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بنية الحل في المسرحية العراقية المعاصرة نماذج مختارة == The solution constitution of modern Iraqi Theoretical Selected models

Author name: علاء يوسف يعقوب
Supervisor name: مجيد حميد جاسم الجبوري
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

القانون الوضعي وتطبيقاته في النص المسرحي العراقي الحديث نماذج مختارة == Positive law and its implications in the theatrical text lraqi modern selected models

Author name: علاء حاتم محسن
Supervisor name: حسن عبد المنعم الخاقاني | حسين عبد القادر معروف
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

البرمجة اللغوية العصبية لتحليل الحوار في المسرحية العربية المعاصرة : نماذج مختارة == Neuro linguistic Programming to Analyze Dialogue in The Arab Contemporary Drama Selected Samples

Author name: عقيل قاسم ولي الراشد
Supervisor name: عبد الستار عبد ثابت البيضاني | عياد اسماعيل صالح
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

الهوية في النص المسرحي العراقي : دراسة في ضوء النقد الثقافي ــ نماذج مختارة == Multiplicity of Identity in the Iraqi Theatrical Context after 2003 : A Study in the Light of Cultural Criticism

Author name: عبد الله حميد محمد الثامري
Supervisor name: حسن عبد المنعم الخاقاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

التاريخانية الجديدة وتمظهراتها في النص المسرحي : نماذج مختارة == Newhistoricism and its Manifestations in the Dramatic play (Selected Samples

Author name: عامر محمد حسين
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

خصائص التاليف الدرامي في النص المسرحي العراقي : نماذج مختارة == Authoring Properties dramatic text the Iraq Theatre Selected models

Author name: صباح عبد الرحمن عبد السلام
Supervisor name: مجيد حميد الجبوري
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

التحولات الديمقراطية و تمثلاتها في النص المسرحي العراقي المعاصر == Democratic transitions and tmtheladtha in in the theatrical text Iraqi

Author name: سارة عبد الكريم عبد الرضا عبيد صالح البلادي
Supervisor name: حسن عبد المنعم عبد المحسن الخاقاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

نصوص المسرح الحسيني بين الشعائرية وخصائص البنية الدرامية نماذج مختارة == The Texts of the Husseini Theater between Ritualism and Characteristics of Dramatic Structure : Selected Samples

Author name: زينب نوري هاشم
Supervisor name: مجيد حميد جاسم الجبوري
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

الاشكال النثرية في الادب العربي وتوظيفها في تاليف المسرحية العراقية المعاصرة ـ نماذج مختارة

Author name: زينب عبد العباس عبد اليمة
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

بناء برنامج تعليمي لطلبة الثانويات في كتابة نص مسرحي == Building an educational program for high school students to write a theatrical text

Author name: خلود جبار عبيد مري الشطري
Supervisor name: حسن عبد المنعم عبد المحسن الخاقاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

تداخل الاجناس الادبية واثرها الجمالي في النص المسرحي العربي : نماذج مختارة == Overlap races literary and aesthetic impact in the Arab theatrical text - selected models -

Author name: حيدر علي كريم الاسدي
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

في جماليات الميتامسرح في النص المسرحي العربي المعاصر : نماذج مختارة == In Aesthetics of Metatheater in Contemporary Arabic Theatrical Text : Selected Examples

Author name: حسن عبود علي النخيلة
Supervisor name: مجيد حميد الجبوري
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

مفهوم الاستلاب وتطبيقاته في النص المسرحي العربي المعاصر - نماذج مختارة == The concept of Alienation and its Applications in the contemporary theatrical Arabic text - Selected models

Author name: اسماعيل محمد هاشم الياسري
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

توظيف الرمز في المسرح التركي المعاصر نماذج مختارة == Engaging the symbol in the text of modern Turkish theatre (chosen models)

Author name: احمد ناصر حسين الشندل
Supervisor name: حسن عبد المنعم الخاقاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

التكوين النفسي والاجتماعي لشخصية المراة في التراجيديا الشكسبيرية == Dramatic structure for woman’s person in shakespeare’s tragedy

Author name: عبلة عباس خضير
Supervisor name: عبد المرسل الزيدي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الظواهر الاسلوبية في حوار المسرحية الشعرية العراقية : نماذج مختارة == Stylistic Phenomena In The dialogue of the Iraqi poetic play (Selected models)

Author name: ازهار جاسم محيسن الحمداني
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This topic ( stylistic phenomena in the dialogue of the Iraqi poetic play selected models )in the framework of modern literary studies , which take the tools of language tool. In order to reach some of the secrets of Stylistic representative in a group of phenomena that may be the reason for the distinction of theatrical text poetic from the rest of the other literary texts.In search faulty consists of stopping the following structure .1)The first chapter ( the methodological framework of the research ) , which presents the problem of research , the importance of research and the need for it , the research objectives and the limits of research and terminology2) Chapter ll ( theoretical framework of research ) consists of the following detective - The first topic ( levels of stylistic analysis \ technical study ). lt reviewed the levels of vocal syntactic and rhetorical in the poetic play . - The second topic ( the stylistic dialogue of poetic poetry in the world), in which the researcher gave a presentation of methods of poetry drama since the Greek Aschilos until Lorca and Elliott contemporary transversal dozens of poets who wrote their plays poetry. - The third topic ( the stylistic dialogue of poetic poetry in Arabic) in which the researcher reviewed all the experiences of

المرجعيات الفكرية والاسلوب الفني للناقد علي مزاحم عباس == The SURCES MENTALES AND STYLE TECHNICIAN FOR THE CRITIC ALI MUZAHEM ABBAS

Author name: زين العابدين جاسم محمد
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

توظيف الموروث الشعبي في المسرح الكردي العراقي المعاصر

Author name: بلقيس علي شرين الدوسكي
Supervisor name: اسعد عبد الرزاق
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

المسرحية العراقية والواقع : دراسة نقدية في ضوء المنهج النقدي الاجتماعي

Author name: شذى طه سالم
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

مفهوم التناص في النص المسرحي : دراسة نقدية لنماذج من المسرح العربي == INTERTEXTULITY CONCEPT IN THE THEATRE TEXT Criticism study for a samples of Arabic theatre

Author name: عمر محمد علي نقرش
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الصمت في نصوص اللا معقول : دراسة تحليلية - نقدية == The Silences in Absurd Texts Analytical - Criticismcal - Study

Author name: سافرة ناجي جاسم الميالي
Supervisor name: ثامر كريم عبد
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

مناهج النقد وتطبيقاتها في النقد المسرحي العربي المعاصر

Author name: رياض صبار سندال
Supervisor name: جميل نصيف جاسم التكريتي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

تداخل الواقع والخيال في تشكيل الرؤية الدرامية للنص المسرحي العراقي المعاصر == Overlapping of Reality And Fantasy In The Formation of The Dramatic Vision of The Text of The Iraqi Modern Theater

Author name: كفاح حسن محمد الشمري
Supervisor name: رياض موسى سكران
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد النصوص المسرحية الصور المعرفية والفكرية والفلسفية في المجتمع الانساني وخاصة وان كتابها شملوا ما هو ذاتي وموضوعي في حياة الانسان وتجاربه المتوالدة. فلرايب ان نجد تداخل الواقع والخيال في تشكيل رؤية دراميه جديده للنص المسرحي الصورة الكاملة للتعدد والت | Theatrical texts are images of cognitive, intellectual and philosophical in human society and especially since her book comprised the self and what is the objective in human life and experiences proliferating. There is no doubt that we find the reality and fiction overlapping of in shaping the vision of a dramatic new text theatrical complete picture of the multiplicity and uniqueness it reveals the desire of our writers in innovation and experimentation, through the search for methods and modern techniques in playwriting So About Me research studying the play in terms of Overlapping of reality and fantasy, with texts the research includes four chapters on the first chapter discusses the research methodology, starting from the research problem identified in the following questions : - What reality and fantasy? And their importance in the Iraqi theater text? Does imagination play an important role in the drafting of the Iraqi modern theatrical text? The importance of research in art as a means to achieve the objective goals and other aesthetic and psychological vary depending on the objectives of the literary trends in artistic expression. And clear objectives of the research to identify the way graphical mature way of upgrading the reader's mind as well (detection aesthetic features of the equation of reality and fantasy interact and ranges employed in the formation of seeing playwright in the contemporary theatrical text Iraqi chapter included on the borders of research identified chronologically texts theater consisting of a period of 1990 - 2013) and spatially in the play texts composed and stomach in Iraq came the search terms used by the researcher identified in the theoretical framework and analysis of samples terminology. The second chapter, it is the theoretical framework and previous studies, which included a Ila?h Investigation, : About Me first identifying the concept of philosophical and psychological reality and fantasy, where branching into two parts, the first concept of reality and the second concept of the imagination, and the second section under the modes of reality and fiction Overlapping of in the theatrical text and section title third aesthetics of reality and fantasy in a theatrical text Overlapping of, and cared chapter created by including the theoretical framework of indicators. The third chapter : - it has the procedural framework, which included the research community, as it included the plays that bear overlapping of fact and fiction.In the theatrical text and identified (100) theatrical text within the temporal and spatial.Chapter also included a sample consisting of three texts play a play (time) to Yusuf al - Ani, and play Sidra to Khaz'al Majidi and memory cage to Ali Terminal selected deliberate manner consistent with the research community and the reasons Sogtha researcher to achieve the objectives of the research were research what emerged from the indicators in the theoretical framework tool and then the samples for specific data analysis, as was the research methodology (analytical).The Chapter Four was a presentation of the most important findings of the researcher through the disclosure of intellectual, philosophical, and technical infrastructure to Overlapping of reality and fiction in modern theatrical text Iraq, as conclusions emerged based on what emerged from the results have been concluded with a list of sources and references, which contributed to the incorporation theoretical research and subsequent analysis of the samples research.

خصائص الحوار في نصوص يوسف الصائغ المسرحية

Author name: زياد حلو جاد الله محمد
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: الحوار المسرحي هو المكون الاساسي للمسرحية باعتباره المسرحي يحمل الاحداث والشخصيات والجو العام والذي يكشف في نفس الوقت عن الزمان والمكان وعن وقوع الاحداث وصراع الشخصيات بما فيها الشخصيات الحاضرة في الحدث والمختفية والتي لا تظهر الا بشكل ملاحظات يتبناها الم

وظيفة الدراما تورج في المسرح العراقي المعاصر : دراسة تحليلية

Author name: مثال غازي سلمان التميمي
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يقف البحث عند اهم اشكالية وظيفية في عمل الدراما تورج وتمفصلاته ما بين النص والعرض. وهي اشكالية يعاني منها المسرح العالمي والعربي والعراقي المعاصر، حول شخصنة الوظيفة او دمجها بالمنجز الابداعي مع باقي الوظائف الاخرى.في حين استطاع الالمان التاكيد على استقلا | The research tackles the most important issue in function of (dramaturge ) and its problems between text and the show. it is an issue in which Arab and global theater is suffering about the personification of the dramaturgical and merge with the innovative achievement and the theatrical functions. While the Germans were able to stress the independence of the dramaturge as a function that lies between the function of the author and that of the director, as a third sensitive eye that is concerned with the aesthetic and intellectual observation for the work to create a balance between the text and the show without the occurrence of unbalances here or there. The research tackled the stage of development of this function passing through the author - dramaturge relation to the director - dramaturge relation reaching to the independence diagnosis of the dramaturgical function and its tasks and duties within the mechanism of dramatic show. Chapter One approaches the problem, importance, the need for, objectives and the limitations of the study, until we arrived at the detertminaiton of the dramaturge concept with some clarifications of the main terms which distinguish between the dramaturge as a concept and a s function. Chapter two tracked the stages of the emergence ad development of the makers of this and the technical and literary condition they posses combining the practical and scientific mind in practice, whether the dramaturge practice outside the dramatic or inside it. The first inquiry included the (author - dramaturge) stage, which is the state that effect the dramaturge action of the literary authorship of the author ((dramaturge)). This stage is as a preface to the way of the emergence of the director - maker of the show. This stage also effect the dramaturge practice which the critical effort has assumed in founding the base of dramatically writings.The second inquiry included the effort of Brecht, technical and ideological, in founding and fixing the stage of (director - dramaturge), with this experiment include of the application effort and theoretical impact. Brecht managed to destabilize and refute many rules which Aristotle had managed. The Brecht experiment is an advanced step forward.The third inquiry included what the Arab experiment has come up to in dramaturge practices for the first Arab pioneers in theatre arriving at the Iraqi theatrical experiment for Qassim Mohammed and Aqeel mahdi. The fourth inquiry tackled in some of reminding of the duties and tasks of the dramaturge tasks inside the team since the experiment of Gotschid, arriving at the dramaturge experiment of Helmut Schiffer. The chapter ends with the posing of the which enriched the procedural chapter. The third chapter which depended on that on samples of the Iraqi samples , which differed in their functional dimensions and limitations which resulted in the fourth chapter. The chapter included the results in details the dramaturge functions of the development and growth, the chapter ends up with a group of conclusions, in addition to the recommendations and suggestions that were imposed to rise the dramaturge reality inside the theatrical experiment in Iraq.
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