البحث — المستودع الرقمي العراقي

نتائج البحث: 11 من أصل 11

الفروق اللغوية في مشاهد يوم القيامة في القران الكريم

اسم المؤلف: اس عقيل كاظم الموسوي

اسم المشرف: علي فرحان جواد

الموضوع العام: اللغة العربية وادابها

السنة: 2014

الموضوع الدقيق: اللغة

الدرجة: ماجستير

الجامعة: جامعة المثنى - كلية التربية للعلوم الانسانية - قسم اللغة العربية

اللغة: العربية

مكان الجامعة: المثنى

النص الكامل:

لهجة ناحية ابصية وصلتها بالعربية الفصحى == The Population Of Bsaya District

اسم المؤلف: واثق حسن مجهول

اسم المشرف: محمود عبد حمد اللامي

الموضوع العام: اللغة العربية وادابها

السنة: 2014

الموضوع الدقيق: اللغة

الدرجة: ماجستير

الجامعة: جامعة المثنى - كلية التربية للعلوم الانسانية - قسم اللغة العربية

اللغة: العربية

مكان الجامعة: المثنى

الصفحات الاولى:

المستخلص: There is no doubt that the study of dialects has great importance and as such was given special care by Arabic language scholars in order to be acquainted with many linguistic phenomena which have become prevalent in our language, in addition to authenticating many contemporary dialects and tracing them back to their ancient roots and unveiling the historical stages they pass through and the impact of environment , place and time on their linguistic development since their very emergence.The Arabs cared a lot for their language through authoring numerous linguistic books which included within them many references to ancient Arab languages though it fell short of the specialised accurate study as a result of being content with mere references to restoring the names of languages to the names of their tribes. This has led to deprive us of knowing much about many of these languages more accurately.In order to grant the languages ,i.e. the dialects, their full right to be treated, a group of modern researchers have endeavoured earnestly to study the language and its relation to modern dialects. For the sake of catching up with these attempts, I have decided to opt for the topic, " THE Dialect of bsayah and its Relation to classical arabic " for my thesis. The research has arrived at the following findings : - The dialect of the population of Bsaya has been found to be a trace of ancient Arabic languages because it cannot be separated from the Arabic dialects because language is a living entity which grows and develops throughout time : a process which shows that many of the traits of contemporary Arabic dialects have their origin in classical Arabic which has represented the utmost evolution that affected ancient Arabic dialects. - The study has traced the linguistic and historical development for many of the THE Dialect of bsayah and its Relation to classical arabic authenticating its various linguistic uses ,such as the use of the kasrah for the letter of "presentness"such as nikash, niCzib, tiCshun,…etc. or using the kasrahfor the first letter in the morphological scalefor nouns and adjectivessuch as shihid ,zi'ir, sha?ir, etc.This is a common phenomenon in most of ancient Arab dialects - The study has shown that the dialect of Bsayah is irregular in most of its linguistic phenomena such as the substitution of the?ad for the sin such as ?akhab for sakhab or it could be vice versa such as sahra for?ahra' - As for the morphological study the overwhelming part of it has come in agreement with classical Arabic. The change has been superficial in the structure of the dialect of the population of Bsayah : this change has been either in form or by adding or reducing a letter whereby some of theparticiples and the derivations have deviated from their regular forms to the irregular ones such as the irregular forms of the feminine which are numerous in the dialect of Bsayah. Examples of these arekadar , jabad, ?a?ah , etc. - The study has confirmed that some utterances represent Arabic dialects which make masculine and feminine without using any suffix or sign for feminisation such astaa , or prolonged or confined 'alifsuch as biyr, jiliyb, ?iriyj, sibiyl, for bi'r, qaliyb, ?ariyq, sabiylrespectively.As faras the grammatical aspect are concerned, the study has shownthe adherence of Bsayah dialectto the ya' in pluralising and dualising the masculine in all the parsing cases : the nominative, the accusative and the genitive.The Arabs used to substitute the plural for the dual such as " ?adhim 'al - manakib (i.e., mankabain)" and "ghalidh 'al - hawajib(hajibain)".The Bsayah dialect, like other contemporary Arabic dialects, has beencharacterised by its being free of the parsing diacritics or signs and the inclination of its speakers to put a sukunat the end of its words. This could be a phenomenon which prevailed in an early time of the prevalence of solecism and the corruption of languages because of the Islamic wars and conquests.

الشفاعة والاستعطاف في شعر العصر الاسلامي : دراسة موضوعية فنية

اسم المؤلف: فاطمة سعد دواس

اسم المشرف: محمد فليح حسن الجبوري

الموضوع العام: اللغة العربية وادابها

السنة: 2014

الموضوع الدقيق: الادب

الدرجة: ماجستير

الجامعة: جامعة المثنى - كلية التربية للعلوم الانسانية - قسم اللغة العربية

اللغة: العربية

مكان الجامعة: المثنى

الصفحات الاولى:

الخطاب الشعري للشريف الرضي بين الانا والاخر == Al Sharif Alradhis' Poetic Speech Between The Ego And The Other

اسم المؤلف: عادل ياسر كاظم الركابي

اسم المشرف: ستار جبار رزيج

الموضوع العام: اللغة العربية وادابها

السنة: 2014

الموضوع الدقيق: اللغة

الدرجة: ماجستير

الجامعة: جامعة المثنى - كلية التربية للعلوم الانسانية - قسم اللغة العربية

اللغة: العربية

مكان الجامعة: المثنى

الصفحات الاولى:

المستخلص: This study is an attempt to extrapolate the poetic discourse of , Sharif alRedhi between the ego and the other Based on the concept of discourse as a modern linguistic studies secretions. this term has take a long range in these studies and in other areas oflife and became the term of speech in recent time a common term , but it branched , and had many paths , and different concepts so that finding it and selecting it became difficult , so the speech became used widely among critics and researchers , and became with different concepts , and became expressing many things in multiple areas and within all disciplines , poetic art has specific speech and aims to deliver its intended message , as well as a lot of other arts.the field of the ego and the other was taken from the side poetic speech of poet and his overall intentions , whether political , social or religious ,the researcher wanted to observe these phenomena in the poets books , and criticism books that dealt with the speech of poetry in general , the reliability of the researcher to interrogate the poetic texts , taking advantage from the language of the text itself, and understand it , or special perceive by interpretation , to read the text and thinking in it and insight into the depths and disclosure of its connotations , so the research methodology came spread over three chapters preceded by a preface, followed by a conclusion so we reached to a set of results that emerged from the study , including : 1 The political speech of alradhi is characterized by style which is convincing , which is intended to a commercial reaching function that cannot leave him under any circumstances , a coherent build is taken from article ideology of special technical owned by alredhi which has excitement spirited by using rhetorical mechanisms.2 his frequent use of the exciting words in his speech, was from his mental interactions experienced at the beginning of his childhood to his youth , and what he suffered of pain of need for his ambitions.those words represent tone raised in his poetic speeches pictured his illusions as champion in the battles waged in his imagination , seeming as negatively center he paid intention around so that his art became not realistic.3 his sense of himself led to making his own identity based on differentiation from others. his own conscious and passion and safe ideas led to consciousness by being different from others and a preferring himself, and its superiority over the others in one hand , and on having the principles of harmony , cohesion and synergy with the others including consistent and satisfy himself and save psychological tension , but here we can not only to be satisfied with such results , asking the Almighty to guide us.the researcher

اساليـب الطلب فـــي ديوان الشيخ عبد الحميد السماوي : دراسة دلالية تداولية == Methods Of Request In The Diwan Of Sheikh Abdul - Hameed Al - Samawi : Grammatical Semantic Study

اسم المؤلف: حمد عدل ناصر الغانمي

اسم المشرف: وليد شاكر نعاس الرفاعي | محمود عبد اللامي

الموضوع العام: اللغة العربية وادابها

السنة: 2014

الموضوع الدقيق: الادب

الدرجة: ماجستير

الجامعة: جامعة المثنى - كلية التربية للعلوم الانسانية - قسم اللغة العربية

اللغة: العربية

مكان الجامعة: المثنى

الصفحات الاولى:

المستخلص: وقد اقتضت طبيعة البحث تقسيمه على تمهيد وثلاثة فصول متبوعة بخاتمة, اما : التمهيد فقد خصص لدراسة الكلام والانشاء الطلبي. واما الفصول فقد جاءت مقسمة على ثلاثة فصول, مبتدءة بالفصل الاول الذي تناولت فيه اسلوبي الامر والنهي. واما الفصل الثاني, | (Methods of Request in the Diwan of Sheikh Abdul - Hameed Al - Samawi : Grammatical Semantic Study)In the name of Allah, the most compassionate, the most MercifulThanks to Allah, peace and blessing be upon the master of all mankind and his rightly guided progeny and peace be upon their followers until the Day of Judgment.The nature of the research has necessitated dividing it into a prologue, four chapters followed by a conclusion. The prologue has been allocated to study the poet biography; as this study is the first dealing with his works. The research has been divided into four chapters; the first of which has dealt with three concepts : speech, Composition and request, for two reasons; the first is that the reference of the methods of request are those three concepts, and the other reason is that this research is meant to keep pace with modern linguistic studies, particularly the deliberation theory. The second chapter which has studied the two modes - commands and interdictions - is divided into three sections; the first section has dealt with the command linguistically and idiomatically as well as its indication of time. The second section has addressed the forms referring to the commands which have been dealt with in the diwan. The third section has discussed the necessitating functions of the command mode. Chapter three has been allocated for interrogation methods and divided into two sections beginning with a preface dealing with interrogation linguistically and idiomatically, while the first section has addressed interrogation particles according to their occurrences in the diwan and they are classified as particles and nouns. The third section has studied the necessitating functions of the interrogation mode. The fourth chapter entitled (other methods namely the vocative, optative, hoping, offering and urging cases), has been divided into three sections : the first has dealt with vocative mode (nature, particles, and object). The second section has dealt with the necessitating functions of the vocative. The third chapter has been allocated for (optative, hoping, proposing and urging) cases. The chapters of the research are completed with its conclusion and findings, the most important of which are : 1 - Al - Samawi's diwan includes the main original and necessitating methods of request such as commanding, praying, appealing and etc.2 - The poet took too much care of the feminine addressing in his use of the command mode , which means that he take on this mode for its efficacy in influencing society more than the confrontation mode; also, he used it when sensing pain and bitterness for what he saw of the community situation.3 - The research has proven the need to differentiate between the verb of command as an act of the speaker, which is associated with the present time, and whose significance occurs at its saying, and the compliance phase with which the verb deviates from the command implication.

الخلود في شعر عبد الحميد السماوي == Eternity In The Poetry Of Abdul Hamid Al - Samawi

اسم المؤلف: اساور ناجي حسين صالح الحسناوي

اسم المشرف: محمد فليح حسن الجبوري

الموضوع العام: اللغة العربية وادابها

السنة: 2014

الموضوع الدقيق: الادب

الدرجة: ماجستير

الجامعة: جامعة المثنى - كلية التربية للعلوم الانسانية - قسم اللغة العربية

اللغة: العربية

مكان الجامعة: المثنى

الصفحات الاولى:

المستخلص: We have chosen the term "eternity" in the poetry of Abdul Hamid Al - Samawi because of the indications of awareness of eternity it carries and the way of employing it, in addition to the role it plays in engineering the text : a process which is considered one of the most important streams of the poetical experience of the creative person whie it is on the threshold of producing a new text. The nature of the topic has required that it be divided up into a preface and two parts preceded by an introduction and followed by a conclusion containing most of the findings arrived at Finally, a list of references has been added.I have followed in my research the inductive descriptive approach.The preface has been given the title" Eternity between Philosophy and Poetry", while the first part has been devoted to the" Objective Study". As for the second part ,it has been devoted to keeping an eye on the artistic factors by mean of the tools of the aesthetic molding.The research has arrived at the following findings : *It has become clear the Al - Samwi's poetry has mixed between imitation and innovation at the same time. That is to say, his collection of poetry has included the traditional topics and the modernized ones which appeared in modern Arabic poetry. It has become clear that the subject of "eternity" was conspicuous.*It has become clear that the main motive behind composing poetry was the society in general and the Samawa environment in particular. This is considered one of the most important outside attitudes to which the motive responds. The influence of the environment has been apparent in Al - Samawi's poetry as a result of how he viewed it. The influence of religious occasions has been also clear which has made the poet long for contemplating the landmarks of eternity as represented in Ahlul Bayt(AS) lofty edifices.The third motive has been represented in in Al - Samawi's pondering over life and death.Life in all its troubles and pains imposes on him pains and sufferings which makes him criticize its leisure. He has ,therefore, kept a close eye on all its manifestations. As for his pondering over death, the poet launches into mentioning death prolonging contemplating it. He has also expressed his delight upon seeing graves and casted long looks on them. He has also pondered over universe and existence.His existential concern has been clear which was its main motive to think of the other world and the eternal rest.*It has become clear that Al - Samawi's has penetrated the language looking into it as deep as his emotions using its styles in line with what he deems convenient for his psyche and doctrine. He reclines once on the eternity expressions of the heritage while in other times uses simple expressions , but the language of eternity which has taken a distinctive feature is the easy and simple language. His poetic lexicon has been characterized by the domination of the eternity expressions and their derivatives. They are considered the most dominant expressions over the poet's vision. Through these dominating expressions , he has been able to express cases struggling in his mind whether in reality or in imagination.*It has been apparent that Al - Samawi made manifested the linguistic structure in the poetry of eternity in more than one meaning as deemed convenient according to his poetic experience. The poet , therefore, has subjected for this purpose expression and constructions which he thinks they can achieve this objective. These style have varied and they have been controlled by his poetic feelings and emotions.*Al - Samawi has adopted the traditional criteria in the metrical structure of his poem. Examining carefully and employing the Arabic metres , he has revealed to us the intensity of his use to specific metres as used by ancient poets such as the metres of the Kamil, Tawil, Khafif, and Basit. He has intentionally resorted to metres diversity in texts where homogeneous and heterogeneous metres are used for the sake of waving movements among feet. As for rhyme, it looked as though it were a rich multidimensional sonorant action which has contributing to granting the text sobriety and stability.in addition to shedding light on the semantic dimension of texts.*The internal music for the poetry of eternity has reflected in alliteration and bringing the reare to the fore to express what Al - Samawi feels of. it has also been found that he resorts to repetition in its being one of the styles of expression. The poet had recourse to creating his own internal music through repeating a group of sounds which have a specific type of phonetic characteristics. He has repeated letters, utterances and constructions to perfect the meaning and fix it alongside phonetic effects to achieve musical harmony.*Al - Samawi has found in the Glorious Quran an inexhaustible fountain of meanings and utterances which have been absorbed by his mind and filled the depths of his soul. So, he started to drink of this sweet fountain living with the verses of eternity to such an extent that his texts were formation of many texts rephrased to meet his poetic attitude and vision.*The role of the religious symbol in the poetry of eternity has become apparent and the most outstanding symbol has been that of religious and historical heritage. The poet has been in the habit of recalling his immortal religious characters whichreflects his feeling that such characters were of great richness especially when we take into consideration that his look is in accordance with his psyche and poetic experience ; thus he has cared a lot for his doctrinal thought which formed later on a discourse specific to him in order to achieve cohesion between his experience and the symbol of eternity because he has expressed what he has inside himself by means of subjective motives.*The study has revealed the domination of personification in an imaginative context adopted by the poet in more than one poetic image. This personification has emanated from the passion and psyche of the poet. Imagination has extended over a huge space as regards his depictions especially after he has made the inanimate possess the qualities of the human being which has made the recipient understand and grasp the meaning more clearly ; hence the poet has been able to construct a multitude of new unrelated depictions.