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الطبيعة بين نازك الملائكة وبدر شاكر السياب : دراسة موازنة == The nature between Naziq AL-Malaeka and Bader Shaker AL-Sayab : Comparison study

اسم المؤلف: سليم احمد ابراهيم القريشي
اسم المشرف: منذر محمد جاسم الديري
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الانجاز في شعر ما قبل الاسلام دراسة موضوعية فنية

اسم المؤلف: عباس حرز
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
مكان الجامعة: بغداد
الكلمات الدلالية:
  • المستنصرية

وصف الجنة والجنان في الشعر الاندلسي : دراسة موضوعية فنية

اسم المؤلف: شهد عدنان عبد العزيز الجنابي
اسم المشرف: فاضل بنيان
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الخوف في شعر صعاليك العصر الاموي == The Fear Brats in the Poetry of the Umayyad Period

اسم المؤلف: ايمن احمد جاسم الحمداني
اسم المشرف: ان تحسين محمود الجلبي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Appeared in the Umayyad several levels of period and different aspects of the expression of him, after he covered the fear a large area of hair Umayyad and managed to the hearts of most of the poets, stands in the forefront of a poor alike, the fear they have made appearances and various forms and marking their nature specific, Fasho with monsters and desert and Tjulu in Mujahlha, and away from people, and took a wasteland Amakna complicity and Tkhvém, Vonoi monsters companion and lived it to be so far from the hands that you want to lethality with them, and eyes to them, and enemies who seek to kill them, and the different vision of life and each Xi around them, and became fear defines their relationships and their movements , Fdarthyatem within this dark horizon, Fasho state of fear and anticipation and apprehension of any movement Aousot, Vtgesdt stuff on them is what they are, and they took full control of the phenomenon of fear.I estimated to be in this research study to the wisp : an introduction and preface, three chapters and a conclusion. Addressed in the preface to talk about parts of the title, I knew the language of the phenomenon is termed, in the language was different connotations and meanings, mostly due to power and prominence in the term behavior is shared by a group of people and oppress them Jargia exercise.Then fear and Atalaha language, in the language of which were multiple meanings, including sensory and emotional, and mostly various Bachtqaqat will invalidate the security and peace of mind. In the terminology identified as a state of emotion innate natural that occur in the soul when it is expected humans a thing or exposed to the risk of what, whether the source of danger felt Ogir significantly, and Najh Therefore, changes occur in the same rights of internal and external, followed by a reaction be either passive withdrawal and escape or a positive challenge and attack.Then talk about the philosophical concept of fear, He toured around the expected or imagined evil and this results in internal and external purposes. In talking about the concept of fear, psychologically, has varied opinions in the definition of fear and this is due to the different schools Alert and theories, but most of them agreed that the fear emotion internal stalking rights when he felt threatened or sense of threat or expectation of evil, he causes and consequences on the body and soul. There is a difference between fear and anxiety.Then down to Tramps language idiomatically, came meanings and connotations, and congenital defects, and there is a difference between AltassalkAlassalkhFezla and the emergence of many synonyms for them KalzabanAlctar and deadly .... Etc.A lot of Atakhtlv implications for Altassalk and Alassalkh. Then research was presented a brief overview of the phenomenon of fear in the human heritage, was the phenomenon of fear roots extended to ancient times, since the development of human feet on the ground felt the concerns of many, and tried to obey its evil and keep away from them in various ways the physical and moral, and it was to fear from predators and the phenomena of nature , and the forces of the gods of the first human concerns, and the more times and the progress of human evolution, there have been other concerns are added to the list of previous concerns. Find and then touched to talk about fear in the pre - Islam era. He was of the factors psychological, environmental and fundamental economic and social impact on the emergence of the manifestations of Addidh of fear appeared at Brats Umayyad era : the fear of religious, fear of political and social phobia, fear of death, fear of a lifetime, and the fear of the place.The impact of these concerns appeared to poets and their textson poetry has been observed in their choice of letters, sounds and words as well as rhythm and poetic images of internal and external

الاتجاهات النقدية عند مفسري القران الكريم من المحدثين == Monetary Trends · When Interpreters Of The Koran Modern

اسم المؤلف: حميد قاسم هجر المفضل الموسوي
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

شعر مديح الخلفاء في العصر العباسي الاول : مقاربة تداولية == Praise Poetry Of Caliphs In The First Abbasid Era Pragmatic Approach

اسم المؤلف: عبد الله بيرم يونس
اسم المشرف: منتصر عبد القادر الغضنفري
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Pragmatics deals with the relation between linguistic activity and its users, and successful methods of using the linguistic marks and different keys and contexts within which the discourse is made. Also it finds out the elements that make the discourse as a successful and obvious massage and it finds out the reasons for failure in communication with natural languages.Since pragmatics has the ability to call for non - linguistic aspects in the process of criticism and analysis in the address, this method has been chosen to approach the praise poetry of Caliphs in the first Abbasid era in a way which is different from most literary studies that deals with this poetry with regard to artistic form only. Praise poetry in general, and of Caliphs in particular isn’t based on the aesthetic conditions only, but also it takes into consideration the pragmatic and social conditions that require forms of speech manner according to tone keys in response to a general law that regulates the human communication and prescribes that the success of communication between speaker and addressee is based only on the response to the pragmatic rules, such as cooperation, politeness, courtesy … etc. Since these rules are characterized by usual communication, it is better that these rules are characterized by poetic speech which requires aesthetic form. So, how do the poets leave the dignity that they seek? The poetry that praises Caliphs requires special types of criticism, so the pragmatics is the most appropriate manner to approach this type of poetry. So, we followed the pragmatic manner in studying and analyzing the praise poetries mentioned in the Abbasid royal palace.

اتجاهات نقد النص الشعري في مجلة الاقلام 1990 - 2010 == Trends Of Criticizing Poetic Context In “ Al - Aqlam Magazine “ 1990 - 2010

اسم المؤلف: منتظر عبد الخضر ساجت
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise is to Allah, Lord of all creatures, and blessing joined with peace of God be upon the seal of the Prophets and messengers (Mohammad) as well as his faithful Companions. Amen This research deals with literary criticism efforts which have been previously published on an Iraqi magazine "Al - Aqlam" extending to the period 1990 - 2010. It is titled as "The Trends of Poetic text Criticism ", as no unanimous approach deals with the literary criticism; moreover, there are several approaches contribute in one literary trend. Psychological Trend; for instance, has variant approaches : Freud - method, Lacan method, and Yong method. Each approach has its unique view and it somehow differs from another approach even if all approaches contribute on comprehensive view which it is the - psychological view. These fore mentioned methods are achieved on the level of theorization, and they are based on the same environmental rules. What is about the researchers who received the trends through translation?. The critical application in tackling literary texts ensures us that there is no specific enclosed approach can be applied on constant procedures and is applicable on all its details, but the overlap is obvious between all the different approaches. Therefore, it is impossible to depend on a constant inevitable approach because the criticism process is an interaction process between the creative text, the critic and his own literary and critical taste. For these reasons the critical trend is acceptable further than the depending approach. The period , which covers the articles within the research, is between 1990 - 2010, i.e. it extends for about 20 years and the concentration stage of the study was achieved on the last of this period ; in order that the study will be contemporary to the modern - literary criticism movement or to the literary criticism movements which have recently seen the light. This study presently shows unprecedented trends, since it includes for the first time studies about trends of literary criticism never established in the Arabic region; for instance, it includes the Cultural Criticism. For this reason, we'd rather the study be practiced on the recent years of the mentioned period since the Arabic region has witnessed relative stability.This research is established to deal with selective poetical texts, because it is impossible to deal with all the poetical texts published within the specific mentioned period. The plan has been put by researchers into choosing some agreeable poetical poems samples , the selective process had come according a certain view since the research obliged itself not to repeat the critic's name more than once , in order to be obtainable for more additional critics' names contribute on one study. The plan is made not to confine the critic's study to be subjected for unique circumstances whether the critic himself is one the followers of a certain trend or vice versa. These studies published in "Al - Aqlam Magazine" are by no means the best studies; however, the magazine includes between its pages many studies that differ between high significance and low - significance in order to let the reader read the magazine objectively. The research does not display the good studies only but also displays studies under the hopefulness level and the purpose beyond that is to disclose about the defects and to determine its places in order to overcome upon the defects. The research tries to achievean elaborate discussion and an analytic criticism to the under discussion critical context through active imposed dialogue in order to be capable of stopping at each point worthy of discussion , and lastly can classify each discussed point to be ordered and organized to its principal reference depending on the available critical - publications. On the other hand, the research can assay each text, and discloses its contents or stops nearer in order to thrill noticeable questions. The study is distributed among three chapters : the first chapter, "The Contextual Trends ", is related to the critics who made their deep comprehending understandable semantics meanings depending on the external environment i.e. the trends related to the factors are out of the text itself to understand the included meaning of the text. The second chapter, titled as "The Textual Trends", is concentrated on the critical achievements that depend on the text itself i.e. the efforts, which try to isolate the text, from the external factors in their approach. The third chapter, titled as " Other Trends " , includes critical efforts , which can not be ordered under neither the textual nor the contextual relation. Eventually the conclusion comes to conclude what is most significant on this study; moreover, the study has been initiated with preface to shortly introduce the reader to "Al - Aqlam Magazine ". Conclusions : Criticism movements have witnessed many continued turnings and many transformations; each trend may be utilized from the previous - mistaken trends, but after stages of its evolutionism, some of its adopters turn to be exaggerative then the defects occur once more which lead to emerge another trend as a result. The critical approaches, "Al - Aqlam Magzine" displays, are variant and different knowledge wise and type wise. Some of approaches are on the top of skillfulness and technique; while some of them are less significant.In addition, the approaches are variants according to the techniques they follow, so they come as (contextual, textual approaches and others). There is not a perfect application to any trend entirely, but in many - times the procedures violate the application limitedness, or maybe the researcher help himself, by a different approach, which his study adopts , because the creative doing is an art has its own property on estheticism and structure.Moreover, the creative doing is the outcome product of special essence lives on specific society which it has its own traditions and habits passes through specific history of special events and incidents This creative discourse or the creative dialogue is targeted to educated receiver of a good quality on culture and language, etc… Knowing these effecting factors is necessary to the critic of creativity, and it has an active consequence into directing the critical doing; therefore, there is not any critical approach that has the stability and the strictness or may refuse the borrowing from other trends. In addition, any critical doing has its own way in order to achieve its understandable point into the creative doing or to reveal and discover its nature, its esthetic secret, and its specific structure. The literary text has significant relation on the establishing process of the critical discourse and its procedures; because the literary text is the main substance of the criticism essence from which the critical process is formulated ; on the other hand , the discourse is not rooted out from the literary text and its procedures. Finally, praise is to Allah and peace and blessings be upon His honest Prophet. Amen.

نثر الامام الحسين (عليه السلام) : دراسة تحليلية في جمالية بنية النص == Imam Hussein's Prose : An Analytical Study At The Aesthetic Structure Of The Text

اسم المؤلف: حيدر محمود شاكر حبيب
اسم المشرف: نضال ابراهيم ياسين
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The aesthetic studies are seen as one of the attempts to investigate the textual structure in the modern criticism. These analyses disclose the relationship between elements of the text and how they are interrelated. Accordingly, the present study entitled Emam Hussein's Prose : an Analytical Study of the Aesthetic Structure of the Text is concerned with the aesthetic, speculative and interpretive analyses in an attempt to pick out those aesthetic aspects and relations from the prospect of their concordance, order, adjacency and similarity. At the same time, these studies reveal the non - correspondences and antitheses of these aesthetical signs of the text.The study falls into six chapters, distributed throughout two parts. The first part comprises three chapters. The first one is an introduction to the aesthetics and textual structure in the contemporary criticism presenting a number of different views about the aestheticism. The second chapter is concerned with the aesthetics of lexical patterns in the texts as being used in Emam Hussein's prose writing and how critics have analysed these patterns. The third chapter discusses the aesthetical applications of the lexical patterns in the contemporary criticism. The second part is also composed of three chapters. The first one is concerned with discussing the aesthetics of similarity or conformity and adjacency and collocation in modern criticism as far as Emam Hussein's prose is concerned. The second chapter presents the aesthetics of the structure of condensing and the nature of its formation in rhetoric and criticism as well as how it is represented in Emam Hussein's prose. The third chapter argues the aestheticism of rhymed prose. and assonance in modern criticism and in Emam Hussein's prose.

الثنائيات الضدية في شعر ابي العلاء المعري : دراسة اسلوبية

اسم المؤلف: علي عبد الامام مهلهل الاسدي
اسم المشرف: نضال ابراهيم ياسين
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

المفارقة في الادب المسرحي العراقي المعاصر == The Paradox In The Dramatic Literature Contemporary Iraqi

اسم المؤلف: اثير محسن غافل الهاشمي
اسم المشرف: باسم عبد الامير الاعسم
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: The paradoxical is an important technique , main mechanism in the literature in general and theater in particular, in spite of the breadth of the term within the literary movement and the modern critic , but it has not been emphasized in studying the text's theater, whether Arab or Iraqi, so that we directed in studying mechanism paradoxical in some in contemporary Iraqi accomplished playwright, due to be a fertile ground for what are enriched by the value of the objective and technical. We focused in our study of the paradox in the Iraq theater text in some way explain the dimensions and significance, patterns, and their impact through enriching the structure of the theater text , usefulness of symbols and meanings that came in the cases of verbal or positional context , in the light that formed the paradox types, multiple in literature, theater Iraqi in its sections (theater prose, theater poetry and children's theater), where we dealt with irony and types in each section of this stage, and was dominant in clear, with a diagnosis method of each writer in the presentation and content, as varied method of construction and function literary drawn by the irony with its details under each section of the structure theatrical text, and on this basis, we find that our study draw a line chart and clear, monitor the ironic structure of the text in the theater of Iraq through : 1 - chronology of the text of the Iraqi theater, where we studied the play texts time serial since the fifties of the last century to the present day.2 - Studying the irony and types according to the three divisions of the theater (the theater prose, theater, poetry, and children's theater).3 - It is said that the study included the method of construction and function of literary irony.4 - Focusing on methods of irony used in the theatrical text, stopping the pattern predicted by the shock and surprise; any broken the horizon waiting for the recipient, by moving away from direct language, or the use of irony, paradox, or leading to the anomaly

القيم الجمالية في الحديث النبوي الشريف == Aesthetic Values In The Hadith Alnabawy Alsharif

اسم المؤلف: حازم كريم عباس
اسم المشرف: شاكر هادي حمود التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: The research found the following results : • The frequency of different types of texts honest did not come Forcibly Dictated by ears, and wish him the soul, but rather spontaneously to savory and in various forms, is the latest variety in the texts, and the comfort and pleasure to the recipient, and that the repetition in the Hadith has exceeded the functional confirmation Incomprehensible, known the public and private, for a different degree of aesthetic technique and manner, as we find colored and changes in the text - Sharif, dressed in sackcloth different every time, and this makes the musical values, including the repetition of the basics of determining the aesthetic value.• was the naturalization of the effects of aesthetic in the Hadith makes it a model for the performance of voice spontaneous skilled team, including representative of the way technical check advantages bell sound of music, working to highlight the hidden of meaning added a new Tagged, Vchuq self to learn the new meaning, and of music generated by the the highest range, which holds the receiver on the vigilance and attention, and sends the wonder and surprise, and take verbal Mokhzha aesthetic consistency of it, standing, so influenced by the text and its interaction with the Prophet's religious scholars fair sentence.• The rhyme in the Hadith Sharif was sweet words, enjoy its hearing on the ears, and tend to him the soul, and approaching his music, hearts, proceed to the meaning of non - him, and greeted from affectation and artificiality, Stay away so the repetition is justified, and return the moral dull, and make the recipient continues with messianic text, as well as to those A - i - aarh sweetness and aesthetic art left behind by the rhyme innate light on the text of Prophet Mohammad.• The Hadith was a direct question - for the most part - of the structure of the surface position to the deep structure of meanings and connotations many explosive through different contexts, depending this shift to stir up the receiver and his participation in the production of meaning, and the realization of his mind in the detection and meditation, and acceptance and satisfaction, Thus, in the text al - estfham Prophet combines the aesthetic beauty of the text and received, the receiver based on the resonances and reactions as an effective and vital, is between him and the text continues the aesthetic and artistic interaction affected by the resulting psychological and emotional surprise. • Although different considerations apply and delays in the text of the Prophet, but it has been used for the purposes of aesthetic and sympathetic, helped the recipient to interact with the text - Sharif and objectives, as discern him to shift stylistic imposed by the presentation and the delay may cause gaps tension in the mind of the recipient led to a surprising causing the lattice, say so alone increased artistic and beautiful and influential.• A violation of the original which is (equality) in the Hadith, and the deviation from the familiar to the unfamiliar, a (brief) has the function of aesthetic and splash pulls the receiver and draws his attention, it becomes a text - Sharif in this brief overview function enables it to activate the thought of the listener and the realization of his mind to realize what behind this overview and shall be ¬ referral to highlight because it is aesthetic values.• metaphor was a way of technical means and aesthetic employed by the Great Prophet peace be upon him and his family and him to influence the recipient, and the consolidation of the meaning and enable it to himself through what is offered by the metaphor of shadows and visions between things and bring one of the other, so he will of the clearest Arts rhetoric and the most capable to portray the meaning is closer to the mind.• The structure of metaphor in the Hadith Sharif represented the summit of congruence between the parties to the analogy, even united by deleting one of the parties to the analogy and the tool and the face; to integrate image on both sides : (improved and reasonable), Vhsalt image Astaaria not simulated, almost meaning - mediated imagination hard, work on restructuring of the particles fact, dissolving elements to each other, Vgesdha influential sensory images in the same recipient, give rise to emotions, up to date the most responsive and fun to have, as well as enrich the semantic and aesthetic.• Try The Great Prophet peace be upon him and his family through photography Alkna?a - as one of the ways the technical and aesthetic that gives the image dimension Tgesemia heavier and imaginary exciting for the mind and conscience - to address the perceptions of mental for the recipient, exciting Baahaath and his references are and very active imagination of the recipient, when transferred perceived moral to the conscious sensuous concrete, and the meaning to the rigid image of simmering with life and movement, Vehtz those images suggestive of conscience, and the impact force penetrates into the depths of the soul; to acquire the expression and function of a strong splash, as well as the role that the function of aesthetic and technical fascinating.

الاثر القراني في الصحيفة السجادية == The Quranic Effect In Alsajadiyyah

اسم المؤلف: رؤى فليح خضير الخفاجي
اسم المشرف: رياض شنته جبر ال بطي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: Talking about Sajadiyyah, and the words of Zainal Abidin (AS) which is one of the Ahl al - Bayt (AS) corresponds to our books, and even Althaglan, outweigh the Koran, and the balance of the Imam. Valmtaatba of quotations Sajadiyyah notes two types of marks the first direct and the other indirectly to the texts of the Koran, and these texts with a value tag High replaced by the Imam (AS) for his words of what they store from a major impact in the hearts of the people, and endured from His Holiness and obviously pay all the illusions that may hatched a figment of imagination of the listener after the divergence of idealism or political or social considerations.Through the combination of the words of Imam (AS) and the Quranic text, producing a new text carries installed a new idea for the new text, as well as to sow uncertainty in the mind of the listener recitals of verses reflect the health of the march of the speaker, and the lives of anxiety disorder listener.We find Imam Zainal Abidin (AS) in his treatment of taste, in linking talk Creator and the creature, the latest running smoothly and Anbassatha Tbacth verbal and moral submerged during gustatory, Msamerh verbal and moral Valsama of his speech is hardly distinguishes the partnership between the words of Imam (AS) and Quranic verses, the skill of linking of the texts, and intensification of the meaning of which is generated from inspirational texts Mchapkh, imam (AS) by the method Aqtbacth occurs in the text of worried if you live it, and move words from sleep, an updated interactive Orh Pmadtha clothe his words, the meanings of words and their content.As well as the Toat Sajadiyyah full of the spirit of unification and language loyalty to God, passages explicitly derived from the teachings of the Koran, and mixed splendor statement, reflect the depth of faith of Imam (AS) in God, and the purity of monotheism has, as expressed by the same unifying sincere adjacent to Rtlh revelation of the verses of the Koran Wise

خاتمة القصيدة الاندلسية في عصر الطوائف : دراسة فنية == Epilogue of The Andalusia Poem in Al - Tawa'If Era : A Technical Study

اسم المؤلف: ياسر رشيد حمد البياتي
اسم المشرف: فائز طه عمر التكريتي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:
المستخلص: The title of the thesis is (The Epilogue of Andalusia Poem in AL - Tawa'if era : a technical study) This study has chosen because it is concerned with a prosperous era in numerous ways, including the cultural side and the poetry is an original art which d

بناء السرد القصصي عند تحسين كرمياني - عبد الله طاهر البرزنجي - هيفاء زنكنة == Composition of Story Narrationat (Tahsseen Carmyani, Abdullah Tahir Al - Barazanji, And Haifa Zankna)

اسم المؤلف: وسام سعيد فيصل زعفر الحديثي
اسم المشرف: حمد محمود الدوخي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:
المستخلص: The narration text in whole writing sides in story, novel, theatre, and scenario …etc. is text stand on high side of logic in composition comparing by poetry that always tends to free from boundaries as real place, conversation control, sport age, and so

شعر لبيد بن ربيعة العامري وابو ذؤيب الهذلي : دراسة تحليلية موازنة == Labid Bin Rabeaa Al - Amery & Abu Thayb Al - Huthly : Analytical Study Balance

اسم المؤلف: هناء شمس الدين عبد الله
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This is a study in an ancient Arabic poetry, search in the life of two poets who lived in the age of aljh…. & Islam whom are " Labid bin Rabeaa, & " Abu Duabe Al - hodaly".I have divided the search into two chapters, in the first chapter I Studied the p

الالوان ودلالاتها في شعر ابن زيدون وابن خفاجة الاندلسيين : دراسة موازنة == Significance of The Colors In The Poetry of Ibn Zaidoun And Ibn Khafajah Andalusians : Study Budget

اسم المؤلف: هبة عامر فاضل
اسم المشرف: علاء طالب عبد الله العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: After moving in this research must summarize the highlights presented the issues and findings are : 1 - The color of great importance in Arabic poetry in general and poetry of Ibn Zaidoun and I'm Khafajah private.2 - The color of important phenomena ass

صورة الملك الايوبي في كتاب قلائد الجمان في فرائد شعراء هذا الزمان لابن الشعار الموصلي (ت654هـ)

اسم المؤلف: ناظم فرج عباس
اسم المشرف: صالح علي حسين الجميلي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:

شعر حميد فرج الله : دراسة تحليلية == Hameed Faraj Allah Poetry

اسم المؤلف: حيدر هادي سلمان الاسدي
اسم المشرف: عهود حسين جبر
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Studying the poetry of Hameed FarajAllah we find the subjects, purposes, styles, features, images and elements that made it worth argument and deserves to be studied in a separated academic study to analyze and to show its beauty and characteristics, this

بنية السرد في النص المسرحي عند عادل كاظم ومحيي الدين زنكنه == The Narrative Structure of The Dramatic Text At Adel Kadhim And Mohieddin Zangana

اسم المؤلف: منتظر عبد الحسين محسن الكروشي
اسم المشرف: باسم عبد الامير الاعسم
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: This study is open culturally and cognitively to the most prominent human sciences in terms of impact receiver, but a discourse theater, as a speech makes the receiver in direct contact with the suffering and struggle eternal with the forces of the unseen

صورة الممدوح في ديوان المقصد الصالح في مدح الملك الصالح ابن جابر الاندلسي ت780هـ == The Imag of Praised Person in The Magsad Saleh Divan in Praising The Good King for Ibn Jabir Alandulusy

اسم المؤلف: محمد ابراهيم احمد كاظم السامرائي
اسم المشرف: مريم محمد جاسم المجمعي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:

السمات الفنية لمقطعات الشعر الاندلسي في عصري المرابطين والموحيدن

اسم المؤلف: محمد شهاب احمد
اسم المشرف: جبير صالح حمادي القرغولي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

انماط اللغة السردية في الرواية العراقية 1966 - 1980 == Narrative Language Patterns In The Iraqi Novel (1966 - 1980)

اسم المؤلف: ماجد عبد الله مهدي القيسي
اسم المشرف: منذر محمد جاسم الديري
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Through my research. I have reached up to the following results : - • The experience of the sixties novelists and its aftermath, and according to psychological and intellectial reasons has been drifted toward an experimental tendency, and being rejected,

الفضاء القصصي عند فرح ياسين == Fiction Space for Faraj Yassin

اسم المؤلف: صلاح جاسم نبو حسن الجبوري
اسم المشرف: فاتن عبد الجبار جواد الحياني
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:
المستخلص: تجتهد هذه الدراسة لمعاينة الفضاء القصصي في قصص فرج ياسين، وفرج ياسين هو من الكتاب العراقيين البارزين في كتابة القصة، وله خمس مجاميع قصصية، اهتمت بتاريخ العراق بشكل خاص طيلة ثلاثة عقود.وانقسمت خطة البحث على مقدمة وتمهيد وفصلين ثم ختمت بخاتمة وقفنا بها عند | This study strives to preview the space fiction in the stories of Faraj Yassine, and Faraj Yassine is a prominent Iraqi authors in the writing of the story, and has five sets of short stories, focused on Iraq in particular on for three decades. And divid

شعر المديح النبوي بين البوصيري والبرعي : دراسة تحليلية موازنة == Hair Prophetic Praise Among Busayri And Borai : Analytical Study Balancing

اسم المؤلف: صديق خضير صكبان حماد الجنابي
اسم المشرف: فاضل بنيان محمد الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: فقد كان الشعر الذي قيل في مدح الرسول (?) والدفاع عن الاسلام، والرد على كفار قريش والقبائل العربية، شعرا غنيا بالمفاهيم الهادفة العالية، زاخرا بالجوانب الفنية، وكان لهذا الشعر خصوصية مميزة في اطار الشعر العربي، وذلك لصلته بحب النبي | Praise be to Allah and peace and blessings be upon the noblest of prophets and messengers, our Prophet Muhammad and upon his family and companions, and after : It was the hair that was said in praise of the Prophet (pbuh) and the defense of Islam, and to

الصورة البيانية في شعر امرئ القيس واثر البيئة فيها == Graphic Image In The Poetry of Amrye Qays And The Impact of The Environment In Which

اسم المؤلف: شيماء حاتم عبود الصباحي
اسم المشرف: اياد عبد الودود عثمان الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: That of the Arabic poetry a special place in the history of Arabic literature, especially poetry (Amrye measuring) the spectrum because it represents the first collection of poetry which the specimen came from that era, and critics is the ancient poet was
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