اسم المؤلف:
احمد مزهر داخل
اسم المشرف:
عبد الرضا بهية داود
المستخلص:
تعد الرقع الخطية من الانجازات الفنية المهمة في تاريخ فن الخط العربي , اذ اكتسبت اهتمام الخطاط المسلم خاصة , وذلك كونها اعتمدت في تدوين الايات القرانية والاحاديث الشريفة , زيادة على انها تمثل مدى التوصلات التجويدية للخطاط في فن الخط من خلال احتواء هذه الرق | The calligraphy patches consider from the important artistical achievements in history of Arabic calligraphy , because it gained interest the Moslem artist specially , because it depended in writing the holy Quraan & holy converses , add to this it represent what the extent of access bettering of calligrapher in art of calligraphy thru containing these patches upon both of Thuluth & Nusukh fonts which consider hard & beautiful Arabic kinds of fonts therefore capasitating from both of these fonts consider adnouns of good calligrapher, therefore calligraphers tried in all ages to defining their bettering skills thru these patches. some of beavering beginning from calligraphers in cantoning area and situation directional for the Nusukh font lines.some patches contain the decorations treatments to defining aesthetic side and this add different functional dimension , also patches different each others in attachment in texts , where some texts depended attachment meaning in some patches , others patches depended in partial attachment, while some patches depended texts whit no attachments in meaning totally. This study contains four chapters. chapter one include the problem of the study and it important , aims , limits , terms define. Chapter two include four sections , first section talking about the bettering stages for Thuluth font , and show the most important bettering & modern calligraphers to this font thru different ages accessible to the present.while the second section talking about the bettering stages for Nusukh font and talking about this font calligraphers everybody in accordance with his way belong it , and add to this talking about important features to this font , third section include the fundaments & aesthetics Arabic calligraphy and it founders. while in section four show appearance stages to calligraphy patches and development. From these sections pointers theoretic frame appearance and then article last studies coming which chapter finished. Chapter three include procedures study , search society which contains it limits upon Turkey & Iraq and selected some samples from all which came ( 25 ) samples , after analyze found some results : 1. Often affiance on read & bettering side as a functional dimension to the calligraphy patches more from it been learning or calligraphy permit or volute , this rate was 64% , volute rate was 16% , learning rate was 12% , calligraphy permit rate was 8%. 2. Calligraphers keeping fit cantoning & proportionate between texts areas so they give every font write area to compassing text in accordance with kinds , in analyze appearance rate of proportioning is 88% from patches which have proportionate area cantoning. 3. Calligraphers consult the proportioning between size of Thuluth pen & Nusukh pen thru keeping the favorite rate which it appreciative ( 1 : 3 ) , the rate of samples which keeping this rate 88% from all samples. 4. Clear thru analyze to study samples affiance of black ink with colors in tune in most of patches , where found use rate this ink with these colors is 52% , beside affiance this ink in writing on alturma almussafer papers in rate 48%. 5. Found thru analyze most of calligraphy patches have duet arrangement , patch cantoning to two area , one for Thuluth font and one for Nusukh font , the rate of patches with duet arrangement was 36% from all , while the rate of patches which have trio arrangement was 16% , the rate of patches which have multi arrangement was 32% , patches which affiance the lines principle was 12% , found the affiance of calligraphy hierarchy rate was 4% from all. In view of the obtained results , the following conclusion have been reached at : 1. Affiance on read & bettering side as a functional dimension to the calligraphy patches thru affiance Nusukh font and affiance sequence line for Thuluth font was because these patches was used to write the holy Quraan & holy converses which made reading more easy for all peoples in Islamic society. 2. The getting of resultant proportionate from calligraphy area arrangement caused by give Thuluth & Nusukh fonts enough area to assimilate text for both fonts. 3. Appearance calligrapher to his skills in production to these calligraphy patches because Thuluth & Nusukh fonts considers hard and beautiful Arabic kinds of fonts , also perfecting these fonts consider adnouns of good calligrapher , and thru bettering these fonts clear his skill in this art. The thesis end up with appendices , and resources, and the summary in English.
