مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: Praise be to Allah and peace and blessings be upon His messengers Mohammed bin Abdullah Al and his companions and his companions. Initial motivated me to pay attention to my university to study literature Ages that followed the occupation of Baghdad in (656 AH). Became my desire to see more of the heritage of this bloody era with increasing days, especially after the rally in the hands of a library full of poems most poets these covenants. In spite of the growing knowledge; however, this information is modest lacking good scientific method. But - thanks to God - pleased me accepted to study at the master's more hard to trace this literature, and began looking for Advanced time a new topic was not taught by a tribal. After consulting my long settled on the study of political criticism of the Iraqi poetry in seventh and eighth centuries AD. This project was presented to the Board of the Department of Arabic in the distinguished College of Basic Education received the acceptance and satisfaction after an important modification in the title, which it settled opinion. This has been achieved for me not to study the issue before. Since that moment, a survey conducted scientifically serious all that has been said of the political poetry in the present Covenant, and collected most of the previous bureaucracy and literary studies. And began my studies to determine parameters of the scientific method and then set up a suitable plan before proceeding with the work. Came - thanks to God - three chapters and an introduction and a conclusion and reboot. As well as a list of sources and references. As presented here is in the hands of my teachers ever Distinguished. The boot has briefly reviewed the history of Iraq's political and military of the two centuries under the hateful occupation. And found that its significance lies in clarifying some of the political and historical dimensions addressed in this era hair. The first chapter. Was entitled (Monetary Reform) has dealt with the poets of Iraq's efforts to repair what can be repaired from the reality deteriorates with time monitoring poets. May have made the distinct efforts to alert the unsuspecting referees and officials for the performance of their duties. The second chapter, entitled : (cynical cash) we dealt with in this chapter a method practiced by poets with those officials when they were convinced that the directive does not work did not find them useful only ridicule them and the lack of dreams Fodauhm in rank or dupes who are lower. This was kind of hurtful and influential criticism. The third chapter is entitled : (hostile criticism). We have reviewed the poems are bursting with hatred for referees and officials who neglected their duties and deliberately not respond to calls for reform, what was the courage of the people of poets but to raise their voices loud rulers generally did not observe the status of one of them. Conclusion and followed the chapters listed in the order in which we offered and highlighted the findings of research points to it and made it the talk focused on identifying some of the basic phenomena. Came the list of sources and references within the known scientific context, and we arranged these books and Alotarih, letters and research in alphabetical order facilitates the stand at the desired source. I can not help in this area, but to extend my thanks and gratitude to my teacher scholar Prof. Dr. Hussein Hamza al - Jubouri, for his great efforts in the evaluation of this research God richly rewarded. And I offer my thanks also to the President of the Department of Arabic Language Prof. Dr. Fadil Miqdad Rahim Khadr to his parental stones. I extend my sincere thanks and gratitude to Dr. virtuous Zainab Hadi Hussein scientific sponsorship sincere. I also extend my thanks to Mr. Fadil Abdul Razak Hamid for his sincerity and his precious. And thanks also to all of my professors in the Department of Arabic Language and each of advice did note or have had an impact in the evaluation of this scientific effort. May God reward all of us all the best and God bless you After this scientific my humble opinion I offer to Aziz national and lush to the Arab library I hope to have a place among the major scientific efforts and God Crown success.

الخلود في شعر عبد الحميد السماوي == Eternity In The Poetry Of Abdul Hamid Al - Samawi

اسم المؤلف: اساور ناجي حسين صالح الحسناوي

اسم المشرف: محمد فليح حسن الجبوري

الموضوع العام: اللغة العربية وادابها

السنة: 2014

الموضوع الدقيق: الادب

الدرجة: ماجستير

الجامعة: جامعة المثنى - كلية التربية للعلوم الانسانية - قسم اللغة العربية

اللغة: العربية

مكان الجامعة: المثنى

الصفحات الاولى:

المستخلص: We have chosen the term "eternity" in the poetry of Abdul Hamid Al - Samawi because of the indications of awareness of eternity it carries and the way of employing it, in addition to the role it plays in engineering the text : a process which is considered one of the most important streams of the poetical experience of the creative person whie it is on the threshold of producing a new text. The nature of the topic has required that it be divided up into a preface and two parts preceded by an introduction and followed by a conclusion containing most of the findings arrived at Finally, a list of references has been added.I have followed in my research the inductive descriptive approach.The preface has been given the title" Eternity between Philosophy and Poetry", while the first part has been devoted to the" Objective Study". As for the second part ,it has been devoted to keeping an eye on the artistic factors by mean of the tools of the aesthetic molding.The research has arrived at the following findings : *It has become clear the Al - Samwi's poetry has mixed between imitation and innovation at the same time. That is to say, his collection of poetry has included the traditional topics and the modernized ones which appeared in modern Arabic poetry. It has become clear that the subject of "eternity" was conspicuous.*It has become clear that the main motive behind composing poetry was the society in general and the Samawa environment in particular. This is considered one of the most important outside attitudes to which the motive responds. The influence of the environment has been apparent in Al - Samawi's poetry as a result of how he viewed it. The influence of religious occasions has been also clear which has made the poet long for contemplating the landmarks of eternity as represented in Ahlul Bayt(AS) lofty edifices.The third motive has been represented in in Al - Samawi's pondering over life and death.Life in all its troubles and pains imposes on him pains and sufferings which makes him criticize its leisure. He has ,therefore, kept a close eye on all its manifestations. As for his pondering over death, the poet launches into mentioning death prolonging contemplating it. He has also expressed his delight upon seeing graves and casted long looks on them. He has also pondered over universe and existence.His existential concern has been clear which was its main motive to think of the other world and the eternal rest.*It has become clear that Al - Samawi's has penetrated the language looking into it as deep as his emotions using its styles in line with what he deems convenient for his psyche and doctrine. He reclines once on the eternity expressions of the heritage while in other times uses simple expressions , but the language of eternity which has taken a distinctive feature is the easy and simple language. His poetic lexicon has been characterized by the domination of the eternity expressions and their derivatives. They are considered the most dominant expressions over the poet's vision. Through these dominating expressions , he has been able to express cases struggling in his mind whether in reality or in imagination.*It has been apparent that Al - Samawi made manifested the linguistic structure in the poetry of eternity in more than one meaning as deemed convenient according to his poetic experience. The poet , therefore, has subjected for this purpose expression and constructions which he thinks they can achieve this objective. These style have varied and they have been controlled by his poetic feelings and emotions.*Al - Samawi has adopted the traditional criteria in the metrical structure of his poem. Examining carefully and employing the Arabic metres , he has revealed to us the intensity of his use to specific metres as used by ancient poets such as the metres of the Kamil, Tawil, Khafif, and Basit. He has intentionally resorted to metres diversity in texts where homogeneous and heterogeneous metres are used for the sake of waving movements among feet. As for rhyme, it looked as though it were a rich multidimensional sonorant action which has contributing to granting the text sobriety and stability.in addition to shedding light on the semantic dimension of texts.*The internal music for the poetry of eternity has reflected in alliteration and bringing the reare to the fore to express what Al - Samawi feels of. it has also been found that he resorts to repetition in its being one of the styles of expression. The poet had recourse to creating his own internal music through repeating a group of sounds which have a specific type of phonetic characteristics. He has repeated letters, utterances and constructions to perfect the meaning and fix it alongside phonetic effects to achieve musical harmony.*Al - Samawi has found in the Glorious Quran an inexhaustible fountain of meanings and utterances which have been absorbed by his mind and filled the depths of his soul. So, he started to drink of this sweet fountain living with the verses of eternity to such an extent that his texts were formation of many texts rephrased to meet his poetic attitude and vision.*The role of the religious symbol in the poetry of eternity has become apparent and the most outstanding symbol has been that of religious and historical heritage. The poet has been in the habit of recalling his immortal religious characters whichreflects his feeling that such characters were of great richness especially when we take into consideration that his look is in accordance with his psyche and poetic experience ; thus he has cared a lot for his doctrinal thought which formed later on a discourse specific to him in order to achieve cohesion between his experience and the symbol of eternity because he has expressed what he has inside himself by means of subjective motives.*The study has revealed the domination of personification in an imaginative context adopted by the poet in more than one poetic image. This personification has emanated from the passion and psyche of the poet. Imagination has extended over a huge space as regards his depictions especially after he has made the inanimate possess the qualities of the human being which has made the recipient understand and grasp the meaning more clearly ; hence the poet has been able to construct a multitude of new unrelated depictions.

اسم المؤلف: احمد حميد فرحان ساجت

اسم المشرف: حيدر فاضل عباس

الموضوع العام: اللغة العربية وادابها

السنة: 2017

الموضوع الدقيق: اللغة

الدرجة: ماجستير

الجامعة: جامعة بغداد - كلية الاداب

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

الولاء الاجتماعي واثره في الشعر الاندلسي : دراسة موضوعية فنية من عصر الطوائف حتى سقوط الاندلس 400هـ - 898 هـ == Social Impact Of Loyalty In The Andalusian Poetry - An Objective Study Of Art - From The Era Of Denominations Until The Fall Of Andalusia (400 AH - 898 AH)

اسم المؤلف: احمد حسون حربي

اسم المشرف: محمود شاكر محمود

الموضوع العام: اللغة العربية وادابها

السنة: 2016

الموضوع الدقيق: الادب

الدرجة: ماجستير

الجامعة: الجامعة المستنصرية - كلية الاداب

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

اسم المؤلف: زينب عادل محمود الشمري

اسم المشرف: رحيم كريم علي الشريفي

الموضوع العام: اللغة العربية وادابها

السنة: 2017

الموضوع الدقيق: اللغة

الدرجة: ماجستير

الجامعة: جامعة بابل - كلية الدراسات القرانية - قسم لغة القران

اللغة: العربية

مكان الجامعة: بابل

الصفحات الاولى:

الحذف والتقدير في كتاب : كشف المشكلات وايضاح المعضلات لجامع العلوم الباقول ت : 345 هـ : دراسة نقدية == Omission And Prediction In The Book Of “Kashf Al - Mushikilat Wa Eedhah Al Mu’Athilat” For Jama’ Al U’Lum Al - Baquly (543 A.H.) Critical Study

اسم المؤلف: هند مناضل عباس

اسم المشرف: حسن عبيد المعموري

الموضوع العام: اللغة العربية وادابها

السنة: 2016

الموضوع الدقيق: اللغة

الدرجة: ماجستير

الجامعة: جامعة بابل - كلية الدراسات القرانية - قسم لغة القران

اللغة: العربية

مكان الجامعة: بابل

الصفحات الاولى:

المستخلص: Omission is a vast topic in the study of Arabic. Arabic is a language of terseness. Omission is one of the two methods of terseness in Arabic. These two methods are : terseness of limitation and terseness of omission. Arabic native speakers averted from complicated structures; they were more inclined to use simple and easy structures. Quran was revealed in Arabic; it is, however, a heavenly book, miraculous in its lexical, semantic, and stylistic systems. Each word in Quran serves a purpose and is accurately placed, not arbitrarily. Therefore, the statement : there is omission of a particle, word, phrase or sentence is unsettled argument amongst classical and modern scholars. Hence, grammarians adopted the approach of omission and prediction in Quran since their purpose is to parse, to teach the grammar of Arabic, and to find out the abrogators and abrogated. Nonetheless, this approach does not necessarily befit Quran since it is imperative to understand Allah's speech without omission - dropping words - or prediction - adding non - existent words which are not mentioned in the original text to refer to certain meaning. Accordingly, there would be deviation the intended meaning (referent) to which utterances - particles, verbs, phrases, and sentences - are used. Essentially, in Quran, each particle, word, and Sura is connected to one another in meaning and reference as if they are connected rings that should not be separated which, in turn, shows one secrete of the Quranic miraculousness.The reason of choosing this topic is basically motivated by the suggestion of my supervisor. After having read Keshif Al Musshkilat (Revealing Conundrums), I found it, for the most part, basing the analysis of the Quranic text on omission. Almost all the pages contain a parsing possibility or a grammatical explanation that is based on omission. Accordingly, I came to the realization that this topic is of critical importance and worthy of investigation and study. Therefore, seeking the help of Allah, I entitled my topic of inquiry as : Omission and Prediction in the book of “Kashf al - mushikilat wa Eedhah al Mu’athilat” for Jama’ Al U’lum Al - Baquly (543 A.H.) - Critical Study.The study is divided into three chapters prefaced by a prologue entitled “The concepts of omission and prediction and Al Baquly's approach” and followed by epilogue contains the findings of the investigation. The three chapters are as follows : chapter one, omitting particles, includes the discussion of omitting prepositions, the interrogative “hamzah”, “in” of infinity, “fa’a” of the result clause, and “waw”. Chapter two, omitting nouns, focuses on omitting “Mubtada, khabar, object, the praised, the disrepute, and tamee’z, mudaf, and matu’uf, and a’aid. Chapter three, omitting sentences and clauses, includes omitting the result clause in the conditional sentence, the answer of the oath, the sentence of qaul, the sentence modified by an adverb, and the clause of a preposition.

اسم المؤلف: زاهد جميل هاشم الحسيني

اسم المشرف: علي عبد الفتاح محيي الحاج فرهود الشمري

الموضوع العام: اللغة العربية وادابها

السنة: 2016

الموضوع الدقيق: اللغة

الدرجة: ماجستير

الجامعة: جامعة بابل - كلية الدراسات القرانية - قسم لغة القران

اللغة: العربية

مكان الجامعة: بابل

الصفحات الاولى:

اسم المؤلف: محمد حمزة كاظم الشيباني

اسم المشرف: كريم مهدي المسعودي

الموضوع العام: اللغة العربية وادابها

السنة: 2015

الموضوع الدقيق: اللغة

الدرجة: دكتوراه

الجامعة: الجامعة المستنصرية - كلية التربية

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

الصبر في شعر بني الاحمر : دراسة فنية == The Patience In Bani - Alahmer'S Poetry Gritical And Technical Study

اسم المؤلف: محمد حسين جاسم العيساوي

اسم المشرف: فاضل بنيان محمد الجنابي

الموضوع العام: اللغة العربية وادابها

السنة: 2015

الموضوع الدقيق: الادب

الدرجة: ماجستير

الجامعة: الجامعة العراقية - كلية الاداب - قسم اللغة العربية

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: Literature Andalusian, episode of Arabic literature had been adopted, as Anmaz range of technical phenomena of what constitutes an extension morally so that Arab literature integrated whole can not be hashed no matter how different environments, including with joy Andalusian Environment, was that the hair Andalusian shift from the description of the nature and phenomena Joy to describe the phenomena of alienation and grief that has not produced a new phenomenon known Andalusian literature which is patience.I chose the phenomenon (of patience) a field of my studies, as is the link between the Albaiatin Oriental and Moroccan their differences, but they confirmed the link between eras, and showed the power of the Andalusian environment influenced by Arab literature is poetry field has required research topic that the message comes three chapters, preceded by booting , and followed by a finale, it came (boot) under the title ((assets patience in Ahlgrenatih life)), a definition between red, and offer social, political and literary life and a statement of the roots of patience in the Holy Quran and Sunnah and inherited literary, and definition of patient language and idiomatically.The classrooms are the first of which was devoted to the study of (emitters patience), and included two sections, studied in one : (Self - motivation for patience), and in the other (social motives of patience).The second chapter, it was titled (technical study, and included two sections, too, dealt with in one of them : (the study of language and style), and in the other : (internal and external music) represented by the alliteration and repetition and export permit as well as weight and rhyme.The third chapter, has been allocated to study (artistic image), and came on two sections, the first of them in : (means of the formation of the image), represented by analogy and metaphor and metonymy, while the other, came noting (for patterns technical picture) represented in the ways of visual and auditory expression and olfactory and gustatory

لوحة الافتتاح في المفضليات والاصمعيات : دراسة تحليلية وموازنة == The Opening Panel At Al - Mofadaliat And Al - Asmaiat An Analytical Study

اسم المؤلف: محمد جعفر زامل الساعدي

اسم المشرف: رزوقي هاشم حافظ الموسوي

الموضوع العام: اللغة العربية وادابها

السنة: 2015

الموضوع الدقيق: اللغة

الدرجة: ماجستير

الجامعة: الجامعة المستنصرية - كلية التربية الاساسية

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: The opening panel at AL - Mofadaliat and AL Asmaiat"The study examined the opening panels in the AL - Mofadaliat and AL Asmaiat was setting in the poems with paintings in AL - Mofadaliat (66) poem.While in the AL - Asmaiat (24) poem. The opening panels of varied opens the poems between poets (altelal , kin , contest , plam , grey hair , the complaint of the night and complaining about women).The research analysed the different opening panels in the AL - Asmaiat and AL - Mofadaliat in different eras , we noted that there is alink from the panel opening and purpose , and through our induction plate opening in AL - Mofadaliat and AL - Asmaiat , we notedthat the build in these plates have two sections : opening panel single ( simple) and the opening of complex. Women occupied a distinct space and has had her editorials ( altelal and descent ) and may be real or symbolic. In the painting of ( Plame ) maintains the poet for his defense of rejecting a requirement of the people who Plame him certain that life is his only chance for glory or honour the work is at risk achieve individual and social successes. It seems philosophically controversial poet about life in too late on the vineyard , the vine will ensure his survival.In palming the grey hair , we find the poet collides with grey hair as a time - shift has a concern and as a result of the brutality described by others of weakness and disability , tries to address those by memories of the past full of trophies and adventures , in the sadness we find the poet made it a means of showing his ideas associated with the reality of death , and sometimes poets used in these paintings by subtraction narrative based on dialogue , especially in the modern poet who blame him in the poem of pride.In a complaint from the women who represented the poet's wife and no complaint in the opening picture of the mood of the poet , what was it only be a symbol of the suffering.Either the complaint of gray hair , the poet in the opening ceremony were psychic scream for important sense of alienation felt by man who suffers from graying.In reporting the night there was a complaint from the long night with bogeys , and it was not the night emotionally ( because the image of the suffering poet , a symbol of life with sorrow , and found in poets an outlet for their emotions and feelings and especially not hurt their feelings in their joy and sorrow.In the dream he found emotional outlet poet escape mechanism have once again selected through a daydream that caressed by creating a professional image , the individual's feeling of inferiority to overcome that feeling , and this was achieved in dreams. Poet's used names of women and places in various paintings of AL - Mofadaliat and AL - Asmaiat and in poetry wights they used long seas to fit a long side of soul in the poetry. Either the rhymes have used the easy rhymes and absolute more restrictive.

اسم المؤلف: سيف الدين شاكر نوري البرزنجي

اسم المشرف: نصيف جاسم محمد علي الخفاجي

الموضوع العام: اللغة العربية وادابها

السنة: 2015

الموضوع الدقيق: اللغة

الدرجة: دكتوراه

الجامعة: جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية

اللغة: العربية

مكان الجامعة: ديالى

الصفحات الاولى:

المتكلم واحواله في الدرس النحوي == The Native Speakers And Their Affairs In The Lesson of Grammar

اسم المؤلف: ساجدة قاسم محمد

اسم المشرف: حسين علي عزيز الموسوي

الموضوع العام: اللغة العربية وادابها

السنة: 2015

الموضوع الدقيق: اللغة

الدرجة: دكتوراه

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: The speaker is considered an important element of the elements of building the rule in grammar and language books where through the speaker the grammarian can judge the correctness or the rune of the grammar base in that the speaker is the ineciative of the speech, even though the speech of the grammarian and his writing of his books is aiming to teach the speaker and make sense of his speech in addition to the strengthen these bases which were made by the linguists from the speech of the Arab, so the speaker is the emitting, the enisiating, and the listener and he who is asking, making dialogue and answering; he is who communicate with the second important element in the communicational operation and that is the receiver or the listener which to whom the grammarian take care for in the speech where all the speaker speech is taking care to the listener so the dissertation depended on the state of the native speaker and his relation to the listener by studying the levels of the native speakers where each level is take care for the listener is some way where the educated native speaker takts to the structures he takes from the grammarian, and the speaker may become listener in other states and also the poet where the grammarian take care in making inferences of the poets going out from the grammar base and his not making sense of his speech and as we get reach to the native Arabic speaker we shall consider him / her an origin of the origins of collecting the language, these levels were studied in the first chapter, as for chapter two, it was the grammarians caring for the speaker and it lay in three inquiries, the first studied the caring for the speaker use for the speech from the quantity, enlonging and deleting where taking care for the speaker and his uses were of the important elements which the grammarians take care for, as for the caring for the speaker intentions it was clear in their books where basing on his intention and will the structure is made in addition to that the grammarians did not neglect the state of the speaker and that were the contents of the third inquiry, and according to what come in the two chapters - the first and the second - came the study of chapter three which is entitled the speaker behaving in the speech rules - and it content the widening, the short cuts, the speech elonging, and simile and all of them are reasons lead to the speaker behaving or manipulating with the speech rules which were made by the grammarians as chapter four, it studied the communicational relation between the speaker and the listener and the care of the grammarians for this relation and how it effects the structures basing on the meaning the speaker want to convey to the listener, and we must mention that the grammarians depend on the illusionary dialogue in teaching the speakers the ways of speaking and its rules. And in short the grammarians take care to the speaker as well to the listener and their care spring from their interest in the communicational operation which take place in a race with the effect of the non - lingual elements.

اسم المؤلف: انعام مطشر جابر يوسف

اسم المشرف: طلال خليفة سلمان

الموضوع العام: اللغة العربية وادابها

السنة: 2015

الموضوع الدقيق: اللغة

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

الصورة الحسية في شعر السجون الاندلسي == The Sensory Image In The Poetry of The Andalusian Prisons

اسم المؤلف: اسماء بدر محمد العوادي

اسم المشرف: قيس حمزة فالح الخفاجي

الموضوع العام: اللغة العربية وادابها

السنة: 2014

الموضوع الدقيق: الادب

الدرجة: ماجستير

الجامعة: جامعة بابل - كلية التربية للعلوم الانسانية - قسم اللغة العربية

اللغة: العربية

مكان الجامعة: بابل

الصفحات الاولى:

المستخلص: The scope of the Islamic state expanded in Andalusia, and there were many poetry where topics of sync with the breadth of the different forms of life, knowledge and literature in the country, and has the effect of nature and the way of life on the poetic image in that country and the style of building poetic image and appearance among poets emerged, and it was this appearance coincided with the evolution rapid and remarkable style building poem Andalusian and those buildings that formed them.The first search in any poetic phenomenon requires research in general hair objective and initial and direction of research in these poetic phenomenon, and this was the reason for the emergence of a comprehensive monitoring case that prerogative the research, and monitoring that has been directed towards poetry Andalusian general then about the image it is Special, and then more particularly sensual image.The appearance of the sensory image in the poetry of Andalusia was not a new invention of them, but was depending on the style of the whole Arab poetry extensions and building in the world in general, only to find the face of his energies towards monitoring sensory image as represented by the patterns and structures and methods of the appearance and the terms of reference and fantasies, in the poetry of the prisoner Andalusian. It is known that the poet has slender sense, susceptible, toward any experience going through, how if that experience is the prison?!Search imprisoned Andalusian poetry faces two important issues, namely the issue of prison concept and de facto and the nature of life in prison and manifestations of creativity in prison, and the other issue is the image of sensory modalities appearance and levels, and is the biggest issue in the monitoring and the pairing between the prison and the whole consequences process, and the sensory image with all its difficulties on the level of poetry and scope researched for.Revealed the scope of the search through the buildings that have been handled through with search terms, has appeared find divided pave the four chapters and a conclusion, and preceded by the introduction represents the threshold for entry into placed research has dealt with in the boot concept prison in language and terminology plus poets imprisoned in Andalusia and the definition of their names and places of imprisonment, and extended incarceration, and the reason for their imprisonment, and his imprisonment.The first chapter was titled areas sensual image has this title included titles subsidiary, addressed the optical image, image, audio and image taste and image touch and image olfactory and mentioned poetry which was told one of these types of images, has required research division of the visual image on the partial sections : a visual image kinetic visual image of light and optical image color, image and audio on a hostile voice and the voice of a pet, and the image on the touch sensation seeking, pressure and sensation of pain and burning sensation and cold. It has also reminded the senses and the two exchanged noon meeting in poetry imprisoned in Andalusia.And included the second chapter on the terms of reference of the sensory image was able poet imprisoned Andalusian be employed to serve the poetic text Andalusian a religious references (the Koran and the Hadith religious ritual), or references realistic represents the fact that lives by the poet prisoner Andalusian or memories that lived outside the prison, or literary references include verses of poetry before the era of the Andalusian poet which included in his verses cited in prison to give a poetic text, and there is no poet did not come from other poetry which represents has another life. Include (Proverbs), or historical references include the total historical facts which came to us from previous eras, the amount represented by the well - known historical figures and important cities and centers of civilization, or social resources, including social customs and traditions of the names.The third chapter in which we dealt with the other's sensory came on two topics included the first part, the counter persons particular, represents the other anti - Andalusian poet imprisoned Minister Prince and the jailer and prisoner - associated.The second topic studied the continuers who intercedes for relevant includes parents, friend and beloved, resorts Andalusian poet imprisoned them for decreasing what it joins it from the torment and darkness inside the prison or to be intercessors at him from his imprisonment.The fourth chapter includes graphic patterns of sensory image and dealt with image simulations and allegoricalness image to the fact that those picture a source of the poetic image formation.Finally, it is necessary to point out the difficulty I faced in the search, on the process of getting collections of poets imprisoned in Andalusia.If I had a word of thanks and gratitude I extend it to my teacher Dr. Qays Hamzah al - Khafajy, what I found him the world who does not spare his knowledge and when hit by the study and researcher of guidance and ask God to prolong his life, and bless him with health and wellness, and Praise be to Allah, the Lord of the Worlds.

الصورة البصرية في الشعر الحديث : محمود درويش وسعدي يوسف انموذجا == The Visual Image In Modern Poetry Mahmood Darwish And Saadi Yousif As Model

اسم المؤلف: اسراء ابراهيم محمد الخزرجي

اسم المشرف: اياد عبد الودود عثمان الحمداني

الموضوع العام: اللغة العربية وادابها

السنة: 2015

الموضوع الدقيق: اللغة

الدرجة: دكتوراه

الجامعة: جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية

اللغة: العربية

مكان الجامعة: ديالى

الصفحات الاولى:

المستخلص: My dissertation which is entitled " The Visual Image in Modern Poetry Mahmood Darwish and Saadi Yousif as model ", is based on studying the visual occurrence which provides a type of picturing, for a structure assumes, before all, a full perception. It is beyond dispute that seeing is one of the most influential sense in conceiving the world around us due to the linkage to reality gained by vision through seeing. The eye senses beauty in its different forms and colors, because it is the most vital sense concerning imaging. Thus, poets tend to use seeing significantly in their texts via the means they delineate, especially the quick shot in receipt's mind, in addition to the direct and indirect gestures as the imagination, which receives various pictures finds that the visual image is a product of a visual and actual world, so it makes use of imagination to enrich the produced image.The study aims at clarifying how to read poetry visually, improving the visual sighting in the recipient via the image and the artistic sensing level, as well as improving his aesthetic sense. Therefore, the dissertation is entitled"The Visual Image in Modern Poetry Criticism". It comprises three chapters, preceded by a prologue. The prologue deals with "The Image Vivacity and its Formation Elements". Chapter one labors to find out the reception philosophy, its originality and newness attempts. It is entitled "Reception Argument : Originality and Newness". It contains entries that figured out reading and receiving from old Arabic criticism point of view, Arabic receipt types, and the problem of receiving in western criticism.The second chapter is entitled "Visual Image Dynamism". It tackles the semiotics of visual discourse and meaning production. It signifies (a reading in visual semiotics) dealing with formative or visual poem. It comprises certain titles concentrating on the impact of old poetic forms on the making of formative or visual poem, visual poem shifts in modern poetry, and the visual image as one of the sorts of visual formation. Chapter the third comes to probe the semiotics of the written form and its influence on visual image formation, black and white and their time - spatial sense, along with punctuation marks and their constructional functioning. The chapter bears the title "Poetic Line and Spatial Formation". Modern criticism approaches vary in their procedures. I come to choose the reception and semiotic approaches due to their power in conceiving the visual image phenomenon, because hinting, gesturing and implying in the selected texts are the things that founded a visual reader embarking on filling the poem's blankness with words, with a fullness and emptiness allowing the written to devour the page's whiteness, letting the whiteness then to embargo the written so as to afford a sense of creativity to the texts. The written form began to draw the attentions as a signifying element assimilated inside of the text's wholeness. Bearing this in mind, the defamiliarization phenomenon is breaking the familiar composing system, which is regarded as a significant approach in studying selected texts. Defamiliarization tries to shift to express via the visual image in many forms as : breaking the word through disconnecting its typographical linkage, scattering its words on the page, in addition to vacuumtechnique.The dissertation afforded a variety of results as : 1. Both Mahmood darwish and Saadi Yousif frequently combine linguistic writing and visual phenomena in the poetic knitting. Through this process, they aim at increasing the text's visual undertones. Such visual usage added aesthetic and connotative levels to the body of the poem.2. The shift that took place in modern reception is the accompaniment of seeing to hearing and reason to form a complete apprehension of the poetic text. Therefore, the poem became a vision poem, and reading started to be moving to and fro the picture to the text to generate communication. The poem moved from the sound rhythm to the visual rhythm thus becoming a factual visual poem producing a visual image. 3. The function of the visual image is to draw the attention and assisting in moving the page out to produce the hidden meaning, whether it is artistically or composedly connected and interrelated to it, because poetic discourse is no more a mere combination of words and notions. It became to encompass a number of other elements that cannot be reached unless with seeing in order to comprehend the text and the form which became of deep connotations for the place the text is composed in and the way of writing it on blankness are now entering its meaning and framing its route. I can then safely assume that the poetic work is a composite one that bears certain visions. The objective behind it is not only experimentation and coping with modern writing methods, but it is bringing together more than one creative in his/her artefact and affording the text with a chance of newness and multiplicity, and fixing it in the memory of the reader through its lingual, written and artistic excellence. This is due to the fact that the text cannot be derived from multi - readers, as there are text reader, language reader, image reader and form reader, and as writing, in this sense, became readings that are harmonic with directions of the modern age and its philosophies.

المصطلح النحوي في دراسات المحدثين == Grammatical Term In Modernizers'S Studie

اسم المؤلف: احمد خليل حبيب زنكنه

اسم المشرف: مكي نومان مظلوم الدليمي

الموضوع العام: اللغة العربية وادابها

السنة: 2015

الموضوع الدقيق: اللغة

الدرجة: دكتوراه

الجامعة: جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية

اللغة: العربية

مكان الجامعة: ديالى

الصفحات الاولى:

المستخلص: There is no doubt that the terms that distinguish a section of science is an important matter without which concepts will be confused and become hard to be separated. This doesn't mean that these concepts should spin in the circle of terms but they must be linked with their semantics in the context. If we suppose that terms are the keys to the doors of the house, this means that the builder finish building that house. Resident has to either keep that building or divide it again. He might extend its limits or make it narrower. He might put other doors which will make different issues. Or, he might keep the doors but change the keys. The material of this study is found in books theses as well as researches especially those dealt with grammatical terms. Those researchers study these terms after deep searching. So, one can say that these studies are comprehensive. They depend on scientists'opinions and they search in such books as Al - Kitab, Al - Muktathab, Asul Al - Naho, Shareh Ibn Yaesh, Al - Rathi and others. This study doesn't care with all those who study the grammatical terms but it deals with those who study themseparately. And since there is a large number of sources so the researcher passed time factor and he doesn't restrict himself to a certain era in his study. Also, this study doesn't care with following up the industry of dictionaries of terms as they are too much. This might be a subject to independent thesis. The researcher chooses this titlefor two reasons : First, the grammatical term is a key to understand the texts and a door to enter science. Thus, searchingthese terms means reading all the grammatical subjects and then knowing the opinion of the early grammarians as well as the modern grammarians who study this subject.Second, it was the researcher's supervisor's Dr.MakiNaumanMathloom suggestion that this is a subject which isn't studied before and one that is worth studying. This study depends on many procedures starting with the historical one in documenting the researchers' thoughts and their study of grammatical terms of the early grammarians. It is done according to their historical series. This doesn't mean that our study will not concentrate on the study of grammatical terms of modern grammarians but,it deals with Grammar heritage such as Arabic dictionaries as well as the old sources. The second procedure is the criticism and analysis of these terms through the way of thinking of those scholars. Also, to highlighting the procedures of this study and through it the researcher presents and criticizes the opinion of those scholars under study. The study is divided into four chapters with an introduction and a conclusion. Those chapters are as follows : Chapter one : Rooting the Grammatical Terms. This chapter is divided into two sections,Section one : Rooting the Grammatical Terms in Al - Basriin's view, represented by,1. circumstantial phrases, predicate, adjective and adverbial object.2. sentence.3. the predicate of 'La' of negating gender.4. indeclinable for the object. 5. article and letter.Section two : Rooting the Grammatical Terms in Al - Kofiin's view, represented by,1. metonymy and surnamed.2.dogmatization.3.arrangement.Chapter two studies the correspondent terms in Al - Basriin and Al - Kofiinview and it is divided into three sectionsSectionone : Grammatical terms in AlBasriin's view.Section two : Grammatical terms in Al - Kofiin's view.Section three : the correspondent terms between Al Basriin and Al - Kofiin.In this chapter, the grammatical terms of AlBasriin and Al - Kofiinas well as the correspondent terms that are different in names but similar in concepts are studied. The opinions of the scholars their analysis of these terms are also studied.Chapter three presents the terms mentioned by scholars in form of books or researches that show the value of these terms. Chapter four, on the other hand, deals with the relationship between the grammatical terms and their semantics. Early grammarians pay attention to the semantics of terms. This chapter is also divided into three sections. The first one synonymous Grammatical Terms in Grammarians' view. This is done by mentioning grammatical termsfound by scholars while dealing with these terms. It seems that there are more than a term that has one concept and one meaning. That is called ''synonymity of grammatical terms''. The second section studies the shared grammatical terms between grammarians. Scholars follow up the nature of the terms and their effect on developing thegrammar lesson. The results is the multiplicity of meanings of the same term. The third section studies scholars' modern grammatical terms. The researchers borrow for these terms what scientists always tell ''terminology is indisputable''. They consider the idea of reformatting some terms according to the feature of universality of some early grammarians.Finally, the conclusion summarizes what the researcher reaches at and it is as follows : 1. It seems that some modern scholars found a confusion while studying some grammatical terms such as ''dogmatization'' and ''circumstantial phrases''.2. It seems that universality and particularity phenomena predominate the grammatical terms ( sentence, speech ) , ( article and letter) and others. 3. It seems that' synonymity of grammatical terms comes from modesty and agreement that terminology process aiming at in the nature of labels and titles. Synonymity of terminology hadn't been given a suitable account in this study. 4. Some scholars call for reviewing the titles and the concepts of the grammatical terms because of the overlapping among some terms.