اسم المؤلف:
ندى عايد يوسف
اسم المشرف:
بلاسم محمد جسام
المستخلص:
الحمد لله العليم الذي لا ينسى من ذكره ولا ينقص من شكره، ولا يخيب من دعاه ولا يقطع رجاء من رجاه. بعد ان تم انجاز هذا البحث يقتضي واجب الاعتراف بالجميل ان اتوجه بالشكر والتقدير الى الدكتور بلاسم محمد المشرف على هذه الاطروحة لما قدمه من عطاء ثر وتوجيهات وار | The media system as a power that controls the masses' tastes and kinds of education needed, can identify the concepts and strategies concerned with the media information. This sort of information is considered the legend that is used by the economic institutions aiming at controlling the public knowledge and the masses' opinions to promote the implied stated objectives. This research discusses the dimensions of the relation between Contemporary art and the infomedia system and the reciprocal influence between the two sides. However, the educational discourse is imposed by the institutions governing the media information. This imposed discourse has altered the art concepts and values, and as a consequence these new concepts and values define the future of the art's theory and practice. The question does not deal with the drawing as an art based on established criteria; but rather detects areas of the renewal and the sequential difference in its systems and drawing the attention to a particular phenomenon transferring it from the Local orientation towards making it global. In order to achieve this aim, the techniques of communication should be activated; otherwise, the project's existence is not recognized. It is necessary to cover the informational data and references that are related to art making. This necessity is drawn from the prominent problems in building an informational vision for the future art moderations and compositions compared to the aesthetic values, communicative abilities, range of media control, means, and the appropriate techniques. leading a search in the references of art and modeling it according to the desired goal show results after the completion of the work.This study " The Influence of media On Contemporary Painting - A Study in Transformation of The Style. This research include an introduction and five chapters. The research's introduction included procedures of research problem identified in the disclosure of the impact of Information and media presence in contemporary art, with a view to finding a holistic interpretation within the cultural context depending on a range of fields and building artistic awareness that is configured to draw informational references according to the justifications of communication. The importance of this research is focused on some global art variables in order to discover the importance of the system's configuration. As well as shed light on the communicative relationship between artwork and audience.The objectives of the research can be summarized as follows : 1. Revealing The Influence of media system On Contemporary Painting.2. Detecting the informedia references in the contemporary art. While confined to the limits of search plastic arts that extended from the year (2003) until the year (2012). The first chapter deals with the problem of format and technical monitoring shifts by two sections. The first section reveals the possibilities of developing forms that can be traded outside the spatial boundaries. This system's importance comes from producing communicative forms that link between the artwork and the public recipients. And dealing with the other search after receipt by displaying the views of some theorists who contributed to the confirmation of the role of receiving while reading the features of art work; that led to his ascendancy to the throne of power and the exclusion of the role of the artist; consequently, that led to certain effects contributed to form shifts in artistic taste.The second chapter consists of three sections. The first is about communication theory and research in multimedia that play a role in making art a communicative mean that led to a change in the system of technical patterns in offsets and retreat of the museum's role , artistic identity, information, and commerciality. As a consequence, art has been deriving its presence from the subjects displayed on television, the internet revolution, watching, the deliberative convention, and the historical shift. While second section focused on the output of contemporary art, the photographical violation and trading arts. While The third section deals with the influence of the impact of the network on art and it displays a range of art movements emanating from the effects of the computer.The third chapter includes three sections. The first section focuses on the media information and the body use, while the second section sheds light on art and globalization. The third section is entitled Art and Architecture.painting on the theoretical frame work classes with a total investment reached the appropriate levels that Chapter four includes. In this chapter, an analysis of a group of samples is made. These samples are selected to be sort of systems that accept the use of multiple techniques and technologies adopted in artistic styles.The fifth chapter deals with the research's results, recommendations and proposals. Finally, this research has led to certain points as results for what has been included throughout this paper : 1. The digital revolution and the spread of the computer's effects has made certain changes in the art of painting and opened new horizons for the artists to take advantage of this medium, as well as from the virtual world's space to make it real. It is through the interaction between technical standards and digital programs became possible to create works that achieves aesthetic purposes with the help of computer and software that requires openness and lack of commitment to previous theories of beauty.2. Despite successive systematic shifts, the change made by media information has not affected the essence of painting, but the difference in the techniques and mechanisms and means of output and modes of delivery. the substance can be expressed with oil and light, assembly, the screen, and the Internet. The difference is between the ages and cultures intellectual concepts that urged a change. And that would contribute to the creation of shifts in the vision way, taste and achieve the dazzling and surprising component.3. The media information focuses on techniques' investment and new media to ensure communication. Offering technical art at the expense of artistic experiments that reflect the individual self. It is made by the integration of modern technology with traditional techniques to create art carries aesthetic value.4. The media information is eligible to study communicative systems that can turn the illusion into reality and contribute to the consolidation of belief through forced intrusion on all levels of society through art. In order to achieve technical communication requires the formation of attendance different from the other.5. this reference produces many services and countless connotations that are implicit in the work of art that cannot be reduced and intensity and unifying media information references; Every action has its terms of reference that have nothing to do with the other works.6. Art history since its inception to today based on a range of different references. But with the media information, it is not intended to be the iconographic, symbolic reference, or indicative, or any other divisions. It is the reference that follows from the relations that generate at the moment watch the action. To detect speech disguised behind the artwork. Which may be political, or social, or existential, or utilitarian, or advertisements, or media.
