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توظيف الحرف العربي في الخزف العراقي المعاصر Functioning of the Arabic letter in the Contemporary Iraqi ceramic

اسم المؤلف: ابتسام ناجي كاظم علي السعدي
اسم المشرف: عبد الهادي محمد علي العزام عباس جاسم الربيعي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
السنة: 2002
مكان الجامعة: بابل
الصفحات الاولى:

توظيف المضامين التعليمية والتربوية لمسرح بريخت في المسرح العراقي

اسم المؤلف: فارس شرهان شعلان العبيدي
اسم المشرف: نصيف جاسم الدليمي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
السنة: 2002
مكان الجامعة: بابل
الصفحات الاولى:

الخصائص الفنية والدلالية للخط في رسوم الواسطي Artistical Characteristics and Denotative line in AL - Wasity Drawings

اسم المؤلف: محسن رضا محسن حسين القزويني
اسم المشرف: كاظم نوير كاظم الزبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
السنة: 2003
مكان الجامعة: بابل
الصفحات الاولى:

سمات الحداثة في الرسم العراقي المعاصر FEATURES OF MODERNITY IN CONTEMPORARY IRAQI PAINTING

اسم المؤلف: مواهب عبد الحميد عبد الله علي الخفاجي
اسم المشرف: عارف وحيد ابراهيم الخفاجي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
السنة: 2003
مكان الجامعة: بابل
الصفحات الاولى:

تقويم اداء طلبة فرع التربية الفنية بكلية المعلمين - الجامعة المستنصرية في خط الرقعة Evaluation Of Art Education Student’s Performance in Al - Ruqa Calligraphy

اسم المؤلف: عطية وزة عبود الدليمي
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
السنة: 2003
مكان الجامعة: بغداد
الصفحات الاولى:

المتحول الاسلوبي في اعمال الفنان ماهر السامرائي The Stylish Conversable of Maher Al - Samaraee’s Works

اسم المؤلف: علية يونس ثجيل
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
السنة: 2003
مكان الجامعة: بغداد
الصفحات الاولى:

شفرة التجريد بين التواصل والمفهوم الجمالي في الرسم الحديث The Abstrctess Code between Communication and The Aesthetic Conceptiu Modern Painting

اسم المؤلف: عبد الكريم جبار مجيسر
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
السنة: 2003
مكان الجامعة: بغداد
الصفحات الاولى:

التنوع التقني ودوره في اظهار القيم الجمالية التصميمية في الملصقات The Technical Variety and its Roll in Presentation of the Designed Aesthetic Values in Posters

اسم المؤلف: عبد الجليل مطشر محسن النوري
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2002
مكان الجامعة: بغداد
الصفحات الاولى:

التراث والمعاصرة في التصميم الداخلي للمقاهي البغدادية Heritage And Contemporary In The Interior Design of Baghdad Cafes

اسم المؤلف: سداد هشام حميد
اسم المشرف: مقداد حيدر الجوادي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
السنة: 2003
مكان الجامعة: بغداد
الصفحات الاولى:

الوظيفة الدرامية للموسيقى في عروض مسرح الطفل العراقي The dramatic function of music in the Iraqis Child Theatre

اسم المؤلف: زيد سالم سليمان
الجامعة: جامعة بغداد
اسم المشرف: علي عبد الله فجر
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
اللغة: العربية
السنة: 2003
مكان الجامعة: بغداد
الصفحات الاولى:

جماليات توظيف العدسات طويلة البعد البؤري في تصوير المناظر البعيدة AESTHETICS OF FUNCTIONAL PLACEMENT OF LONG FOCAL DISTANCE LENSES FOR PHOTOGRAPHY OF REMOTE SCENERIES

اسم المؤلف: زياد طارق شاكر الدليمي
اسم المشرف: عبد الجليل ابراهيم ادهم
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
اللغة: العربية
السنة: 2002
مكان الجامعة: بغداد
الصفحات الاولى:

اليات البناء الحركي للمشاهد البوليسية وكيفيات توظيفها في الدراما التلفزيونية العراقية

اسم المؤلف: بهجت عبد الواحد عبد الله
الجامعة: جامعة بغداد
اسم المشرف: حمودي جاسم
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
اللغة: العربية
السنة: 2002
مكان الجامعة: بغداد
الصفحات الاولى:

مرجعيات الصور الذهنية في منحوتات الاطفال : دراسة تحليلية

اسم المؤلف: مصطفى ممتاز الياور
اسم المشرف: قاسم حسين صالح
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2002
مكان الجامعة: بغداد
الصفحات الاولى:

صعوبات تنفيذ مهارات الالوان لدى طلبة المرحلة الثانوية في انجاز اعمالهم الفنية وعلاقتها بالاضطرابات الادراكية البصرية

اسم المؤلف: الاء رضا عبد الحسين
الجامعة: جامعة بغداد
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2012
مكان الجامعة: بغداد
المستخلص: يعد الادراك الحسي عملية تاويل الاحساسات تاويلا يزودنا بمعلومات عما في عالمنا الخارجي من اشياء, او هو العملية التي تتم بها معرفتنا لما حولنا من اشياء عن طريق الحواس, اذ يحتل موضوع الادراك اهمية كبرى لدى المختصين بالدراسات النفسية عموما والمهتمين بعلم النف
الصفحات الاولى:

التشويه في جماليات تصاميم اثاث الشارع وسبل معالجتها Distortion In The Beauty Of The Design Of Street Furniture And The Methods To Remedy Them

اسم المؤلف: بان محمد شاكر الطائي
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: تتناول الدراسة الحالية (التشويه في جماليات تصاميم اثاث الشارع وسبل معالجتها ) بصورة اكثر شمولية من مثيلاتها لما لها من اهمية في ذائقية المتلقي من خلال البعد الوظيفي والمظهري لاثاث الشارع مع الحفاظ على الهوية والخصوصية في التصاميم , وان مشكلة البحث تحددت | The Current Study deals with(distortion in the beauties of Street Furniture Designs and how to remedy them), in more comprehensive manner than other similar conditions, because of the importance to reflect in the taste of the recipient by the function and the visual aspect of street furniture with maintaining the identity and privacy in the designs , and the problem of the research was out lined in the following question : What are the aspects of distortion in the beauties of furniture used in local areas (street furniture) and methods of treatment ?As for the importance of the research , it was focused in raising the level of taste for beauty of the recipient by determining the distortion taking place in the beauties of the design with finding means to fix this distortion while the research aims to specify the concept and type of distortion taking place in the beauties of street furniture as for the research limits they were outlined by the subject of distortion in beauties of the design of street furniture units used in public areas and how to fix them , in Baghdad /(Alwaziriyah) for the duration(2009 - 2014).As for the procedures of the Research the descriptor method was employed with accrediting a questioner from, which specified the basic axis of analysis, and the researcher have found out the following important results : The distortion took place in the percentage and in some models with a distortion in the visual communication as a result of misuse as the metal ore was distorted because of the bad joining methods which was affected in the climate conditions in several models.The most important conclusions : When the designer ignores the design foundations and the relations the distortion appears unintentionally in the appearance of the industrial product and by choosing some types of ores and joining methods and failing to use good painting , this create is an obvious distortion in these units because they were exposed for different environmental and climate effects which have contributed in creating the distortion , and the research ended by offering a set of recommendations and proposals.
الصفحات الاولى:

مظاهر العنف الاسري في رسوم المراهقات Appearances Of Domestic Violence In Teenage Graphics

اسم المؤلف: شيماء مهدي وادي الجنابي
اسم المشرف: هدى هاشم محمد الربيعي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: حظيت ظاهرة العنف الاسري باهتمام العديد من الدراسات، كون الاسرة المصدر الاول للثقافات واقوى الجماعات في التاثير في سلوك الابناء، فهي من اهم عوامل التنشئة والتطبيع الاجتماعي فالاساليب التي يستخدمها الابوان في معاملة ابنائهم كالاهمال والقسوة والتفرقة واستخدا | The phenomenon of the domestic violence meets high attention in many studies , as the family is the first resource of cultures and the it is the strongest group in affecting the behavior of children , also it is the most important factor of nurturing and social customization.. Methods of parents in treating with children , by neglecting, hardness , segregation, the use of swear words , deferent kinds of beating and any other type of bad methods which come within violence actions ((psychologically , physically and verbally)) , all these methods could leave negative impact in the souls of children , especially during earlier adolescence as it is the most dangerous age stage of the individual life, due to what it carries in its folds of conflicts and psychological disorders and changes in all physical, mental and emotional aspects.. Girls in this stage may suffer their families practices of violence against them , so the intensity of female sensitivity to problems could form psychological pressures which could make her a troubled personality teenager who lacking self confidence, isolated from others and with reluctant behavior, also for far future she may have an aggressiveness and violent motives.. Since the arts generally and graphics arts in particular have a role to alleviate the suffering of human , they assist to achieve the emotional equilibrium and allow the self - expression and emotions as well as they achieve the inner harmony and poise of personality in relationships with others , so this factor allowed the researcher to answer about following question : Does the domestic violence have appearances that could be reflected in graphics of teenage girls through lines , shapes and colors ? Could the graphics be equal with the pronounced language in guidance to the meanings , transferring the ideas and hardships and to be connected to others ? So the current research had aimed to the following : 1. Exposing the types of domestic violence which is addressed to teenage girls.2. Exposing the appearances of domestic violence in graphics of teenage girls through graphics properties , then the research importance and the need to it , in addition to research outlines and abbreviations, those come the first chapter of the research.. The second chapter includes the theoretical framework and the previous studies , as the research is consisted of two studies , the researcher in the first one is addressed to the conception of the domestic violence, in which she included many sections , but the second one is addressed to the adolescence and graphics of adolescents , while the previous studies included 5 ones and were about the domestic violence and the graphics of adolescents. The third chapter included the research arrangements ((society of the research , its approach and samples of 330 pupil of second intermediate class who were divided randomly to 9 intermediate schools and high schools in the center of Babylon province. The research needed to use two ways to measure the violence degree , the "Fartoosi" scale which was prepared to measure violence of pupils of high schools , and was amended to be proper with the samples of the current research , then checked its credibility and stability , as it was showed to some experts and specialists in the psychology field , but the second way was about analyzing the graphics of the teenage girls which was formed by researcher in depending upon literatures of specialists , the previous studies , indications of the theoretical framework, notes of graphics of teenage girls and the modest experience of the researcher , also it was showed to some experts and specialists of the arts education , Fine arts psychology fields to check the credibility and the capability to analyze the graphics , in addition to a couple of statistical methods which are proper and suit the purposes of the current research. The fourth chapter includes the results and their interpretations that the researcher reached to , in addition to their conclusions, recommendations and suggestions, the results of the research revealed a higher ratio of psychological violence beside the verbal violence and the physical violence.. Also the domestic violence has specific appearances in the graphics of teenage girls (the upper faction) which were represented in 16 traits , and unspecific appearances of domestic violence in graphics of teenage girls (the lower faction) which were represented in 19 traits , there were also 6 traits of statistical meanings among both factions.. The conclusions clarify that there are 14 traits which are considered as a specific appearances of psychological violence in the graphics of teenage girls (of upper faction) , while there was 1 trait , it was considered as specific appearance of the verbal violence in the graphics of the teenage girls (upper faction).. The recommendations of the research is exposing generally the violence against women (through arts fields - the graphics for example - by specialist educational administrations , including the the intermediate schools and high schools to until reaching the universities to exceed their reasons by educational and scientific methods , as the teenage girl is a project of a future woman.. The research included a number of suggestions with Arabic and English resources and appendixes beside a brief in English language..
الصفحات الاولى:

الحوارية ومقارباتها الجمالية والدلالية في رسوم بابلو بيكاسو The Dialogisme And Approaches Beautifulness And Denotation In Portrayals Pablo Picaso

اسم المؤلف: روى ناظم حسن الحسناوي
اسم المشرف: فاطمة لطيف عبد الله الخفاجي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: تبنت الباحثة موضوعة بحثها الذي بني انطلاقا من مشكلة تتمحور في دراسة ( الحوارية ومقارباتها الجمالية والدلالية في رسوم بابلو بيكاسو ) , وذلك لكون الحوارية مفهوما له ابعاده الجمالية والدلالية التي تظهر من خلال البناء التشكيلي للعمل , لتحقيق التواصل وال | The researcher adopted study built from the basic problem that centered in the study (The Dialogisme and Approaches Beautifulness and Denotation in Portrayals Pablo picaso ). And so as the concept of aesthetic and semantic dimensions to talk shows that appear during the construction of the visual work of art, as it seeks to achieve communication and continuity.The first chapter has included the objective of the study which is detected (talk shows and Mgarbadtha aesthetic and semantic in fees Pablo Picasso) and provided for the period of (1901 - 1946).In the theoretical framework includes five sections, the first section has studying talk shows (conceptually, and principles, and mechanisms), and the second section included two axes, and the first axis finding approach between the talk show concept, aesthetic and cognitive thought, it start from the Greeks and up to the modern philosophers and contemporary of them, while the second axis has cared for studying dialogue structure in the arguments of psychology, and included third section read talk shows critical reading of the status of the dialogue theory, finding points of engagement with the concept of semantics and subtraction semiotic,while Section fourth included the works technically talk and according to its historical development, from primitive art and up to the modern technical schools and is interested in section five (Picasso) art, highlighting the most important stages that make up a key point in the birth of the creative work of the talk show - style and new technology. At the end of the theoretical framework researcher it conducted a comparison between previous studies placed with her research, and also was addressed to the outcome of the indicators.In The third chapter included the community research who cannot promise to capacity size, although informed researcher on a lot of photographers, and sources relevant, such as (books, magazines, sites and the Internet), but it was unable to limit the research community statistically, and the sample Search (13) artworks included oily technique, collage, and the various technical stages undergone by the (Picasso)) The researcher ended his work by using content analysis tool, the coefficient of stability of the tool, and the sincerity of the tool, and then use statistical methods, the equation (Cooper) to calculate the sincerity of the tool, and an equation (Scott scoot) to calculate the stability of the tool. The researcher has adopted the analytical method (hermeneutical) in the sample analysis.The fourth chapter was devoted to reviewing (Results - Conclusions - Recommendations - proposals) as the researcher reviewed the search results, and that was as follow as : 1 - The actually humanly dialogue (self - objectively) do according to the act of dialectic knowledge base side of the artist creator of the artwork, and the receiver, which is an essential part in setting up and continue the dialogue.2 - Dialogue as a kind of freedom from restrictions in the classic art of reading, which does not stop at certain limits, and dialogue interested by flexibility because they coincide with all the Arts and at various schools, including the rules include (philosophical - scientific - stylistic) resound nearly absolute.
الصفحات الاولى:

المواطنة وجدلية الهوية في العرض المسرحي العراقي Citizenship And Dialectical Identity In Iraqi Theatre

اسم المؤلف: مريم صباح العوادي
اسم المشرف: معتمد مجيد حميد العبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: ياخذ مفهوم المواطنة والهوية حيزا غير قليل في الثقافة والفكر وفي الدراسات وكذلك الفنون وفي التعبير عنها , والمسرح كونه احد هذه الفنون فهو يقوم بدوره في تنمية القيم التي تدعو الى المواطنة ونشرها.فهو يبقى احد الوسائل الاكثر فاعلية وملائمة لاحتواء | The concept of citizenship and identity takes a space in culture , thought , studies as well as in arts and how to express it. however , theater is one of those methods which is used to develop the values of citizenship and spread it. it is one of the most convenient and effective ways to show the uncivilized practices in order to cross the problem of citizenship in societies. the research is meant to study ( citizenship and dialectical identity in Iraqi theater ) which is an important subject to develop the society. the research is divided to four chapters , the first chapter will deal with (methodological framework) in which the point of the research is discussed as the concept of citizenship and dialectic identity and the mechanism of showing it in the Iraqi theater. the essence of the research deals with citizenship concept and its implications and contents which specify the relationship between the individual and identity and show his rights and duties. in addition , the dramatic performance is used to clarify these contents of identity which is the connection among individuals among one system. the research is beneficial for students and researches because they will be aware of the implications of this concept through theatrical performance and raise the awareness and attendance in belonging to the country. the aim of the research is how to show citizenship and dialectic identity in the Iraqi theatre and then search the spatial , temporal and objective firstly , the spatial boundaries were restricted to theatrical performance which were performed in Baghdad national theater. secondly , the temporal boundaries were used from 2010 to 2016. thirdly , the objective boundary which is represented by studying citizenship and dialectic identity of the Iraqi theater. the chapter ends with specifying the terms and defining them.Chapter two deals with three topics : the first topic describes the concept of citizenship in terms of historical background and locations. the second chapter is concerned with the dialectical identity and it is divided in to two branches : dialectical identity between culturalism and globalization and theatrical approaches. however , the third section is intended to deal with citizenship and identity and how to perform it on stage. the chapter ends with the results induced from the theoretical framework and the previous works.In chapter three (procedural framework ) includes (56) theoretical performances. the researcher depends on indicators resulting from the theoretical framework as a tool in the analysis of ( sour minbjladi ) directed by ahmed muhammed abd al ameer (2012) , the second show is (ahlam cartoon) directed by kazem al - nasar (2014). the third show is (mukashafat) directed by ganim hameed (2016). the fourth chapter includes the results of the analysis and here are some : - The theatrical speech strives to make the interaction among the citizens according to societal values and behavioral practice which expresses cultural maturity and real recognition without distinction of religion , race , gender or sect. - lots of cultural or religious concepts change because of the interfering factors that associated with and may distort their image. this may cause ignorance to the citizens where the directors tried to expose to with criticism and mocking which reflects the distortion it exposed to. - the directors tried to send an idea that belonging to one religion does not mean that there is one identity but individuals differ in culture and tendency due to the difference among the same culture.The chapter also includes results , recommendations and suggestions and it is followed by bibliography and appendices of picturs.
الصفحات الاولى:

تنوع الاشكال المنفذة على الخزف الاسلامي الاندلسي The Diversity Of Executing Shapes On Islamic Ceramics Andalusian

اسم المؤلف: منى شاكر عودة
اسم المشرف: رنا حسين هاتف الخفاجي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: يعنى هذا البحث بدراسة تنوع الاشكال المنفذة على الخزف الاسلامي الاندلسي، فدرس ماهية تنوع الاشكال وطبيعتها التكوينية ومرجعياتها الفكرية بوصفها نشاطا فاعلا في البنية الجمالية والفنية احتوى البحث اربعة فصول : خصص الفصل الاول لبيان مشكلة البحث واهميته والحاجة | This study include the diversity of implemented form of Islamic Andalusia pottery , it includes different types and construction of them and the ideological references as active in artistic composition , also the research includes four parts : The first part include the problem of research and the it's importance , needs , objectives and the most important termed contained category. The problem was identified through answering the next question : What is the variety implement a form of Andalusian Islamic pottery through the formed elements and it's method's. The importance of this research comes from that it represents sight for nature of diversity that occur in implemented form of Andalsium Islamic pottery through searching of it's Composition and construction parts and appearances of ideological concept and it is influences and also the importance of structural and technical wizards that adopted by artist to achieve this diversity , also the study explains to general and private libraries. The purpose of this research is to recognize and idenhfy the different implemental form of Andalusia Islamic pottery through aesthetic organized elements and it's means. As for second part , it includes the theorhcal frame and the previous studies and it contains 3 parts : The first one includes ( the comparisons between different types of philosophical thoughts ). The second one include the formal continent of Islamic art through studying the formal elements in Islamic arts and formal elements. The third one includes the appearance in diversity of forms in Andalusion pottery through different subjects like (Islamic arts and it's properties Islamic Abbasi pottery , Fatimi , pottery , enterance to Andalusain arts and it's methods. As for the third part involve the the procedure of research which include determination of sample research which include determination of research community and the choice of sample research which reach (20) ceramic arts and the research tools and the approach in analyzing the research sample. The fourth part includes the results of research and conclusion , recommendation and suggestion form results that researcher includes like : 1 - The researcher ensures the artistry elements and the organized and it's types through it's forms in related to Andalusion pottery through the artist achievement in formal work to achieve expressive and aesthetic values. 2 - The study distinguishes between the artistry elements and its types in Andalusion pottery because it recognize the importance of work through formal relationships in artistry work. 3 - The formal elements in implemental pottery type of which in spite of it's diversity in relationships to it's forms.4 - The researcher appreciates the nature of different forms of Andalusion pottery through Its appearance in expressive form in order to achieve symbol omitted out of oridinory in pottery arts. The results that the researcher reaches include : 1 - The presence of diversity in artistry elements and organized elements in Andalusion arts in configuration and structure of this art through formal relationships in stearic order and it unites it's parts in the work and it's structure from artistry parts to be in are entity2 - The work's element's and organized elements in Andalusion arts undergo to represent the emotional and expressive sides if the work to display the expressive aesthlic values of the work which results from the artist and it's methods in perform and imovation. 3 - It's go to expressive privacy in Andalusion pottery work through using different ways and archery form and its specific nature to befit to concepts that imposed by Islamic civilizer to be the sign of it's properties. The research ends with some recommendation and proposal and the references and research title and it's abstract in English
الصفحات الاولى:

اثر دراسة الفن في اتساق الذات لدى طلبة جامعة بابل The Effect Of Studying Art In The Self - Consistency Of The University Of Babylon Students

اسم المؤلف: بيداء كاظم عليوي الطائي
اسم المشرف: كاظم مرشد ذرب
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: يرى الفلاسفة والعلماء والمفكرون والتربويون ان دراسة الفن او ممارسته تسهم او تزيد من بناء شخصية الانسان في جوانبها (المعرفية، والوجدانية، والمهارية ) مما يؤدي الى تحسين سلوك الفرد نحو الافضل الامر الذي تؤكده التربية بشكل عام، ولكن هذه الاراء والطروحات ت | Philosophers and scientists, thinkers and educators believe that studying art or practicing it contributes or increases the building the human character in its aspects (cognitive, emotional, and skill) which leads to improving the individual's behavior for the better, which emphasizes the education in general, but these views and propositions remain within the limits of the assumptions unless it is verified sincerity by scientific research. Hence it identified the problem of current research, which summed up the following question : Do the study of art have an impact of the self - consistency on the students of Babylon UniversityThe Two goals of the research : The current research includes two goals, they are : 1. Build a scale of self - consistency of the University of Babylon Students.2. Detecting the impact of art study in the self - consistency of the students of University of Babylon through the verification of three null hypotheses.Research hypotheses : The research includes the following hypotheses : 1. No impact to the study of art in the self - consistency of the University of Babylon students at the level of significance (0.05).2. No trace of technical specialization variable in the self - consistency of the University of Babylon students at the level of significance (0.05).3. No trace of the sex variable in the self - consistency of the University of Babylon students at the level of significance (0.05)The research community and specimens : Due to the fact that the research methodology in the current study is the descriptive approach (as a scientific comparative study) has required a comparison between a group of studying Art for four years of study, they are fourth - grade students at the Faculty of Fine Arts / University of Babylon and three other groups have not studied art, they are : First grade students at the College of Fine Arts and the fourth grade students in the College of Pharmacy, and fourth - grade students at the Faculty of Law. Total research community in these colleges for the year stood at (2015 - 2016) (957) students, of which 456 males and 501 females. Due to the researcher to build scale of self - consistency, it has required the withdrawal of three samples from the original research community : the reconnaissance sample reached (64) students pulled intentionally, and sample of building a measure amounted to (394) pulled in a random stratified way 50% of the orgional community, to withdraw the basic research sample, the researcher used the percentage way of the remaining the fourth stage male of The Faculty of Fine Arts as the percentage of males (0.53) The percentage of female fourth Faculty of Fine Arts was (0.47), and the total (224) male and female students.Research Tool : The researcher built an objective tool to measure a variable (self - consistency) according to the following steps : 1. Defining the concept of (self - consistency) procedural definition and analyzing its content into four areas : the relationship with others, and uniqueness, work, and gaining knowledge. And drafting (67) items distributed among them.2. Sincerity tool : the researcher used two methods for the sincerity, they are : A - making sense method : Through content analysis or substance which resulted in the deletion of (11) paragraph of the measure after presenting it to the arbitrators, bringing the number of paragraphs (56) items plus four paragraphs to detect objectivity the scale became a paragraph consists of (60)items and after the researcher has checked the sincerity of scale logically, she has put a the Quintet estimation scale of in front of each paragraph and planned a correction key accordingly. Then she has applied it to build a sample to extract the pilot sincerity.B. Pilot method : extracted in three ways : First - Peripheral comparison method between the upper and lower sets.Second - internal consistency method.Third - factor analysis method.3. 3. The stability of the tool : stability of the tool has been achieved in two ways : A method (Cronbach's alpha) : the stability of the scale amounted to (0888).(B) Midterm Fragmination method : the value of the stability of half - scale (744) since this value represents the stability of half scale, so the researcher used the equation (Spearman - Brown) to edit and extract the full value of scale and get a degree of firmness reached (0853), which confirms that the scale has a high degree of constancy and reliable. These measures have resulted in a measure consists of four areas include (45) items and (4) items were added to detect the objectivity, the researcher used the scale of the Quintet estimation in front of each paragraph and prepared correction key accordingly.Application of the tool : after the tool Completed conditions of validity, the researcher applied it to the basic sample of amount (224) students, and after collecting the forms, the researcher corrected it and discharged electronically in accordance with the statistical program (spss), (5) not valid Form were excluded as the respondent did not complete the answer. Add to the exclusion (18) Form where the submitted to the response objectivity and compare it with the spoken class for the absolute differences was larger than the spoken class and thus the form number has become (201) valid forms,they have been statistically analyzed and the results were extracted.Statistical methods : The researcher used the social statistical Pouch (spss) for data processing were used, the Pouc was used in the following topics : 1. Percentage : used by a researcher to unload arbitrators responses, used in the interpretation of the accepted factors and to withdraw the basic sample.2. Mean : Use in substantive response extraction, strength discriminatory clauses. As well as to find Means for computational research samples.3. Standard Deviation : 4. The standard error : 5. Test (T - Test) independent and equal number of samples. To measure the moral significance of the scale paragraphs, which is used to compare Means when samples are big and equal.6. Person Corrlation coefficient)) : To calculate the internal consistency (ratified paragraphs of scale) and to find the relationship between each paragraph of the scale with the total score of the scale, as well as a way to extract the fortitude fragmentation midterm.7. (Sperman Brown Formula) : used to modify the scale and extract the value of the stability of the entire measure, since after measuring the correlation coefficient between the two halves of self - consistency for estimating half of the test, has been modified the mentioned equation.8. Cronbach's alpha formula : to calculate the tool stability.9. Test (F) to calculate the harmony between the two halves of the scale.10. Used in the factorial analysis procedures and find them as follows : - Simple Pearson correlation. - Contrast interpreter. - The underlying root. - Relative importance.11. Unilateral variation analysis of the samples is of equal size : the researcher used it to calculate the significance of differences in general between the three colleges.12. Sheffe Test : The researcher used it to find the smallest difference between the average scores for the three colleges.13. T - test : for two independent samples and unequal. The researcher used it to find a sign of the moral differences between the first stage and the students of the fourth stage at the Faculty of Fine Arts in the level of self - consistency, as well as the use of the knowledge of the moral significance of the differences in the sex variable in self - consistency among students.Search results : Current search yielded the following results : 1. Having a positive impact for the study of art in diverse branches of self - consistency of the Babylon University students, thus I refused the null hypothesis which says (no effect to the study of art in the self - consistency of the University of Babylon students at the level of significance (0.05).2. The lack of a significant difference between the Faculty of Fine Arts departments in the level of self - consistency, which calls for acceptance of the null hypothesis that refers to : No trace of technical specialization variable in the self - consistency of the University of Babylon students at the level of significance (0.05).3. The absence of a significant difference between (male and female) of the fourth stage at the Faculty of Fine Arts in the level of self - consistency, which calls for acceptance of the null hypothesis that refers to : No trace of the sex variable in the self - consistency of the University of Babylon students at the level (0.05 ).
الصفحات الاولى:

الابعاد الجمالية للابيض والاسود في التصوير المعاصر Dimensional Aesthetic For White And Black In Contemporary Photography

اسم المؤلف: هشام عبـد الســلام مصطفـى العباسي
اسم المشرف: محمد عودة سبتي عادل عبد المنعم عبد المحسن
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: توسم عنوان البحث الحالي بــ( الابعاد الجمالية للابيض والاسود في التصوير المعاصر ), الذي عني بدراسة الية استخدام الابيض والاسود وقيمتهما الفنية وسماتهما الذاتية ومحاولة الامساك بمرجعياتهما الفكرية والفنية المعاصرة في الاعمال الفنية(الرسم والكرافك) من خلال | The title of the current research is : (The aesthetic dimensions of black and white in contemporary photography), which deals with the study of the mechanism of using black and white and their artistic value and their subjective characteristics and trying to capture their contemporary intellectual and artistic references in the works of art (drawing and graffiti) through four chapters. Which ended with the following question : What are the aesthetic dimensions of black and white in contemporary art?And its importance and need to contribute to highlighting the contemporary art, especially the work carried out in black and white and aesthetic dimensions and technical value and the guidance of their references, and the search for the importance of the employment of black and white in the painting in a distinctive manner, despite the features of these two values of aesthetic and formative, Was to identify the aesthetic dimensions of black and white in contemporary art, while the limits of research related to the subject to study the work of contemporary artists available (black and white) of the artist himself through the subject matter and material and technical touch Serves the media in the output of the painting with their artistic touches implicitly covered. With regional borders including Europe, the United States of America, Asia, and Africa. With temporal limits for the period from the post - World War II period 1945 to 2015, and terms were defined to serve the purpose of the research.The second chapter covered the theoretical framework. The theoretical framework contained three topics. The first topic deals with the study of black and white in the ancient arts, their philosophical origins, and their physiological and psychological interpretations. The second section deals with the study of black and white in the construction of the artistic form. The third topic is the study of black and white artists of contemporary art.The third chapter was devoted to the research procedures (93) pictures, which included the research community, which selected (17) models chosen intentionally, while the researcher took a descriptive approach to the content in the sample analysis.The fourth chapter included the findings and conclusions reached by the researcher.Among the findings of the researcher : 1. The mechanism of works performed in black and white is reflected in the actuality of the act of social, political, cultural, economic and religious reality. The work of art becomes a tool that puts in its first goals everything that achieves an aesthetic dimension to everything without exception, glorifying the individual spirit and elevating the ego on the one hand. To be an implicit invitation to the emotions of isolation, introversion, anxiety and self - imagination and move it with surprise to the recipient with free play, so that these products take formal forms characterized by the adherence to the use of colors with the variety of techniques without constraints that tried to show the aesthetic dimensions.2.The technical aspect has a role in showing the aesthetics of black and white and highlighting some details that distinguish them from others through the texture and the nature of the shapes as in the sample (17.16.14,11,10,9,8,7,3,1,1). The researcher reached a number of conclusions, the most important of which are : 1. The work of artists in Black and White has gained the trait of independence and self - expression in the style of technical innovation, experimentation and bringing new things despite the adherence to color in the output of their works. The style is divided according to the artist's subjective energy and his inner sense between the direct, the immediate, the automatic, the dynamic, (Traditional), fast, simple, complex.The study concluded by presenting a set of recommendations and practical proposals related to the study of the aesthetic dimensions of black and white in contemporary art in order to complement the usefulness, followed by a list of Arab and foreign sources and references and supplements in English.
الصفحات الاولى:

التفضيل الجمالي وعلاقته بانماط التفضيل المعرفي لدى طلبة كلية الفنون الجميلة جامعة بابل Aesthetic Preference And Its Relationship To The Patterns Of Preference Cognitivethe Students Of The Faculty Of Fine Arts University Of Babylon

اسم المؤلف: ناريمان اكرم محمود العكام
اسم المشرف: عباس نوري خضير الفتلاوي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: ترى معظم الادبيات ان الجمال هو مثير يولد لدى المتلقي جملة تغيرات جسمية ونفسية ويثير انتباهه وملاحظته ويجعله يندفع الى التفضيل الجمالي، فالتفضيل الجمالي هو عملية سلوكية عامة يقوم بها المرء تجعله يحب او يقبل او ينجذب نحو فئة معينة من اعمال الفن من دون غيره | Most of the literature you see that beauty is sexy generates the recipient among other physical and psychological changes and provokes attention and be seen and makes it rushes to the aesthetic preferences, Valtvdal aesthetic is a general behavioral process carried out by one makes love or accept or gravitate toward a particular class of works of art without the other; were numerous views on the interpretation of aesthetic preferences Some of them sees an innate trait in humans and were seen as the phenomenon of educated and growing and some of them see it affected an objective or subjective factors and these theses remain in need of rigorous scientific testing to verify the sincerity in practice, the receiver factors is the human being who is exposed to acts of aesthetic and responds to a Check is a figure of the total behavioral and cognitive attributes.As well as featuring the current era we live in change and complexity, speed and massive development of the information and the era of knowledge explosion, and so we find in general growing interest in cognitive processes and here the importance of the cognitive aspects come in dealing with information, process and manipulate accounting for this favorite means by educated people in the reception and processing of information and represent patterns knowledge of cognitive strategies to learn an individual's learning style has targeted the current research to identify : - 1. Detection aesthetic preference among students of the Faculty of Fine Arts, University of Babylon.2. Identifying the differences in the level of aesthetic preference among the students of the Faculty of Fine Arts, University of Babylon, according to the race.3. Recognize the preference of cognitive patterns of Fine Arts Students - University of Babylon.4.Identify statistically significant differences in cognitive preference patterns among students of the Faculty of Fine Arts, University of Babylon.5. The relationship between the aesthetic preference and preference patterns of knowledge among students of the Faculty of Fine ArtsThe study included four chapters as follows : - The first chapter included the problem of the study and the importance of and need for, and objectives of the study and its borders as well as determine the terms contained therein.The second chapter included as part of the previous theoretical studies, as it dealt with a researcher at the first section aesthetically philosophy, while the second section has dealt with the researcher aesthetic preference, and the third section patterns of cognitive preference. But previous studies have been presented by the researcher parallel zones of separation and to agree with the current study.While the third quarter included a research procedures, as reviewed by the researcher study population, which included two school years the first and fourth students in sections of art education and fine arts at the School of Fine Arts / Babylon University for the academic year (2015 - 2016) m, totaling 325 students as a researcher ratio was adopted (50%) to extract the sample as it became a research sample (164) students and after excluding Alastmaar invalid were excluded (14) form due to the absence of some students for one scales and his presence in the other measure became a research sample original (150) students, where the number of students in the Department of Art Education, the first school year (61) students, fourth year of study (23) students, while arts assortment section bringing the number of first year students (46) students fourth school year, bringing the number (20 ) students, was selected as the pilot sample of the remaining number of students from the original community and outside the research sample native who expressed their desire to participate in the tests, as the researcher ratio adopted (10%) of the total number of community research is research sample Originally, totaling (32) students representing the proportion (10%) of the research community as it was selected 18 students from the Department of technical Education, as included the first school year (13) students, fourth year of study (5) students, while in the Arts Fine, bringing 14 students since included the first school year (10) students and fourth (4) students Talibh.kma The researcher presented Adata research and comprising the b : A measure of aesthetic preferences and scale patterns of preference knowledge, it has adopted a researcher scale (Aekam, 2013) the component (16), total and after what was presented to experts and their agreement to delete group (i), and to measure patterns of preference cognitive drafted researcher measure which consisted of (15) items every paragraph contains four positions represent the four styles (Heath patterns) distributed in the form of (a , b, c, d) as the character (a) refer to the pattern of remembering and Crafts (b) refers to a style critic and Crafts (c) refers to a pattern of principles and Crafts (d) refers to the application pattern, and thus each paragraph contains four patterns and after having heard the theories and literature and standards and previous studies pertaining to this variable, and offered a number of experts in the field of art education, psychology, and by 15 experts and after using the ratio Almaah, and after extracting the psychometric properties of the scale of the (validity and reliability) measure is ready for the final application. After this dish Almkiesan final Besgtehma the research sample and data collection and discharged in Axel statistical program (Excel) and to address the statistical data used researcher statistical bag (SPSS) program to achieve the objectives of the research, as it used statistical methods (t - test for two independent samples and coefficient Pearson and Kiodr link - richardson and analysis of multi - variance t - test for one sample.While the third quarter included a research procedures, as reviewed by the researcher study population, which included two school years the first and fourth students in sections of art education and fine arts at the School of Fine Arts / Babylon University for the academic year (2015 - 2016) m, totaling 325 students as a researcher ratio was adopted (50%) to extract the sample as it became a research sample (164) students and after excluding Alastmaar invalid were excluded (14) form due to the absence of some students for one scales and his presence in the other measure became a research sample original (150) students, where the number of students in the Department of Art Education, the first school year (61) students, fourth year of study (23) students, while arts assortment section bringing the number of first year students (46) students fourth school year, bringing the number (20 ) students, was selected as the pilot sample of the remaining number of students from the original community and outside the research sample native who expressed their desire to participate in the tests, as the researcher ratio adopted (10%) of the total number of community research is research sample Originally, totaling (32) students representing the proportion (10%) of the research community as it was selected 18 students from the Department of technical Education, as included the first school year (13) students, fourth year of study (5) students, while in the Arts Fine, bringing 14 students since included the first school year (10) students and fourth (4) students Talibh.kma The researcher presented Adata research and comprising the b : A measure of aesthetic preferences and scale patterns of preference knowledge, it has adopted a researcher scale (Aekam, 2013) the component (16), total and after what was presented to experts and their agreement Khzvt group (i), and to measure patterns of preference cognitive drafted researcher measure which consisted of (15) items every paragraph contains four positions represent the four styles (Heath patterns) distributed in the form of (a , b, c, d) as the character (a) refer to the pattern of remembering and Crafts (b) refers to a style critic and Crafts (c) refers to a pattern of principles and Crafts (d) refers to the application pattern, and thus each paragraph contains four patterns and after having heard the theories and literature and standards and previous studies pertaining to this variable, and offered a number of experts in the field of art education, psychology, and by 15 experts and after using the ratio Almaah, and after extracting the psychometric properties of the scale of the (validity and reliability) measure is ready for the final application. After this dish Almkiesan final Besgtehma the research sample and data collection and discharged in Axel statistical program (Excel) and to address the statistical data used researcher statistical bag (SPSS) program to achieve the objectives of the research, as it used statistical methods (t - test for two independent samples and coefficient Pearson and Kiodr link - richardson and analysis of multi - variance t - test for one sample.The fourth chapter included a presentation and discussed the results of the study as well as conclusions and recommendations and proposals and the conclusions of its study : 1. The presence of a low level of aesthetic preference of the students of the Faculty of Fine Arts, as she was the calculated value of $ (1,366) smaller than the tabular value of $ (1.96) at the level of significance (0.05).2. There are no differences in the level of aesthetic preference, amounting to the calculated value (0371), the smallest of the tabular value of the (1.96) at the level of significance (0.05).3. The presence of a high level of patterns of preference knowledge to the students of the Faculty of Fine Arts, as she was the calculated value (6138) and (4202) and (2785) and (2045) Patterns (remember, the principles, the critic, the application) greater than the tabular value of the (1, 96) at the level of significance (0.05).4. A) And no statistically significant differences in the pattern of memory depending on the variable (sex) were in favor of females as the value of (P) calculated (6541) which is greater than the value of tabular the (1.96) at the level of significance (0.05) and the degree of freedom (1) and (149), while the other styles, there are no statistically significant differences.B) And no statistically significant differences for the typical remembering and application depending on the variable grade and was in favor of the fourth stage as the value of (P) calculated (27.842) and (9165) on the sequence which is greater than the tabular value of the (3.89) at the level of significance (0.05 ) and the degree of freedom (1) and (149), while the typical critic and principles, there are no differences.C)There are no statistically significant differences for all styles, as the value of (P) calculated (0602) and (1933) and (0631) and (0476) on the sequence which is smaller than the tabular value of the (3.89) at the level of statistical significance (0.05 ) and the degree of freedom (1) and (149.There were significant differences in the pattern of remembrance for the interaction (sex × grade × specialization) as the value of (P) calculated (5959) was the biggest of the spreadsheet the (2.42) at statistically significant (0.05) and the degree of freedom (4 ) and (149), while the rest of the patterns were not statistically significant.5. The existence of a positive and a weak relationship between aesthetic preference and style to remember (0022), and the existence of an inverse relationship and weak between aesthetic preferences and style of the critic ( - 0.109), while the relationship between the aesthetic preferences and style principles are inverse relationship is very weak ( - 0.018), while the relationship aesthetic preference and style of the application (0125) is a positive and a weak relationship.The researcher made a series of recommendations and proposals, including : - 1. to provide educational institutions starting from kindergarten and up Undergraduate all modes of education on aesthetic preference and interpretation of its implications in all areas.2. Make use of the patterns of preference cognitive measure in determining the student to the style that suits him down as the need to enhance the cognitive patterns of preference among students through the curriculum.The proposals : - 1. relationship preference aesthetic tendencies technical students at the Faculty of Fine Arts.2. Information processing and its relationship to cultural norms cognitive preference among students of the Faculty of Fine Arts
الصفحات الاولى:

الابعاد النفسية للتعبير الفني في الفن الكرافيتي Psychological Dimensions Of Artistic Expression In Graffiti Art

اسم المؤلف: حوراء علي عبد محمد
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: يعد الفن الكرافيتي من اخر الحركات الفنية التي نمت في اعقاب الحرب العالمية الثانية لزوال الرقابة الصارمة على الجدار او الاماكن العامة، وتعبيرا مباشرا لمشاعر الفنان بلا قوانين فهو من فن ما بعد الحداثة محملا بابعاد نفسية يصبها على الجدار او الفضاء العام | The Graffiti art is considered as the last artistic movement which appeared at after the second world war The lack of strict control appearance on the wall or puplic places, and a direct expression for the artist feeling without laws art postmodern which loaded by many Psychological dimensions touched by on the wall, or public space to form the contact with the other world forum for debate on any subject, whether economic or political, religious or even sexual. Eating current search the psychological dimensions of artistic expression in graffiti art,the research community is made up of (200) work of art,and select for the period(1975 - 2016) ,and research sample (20) work of art, statistical methods were used scott and cooer and arithmetic mean.among the results that have been reached : 1. psychological dimension has appeared Representatively by the worried among the painters throughout features ( involved and partial shapes ) ( feel the artist loneliness ) and (The presence of the features of imaginary ) and ( the Varity in colors , sizes , details and proportions and ( The intensity of the movement and emotion ) and (fragmentation of forms ) in quantitative statistical analysis , in which three items has gained the high in the arithmetic average for the items (39%) the items indicative of a anxiety , the anxiety has represented among artists (Michelle, Branuc nock ???,bankce, and Keith).2. psychological dimension has appeared representatively by introversion among graffiti art's artists statistically through ( the pessimistic sence and present the world tragically) , (the depth and ambiguity of the ideas presented in the artwork ) , ( using dark colours ) , (neglect the work space or non interest in it ), (the lack of details drawing elements and its sense of stillness ), in which three items has gained the high in the arithmetic average for the items ?????? so that these items indicate the introversion, the introversion has shown with artists ( Mart, Michelle, Banksy, Nock ).3. psychological dimension has appeared representatively by extraversion for the painters statistically throughout ( Idiomatic expression of subjective feelings of the artist ), ( sense of optimism from the atmosphere artwork ) , ( having a sense of Carnival )and ( using colours that represent happiness and pleasure ), in three points in this work area have gained the high in the arithmetic average for the items ?????? these points indicate the extraversion the extraversion has appeared with painters ( Alis , Quik and Miss Van )..Some of the conclusions reached by the researcher : ?. Generally the Postmodernism art characterized by pluralism and overlapping races , varity of art styles , keep away from the constants in the area of individual and temporary methods that the Postmodernism art characterized with and before it , and the psychological dimensions in Graffiti art agreed with the nature of this openness and The overlap of races.?. The big diagnosis in the Graffiti paintings with repetition of the artist's name characteristically in artwork ,If anything, it shows the artist's quest to prove himself , and confirmation of him especially that the Graffiti art painters are oppressed by agencies specialized lifting these paintings and reject its content which pushed to Incitement and a provocation and consider it also titled ugliness.?. The Graffiti art paintings have taken huge area from psychological dimension that filled throughout display conscious and unconscious that characterized in involvement of the recipient, it is like remarkably and exciting letters contain purposes and other media order imposed ,as well as functional ones in several areasthat is how the researcher has concluded her research by recommended and suggestions and then the sources and appendixes
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الخطاب الفكري والجمالي في العروض المقدمة لنصوص علي عبد النبي الزيدي المسرحية The Intellectual And Aesthetic Discource Of The Dramatic Shows Presented In The Texts Of Ali Abdulnnabi Al - Zaidi

اسم المؤلف: بشار صباح جابر الاعرجي
اسم المشرف: محمد فضيل شناوة
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: شغل الخطاب الفكري والجمالي للعرض المسرحي منذ بواكيره الاولى, حيزا مهما وركنا اساسيا في مضمونه وبنائيته , ولاسيما ان العروض المسرحية الحديثة عمدت الى التركيز والتاثيث لفلسفة الخطاب الفكري والجمالي بوسائل اجرائية متنوعة ومختلفة في محاولة لتصوير الواقع | The intellectual and aesthetic discourse of the dramatic show has occupied, since its early times, an important and essential space, as long as its content and structure are concerned; especially, contemporary dramatic shows have proceeded to the concentration and the furnishing of the philosophy of the intellectual and aesthetic discourse using various and different means in an attempt to portray reality and its ideologies. Consequently, every historical phase and every era has its own intellectual and aesthetic discourse that makes it distinct.The dramatic shows, presented for the texts of (Ali Abdulnnabi Al - Zaidi), carry ideological and aesthetic propagations along with a philosophy of discourse that deals with the subject matter bravely and deeply. In addition, they break the taboos, and deviate from the norm clarifying a philosophical and ideological discourse that goes beyond the mental and psychological limits. The study is divided into four chapters. The first chapter deals with the methodical framework including the problem of the study which concentrates on the following question : (What are the ideological and aesthetic propagations that are carried by the dramatic shows that deals with the texts of Ali Abdulnnabi Al - Zaidi?), whereas the significance of the study manifests itself in studying the dramatic shows that deals with the texts of Ali Abdulnnabi Al - Zaidi and the intellectual and aesthetic discourse that is used in such shows to express the reality in such a way that seems to be unfamiliar in treating this reality by using, often, forbidden ideas. As for the aim of the study, it is (to know the intellectual and aesthetic propagations carried by the dramatic shows that deals with the texts of Ali Abdulnnabi Al - Zaidi). Then, the study is limited, in terms of place, to include the dramatic shows of the texts of Ali Abdulnnabi Al - Zaidi in Iraq. In terms of time, the study is limited to the years 2003 - 2016. As for the subject matter, it is limited to study intellectual and aesthetic discourse of such shows. Finally, the chapter ends with the determination and definition of the terms. The second chapter deals with the theoretical background along with the literature review to include three aspects : the first aspect is concerned with studying (the concept of discourse in the philosophical intellect) which is subdivided into two further aspects : the first is the concept of discourse in the international philosophical intellect and the second is the concept of discourse in the Arabic and the Islamic philosophical intellect. The second aspect is concerned with studying the intellectual and aesthetic references for the author (Ali Abdulnnabi Al - Zaidi). The third aspect is concerned with studying the intellectual and aesthetic discourse of the director in the international dramatic show. Then, the chapter is ended with the indicators of the theoretical framework as well as the literature review.The third chapter deals with the procedures of the study including the sample of the study which involves (30) dramatic shows, and the data of the study which is (3) representing a sample for the dramatic shows presented for the Al - Zaidi's texts. This chapter also includes the model of the study and data analysis.The fourth chapter deals with the results that are arrived at by the researcher, and the most important of which are : 1. The three dramatic shows depend on the dichotomies of (good vs. evil), (love vs. hatred), (life vs. death), (war vs. peace), and (doubt vs. certainty). Such shows attempt to find an agreement between these dichotomies and figure out what they are.2. The three shows deal with those who live on the margins of the society along with their problems trying to find solutions for them.3. The three dramatic shows are characterized by their intellectual and aesthetic discourse that swings between reality and absurdity. The drama of Rain of Summer depends on the personification of dolls and human cloning regarding them to be human beings. In the drama of O Allah, the mothers, threatening God, refused to pray and fast. And Macbeth, in The Countdown of Macbeth, has a miserable end as he is buried in rubbish. 4. There is an important presence for the woman in the three dramatic shows where she plays an important role in decision making and changing the plot.5. The three dramatic shows make use of quoting from the Glorious Qur’an and making such quotations the main theme of the intellectual and aesthetic discourse, as in the drama of O Allah. The chapter also includes the conclusions, the recommendations, the suggestions, and a list of the references in addition to the appendices. Then, it presents the abstract in the English language.
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