العلم العراقي
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الدراما التلفزيونية العراقية بعد 2003 (المضامين والمعالجات الفنية) == Iraqi Television Drama Post 2003 (The Implications And Artistic Treatments)

اسم المؤلف: رضوان مكي عبد الله
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تشغل المضامين وطريقة عرضها وتجسيدها اي (معالجاتها الفنية) اهمية كبيرة في الدراما التلفزيونية، وتتازر تلك الاهمية مع اهمية التلفزيون بوصفه من اهم وسائل الاتصال الجماهيري، واكثرها انتشارا وتاثيرا، فالتغيرات الكبيرة التي شهدها العراق بعد عام 2003 ادت الى ايج | The intellectual and aesthetic implications and the way of exposing and embodying them occupy a great importance in TV drama. This importance goes side by side with the importance of television as being the most important, most spreading and most effective mass communication media for the great changes witnessed by Iraq post 2003 led to finding new ideas and goals non - existent in the Iraqi society culture. Those changes had their wide echo in the Iraqi TV drama produced post 2003. To know the implications distributed by the stage and how to treat them, this research came to take care of studying the Iraqi TV drama post 2003 - the implications and artistic treatments. The researcher divided the research into four chapters. The first chapter "The Methodological Frame" included the research problem which was formulated in the shape of the following question : what are the intellectual implications and how are they treated artistically in the Iraqi TV drama post 2003?, the research significance, aims which aim at identifying the intellectual implications and their artistic formulation in TV drama produced post 2003, research limitations and definition of terms. As to the second chapter, it contained the theoretical frame including three main titles : Section one : Iraqi TV drama - a Historical Prospect Section two : Implications in TV dramaSection Three : Artistic Treatments of intellectual implications The researcher got out with indications from the theoretical frame which would be relied on as an instrument to analyze the sample, while related to the previous studies, three studies were mentioned for their approximation to a side or a part of our current research. The third chapter "Research Procedures" contained the research method selected by the researcher for its suitability to the research nature, i.e., the descriptive method embracing the analysis, then the research sample which was selected purposively, research instrument, analysis unit and instrument validity. As to the fourth chapter "Results and Conclusions", the researcher arrived at several results and conclusions the most important of which were the following : 1 - The Iraqi TV drama produced post 2003 focused on showing many implications such as (rejecting the occupation, necessity of science and culture, rejecting war, freedom of expression, respect of law, security loose, administrative corruption, tolerance, affection, cooperation, aid, freedom, authentic customs, popular heritage, absence from homeland, importance of love and marriage and open criticism of the government). Whereas the conclusions were as the following : 1 - The artistic treatments included literary treatments (scenario) and directing (video) treatments, i.e., the artist's capability of transforming the abstract thoughts into concrete thoughts perceived by senses. This chapter also carried the recommendations and suggestions. Also, the last pages included a list of references, then came the appendices and finally the research English abstract.

المعالجة الاخراجية للموروث الشعبي في الدراما التلفزيونية العراقية == The Directing Treatment of Popular Heritage In Iraqi Television Drama

اسم المؤلف: فردوس مدحت رؤوف
اسم المشرف: عبد الكريم حسين السوداني
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يمثل الموروث الشعبي اهم اشكال الثقافة الحياتية ومرجعية لطقوس وحراك ويمكن توصيفه بالذاكرة المعرفية المتمركزة على ما تنتجه المخيلة الانسانية في صراعها المستمر عبر المراحل التاريخية المختلفة ولا يمكن لاي شعب ان ينفصل عن تاريخه وممارساته التلقائية والتي تعكس | The popular heritage represents the most important forms of life culture and a reference of rituals and motion. It can be characterized with the cognitive memory centered on what the human imagination produces in its continuous struggle across different historical stages. No people can be separated from its history and its spontaneous practices which reflect its attitudes and awareness. What manifestations and expressions the events distinguish promote the thinking level and the characteristics of each people or human group. Because the popular heritage includes deep human experiments, it holds decisively a living and existential essence motivating many artists whether in Iraq or in other world states to turn to invest the data and values he distinguishes. It is easy to transform the social facts to artistic visions, especially TV drama works, besides the marriage between the heritage and TV reflects the fact that the popular polarization size of the little screen made the reception characterized with this extensiveness in that the serials or drama works grew addressing the popular memory towards employing what is common and deep rooted in the collective social mind. Hence, the researcher submitted her topic entitled (The Directing Treatment of the Popular Heritage in Iraq Television Drama) within the light of five chapter as the following : In chapter one (the Methodological Frame), the researcher identified the research problem manifested in the following question : What are direction styles of popular heritage in Iraqi TV drama? then comes the research significance which was obvious from the significance of the topic (popular heritage), since the directing treatments of the popular heritage topics require standing long at them for it is one of the topics that documents a nation life through reformulate its history in a TV drama work. This matter makes it of an obvious importance in searching it in order to provide the chance for the one who works in the field of direction to stand at the potentialities and merits of the works treating the popular heritage as well as to provide a search reference for the followers and readers to get what is within its contents, in addition to the advantage given to the critics, authors and directors who work in TV drama and the advantage goes to the students of the College and the Institute of Fine Arts. As to the research aim, it was in exposing the directing treatment of popular heritage in Iraqi TV drama. Chapter two (The Theoretical Frame and Previous Studies) included five sections as follows : 1 - Section one : The Popular Heritage - The Origin and Concept. 2 - Section Two : The Elements of Popular Heritage and Their Employment. 3 - Section Three : Employing the Popular Heritage in Iraqi TV drama. 4 - Section Four : The Directing Treatment of Popular Heritage Topics. 5 - Section Five : Glimpses of Addressing the Popular Heritage in Some Works. The indicators of the theoretical frame distinguished some results dealing with the directing treatment nature of popular heritage in Iraqi TV drama. As to previous studies and after studying and searching, the researcher found a master study in the library of the College of Fine Arts for the student Adnan Mizhir Lafta entitled (the Cinematic Formulation of Superstitious Story in the Narrative Movie 2004). In chapter three (Research Procedures), the researcher dealt with the research method where she took the descriptive method which fits the research nature. While the instrument was concerned with the elements of the popular heritage and how to employ them as well as the expressing elements which contribute in embodying the popular heritage. The researcher took the scenes as a main unit in analyzing the sample in that she took the research samples purposively which contain the popular heritage essence represented in several samples mentioned with details. Chapter four addressed the analysis of samples. Chapter five (Results and Their Discussion) covered a detailed display of the results arrived at by the researcher where some customs and traditions were shown in most drama works addressed in the research, in that the directors asserted running after the details of traditions and heritage glimpses clearly as well as the popular songs were embodied with all it could turn us to their reality, so the instruments like the Joza and Khishba and singing the squares (Muraba'at) necessitated that there should be a privacy when directing them. Thus, they were discussed and then the conclusions came out, the most important of which are quoting some international works (as popular heritage) and reflecting them on our heritage where the features and characters are changed in a way simulates the Iraqi traditions which makes the director subject to the original text in the treatment process. Afterwards came the recommendations and suggestions matching the research aims. Finally, the researched adopted several suggestions for future topics.