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اهل البيت (عليهم السلام) في الرواية العربية المعاصرة == Ahlul-Bait (p.b.u.t.) in the Contemporary Arab Narration

Author name: قاسم نجم عبد
Supervisor name: علي كاطع خلف
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:

شعر الشيخ محمد حسن ال سميسم : دراسة تحليلية == The Poetry of AL- SHAIkh Mohammed Hassan Al-semasem A Study Analytical

Author name: احمد مجيد شاكر البصام
Supervisor name: رحيم خريبط عطية الساعديذ
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:

الابداع والاتباع بين البلاغة العربية وعلم النص == Creativity and Imitation between Arabic Rhetoric and Textualism

Author name: محمد عبد الرضا محيسن
Supervisor name: مشكور كاظم العوادي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:

شعر الشيخ احمد الدجيلي : جمع ودراسة == Poetry of sheikh Ahmed Al- Dejili

Author name: حسن صالح حسن الدجيلي
Supervisor name: علي كاطع خلف
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:

السياق القراني واثره في الكشف عن المعنى في كتب (معاني القران) حتى نهاية القرن الرابع الهجري == The Quranic Text and its Effect in Revealing the Meaning in the Books of Meaany Al-Quran till the End of the Fourth Hegira Century

Author name: حيدر جبار عيدان
Supervisor name: علي كاظم اسد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:

الاعشى بين ناقديه في القديم والحديث

Author name: حسن حبيب عزر الكريطي
Supervisor name: خليل عبد السادة ابراهيم الهلال
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:

محمد بن علي الجرجاني بلاغيا في كتابه الاشارات والتنبيهات

Author name: هادي حسن محمد منصور
Supervisor name: خليل عبد السادة ابراهيم الهلال
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:

التوابع في نهج البلاغة : دراسة نحوية دلالية

Supervisor name: عبد الكاظم محسن الياسري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:

اساليب الدعوة في القران الكريم : دراسة فنية == The Call Styles in the Holy Quran An Artistic Study-

Author name: خالد توفيق مزعل الحسناوي
Supervisor name: حافظ كوزي عبد العالي المنصوري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:

ابن جني ناقدا == Lbn Jenni As Critic

Author name: حيدر كريم هادي الشمري
Supervisor name: علي محمد حسين الخالدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: Al - Atheer (637 A.H.) The study reached many results which can be summarized as follows : Important critical issues attained great attention of bin Jinni, he was not confined to the theoretical aspect only, rather he dealt with the applied analytic aspect. In roost of these issues, his viewpoints were artistic.No less degree of interest was linguistic criticism also, he was not confined to the theoretical aspect, but dealt with the applied aspect, especially his opinions in linguistic criticism of word and structure. As for his rhetorical criticism, it is pretty good, though it is ambiguous in many places and had to be justified. In some other places, it was artistic, in which he depended on the Arab uses of eloquent art and rhetorical style as a critical criterion through which quality of poetry can be measured.The fourth chapter concluded that bin Jinni was one of the critics who are known of various critical methods. He was not confined to one specific method, and this refers to his ability and wide breadth in criticism. While the fifth chapter revealed that he is one of the critics who left great effect on the Arabic criticism, especially on the most outstanding critical movement in the history of the Arabic criticism, of which those aroused against Al - Mutanabbi. This is revealed through his explanation of his poetry, and his affection by three great figures of Arabic criticism who took from his researches, affected by his opinions, and make use of him in their critical discourse Ibn Jinni is one of the scholars who are known of wide knowledge in the Arabic language and its different sciences such as grammar, morphology, phonetics, dialects..... so on.In addition, he was writer, explainer and critic of poetry, especially that of al - Mutanabbi who has close relation with him. He explained his divan twice : the first, which is the greatest, is called "al - Fasr", and the second, the smallest, is "al - Fat'h al - Wahabi". Besides, he has many opinions and critical pauses distributed in his other works, especially "alKhasa'es". On this basis, came the research idea to shed light on an important aspect of bin Jinni i.e., his being one of the fourteenth century critics.Research plan required to be divided into five chapters preceded by a preface, and conclusion. As for the preface, it was about the nature of criticism during his age. The first chapter was devoted to talk about critical issues according bin Jinni, such as literary thefts, form and meaning, old and modem, poetry, religion, and morals. The second chapter studied linguistic criticism, and included poetic license, narrative, and measures of linguistic criticism. The third chapter was devoted to talk about rhetorical criticism, and included criticism of simile, metaphor, and metonymy, in addition to other critical styles such as renovation. The fourth chapter talked about the critical method of bin Jinni, while the fifth chapter discussed effect of bin Jinni on the Arabic criticism : his effect on the critical movement aroused against Al - Mutanabbi, and his effect on the Arab critics as Al

كتاب الانتخاب لكشف الابيات المشكلة الاعراب : دراسة لغوية

Author name: وردة صالح نغماش الكرعاوي
Supervisor name: عبد الكاظم محسن كاظم الياسري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:

حوار الاديان في القران الكريم : دراسة في ضوء التداولية == Religious Dialogue In The Holy Quran A Pragmatic Study

Author name: رغد عبد ابو جاسم الحميداوي
Supervisor name: عبد الكاظم محسن كاظم الياسري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: The Quranic discourse occupies the ideal position between all rhetoric texts whether these texts are from heaven or products of human beings subject to false and real criteria. The issue of interfaith dialogue is one of the issues touched upon by the Quran. It is a calling speech directed to human beings in all their times and places so as to bring them to the right approach in worship, taking the dialogue style as a key to their life. The state of religious dialogue has occupied a wide area in the world intellectual studies, whether the Islamic world or else, and whether it is ancient or contemporary. The perspectives towards this issue have been varied in which there are impulsive supporters and others who are extremist opponents, and there are neutral individuals. However, a deep meditation in the Holy Quran leads to that Quran was flexible in its treatment with the idea of religious dialogue. Since, the Quraan has acknowledged the divine religions that are not distorted and considers all people, who believe in a religion, as promised individuals, confessing what they are on, unless those people initiate a war or treachery. This religion is the true religion and is the last religion that does not treat the other as if they were eliminated. Instead, this religion has launched the dialogue with others as all have common denominators. As for earthly religions, this religion aims at converting people to unite Al - mighty Allah with His worshipers, without engaging with them in a joint issue, except for few matters.Based on the above ideas, the researcher attempts to tackle religions' dialogue in the Holy Quran, adopting the descriptive analytical method, and using modern linguistic approaches especially the pragmatic approach that goes beyond the semantic level of looking at the relationship of marks with their construing.The dialogue is an important means of advocacy tool for the worship of Allah and embraces the true religion by which the right image of the doctrines of religion and its regulations and etiquette will be so clear. This includes what prophets had done with their people or with people from other religions concerning the dialogue in different ways and diverse styles in which these have been involved under one name "religions dialogue". The pragmatic style is considered as the most suitable style for the study of religions dialogue in the Holy Quran as it is a communicative activity based on converting the language proficiency to accomplished communicative proficiency.The Quranic discourse has been depended on using the historical proverb heavily in interfaith dialogue. This was taken as a major argument to persuade offenders to return for their perversions, learning from what affected others, who had been doing like their work. This contributes to the discourse enhancement and influences the recipient.The Holy Quran has used and employed most of the arguments techniques in its addressing; this justifies its arguments presentation and construction to get the required results, especially in the verses of interfaith dialogue. The Quran has also used the language tools in all kinds and relied on rhetorical mechanisms that play great roles on impact on receiver. In addition, it has used semi - logical mechanisms, represented by peaceful debate in which its debate has come cogent. Therefore, it is a reasoning directed to audience in different times and places, seeking to persuade people based on argument and evidence

الفاظ السمع في القران الكريم : دراسة لغوية

Author name: شكيب غازي بصري الحلفي
Supervisor name: علي كاظم اسد الخفاجي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:

الاداء البياني في خطب الحرب في نهج البلاغة == The Clarification Performance In Warfare Orations In Nahj Al - Balagha

Author name: نجلاء عبد الحسين عليوي الغزالي
Supervisor name: حاكم حبيب عزر الكريطي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: The Islamic oration was affected by rhetoric which was enlightened by the Holy Quran and the Prophet's Pure Talks to promote the art mode of the Arabic literature to such a remarkable level that couldn’t be noticed in the pre - Islamic period. Thus, it reached the peak. Oration is the only means of spreading and establishing new thoughts and concepts.At that time the orator became more comparable than the poet because oration was badly needed by people for establishing the principles of Islam and spreading its authority through preaching and directing them in the right way, and finally allow them to win what would enlighten their life on earth and after death. This also helped in uniting society, evoking determination and making enemies fear Islam.“Nahj Al - Balagha” represents a remarkable feature in the Islamic literature, being a unique mode and principle for all. It is a historical literal document second to the Holy Quran and the Pure Prophet's Talks in gaining rhetorical accuracy and magnificent mode.The Communder of the believers, Al - Imam Ali Bin Abi Talib, the henchman of Islam and the Prophet's son - in - law, was a caliph, a leader and a orator. He was the most revered and deliberate in manner; the knight who never hesitated to sacrifice for Islam and establish the good and right. He left behind unforgettable most effective literal inheritance for everyone and as our President Saddam Hussein (Allah may save and guard) said with regard of the evil forces “We are fighting them with the sword of Al - Imam Ali(peace be on him) to protect principles”. Indeed it is the sword of the right and good. And when one looks deeply into his words, he recognizes his rhetoric orations emerging from the bottom of his heart that was not free from pain These features appear in his oral and written orations. The warfare orations of Al - Imam make us feel that we are in front of a perfect magnificent rhetoric wording emerging from the bottom of a heart with some pain, so you find it stressed wording. He included in it what expresses God fearing and God worshipping and good deed. Oration was one of the Imam's weapons in his fights. He used it, owing to its being rhetorical, to evoke his men and encourage them and arousing their feelings and making them reach the aim he wanted them tounderstand and be aware of. I have chosen particularly the warfare orations in Nahj Al - Balagha to be aware of what they have from clarification. This is because those orations were often oral and none - officious, and free from any features of art. They are pure, so they represent the mode of the rhetorics. Some recent investigators have dealt with “The Nahj Al - Balagha” in general, and the orations in particular, but they were in grammatical and linguistic and artistry limitations. “The Clarification Performance in Warfare Orations” has not investigated the altogether content, but there are some bright images I utilized and some others I talked about.The references regard books of rhetoric, criticism and indication; and interpretation books of the Holy Quran and the Prophet's Talks sciences, and the proverbs as well as the Arabic literature cultural inheritance. I depended on Nahj Al - Balagha (Mohammed Abda Explanation) in determining the texts regarding warfare orations; and I also made use of Ibn Abi Hadeed Explanation.My research is arranged in three chapters proceeded by an a relusion and ended by a conclusion and as follows : Chapter one deals with the clarification performance aspects in warfare orations in Nahj Al - Balagha and includes four researches : assimilation, similitude, personification and association. Chapter two deals with the resources of the clarification performance of these orations - warfare orations - . The investigations are about The Holy Quran and the Pure Prophet's Talks and the Arabic poetry and then the Arabic proverbs.Chapter three deals with the functions of the clarification performance which comes in sequence as : the mental function, the psychological function, and the religious function.The conclusion includes : what the results that the research has arrived at. Then comes my whole tool in investigation, analysis, justification, and conclusion. These are the old and the new references. I have done my best and thanks to Allah I ended this research aided by Allah first, and by my supervisor Dr. Hakem Habeeb Al - Guraity who helped me much like a guiding torch in direction and reform. My thanks and respect to all those who never hesitated to offer help.

الدراسات النحوية في شرح القصائد التسع المشهورات لابي جعفر النحاس (ت 338 هـ) == Grammatical Studies About The Explanation Of The Ninth Poets For Abe Ja’Afar Al - Nahhass (D. 338A.H)

Author name: محمد ناشر سالم
Supervisor name: عبد الكاظم محسن كاظم الياسري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: The pagan poetry has a prominent place and it consider as an important point between the transmitted and inherited of the Arabic Art, cause it's a vary brilliant art among the Arabic Arts, and it's the origin that all the poetry came from and the good stylewhich be the aim for all the poets. The pagan poetry is consider as a very important source for knowledge which is be the way that all the researchers take from it the history of the Arab Nation and its civilization and the first kind of poetry is AL - Mu’alqat poetry.The first poets who study this kind of poetry are (AL - Asmai Abo Sa’ad AL - Darer, Abo AL - Hassen, Aben AL - Anbari and others scientist in the Arabic East and in AL - Magrb AL - Arabi, the famous one among them is Abo Ja’afar AL - Nahass he is anEgyptian Scientist who wealth the Arabic library with tenths of books in deference fields of knowledge.And if there is a new thing appear in Art field we will see a new explanations and analysis for every thing new and these explanations are wealth in its contents and complete any shortage which the oldest poetry faced it at that time in their representations.So according to all of that the search should include on prefatory remarks and three chapters precedent by introduction and followed by conclusion.In the prefatory remarks I spoke about tow matters : The first one/ speaking with briefly about the life of the author/writer.The second one/ speaking about there poets and its explanations and all things related with it. And at the First Chapter : I spoke about Abo Ja’afar al - Nahass method in his book the ninth poems explanation and it include four searches : - The first one/ I studied AL - Nahass method in his book, and I refer to the most important property in his method depending on examples and facts taken from the book.The second one/ I studied the references of AL - Nahass in his book, and the resource, which he transmit his scientific subject from it even it is from authorities he taken from or from the scientist.The third one/ I studied instance of AL - Nahass in his book, and he depend on AL - Kuraan AL - Kareem, AL - Hadeth Al - Nabue AL Shareef, Instances and AL - Arab speeches.The fourth one/ I showed the effect of the ninth poems explanation in explain the tenth poems of AL - Kateeb AL - Tabreazi, and in my explanation I refer to the identical between both explanations.The Second Chapter : I made it under Masaal AL - Asmaa’ , I divided to four searches : The first one/ include speaking about AL - Marfu’at which concerned with AL - Ethra’ and AL - Nauisek and subject and its deputy.The second one/ I studied AL - Mansubat, which AL - Nahass refereed to it include AL - Mafa’eel , AL - Haal ,AL - Tameez and AL - Neda’.The third one/ I showed in it the prepositions which it refereed by AL - Nahass it is prepositions (AL - Jar & AL - Majror). The fourth one/ I studied in it a grammatical things like AL Mamno’ men AL - Sarf etc…The second chapter/ it is about the letters, I divided to three searches : - The first one/ about verbs, I studied all the things that AL - Nahass refereed to it in his book ike remove the verb , Jazem AL - Fe’al (verb) ,Nasub AL - Fe’al and remove one of the letters at thebeginning of the present tens. The second one/ I studied the ways of means, and I made it satirical as Aben Hashem did.The third one/ I studied in it AL - Nahass method and his term, and I Showed the way that AL - Nahass commitment with AL - Basri method.And I support my search with references which is made for it.And after ending from this introduction I’d like to represent my grateful to my Sir Dr. Abdul Kadum Muhsen AL - Yaseri. And I’d like to thank my committee and all people who helped me in this search.

البحث اللغوي في كتاب التعليقات والنوادر لابي علي الهجري

Author name: مديحه خضير كاظم
Supervisor name: حاكم حبيب عزر الكريطي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Najaf
First pages:

شعر رثاء الامام الحسين ( عليه السلام) في العراق ابتداء من سنة 1100هـ حتى 1350هـ : دراسة فنية == The Poetry Of Elegizing Imam Hussein ( Peace Be Upon Him) In Iraq Beginning From 1100 A.H. Till 1350A.H. Artistic Study

Author name: خالد كاظم حميدي الحميداوي
Supervisor name: علي كاطع خلف المحمداوي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: Since the peoples' culture, their intellectual progress, and their position among the nations' and peoples' culture are contingent upon their thinkers, creative geniuses and experienced leaders, I started to deal with this subject believing in this vision and discussing the authors opinions reading their minds and notions about the personality of Imam Hussein (peace be upon him ) as he represents a prominent signpost of super honour and immortality, and it would be of most important if we knew about the emptiness of the critic field that took up the elegic poetry of Imam Hussein ( peace be upon him) during the Middle Age as a subject equivalent to its other critical studies.The thesis form and its scientific subject required to be devided into chapters preceded by an introduction and ended with a conclusion followed by a summary about the elegists of Imam Hussein (peace be upon him)mentioned in this study. The introduction dealt with the Husseini elegizing march formed during the Pre - Middle Ages, and the form it adopted as a method, then the disagreement and agreement points of the nature of the Husseini elegizing during the Middle Age. In the first chapter, I dealt with the structural form of the Husseini elegizing, in which I studied the setup of the poem, stanza, sonnet and pentameter, followed by a talk about the fictional narration, which is considered as a texture connecting the poem parts.While the second chapter revealed the nature of the language of these elegies, their expressions, structures and styles. The third chapter studied the rhythmic setup of the Husseini elegy, and was devided into two sections. The first dealt with the extemal rhythm represented by rhyme and meter, while the second one studied the internal rhythm such as paronomasia, run - on lines, rhyme, internal rhyme and repetition. As for the fourth chapter dealt with the poetic image constituents and divisions of personification, embodiment and humanization. The study required an analytic descriptive method that tends to be somewhat normative.The references that the researcher adopted were distributed to the poetic divans (printed manuscripts), in addition to the poetic collections that included the poetry of this era. While the old and modern books of criticism, rhetoric, grammar and linguistics were my basic references. The difficulties I faced were many , of them were the long subject of the study which resulted in the multiplicity of the poetic texts, difficulty of reading the manuscript due to the intermixing of the copies lines, and the fewness of the references that studied this era that led the researcher to buckle down to arrive at a number of results , of them diminishing the belief that this era is called the (Dark Age) due to the multiplicity of the literary works produced during it - rather the literary production is the most outstanding phenomenon of its creativeness and existence, in addition, the Husseini poem had comprehended all types of artistic setup in terms of its external form, its structure pattern , maintaing the pedigree of its language and contents, and its being free from grammatical mistakes, as well as using the meters and rhymes that were greatly used during the pre - Middle Ages. The most important feature that distinguishes this period is its sensuous images which constituted a great portion of its total.This study could not be achieved without the great efforts presented by the Assistant Professor, the Supervisor of the thesis, Dr. Ali Gatea Khalaf Al - Muhammadawi for his invaluable guidance and striking advice which were the best support to arrive at these results.Recommendations : At last I'd like to review a set of suggestions, the most important of them is inviting the researchers to write creatively about this era as it is worthier to be studied and to reveal its concealed pearls, and to study those poets separately as I'm sure that we would get a great linguistic and literary heritage. I also suggest studying the Husseini elegizing in the other countries during the Middle Age.

ادب الشهيدة بنت الهدى القصصي : دراسة في الفن == The Fictional Literature Of The Martyr Bint Al - Huda (Study In Art)

Author name: قاسم نجم عبد الربيعي
Supervisor name: علي كاطع خلف المحمداوي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: Al - Alwyaa , the martyr , Bint Al - Huda had many novls and short stories.In the Field of novels , she wrote " The Virtue Wins " , " Two women and aman " , " That who looks for the truth " and " A meeting in the hospital ". In the field of short stories , she had three groups " I wish i knew " , The lost aunt " , and " a struggle from real life ".The experience of the Martyrs narrator had a difference in the artistic level , sometimes , in the simplicity of froms inspite of good themes as in her novel " two women and a man " or in her short story " The lost aunt " but in some texts , we find a high artistic work written by a professional writer who knows how to write as in her novel " The virtue wins " and in her short story " The voice of conscience ".Althongh the experience of the writer had a growth in quantity , it witnessed agrowth in quality also. The Martyr narrator and through her understanding for the philosophy of writing stories works to define all the differences in life , its opposites and its basic unities through the credence on many elements , so we find in her stories many historical texts , verses , proverbs and wisdomsThrough the use of those implements , she was able to understand what is found in life and used it in her stories. The story for Bint A - Huda had enumeration directed by an artistic hand and sometimes , we find dialogues, and dramatic scenes and description and the credence on the Poetic language in many of her stories especially the short ones.It is a kind of contrast , the writer used it to reveal and discover the false ideology of the other discourse as adiscourse that produces the loss and poverty.These are some of the artistic features which we noticed through the study and research , but what is important to us is that which is related to the " martyr narrator " herself and her position in the world of literature and art especially in the field of novls and short stories.The martyr narrator has a clear understanding of the circumstances in which she lived. she knew the historical , ideological and social structures in her society and she worked to absorb and re - build them in her stories. This shows us that the writer interacts with those complex circumstances and work with a clear thinking that gives her the chance to destroy the negative aspects and disclose them in her stories and made the reader takes the side of the positive - voices and ideas that the writer wants to explain in her stories.The martyr writer, in all of her stories was interested in the struggle between the good and the evil and she did her best to make the voice of the good , the highest , and make it the basic way in human communication. In her rich experience which contained , what is artistic , scientific and what is political , she was abl to disclose the depths of the humanitic soul in all its kinds which she had known well. we are in front of awriter who watched and understood her socity , so the story for her , is that which looks for the meaning , principles and the virtue in aworld in which the principles had confused. In her novel " The virtue wins ". we find ourselves infront of a trial of the humanstic decay in one of the Moslems houses and in her novel " That who looks for the truth " we find ourselves sympathize with that girl and look together for away that leads us to the bright truth which is represented by Islam.

المسائل النحوية في كتاب الاقتضاب في شرح ادب الكتاب لابن السيد البطليوسي (ت 521 هـ) == Syntactic Problems In The Book Of Al - Eqtithab In Explaining Adabul Kuttab

Author name: جواد داخل شبانه
Supervisor name: عادل عبد الجبار زاير
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: This study has dealt with the subject “ The syntactic Problems in the Book of AL - EQtithab in Explaining Adabul Kuttab’’ and it has three purposes.First, those who preceded the researcher have not deal with Abnul Sayid Al - batlayoosi from a syntactic point of view.The second aim is to enrich the syntactic library with a new grammatical book. The third aim is to satisfy a personal inclination towards syntactic studies compared with literature, rhetoric and literary criticism.The research falls into an introduction, three chapters, and a conclusion. The introduction has dealt with the aims that encouraged the researcher to choose the present subject.Chapter(one) involves sections related to nouns. It is divided into four sections.The first section : the Nominative nouns. The second section the accusative nouns. The third section deals with nouns as bases.The fourth section deals with nouns and what is affixed to them.As for chapter(two), it involved tow sections. The first section deals with the verbs, and the second section deals with articles.Chapter(three) involves three sections, The first section dealt with Abnul Sayid Al - batlayoosi and his works. The second section deals with his syntactic approach. The third section deals with miscellaneous syntactic problems.This study came out with the following findings : 1. Syntactic problems have been investigated in a book which is not related to syntax as confessed by its interpreter.2. The interpreter tried to get rid of interpolations through mentioning what proceeded and followed the verse so as thing become clear.3. He enriched the Arabic intellect, east and west through his varied explanations. 4. The interpreter over looked some of the parts of the book. The title of the book is indicative of that.5. The interpreter has used the expressions of the tow schools : The basrah and the Kufa schools. 6. The researcher was faithful in conveying the information in addition to his being to the point. Finally I cannot claim that the thesis is perfect as perfection is only an attribute related to Allah the Almighty - Any weakness is mine, and any good aspect ofthe study is a blessing of Allah (God) as He always the leader towards whatever is good

اثر التراث في شعر عبد الله البردوني == The Influence Of Inheritance On Abdullah Al - Bardouni's Poetry

Author name: فاطمة عبد الله محمد عبد الحبيب العمري
Supervisor name: حاكم حبيب عزر الكريطي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Najaf
First pages:

الاتجاه البياني في الدرس البلاغي القراني الحديث == Rhetoric Trend In Modern Koranic Eloquent Lesson

Author name: احمد عويز حسين
Supervisor name: علي كاظم اسد الخفاجي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: Since ancient time the eloquent lesson has formed a field (in which the issue of Koranic miracle) occurred which has been still one of the serious issues in the Islamic thinking , so arguments increased and views conflicted about this miracle. It is no doubt that the agreement point that unified scholars and their views is statement of the rhetorical miracle in a way that even the rhetorical lesson was a fruit for several questions which raised by the Koran and in which the scholars engaged, and this is what permitted the birth of rhetoric which contains books that is hard to be enumerated and explains secrets of the biggest Arabic book.The eloquent lesson formed the corner stone among rhetoric researchers particularly if we look to its widespread for the ancient people. In spite of the increase of these studies, some contemporary researchers could classify and study them and make use of their efforts in such studies, but I do not know if one of these scholars who dealt with the Koranic rhetoric has specified (the rhetoric trend in the modern Koranic eloquent lesson) an independent academic study that reviews its studies and explains their approaches and their different views. Thus, I see submit a study of this important Koranic field that might fulfill a part of this gap.I would explain that I do not mean by the word "modern" the "modernity", but I mean its general meaning which is studies in our present time , as well as I did not deal with university theses for the limited period of writing the master thesis and the difficulty of counting such studies. I did not deal with the studies that adopted the scholastic understanding so the research is based on observing published studies that exceeded the scholastic understanding; thus this falls into two parts : 1 - Studying the rhetoric from its widest significance.2 - Studying the rhetoric in the light of the term "image" if thecontemporary lesson in the light of the evolution law of sciences entailed theobligation of knowing the heritage effort and its results, it should be of a wide scope so I think explaining two points : did the rhetoric lesson make use of the heritage , have a contemporary perspective of it, or stay centering around the heritage understanding without adding anything to it?The profile of the research entailed to include two parts that contain four chapters, as well as two introductions and a conclusion as fellows : The first part is specified for those who taught the rhetoric in its widest significant. Its introduction explains the heritage understanding of the rhetoric. The first chapter of this part is specified for researching the significance of the term "rhetoric", its limits, and its researches for those scholars. The second chapter is written to explain the views and texts of those scholars in their practical studies. The second part concerned of studying those scholars who deal with rhetoric in the light of the concept of the term "image". Its introduction explains the concept of the term "image" and its attachments for ancient and modern scholars. The first chapter of this part is specified to deal with the significance of the term "image" and its limits for those scholars, while the second chapter explains their views and texts in their practicality of the Koranic text.The material of the research is formed from basic references, as well as some ancient references like (Miracle Evidences) and (Rhetoric Secrets) for Aljrjani , (Discoverer) for Alzarakshi ,and others.The scholarly honesty entails referring to closely related studies of this research, like ( Artistic imaging theory in Said Kutb ) for Salah Abdul Fatah Alkalidi, and the master degree thesis ( Rhrtoric trend for Koranic expression in Dr. FadhilAlSamra'ai ) for Saad Juma Salih ( Unversity of Dyala). Though these studies are important in this respect, , their trending still do not explain the features of the rhetoric trend as a whole.The research concluded the following results : 1 - The term "eloquence" appears to those scholars who research it in its widest significance into categories : some scholars considered it the rhetoric as a whole, some of them see it combining (eloquence and semantics) others make it parallel for the concept of verse, and another scholar makes it represented in all the secrets of the Koran in its letters and words. Those scholars agreed to research it on the (Phonological and Semantic) level in four constituents (letter, word, sentence and text)2 - Their approach in researching the Koranic letter concerned in letter contexts, and they see that a letter has its own meaning resulting from considering explicitly; thus, there is no addition, alternation or estimation in letters.3 - Their approach in researching the word concerns in following it in its contexts and counting it; therefore, this leads them to stating the thorough (intention) in Koranic uses, so I refuse stating the (synonymy) in the Koranic text.4 - Their approach in researching the Koranic phrase concerns in two points : phonological aspects in which they researched the phonological combinations which are produced from combining letters and words in the Koranic verse. The semantic aspect which was researched by some scholars in the light of concept of verse without showing the structural phenomena , while others concerned in researching these phenomena and explaining their semantic effects. 5 - Their approach in researching the coherence and textual cohesion is clear in the observation of relating verses and chapters with weakness relationships and in the research of semantic and musical accord phenomena, thus; this is what make them closely related to the researches of the ancient scholars of relativity , in addition to the contemporary text scholars.6 - The view of AlJarjani of (imagining meaning) is parallel to the term of (artistic trueness) for the contemporary scholars.7 - They disagreed on the significance of the term of image into categories.Some of make use of heritage and offer a contemporary definition which is finding a relationship between two realizations that are not related , and others see it stick in mind when a certain expression is heard , which is also a modern understanding , while others see it lays in researches of the known rhetoric.8 - Their approaches in researching the image came into two categories. Someof them moved into a description tendency concerning of observing the movements of concrete things from the reasonable to the perceptible without getting into other idiomatic details in addition to their concern in observing the general artistic phenomena , while others moved from a standard tendency starting from mentioning the rule and bringing witnesses as evidence for them. It concerns in limitness and classification; thus , their results often do not differ from the results of ancient scholars.Finally the researcher recommends the importance of studying the academic effort of university theses and researches which represent the rhetoric trend in the modern Koranic lesson which is a worthy researching subject.I thank all those who help and make it easy for me to produce this thesis in its final form and thanks for God.

المسائل اللغوية في كتاب الاقتضاب في شرح ادب الكتاب لابن السيد البطليوسي ( 444 - 521هـ == The Linguistic Problems In “Al - Ektidhab Fi Sharh Adab Al - Kuttab For Ibnil - Seed Al - Batalusi (444 - 521A.H).

Author name: عبد علي حسن ناعور الجاسمي
Supervisor name: عبد الكاظم محسن كاظم الياسري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: This book is a very rich linguistic one in the sense that it includes various problems for different linguistic phenomena. It is author was a famous figure in Andulos in its glorious age. It is very clear from the little that it depends on the explanation of another book for a linguistic in the Arab East in the top of its maturity. He is, Ibn Kutaiba, who died in (276 A.H) in his book (Adab Al - Katib).Thus, this research depended practically on two books in the same time, with more focus on (Batalusis and as I know it is the first time that the book has been dealt with.I put a plan that guides the reader to perceive its problems. I clarified the book and the author in a breief introduction.This research consists of three chapters : The first chapter is devoted to phonetic problems. It has four sections : (positional converting), (forwarding), (sequence and voweling) and sequencing. The second chapter deals with syntax, and it includes six sections : (Bases), (derivations), (verb structures)(Nominalization), (Male and Female) and singular dual, and plural). The third chapter includes the problems of meaning (semantics). It has five sections : contrastive words (synonyms), (language and loan words) and (word explanation) with an appendix about the dialects and languages and then I made a linguistic lexicon of the book.I made a preface before all those details. Indeed my work comes with the findings that I reached at them comes the bibliography

المصاحبة اللغوية واثرها الدلالي : دراسة في نهج البلاغة == The Linguistic Combinability And Its Semantic Effect : A Study In Nahjul - Balagha

Author name: فضيلة عبوسي محسن العامري
Supervisor name: عادل عبد الجبار زاير
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: Praise be to Allah the Lord of worlds, prayer and peace be upon His prophet Mohammed and his pure progeny. The linguistic combinability depends on the different semantic relations such as : - appropriation, participation, correspondence, collocation and

الابنية الصرفية في شعر طرفة بن العبد == The Morphological Structures In Tarafah Bin Al - Abd Poetry

Author name: حيدر محمد علي حسين
Supervisor name: حسن عبد المجيد عباس الشاعر
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: This research deals with the morphological structures in the poetry of one of the pre - Islamic era poets, whose are frequently quoted and here the subject importance lies. The research is divided into five chapters, an introduction and a conclusion with

اصوال المعايير النصية في التراث النقدي والبلاغي عند العرب == The Textual Standards Principles In The Arab Critical And Rhytorical Heritage

Author name: عبد الخالق فرحان شاهين
Supervisor name: عقيل عبد الزهرة مبدر الخاقاني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: This study is a balance between heritage and modernism that criticism and rhetoric are connected in the Arab heritage and, on one hand, and in the textual linguistics on that both of them try hard to put the rules and the principles of producing and recei
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