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الاتصال البصري في تصاميم الملصقات الارشادية == Visual Communication in Guide Posters Designs Analytic Study

Author name: شيماء عبد الجبار عبد الكريم السامرائي
Supervisor name: انتصار رسمي موسى
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

دلالة النظم الشكلية في تصاميم شعارات الخطوط الجوية العربية == The Semantic forms system in Arabic airlines logos Design

Author name: نضال مهذول محمد الطائي
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

اشكاليات الاخراج الفني في الصحف العراقية حديثة الاصدار وسبل تطويرها == Artistical Directing Problems on Modern Version of Iraqi Newspapers and their development ways

Author name: سهام محسن كيطان
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

السمات الفكرية والتنظيم الشكلي في تصاميم التقويم الجداري العراقي : دراسة تحليلية

Author name: ساهرة عبد الواحد حسن الخفاجي
Supervisor name: عباس جاسم حمود الربيعي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

النظام التصميمي وعلاقته بعمليات التوليف والترابط لبرامج الحاسوب في المطبوعات العراقية : مطبوعات دار الشؤون الثقافية العامة انموذجا == THE ORDER OF DSIGN RELATION IN RECONCILATION CONNECTING PROCCESS SOFTWARE COMPUTER IN THE IRAQ PUOLISHIN DSIGN

Author name: نعيم عباس حسن الغراوي
Supervisor name: عباس جاسم حمود الربيعي | تحسين عبد الغني الشيخلي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

الاختزال والتكثيف الشكلي في تصاميم اغلفة الكتب العراقية

Author name: اكرم جرجيس نعمة السعيدي
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Babylon
First pages:

العلاقة بين التعدد الصوري والتنظيم المكاني في تصاميم الاعلان التجاري == The Relation Between Multiple Images and Spatial Organization in Commercial Advertisement DeSign

Author name: خليف محمود خليف الجبوري
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

متغيرات الادراك ودورها في بنية التصميم الطباعي == The Variables of Realization in Their Role in the Structures of Printing Design

Author name: نزار عبد الكريم الراوي
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

الجذب في بنية تصاميم اغلفة المجلات : مجلة الف باء انموذجا == ATTRACTION IN STRUCTURE OF MAGAZINES’ COVERS DESIGNS (Sample : Alf Baa Magazine

Author name: حكمت رشيد فخري العزاوي
Supervisor name: انتصار رسمي موسى
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

المتغيرات المؤثرة في بنية تصميم الاعلان التجاري == Affected Variables in the Construction of Commercial Advertisement Designing

Author name: انعام حمدان محمود
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

المعالجات التصميمية الطباعية ودورها في تحقيق البعدين الوظيفي والجمالي == Graphical Designing Treatment and its Roles in Achieving the Two Scopes Functional and Aesthetical - Holly Qur’an as a Sample

Author name: فؤاد احمد شلال السامرائي
Supervisor name: Nseaf Jasim Mohamed Abass
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

التصوير المجسم (Holography) وتطبيقاته في التصميم الطباعي == Holography and Its Application in Graphic Design

Author name: مها مؤيد عبد الحسين الناصر
Supervisor name: اياد حسين عبد الله الحسيني
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

العلاقة بين الشكل والمعنى في بعض التصاميم الصادرة عن منظمة اليونسيف == The Relationship Between the Shape and Context in the Some Designs Which Produced By (UNICEF)

Author name: لينا عماد فتحي الطائي
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

القيم الجمالية للجذب البصري في الملصق المعاصر == The aesthetic values for the visual attraction in contemporary poster

Author name: لمياء عبد الكاظم خادم الفتلاوي
Supervisor name: قدوري عراك صكر | عبد الرضا بهية
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الابعاد الفكرية والجمالية في تصاميم اعلام الدول الاسلامية == The Intellectual and Aesthetical Dimensions in the Designs of the Islamic Countries Flags

Author name: زينب عامر نعمة شبر
Supervisor name: علي مهدي ماجد | عبد الهادي محمد علي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Babylon
First pages:

تقويم تصاميم صفحات مواقع الوزارات العراقية على الشبكة الدولية للمعلومات Internet == Rectification the Iraqi Ministries` Home Page Design on the Web

Author name: بشار شامل كاظم حمد الخفاجي
Supervisor name: اياد حسين عبد الله الحسيني | مؤيد عبد الرزاق فاضل
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

جمالية البعد الثالث في تصميم الملصق الجداري == The Beauty of the Third Dimension In designing Wall sticke

Author name: بشرى سلمان كاظم الجبوري
Supervisor name: عباس جاسم حمود الربيعي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الابعاد الوظيفية والجمالية في تصميم الاعلان التجاري == Functional and aesthetic dimensions in designing of traditional Advertising

Author name: سلام حميد رشيد عبد الحسين الحلي
Supervisor name: عباس نوري خضير الفتلاوي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Babylon
First pages:

تقويم الابعاد الجمالية والدلالية في تصاميم العلامات التجارية للقنوات التلفازية الفضائية العربية

Author name: علي حسين خلف السعدي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Babylon
First pages:

جماليات التباين ودورها في اظهار الايهام الحركي في الملصق المعاصر == Contrast Aestheticism and Its role in Showing movable illusion in contemporary poster

Author name: عادل عبد المنعم عبد المحسن شعابث
Supervisor name: جبار حنون مهاوي | عباس جاسم الربيعي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Babylon
First pages:

التنوع التقني ودوره في اظهار القيم الجمالية التصميمية في الملصقات == The Technical Variety and its Roll in Presentation of the Designed Aesthetic Values in Posters

Author name: عبد الجليل مطشر محسن النوري
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

تقويم تصاميم اغلفة علب المستحضرات الطبية التجميلية المطبوعة في العراق للفترة من عام 2000 لغاية 2002 == Evaluation Designs of Packages Covers for the Beautification Medicament Products Printed in Iraq Period 2000 - 2002

Author name: باسم عباس علي العبيدي
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

مصادر الشكل التصميمي ومجالات انتاجه الوظيفية والابداعية == Sources of Designing Figure And Its Creative And Functional Production Fields

Author name: سند فؤاد محمد
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعنى البحث الحالي بدراسة : (مصادر الشكل التصميمي ومجالات انتاجه الوظيفية والابداعية.)، على وفق بناء معرفي محدد بالوظيفة والابداع، والهدف الاساس في تفسير حقيقة الاشكال ومصادرها المتنوعة وجوهرها وما تحمله من معان وعلاقات شكلية وجمالية وافكار تصميمية تحق | The recent research concerning with ( sources of designed figure and its creative & functional production fields ) , according to cognitive construction determined by function and creation and the main goal in explaining figures and its various and what holding of meanings and aesthetic and format relations and designed ideas achieving for the illustrated goal as a printing achievement.Most creative results related in joint divider representing by depending on intellectual constructions or certain philosophy , namely, each creative production has its intellectual or philosophical circle or field that launch from it to the world of creation.The designing figure in its general meaning , includes an idea creating from the internal mental expectation of designer to product figures from self feelings making his prior imaginations far from these figures with his feelings and converting it into creative forms producing the designing figure from mind depending on various functions symbolic , psychological and social and ways of production , norms and traditions, therefore, the desi8gned figure representing a reflection for this social and economic reality.This study considers a sign able to enrich the designing work by many of giving that exciting taste in receiver through its specify in varying symbols and meanings and its fluency for its active importance that combining the designer as a creative man for the designing figure and between society that save in its memory many of designed and figurative styles. Whatever varying theories of figure and its styles and figure related by function and the creative contain, also language of figure related by the visionlanguage to analyzing the aesthetic oratorical to processes of understanding, explanation and conviction.The researcher found that the importance of this subject and inquiry on : What are sources of the designing figure as a problem for research and an goal put for studying determined by : definition of designing figure and its creative and functional production fields.The researcher writes all what has a relation with the designing figure within its theoretical frame , through Arabic & foreign and libraries concerning with specialization for obtaining on indicators useful for measuring field that related with determining approach of research and its method and determining research society that represented by (40) printed designing figures and various goals , from it 10 samples have been chosen intentionally with rate ( 25%) from the original society , and characterized by some features to give scientific results after analyzing, describing and explaining them and then reported according to these results : 1 - There are theories focused on basis that sources of the designing figure lie outside mind of designer in his square , namely they are figures for designing figures derived from nature. There are other theories adopted basis that sources of designing figure lie on mind of designer within it contain namely, external designing productions figures on what is familiar in the nature.2 - It can be create figure depending on various functions (symbolic, psychological , social ) and figure may be in special givings need to requirements of function , environmental condition and the social values.3 - Figure generates from idea originate from the internal mental expectations of designer , the latter drawing his figures from self feelings converting his priorimaginations on these figures with his feelings to creative forms, then figure resulting from mind.4 - Creative peoples in all times producing some ideas in their works depended on requirements of age and its vital and there are many activities that creative man choose from them his figures.5 - The designing figure influenced by many social and economic limitations , ways of production , norms and traditions , then figure became a representation of reflection for this social and economic reality.6 - One of the main factors that effecting on the designing figure is the intellectual factor with its mental imaginations , designing here is an intellectual production between individuals & groups appears through long experience made by special classes of society

توظيف الانماط الكتابية وعلاقتها بالدلالة في تصاميم الملصقات السياسية == Employig The Writing Patterns And Its Relation With The Connotaion In The Political Posters Design

Author name: سحر علي سرحان السوداني
Supervisor name: انتصار رسمي موسى
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد الملصقات السياسية من بين اهم الوسائل الاتصالية التي تؤدي هدفا فكريا وعقائديا وسياسيا فضلا عن الارشاد والتوجيه، وغيرها، ويراد من وراء فكرته التركيز على المعاني والدلالات الموجهة والمتجسدة من توظيف الانماط الكتابية، فالملصقات هي رسائل فنية وتؤدي و| The political posters are one of the most important means of communication that fulfill an intellectual, ideological and political target as well as guidance and counseling and others.The idea behind these posters is to focus on the meanings and the addressed connotations which are embodied from employing the writing patterns, so the posters are art messages which sometimes may have been aesthetic, but aesthetic is relative and is performing a function which is delivering idea to the recipient.The writing patterns is one of the important element in creating design, which is meant the delivery of advertising or information messages through it, and also has an importance in determining the fundamentals that underlie the clarity of letters’ forms which leads to the design of letters that have the efficiency to fulfill most requirements and one of the most important of those requirements is the literal function and the operational technique.The research problem has been summarized with some questions : 1 - What is the problem of employing the writing patterns and its relation with the connotation in the political posters designs. 2 - What are the methods that can be used in employing the writing patterns in the political posters and its relation with the connotationAs for the objectives of the research it has been determined into two axes : - 1 - Detection the mechanisms of employing the writing patterns and its relation with the connotation in the political poster 2 - Develop designing proposals for the design of the writing patterns, and its relation with the connotation in the political posters.As for the limits of the research, it were substantive limits in employing the writing patterns and its relation with the connotation in the political posters designs in Iraq, and the spatial and temporal limits were the political posters in Iraq for the years 2007 2009 as well as the identification of terms contained in the title of the study. The second chapter covers the theoretical framework and the last studies, the research has contained four chapters, the first one included the research methodology and the second included several topics, the first topic (the writing patterns in the political posters),the second (variables of space management of the writing patterns), the third (the structural system of the writing patterns), the fourth topic (the writing patterns and its semantic relationship), followed by the previous studies and its discussion and came after that the indicators resulting from the theoretical framework on which the researcher is based on in the preparation of analysis form , then the researcher addressed the research procedures in the third chapter, which included research community contained the advertising political posters, the research tools that the researcher used are form of analysis axes to examine and analysis the results, the researcher has designed the form and presented it to a group of experts and specialists, as the sample research has been analyzed through this form. Chapter IV includes the results of the analysis, conclusions, recommendations and suggestions.The most important results of the research : - 1 - Weakness of volumetric activations for the writing patterns, as it emerged with small sizes and unreadable, which affected adversely in the process of the optical attraction of the reader, and receiving the idea, as the size of the letter is important to achieve clarity and readability as in the samples (1, 2, 4, 5, 7, 8, 9, 11, and 16). 2 - Weakness of semantic relations and interdependence between signifier and signified, and this led to weakness in the meanings received, which resulted from lack of attention to the importance of the writing patterns which appeared secondary and small scale, whereas the meanings correlation between the writing patterns and images related to a significant impact for the recipient, as in the samples (1, 5, 7, 9, 10, 17). 3 - Weakness of aesthetics activations in the writing patterns that increase the optical attraction of the reader as this weakness will reduce this attraction as in the samples (1, 2, 3, 4, 5, 7, 9, 12, 13, 16, and 17). 4 - Most of the political posters have not used the symbols and its writing shorthand in the writing patterns and what they are carrying of depth in meanings and connotations as in the samples (2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, and 20). 5 - Employment the color of writing patterns in accordance with intellectual references and semantic relations, for instance the connotation of red color to confirm the excitement, terror and blood and the black color as a sign to the mystery and fear, as in the samples (1, 3, 5,15,16,17, 19, 20).The study has reached the following important conclusions : 1 - Designers have not used the voluntary letters design effectively, so the letters appeared easy because they have not been used as a design. 2 - The relationship between writing style and photos have been established so that we can find it an objective link through a basic use of writing patterns specifically associated with the activity of the social culture of our people. 3 - The use of typographic vocabulary has come in an intensive and busy form which causes confusion to some designs of political posters. The most important research recommendations are : - 1 - Employment the design principles and studying the formal space relationships that promote the organization of typographic vocabulary because of their role in attracting the attention of the recipient and that is because of the expressive connotations that the media message is containing. 2 - Activating the study of writing patterns that peoples of different patterns are characterized by and try to understand its meaning and translate it through presenting of designs contributing to the development of humanitarian contacts between our society and other societies.3 - Trying to provide design ideas that have meanings and connotations reflect the reality and concerns of Iraqi society with methods far from complex and exaggeration.

تطوير وتوظيف الخط القيرواني في التنضيد الطباعي == Developing And Employing The Qayrwanic Calligraphy In The Typographical Typesetting

Author name: عبد الحسين رضيوي نون الركابي
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Designing the Arabian typographical letter based on written references , that was well known abundance of artistic and cultural creed , represented by the Arabian Calligraphies with deferent types and styles , and still a fertile material used by the designers to renew what they always were seeking , using the forms. from it and establishing their letters in a new way. Their applications were increased by using their personal computers in the last decade of the last century and during the height of the development and proliferation of the current century.In the time that witnessed the domination of some scripts by using them in the typographical typesetting field like the Kufic script in it most types ,till it was made as a primary base beside al Naskh script for technical considerations , but some of it valuable types was a little pit un touched.The (Qayrwanic Kufic script) or what known as (the Qayrwanic script) is one of the credible of that, because it is still didn’t used that much and was not used in the typing field in spite of it excellent characteristic, and the attributes of it letters the differ from the other types of the same kind.and also it was forgotten comparing to the Morocco scripts.there was no research lights on it alone and was not published in many books or any other articles. These are our purposes for the research that we named : ((Developing and Employing the Qayrwanic Calligraphy in the typographical typesetting))It came with specific purpose that; designing typographical script based in it references on the Qayrwanic script. And deriving it weights and variations to do a specific applications in the typographical typesetting field each in what it needs.That with the support of two assistant purposes, the fist one : studying the Qayrwanic script to find out it assets and properties , second : analyzing what have been achieved before of the typographical fonts that was derived from that script - in it minimum to be useful in the applied side … so the research is theoretical - applied , contain four chapters , chapter one : the curricular framework , where we showed the research problem , the importance and the need for it , goals and limits , and we knew it most important terms, then we showed the curricular plan and ways on both theoretical - applied levels. And the second chapter contained : the primary subject for the research presented in it theoretical framework by three primary researches, the first one : specified in the Qayrwanic script.. Assets and properties. The second one; contained the Arabian letter in general with it properties and quality, the third one made to employ the Arabian letters in the typographical typesetting.The third chapter came with the research procedures in two parts ,first one specified to analyze what have been achieved of the typographical fonts that related to the Qayrwanic script , and all what was available are three fonts that we analyzedAnd criticizes according to a various axes derived from the typographical typesetting.The second : dedicated to the applied side ; searching to achieve the primary goal for the research as a practical fact which contain designing typographical letter from the researcher work by using the Qayrwanic script to employ it in the computer typographical typesetting , to work in the windows environment , and that went through continues levels that designing made starting from butting the primary designing to the font by drawing the letters manually on the papers which the researcher handled it himself till entering them in the computer and follow up the achievements stages and operations and designing treatments that was changed in each stage , then preparing the letters crew with their numbers and signs , to be moved one by one to the international encoded characters board that was special to the Arabian letters according a specific plan that will be programmed with standardform for the '' true tape font '' through special program of designing and editing the fonts , to adjust the dimensions and distances and be sure of the parts perfection inside that program till make it as a document that Carrie this specific name and be capable to add in the computer program and perform a test on it , able to be modified ,erased and adding for many times till the final decision, the researcher also generated other types and weights according to the old previous copy that was edited each one alone by the computer abilities, with what it takes of treating techniques to serve it purposes in the texts ,addresses and others.We also enclosed a special attachments to watch the applications of these fonts in the typographical typesetting field printed on papers and supported with CDs contained files for these applications.The fourth and the final chapter we recorded the most important results for the research in both sides theoretical - applied in it , and we concluded the achievements of the research , not only by conceptual level but also the applied side was not only assumption designing performed on papers only ,that was an easy part of the goal But it was transformed to an achievement capable to perform the scientific applications in the typographical filed.
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