البحث — المستودع الرقمي العراقي

نتائج البحث: 9 من أصل 9

المعالجات الاخراجية لعروض مسرحيات الحرب : المسرح العراقي انموذجا == Directoral Treatment For war Play Performance : Iraq as example

اسم المؤلف: كاظم عمران موسى

اسم المشرف: حسين علي كاظم التكمهجي

الموضوع العام: الفنون الجميلة

السنة: 2010

الموضوع الدقيق: الفنون المسرحية

الدرجة: دكتوراه

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المتغيرات الاخراجية في العرض المسرحي العراقي ما بعد 2003 == The Direction Variables In The Iraqi Theatrical Show Post 2003 - Period

اسم المؤلف: سعد عزيز عبد الصاحب

اسم المشرف: عقيل مهدي يوسف

الموضوع العام: الفنون الجميلة

السنة: 2010

الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: تعتمد المتغيرات الحضارية والانسانية على عدد من المحددات في ضوء حاجة الانسان في تغير معطيات حياته من شكل لاخر، لذا تبعت هذه المتغيرات اشكال الحياة الاخرى ومنها المجال الفني بصورة عامة والفن المسرحي بصورة خاصة، والذي انبثقت منه صيرورات جديدة، حاولت ان تغير | Civilization and human variables depends on many determinants through the need of man for variables through the man need to variable his life from one form to another. Therefore, these variables have followed other forms of life including art in general and theater in particular. That has flowed from new issues which tried to variable the traditional issues in to new ones, which the receiver has not been familiar in their essence. But these are not common among us through intellectual and aesthetic components as well as new techniques that continued to present many reading and perspective (dialectic) for the social, economic and political events within the context of artistic show and with the style and attitudes of directors, as wee as their dramatic and directive attitudes. That is with a direct effect of the political variable on the theatrical structure and discourse.The research contains, in its structure framework - the problem of study - the following question.Has the artistic (directive) variables founded new theatrical traditions on mechanisms of theatrical directive, that we can talk about variation of direction style and vision after opening of new horizons of expression?The impotence of the study lurks in dealing and detecting transitional period from the date of modern Iraqi theatre - i.e post - 2003 according to the artistic direction that happened.The objective of the study lurks in treating and detecting the variables, terms mechanism and styles of the Iraq direction in the post - variable shows.The theoretical frameworks were confined in two inquiries, the first shows the directive perspective and the ideological transformation of the modern European theater IN Germany, England, Ireland, Russia, and playwright and their theatrical perceptions and readings of the social, economical, and political realities as well as the uprisings and coupes and the consequential effects.The second inquiry deals with the directive attitudes and variables in style in the Arab Theater post - 1967 war in Egypt, Morocco, Syria and Lebanon in openness on the directive forms, scripts and the scenegraphical techniques that were invented in the post war era.The comes an inquiry about the finings of these two inquiries until we tackle the previous studies and their relation to the title, and inquiries of the thesis, the Direction variables in the Iraqi Theatrical show post - 2003 period.The third chapter is procedure of the thesis. the inquiry stars with directive tendencies before the change 1992 - 2002 which unfolds the directive tendencies and attitudes in relation the delaing with patterns of performance and the stenographic forms before change.The sample of the study was chosen randomly out of the research community for having resource, reference, photographs, CDs, and the printed texts and the shown scenes of the live shows.The samples were : 1. the play of this life triumphs.2. the play Ali Al - Wardi and Hi Rival.3. the play Death and the Virgin.4. the play curfew.5. the play pawns.6. the play hatchback of new terdam.7. the play dream in Baghdad.In the descriptive approach in analyzing then above sample, in the fourth chapter, the research what he finds out in the conclusion as well as an index of the recourse and references an abstract in English

انساق العلاقة بين جسد الممثل والسينوغرافيا في العرض المسرحي : ماكبث انموذجا

اسم المؤلف: جواد كاظم حسن الحسب

اسم المشرف: فاضل خليل رشيد

الموضوع العام: الفنون الجميلة

السنة: 2010

الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

تفكيك الزمن في الخطاب المسرحي

اسم المؤلف: جبار حسين صبري

اسم المشرف: رياض موسى سكران

الموضوع العام: الفنون الجميلة

السنة: 2010

الموضوع الدقيق: الفنون المسرحية - ادب ونقد

الدرجة: دكتوراه

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

التحولات الدلالية اللونية في السينوغرافيا المعاصرة == The Colorful Significant Changes In The Contemporary Scinography

اسم المؤلف: فلاح كاظم حسين

اسم المشرف: محمد عبد الرحمن الجبوري

الموضوع العام: الفنون الجميلة

السنة: 2010

الموضوع الدقيق: الفنون المسرحية - تقنيات

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: ان كل المتغيرات والتحولات في انتاج مستجدات السينوغرافيا القائمة من الواقع المعيش على المسرح، الذي لم تكن يوما ولن يكون بعيدا عن هذه التحولات والتطورات الحديثة. اذ يسهم في بنية العرض المسرحي وسائط تقنية متعددة يتم توظيفها من قبل اختصاصيون في مختلف الانشط | All the variables and changes in the product of the new things that base on the actual condition that is depended on the theatre, which was not be and will not be for from these changes and new development. It contributes in the building of the theoretical show and there are many technical means that are employed by specialists in different scientific activities like : musicians, engineers of lights and sound effects and optical tricks as well as the formation, architecture and fashion designers, however, the theatre depends today on different expressive techniques that are represented in using sound and body language and its elegance to produce the meaningful expression through formation and shaping the gesture movements and music and dancing to make the receiver interact with them. Also, in all these techniques, the theatre needs to make a practical study for the technical changes especially the colorful ones, and it is the subject of research. So, the changes, in the theatre, are not the outcome of today; but they do have an origin in the present days until they reach to the new cinematic language that fabricated its forms in technical currents and directions; which had appeared and spread especially after the Second World War in all Europe and United States and the Arab world. These currents have used the technical tools and their significance and functions in different creative operations to find out their capacious in different creative operations to find out their capacities, dimensions and aestheticism and thoughtful applications. And that is named "The Colorful Significant Changes in the Contemporary Scinography" which deals with the study of understanding the alternations and how to produce the colorful significance inside the temporary scinography? Also, the study includes four chapters in addition to the abstract, results, and conclusions. The first chapter includes the methodological framework, the research problem and its need. Then, the researcher illustrates the researcher's importance throughout the changeable operation to produce the singnificance inside themodren Scinography, and thereafter he explains the research aim that is represented in ( illustrating the colorful Significant changes in the temporary Scinography); in which tine research illustrates the terms limitations like change , Significance, and Scinography. Besides, cheapter two mentions (the theoretical framework) and it includes three topics, they are as fallow : 1 - The first topic is the significant changes in the theoretical show.2 - The second topic is the color and its concept, psychological characteristics in theoretical show. 3 - The third topic is the deviation color and the Scinography elements.And the chapter has ended in pointing at the previous group studies by concentrating at the indicators from which the theoretical framework is produced, and chapter three deals with the found procedures which include the intentional samples that are represented in the following theoreticalshowws; 1 - ) The play of Atael in the Kitchen, that is authorized by; SamiAbd al - Hameed in 1996.2 - ) Macbeth play that is authorized by : Salah al - Kasab in 1998. 3 - ) Saedrah play that is authorized by Fadel Khaleel in 20014 - ) Ghosts play that is authorized by : Adel Kareem in 2004 - 2005..5 - ) Ali al - Wardi play and his opponent that is authorized by : Akeel Mahdi in 2008.Besides, the syllabus and tools of the research with its analysis that is represented in : 1 - ) The theoretical framework.2 - ) The compact discs.3 - ) The photographs.Therefore, making analysis for the samples and indicating the colorful significant changes that are used is another step.Finally, the fourth chapter includes the results that are found or got by the researcher and then the conclusions with the suggestions and recommendations. Also, the sources are mentioned with the annexes. Ultimately, we have mentioned the abstract in the English language.

الانعكاسات السياسية في عروض المسرح العراقي المعاصر == Political Reflections On Modern Lraqi Theater Peeformance

اسم المؤلف: سعدي مهدي غربي

اسم المشرف: رياض موسى سكران

الموضوع العام: الفنون الجميلة

السنة: 2010

الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

تنوع الرؤية الفنية في تجربة الفنان عبد المرسل الزيدي المسرحية == The Variety Artistic Perception of Abd Almursal Al Zaidi Dramatics Experience

اسم المؤلف: علاء عبد الله راضي

اسم المشرف: سافرة ناجي جاسم

الموضوع العام: الفنون الجميلة

السنة: 2010

الموضوع الدقيق: الفنون المسرحية - ادب ونقد

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: ان دراسة تجارب الفنانيين، والادباء، والمفكرين، والعلماء تسهم بشكل فعال في تطور المجتمع، والاهم تطبيقها علميا وعمليا.فضلا عن التلاقح بالمعرفة والانفتاح على ثقافة الاخر، تساعد على النهوض بالواقع المعرفي بالتخصصات الدقيقة والثقافة العامة، وكان للبعثات | The study of the artist, Literates, thinkers and the scientists experiences contribute in a active way to develop the society and the most important applying them a academically and practically.The interference of different knowledge and to open to other culture help to raise up the real knowledge by specialization and common culture.The scholar - delegations have great role in Providing Arab Societies by curriculum and the Specialist methods in dramatics by the legates who work as teachers in the academy of beauty arts, We mention as instance the lading group like (Haqi AL - shib;I ,Jaapher Al - saadi,Asad Abd Alrazaq,Jasim Al - Abudi,and sami AbdAl hameed).Moreover they work as directors and actors they have presented their works in educational institutions in the bands of show applying in such works varying directing schools based on their own styles and senses.Abd Al mursel Alzaidi one of the Iraqi artists has different artistry scopes by the variety of their experiences and talents, He studies theater in academy of beauty arts In Iraq and completed his higher education (masters and doctorate degree) specialization of literature and dramatic criticism in Romania (Bokharist university ).He used to teach the students after his reoccurrence from the study in dramatics department , in addition to his practical experience by his variant participation in many dramatics work either as director or actor or styler ,in increase to his participation of variant artistry in radio ,Television and in the field of plastic art. According to that the scholar gets the title of his research : - (The variety Artistic vision in dramatics experience of the artist Abd Almursal Al Zaidi ) and for reaching to the aims of this study is described by for chapters taking this from : - This consist of (The problem of the research and the need for it, the research confines ,and the definition of the terms ) , The problem of the research included this question : - (Is there any role to the variety of the technicality scope for Alzaidi in the field of radio ,T.V, and plastic art on his dramatics experince).The importace of the research is considered as one of the studies that are about the demonstration and the development of Iraqi theater by its : - Observation to the enlightenment and crystallization of the artistry scopy in the mind and the senses of one of its pioneers who is the artist Abd Almursal Alzaidi and so it is the study that focuses on the aids that use the universal script feasibilities in handling Arabic or native cases.And to put in to use the plastical scopy that Alzaidi has in designing the items of the dramatics show space and this is by the way is considered as a knowledge that serve the workers who work and study in the theatre and the establishments that are in relation with it.The aims of the research consist of three points that are : - 1 - To know the originator of the ideological, and the artistic of the artist Abd Almursal Alzaidi and how this originator influence his own artistry experience.2 - To know the origins of the artistry that are about Alzaidi by following the demonstration of his history his artistry , educational, and social life.3 - To know the nature of the moment that was lived by Alzaidi and knowing its contradiction on the conflict level that the origin artistry methods have witnessed or by the ones that coming by his traveling around the world or by his study in Romania.The limits of the research are restricted according to such ones : - The temporal margin - the locative - The topical , the temporal margin was limited for about (2010 - 1940) concerning his own technical experience focusing on his dramatistic experience, The locative margin (Iraq) but the topical margin is concerning the study of the cultural and creative originators of Al - mursal Al zaidi chapter two Academic field.In this chapter the scholar tries to constitute theoretical domain for the Variety of the technical surveying about the dramatics experience of the artist Abd - Almursal Alzaidi in three main subjects : - The first subject : - The meaning of the technical scopy, the scholar sees in this chapter that the artistry scopy is formed by two important formatives they are in origin from the parts that are connected to the voluptuousness physiological parts of human being and to his social and psychological cultural that are sight and conception.The second subject : - the materials that malte the dramatics artistry scopy come true, the scholar considered such mediums as akind of sciential coherence between the thought and the art for the coordination of the voluptuousness , and the audio - visnal for the theatre show the scholar has distinguished between two kinds of the material that achieved the dramatics Artistry scopy the script and synography.The third subject - The resources of the technical scopy variety about Al - zaidi experience in spite of that these resources are long, imbricate and intricate in different arts however, the point of initiating it was in his dramatics experience (acting and mechanisms , and dramatics there the plastic, T.V,and his radio experience).And the scholar make ratiocination in the end of chapter two that contain the most important of the signs the academic field.In chapter three : - the scholar did his research procedures by limiting (so ciety , sample, the method ,the research mediums) and then he did explication the sample of the research that include the drama shows that was directed by him,1 - (Macbeth)by William shakespear.2 - (lovers not Failed) by farhan Bulbul.3 - (Abu Hamdans dream) by Jamal Abu Hamdan.4 - (Good Human) by Auny caromy.The scholar take the persuasive way in choosing the research sample depending on the analytic descriptive method in analysing the research sample.Chapter Four : - consist of the following : - (the research findings and its arguments, and the ratiocination) the scholar make many recommendation , suggestion the list of index and appendix moreover the digest of the paper in English Language.

نظم الخطاب في عروض المسرح العراقي على وفق الاتجاهات النقدية الحديثة نماذج مختارة == The Systems of The Iraqi Drama Shows Discourse According To The Modern Directions Critical

اسم المؤلف: حارث حمزة عبد الائمة الخفاجي

اسم المشرف: نصيف جاسم الدليمي

الموضوع العام: الفنون الجميلة

السنة: 2010

الموضوع الدقيق: الفنون المسرحية - ادب ونقد

الدرجة: دكتوراه

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: تمثل العملية الابداعية فعلا تواصليا ناتجا عن العلاقة المتبادلة بين الوعي والوجود، على وفق صيغ وانساق تنتظم داخل فضاءات فكرية، تتجسد على نحو متحول في الاشكال المادية الممثلة للشكل الظاهري في الفن بحقوله المختلفة، التي يشكل الفن المسرحي احد تلك الحقول.وي | The creative process is represented communication active is ruselt from the mutual relationship between awareness and existence according to forms systems orginicing inside mental spaces represented on transform in material forms witch are represented in external shape to art in different in fields and the theatrical art is one of that fields.And the system of theatrical art is represented transforms active pivot or many levels wich is represented on realation ships and advices wich are spread between abstract humanity wich represnted in the text of the writer and what is carrying of elements and relationships wich are organize according to the given of text system, from one side ,and transform , in in side the external according to two levels the audiovisual from another side.And because of the processes of be organized the awareness to include the facts of theatrical field is come from to call for all humenty references and wich it cannot to out of tamely place facts and reflexes include the structural of creativness system theatrical - and its just like to called on it as abstract structural and atoms structural wich it called by those previous vocabularies from briefly of all to name for example : ( mentally, abstract, perfectly, sensitively, materially, externally, …. Ect ).The objectly equal wich is to spread the structural of theatrical system and finely, and charm reading , what this meaning in discourse, it is effect in the text, and criticism systems, in the theatrical art, included the place on the stag.The search it s contain in four chapters : The first chpter : the form a manner : 1. problem of research.2. aim of research.3. 4. Sami A. Al - hameed.5. fahdel khaleel.6. ssalah Al - qasab.7. Aakheel mahdee.After that, the researcher look in some criticism current : 1. structural.2. seismology.3. deference.

جماليات الازياء في عروض المسرح العراقي == The Beauties of Fashions In Iraqi Theater Shows

اسم المؤلف: محمود جباري حافظ الربيعي

اسم المشرف: محمد عبد الرحمن الجبوري

الموضوع العام: الفنون الجميلة

السنة: 2010

الموضوع الدقيق: الفنون المسرحية - تقنيات

الدرجة: دكتوراه

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: نبحث في تكوينات الازياء المسرحية من اجل الكشف عن الفكر التاويلي الفلسفي،وايضا عن معاني الصور البصرية المتشكلة بفعل علاقات عناصر العرض المسرحي بعضها بالبعض الاخر، فضلا عن مدى تمثيل شكل الزي المسرحي (سلطة او هيمنة) على مظهر الممثل في ساحة التمثيل، وذلك | My Research in making up of the theater Fashion about the Secret of philosophical thought and about the meaning of Optical pictures Which shaped by the relation ships of Optical Pictures which shaped by the relationships of element of the theatre show , which connects with each other. As wellas the extences of acting the shape of theater Fashion (control) on appearances of the actor in the Field of ailing Fashion covers the natural body of the actor and express the appearances and dimensions of the fashion lakes part outside emotional expression , For the actor in the play averts. The dramatic fashion accused important optical avenge with the rest of visual elements , That style of fashion design stir up beautiful feelings by using fashion forming that is suitable with the nature of designable treatments to other elements. The fashions contains the nature of relation ships of educational address and the kind of beliefs , So the visual beauty is limited for those relation which are the designer fashion tried to redesign and set them anew. so as to goes with beautifully with the last visual for dramatically scene. For this reason the research divided the beauties of fashions in the dramatically shows of Iraqi theater to five scenes : The first Term (methodical frame) includes the research problem it's about the following questions : ( WHAT IS THE BEAUTUL FORMS of THE FASHIONS AND THEIR RELATION SHIPS IN THE IRAQI SHOW PIAY ? ) The importance of the research comes to save scientific subjects for specialists in dramatic Arts in general and to fashion designers specialty. The aim of the research is to limit to reveal the forms of fashions beauty and its relation ship with play show. The place of the research is Baghdad city the time is from (1992 _ 2007) , The subject is the fashion of characters of Iraqi play show. the idiom of beauty and fashion was assigned. The visual frame has been divided in to two terms the second term consists of three researches under the title of the formal dimension for dramatic fashion. The third term includes the things that takes places to the research , the choice for the sample was by mean they are : A _ Media play produced by Adel Kareem. B _ Who splayed raving awake produced by Gamin hammed. C_ Othel in the kitchen , by semi Abdul _ Hammed. D_ Macbeth , by salad Al _ Quad. E_ The Nomad and the Orientalist , by Aqeel _ made. I have hadalat of production as a result to samphs analysis , The most important of them are : 1_ The formation of dramatic fashion is assigned beautifully by two things.The first is by analysis the parts of the formal fashion which are (colures stripes , touching , space, emptiness , mass and shape). As well as its formal parts which are (the unity balance , harmony , mastery , correspond , differences , contradictory , structure , light , shadow , progression , direction , similarity , tune , repetition ) and to got their relations. the relalconship between the fashion designer and the producer of the show and the ability of the designer and its suitable with the desire of the receiver beautifully. 2_ To the formation of fashion beauty value itself reached to its meaning by the formal structural and beautifully designing by the unity of the subject which he wanted to do in his design , whenever the designer got the freedom to choose the design and carrying out increased movement in enlarging its beautiful limits using cloth of fashion. Beautiful arrarement by the continuance to rerch the relationship the combines the special structure that belongs to the dramatic fashion. 3_The relationship of the dramatic fashion with the elements of the play show is dased on the perfection marvelous technical communication among the show designers on the nature of forming these elements and the circumstances around the play show from the show place and its time. The fifth Term is the discussion of the results of the research is done and show the important results. The following is some of them : 1 _ The use of some of formal elements ( stripes , colors , touches , space , mass , and shape ) in the designing of the characters of the play. Neglecting using the others leads not achieve the value of formation of the dramatic fashion. 2_ To the structural elements for the design unity essential role in confirming the beauty of the dramatic fashion. Unused most of those elements leads to obscurity in design and that reflects on the general forming of play show. 3_ The historical dramatic fashion is very important it gives information about the appearances of the time and it reflected subjectively on the erase of receiving and their containment that leads to make the actor do his dramatic play show. The fifth term includes also the important commandments and suggestions. The Research is ended with a list of Arabic and English references in to the English language.