the overlapping with art, since such interference can appears the values of artistic techniques of product design, so the detection of creative achievement system of scientific knowledge of pure mathematics, physics, chemistry, and technical aesthetic knowledge that appear in the design of industrial product which brings us to an account of the movement of pattern of the mental mechanism visualization and call for a stylistic vocabularyof industrial product to deal with, as it shows the followingimportant points : 1. The pattern movement of mental perception mechanism with which industrial designer generates from which new and innovative ideas based on the accumulation of knowledge, which stores them in memory and call the vocabulary of industrial product and stylistic interaction. 2. The scientific construction mechanism of knowledge and expertise to the industrial designer can be the organization that operates the juxtaposition actor and moving in the structure of the fabric with Other cognitive knowledge. The study aimed to detection and identification knowledge for scientific knowledge and its relationship to technical transformation and their implications in the design of industrial products.And the study formed of four chapters, the first chapter is the research problem and its importance and its objectives and its borders and determine the terms. the second chapter contains on previous studies and theoretical framework , which included four sections. First section dealt with the aspects of philosophical scientific knowledge , and ensure the second section shifts the intellectual , philosophical and tracks applied , and the third section , entitled the concept of technical and its applications in the design , and the fourth section has dealt with the concept and awareness of modern aesthetic and the crux of this chapter, a set of indicators has dealt with Chapter III action research and methodology, as the researcher adopted a descriptive approach in the processof describing and analyzing models of the sample , while the Chapter IV describes the models and analyzed by form axes of analysis developed by the researcher , and the results and conclusions.Chapter four includes models described and analyzed by analysis axes form developed by the researcher, and the results and conclusions. the most important results that emerged from the study are as follows : 1. Diversity in the techniques of high - quality has contrebute in the devices used to distinguish according to specialties.2. the use of new materials in not used of industrial products with a new characteristics, helped achieve the concepts of reductionism and simplicity, durability and ease of use and the possibility of high composition.3. The presence of correlation between technique based on scientific knowledge and applications that have emerged in the experimental applications of industrial product which suited with the mechanics of the user, allowing him to a great deal of activities embodied in scientific knowledge and scientific applications.4. the Change in human behavior and activity through the interaction of functionality, which has contributed to the aesthetics and functionality of the product as a result of the employment of scientific knowledge and its implications, which appeared during the experimental applications. The most important conclusions that emerged from thestudy were : 1. The technologies evolve continuously invested scientific discoveries, and there is no doubt it is one of the effective means to overcome the problems facing the process of development in the industrial products , and this continuity in progress constitutes an important factor in the accumulation of knowledge, which in turn lead to progress and impressive innovation overall of human activities in those products. The technical evolution is an interconnected and connected to start one of them up where the other and in spite of the diversity of techniques between the equipment and the materials and information , but it all involved in creating the products of design will transfer industrial products from traditional character to the modern technical nature, which it need to integrate them , to systems more sophisticated , namely, ( Smart systems )2. The adoption of advanced scientific knowledge has been led to intellectual shifts in the designs of industrial products in terms of function and aesthetics, which gave the impression that intellectually to the role of knowledge in the development of the social life of the user.3. the scientific knowledge Contributed to improved in making changes to the concepts held by the industrial designer See Through accreditation and keep up with new technologies, and this will be achieved throgh the product which it has cognition communication between that and the user, and this is reflected in the designs of industrial product to suit the needs and functional requirements and aesthetic that fit with the taste of the user.4. That most of the techniques employed in contemporary designs of industrial products and its evolution, which is characterized by a technical Nanotechnology and technical tactile and digital technology and radiation, artificial intelligence and pooling of modern materials, which contributed to a change in systems of formal and functional designs in industrial products
الصفحات الاولى:

البنية التشكيلية لشكل الثور في النحت العراقي المعاصر Plastic Structure of Ox Shape At The Contemporary Iraqi Sculpture

اسم المؤلف: منى يونس عبد الجبار يونس عبد الجبار الجنابي
اسم المشرف: محمود عجمي جاسم الكلابي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: This study deals with study of ( Plastic structure of OX shape at the Contemporary Iraqi scdlpture ) , it comprises Four Chapters , First Chapter to demonstrate the Study Problem , its significant , its necessary , its target , and determine most important idiomsmentioned at the study.the study Problem inciudes raise limited questions about these study , and answering to that questions through debate main subject that connect to effect of human being at ancient period which is appearin the modern Art action as atopic subject submitted ti study through embodiment in modern Iraqi sculpture actions , and it should be adopted for intellectual and artistic composition to identify its essential.second chapter ( theoretical framework )comprises three topics , first topic deals with the concept of structure , second chapter concern with Iraqi environment effect on composition of OX s shape by course of time on distant ages , third chapter concernsstructure of OXs shape at modern art. chapter three includes study approach , in which researcher review Research population and its sample selection in addition to research tool and its approach. chapter four Ends with research results , conclusions , recommendations , andsuggestions , some of the results that study reach are : - 1 - Add aesthetic value for art action that embodied of OXs shape which has the content that interject subjective and objective of expression through forming of shape till it reach to a limited manner which hold that value , in addition to the intellectual value.2 - It is possible to set a value evaluation that on the vision simples of the OXs shape that has a determinants that embody by external form which determine the simple value that the action refer to it in this manner or embodiment.3 - the vision formulation of OXs shape in some samples has a decorative composition dominated by the nature of old Iraqi traditions that has its own reflect influence on such a simple of contemporary Iraqi sculpture.4 - Some of the OXs shape has a subjectivity plastic composition that alters the shape construction an aesthetic value more than objective one.
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الصورة الطقسية في المسرح العراقي المعاصر : عادل كريم انموذجا Ritualistic Image In The Contemporary Iraqi Theater. (Adel Kareem As A Sample

اسم المؤلف: سعدية نوري محمد
الجامعة: جامعة بغداد
اسم المشرف: سعد عبد الكريم خيون
الموضوع العام: الفنون الجميلة
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
الصفحات الاولى:

الزخارف الاجرية في القصر العباسي وامكانية توظيفها في اعمال الطلبة : النحت على الحجر انموذجا The Stony Ornaments In Al - Abbasi Mansion And The Way of Using It In Student'S Workers Sample : Sculpture On Stone

اسم المؤلف: منذر عبد المنعم محمد الطائي
الجامعة: جامعة بغداد
اسم المشرف: هاني محي الدين محمد النعيمي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: The first chapter deals with studying the problem, the aims, the search limits and idioms and the production of the problem as follows : In general, the Islamic Art is special in its ornamental aspect. In this way the ornaments in all its kinds (Engendering, Vegetarian, Script and animal) becomes main part used a lot in most Artistic products in Moslems especially when in began to appear in Islamic building such as mansions, mosques, schools, all worship houses and holy places during the life of the Islamic city.The ornament with all its forms and shapes is one of the human aspects in Islamic Arab Art. Whether, it is important formed in ornamental lines or various ornamental shapes.One of the historical building that has still been in the city of Baghdad is "Al - Abbasi Mansion on the bank of Tigris which expresses the fabulous building in achievements and the high use of the stone ornament that decorated the walls from the outside and inside.To keep attractive value and the whole heritage of this mansion which expresses that technique and the way of pressing on stone by the ancient Iraqi sculpture all over the famous civilization of pesopetiemia that is used nowadays as a basic way of building the new ornament.And through the researcher's study in Sculpture's hall in the department and meeting a number of students and noticing their works, he finds that the students have no intellectual and practical skills about sculpture on stones because they don’t have enough knowledge about the way of direct achievement, they don’t know how to practice this kind of technique before.So the researcher wants to use the ornamental units in the students products in Collage of Art / Sculpture department in order to investigate about the answer of the following question of this study which is : Is it possible to use the ornaments from AL - Abbasi Mansion in sculpture works for Fine Art students / Plastic department/ sculpture part.The importance of answering the question in brief is that : - 1 - It is useful to the specialist sculpture in designing field , Arabic script , ornamental.2 - Supporting the calculums about designing the ornamental forms and the way of achieving them by using hellan stone or, gypsum marble in decorating the walls of buildings.The aim of this research is to be able to know the ornamental units of A L - Abbasi mansion and the ability to use it in the products of students in fine art college / plastic Department / sculpture part through : A - Making a training program to make students of Fine Art / sculpture part to know designing skills and achieving the ornamental units on stones.The researcher puts two supposals as follows : - 1 - There is no difference that has mathematical way on 0.05 between the students medium marks ( experimental group) who have been trained on sculpture on stone and practicing it through the works of third year students sculpture part according to program about their answers for items of intellectual total test before and after.2 - There is no difference that has mathematical way on the level of 0.05 between the students medium marks (experimental group) who have been trained on sculpture on Ahillan stone and practicing it through the work of third year students / Sculpture part according to the program about their answers for the items of practical total before and after and limits the research in : - The ornamental units that has been in AL - Abbasi mansion in Baghdad, the students of third year plastic sculpture part / Fine Art College / University of Mosul 2013/2014.The second chapter includes the visual aspects and the previous studies and the sources that are put in writing to get benefit from and the study of the researcher.To some points to make use of whenever he needs that through his paper some parts are united to be easy to study such as : a brief look on the history of AL - Abbasi mansion ornament , stony ornaments in AL - Abbasi : mansion.A historical summary about the appearance of Islamic Arab ornaments , the philosophy building the ornamental design. In structional design. The third chapter involves the research equivalents and the experimental.It limits the study experimentally and making a training program according to the scientific calculums for the scientific research. In this way the limits the community of the research and the experiment. It deals with community which the experimental about ten(girls and boys students) in the third year /sculpture / department / University of Mosul.The tools of the research include two tests the intellectual and the skillful before and after. The researcher used the scientific steps in finding the honest use of tools.Farther more , the research designs a form to evaluate the skillful performance , lastly , the researcher puts keys for answering , then he gets a help from two scoring who are specialist in the field of sculpture.The fourth chapter includes the most important results , it is obvious that there is a good achievement in the intellectual and skillful comprehension through the success in the studentsknowledgeable and skillful performance after training the students to practice sculpture on stone , they do very well. This shows the activate way in using this suggested program for this study.The researcher concludes that there is weakness in the knowledgeable part of the level of the 3rd year students/Fine Arts - College - University of Mosel.Probably the reason is that the academic calculums lack the students specialty because their training on clay materials only makes them lose the achieving skill of sculpture on stone in all its different kinds such as : stone marble and etc..1 - the lack of using work techniques (Sculpture tools) because of the lack getting the exact skill to Plastic Art students that leads to weakness in the students learning.2 - The lack of training students on sculpture to use different thing such as : stone, gypsum, marble and etc. makes them lose their skillful experiences.3 - Most of the teachers are old artists lack the practical experience for the new methods of teaching and technique of using the machines and the lack of using visual aids in front of the students.The researcher advised through his conclusions the followings : - 1 - Increasing the practical and the special part of both teacher and the students , through the continuous evaluation of the calculums and modernize them continuously.2 - Using this programed in this study to teach sculpture on stone for sculpture part and all other departments.3 - Opening complete modal workshop containing different materials and the useful tools in sculpture on stone, marble gypsum , wood ,etc……The research ends with some suggestions , then the scientific resources that can be used by the researcher
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تاثير الاختزال على زجاج الخزف المؤكسد العالي الحرارة (Stoneware) : دراسة تجريبية مقارنة The Effect of Reduction On The Oxidized High Temperature Pottery Glaze (Stoneware) : Comparative Experimental Study

اسم المؤلف: زيد لقمان محمد علي الهلالي
اسم المشرف: احمد هاشم عبد الكريم الهنداوي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: تناول البحث تاثير الاختزال على الزجاج المؤكسد العالي الحرارة, اذ ان مشكلة البحث, معرفة التاثير على النتائج اللونية ونسيج السطح بالياته المختلفة بالمقارنة مع نتائجه بالحرق في الجو المؤكسد, وقد هدف البحث وضع قاعدة بيانات لتلك النتائج باختلاف الاجواء.تناول | This research dealt with the effect of reduction on the high temperature glaze, as the problem of the research is to know the effect on the color obtained and the effect on the surface texture in comparison with the results obtained in oxidized environment. The goal of the research was to establish a database for those results obtained in different environment.The second chapter dealt with the historical roots for the reduction technique used in the old civilization where different methods and techniques used.The research also studied the types of kilns and the methods used in both reduction and oxidization using fuel burn kilns. The research studied the most effective oxides used in reduction kiln especially Iron and Copper oxides in different ratios as well as different burning program.Three different glazing mixes was prepared, added to each one of them seven different quantities of the following : Three different glass mix been chosen after several experiments, then different percentage of oxide added was determined, red Iron oxide (Fe2O3) in percentages, 0.5, 1, 2, 4, 8, 16, and 32, Copper Carbonate (CuCO3) in percentages of 0.25, 0.5, 1, 2, 4, 8, and 16, the third mix was exactly the same second mix added to it 2 percent of Tin oxide (SnO2).A serious of firing program made in a Gas fired kiln with a firm downdraft controlled for both reduction and oxidation firing. Mean time all experiments done according to specific program through controlling the rate of temperature rise and timing the firing environment, the glass maturity temperature was set to be 1250 C°.Chemical and physical tests applied on the result of above which unveil a wide variation depending on the firing environments and the type of mix, all results shown in a comparison tables.Glaze mix was calculated according to glaze master program which shows the relation between the three oxide mix used (RO, R2O - R2O3 - RO2) accordingly the temperature and the property of glaze surface determined using Seger’s rule and Matrix dimensions system.Results were evaluated according to approved standards and scientific resources, as well as on the theoretical knowledge and previous studies.results were studied to find out the reason behind the color changes and the changes in surface texture in different firing environments.Most important conclusions are : • Reduction achieved good results for the high temperature glaze through increasing the activation of the material.• Celadon and Copper red colors obtained by adding low percent of coloring materials.• The desired copper red color was obtained by adding Stannic oxide (SnO2) which is quadratic ion (Sn+4 ) in oxidized environment to transform it to Stannous oxide (SnO) which is divalent ( Sn+2 ), in turn it will deoxidized during cool down process.• There was more shining and more even surfaces obtained in reduction process due to weakness in its structure for losing its binding Oxygen. The researcher recommended and suggested the following; • Studying the effect of reduction of high temperature glaze on porcelain clay.• Studying the variety results achieved by adding Copper and Iron oxides on high temperature glaze.• Studying the production of crystalline high temperature glaze in reduction environment.
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مظاهر العنف في الرسم العراقي المعاصر Phenomenology of Violence In Contemporary Art

اسم المؤلف: زهراء اياد محمد صادق
اسم المشرف: سلام جبار جياد السوداني
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: The phenomenology of violence has formed a notable mark in the modern Iraqi plastic art specially in the stage ( 1980_2012) , the political events and the social changes has Contributed to the production of a lot of art works which are depends expression and symbolic at work to Represent the surrounding environment by performances and the mental purport which that products marked by, the research had four chapters, the first chapter contented the Problematic of the research which had the most important question : did the presenting of violence in Iraqi art marked as a phenomenon? And the The importance of research was detection the mental significance of the Iraqi works in the time (1980_2012), and the research goals was discovering the violence in the contemporary Iraqi pains about terms of form , content and performance, and that had to recognition of some of the terminology that the title of this research contains , in chapter two represents the a complete study of the subject of the research which it was divided through three sections the first one had a full definition for the concept violence and it up growth and developed in humanity, and the second section contend representations of violence in paint starting from the cave paintings and in the appearance in the ancient civilizations down the contemporary art, third section had the representations of violence in Iraqi art through Recognition the general scene of the realty of Iraqi plastic art as a historical preamble to study the art experience that belong to the research subject, and recognition of ingredient that effects in drafting art works that belongs to paint and the changes that happened on it include the research lines, the theoretical chapter marked signal points : 1 - the phenomenology of violence ranged and developed with the humanity development till these days.2 - Violence is a social phenomenon and in the same tine it’s a culture land mark Spreads with a several ways media and modern technology, and violence appears as a result of ingredients cant be limited by one or tow ingredients, and through the Interaction between these ingredients, the violence actions motivated by dissimilar force from society to other and from person to other.3 - the phenomenology of violence linked with collectivism and individual memory so it Is expressed by image, marks and symbols which has icon power Not otherwise historical or critical on it as well as link blood with violence or viewer of broken and destroying with violence.4 - the Scientists and the Philosophers had differed about expressing the violence some of them think that the actually Components is a contrast Conflict and the conflict between the peace and violence are the natural, social, Psychological incentive, and the other think the deep reason of violence is inherent in the psychological Structure.The third chapter (research procedures) limited the research community and counted distributor on the period of time that represents the limits of research and summarized by drawing the sample was selected in meant which includes (12) samples analyzed in accordance with the descriptive analytical approach.researcher reviewed in Chapter Four findings are : 1 - personify the scenes which had deepness and mental content that carried in side look down on the violence behaviors and the penetration which are done by the extremes and that was showed in the sample (8) in the Mosque.2 - sadness, pain and fear were Overshadowed on Person's Features which was notable in the subjects that the samples (12),(8)and(2) review.3 - artest used Loans forms represents phenomenology of violence by performance methods that appears the artist's skill in direct and treatment of subjects and that was broadcasted through marks , Significance and holes that the bullets left and the turns, blood remnant that violence act caused it and that was clear in samples (12),(11) and(7)4 - Artists referred the forms elements in to violence phenomenology which was notable by crafts performance that changes in to an Article aesthetic , so the violence was one of the aesthetic materials and that was showed in the samples (6),(1) and(5).Results have been identified, including the following : 1 - the inspiration of violence has developed as a authority phenomenon for Iraqi paint with development of this phenomenon.2 - the violence has a clear share in the Iraqi contemporary paint which formed as a result of excretions living realty which was full with many difficulties , cresses , wars terrorism and blockade through its different periods.3 - Iraqi paint benefit from modern technical treatment to produce visual product and present fine art phenomenon the artist employed to support his paint surface.4 - iraqi contemporary paints hard and difficult throe made it have its own tragedy mark which represent violence as a special sign in the national plastic art.Later the identified and proposals been recommendations.
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المعالجات الاخراجية للمتغير الاجتماعي في الدراما التلفزيونية العراقية ما بعد عام 2003 Treatment Directorial of Social Variable In The Iraqi TV Drama After 2003

اسم المؤلف: رعد نعمة عزيز
الجامعة: جامعة بغداد
اسم المشرف: متي عبو بولص
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: لقد استحوذت الدراما التلفزيونية على ذهن المتلقي بصورة كبيرة لما لها من تاثير على افراد المجتمع وكونها تمثل جزءا من واقع المجتمع وبالاخص الدراما التلفزيونية الاجتماعية التي تعرض بعض القضايا الاجتماعية والافكار والاتجاهات التي يتميز بها كل مجتمع.وهنا ي | We have acquired a TV drama on the mind of the receiver dramatically because of the impact of Li members of the community and because it is part of the reality of society and especially social TV drama that displays some of the social issues, ideas and trends that characterize each community. And here comes the role of the Iraqi television drama in the process of changing society through the values and the topics raised in this drama, and change here includes several aspects, it is not social change but a cultural change, intellectual, and economic and political. Que To The importance of the subject of the changing social TV drama Iraq after 2003 comes this research work scientific modest seeks researcher from which to processors directorial which is based upon the drama television through treatment literary text (scenario) and the development of solutions directorial the scenes video in order to configure a new reality. And has divided researcher of this research into four chapters have contained the first chapter methodological framework on the research problem formulated in the form of the question follows : What are the treatments directorial the variable social TV drama Iraq beyond 2003 and importance and goals aimed at detecting the changing social and make way in the style of put and processed Akharajia in Iraqi TV drama, and the limits of the search, which included the period of 2003 - 2012 to the Iraqi drama and determine the terms, and has the second chapter contains a theoretical framework and included three major Detectives are : 1 - notion of directorial processors.2 - social variables of the Iraqi society after 2003.3 - Iraqi TV drama after 2003.Researcher and I came out of the theoretical framework of indicators that have adopted it as a tool for the analysis of the sample, either studies Bah has not been mentioned three studies approached next to or part of our current and other aspects were divided.Chapter III research and action may be contained on the research methodology chosen researcher Qaida for suitability nature of the research is descriptive method, which involves the analysis, and ratified the tool.The fourth chapter analysis of selected samples - the results and the conclusions of the researcher to several findings and conclusions, including : 1 - was able to Iraqi TV drama after the social variable that reflect the new values (kidnapping, murder, bribery, corruption and displacement).2 - The TV drama after the variable Iraqi social addressed to recipients and calls in their orientation to be a carrier of the correct values, positive and aimed at education, education, cooperation and social solidarity.The conclusions1 - requires the drama director and writer extraordinary efforts in the selection of the changing social issues and his handling of the television drama through investigation and research, and examination of the topics covered in order to highlight the social variables.2 - Construction work requires the use of television drama moot all the elements and sound that make up the technical construction of the work of television drama.This chapter also included also recommendations, which deemed necessary by the researcher and researcher concluded the list of sources and references, and some supplements and 987, as well as abstract in English.
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الاصول الرمزية في رسوم پول كوكان Symbolic Orgins In Art Works of Paul Gauguin

اسم المؤلف: حيدر صاحب جبار
اسم المشرف: كاظم نوير كاظم الزبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بابل
المستخلص: تناول البحث : (الاصول الرمزية في رسوم پول كوكان) اربعة فصول، عرض في الفصل الاول الاطار المنهجي، من حيث مشكلة البحث التي حددت بالسؤال الاتي : (ما الاصول الرمزية في رسوم پول كوكان ؟)، مع بيان هدف البحث الذي كان (كشف الاصول الرمزية في رسوم پول كوكان) واهمي | This research : (Avatar Symbolic in Art work’s of Paul Gauguin) Vahtoy Find the four seasons meant the first chapter the methodological framework for the search evolved to includeboth research problem identified by asking the following : ( what assets Symbolic in Art work’s of Paul Gauguin ?) , As well as chapter contains the goal of research who was detected assets Disclosure of assets symbolic in Art work’s of Paul Gauguin) ) This research as well as chapter containsAnd identifies current research study ( Avatar Symbolic in Art work’s of Paul Gauguin) oily implemented in the years from 1881 to (1903 ), produced in France , and the islands of Tahiti.The second quarter included four topics in turn divided into several axes. Guarantees thefirst section (the icon in the human thought ) while taking second topic ( symbolism in thearts ) The third topic was interested in studying ( assets symbolism in modern painting ) withincludedSection four ( the life of Paul Gauguin ) The fifth topic handled (attributes of cash ,and the aesthetic in fees Gauguin ) , has concluded the second quarter review of thetheoretical framework of indicators to take advantage of them in the construction of the search tool and analyze appointed.The chapter contains a third search procedures , which included the research community and which consisted of ( 180 ), a work of art ( for (Paul Gauguin ) oil on Alcanvas , and sample amount (20 ), a work of art then search tool that has been built on the light of the indicators of the theoretical framework , where included tool axes assets Avatar which assets : (Mesopotamian , Pharaonic , Greek, Chinese , Japanese, Tahitian , religious , Jewish , classical , romantic ) , has been placed on the horizontal axis in the form of analysis , and then placed shapes Avatar Other, and configuration items , and after that offered the tool on a number of experts and specialists in the field of art education , and fine arts , to express their views in their validity , it has been modified form is deleted , and added some paragraphs of them and having gained the tool honesty ; became ready for application , the researcher : (conducted a stability of the tool through) (agreement between analysts external) Pthalilhma individually the content itself , on the basis of his followers the same steps , and analysis rules , and ( the agreement over time ) : Ptousel researcher to the same results after the decomposition of thesame content again after a certain period of time , and to follow the same rules and procedures in doing and the analysis.After the application of statistical methods by which included both (equation Cooper) to calculate the sincerity of the tool, and the percentage of agreement among the experts (83%) to acquire sincerity content after it gained honesty virtual, and equation (Scott) to calculate the stability of the tool, since the rate of stability in which the proportion(82.5%).The fourth chapter, has included the search results, and conclusions, and contained the search results, and conclusions as well as recommendations and suggestions, the researcher has reached to remember the basic results, including : 1. Formed religious symbols and their meanings obsession deep into the artist orientations of Sufism , and the Catholic associated with church , likening constant in Jesus Christ as , and pain and suffering , which made the orientations religious ecclesiastical , Christianity , Buddhism , and other religions constitute reference inherent in his paintings.2. Use ( Paul Gauguin ) Jewish symbols , and so out of Jewish influence on Europe in general and France in all special.3. Borrowed artist ( Paul Gauguin ) Some symbols mechanisms narrative Novelist , and the stories the old classic with inherited European necessitating thus symbols through flashbacks classic based on the laws stringent technical , but he borrowed , and added them a lot of symbolic nature , and expressive in order to give her a symbolic dimension somewhat different what brought him classical movement.The main findings were : 1. That influenced the artist ( Paul Gauguin ) arts ancient and primitive as it is found in European civilization which the grapes source of threat , and the destruction of self and fled , including searching for primitive life in places not reached European civilization , and to escape from the community who felt secession , and alienation with him because the community did not appreciate his talent.2. Arad, artist ( Paul Gauguin ) in his drawings Liberation Art of limitations generally accepted that left schools that preceded it , and the schools that the grapes try to find new ways , and symbols alternative inspired by the ancient civilizations of the flows into their art , and to convey movement Avatar horizons another that would make him , and his art immortality.As well as research has included : proven sources , and supplements , and a summary of research in English.
الصفحات الاولى:

خصائص السينوغرافيا في عروض المسرح الاحتفالي العربي Characterastics In Cenographic Peresentation of Festival Arabian Theater

اسم المؤلف: باسم محمد احمد حسن الجبوري
الجامعة: جامعة بغداد
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: بعد انقطاع وغفلة يعود من جديد البحث في ما هيات المسرح الاحتفالي العربي وعناصره السينوغرافية التي يتشكل منها، بوصفها فنا يعكس انماطا شديدة الخصوصية، وعلى تماس مباشر باحاسيس ومشاعر المتفرجين، مع محاولات اللحاق بركب العصر الحديث والاستفادة القصوى من كل ما | After the interruption and inattention back from New research into what Hiatt theater festive and elements Alcinograveh that make up as an art reflects the patterns very special , and in direct contact feelings and the feelings of the spectators , with attempts to catch up with modern times and make the most of everything that will lift the format presentation for display theatrical techniques and technology , ranging from architectural buildings play to their equipment , technical and professional to the possibilities available in the project sound and follow the movement of Representative above the stage and keep up with the spirit of the times to create a scene of theatrical and methods of implementation and formulation of places of different widths and advanced capabilities of the types of theatrical lighting and the use of historical costumes and contemporary and develop plans integrated to form a celebratory spectacle in the form of the final presentation.In this study addresses the researcher in the first quarter represented the methodological framework of the research problem and the need for him by asking about the properties of Alcinogravea in theater ceremonial and its ability to influence the final wording of the composition of the image visual display and audio , as well as the importance of research in the theme of scenography and its relationship with the theater festive addition to research objectives and limits of temporal and spatial and objectivity, in an attempt to extrapolate the reality of the Arab theater and the vital festive spirit of the times in providing theatrical performances and then determine the terms contained in the title as well as operational definitions for the researcher.In the second chapter of this study , a theoretical framework which is divided into three sections , the first section for the celebration in the Arab and global concept and who are advocates of ceremonial and who are the pioneers and founders. The second section focuses on the tributaries and the main pillars of the festive scene. The third section included Achtgalat Alcinogravea elements in the festive display.And Of space theater and its many forms and theorist playwright ( decoration) and the aesthetics of lighting, costumes , makeup and accessories play various music and sound effects and actor , as active agents in the composition and formation of the system visual and auditory display of theatrical festive , and then dealt with previous studies and the resulting theoretical framework of indicators to contribute to the formulation search results.The third chapter objective measures search by selecting the research community and the samples and the method selected in addition to the research methodology , tools and methods and then analyzing samples for five presentations of the Arab theater festive chosen by Qsidia to get to the search results and discussed in the fourth quarter to reach final conclusions of the research and recommendations and proposals Hutea this study, sources and references that have been approved in addition to the research summary in English.The researcher reached several conclusions , including : 1 - data Alcinogravea and employment within the space of the play one of the methods adopted to create a pluralistic vision directorial heritage dramatic text to read more from Arab filmmaker 2 - rely festive theatrical presentation on the potential of the image of plastic and visual effects and audio generated by Alcinogravea in an attempt to give the ceremonial spectacle , and in a harmonious unit within the theater space 3 - reinforced Alcinogravea attract spectator to the theater after the festive mobilized all available means and that was difficult to achieve in the past aesthetically in theater 4 - become the dominant elements Alcinogravea authority in theater ceremonial speech to achieve intellectual and emotional values desired by the theater in various experiments to highlight the diverse aesthetics at all levels dramas
الصفحات الاولى:

توظيف الاشكال الفنية الشعبية للتمائم والاحجبة في الفن التشكيلي العراقي المعاصر Employment of Public Artistic Forms For Amulets And Puzzles In The Iraqi Contemporary Plastic Art

اسم المؤلف: نادية عباس عبد الله نجم الخفاجي
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بابل
المستخلص: The current research (EMPLOYMENT of PUBLIC ARTISTIC FORMS FOR AMULETS AND PUZZLES IN THE IRAQI CONTEMPORARY PLASTIC ART) aimed to knowing the methods of how to employ the popular artistic shapes of amulets and puzzles in the contemporary Iraqi plastic art , the research includes four chapters, first chapter dealt with showing the problem of the research represented by the question : Do amulets and puzzles pose a cognitive, cultural and religious space in the consensus memory for communities and Iraqi community specifically is one of them andto what extent do the popular artistic shapes represent an aesthetic phenomena has its presence and effect as it needed to be employed in the contemporary plastic arts?In addition to that included also importance and need of the research, the goal of the research was represented by knowing the methods of employing popular artistic shapes for amulets and puzzles in the Iraqi contemporary plastic art. The limits of the research were about studying the works of Iraqi plastic art such as painting , sculpture andceramic in the period ( 1952 - 2010) , then the researcher defined the most important term came into this research.Second chapter concerned about theoretical frame and previous studies, theoretical frame included two sections, the first one is about : investigating historical, cognitive and aesthetic dimensions of amulets and puzzles , while the second section was about : Quotes of employing the folk heritage in the Iraqi contemporary plastic art, then ended the theoretical frame with a punch of indications by showing previous studies and discuss them.Third chapter pertains with procedures of the research included the following : Population of the research included (82) plastic art works (painting, sculpture and ceramics) within the limits of the research, it is been choosing (18) patterns and analyzing them in the shed of imitation of tool pivots.Research's tool : Through the theoretical frame and its indications, the researcher created a content analyzing form to analyze the artistic works through sample of the current research, in the shed of stipulations of pivots of research tool, this form was showed to some experts, the she modified the form after entitling the external truth according to Coper equation, then she created the consistency of the tool using Scott equation.Fourth chapter : included the results, conclusions, recommendations and suggestions, the researcher had come up with some results, most important ones are : - 1 - The public artistic aspects for amulets and puzzle featured with general characteristics of the public heritage like spontaneity, flattening, abstraction, reduction simplicity and differentiation that makes them more closer to modernity and contemporary arts, push the contemporary plastic art Iraqi artist to employ them in his artistic deeds with the features and characteristics and facilitate the employment tools like what we see in the most of the samples of the research's population.2 - The public artistic aspects for amulets and puzzle take constructional employing tools of a formative direction via volunteering in the contemporary Iraqi plastic works in the arts of painting, sculpture, ceramic through its adjacent , abstraction , logic of achieving artistic and organic in the artistic deed and its matching with treatment and techniques that featured with contemporary in the deed like what appears clear in most of techniques of employing these aspects in samples of the research population.3 - The employment's techniques of the artistic public aspects of amulets and puzzle matched with the artistic contemporary Iraqi deed as it described vital expression about the Iraqi environment within color and line units and animal geometric aspects as describing these aspect as products produced from the Iraqi environment itself with its all modifications and variety.. and showed up in most of the samples of research.4 - The employment's techniques of the artistic public aspects of amulets and puzzle are characterized with its designative compositions , unity and adherence of its artistic construction from the shape side, its abstract conductivity and elaboration ability that is able to express.Then the researcher submitted some conclusions as the following : 1 - The public artistic forms of amulets and puzzle are considered as designative constructions able to modify m formation, analyzing, construction, creation, reduction and interaction with other modern conceptive frames and employ them in the contemporary plastic deed.2 - The arts of cultural and public ancient Iraqi heritage (included arts of amulets and puzzle) , their shapes, units and symbols have featured with rude non - reality depictive and then its enrichment that require from the viewer to have the skills of interpretation and explanation.3 - The plastic contemporary attempts that inspire symbols, aspects of cultural and public heritage included amulets and puzzle may lead to let the public identity to international project.4 - What inspires the artistic public for amulets and puzzle that they are considered as results collect between what is subjective and objective, the first one appears clearly through tweaks, treatments and attempts of the artist to show the objective of additive public references for amulets and puzzle.The research was finalized with a list for sources, references, appendixes and an English abstract.
الصفحات الاولى:

الخصائص اللحنية والايقاعية للاغنية الشعبية في مسرح الطفل The Melodic And Rhythmic Characteristics of The Follk Song In The Childrens Theater

اسم المؤلف: محمد كاظم محمد
اسم المشرف: ناصر هاشم
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: I've been using music and other images humanitarian or literary forms of the rumor respect and reverence and enhance human existence sensations representative and spirituality. That music is an icon of existential its importance in the entire universe of music that was used in many aspects of life , including work or worship or to deliver live images expressive. Therefore, the music used in the whole theater , including children's theater to reach the scenes of the whole picture With this in mind the researcher took it upon himself to description and analysis of popular songs in the Children's Theatre has come from search Mtkona five seasons with a list of sources and supplements 0 The first chapter discusses the methodological framework of the research , presented the research problem , which shed light on the folk songs in the Children's Theatre , which is associated with the contents and her music lives of the community in the city of Basra, and they were inspired by the heritage of song and music in Basra , and therefore there is a need to conduct a study on the characteristics of melodic and rhythmic songs People at the scene of the child in Basra 0 Then Pena important research topic , the aim of the research exposesproperties melodic and rhythmic construction of the songs in the popular children's theater in Basra 0 The second chapter guarantees the theoretical framework and previous studies , and be one of the three sections , came in First research study characteristics melodic folk song , and in the second part, we dealt with characteristics of rhythmic folk song , while the third section has included the study of the functioning of the song popular in children's theater and how it was utilized and what song popular and composition , but on previous studies did not find any scientific study and academic folk songs dealt with in the Children's Theatre , which is the focus of our search. The chapter contains the third research procedures , as we have identified the research community and then selected a sample search where taking Researcher All specimens were analyzed , and then we talked about research tools , explaining the standard analytical 've prepared in order to achieve the goal of the search, depending on what the Word of standards in research and theses the former , then we dealt with the research methodology and research requirements and criterion validity and reliability. The fourth chapter has included analysis of music for all the samplesthat belong to the popular song, and only subject to analysis musician 0 In the fifth chapter we went out the results of a group of investigators that the goal of the research, and then we came to the conclusions , and then we put some of the recommendations and proposals , and was followed by a list of sources and supplements and summary Search in English.
الصفحات الاولى:

الاستيفاء الوظيفي في بنية الفضاءات الداخلية للمراكز الصحية The Functional Interpolation In The Structure of The Internal Spaces of The Health Centers

اسم المؤلف: وسام صالح حمد الموسوي
اسم المشرف: فاتن عباس لفتة الاسدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: For as long as the job is the purpose of the foundation design and due to the nature of the functional characteristic of the structure of the internal spaces of the health centers, has been put forward the following question : How can the structure of the internal spaces of the health centers that meet the functional nature? , And that was the question, but out of weakness career structure which witnessed those spaces, and through that constitute the objective of the research study the problem under the title (interpolation career in the structure of the internal spaces of the health centers).Hence research aims to develop a knowledge based cares to reveal the variables that affect the functional components of the structure of the internal spaces of the health centers, which is where we hope to achieve the following goals : 1. detect functional nature of the internal spaces of the health centers and the development of design considerations to meet the career structure.2. to develop a proposal for a design interior spaces to health centers where interpolation is embodied in the career structure.The importance of research by approaching the subject is interested in preserving the structure of the interior spaces to meet the functional aspects.The theoretical framework to ensure the two sections, the first dealing with it the concept of function and kinds and considerations and variables in the internal spaces, in addition to addressing the concept of functional interpolation and classifications.The second section has been dealt with the elements of the interior spaces to health centers, and the characteristics of its structure, in addition to a comprehensive study of the functional systems affecting the internal spaces are met.As has resulted thereafter theoretical framework for a set of indicators which have been used to build a form for analysis comprised two main pillars : 1. characteristics of the internal space and functional systems.1. 2.functional relationships in the structure of the internal spaces.In doing so it has adopted a descriptive approach in the process of analyzing the three models were chosen is my intention from the research community.It resulted in the analysis process on a number of conclusions, including : 1. represents a form of interior spaces, one of the main factors and actors in the formation of an internal structure to meet the functional aspect to be responsive to the activities and requirements of different users.2. thought the design objective in the design of interior spaces actually translates design meets function through the formation of a structure according to user requirements and technical and technological evolution.3. structure formed interior spaces of the elements of design are the design and production fulfills its function within the pattern of relations in the structural functional unit of interconnected parts to achieve the design goal.
الصفحات الاولى:

تداخل الواقع والخيال في تشكيل الرؤية الدرامية للنص المسرحي العراقي المعاصر Overlapping of Reality And Fantasy In The Formation of The Dramatic Vision of The Text of The Iraqi Modern Theater

اسم المؤلف: كفاح حسن محمد الشمري
الجامعة: جامعة بغداد
اسم المشرف: رياض موسى سكران
الموضوع العام: الفنون الجميلة
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: تعد النصوص المسرحية الصور المعرفية والفكرية والفلسفية في المجتمع الانساني وخاصة وان كتابها شملوا ما هو ذاتي وموضوعي في حياة الانسان وتجاربه المتوالدة. فلرايب ان نجد تداخل الواقع والخيال في تشكيل رؤية دراميه جديده للنص المسرحي الصورة الكاملة للتعدد والت | Theatrical texts are images of cognitive, intellectual and philosophical in human society and especially since her book comprised the self and what is the objective in human life and experiences proliferating. There is no doubt that we find the reality and fiction overlapping of in shaping the vision of a dramatic new text theatrical complete picture of the multiplicity and uniqueness it reveals the desire of our writers in innovation and experimentation, through the search for methods and modern techniques in playwriting So About Me research studying the play in terms of Overlapping of reality and fantasy, with texts the research includes four chapters on the first chapter discusses the research methodology, starting from the research problem identified in the following questions : - What reality and fantasy? And their importance in the Iraqi theater text? Does imagination play an important role in the drafting of the Iraqi modern theatrical text? The importance of research in art as a means to achieve the objective goals and other aesthetic and psychological vary depending on the objectives of the literary trends in artistic expression. And clear objectives of the research to identify the way graphical mature way of upgrading the reader's mind as well (detection aesthetic features of the equation of reality and fantasy interact and ranges employed in the formation of seeing playwright in the contemporary theatrical text Iraqi chapter included on the borders of research identified chronologically texts theater consisting of a period of 1990 - 2013) and spatially in the play texts composed and stomach in Iraq came the search terms used by the researcher identified in the theoretical framework and analysis of samples terminology. The second chapter, it is the theoretical framework and previous studies, which included a Ila?h Investigation, : About Me first identifying the concept of philosophical and psychological reality and fantasy, where branching into two parts, the first concept of reality and the second concept of the imagination, and the second section under the modes of reality and fiction Overlapping of in the theatrical text and section title third aesthetics of reality and fantasy in a theatrical text Overlapping of, and cared chapter created by including the theoretical framework of indicators. The third chapter : - it has the procedural framework, which included the research community, as it included the plays that bear overlapping of fact and fiction.In the theatrical text and identified (100) theatrical text within the temporal and spatial.Chapter also included a sample consisting of three texts play a play (time) to Yusuf al - Ani, and play Sidra to Khaz'al Majidi and memory cage to Ali Terminal selected deliberate manner consistent with the research community and the reasons Sogtha researcher to achieve the objectives of the research were research what emerged from the indicators in the theoretical framework tool and then the samples for specific data analysis, as was the research methodology (analytical).The Chapter Four was a presentation of the most important findings of the researcher through the disclosure of intellectual, philosophical, and technical infrastructure to Overlapping of reality and fiction in modern theatrical text Iraq, as conclusions emerged based on what emerged from the results have been concluded with a list of sources and references, which contributed to the incorporation theoretical research and subsequent analysis of the samples research.
الصفحات الاولى:

تقنيات اداء الممثل المسرحي في عروض الفضاء المفتوح

اسم المؤلف: اكرم عبد الكريم عبد المجيد سلمان
الجامعة: جامعة بغداد
اسم المشرف: راسل كاظم عودة
الموضوع العام: الفنون الجميلة
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: ان الفضاء المفتوح واعتماده على تقنيات الممثل الجسدية والصوتية شكلت علامة فارقة واساسية في نشاة وتطور المسرح منذ نشاته الاولى.ومن اجل توظيف تلك التقنيات لدى الممثل بصورة تمكن المتلقي (غاية العرض) من انشاء علاقة حميمية مع الممثل خرج معظم المشتغلين في الفنو
الصفحات الاولى:

تعددية الوظيفية وانعكاساتها التعبيرية في تصميم الاقمشة المعاصرة Plurality of Function And Its Implications In The Design of Expressive Contemporary Fabrics

اسم المؤلف: رسل خليل ابراهيم مصطفى
اسم المشرف: ناصر حسين الربيعي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: This study deals with pluralism functional designs for fabrics that are dual function in do performative and its implications expressive designs in fabrics contemporary, Job Role and aesthetic symbols and connotations and Mathmlh reflections expressionistic as study includes four chapters , the first chapter of the research problem and identified by asking the following : Do you check pluralism functional reflections expressive designs in contemporary fabrics ? The objectives of the research is the detection of multi - functional and study the values expressive designs in fabrics and contemporary numbers designs proposed , may determine search objectively study the multiplicity Alozivuoal_khasa?s expressive designs for fabrics contemporary, spatially study designs fabrics , home furnishings ( mattresses _ curtains ) and available in the local markets of the city of Baghdad , and identifies research temporally studied in models ( 2012_2013.The second chapter identifies several sections dealt with the first section , including multi - functional fabrics and designs in the second section dealt with the expressive characteristics and implications in the design of fabrics and finally the third on reflection expressive designs in contemporary fabrics. Followed previous studies and then the most important indicators that resulted from the theoretical framework.The third chapter dealt with research procedures , which included research methodology a descriptive analytical and research community , which amounted to (44 ), a special model designs upholstery fabrics and curtains Eliminated from him (33) model design parameter as a result they are so different on the level of formal , organizational and color models in the community was the remaining (11) model and it has been selected sample are intentional , but the search tool has been represented in the Form of analysis thathad been prepared by the researcher have included several axes , endorsed by the experts were on the basis of the analysis of samples and then get stability as samples were analyzed in the same chapter based on axes form.The fourth chapter has included the most important models of the study are as follows : 1 - The use of vocabulary in the most natural plant design models because of the sense of the vocabulary and semantics of aesthetic expression and suitability for use functional designs of curtain fabrics and furnishings , and employ at least geometric shapes and written.2 - achieved multi - functional design vocabulary in all models where a single design can perform two or more.3 - reversal is achieved through expressive design methods where the use of the methods varies between the real and the abstract and the hub of reality - decorative while not achieved a reversal in the expressionist style geometric models Almananvzh.The most important conclusions : 1 - Diversity of raw materialsled to the emergence of refletions expressive functional and aesthetic. The raw material and suitable for the job the stomach for it.2 - Vocabulary been employed in the most natural designs led to the occurrence of reflection expressionistic serve the function and less use of animal vocabulary and writing vocabulary.3 - Check multifunctionality in all forms of design , which is reflected through the design methods and vocabulary of symbolic and expressive connotations.As well as to ensure the same chapter conclusions, recommendations and proposed designs included as the last designs prepared by the researcher and presented to a group of experts has got approval.
الصفحات الاولى:

مصادر الشكل التصميمي ومجالات انتاجه الوظيفية والابداعية Sources of Designing Figure And Its Creative And Functional Production Fields

اسم المؤلف: سند فؤاد محمد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: يعنى البحث الحالي بدراسة : (مصادر الشكل التصميمي ومجالات انتاجه الوظيفية والابداعية.)، على وفق بناء معرفي محدد بالوظيفة والابداع، والهدف الاساس في تفسير حقيقة الاشكال ومصادرها المتنوعة وجوهرها وما تحمله من معان وعلاقات شكلية وجمالية وافكار تصميمية تحق | The recent research concerning with ( sources of designed figure and its creative & functional production fields ) , according to cognitive construction determined by function and creation and the main goal in explaining figures and its various and what holding of meanings and aesthetic and format relations and designed ideas achieving for the illustrated goal as a printing achievement.Most creative results related in joint divider representing by depending on intellectual constructions or certain philosophy , namely, each creative production has its intellectual or philosophical circle or field that launch from it to the world of creation.The designing figure in its general meaning , includes an idea creating from the internal mental expectation of designer to product figures from self feelings making his prior imaginations far from these figures with his feelings and converting it into creative forms producing the designing figure from mind depending on various functions symbolic , psychological and social and ways of production , norms and traditions, therefore, the desi8gned figure representing a reflection for this social and economic reality.This study considers a sign able to enrich the designing work by many of giving that exciting taste in receiver through its specify in varying symbols and meanings and its fluency for its active importance that combining the designer as a creative man for the designing figure and between society that save in its memory many of designed and figurative styles. Whatever varying theories of figure and its styles and figure related by function and the creative contain, also language of figure related by the visionlanguage to analyzing the aesthetic oratorical to processes of understanding, explanation and conviction.The researcher found that the importance of this subject and inquiry on : What are sources of the designing figure as a problem for research and an goal put for studying determined by : definition of designing figure and its creative and functional production fields.The researcher writes all what has a relation with the designing figure within its theoretical frame , through Arabic & foreign and libraries concerning with specialization for obtaining on indicators useful for measuring field that related with determining approach of research and its method and determining research society that represented by (40) printed designing figures and various goals , from it 10 samples have been chosen intentionally with rate ( 25%) from the original society , and characterized by some features to give scientific results after analyzing, describing and explaining them and then reported according to these results : 1 - There are theories focused on basis that sources of the designing figure lie outside mind of designer in his square , namely they are figures for designing figures derived from nature. There are other theories adopted basis that sources of designing figure lie on mind of designer within it contain namely, external designing productions figures on what is familiar in the nature.2 - It can be create figure depending on various functions (symbolic, psychological , social ) and figure may be in special givings need to requirements of function , environmental condition and the social values.3 - Figure generates from idea originate from the internal mental expectations of designer , the latter drawing his figures from self feelings converting his priorimaginations on these figures with his feelings to creative forms, then figure resulting from mind.4 - Creative peoples in all times producing some ideas in their works depended on requirements of age and its vital and there are many activities that creative man choose from them his figures.5 - The designing figure influenced by many social and economic limitations , ways of production , norms and traditions , then figure became a representation of reflection for this social and economic reality.6 - One of the main factors that effecting on the designing figure is the intellectual factor with its mental imaginations , designing here is an intellectual production between individuals & groups appears through long experience made by special classes of society
الصفحات الاولى:

سمات الشكل في الخزف العراقي المعاصر : الخزافات العراقيات انموذجا Figure Attributes of The Ceramics In The Contemporary Iraqi (Iraqi Potters) Pattern

اسم المؤلف: هديل سلمان سعيد الموسوي
اسم المشرف: انغام سعدون طه العذاري
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
السنة: 2009
مكان الجامعة: بغداد
المستخلص: يعد فن الخزف من الفنون التي تعكس المهارة والابداع وتعد بمثابة سجلا تسجل فيه ابداعات الخزاف طوال مسيرته الفنية، ويبحث عن الذاتية والتفرد في العمل الخزفي ومايميز الشخصية الفنية من تقنية واسلوب كظاهرتين اساسيتين متميزتين للشخصية الفنية، وكان للخزافات العراقي | Is a ceramic artist and art that reflect the skill and creativity and serves as keep a record of the potter's creations throughout his career, looking for self - uniqueness in the work characteristic of ceramic and artistic character of the technique and style phenomenon two basic distinct personality of art.The Iraqi presence of potters and a key role player in the field of ceramic art and the posts it as a great space and reflect their ability to reveal the ideas and philosophical and aesthetic vision that has characterized the specificity of each Potter distinctive. This study is in five chapters, which included the first chapter of the research problem and then the importance of research, objectives, and limitations, has been determined by research into three Borders, which included the substantive attributes of the product in the contemporary the potters during the period between (1960 to 2003). The second chapter, the annexation of the theoretical framework and previous studies in which structure the three detectives, namely : The first topic : which was divided into two parts, I talked about 1 - Introduction to the concept of shape and definition and what it is, levels, shape and form an independent phenomenon and the meanings of the shape. 2 - Construction of the form formative and any which is consisting of himself, which dealt with (a) structural relations of the form, features and specifications. (B) elements and form the basis of composition, which included a number of elements intertwined and overlapping elements make up and nature. (C) The intermediary material (raw materials) and its impact in the shape of the characteristics of investment through to arrange the elements of form material. 3 - Effect of metaphor in characterizing the shape and types of these metaphors and their applications in the art form. The second part was a 1 - systems installation in the shape of a ceramic system and the law of any structure in the shape of a ceramic. 2 - modulation methods and techniques in ceramics, which included work on the modalities for the implementation of the clay and ceramic body. The second topic : the address of the historical foundation of the system form, which included 1 - Characteristics of the art form in ancient times human knowledge at the start and at the age of the caves. 2 - The characteristics of the art form in the old Iraq has covered developments in the study of form in the historical stages in the old Iraq stages. 3 - The characteristics of the art form in the Islamic era, and how different form in the Middle Ages and made his own mark, Art Islamic era, and then 4 - styles and trends affecting the restructuring has been accompanied by contemporary ceramic art pottery modren Iraq artistic schools and trends that have crystallized within the global art movement.The study singled out the third part, references influential in the formation of ceramic output in Iraq and monitor the most important these references, and then shifts the cultural and social co - founder of attributes to form when potters in Iraq, and previous studies that showed the two studies was the points of convergence and divergence, and the indicators gleaned from the context theory. The third chapter represents the proceedings of research and analysis and monitoring of the research community, which consists of a set of ceramic works accomplished by the Iraqi potters for the duration of (1960 - 2003) The number of potters research community (33) Potter, and produced a sample according to the willful manner a number of controls that were produced by depend upon personal and professional has been selected (9) potters research sample, has been chosen for each of five forms of ceramic Potter then analyzed within the framework of criteria and indicators of the theoretical approach to the method of survey and descriptive analysis of the ceramics curriculum description and extrapolation of research and reliance on scientific studies and research dealing with analysis of content of porcelain in Iraq, has been divided into two generations of potters , the first generation represented by the period of time (the sixties, seventies, eighties) and second - generation (eighties, nineties, two thousand). The fourth chapter singled out the findings and conclusions, the results have been divided according to potters attributes of the inventory at each Potter.The conclusions were : 1. The topics of life that represent human forms, especially the man or woman and animal shapes like birds, fish and horses, the main topics selected by the potters and worked within them.2. Social relations have emerged, particularly the relationship of men and women in much of the potters. 3. Any forms characterized by the double is often the representation of the relationship of men and women a diagnosis or by implication, mother and son relationship in the frequency and therefore a clear and readable. 4. Characterized by geometric shapes circle formations - the box - the cube - the rectangle - the ball - the cylinder in the starting line - or internal design. 5. potters adopted the first generation of breeding color and showiness in it, while the second generation relied potters Unification color or the number of colors, sometimes dark, harmonious and blurry at times. 6. Spraying techniques followed potters combriser or sometimes a brush, one of the traditional techniques.7. potters also expanded on the themes and wall sculpture, pottery and construction manual and a little bit to work wheel electric or platelets.8. potters affected by references, heritage and historical art references old Iraqi or Islamic art. 9. The metaphors of a single environmental roses and twigs and metaphors of color Islamic heritage and metaphors such as lines, shapes and decorative designs. 10. Multiplied potters the tendency to realistic representation and abstraction and the abstract expressionist style, sometimes cubical in the representation of shapes. And we ended the search bibliographic sources in Arabic, English and supplements.
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