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الدلالات الزمنية للصورة في الدراما التلفزيونية == The Time Indications Forpicture In Television Drama

Author name: صابرين كامل زيدان خلف
Supervisor name: عصام عيسى علوان السامرائي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان وعينا لمفهوم الزمن وادراكنا له,ليس في كونه زمنامجردا,بل في معايشتنا له,جعل الباحثة تستقصي حالات بناء الزمن ودلالته وكيفية نشوء فكرته لدى الانسان وصولا الى ادراكه واستيعابه من خلال البنى الفنية بتعدد صنوفها وحالاتها والتي تصاغ بسبل درامية تعطي متصوا انس | That our awareness of the concept of time is not in the fact that time merely, but in the Maistna him to make a researcher investigating cases of building time and the significance and how the emergence of the idea of a guidance man down to the perceptible and absorbed through the structures of art multiplicity of its different, situation and formulated ways of dramatic give a vision humanly creative about the time.In aspects of the philosophical, scientific and technical witness the effect of time and the concept of time, occupies an important place in the drama in human life, self and external environment and society, all this gives the structure of image work dramatic themes promise revolves time Petrchinha So it was a question that deals with the search : (What are the qualities under which the pixels to produce indications of time of the events in the drama TV show?)The first chapter deals with the structure of the research, the problem and the need for it, its goal and its importance, and which controls the border area of research as well as determine the terms.Chapter II addresses the theoretical framework (two topics), the first contains several sections and includes each time its concept, types and concept philosophically, and in the section other includes the structure of semantic of the image in the television drama, and represents the time in which to infer the effects of time of the artwork and understood by the receiver when watching action film and television and then reviewed by a researcher the results of the theoretical framework and left him in several indicators,In the third quarter, which includes measures of research methodology - sample of the research - the search tool and the unit of analysis,Finally moving to the fourth quarter to deal with the analysis of samples selected from the serials, which have been selected Qsidia two series (King Farouk, another series of kings) and through the search tool is obtained, our findings through the analysis and thus complete the research conclusions, proposals and recommendations complementary to search then fixed list sources and supplements

اشتغال الشفرات الثقافية في المسلسلات التلفزيونية التركية == The Functioning of Cultural Codes In Turkish TV Series

Author name: علي عبد الرضا مزبان المطيري
Supervisor name: ياسر عيسى حسن الياسري
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: بدات العروض الدرامية التلفزيونية الاجنبية وبالخصوص المسلسلات التركية تاخذ مداها الاوسع في البث والانتشار في الساحة العربية عبر وسائل العرض المتنوعة ومنها القنوات العربية كافة الحكومية والاهلية، وصارت تشق لها طريقراحبا وسط المتلقين العرب عبر ما تبثه من قيم | Began offers dramatic foreign TV and in particular Turkish soap operas take a range of broader in broadcast and spread in the Arab arena through the means of various display including Arab television all government and private , and became make their its way welcomed amid recipients Arabs over what was done to the values , ideas, and the meanings of various , across what was done to their offerings dramas diverse in terms of form and content , and therefore it has become necessary to monitor this phenomenon art by researchers and scholars in the fields of film and Television Arts so that it can understand and comprehend the vast amount of marks artistic , aesthetic and semiotics posed on according to their own perspective , and that seemed to constitute as mentioned phenomenon of great artistic occupied Arab public opinion and Muslim world as a whole. In order to prove a research that this phenomenon is its own language was we have to disclose their tools and language Tglatha aesthetic and expressive and semantic terms of form and composition and meaning , and here began , the first steps in the study of this phenomenon artistic expatriate us , through an approach to language film structures semiotics active and effective participation in Mndzha iconic pregnant for the meaning of the signifier ( s dramatic itself ) , in terms of function units and compositional organization and shape and Altmzar , and the resulting emergence of Encode cultural meet the privacy of work and gives him his identity , social and cultural well and shown on according Achtglatha multiple hidden and implicit within the overall context of the presentation of dramatic television , the offer system nested and linked to cultural life public and the same time is a separate system of cognitive intellectual aesthetic operates according to its own language and Its blades specialized Kalza and theorist , music, physical movement , and here and where resulting from this approach several results had them , the possibility of the application of most of the structures of semiotics linguistic the accomplished television drama based on the manifestation and emanation built Alamih lingual and non - lingual actor like , blades , and built a communicative other is determined by which identity and privacy accomplished dramatic television and his art , through interdependence and different and Talvadtha markers ( iconography , and symbolism , and indicative) incarnated and is operated in the body art , and the problem with this , a system of rules and technical norms , which in turn lead later to deliver a message with deep meanings , using all elements of cinematic language. And according to the progress of speech and a request to build the foundations of scientific research , academic, and in order to stand on the details of the chapters of this research work and covered components of the various it has been the study title, year ( the functioning of cultural codes in the dramatic TV series Turkish ) and were divided into four chapters , as follows : Chapter I ( methodological framework ) : The intake of this chapter the research problem , which crystallized and was studying the modalities of the functioning of cultural codes in the structures of television dramas Turkish embodied in the form of dramas and demonstrate their functional and semantic through the identification of structures cryptographic elements display art and semiotics. Vassana work uses blades cultural reality expressed through the expressive elements of cinematic language , in turn, creates a cultural Its blades that gives the drama of technical specificity and uniqueness distinctive. Also included this chapter objectives of the research , also included a chapter on the rest of the ingredients methodology other than the importance of research and its limits , and the definition of terms and came second chapter ( the theoretical framework and previous studies ) : Based on the manifestation of the subject of current research into the levels of synthetic and Alamih and expressive , diverse saw the researcher to study what's covered by the installation of elements within the construction and semiotic recaps of the drama television show as a structure and shape Accordingly, the researcher finds this chapter is divided into several sections , were as follows : First : dramatic structure in Turkish TV series : Second : the semiotics of dramatic television building : Third, the concept of semiotic codes in the field : The third chapter ( research procedures ) is based on two main pillars : research methodology , and it has been adopted descriptive analytical method based on the unit of analysis that are part of the selected sample Qsidia a way that fits with the nature of the research, in addition to clarifying the reasons for choosing this sample. The resulting theoretical framework for a number of indicators adopted by the researcher as a tool for the analysis of the sample after the presentation to the committee of professors and experts for the purpose of examination and evaluationCO : Analysis of selected sample according to the tool that came out of a researcher from the theoretical framework. , The sample consisted of the series ( Valley of the Wolves ) measure performed seventh.And ensure the fourth quarter , a set of findings and conclusions , the most prominent of which contribute to the adoption of cultural codes through Ostglatha multi as markers or glitter Tgeorah and deliberative adopt the concept of relational in the supply , transportation and neighborhoods structures and forms Alamih with Achtgalat extinct and dead , or specific markers ( arrows ) (Poison ) ( cord ) ( secret rituals ) , employed in the service of a broader meaning and shows the function within the context of the Great unity (Serial ). The research also included a series of recommendations and suggestions for the search ends with a list of diverse sources and a summary of research in English

التمثلات البنائية والفكرية للمكان في مشاهد الاستهلال في الفيلم الروائي == Representations Structural And Intellectual Place In The Scenes Initialization In The Feature Film

Author name: محمد عبد الحميد ضيدان
Supervisor name: علي حسين صفوك الركابي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتلخص موضوع البحث ( التمثلات البنائية والفكرية للمكان في مشاهد الاستهلال في الفيلم الروائي) كونه يبحث الجانب البنائي للمكان, اي مجموع العناصر التي تتفاعل معا في تحقيق تلك البنائية وما يترتب عن ذلك من وظائف تحقق تلك البنائية المكانية وخصوصا في مشاهد الاسته | Boils research topic ( representations structural and intellectual place in the scenes initialization in the feature film ) being looking side constructivist place, any sum of elements that interact together in achieving those Constructivism and the consequent functions check those structural spatial and especially in the scenes of initiation which usually reveal the nature of the events and the dimensions of the characters and their actions , and the atmosphere psychological, social , cultural and otherwise, for the link to place a lot of dimensions that can be drawn or expected , so I saw a structural place over the course of art film a lot of transformations which Erafqgaha necessarily a change in the functions performed. In terms of representations intellectual place , the directors usually hire the place in order to bring out their ideas , either directly provides an understanding of the receiver to the idea of the film from the beginning, or indirectly by encoding the place and thus may postpone the director in the detection of the idea of the film to movie scenes Other may sometimes up to the end , and it will be a key component in place to receive information either visible or invisible and a substitute for the usual methods such as dialogue or commentary , or other methods of narrative.The research is divided into five chapters : Chapter One : to ensure a systematic framework for research and included a research problem , which was the following question : What representations structural and intellectual place in the start - up scenes in the feature film ?And also included a theoretical framework to search a target detection modalities that their place is structurally and intellectually in the start - up scenes in the feature film. The search also included the importance of and the need for him , as well as to clarify and define the limits of search terms.The second chapter included a theoretical framework and previous studies theoretical framework has been divided into three sections : The first topic : the concept of the place and divided into three main axesDiscourses place linguistically and philosophical concept of the place and the concept of the place of artThe second section was talking about the structural location and the types of films that Abanna?aat what are the cinematic elements that participate in these structural and how they operate.The third topic : it was the place to talk about the film structure and significance , particularly in the start - up scenes , and touched on the concept of search start - up in literature and cinema and what is the structure of the privacy of the place in the opening scenes , and how they hired Bna?aat place in those scenes.He then discussed the intellectual side of the place in the opening scenes and how they were dealt with by the directors of place in the presentation of their implications intellectual ways and means Ctoziv many cinematic elements and other methods such as the use rhetorical symbol and metaphor. After the completion of the theoretical framework presented earlier studies that dealt with the subject of research from afar or from nearby , concluded the researcher to a number of indicators that felt researcher to be a tool for analysis after the presentation to the experts and ratification by them , so the researcher analyzed the three films has arrived at a set of results was the most important : 1 - saw the place in the structure of scenes initialization shifts and many changes as a result of the active role of this structure and of its own functions on the level of dramatic and aesthetic and intellectual.As of the most important conclusions was : 1 - maker cares about the structure of the work place in the side as a start - up scenes of the most influential and enjoyed plenty of the recipient in terms of reaction and anticipation fascinate and expand the horizon of expectations.Then your search is over some of the recommendations and proposals.Find then concluded with a list of the most important references and sources that hired the researcher and a summary in English

التمثل الدلالي للسريالية في الفيلم الروائي == Semantic Assimilation of The Surreal In The Feature Film

Author name: اثير عبد الرزاق بدن الساعدي
Supervisor name: ماهر مجيد ابراهيم
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يركز صانع العمل في خطابه على انتاج المعنى، عبر توظيف الوسائل التي تولد المعاني الظاهرة والضامرة، وترتبط عملية انتاج المعنى بالمرجعيات التنظيرية التي ترتبط بذات الموضوع، فللموضوعة الواقعية خصوصتها في التعامل مع المعنى، وهذا ما ينطبق على باقي المرجعيات التن | Focuses maker working in his speech on the production of meaning, through the employment of means which generates meanings phenomenon and vestigial, and linked to the process of production of meaning reference laparoscopic, which are associated with the same subject, subject realism particularity in dealing with meaning, and this is what applies to the rest of the references laparoscopic, such as formal theory or Cinema dogma, and other references that assume a particular form of dealing with the raw material and the elements of the language of the mediator, and Surrealism one of these references, which are characterized by particularity in dealing with the meaning and production of special means, represent this means the basic features of the surreal, which crystallized images cinematic configurations working to represent the significance of Surrealism in the film, hence the title of his research researcher identified the following : (semantic assimilation of surreal in the feature film), and the researcher dividing the search on four chapters, were as follows : Chapter I (methodological framework), which included the research problem, and summarized by asking the following : What are how they are semantic assimilation of surreal in the feature film? Then the importance of research and the need for him, as well as the objectives of the research and its borders, and identify the most important chapter seal the terms contained in the title search. Chapter II (theoretical framework) and came on the three sections, are as follows : The first topic : the concept and references Surrealism : researcher where the concept of Surrealism, and techniques adopted, as well as the attributes of the surreal. The second topic : embodiment and abstraction of the cinematic image : in this topic was discussed modes of assimilation in the picture Surrealist film, once deprivation through symbol and metaphor and again personification by employing elements mediator Film Festival. The third topic : the significance and layers of meaning : in this section have been addressed to the term significance, and the beginning of this science, and the mechanism for making semantics and Production of meaning, as well as layers of meaning direct and implied indirect, through which assimilation Surrealist inside feature film. In light of this, the researcher to a set of indicators that represent the summary of the theoretical framework. Chapter and seal with previous studies.Chapter III (action research) : has included research methodology, tool research and analysis unit and the research community and the sincerity of the tool and steps of analysis and research sample that has been selected Deterministic are as follows : First : the movie (Black Swan) output (Inception) Second : the movie (Inception - Inception) Directed (Christopher Nolan) Then, the researcher analyzed the sample from the theoretical framework of indicators after taking the opinion of the Committee of Experts and arbitrators. Chapter IV (findings and conclusions) : it ensures results that came out of the researcher after analyzing the sample, and the most important results 1. activation rhetorical elements of the language of the mediator film for the production of meaning in ways different from what is familiar, becomes a meaning associated consciously receiver, and the capabilities of psychoanalysis to uncover the nature of relations constructivism in movie scenes, as demonstrated in the research sample (film Black Swan, and film Inception) 2. shape the narrative in the film Surrealist manner vehicle, it is beyond the formats of traditional narrative, clinging to such modalities narrative hybrids that overlap the middle of texts, and becomes a sequence of Psychological is dominant in the presentation of the events, as demonstrated in the research sample (film Black Swan, and film Inception) The researcher then went out to a number of conclusions, and recommendations and proposals. Find and seal a list of sources and supplements and a summary in English.

البناء الحركي وانتاج المعنى الدلالي في المشهد التلفزيوني == The Buildup of Motion And Production of Semantics Meaning In The Television Scene

Author name: كمال شناوي ذياب
Supervisor name: دريد شريف محمود
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: سعى الباحث في هذه الدراسة الى ابراز دور الحركة كمفهوم شمولي في مستويات متعددة امتلكها الفلم كمنتج فني سواء على مستوى السينما او التلفزيون بشكل عام، كما سعى الباحث الى تجذير العلاقة ما بين الحركة ذاتها بكل مستوياتها ومراحلها وتاثيراتها في انتاج المعنى الد | Researcher sought in this study to highlight the role of the motion as a comprehensive concept in several levels the film has as an artistic product, both at the level of the cinema or television in general. The researcher sought to consolidate the relationship between motions itself at all levels and stages and their effects in the production of the semantic meaning. The study tried to follow the appropriate way to achieve the maximum benefit through reading all views in line with the research objectives, the research was divided entitled (buildup of motion and production of semantics meaning in the television scene) into four chapters in which he first entitled (The methodological framework ) which includes the problem research, its limits and its goals, while the problem of the research can be summarized asking following ((what are the aspects of motion affecting the production semantic meaning in unified artistic buildup?)). Yet, the importance of the research being dealing with basic subject in the structure of a scene, which is motion and their meanings in production as well as the possibility of becoming a useful study for those interested in field of TV drama. Meanwhile, the limits of the research focus on studying television drama. The research objectives have been limited to (detecting the modes in which motion operates within its various forms on production of semantics of meaning in the television scene). The chapter also included on a definition of the term motion, while chapter two (the theoretical framework and previous studies) which has included three studies which have formed the theoretical foundation of the research, these studies were titled as follows : The first section (motion from the structure to the meaning) it gave a thorough discussion to the concept of motion, in addition to the structure and semantics and the significant of the structure on scene buildup in films, in addition to the theoretical picture and its relation with the meaning which is being dealt in details. The second section (from the movement to the film) it reviews the history of motion picture and factors that affect the composition of picture in television.The third section (motion and dramatic structure in the television scene) it addresses the concept of drama, in addition to the elements of action and its buildup, also we have dealt with the rhythm of the scene and building it both intellectually and editing (montage). The research also tackled a number of previous studies that have smaller interests. The researcher has come out of a number of indicators which are the results of the theoretical framework.The third chapter included (research procedures) which included the used methodology and the research community and the chosen samples and justifications for choosing them, as well as the mechanism of research and unit of analysis, this chapter also included analysis of the selected samples. The fourth chapter includes conclusions that focused on two television series that were intentionally chosen to meet the requirements of the research. There are fundamental findings that both series have resorted to motion levels in producing the meaning in different manners, starting from the buildup of motion to vision and the editing, camera and sound. The researcher confirmed on a number of conclusions that have resulted in the light of discussing the samples of the research which confirmed that television series should deal with almost all levels of motion and its meanings in the production of the television scene, with a significant difference in the levels of motion in building of the scene. The results and the recommendations have maintained the goal that the researcher has made in mind in his scientific plan, as mentioned above. This chapter also includes the recommendations, proposals and sources, in addition to summary of the research in English.

الاثراء الجمالي للكادراج في تشكيل فضاء اللقطة لبنية الفيلم السينمائي == Aesthetic Enrichment For Cadrage In The Formation of A Snapshot Space of The Film Structure

Author name: علي حيدر خالد فرمان
Supervisor name: متي عبو بولص
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: When he was told earlier that the film image and the movement were matched at the same moment that attempts perpetual to find potential unique art film , a possibility that must be characterized and unique among the rest of the other arts , which laid with the long history of the foundations of language unique.. as he says Eisenstein in his book Movie format that the musician uses a ladder of votes , as well as a painter uses the area graded colors as that of the scribe set of characters and words.. but in return what fired on cinema recipe she image and movement have come to the recipe opaque in the eyes of aesthetics film since there is no image transmitted the camera does not move CONTAINED within this cadre express virtually no way for the uniqueness of this special art.. the picture itself is a possibility of many other visual arts... as well as the movement within a specific framework cadre is also a feature of the theater.The image and movement are two of the data of this language does not mean in themselves this language , but is just data , and these data are recoverable only to the restructuring and the creation and then the way restructuring is the same as that language desired , which will uniqueness of the art film venue solo the rest of the languages of art, because the cinema visual art , it was the configuration the effect of the basis of the formation of the mainstay of this art , Valtkoan picture film performs a critical function in the development of any accomplish my film , not surprising that the overlap in the configuration process all the technical elements and technology that contribute to the making of the film , way out and photographer and designer decor , actor and sound engineer contributing to all of us in creating a configuration Film Festival, as well as " all this, the film largely depend on the aesthetic image problem system configured I mean , it can be Mahbuka Banazare and special effects nearby , which qualifies the process of attracting viewers and raise their senses and provoke Maiqathm about topics that drama Moot film , particularly as it was the product of a technical support look and feel as a showpresenting , and leaning on the configuration elements and forming processes in the formation of the final image of the drama movie , which up to the viewer , carrying in its content story or idea , in the framework of art was his mastery and drafted through the techniques and tools employed by Maker work with his style and his way and visions.Hence the researcher in identifying placed his research (such as the inclusion of aesthetic enrichment in the formation of a space snapshot of the structure of the movie), has been divided into five chapters on research were as follows : The first chapter ( frame systematic ) : to ensure the research problem, which was questioning follows ((what qualities by which to achieve enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie?)), As well as its importance and the need for him in being dealt with articulation accurate one language elements film, in addition to the aim of the research, which represents detects modalities by which or contribute to the enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie, as well as ensure that the limits of the search, and seal Chapter determine the terms contained in the title search.Chapter II (theoretical framework and previous studies ) : The researcher dividing the chapter on the three sections, as shown below : 1. The first section : (Alkadraj in the structure of the movie)2. Second topic : ( plastic film shot in space )3. Third topic : (aesthetic building frames acoustically and visually)Finally, the researcher came out at the end of the second chapter of inter indicators formed a summary of the theoretical framework.Chapter III ( action research ) : ensure research methodology and the research community and the research sample, and the search tool has been identified through the indicators derived from the theoretical framework after a presentation to a committee of experts for examination and evaluation.Chapter IV (sample analysis and discussion) : ensure that the sample analysis and discussion of the analysis was to deliberate three movies to get to the results and objectives , A film (Shakespeare in Love), directed by John Madden and film (Kingdom of Heaven), directed by Ridley Scott and the film (a nightmare of blood and sex), directed by Joseph Kolbyk.Chapter V ( findings and conclusions ) : Review of the researcher to ensure that the most important results that came out of the analysis of the sample , including : 1. Enrichment is a given aesthetic basis for action when Alkadraj composition of space from the vision of self - treatment of structural frames in the film , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( Shakespeare in Love ).2. The building Alkadraj means the ability of the director to manipulate the rhythm and the mass distribution through homologues and antonyms , which represents the process of enriching the aesthetic of the snapshot in the structure of the film as a whole , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( the nightmare of blood and sex ).3. Represent the process of the mass distribution within the framework of the standard basis in shaping the aesthetics of the rhythm of the picture and the overall unity of rising onthe balance of the overall composition of which , as demonstrated in our research sample movies.4. Achieved enrichment aesthetic through activation of the text scanner , and the gradient hormonal colors or Alcontrast which is a factor creating clarity and isolation and vision , as well as distortion and guess in a sense, as demonstrated in our research sample film ( Shakespeare in Love ) and film ( the nightmare of blood and sex).As well as the conclusions that the researcher extracted from the overall theoretical framework and analysis of the sample and that of the most prominent : 1. The Alkadraj is one of the most important means of creating distance aesthetic image , Valotra aesthetic in the picture is constructive Eptgeh director of that image in its final form, it is that expresses the sum of intellectual and formative vision of Foreign Affairs of the same artist to public life , which is the result of all his thoughts and instincts on differing trends and inclinations and different affiliations , culture and consciousness , experience and practice , which represents emotions and maturity and the extent of his capabilities , which led him to this level of performance excretory , especially since the plastic snapshot extends to the meanings of Interior , which is closely related to and interacting with all shapes and sizes , and the characters and decoration , furniture, fashion and color and lighting of during that intentionality regulatory those different elements.2. Said enrichment aesthetic such as the inclusion controlled by the ability of the director to manipulate the rhythm mass distribution language brevity of its subject , who is filming , as well as by staff and the framework Ikts intent to form was footage establishes turn later scenes , which in turn containsall elements of the picture and formations granted by the characteristics and dynamics , which is incorporated in the final form of image expression and its beauty.3. Polarization and induction of wonder and exoticism at the viewer , to establish enjoy and gravitate to the image Bmoduaadtha , shape and construction of the picture and the objective and all this is thanks to the amount and type and multiplicity ( abundance ) and the shape , color, size and method of formation of fonts, colors and decorations and sculptures , which are in constant flux and constant , and that even included fashion accessories and all assets in most movies samples.Chapter and seal the proposals and recommendations , and then the list of sources and references that benefited the researcher and seal search extract in English.

الاثراء الجمالي للمؤثرات الرقمية في الصورة التلفزيونية == Aesthetic Enrichment of Digital Effects In The Television Picture

Author name: نوفل جنان بهنام فتوحي
Supervisor name: ماهر مجيد ابراهيم
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Tertat data aesthetic and practical achievement of enrichment variable technical and scientific development adopted by means Alcinmatugraveh, especially psychotropic Digital, which employs in the production of TV picture, and the formulation of the reality of art as much as possible of persuasion, since they represent the process enriching the form of technical drama television, producing layers of meaning, accompanied that achieving credibility dealing with vocabulary set drama, so granted the fact of the Incarnation in the window, and this articulation select researcher Title search (b enrichment aesthetic effects digital TV picture), where it formed digital technologies certain scope for creative building (picture art) characterized by high capacity on intellectual expression because of its highly effective techniques to achieve aesthetic enrichment level exceeded the traditional concept of the tricks and traditional influences, has been divided researcher discussed into Khosma chapters were as follows : Chapter One (methodological framework) : which included the research problem that summarized in the following question : How are achieved aesthetic enrichment of digital effects in the TV picture?The importance of research and the need for it, as well as the limits of search, and seal identifying the most important chapter of the terms contained in the title search.Chapter II (theoretical framework) : included three sections were as follows : The first topic : technical development and creative construction in artworkThe second topic : employ digital effects in TV pictureSection III : aesthetic influential digital television drama.In light of this, the researcher to a set of indicators which represent abstract theoretical framework as a prelude to the presentation to the Committee of Experts as described in Chapter III, the researcher concluded Chapter Two previous studies.Chapter III (search procedures) : The research methodology included, and search tool, the unit of analysis and research community and sincerity of the tool and analysis steps, and finally the research sample, where purposive sample was selected are as follows : three television series : First series : (Sinbad) Directed by (Brian Grant - Andy Weston)Second series : (Visitors Visitors) Directed by Scott Peters.Third series : (Spartacus Spartacus) first season out (Rick Jacobson)Then, the researcher analyzed the sample from theoretical framework indicators after taking the opinion of the Committee of Experts and the arbitrators.In the fourth quarter (results and conclusions) : it included findings researcher after analyzing a sample search, including : 1 - aesthetic enrichment achieved through the effective capacity of the effects on the formulation parameters of time and space in the television drama high flexibility and voluntarily whether through industry place fully, or partially. As we have seen in the research sample TV (Sinbad, Spartacus, visitors).2 - leads enrichment aesthetic image to enrich the credibility and construction, verification and conformation, which means achieving maximum active connotations expressive different in all cases the result is a functioning aesthetic features the ability to combine the advantages of the real world and the vision fictional at the same time. As we saw in the research sample (Sinbad, visitors)The researcher came after a number of conclusions, and seal research recommendations and proposals.The researcher finally put a list of Arab and foreign sources adopted by research, supplements and seal research Abstract in English.

الاشتغال الدرامي والجمالي للاكسسوار في سردية المسلسل التلفزيوني == The Dramatic And Aesthetic Occupancy For Accessories In Narration of TV Series

Author name: احسان دعدوش حسن
Supervisor name: علي صباح سلمان
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ينطلق البحث في محاولة لتاشير الاشتغال الدرامي والجمالي للاكسسوارات في الاعمال الدرامية، اذ ان كثيرا من المصادر السينمائية والتلفزيونية قد اغفلت ذلك الاشتغال - بشكل تفصيلي - واكتفت باشارات هنا وهناك لا تكفي الباحثين والمتخصصين في الدراما التلفزيونية، اذ | Kicks off search in an attempt to mark engage in dramatic and aesthetic accessories in dramas , and where many of the sources of film and television have overlooked that engage in - in detail - and merely signals here and there are not enough researchers and professionals in the television drama , it came this search to separates much in use conscious accessory in a dramatic scene. It was a most sources of books and letters Master 's theses Ph.D. inflict Art Accessory art of decoration , and the uniqueness of the accessory chapters separately , which is the same outlook among directors and makers of dramas television , which relied on the dialogue in the narrative stories , and did not activate an Accessory to the is the task of the narrative , but in little business, but after that gained a TV drama tools and potential mediator Film Festival in imaging equipment , lighting, editing and visual tricks , and that gave the image of television and greater clarity in the quality and quality in the area of the screen , and no longer naming the small screen apply to the system of the TV show because of the big change in regulations Display( AJ Dee, and wealthy de ) , as well as the change in screen sizes TV show , which begins a smaller size in the plasma screens of 32 inches , while the screens ( LCD ) is up to 13 inches and less, while the larger size is not an end, and every year show larger sizes for both types. Have contributed to these changes in the evolution of the use of all parts Accessory shots variety of sizes and angles , becoming an active part in the accessory operations to engage in dramatic and aesthetic narrative television series. The research includes four chapters were as follows : Chapter I ( methodological framework ) , researcher in which the research problem , which revealed that the accessories and collectibles lead duty Tagged In addition to its duty aesthetic inside view television , and boils down to that duty Semantic fact that those tools mode to distinguish between places , people and times and cultures , and without them it becomes theorist poor and non - D thing , and therefore there modes operate accessories such as elements of dramatic and aesthetic. The importance of research in the reading of the recruitment events aesthetic and dramatic narrative of the accessory in the television series across clarify the implications.And ensure that the second chapter ( theoretical framework three sections , came the first of the title ( Accessory in the arts , film and television ) Turning to the forms and nature of the accessories employed in works of art and how to employ these accessories to represent part of the narrative or Mudallolah scene , Valxssuarat lead functional aesthetic expressive help build dramatic events , and has become an engine for those events , in addition to the function expressive and functional aspect of the operation of accessories in the structure of the drama. After fighting a Search ( Dimensions drama and aesthetic accessories in the TV series ), which is the title of the second section to confirm that the aesthetic is not a goal itself, and not to be accessory impressive without cause becomes a presence innovative and delightfully and isolation from the work of art , offering cutting accessory whole signs readable and communicate ideas and feelings , can generate meanings and disclose the contents hidden inside the structure moot.The study provides in Section III ( the relationship between the accessories and narrative TV series ) my way narrative central ( subjective and objective ) to know the events occurred in the past ( outside time events ) , as well as the disclosure of what will be located in the future , and the fact that an Accessory able to combo both ways both , whether the purpose of the narrative to know what happened in the past or present alternately (past figures or future ) , and because the TV drama of Arts synthetics can not be any element that serves as the narrator unless there are other elements that are working with accessory to formulate sentence moot , including personal and dialogue The time, place and the lighting and color photography and editing.After discussing the researcher 's previous studies came out after six indicators seized the rhythm of the study and after the presentation to a committee of experts and specialists have modified to suit the requirements of the search.The third chapter with double two : research methodology , and discuss the sample that has been subjected to analysis on according to indicators that came out of the theoretical framework , and formed the sample selected from the second part of the Turkish series ( Harem Sultan ) , which was chosen because of the outstanding works which have earned a great deal of viewing, and being contains the greatest possible use of the aesthetic and dramatic accessories in the context of the narrative of the events.And ensure that the fourth quarter results , which was the most important accessories that has as an element of expression in the ability to narrative drama when placed in different contexts , and are relying maker 's ability to work in different ways to find a narrative beyond the traditional methods that rely dialogue.The researcher went out the conclusions and proposals and recommendations , including the need for the script writers to highlight the role that could be played by the accessory as a key actor in the television drama , not as objects belonging to the decor or complement it , and eventually came Find a list of sources and a summary in English.

تقنيات السيناريو للفلم السينمائي والمسلسل الدرامي التلفزيوني == Scenario Techniques of Movie Film And Television Drama Series

Author name: عبد علي كعيد فرحان العتابي
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ليس من السهل انجاز فيلم على شيء من الجودة من دون جهود واضحة وامكانات ابداعية متميزة، واولها : كتابة السيناريو. ان انجاز سيناريو جيد يعد البذرة الاولى والنواة لشجرة الفيلم الباسقة. اذ ان الكلمات تتحول الى صور واصوات وحتى صمت. ان ادارة الالات والعمل على | It is not easy to accomplish something on film quality without apparent effort and creative potential of distinct, and first is writing the script. The achievement of a good script is the first seed and nucleus of a tree Albasagh film. As the words turn into pictures and sounds and even silence. That machines and work management techniques and software is no doubt that they need from the old knowledge and experience as well as accumulated renewable and highly developed expertise, which occupy a lot of space in the tools and working methods of the Device Manager as well as creativity. However, writing the script you need the first place to the great creative energy and imagination, as well as the need to identify the techniques in the style of writing and delivering the intellectual and aesthetic implications of the film. Vkateb scenario can be likened to a lawyer his case defended, so it required him to find arguments to win this case, using all means and evidence and using them legally main employers (technically for screenwriter) convincing and influential, it is not inconceivable that this lawyer can win a case without identification of legal materials and paragraphs quoted them, and invested in convincing the judges, the prosecution.. Hence.. the process of writing the script you need in the first place (the screenwriter) for a complete understanding of the use of elements of all areas Astgaladtha and how the flow of creative in order to achieve the best results for his film It is the case. There are common views that may prove to be a bad scenario, when produced well. Also can be a bad film mesmerized for a good script, this depends on the possibility of creative director, but the important thing is to be axioms scenario includes the elements of success for himself.Although the material temptations offered by production companies film in the world but they have received only a few of the scenarios that produce films on the very quality, and it's stuck in the mind so the film and TV scenario deserves attention and study and research, in order to create a generation, but generations are able to craft this art, which is the mainstay of the first after the (money) in film production.. the dramas film and television production is one of the best means of lucrative production and materially more than others Save the jobs of tens of thousands of artists, technicians and craftsmen, workers, drivers and Alkmbars and even restaurant workers Anne cinema (art machine) industry and creativity.The Alsinarioekshv himself when reading the receiver (producer or director or art schools) from the first pages, that was good or bad. Or it can be produced a film or a serial dramatic remains stuck in the mind, or infects watch weary and tired, and perhaps leave his seat before the end of currently No. enough proficiency craft and learn about scriptwriting techniques, but is important to the talent and creativity, Creativity with mastery of the elements and components of the craft creates films The series can not be erased from memory : citizen Kane, Shakespeare gone with the wind, rope, various processors directorial debut, America America, mirror, armored Botomkan, city lights, seven samurai, Rachamon, Titanic, a space Odyssey... and many other movies. As well as soap operas.Find boils down to : a summary of the four seasons was the first chapter a methodological framework for the search includes Totoh to understand the nature of his problem, followed by research and monitoring of the importance of research and its objectives and its borders as well as to determine Aalatah terms : (techniques, scenario). The second chapter fitted with three sections was the first of which is : narrative termsand concepts dealt with this topic of literary narrative and Filma, also sought to clarify Ostgalat narrative in the novel and the story and the film, then the definition of drama based on the book The Art of Poetry of Aristotle and the views of many writers and critics to study everything about them , explain Annaasraldramah (character, plot, conflict, node, events and crisis peaks, the solution and finally happy or unhappy or open ( The second topic dealt with the scenario Film / TV including the importance of the script and the qualifications of the screenwriter and the types of scenarios and sources screenwriter and treatment, originality and the difference between the film and the screenplay series. The third section Vhuallaqh shaped scenario, where the researcher constituent elements of the scenario starting from the idea and abstract literary treatment of the screenplay and then eating explanation writing the script of the scene numbering and the importance of space and time.the third chapter included action Adopted by the researcher for the analysis of selected samples and to reach the goal of his research and included a curriculum based on the search and the reasons for the sample selection and search tool and integrity analysis.The fourth chapter has included selected samples identified Iran's film and Series Arabic and analysis are as follows : T. movie / series director author's name, year of production company producing1 Series men Ezz Talal Mardini Aladdin Kokash 2011 Ghazal artistic production2 no separation Asghar Farhadi Asghar Farhadi Asghar Farhadi 2011The fifth chapter select to derive the final results derived from the analysis was highlighted by the multiplicity of technical wizards for movies and soap operas, especially Alhasalhaly movies Jawaizaaalmih, as well as offer some of the conclusions derived from the search results also included recommendations as it deems necessary researcher, as well as proposals concerning how to develop scriptwriters capabilities, especially students Bunting Film and Television The search included a list of sources and references upon which the researcher and a summary of the study in English

تكييف القص القراني للدراما التلفزيونية : مسلسل يوسف الصديق انموذجا

Author name: علاء فاضل حمود
Supervisor name: محمود اكباشي خلف الزبيدي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الامكانات الهائلة التي يقدمها التلفزيون في ميدان صناعة الراي من الناحية الاعلامية، وبما يمتلكه من قدرة كبيرة على التاثير في المتلقي، بحيث اصبح من الميادين المهمة التي تستقطب اهتمام الدول والمؤسسات والمنظمات وحتى الافراد، وقد تعددت اساليب استثمار هذه ال | Within huge capacities introduce by television in the field of manufacturing the opinion from information direction and its large ability to effect on the listener, then it became from the important fields which take the attentions of states, institutions and organizations even the individuals.The means of investment for this active communication device multiplied in order to preserve the cultures of nations ,and many establishments engaged in the work for the sake putting the values and cultures connect peoples with its values and its cultural, faith heritage in order to a achieve kind of sovereignty and at the end it for identification shape ,then kind of influences multiplied with multiplying of these shapes introduced by this mean.From many of practices face tangible development in the act of production ,the dram works come to describe the Quranic stories and it looks as a new kind and localized itself as a kind among television drama kind, and that needed acts of adaptation in order to implementing convenience with television mediator.The described research ( the adaptation for Quranic stories for television drama, true Yousif series) come as an examples as an efforts aim to reveal the machineries where act of adaptation done through it ,and it divided as follows;Chapter one ;methodical frame than contain research problem which it crystallized with the following question ;what the description of adaptation machineries of Quranic stories for television drama.The first chapter contain the research aim which concentrated on the act of revelation for machinery which process of adaptation done related with prophet Yousif story for television drama.Basing on research aim, the importance of research came and that as additions for scientific movement in cinema television arts department and college of fine arts generally.This chapter identify the idioms mentioned in the title of research.This chapter ended with research boundaries which include the selected sample which is selected to arrive to research aim.Chapter two; theoretical frame ,research divided in this chapter into three topics contribute to arrive to research aims as follow;The first topic ,came as a title of narrative structure for Quranic stories ,and research deal with narrative from linguistic and idiom aspect then narrative in Quranic stories.Then dual of ego and objectivity has been discussed and teqnique of narrative then expose for point of view and size of teller and narrative sites then dealing with speaking text in Quranic stories ,personality, time and place of Quranic story besides to investigate for these elements in television drama.The second topic; it came with the title of, adaptation machineries of Quranic stories for television drama ,in this topic it is identified and study adaptation machineries of Quranic stories for television drama and identified with explanation ,quotation and supporting by historic references ,and these machineries identified in the light of response the television mediator for it and with exactness and trust needed by work relate with holy text for its importance and sensitivities.The third topic; it came with the title of ,the elements of pictorial construction for Quranic stories and this topic dealing with elements of pictorial construction that concentrated around the pictorial narrative and imaging ,optical influences ,decoration ,fashions ,accessories and voice duct.Chapter three; research procedures, and that include the followed methodology in the research where there are analytical descriptive manner because of it is more convenient manner for research subject ,and mean of research which it was as an indications for theoretical frame , Chapter three include analysis unit and this unit fitted with sample nature ,and sample has been analyzed on the base of shot ,scene and series ,chapter included the selected sample with aim, then analyzing the selected research sample intentionally is true Yousif series according to the indication adopted by researcher after consulting the opinions of committee of experts and injuries.Chapter four ,the results, in this chapter we write down the results of analyzing process and researcher arrived to;The adaptation works to produce television drama text erected on the holy text through means of different expressive of mediator, and explanation, quotation and dealing with historic references and that machineries and that it is possible to adapt the Quranic stories for television drama.For the technical elements of language has ability to employ more than one level to send information and the meanings of Quranic text.This chapter include the results of researcher as generally mentioned in the research ,and recommendation of researcher and the important suggestions that pour in the service of scientific movement in cinema, television arts departments especially in dealing with such kind of scientific researches.The chapter include the list of scientific references where researcher depending upon it and annex relating with research ا subject and research concluded with abstract in English language.

المعالجة الاخراجية لشخصية الطفل في الدراما التلفزيونية == Directorial Treatment For The Child'S Personality In TV Drama

Author name: فراس علي حسين الركابي
Supervisor name: علي صباح سلمان
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تؤدي مفردة المعالجة الاخراجية في (الدراما التلفزيونية) دورا مهما في العملية الابداعية (التلفزيونية)، من خلال عملية تحويل النص المكتوب والساكن على الورق الى صور (تلفزيونية) متحركة ومرئية بفعل تعاون جميع المهن والحرف المشاركة في العمل (الدرامي التلفزيوني) | The visual arts are considered of the finest fruits of the creative product of the human creative mind which God granted to man by unveiling the beauty of this art and its secrets. His need for art was not emergent but a necessity that makes his thinking and action coordinated balanced between those desires and needs that do not end.We would like to point out here that the subject of our research deals with the subject of directorial treatment of the child's personality in the TV drama, which the researcher thinks it was not dealt with before, and that is why this study is an attempt to study the directorial treatment of the child's personality in Television drama.There is no doubt that the study of the subject of directorial treatment of the child's personality in TV drama, is important to know the ways according to which the child's personality is treated and presented within the creative Technical achievement by a different set of global TV drama makers and presenting it in a way that this kind of television programs win the attention, appreciation and follow - up of the audience, grabbing attention and ensure follow - up and raises his curiosity, especially after the spread of many dramas inVarious satellite channels that provide the child's personality within its programs joints, in the forms and different roles and different, some major, some minor, as with any other character. Single directorial treatment in TV dramas plays an important role in the creative process of television, through the conversion of written and static text on paper to television Animations visible due to the cooperation of all professions and trades participating in dramatic television work as direction and Acting and the rest of other professions.The structure of dramatic television consists of a set of dramatic structure systems, constitute personal key hub of art that is indispensable, as a stream, which is transmitted from the way the event and conflict dramatic, and I took personal center stage in the psychological, social studies and studies of literature and drama, as well as on the personal is one of dramatic values upon which the artwork maker in employing process within the framework of technical performed visible with the rest of the dramatic structure elements to serve as a focal point in building event, we find that the drama maker Television attaches great interest in the interpretation of personal dramas in TV operation in accordance with the treatment of character building and their interaction with the rest of the elements and according to the vision of renewal are to build personal dramas within the visible done, but it has developed several Explanations to understand the personal and components. As for the subject of the importance of requiring the child's personality study, understand and study their properties, and the study of the form that provides the child's personality dramatically, it has felt the researcher to highlight according to rigorous scientific analysis on how to address these kind of figures are the within action drama television creative system.In order to reach the objective of this research, the researcher by divided the current study into five chapters, which are as follows : - The first chapter is entitled ((methodological framework for research)) : I have included a presentation to the subject of the research problem, marked by the following question : What is the directorial of the personality of the child in the TV drama? and clarified the importance of the subject and the aim sought to be achieved with border capacity that moves and then the researcher determined terminology.The second chapter is entitled ((theoretical framework and previous studies)) : in which the researcher dealt with : - First, the theoretical framework : which included three sections, namely : - First topic : personality (the term and concept) : It deals with the nature of in general and the child personality in particular and with most of its important features and characteristics and properties.The second topic : the dramatic structure of personality : which deals with the dramatic structure of the character in the TV drama?Section III : directorial treatment for the child's personality : which touched on the modalities in which the makers of television dramas treat the child's personality from the directorial debut?Second, previous studies : the researcher and the previous studies.The third chapter is entitled ((The research procedures)) : the researcher addressed the following elements : - the research methodology, the research community, the research sample, search tool, sincerity, and sample analysis unit, and then the sample analysis steps.The fourth chapter is entitled ((samples analysis and discussion)) : The researcher analysis the selected samples and discussed them according to the analysis tool.The fifth chapter is entitled ((view of findings, conclusions, recommendations and proposals)) : the researcher reviewed the major findings, conclusions and recommendations and proposals. In conclusion, In this humble effort I do not exonerate myself from imperfection, I do not claim perfection and infallibility, perfection pertains to God and infallibility pertains to prophets and imams is divine and all errors are committed to me and the right points are the Almighty God's.

توظيف تقنيات الادارة الفنية في بنائية الخطاب السينماتوغرافي المعاصر == The Employment of Production Design Technology In Structure of Cinematography Contemporary Speech

Author name: رهام عبد الكريم عبد الرضا
Supervisor name: علي حسين صفوك الركابي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يشكل الخطاب السينماتوغرافي منجزا ابداعيا يمهر بختم المخرج، الا انه في حقيقة الامر عمل جماعي تكافلي، يتماهى وسط هذا الخطاب، الكثير من التفاصيل البنائية، والتي تتمثل بعناصر اساسية ترتبط بطبيعة الوسيط السينماتوغرافي نفسه، وعناصر اخرى تمثل تقنيات علمية يتم | Associated done creative in film and television arts, a lot of scientific techniques that check the credibility of the visual image, Elements technical need in order to carry out its mission of creative for some industrial practical techniques, and of techniques and technical management of digital and classic in both, which often falls upon themselves embody a lot of the Acts hacks and dangerous by the figures, both in real places realism, or places the fictional manufactured by digital technologies, thus achieving the act occurred final thaumaturgy discourse in Cinematograph, sources have varied to obtain the production design techniques between what is classic and what is digital, since attempts (Millais) The first, and the end of the digital technologies entirely manufactured by Computer programs the three - dimensional techniques and the hologram, that these techniques visual and employ them in the cinematograph picture are summarized researcher to study, as research is divided into five chapters, the first chapter include (methodological framework), which includes the problem and the importance of research and the need for it, and determine the goals and limits of research and research, and finally, the researcher identified some terminology.In the second chapter (theoretical framework and previous studies), it was for the production design inception and its concept has been divided into three sections, the first section, as it dealt with the beginnings of the emergence of the term production design and how it moved from the stage at the hands of (Millais) to the cinema, while the second section was for the structural relationship between the production design mediator in the cinematograph elements, grabbed a researcher here every production design techniques which is classic and function within the discourse structure the cinematograph, while the third section was technology digitized technical management in the cinematograph speech, and in this section the researcher digital production design techniques three - dimensional addressed and divided into three levels, and then discuss some of the previous studies reached a researcher to a set of indicators that have been adopted by the tools for the analysis of the sample, after taking the opinion of the Committee of Experts and arbitrators, and the research sample were as follows : 1 - The English Serial (Game of Thrones)2 - The English film (The Grand Budapest Hotel)After the analysis concluded the researcher to the set of results in which the importance of hiring technical production design techniques, both classic and digital found in the cinematograph speech, in order to achieve act thaumaturgy image of cinematograph, and achieve directorial processors according to the director's vision with the help of technical director, and therefore put the researcher some of the conclusions and recommendations and finally proposals, and concluded Find a list of sources and references, and appendices, and abstract in English.

انعكاسات الفكر الغربي في المعالجات الاخراجية للاغنية التلفزيونية العربية

Author name: وئام صبري خدام القرغولي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad

التوعية المرورية في برامج التلفاز العراقي 1989.

Author name: نجم عبد جابر
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad

الاخبار والبرامج السياسية في التلفزيونية العراقية قناة البرنامج الاول

Author name: محمد طه عطيه
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad

دور التلفزيون التربوي في رفع الكفاءة المهنية لعضوات الهيئة التعليمية في رياض الاطفال

Author name: سالم دحام عبادة
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad

التشويق ودوره في التنامي الحركي في الدراما التلفزيونية العراقية

Author name: عبد الباسط سلمان المالك
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad

دور العناصر الفنية في البرامج التلفزيونية الوثائقية

Author name: احسان حسن حسين العجيلي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad

القيم الوطنية والتربوية في برامج الاطفال المقدمة من تلفزيون العراق

Author name: ايناس مالك رشيد الشمري
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad

البرامج الدينية الاذاعية ودورها في الاستجابة لاهداف الحملة الايمانية

Author name: علي زيد منهل
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad

بناء الموقف الكوميدي في النص التلفزيوني العراقي

Author name: احمد ابراهيم جلال
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad

المخرج الاذاعي العراقي وتعامله مع النص الدرامي وتقنيات الاستوديو

Author name: علي ناصر حسين الغريباوي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad

راي تلاميذ الابتدائية في فترة برامج الاطفال التلفزيونية في بغداد : دراسة ميدانية

Author name: هاني عبد الله محمود الدباغ
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad

دور التلفزيون في التنمية الوطنية القومية في العراق من الفترة 1973 - 1985

Author name: متي عبو بولص
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
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