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توظيف الملحمة في الدراما التلفزيونية == Employment In The Epic Television Drama

اسم المؤلف: حسن هادي زاير المحمداوي
اسم المشرف: ياسر عيسى حسن الياسري
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بالرغم من تعدد وسائل التعبير للمنجز الفني الا ان لكل واحدة من هذه الوسائل نكهتها الخاصة التي يحاول من خلالها صانع العمل الوصول الى المتلقي. لكن يبقى الفن السينماتوغرافي الثمرة الناضجة والوسيلة الواعية للنتاج الانساني، اذ انه يشكل مجموعة من الخبرات والاف | Despite the multiplicity of means of expression of artistic accomplishment, but for each one of these means special flavor that which tries to work maker access to the recipient. But art remains Alcinmatugrave ripe fruit and conscious of the way the product of the human, as it constitutes a set of experiences and ideas humanity to get to a distinct form of art is an extension of the creative product of civilization. There is no doubt that art Alcinmatugrave tool and a means of intellectual working to transfer the beliefs and ideas of the people towards each other, an employee at the various kinds of topics, including tales of epic and mythical, historical and other. If you look at the old epics that have reached us, we find that it includes many anecdotal theme, and often we find that These themes independent of each other, in spite of its independence, but it where the unit subject is available, and this is what we find, for example, in the Epic of Gilgamesh or even in the epics of the ancient Greeks and ancient Romans, and this thing made filmmakers working on each of these themes separately in an attempt to find a technical ports to connect between them and to build up a convincing dramatic and leads to the ends of the aesthetic and creative. The cinema and for long periods they have monopolized the provision of those movies epic that dealt with the drama interesting carrying humanitarian meanings widely in form and content, but the television followed the example of cinema in the provision of those humanitarian epics on according to high - builders level and it was necessary to search in the recruitment of the epic and construction epic television series, Valmhamh of narrative story - based systems are listed in the delivery to the recipient of the expression of tournaments and events that mixes myth with reality. Those heroic stories we find is the champion matter given society defend them achieve their desires and is characterized by high strength and configuration of physical and psychological unique. The researcher divided the research on the four seasons, were as follows : The first chapter (methodological framework), which included the problem of research, summarized as follows by asking : How employs saga in TV drama? Then the importance of research and the need for him, as well as the objectives of the research and its borders.Chapter II, who came under the title (theoretical framework) was on the three sections, are as follows : First topic : the saga term and concept. Their definitions and their relationship to philosophy and what it is when Aristotle and comparing myth and at the end the researcher said a summary of the most important characteristic of the epic concentrated in eight points.The second topic : Building and construction dramatic epic elements : in this section were searched drama and dramatic elements of the general construction and construction epic researcher concluded at the end of his research also points to eight.The third topic : the employment of construction in the epic television series : in this section have been addressed to the foundations of the traditional dramatic structure and the president and his staff dealt with in the order as well as transition and connection between the viewer and the units of time in the series Almhumai.ol_khas Find researcher in the end to six points.In light of this, the researcher suggested a set of indicators that represent the theoretical framework summary. And seal Chapter previous studies.Chapter III (research procedures) to ensure the research methodology, and the research community and the research sample search tool and sincerity and integrity analysis steps and then the sample analysis tool that has been selected Qsidia analysis of a series Spartacus Part I : Then, the researcher analyzed the sample from the theoretical framework indicators after taking the opinion of the Committee of Experts and arbitrators.Chapter IV (findings and conclusions) : has included the results that came out of the researcher after the sample analysis, and the most important results : - 1. The construction in epic movies and serials that rely events Epic or epic mythical figures not only to seek clarity of interpretation but seeks to clarity of expression because the business epic intellectual progress summary of the beliefs and feelings of non - specific.2. Non - Molovih events and actions in Business epic coated myth make such acts implausible because it is located in the virtual worlds in a way just the viewer and lend the work a thing of beauty and surprise by tricks cinematic special effects, which was surrounded and carried out as in the sample series Spartacus.And he went after the researcher a number of conclusions and recommendations and proposals.Find and seal a list of sources and supplements and a summary in English.

تمثلات المتخيل في الخطاب السينماتوغرافي في طروحات ما بعد الحداثة == Imaginary Representations In Alcinmatugrave Speech In The Proposals of Postmodernism

اسم المؤلف: لؤي عبد علي مهدي الشكرجي
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Is a discourse Alcinmatugrave today a humanitarian imperative task of art and the phenomenon of communities with different cultures, languages, customs and traditions, because it is a form of sophistication and Highness and the development of civilization in the field of art, which is today civilized societies feature in the current era, which can promise the age of technology, techniques and science and electronics.Although the art and art productions in all its forms and formats, not distance away from this technical development taking place at the level of machinery, tools, machinery, equipment and techniques that dominated the human production of all types and forms, but the expression, style and form prescribed by the human, and the topics identified by the artist , raw material and technical Ntegath, is to be the core of art and the artistic process feature.The overall innovations of postmodernism ((postmodern in the field of photography and visual display since the beginning of the nineteenth century and Trafaqa with the overall discoveries of the twentieth century scientific and intellectual until now, the changing obtuse movement that turned the evaluation and judgment and consider the concepts to the concept and the importance of image, and to productions imagination which is new unparalleled, has accompanied the post - modern evolution of digital technology techniques and computer media, media, communication and the arts all, and has become the visual image accordingly semiotic mark attest to the developments and reinventions postmodernism, and it is no longer the language is the sole regulator of human life, of peoples and communities of different cultures and Muruthatha and features, but the picture is becoming the base engine for the collection of knowledge, and the effectiveness of human recognize the truth through all those discoveries subsequent to the photographic image and then converts it quickly to the moving image (cinema) and then the TV down to the Internet revolution that made the universe (a small screen in the palm of Rights), which have the capacity and the ability to breach the stringent actually effects and the dominance of mental discourse affected by the facts and the facts, and became symbols of these discoveries and productions continue influential with human imaginary process more than they may engage in dialogue or Taatlaqah with his mind, which adopts the reasoning of the basis for the projections that reality.Was launched with all these developments embodiment and achieve and activate the imagination and imagination on the level of artistic productions Alcinmatugraveh operations, so imagined that evoked to him the contents and details of the image in the speech Alcinmatugrave, and moved in different forms and expressions and fields, confusion and doubt anddarkness and shadow on the sidelines of understanding of the area, to the explanation and interpretation of the understanding of the area through the perception and the sense, and it has become visible material received by sight at all times and everywhere roam the human eye, and became the reality of man and his environment Urban modern source does not dry and inexhaustible of symbols and connotations that occupies the image position and the extraordinary significance, that this image that surround humans wherever found, and Baattabarھa result inevitable of productions imagination and creative sense, has become an effective tool of communication and interaction tools, whether this adopted a communication on the mind or the other queens that Ihozھa rights, and has become the imaginary symbols accordingly, a source of Alotsalaty on the cultural, social and humanitarian level exchanges, especially in the era of postmodernism, where the big coup at the level of concepts and propositions of intellectual and philosophical discourse of the buildings on the level of language, image and other means of expression. Most notably in the field of speech Alcinmatugrave, as Acefhma Regis Dupre in his life image and her death by saying : that television and cinema in the era of postmodernism Assanotai of the imaginary 1.From here the researcher in determining the problem with this research, and sought an effort to learn about the philosophy and the limits of the imaginary and its implications in the speech Alcinmatugrave, according to each of those visions and propositions, perceptions and ideas provided by the movement postmodernism, after its hegemony and control of the reality of thought and art since the seventies of the last century until our time, especially in the field of speech Suri.The speech ((Alcinmatugrave)) of the most important means of the display of the form and meaning of any dramatic work of art visible, and that leaning upon the viewer conscious who can we consider : actor moving the most dangerous and the most important in the tri - creative process ((Author director - speech Suri - receiver)) in the process taste sensory and aesthetic Mknunadtha and their implications and their symbols, where the picture becomes a speech visible and read visual multiple meanings, embodied them as the field free to the process of monetary controversy effective between the receiver and visual text the picture, which is in front of him, especially since more Mafi images controversy and signed and attractive and aesthetic, in the recipient, those that contrary to the familiar object impact of perception where, above and beyond in their implications and their meanings rolling all the arguments, and different in nature from the mainstream and repeated in its forms and manifestations, and away in their meanings for movable and of refined and reproduced in Qualbh classic permanent, characterized in iconsand images innovation and diversity and innovation, and be in the subjects rolling The curious and innovative,This Mayaml to achieve and embodied in the imagined speech Alcinmatugrave, Valmtejel in his being is to re - create a new innovation within the visions and ideas commensurate with the spirit of the age and time, according to the philosophies and spiritual narratives imposed by this age are required by the technical Actual makers.And it has launched a researcher in determining the external lines of the search parameters and boundaries.. The researcher felt his research included five chapters are : _The first chapter.. / methodological framework for research and includes a research problem, namely the reasons that sparked the attention of the researcher and invited him to his choice placed his research, and after that Atharahtmamh included imagined and achieved in all artistic productions trendy Alcinmatugraveh modern, according to the visions and ideas put forward by postmodernism, especially since the process of understanding and grasp the modalities for achieving this process in movies and dramas Bank, impose study and research, has coined the researcher problem according to his research and the question as follows : What imaginary philosophy, and what modes in which they are employed and imagined eating in the speech Alcinmatugrave proposals in postmodernism..And also the importance of research : Which guarantees the importance of fighting the researcher and his study of the placed.. Find added knowledge and scientific and cultural benefit, as they are not positioned to go into such a search previously, has not been addressed in this privacy and detail than before, and this is what is important in the research and study.(1) See : Regis Dupre, life and death picture, see : Fred bubblegum, Africa, the Middle House versions, Casablanca - Beirut 0.2002, p. 247Find and goals : Identified by the researcher as follows : in the detection modes in which they are representing the imagined and achieved in the speech Alcinmatugrave within the proposals of postmodernism.Search limits : Where the researcher identified in the study of the concept of imaginary Vslvia, and a figurehead as well as study the proposals of postmodernism and its impact on art, especially in the speech Alcinmatugrave The goal of the research sample the first footage of US (harmful MALEFICENT), in production (in 2014), and the second sample American series (marginal FRINGE) production year (2013 2014), followed by geographic extent where I am is the point of producing a sample of the United States of America.As well as identify the most important terms in the title of the paper : Where the researcher determine the most important terms in the title of the paper, namely : (imaginary, Sinmatograve, postmodernism).Chapter II / theoretical framework and previous studies..And in which the researcher deliberately go into three sections check the theoretical framework of the research, which resulted in the collection of theoretical indicators adopted by a researcher at the research samples analysis, these detectives are : First.. The first topic : a (philosophy and the limits of the imagined), which looks at the Maheat imagined intellectually and philosophically in literature, art, definitions, understandable and Tmthelath and levels of the language, literature and the arts general level.Second.. The second topic : .. (Figure, image and narrative in the proposals of postmodernism) and who is running in concept form in the concept of the image within the proposals of postmodernism.Third.. The third topic : (recruit imaginary discourse in Alcinmatugrave).. which will address the modalities in which they are imagined and employment outcomes achieved in dramatic Alcinmatugraveh.Delve into research theory and study in those three detectives from the set of indicators adopted by the researcher tool for the analysis of a specimen sample.. after the viewing on a group of experts process has resulted in, and seal the second quarter review of some previous studies that approached from a distance or close with placed Find Anfa.Chapter III / research procedures..This chapter included a series the procedures followed by the researcher during delve into chapters and sections Search, and these actions are : a review of the research methodology, and the research community and the research sample, and search tool, and the sincerity of the tool, and the unit of analysis, and analysis steps.Chapter IV / analysis of samples..In this chapter the American sample footage analysis : (harmful MALEFICENT), as well as the second sample American series (marginal FRINGE), and so on according to the analysis tool (indicators) and then discussed and draw the final results contained in Chapter V.Chapter V / which includes the findings, conclusions and proposals, recommendations and appendices, images and research summary in English..This chapter contains, the findings of the researcher on as set of objectives, as this chapter shall also ensure that the conclusions that emerged from the results, as well as some suggestions for further studies verify the enrichment and diversification of information in the jurisdiction, and the recommendations by the researcher believes it is necessary and important.Has been attached to the message list of sources and messages hired by the researcher, as well as a set of appendices included.. (model) experts form ((indicators)) contents Search form model.. and the list of movie scenes and a group photo on indicators.. as well as abstract in English.

تقنيات السيناريو للفلم السينمائي والمسلسل الدرامي التلفزيوني == Scenario Techniques of Movie Film And Television Drama Series

اسم المؤلف: عبد علي كعيد فرحان العتابي
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ليس من السهل انجاز فيلم على شيء من الجودة من دون جهود واضحة وامكانات ابداعية متميزة، واولها : كتابة السيناريو. ان انجاز سيناريو جيد يعد البذرة الاولى والنواة لشجرة الفيلم الباسقة. اذ ان الكلمات تتحول الى صور واصوات وحتى صمت. ان ادارة الالات والعمل على | It is not easy to accomplish something on film quality without apparent effort and creative potential of distinct, and first is writing the script. The achievement of a good script is the first seed and nucleus of a tree Albasagh film. As the words turn into pictures and sounds and even silence. That machines and work management techniques and software is no doubt that they need from the old knowledge and experience as well as accumulated renewable and highly developed expertise, which occupy a lot of space in the tools and working methods of the Device Manager as well as creativity. However, writing the script you need the first place to the great creative energy and imagination, as well as the need to identify the techniques in the style of writing and delivering the intellectual and aesthetic implications of the film. Vkateb scenario can be likened to a lawyer his case defended, so it required him to find arguments to win this case, using all means and evidence and using them legally main employers (technically for screenwriter) convincing and influential, it is not inconceivable that this lawyer can win a case without identification of legal materials and paragraphs quoted them, and invested in convincing the judges, the prosecution.. Hence.. the process of writing the script you need in the first place (the screenwriter) for a complete understanding of the use of elements of all areas Astgaladtha and how the flow of creative in order to achieve the best results for his film It is the case. There are common views that may prove to be a bad scenario, when produced well. Also can be a bad film mesmerized for a good script, this depends on the possibility of creative director, but the important thing is to be axioms scenario includes the elements of success for himself.Although the material temptations offered by production companies film in the world but they have received only a few of the scenarios that produce films on the very quality, and it's stuck in the mind so the film and TV scenario deserves attention and study and research, in order to create a generation, but generations are able to craft this art, which is the mainstay of the first after the (money) in film production.. the dramas film and television production is one of the best means of lucrative production and materially more than others Save the jobs of tens of thousands of artists, technicians and craftsmen, workers, drivers and Alkmbars and even restaurant workers Anne cinema (art machine) industry and creativity.The Alsinarioekshv himself when reading the receiver (producer or director or art schools) from the first pages, that was good or bad. Or it can be produced a film or a serial dramatic remains stuck in the mind, or infects watch weary and tired, and perhaps leave his seat before the end of currently No. enough proficiency craft and learn about scriptwriting techniques, but is important to the talent and creativity, Creativity with mastery of the elements and components of the craft creates films The series can not be erased from memory : citizen Kane, Shakespeare gone with the wind, rope, various processors directorial debut, America America, mirror, armored Botomkan, city lights, seven samurai, Rachamon, Titanic, a space Odyssey... and many other movies. As well as soap operas.Find boils down to : a summary of the four seasons was the first chapter a methodological framework for the search includes Totoh to understand the nature of his problem, followed by research and monitoring of the importance of research and its objectives and its borders as well as to determine Aalatah terms : (techniques, scenario). The second chapter fitted with three sections was the first of which is : narrative termsand concepts dealt with this topic of literary narrative and Filma, also sought to clarify Ostgalat narrative in the novel and the story and the film, then the definition of drama based on the book The Art of Poetry of Aristotle and the views of many writers and critics to study everything about them , explain Annaasraldramah (character, plot, conflict, node, events and crisis peaks, the solution and finally happy or unhappy or open ( The second topic dealt with the scenario Film / TV including the importance of the script and the qualifications of the screenwriter and the types of scenarios and sources screenwriter and treatment, originality and the difference between the film and the screenplay series. The third section Vhuallaqh shaped scenario, where the researcher constituent elements of the scenario starting from the idea and abstract literary treatment of the screenplay and then eating explanation writing the script of the scene numbering and the importance of space and time.the third chapter included action Adopted by the researcher for the analysis of selected samples and to reach the goal of his research and included a curriculum based on the search and the reasons for the sample selection and search tool and integrity analysis.The fourth chapter has included selected samples identified Iran's film and Series Arabic and analysis are as follows : T. movie / series director author's name, year of production company producing1 Series men Ezz Talal Mardini Aladdin Kokash 2011 Ghazal artistic production2 no separation Asghar Farhadi Asghar Farhadi Asghar Farhadi 2011The fifth chapter select to derive the final results derived from the analysis was highlighted by the multiplicity of technical wizards for movies and soap operas, especially Alhasalhaly movies Jawaizaaalmih, as well as offer some of the conclusions derived from the search results also included recommendations as it deems necessary researcher, as well as proposals concerning how to develop scriptwriters capabilities, especially students Bunting Film and Television The search included a list of sources and references upon which the researcher and a summary of the study in English

البنية الدرامية للحكاية الاسطورية واليات الاشتغال في البنية السينمائية == Infrastructure Dramatic Tale of The Legendary And Mechanisms Functioning In Cinematic Structure

اسم المؤلف: موفق عبد الوهاب نوري
اسم المشرف: طه حسن عيسى الهاشمي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Represents the myth a job reaches of the art film ,which has been since its beginnings on hiring myths and tales of heroic and taken fertile material cinematicproductions ,as legend has a manner narrative has the ability to reshape theembodiment of the legendary act ,and building the characters and places exoticism ,depending on the legendary building elements ,within the building drama coherent ,evolving on the basis of acts and embodied visually ,making the myth more ability inaffecting, and affected the computer software, and is owned by the technical capabilities to build personalities, places and the acts hacks, in re - incarnation of many of the myths of our time, this is why the researcher to define his research title of : (infrastructure drama of tale the mythical and mechanisms of Functioning in cinematic infrastructure), were divided research four chapters, were as follows : The first chapter (methodological framework) and included the research problem that have been identified by asking the following : What is the function as an dramatic infrastructure of tale of the mythical cinematographic in infrastructure mechanisms?Then the importance of research : the fact that the myth is not an event happened in the past and over, it is like the present of the current affairs of our lives was the individual or collective. We are in this current time need to re - read the vocabulary of history, mythology stands at the forefront of this vocabulary and is a model for the movement to change our identity and interference in drawing our history, so we have to be aware of the myth and the feasibility study and understand its meaning and a sense of value as a treasure of the treasures of human knowledge.As well as research goal : containing the detection function as an dramatic infrastructure of tale of the mythical cinematographic in infrastructure mechanisms.And the limits of the search centered study dramatic infrastructure of tale of the mythical and mechanisms of functioning in the cinematographic infrastructure and seal the first chapter identifying the most prominent of the terms contained in the thesis, such as the title (infrastructure, myth, drama, then the procedural definition of the mythical tale of).Second Chapter : (the theoretical framework and previous studies) : The researcher dividing the three sections : Section one : infrastructure dramatic to legend : the researcher of the term infrastructure in summary form exposure as well as the concept of the drama, and the origin of the myth as a term and concept and its relationship to literature and other races, and the most important curriculum addressed, as well as the flags of the most legendary cash, and also talked about the genesis of the myth and the most prominent characteristics, and their functions, and then touched on the structural analysis of the myth.The second topic : dramatic structure of tale of the mythical elements : it touched the researcher to the dramatic structure elements, based on the arguments of Aristotle, and clauses of employment of these elements in order to embodiment the mythical tale operations.The third topic : Building cinematic tale of the mythical : was it touched to the modes are handled by the cinema legend, and the specificity of Cinema and its capabilities in the incarnations the the narrative and news, by employing elements mediator cinematic language, which is characterized specificity, and the researcher that construction cinematic to legend should stand up on the basis of function as an three main axes, are the elements of cinematographic language and the narrative cinematic, the shape of the film.After the completion of the detective was reached to a number of indicators that represent the results of the theoretical framework, these indicators have been offered a number of experts arbitrators in order their dependence as tools for the analysis of the sample, and the second quarter ended review the previous studies.In the third chapter (research procedures) and ensure that this chapter the research methodology as the researcher depends on the descriptive analytical method, which describes the phenomena and configuration and the representation of its operations and circumstances prevailing, and this is what allows access to achieve the objectives of the research through observation and analysis, and search tool depending on the theoretical framework of indicators , which represents the findings of a researcher from the second quarter, and after that, the researcher presented these findings to a group of experts and arbitrators, and the unit of analysis in which adopted the researcher (scene) unit of analysis used in his research samples analysis process, and the research community as it chose researcher deliberate sample in order to reach the desired results, the research sample chosen by the researcher is two films legendary film industry, and finally the sample analysis, which was two films : 1 - Wrath of the Titans2 - The Lord of the Rings - The Two towers - Fourth Chapter : Results and conclusions : after sample analysis the researcher to a number of findings, including : First, the plot is based on the film of the legendary film, as well as the dramatic structure, the voice of the narrator, who is trying to show cause and effect and the evolution of the legendary events, as demonstrated in the research sample movies (The Lord of the Rings - The Two towers - Wrath of the Titans).Second : The rise building legendary place on the attributes of exotic color - coded to make it a semantics exceed functions familiar place, as demonstrated in the research sample movies (Lord of the Rings, and the wrath of the mighty.)Then reached the conclusions to include the theoretical framework and the research sample, including : 1.legendary figures in the film beyond the functional level of the three dimensions to become relevant functional value, representing a range of human values and ethics naked rather than the fictional characters2. intellectual the dimension appears in the legendary film, across employment of simulation dramatic actor for the characters and legendary the actsas well as the elements of the employment the mediator language cinematic in the production of the level of rhetorical parallels the dramatic nature of the simulation.The researcher then put some of the recommendations and proposals, and seal research a list of the sources that have been drawn upon in order to complete the search as well as the appendices, and finally abstract in a foreign language

جماليات تداخل المحور التركيبي والمحور الاستبدالي في بنية المسلسل التلفزيوني == The Aesthetics of The Compositional Axis And Substitution Axis Overlapping In The Structure of The Television Series

اسم المؤلف: محمد طه عطية
اسم المشرف: ياسر عيسى حسن الياسري
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لم يعد النص مرتبطا بمفهوم واحد او طبيعة اشتغال واحدة كما كان يعرف سابقا ولم يقتصر فعل التدوين على عملية الكتاب على الرغم من كون النص مزاال يتمتع بوظائف متعددة ترتبط بالجانب الجمالي والفكري وغيرها من الوظائف، اذ ينهض النص بحسب الدراسات النقدية المعاصرة ع | The text is no longer associated with a single concept or the nature of one operation as was previously known, and writing is not limited only on the process of the book despite the fact that the text still has multiple functions associated with the aesthetic and intellectual side and other functions which raised the text according to critical contemporary studies on infinity, terminology of the compositional axis and substitution axis represents one of the terms that accompany the process of text and its study. Since these two terms can be found in the semiotic theory, and compositional axis in the direct sense is to find a type of structural relations within the theme or text due to the composition ,adopting clustering or combining of elements organized internally and externally to become an essential component of a given text for substitution axis is nested with the compositional axis without changing of its building and structure but has ability to find new levels of meaning, compositional axis was not able to show it where constructed elements insecure by compositional axis linked to structural relations with each other, the substitution axis will create a new kind of intellectual relations between these elements both at the level of the production of the meaning or disclosure of deep structures and here lies the importance of this axis , it gives the text its artistic and aesthetic structure of the research explored the fact these two axes in TV dramas.In particular, the extent of understanding of such works to be a theoretical and practical domain for such important and difficult topics in theory and practice.In the first chapter of this research contained the search frame within the problem that summarize the following question (what are the ways that overlap the compositional axis and substitution axis, esthetically in the structure of the television series to summarize the research aim to expose the ways in which aesthetic interference achieved between compositional axis and substitution axis in the structure of the television series and also chapter contained research limits and define terms.Chapter II, conceptual framework included three topics as the first subject entitled the compositional axis and substitution terminology axis and concept as the second topic titled television series structure and construction eloquence and topic III the aesthetics of the image layers of the meaning for researcher to come out then with set of indicators adopted by the researcher to be a research tool and then researcher touched to the previous studies.In chapter III, which dealt with the research procedures in terms of the adopted approach in the study and research tool and analysis unit and its steps and honesty represented of expert consensus on the theoretical framework indicators finally choose intent search sample represented by Saraya Abdeen series consisting of 26 television series and in this chapter also analyzed a search sample. In the fourth chapter the researcher identify the main results reached by research, including; 1 - Overlapping compositional axis and substitution axis in introducing the place aesthetically and dramatic from control of the place and the various authorities for each character and control over certain places in the series.2 - Frequent reliance on minor characters in a series of Saraya Abdeen already weakened dramatic action in compositional axis which pulled out on the aesthetic aspect as it gave importance to the side stories and frequently and repeatedly suspended and emphasized two things in the series 3 - Compositional axis and substitution axis contributed to introduce Khedive Ismail in human form, likes and dislikes and rejoicing besides he governs the largest Arab country.4 - Compositional and substitution axes supported their strength through fine art portrait paintings they impacted negatively on the description sequence in the series.The main recommendations are;1 - Attention to recent studies in the section and the inclusion of effects of lessons in primary and high study.2 - Focus on the importance of linking the dramatic television production with the most important research achievements which reached by cinema in theory and practice.3 - Finding common ground theory with neighboring real studies don't just involve terminology without an application

المعالجة الاخراجية لشخصية الطفل في الدراما التلفزيونية == Directorial Treatment For The Child'S Personality In TV Drama

اسم المؤلف: فراس علي حسين الركابي
اسم المشرف: علي صباح سلمان
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تؤدي مفردة المعالجة الاخراجية في (الدراما التلفزيونية) دورا مهما في العملية الابداعية (التلفزيونية)، من خلال عملية تحويل النص المكتوب والساكن على الورق الى صور (تلفزيونية) متحركة ومرئية بفعل تعاون جميع المهن والحرف المشاركة في العمل (الدرامي التلفزيوني) | The visual arts are considered of the finest fruits of the creative product of the human creative mind which God granted to man by unveiling the beauty of this art and its secrets. His need for art was not emergent but a necessity that makes his thinking and action coordinated balanced between those desires and needs that do not end.We would like to point out here that the subject of our research deals with the subject of directorial treatment of the child's personality in the TV drama, which the researcher thinks it was not dealt with before, and that is why this study is an attempt to study the directorial treatment of the child's personality in Television drama.There is no doubt that the study of the subject of directorial treatment of the child's personality in TV drama, is important to know the ways according to which the child's personality is treated and presented within the creative Technical achievement by a different set of global TV drama makers and presenting it in a way that this kind of television programs win the attention, appreciation and follow - up of the audience, grabbing attention and ensure follow - up and raises his curiosity, especially after the spread of many dramas inVarious satellite channels that provide the child's personality within its programs joints, in the forms and different roles and different, some major, some minor, as with any other character. Single directorial treatment in TV dramas plays an important role in the creative process of television, through the conversion of written and static text on paper to television Animations visible due to the cooperation of all professions and trades participating in dramatic television work as direction and Acting and the rest of other professions.The structure of dramatic television consists of a set of dramatic structure systems, constitute personal key hub of art that is indispensable, as a stream, which is transmitted from the way the event and conflict dramatic, and I took personal center stage in the psychological, social studies and studies of literature and drama, as well as on the personal is one of dramatic values upon which the artwork maker in employing process within the framework of technical performed visible with the rest of the dramatic structure elements to serve as a focal point in building event, we find that the drama maker Television attaches great interest in the interpretation of personal dramas in TV operation in accordance with the treatment of character building and their interaction with the rest of the elements and according to the vision of renewal are to build personal dramas within the visible done, but it has developed several Explanations to understand the personal and components. As for the subject of the importance of requiring the child's personality study, understand and study their properties, and the study of the form that provides the child's personality dramatically, it has felt the researcher to highlight according to rigorous scientific analysis on how to address these kind of figures are the within action drama television creative system.In order to reach the objective of this research, the researcher by divided the current study into five chapters, which are as follows : - The first chapter is entitled ((methodological framework for research)) : I have included a presentation to the subject of the research problem, marked by the following question : What is the directorial of the personality of the child in the TV drama? and clarified the importance of the subject and the aim sought to be achieved with border capacity that moves and then the researcher determined terminology.The second chapter is entitled ((theoretical framework and previous studies)) : in which the researcher dealt with : - First, the theoretical framework : which included three sections, namely : - First topic : personality (the term and concept) : It deals with the nature of in general and the child personality in particular and with most of its important features and characteristics and properties.The second topic : the dramatic structure of personality : which deals with the dramatic structure of the character in the TV drama?Section III : directorial treatment for the child's personality : which touched on the modalities in which the makers of television dramas treat the child's personality from the directorial debut?Second, previous studies : the researcher and the previous studies.The third chapter is entitled ((The research procedures)) : the researcher addressed the following elements : - the research methodology, the research community, the research sample, search tool, sincerity, and sample analysis unit, and then the sample analysis steps.The fourth chapter is entitled ((samples analysis and discussion)) : The researcher analysis the selected samples and discussed them according to the analysis tool.The fifth chapter is entitled ((view of findings, conclusions, recommendations and proposals)) : the researcher reviewed the major findings, conclusions and recommendations and proposals. In conclusion, In this humble effort I do not exonerate myself from imperfection, I do not claim perfection and infallibility, perfection pertains to God and infallibility pertains to prophets and imams is divine and all errors are committed to me and the right points are the Almighty God's.

توظيف تقنيات الادارة الفنية في بنائية الخطاب السينماتوغرافي المعاصر == The Employment of Production Design Technology In Structure of Cinematography Contemporary Speech

اسم المؤلف: رهام عبد الكريم عبد الرضا
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يشكل الخطاب السينماتوغرافي منجزا ابداعيا يمهر بختم المخرج، الا انه في حقيقة الامر عمل جماعي تكافلي، يتماهى وسط هذا الخطاب، الكثير من التفاصيل البنائية، والتي تتمثل بعناصر اساسية ترتبط بطبيعة الوسيط السينماتوغرافي نفسه، وعناصر اخرى تمثل تقنيات علمية يتم | Associated done creative in film and television arts, a lot of scientific techniques that check the credibility of the visual image, Elements technical need in order to carry out its mission of creative for some industrial practical techniques, and of techniques and technical management of digital and classic in both, which often falls upon themselves embody a lot of the Acts hacks and dangerous by the figures, both in real places realism, or places the fictional manufactured by digital technologies, thus achieving the act occurred final thaumaturgy discourse in Cinematograph, sources have varied to obtain the production design techniques between what is classic and what is digital, since attempts (Millais) The first, and the end of the digital technologies entirely manufactured by Computer programs the three - dimensional techniques and the hologram, that these techniques visual and employ them in the cinematograph picture are summarized researcher to study, as research is divided into five chapters, the first chapter include (methodological framework), which includes the problem and the importance of research and the need for it, and determine the goals and limits of research and research, and finally, the researcher identified some terminology.In the second chapter (theoretical framework and previous studies), it was for the production design inception and its concept has been divided into three sections, the first section, as it dealt with the beginnings of the emergence of the term production design and how it moved from the stage at the hands of (Millais) to the cinema, while the second section was for the structural relationship between the production design mediator in the cinematograph elements, grabbed a researcher here every production design techniques which is classic and function within the discourse structure the cinematograph, while the third section was technology digitized technical management in the cinematograph speech, and in this section the researcher digital production design techniques three - dimensional addressed and divided into three levels, and then discuss some of the previous studies reached a researcher to a set of indicators that have been adopted by the tools for the analysis of the sample, after taking the opinion of the Committee of Experts and arbitrators, and the research sample were as follows : 1 - The English Serial (Game of Thrones)2 - The English film (The Grand Budapest Hotel)After the analysis concluded the researcher to the set of results in which the importance of hiring technical production design techniques, both classic and digital found in the cinematograph speech, in order to achieve act thaumaturgy image of cinematograph, and achieve directorial processors according to the director's vision with the help of technical director, and therefore put the researcher some of the conclusions and recommendations and finally proposals, and concluded Find a list of sources and references, and appendices, and abstract in English.