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ادب يعرب السعيدي القصصي : دراسة في البنية السردية

Author name: نجوى محمد جمعة البياتي
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

اتجاهات نقد النص الشعري في مجلة الاقلام 1990 - 2010 == Trends Of Criticizing Poetic Context In “ Al - Aqlam Magazine “ 1990 - 2010

Author name: منتظر عبد الخضر ساجت
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Praise is to Allah, Lord of all creatures, and blessing joined with peace of God be upon the seal of the Prophets and messengers (Mohammad) as well as his faithful Companions. Amen This research deals with literary criticism efforts which have been previously published on an Iraqi magazine "Al - Aqlam" extending to the period 1990 - 2010. It is titled as "The Trends of Poetic text Criticism ", as no unanimous approach deals with the literary criticism; moreover, there are several approaches contribute in one literary trend. Psychological Trend; for instance, has variant approaches : Freud - method, Lacan method, and Yong method. Each approach has its unique view and it somehow differs from another approach even if all approaches contribute on comprehensive view which it is the - psychological view. These fore mentioned methods are achieved on the level of theorization, and they are based on the same environmental rules. What is about the researchers who received the trends through translation?. The critical application in tackling literary texts ensures us that there is no specific enclosed approach can be applied on constant procedures and is applicable on all its details, but the overlap is obvious between all the different approaches. Therefore, it is impossible to depend on a constant inevitable approach because the criticism process is an interaction process between the creative text, the critic and his own literary and critical taste. For these reasons the critical trend is acceptable further than the depending approach. The period , which covers the articles within the research, is between 1990 - 2010, i.e. it extends for about 20 years and the concentration stage of the study was achieved on the last of this period ; in order that the study will be contemporary to the modern - literary criticism movement or to the literary criticism movements which have recently seen the light. This study presently shows unprecedented trends, since it includes for the first time studies about trends of literary criticism never established in the Arabic region; for instance, it includes the Cultural Criticism. For this reason, we'd rather the study be practiced on the recent years of the mentioned period since the Arabic region has witnessed relative stability.This research is established to deal with selective poetical texts, because it is impossible to deal with all the poetical texts published within the specific mentioned period. The plan has been put by researchers into choosing some agreeable poetical poems samples , the selective process had come according a certain view since the research obliged itself not to repeat the critic's name more than once , in order to be obtainable for more additional critics' names contribute on one study. The plan is made not to confine the critic's study to be subjected for unique circumstances whether the critic himself is one the followers of a certain trend or vice versa. These studies published in "Al - Aqlam Magazine" are by no means the best studies; however, the magazine includes between its pages many studies that differ between high significance and low - significance in order to let the reader read the magazine objectively. The research does not display the good studies only but also displays studies under the hopefulness level and the purpose beyond that is to disclose about the defects and to determine its places in order to overcome upon the defects. The research tries to achievean elaborate discussion and an analytic criticism to the under discussion critical context through active imposed dialogue in order to be capable of stopping at each point worthy of discussion , and lastly can classify each discussed point to be ordered and organized to its principal reference depending on the available critical - publications. On the other hand, the research can assay each text, and discloses its contents or stops nearer in order to thrill noticeable questions. The study is distributed among three chapters : the first chapter, "The Contextual Trends ", is related to the critics who made their deep comprehending understandable semantics meanings depending on the external environment i.e. the trends related to the factors are out of the text itself to understand the included meaning of the text. The second chapter, titled as "The Textual Trends", is concentrated on the critical achievements that depend on the text itself i.e. the efforts, which try to isolate the text, from the external factors in their approach. The third chapter, titled as " Other Trends " , includes critical efforts , which can not be ordered under neither the textual nor the contextual relation. Eventually the conclusion comes to conclude what is most significant on this study; moreover, the study has been initiated with preface to shortly introduce the reader to "Al - Aqlam Magazine ". Conclusions : Criticism movements have witnessed many continued turnings and many transformations; each trend may be utilized from the previous - mistaken trends, but after stages of its evolutionism, some of its adopters turn to be exaggerative then the defects occur once more which lead to emerge another trend as a result. The critical approaches, "Al - Aqlam Magzine" displays, are variant and different knowledge wise and type wise. Some of approaches are on the top of skillfulness and technique; while some of them are less significant.In addition, the approaches are variants according to the techniques they follow, so they come as (contextual, textual approaches and others). There is not a perfect application to any trend entirely, but in many - times the procedures violate the application limitedness, or maybe the researcher help himself, by a different approach, which his study adopts , because the creative doing is an art has its own property on estheticism and structure.Moreover, the creative doing is the outcome product of special essence lives on specific society which it has its own traditions and habits passes through specific history of special events and incidents This creative discourse or the creative dialogue is targeted to educated receiver of a good quality on culture and language, etc… Knowing these effecting factors is necessary to the critic of creativity, and it has an active consequence into directing the critical doing; therefore, there is not any critical approach that has the stability and the strictness or may refuse the borrowing from other trends. In addition, any critical doing has its own way in order to achieve its understandable point into the creative doing or to reveal and discover its nature, its esthetic secret, and its specific structure. The literary text has significant relation on the establishing process of the critical discourse and its procedures; because the literary text is the main substance of the criticism essence from which the critical process is formulated ; on the other hand , the discourse is not rooted out from the literary text and its procedures. Finally, praise is to Allah and peace and blessings be upon His honest Prophet. Amen.

نثر الامام الحسين (عليه السلام) : دراسة تحليلية في جمالية بنية النص == Imam Hussein's Prose : An Analytical Study At The Aesthetic Structure Of The Text

Author name: حيدر محمود شاكر حبيب
Supervisor name: نضال ابراهيم ياسين
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: The aesthetic studies are seen as one of the attempts to investigate the textual structure in the modern criticism. These analyses disclose the relationship between elements of the text and how they are interrelated. Accordingly, the present study entitled Emam Hussein's Prose : an Analytical Study of the Aesthetic Structure of the Text is concerned with the aesthetic, speculative and interpretive analyses in an attempt to pick out those aesthetic aspects and relations from the prospect of their concordance, order, adjacency and similarity. At the same time, these studies reveal the non - correspondences and antitheses of these aesthetical signs of the text.The study falls into six chapters, distributed throughout two parts. The first part comprises three chapters. The first one is an introduction to the aesthetics and textual structure in the contemporary criticism presenting a number of different views about the aestheticism. The second chapter is concerned with the aesthetics of lexical patterns in the texts as being used in Emam Hussein's prose writing and how critics have analysed these patterns. The third chapter discusses the aesthetical applications of the lexical patterns in the contemporary criticism. The second part is also composed of three chapters. The first one is concerned with discussing the aesthetics of similarity or conformity and adjacency and collocation in modern criticism as far as Emam Hussein's prose is concerned. The second chapter presents the aesthetics of the structure of condensing and the nature of its formation in rhetoric and criticism as well as how it is represented in Emam Hussein's prose. The third chapter argues the aestheticism of rhymed prose. and assonance in modern criticism and in Emam Hussein's prose.

الثنائيات الضدية في شعر ابي العلاء المعري : دراسة اسلوبية

Author name: علي عبد الامام مهلهل الاسدي
Supervisor name: نضال ابراهيم ياسين
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

تحول الخطاب الروائي في العراق : دراسة في الشكل == Change ( Shift, Turn Alteration ) Of The Novel Speech In Iraq (Study Of Morphology )

Author name: مشتاق سالم عبد الرزاق
Supervisor name: ضياء راضي محمد الثامري
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Thanksfullness of God of all God 's Pray on the prophet Mohammed the last sender and prophet of God. As well as his family members and his colleague. All human studies surrounded by the human mind and thinking and its descended which give different sort of vision of all fields of science and knowledge of humanity especially the literary side of it. This form and shape the creativity and criticism of mankind. which was and still has the completion stickled and connected to it from the time of until the Hanz Robert saying through which the researcher built this thesis.The Hnze Robert saying describes the relationship between production and recipient as the legend ( enemy brothers) and he has gone further to see the descendant of the legend from the beginning of Marks and finishing with italo Calvino the author of the well - known Novel ( If I was Travelling through a rainy Night ) which Hanz benefit from going through the Novel a lot to explain and declare ) a lot of his thoughts and ideas about the production and the receiving. And from his going through the whole of this Novel and their heroes and stars ( flanrry ) he was able to see the close relationship between time of writing and time of reading without worry of emptiness.The search in the scope of the Novel was compressive as comprehensive of literature that can contain all subjects as the psycharistics Doctor Fruid when he practice his theory on the novels of Dystoviscky and other novels. Many studies appeared later shared to in rich this field of knowledge such as Romantics studies and classical studies and many other studies showing pioneer attempts to discover the nature and essence of the world and followed by many literals ( verbal ) schools according to suggestions of the critics Pectin and Tudororoff as well as the formality schools which they take it as the starting point of their mythology. many other subjects in rich this world upon his fullness of human crisis and human cognitive.This did not stop at this point of those intellectual thinkers and critical but expanded to contain more cognitive and phenomenon as the occupancy echo phenomenon in the novel field of which was suggested by Julia Christina in the literature field or the ideas suggested by Foco which he publicized and employed by other critics and learners of Noval on cognitive basics evaluated for the human mind and his ability to understand those basics.We choose the formality phenomenon as away to study which has the ability upon other phenominons as the linguistic phenomenon or the litriture phenomenon upon studying in which The research depend upon unformal way as in Novel setting up by LizaKasim and Novel formality setting up by Hassan Bahrawee and The noval text lay down by hamid Al - Hamdany and the Arabic Noval art (technical ) setting up in Iraq by Shujaa Muslim Al - Any and many others that in rich this side of the branch of those studies.The first chapter This research depend on the way to connect between all approaches and phenomenon and ideologies to enable the critical mind to penetrate these formal ideology to employ these theories and ideologies on bases thinking according to the principle of those theories and help showing these theories in new look which is great different from its classical look. In another word, the research will study the formal content of in each stage of the critical phenomenon stages as vertical study and tosee how these ideology work in which will make it clear to see the difference from the speech in the two big stages; the recentness speech and the after recentness speech , as well as showing the speech befote recentness ( actual speech ) which look to the novel speech as real and horizontally. that is the speech will look to a community or group of community The second

شعرية النثر العباسي

Author name: هالة فتحي كاظم السعد
Supervisor name: مزهر عبد موزان السوداني | فهد محسن فرحان
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

الاداء البياني في خطب الحرب في نهج البلاغة == The Clarification Performance In Warfare Orations In Nahj Al - Balagha

Author name: نجلاء عبد الحسين عليوي الغزالي
Supervisor name: حاكم حبيب عزر الكريطي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: The Islamic oration was affected by rhetoric which was enlightened by the Holy Quran and the Prophet's Pure Talks to promote the art mode of the Arabic literature to such a remarkable level that couldn’t be noticed in the pre - Islamic period. Thus, it reached the peak. Oration is the only means of spreading and establishing new thoughts and concepts.At that time the orator became more comparable than the poet because oration was badly needed by people for establishing the principles of Islam and spreading its authority through preaching and directing them in the right way, and finally allow them to win what would enlighten their life on earth and after death. This also helped in uniting society, evoking determination and making enemies fear Islam.“Nahj Al - Balagha” represents a remarkable feature in the Islamic literature, being a unique mode and principle for all. It is a historical literal document second to the Holy Quran and the Pure Prophet's Talks in gaining rhetorical accuracy and magnificent mode.The Communder of the believers, Al - Imam Ali Bin Abi Talib, the henchman of Islam and the Prophet's son - in - law, was a caliph, a leader and a orator. He was the most revered and deliberate in manner; the knight who never hesitated to sacrifice for Islam and establish the good and right. He left behind unforgettable most effective literal inheritance for everyone and as our President Saddam Hussein (Allah may save and guard) said with regard of the evil forces “We are fighting them with the sword of Al - Imam Ali(peace be on him) to protect principles”. Indeed it is the sword of the right and good. And when one looks deeply into his words, he recognizes his rhetoric orations emerging from the bottom of his heart that was not free from pain These features appear in his oral and written orations. The warfare orations of Al - Imam make us feel that we are in front of a perfect magnificent rhetoric wording emerging from the bottom of a heart with some pain, so you find it stressed wording. He included in it what expresses God fearing and God worshipping and good deed. Oration was one of the Imam's weapons in his fights. He used it, owing to its being rhetorical, to evoke his men and encourage them and arousing their feelings and making them reach the aim he wanted them tounderstand and be aware of. I have chosen particularly the warfare orations in Nahj Al - Balagha to be aware of what they have from clarification. This is because those orations were often oral and none - officious, and free from any features of art. They are pure, so they represent the mode of the rhetorics. Some recent investigators have dealt with “The Nahj Al - Balagha” in general, and the orations in particular, but they were in grammatical and linguistic and artistry limitations. “The Clarification Performance in Warfare Orations” has not investigated the altogether content, but there are some bright images I utilized and some others I talked about.The references regard books of rhetoric, criticism and indication; and interpretation books of the Holy Quran and the Prophet's Talks sciences, and the proverbs as well as the Arabic literature cultural inheritance. I depended on Nahj Al - Balagha (Mohammed Abda Explanation) in determining the texts regarding warfare orations; and I also made use of Ibn Abi Hadeed Explanation.My research is arranged in three chapters proceeded by an a relusion and ended by a conclusion and as follows : Chapter one deals with the clarification performance aspects in warfare orations in Nahj Al - Balagha and includes four researches : assimilation, similitude, personification and association. Chapter two deals with the resources of the clarification performance of these orations - warfare orations - . The investigations are about The Holy Quran and the Pure Prophet's Talks and the Arabic poetry and then the Arabic proverbs.Chapter three deals with the functions of the clarification performance which comes in sequence as : the mental function, the psychological function, and the religious function.The conclusion includes : what the results that the research has arrived at. Then comes my whole tool in investigation, analysis, justification, and conclusion. These are the old and the new references. I have done my best and thanks to Allah I ended this research aided by Allah first, and by my supervisor Dr. Hakem Habeeb Al - Guraity who helped me much like a guiding torch in direction and reform. My thanks and respect to all those who never hesitated to offer help.

البحث اللغوي في كتاب التعليقات والنوادر لابي علي الهجري

Author name: مديحه خضير كاظم
Supervisor name: حاكم حبيب عزر الكريطي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Najaf
First pages:

ادب الشهيدة بنت الهدى القصصي : دراسة في الفن == The Fictional Literature Of The Martyr Bint Al - Huda (Study In Art)

Author name: قاسم نجم عبد الربيعي
Supervisor name: علي كاطع خلف المحمداوي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: Al - Alwyaa , the martyr , Bint Al - Huda had many novls and short stories.In the Field of novels , she wrote " The Virtue Wins " , " Two women and aman " , " That who looks for the truth " and " A meeting in the hospital ". In the field of short stories , she had three groups " I wish i knew " , The lost aunt " , and " a struggle from real life ".The experience of the Martyrs narrator had a difference in the artistic level , sometimes , in the simplicity of froms inspite of good themes as in her novel " two women and a man " or in her short story " The lost aunt " but in some texts , we find a high artistic work written by a professional writer who knows how to write as in her novel " The virtue wins " and in her short story " The voice of conscience ".Althongh the experience of the writer had a growth in quantity , it witnessed agrowth in quality also. The Martyr narrator and through her understanding for the philosophy of writing stories works to define all the differences in life , its opposites and its basic unities through the credence on many elements , so we find in her stories many historical texts , verses , proverbs and wisdomsThrough the use of those implements , she was able to understand what is found in life and used it in her stories. The story for Bint A - Huda had enumeration directed by an artistic hand and sometimes , we find dialogues, and dramatic scenes and description and the credence on the Poetic language in many of her stories especially the short ones.It is a kind of contrast , the writer used it to reveal and discover the false ideology of the other discourse as adiscourse that produces the loss and poverty.These are some of the artistic features which we noticed through the study and research , but what is important to us is that which is related to the " martyr narrator " herself and her position in the world of literature and art especially in the field of novls and short stories.The martyr narrator has a clear understanding of the circumstances in which she lived. she knew the historical , ideological and social structures in her society and she worked to absorb and re - build them in her stories. This shows us that the writer interacts with those complex circumstances and work with a clear thinking that gives her the chance to destroy the negative aspects and disclose them in her stories and made the reader takes the side of the positive - voices and ideas that the writer wants to explain in her stories.The martyr writer, in all of her stories was interested in the struggle between the good and the evil and she did her best to make the voice of the good , the highest , and make it the basic way in human communication. In her rich experience which contained , what is artistic , scientific and what is political , she was abl to disclose the depths of the humanitic soul in all its kinds which she had known well. we are in front of awriter who watched and understood her socity , so the story for her , is that which looks for the meaning , principles and the virtue in aworld in which the principles had confused. In her novel " The virtue wins ". we find ourselves infront of a trial of the humanstic decay in one of the Moslems houses and in her novel " That who looks for the truth " we find ourselves sympathize with that girl and look together for away that leads us to the bright truth which is represented by Islam.

المعنى في النقد العربي القديم حتى نهاية القرن السابع الهجري

Author name: حسين لفتة حافظ الزيادي
Supervisor name: حاكم حبيب عزر الكريطي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Najaf
First pages:
Abstract: Meanig in its simplest Logical definitions is : the copception or idea on the technical structure of the poem and the poet language a and it became clear that there is un acceptable kind of praising because there is agop between the receirer and the technical effect the same method was followed with the other poetic purposes revealing the goodness and badness elements of the poetic purposes by balancing and throwing lights on the defects and trying to amending it in the second chapter a studied the meaning criticism standards according to the critical opinions that are set by the critics and rhetoricians and how did thes standards became fixed basis on which the scholars depend to deduce the basic principles of studying the poetic texts , the most disting uished standars are, honestg , exaggeration, relingion , clarity and ambiguity , these are relating to the poetic meaning and the poet taste and the effect of civilization on that taste.A throu lights on the civilized development that occur in the abbasid era due to the prosperity of that era the arabic criticism issues and its effect on meaning hare been dealt with in the third chapter emphasizing on orgnizing orgnizing , nature, attribute, ancient,modern and poetic balancing or scaling , in a delition to the types of meaning and its significance, where a noticed that each of these issues has its deep effect on the poetic meaning a ccording to era through which these issues passed , and a stopped with its mostdisting uishd figures suchas al - jahidh , abdul - qhaher al - jerjany and hazim al - qhertajenng.in the fourth and the last chapter a dealt withrhetorics, issues and its effect on meaning the research emphasized on eloquence, summarization , description , metaphor and imagerg, where it becameclear that rhetorics is associated with the arabic criticism and handnever a purted from it till the late ags, and that most of the critics are areb rhetoricians such as ibn selam, al murad. ibnqhutaybah and ibn tabataba. there is no doubt that rhetorics had affeeted the poetic text and meaning because it is away to understand the text and findout its beauty poins by the image. the rheterical studies were fleurished dwe to the holy quren which is the eloquence source and the basic motive of these studies that tried to know the prodigy secret of the quranic text.in the conclusion a set the most important results of this study, such as.1 - the research reveals the critics interesting on ' the meaning of the meaning ' which is on element of the literary theay and the creativeness of linguistics, because the talked about the first branching of meaning aor about including mang meanings which they colled' the other'secend' meanings2 - the research shows that the reason of the less interesting of lamentation poetry is that this kind of poetry did not suit what the arab wanted for himself of strength, because lamentation poem usually involvedthe human emotions which rereals weakness withcraying and sorrow a and the arab refused that due to the societg nature at that time. 3 - the criticism theory is as ancient as arobs themselres, even that it was not with its modern concept, before the third centuty of hejira, it was perfeed within the critical judgement of the pre - islamic are.4 - the critics emphasiza the grammatical ruly and standars in the arabic speah, poetry and prose, because folloing these rules is a conditions for the speech rightness, and in literature we ask what is beyond rightness, it is creativness.5 - one who check the arob critics efforts who deal with the menning , will find that those critics and the poets were aware of this case importness, so they dealt with it early a and its derelopment was due to the arabic educational status, change.6 - through the research of the poetic purpose and the meaning effect which affect the ancient arabic poetry because by it we can define the poem weather it was satir, courtly ….j,e there was akind of independnce and throwgh this purpose the critic presented his ideas and opinions.7 - the research shows that the ancient crities, opinions had aneffect on the ancient arabic poetry a but sometimes these opinions were not accept able by the creative poets who has his own rules that lead him away from the critics judgement.8 - in spite of the quranic emph asis on the moral principel of the poetic text, through the research it appears that the arabic criticism went away from this field that it saperated the arts from morals.9 - the plagiarism standard rereals that it is possible to njudge the writer and his position and interactien with his enviornment. in addition it helps us to know the resoures of the writers and their psyhchological direction and their educational and intellectualsituntien ,so this standerd is abasic one for the literary criticism. 10 - the study shews that praising lexicon in the ummayed era became axiture of the in herited pre. is lamic mennings and the new sslamic mennings as wellas the environ ment effects and the general life development in the ummayad society

اثر التراث الجاهلي في الشعر الاموي == The Pre - Islamic Heritage Effect On The Ummayad Poetry

Author name: حسين عبد حسين
Supervisor name: حاكم حبيب عزر الكريطي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Najaf
First pages:
Abstract: Each nation has its own heritage which it celebrates as it is considered one of its continuation and immortality basis, a heritage that ensure interconnection of its present time with past reaching the future. Our literary heritage, especially the Pre - Islamic one has derived its facts from the nomadic environment to which it belongs, so it portraited it in the truest way of expressing its values, habits, traditions, thought, achievements and exploits. Hence, it has become a mirror in which the life aspects manifestations would be reflexed, and an alive image of the life status prevailing that period.This heritage has remained as a fountain from which the poets drew their need throughout ages of them is the Ummayad Era.The nature of the subject required that the research should be organized in three chapters preced by an introduction and a preface and followed by a conclusion.In the introduction, I referred to the heritage concept linguistically and conventionally, explaining the objective and the artistic causes hidden behind the Ummayad Poets inclination towards the Per - Islamic heritage and investing it in their poetry.In the first chapter, I have deal with the social tradition represented by the virtuous and the habits Arab values ,the Arab days, and the historical personalities and hreed horses and camels.While in the second chapter , I have studied the intellectual tradition and what legends and beliefs it contains such as AlGhurab, Al - Shaqraq, Al - Haman, Al - Sada…etc.In the third chapter,I have deal with literary and artistic tradition.In the literary tradition I stopped at the names of the poets that the Ummayad poets took from ,and educated in their poetry.Also I have stopped at the proverbs as they considered a social art and one of the literary culture's fountains while in the artistic tradition I talked about the poem artistic structure which is comprised the introduction, details and the main purpose. In addition, I have studied the language in words and in structure and stopped at some structures found in the Ummayad poem.As for rhythm, I have explained the nature of the poetic meters that the Ummayad prefer when writing poetry and studied the artistic image explaining the extent of the Ummayad poets’ being affected by their ancestors and their following them whether on thelevel of the single verse or a set of verses, or an the level of the whole poem. In the conclusion, I have reviewed the most important results that the research reached, of them were the following : ?? The heritage of any nation do not stop at the margins of a specific era. It is a continuous series that takes from each era what enriches it as influence and being influenced is acharacteristic accompanying each heritage.?? The literary heritage(artistic objective) is the main source of writer's education in general, and the poet in particular.?? The nomadic Arab values the Arab inherent have taken their to the Ummayad poets under the influence of the party that has blazed again.?? The Ummayad poets have made the pre - Islamic days one of their education sources, and utilized them in their as they were considered a record of their ancestors’ achievements and exploits ,and exploits, and bright pages of the history of their life.?? The Ummayad poets utilized the myths to relive their feelings and sentiments through subjecting then to their artistic experiences and their psychological sufferings.?? The poets’ talk about the poetry finds was not stamina from a belief or faith, but it is an attempt to show their artistic abilities, and their differentiation from their companions.?? The Ummayad poets followed their ancestors’ method in the artistic structure of the poem which is formed of three parts(introduction, details and the main purpose), with stopping at the margins of the sheer imitation, but they strived for renwal inside that arts framework.?? The pre - Islamic language was the basis that the Ummayad a doped in poetizing their poems, as there is no attempts to replace that nomadic language by other one.?? Most of the images that appeared in the Ummayad poetry were derived from the desert environment in which they were brought up or were close to.?? Their being affected by their ancestors’ image has been varied from the sheer negative imitation to perceiving those images and subjecting tem to their personal experiences then adding some adding some artistic touches to them.

اثر التراث في شعر عبد الله البردوني == The Influence Of Inheritance On Abdullah Al - Bardouni's Poetry

Author name: فاطمة عبد الله محمد عبد الحبيب العمري
Supervisor name: حاكم حبيب عزر الكريطي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Najaf
First pages:

شعر كشاجم : دراسة اسلوبـية == Poetry Kashajim ? Stylististic Study

Author name: سارة محمد حمزة
Supervisor name: ياسر علي عبد سلمان الخالدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: The object of this study is to determine the style aspects in the poetry of Abu AL - Fath Kashajim Al - Ramly Muhammad ibn Al - Hussain. It appears in the from of preface and three chapter. In the preface I mentioned something about the poet personal life , his poems and his position among his contemporaries simply , then I Tackett with the stylistics and its concepts , types and its relations with other literary concepts and sainces like language , rhetoric , critisim. Also I tackled with the subject of (style changing) in western studies which was known in Arabic studies as ( Al - Inziyah Al - udnl). The first chapter was to the right matic level and some subjects under lined it. The first the outer thematic level of poems which divided into two parts ( meter , why me scheme ). the second contains the sequence technique with all its types (voice , derivational and introduction ) Also I took alliteration of word ) types ( completed , non - completed ) derivational and other types. the third chapter concerning as pacts found , in the poetical collection of kashajim. Who second chapter is a study of construction level of poetry , and its divided in to three papers. the first is about the styles of poetic discourse (Nida style vocative partich (A - ya) ) , Is tifham (interrogative Amrw , Alnahi , the article "Aya" pat at the first position more than the others used in his poems. The third chapter tackled with semantic level in kashajim poetry , and it has three divisions. The first about similarity level , it contain similarity style and rhetorical borrowing. the second one is about Alknuya wara style ( the nearest meaning not the direct , I talked about (Alkinaya metonymy ) the third paper is about textual derivation intersexuality and this divided in to religions and literal.Religions textual derivation has two divisions , one related with Holy Quran and other with propend Muhammad traditions (Al - Hadeeth). The literal contextual derivation took two types poetic and proverbial , the I condnde my research study with bricf conclusion contained the most important results , with a full bibliography of references I benefited from them

الاشتغال الفضائي في شعر ناصر مؤنس : دراسة سيميائية == Space Engage In Nasser Sociable Hair Semiotic Study

Author name: الاء عبد الامير عيسى السعدي
Supervisor name: هيام عبد زيد عطية
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: This study was to trace the precursors first to work on the possibilities of stylistic and aesthetic that is added to the space the paper layout, is another element of interpretation and semantics down to actual experiences of mature, and these possibilities are (charts, paintings, punctuation, whiteness and blackness, reducing bullet shapes iconic and Ready), was being naughty and stand on it to engage in : 1 - Space script, which is in turn directed the read - only represented in the following elements (linear structure, the optical Naber, whiteness and blackness, colors and punctuation). 2 - Space picture, which is in turn directed to read and consider together represented in the following elements (shapes of the vehicle and the vehicle is naked and represented in triangles and squares and circles). This alert to the space (paper layout) and make another element is added to the elements of interpretive and dimensional semantic language, and conscious of the receiver to read and meditate and focus on the poetic text more starting thresholds and appearances the first constituent that space transformed from being spatially environmentally verbally acoustically, to being a hardcopy Tabaaaa Visually, passing a written brief and signs Coding and images accompanying the end of the language and format of linguistic Based on the foregoing became engage in space, addressing the eye, not the ear, and on the basis of that took a slap poetic attention from the presence of poets and became part mainly from the structure of the poetic text.

الزمن في الشعر العراقي المعاصر 1990 - 2010 == Time In Modern Iraqi Poetry 1990 - 2010

Author name: علي هادي محمد الخفاجي
Supervisor name: سلام كاظم الاوسي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: Time of more issues that preoccupied the mind of man , past and present , so Anjad aware of Sciences ago its subjects of time, and time gained importance from its association with human existence , man has tried since ancient interpretation of time trying to answer the questions that insisted on his mind. Where did we come from ? Where are we? Where do we go ? What is past is it really exists or is the accumulation of ideas? What the future you will come quickly or slowly Does it mean death and the yard or is it the beginning of a new phase did not realize it yet , and is currently just a moment meeting past and the future , all of these questions tried monotheistic religions interpreted as exhausted these questions philosophers, ancient and modern ( Aristotle, Plato and Plotinus , and Augustine , and Newton , and Einstein , and Cant , and Herbart Spencer , and Abdel - Rahman Badawi (. Poet and more people Achtgala in time because he shared his feelings and emotions with the recipients is mediated by hair trying to everyone involved in the existential his main concern about the time and trying to find answers in the eyes of the recipient. And the importance of the subject of time studied through hair Iraqi poets from 1990 to 2010, and dealt with the dimensions of time various psychological and existential , social and moved away from the meaning physicist of time in my studies , and began to study boot showed a single time in the philosophy and science , and the importance of time for literature , and in the first chapter dealt with remembering which represents the poet 's past and future as a utopia and a dream world , and the second chapter dealt with time as alienation psychologically , socially and intellectually , and the third chapter dealt with the symbol as a milestone schedule.

المفارقة في الادب المسرحي العراقي المعاصر == The Paradox In The Dramatic Literature Contemporary Iraqi

Author name: اثير محسن غافل الهاشمي
Supervisor name: باسم عبد الامير الاعسم
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: The paradoxical is an important technique , main mechanism in the literature in general and theater in particular, in spite of the breadth of the term within the literary movement and the modern critic , but it has not been emphasized in studying the text's theater, whether Arab or Iraqi, so that we directed in studying mechanism paradoxical in some in contemporary Iraqi accomplished playwright, due to be a fertile ground for what are enriched by the value of the objective and technical. We focused in our study of the paradox in the Iraq theater text in some way explain the dimensions and significance, patterns, and their impact through enriching the structure of the theater text , usefulness of symbols and meanings that came in the cases of verbal or positional context , in the light that formed the paradox types, multiple in literature, theater Iraqi in its sections (theater prose, theater poetry and children's theater), where we dealt with irony and types in each section of this stage, and was dominant in clear, with a diagnosis method of each writer in the presentation and content, as varied method of construction and function literary drawn by the irony with its details under each section of the structure theatrical text, and on this basis, we find that our study draw a line chart and clear, monitor the ironic structure of the text in the theater of Iraq through : 1 - chronology of the text of the Iraqi theater, where we studied the play texts time serial since the fifties of the last century to the present day.2 - Studying the irony and types according to the three divisions of the theater (the theater prose, theater, poetry, and children's theater).3 - It is said that the study included the method of construction and function of literary irony.4 - Focusing on methods of irony used in the theatrical text, stopping the pattern predicted by the shock and surprise; any broken the horizon waiting for the recipient, by moving away from direct language, or the use of irony, paradox, or leading to the anomaly

الوثيقة والتخيل التاريخي في روايات علي بدر == The Document & The Historical Imaginary At Ali Badran's Novels

Author name: رنا فرمان محمد الربيعي
Supervisor name: ناهضة ستار عبيد
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: We are trying in this study to reveal of two types of relationships between the historical documents and the text in Ali Badran novels after the change that the relationship witnesses between the history and the novel in the light of the data and visions of postmodernism , the research undertakes the process of narrator Ali Badran with the historical novel , merging within the novel texts , if we could to percept on the interpretation dimensions that he wanted to employ for these documents , as well as shed the light on the techniques that he used to merge the document within the text , the most techniques historigraphic metafication that enable by which repeal the facts after dealing with the event and left it , using parody technique to irony the event and the historical events that the mastery mechanisms , using many documents trying to refer to the narrative text , or subject its signs I order to serve the notation path , his aim was to create a universe able to push the documents , events and historical documents to reveal the unknown in the documents or through them , or in the events that form the framework of the text in general , all that according to novel drafting enable to open imagine more on human universes that history neglect.

القيم الجمالية في الحديث النبوي الشريف == Aesthetic Values In The Hadith Alnabawy Alsharif

Author name: حازم كريم عباس
Supervisor name: شاكر هادي حمود التميمي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: The research found the following results : • The frequency of different types of texts honest did not come Forcibly Dictated by ears, and wish him the soul, but rather spontaneously to savory and in various forms, is the latest variety in the texts, and the comfort and pleasure to the recipient, and that the repetition in the Hadith has exceeded the functional confirmation Incomprehensible, known the public and private, for a different degree of aesthetic technique and manner, as we find colored and changes in the text - Sharif, dressed in sackcloth different every time, and this makes the musical values, including the repetition of the basics of determining the aesthetic value.• was the naturalization of the effects of aesthetic in the Hadith makes it a model for the performance of voice spontaneous skilled team, including representative of the way technical check advantages bell sound of music, working to highlight the hidden of meaning added a new Tagged, Vchuq self to learn the new meaning, and of music generated by the the highest range, which holds the receiver on the vigilance and attention, and sends the wonder and surprise, and take verbal Mokhzha aesthetic consistency of it, standing, so influenced by the text and its interaction with the Prophet's religious scholars fair sentence.• The rhyme in the Hadith Sharif was sweet words, enjoy its hearing on the ears, and tend to him the soul, and approaching his music, hearts, proceed to the meaning of non - him, and greeted from affectation and artificiality, Stay away so the repetition is justified, and return the moral dull, and make the recipient continues with messianic text, as well as to those A - i - aarh sweetness and aesthetic art left behind by the rhyme innate light on the text of Prophet Mohammad.• The Hadith was a direct question - for the most part - of the structure of the surface position to the deep structure of meanings and connotations many explosive through different contexts, depending this shift to stir up the receiver and his participation in the production of meaning, and the realization of his mind in the detection and meditation, and acceptance and satisfaction, Thus, in the text al - estfham Prophet combines the aesthetic beauty of the text and received, the receiver based on the resonances and reactions as an effective and vital, is between him and the text continues the aesthetic and artistic interaction affected by the resulting psychological and emotional surprise. • Although different considerations apply and delays in the text of the Prophet, but it has been used for the purposes of aesthetic and sympathetic, helped the recipient to interact with the text - Sharif and objectives, as discern him to shift stylistic imposed by the presentation and the delay may cause gaps tension in the mind of the recipient led to a surprising causing the lattice, say so alone increased artistic and beautiful and influential.• A violation of the original which is (equality) in the Hadith, and the deviation from the familiar to the unfamiliar, a (brief) has the function of aesthetic and splash pulls the receiver and draws his attention, it becomes a text - Sharif in this brief overview function enables it to activate the thought of the listener and the realization of his mind to realize what behind this overview and shall be ¬ referral to highlight because it is aesthetic values.• metaphor was a way of technical means and aesthetic employed by the Great Prophet peace be upon him and his family and him to influence the recipient, and the consolidation of the meaning and enable it to himself through what is offered by the metaphor of shadows and visions between things and bring one of the other, so he will of the clearest Arts rhetoric and the most capable to portray the meaning is closer to the mind.• The structure of metaphor in the Hadith Sharif represented the summit of congruence between the parties to the analogy, even united by deleting one of the parties to the analogy and the tool and the face; to integrate image on both sides : (improved and reasonable), Vhsalt image Astaaria not simulated, almost meaning - mediated imagination hard, work on restructuring of the particles fact, dissolving elements to each other, Vgesdha influential sensory images in the same recipient, give rise to emotions, up to date the most responsive and fun to have, as well as enrich the semantic and aesthetic.• Try The Great Prophet peace be upon him and his family through photography Alkna?a - as one of the ways the technical and aesthetic that gives the image dimension Tgesemia heavier and imaginary exciting for the mind and conscience - to address the perceptions of mental for the recipient, exciting Baahaath and his references are and very active imagination of the recipient, when transferred perceived moral to the conscious sensuous concrete, and the meaning to the rigid image of simmering with life and movement, Vehtz those images suggestive of conscience, and the impact force penetrates into the depths of the soul; to acquire the expression and function of a strong splash, as well as the role that the function of aesthetic and technical fascinating.

القيم الجمالية في شعر شعراء الطبقة الثالثة الجاهليين == The Aesthetic Values In The Poetry Of The Third Generation Jahili Poets

Author name: فاطمة حميد يعكوب التميمي
Supervisor name: ياسر علي عبد سلمان الخالدي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Qadisiyah
First pages:

الذات والاخر في شعر عبد الوهاب البياتي == Self And The Other In The Poetry Of Abdul Wahab Al - Bayati

Author name: رشا عبد الحسن عبد العظيم
Supervisor name: هيام عبد زيد عطية
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: Not without poem that presents itself scout for itself and visions from the others so desires nilly and keeps hair Iraqi ample room induces cases self - consciousness poetry and see the other, which is a mosaic is intertwined with the details and Taataalq movement filled openness and isolation at the same time, so it received placedself and the other great interest in psychological studies, and literary.... And under consideration to them as part of Aetjze of this integration and integration can not be aware of the individual itself only through knowledge of the other to him as a mirror of the self Therefore , any rupture or separation from the other works to break down the ego and threatened loss and marginalization losing its place among the community. Word when Bayati is part of the same charge the semantics of certain signals and gestures, he wanted Bayati to express his feelings toward the other of which became self - mergers with other one permeate to inside to see his thoughts and behaviors found vary sometimes differ at other times to open up possibilities for different cultural which have an impact onachieve a distinct form of hair.

الفضاء السردي في شعر الاغتراب العراقي 1970 - 2012

Author name: وسن علي عبد الحسين الزبيدي
Supervisor name: صبحي ناصر حسين
Specific topic: Literature
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

اشعار الحكمة في ديوان الحماسة لابي تمام : دراسة موضوعية فنية == Wisdom Poetries In Enthusiasm (Al - Hamassa) Divan For Abi - Tammam ( Asubjective , Technical Study)

Author name: ورود وليد حمود حسين الصراف
Supervisor name: سعيد عدنان المحنة
Specific topic: Literature
Language: Arabic
University location: Najaf
First pages:
Abstract: Aperson who observes the research tittle finds that the wisdom subject is acomprehensive because wisdom is an important purpose of Arabic poetry purposes. Aby - tammam suggested to put completed section for the wisdom subject named it wisdom section. We did not use this section alone but We gathered all the divan sections and to find wisdom verses. The wisdom is mixed with other courses as Enthusiasm, elegy, praising and others. So wisdom is independent and also mixed with poetry purposes. Abu - tammam did not choose only the pre Islamic wisdom verses Alon, but he chose Islamic ( ummay ) reign until he reached (Abbasied reign ). this comperehension is an evidence that the poet is Educated and aware of choosing the best of the poetric vesses. We decided to study wisdom poetries Enthusism divon with artificial and subjective study. One who studied the wisdoms subject found that it is ahuman Phenomma comes from asharp sight and accurate thinking. This thinking don’t separate from realistic content. This reality is coming from organizing the relationship between the individual and society. This research cansist of introduction, three chopters and aconclusion. The research has many vesults. The most important ones are : - Wisdom is one of the ancient Arabic poetry purposes, It is aresult of along experiments and asharp sight towords people and their ethics. One who studied the purpose of wisdom, found out that it came from apure natuve motivated by experience. The word wisdom ( AL - Hikma ) does not come in poetry only, but alse in the holy quran and the holy prophet speech which refers to it s elevation, importance and it is wide using among people. The word comes in ninteen quranic verses in twelve sora but in each times it carries adifferent meaning deduced from context. It also comes twenty times in the holy prophet speech. We showed the relationship of wisdom with proverb, since bothe of them are abrief phrase come as aresult of experience or a sight towards things and matters, but they differes in other things of which is that wisdomc comes from a ware mind or reason so its more elevated than proverb. More, Islam rise had the important effect on people lives becaus, it is wisdom and advic guides people to the right way. During Islam begining, wisdom wos not taken from experience only,as in the pre - Islamic period, but it also taken from quran and people interested on the wisdom of the holy quran for its splended meaning. In the Aummayiad era, wisdom was mixed with the other poetic purposes like elegy , praising and AL - Ekhwanyat as in the political and Enthusiasm poetry, wisdom was restricted to the idea of unifying the social relalionships. When we studied the purpose of wisdom in Al - Hamassa divan, we found it as passages said by the poet, for this purpose, in an occasion, So the research studied the most distinguished poets of the divan and the psychology or mentality of each of them and his conditions which reflects on the poet who mentioned it in his wisdom poetry. The subjects of wisdom is poetry goes in two important dimensions and : - the mental or thinking wisdoms and moral wisdom. The first one clerified in life and death , time and its turnings or changings , charity and erils richness and poverity. while the moral wisdoms is represented by patience , ignorance,brother hoods, Frienship, ageness and youth. Each subject of hos its purposes and elevated meanings, which induce the poet psychology when he wrote any of these subjects. The most important of what we reached that all the similarities mentioned in the divan and all the poets of wisdom was connected with the material things that taken from noture and reality on which the poet lived , and all that comes from the real experience and deep Thoughts and feelings. most of the metaphors mentioned in the divan were imagination metaphors. Each poet has apoint of view when he draw his metaphors and connected it with what suit it and all that depended on the education and psychology of each poet. Meters and foots that poets used in Al - Hamassa in all wisdom verses, the most distinguished and more frequent was Al - taweel which half of the divan verses fallowed because it has awide space in which the poet stated his wisdoms throughout the experince he lived. The (AL - Rawy) letters that frequently used or mentioned in the divan poetries were (D) followed by (M) in the rhyme schme.the poets did not use the less frequent letters (h and ta a) or the rare (tha a,dhal,z,shaan,sad,dha a,gheen and w) , because of their difficult field. The meters of the divan verses came in more than one phase or phenomenon like (tasre a and tadweer). The (tadweer) phenomenon in wisdom verses is very clear one in apart of its rhymes, The same with the (Sinad) phenomenon wich considered adefect in the rhyme. These were the most distinguished results the thesis reached

اشكالية الخطاب العربي في (الكتاب) لادونيس == The Problematic Issue Of The Arabic Discourse In The "Book" For Audunece

Author name: وداد هاتف احمد وتوت
Supervisor name: سعيد عبد الهادي المرهج
Specific topic: Literature
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: 1 - The study examined the concepts, and the idioms of "problematic, discourse, writing, and copying" in accordance to special curriculum, and that is archeo - geniological curriculum. which is related the French philosopher Micheol Foco. And the curriculum and what are related to it of inspecting the traces of the thoughts, their shaping way, their overrating, and were shown on the body of the society; a new curriculum in Artistic critics, it provided the ultimate way to interpretate Audence accomplish "The book yesterday is the place today". Where the writer pursue the same curriculum in the way of molding his intellectual adoptings, creativeness, and what he wanted to say through this work.2 - After the proving of the study that the accomplish under the study "The book yesterday is the place today", is not mere Artistic text, but it is a speech in what speech is mean in its communicational of comprehensiveness, and big ideal. The reader discourse concept, was very good way in dealing with this accomplish, where the spirit of this concept was represented, in what was contended of cultural codes, and intellectual partteners that worked the production of the texts and directed their interpreting process. 3 - The concept of the writing, as concept by passed the speech of the kind, was the last of what Audence version settled on, and based on his good dealing in the description of modernistic works, especially the creative accomplish - field of study - of writing transfigurations which did not stand in specific cue of creative writings types, in poetry, and in prose. From this point of view this dissertation did not accept the describition of this work as collection of poems, in that it is a kind of writing which is comprehensive for poetry, prosaic, for historic, intellectual, and Artistic, it is the comprehensive speech of the comprehensive vision, which ruled its appearance, and did its speech.4 - The dissertation pick the standing contradiction between foco / foko concept of madness, Audonece, and then to his speech, where the former spoke about the real madness, and how the restrictions of the dealing were limited to types of speech, having no connection temadness, but to some undesirable categories spelled by the western society for the safety of the all, and by this he exposed the arrogance of the western society, while Audonece stance was similar to the Islamic intellectual where madness in the Arabic thing, is a tool in the hands of the group to face oppressive political regimes. And it was another type of madness, it was a metaphoric madness, which was able in its departing for reality space to pass the speech of rejecting, accusing, worning and giving advice in the name of religion, and for the sake of people in addition madness have another vision, in Audonece poetic vision and self discourse. His presence was clear, where its type of unknown similarity in this glob and the search in its hidden places, getting use of surreal vision in this matter. 5 - The study present the discourse of "the book….) as Archeo - geontic vision of the Arab - Islamic thinking, in all its parts. Dived in the roots of the intellectual crises since the starting of Islamic Arabic state since its founding, till nowadays. as well it got benefit of the reader discourse concept in the analysis of the accomplish understanding, where Audunece in his treating for intellectual and poetry issues in "The book…" a discourse reader, and historical symmetric standing in the Arabic discourse speech.6 - The thematic equivalent, represent a basic stand in treating "The book…", where from its beginning, of the Di - pattern, of the little in it main and branch types, its gender indicator, and it authorizing, as well the forms of the writings on the page space were divided in its almost in four writing forms, as equivalent to Arabic foggy thinking, and the loosing of the self between the past which was full in contradiction, burden with constraints and overcame with the control on present day thinking. In addition to the main sample, the motive of the work who is Al - Mutanabbi.7 - Audiences writing in "The book…" came in this variant form, which is full with references to be thematic equivalent for his book the authord to what is a function to concept of the author for Foko - and his rich thoughts and activity variation. In that this accomplish short half century walk, characterized with seriousness and balled, which which was byest to all what were different, and problematic, basing to the exploring, and thematic analysis a way from all before submissives accepted by the foundation - whether they were intellectual, cultural or social, the study did not adopt the concept of the mask, where despite its narrow space and its accupying with the self side of the mask and the person who wearing it, came under the thematic equivalent concept with no doubt.8 - The researcher conclude her research by admitting the fact the book today is the place tomorrow, is a deep study for Arabic - Islamic thinking life history, in all its appearances, identify, its almost biggest crisis, and the most dangerous effect for the presence and the future of this nation. And what distinguish this study is its departure to all what are expected of the writing forms, or research works, that limit its freedom in the search and explore, in that it dives in time and place, and shed light on dark paths to enlighten them in exploring and exposing to show the defects for the audience for treatment that may raise the place and it dwellers.

صورة الكورد في الرواية العربية في العراق ( من 2000 - الى 2015 ) == Picture Of The Kurds In The Arab Novel In Iraq (From 2000 - To 2015)

Author name: هديـل حسام الدين احمد
Supervisor name: سعيد عبد الهادي المرهج
Specific topic: Literature
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Novel has been academically occupied for more than a decade in our country as it could expand and take up a place comparable to poetry, and it was the best way which could express a nation that had no stability and for it is the closest to reality, I have found an appropriate way through it to study the nature of the relationships between the components of this country(my country), so I can participate in restoring some of our image on the statement of how it was originally portrayed and what the lines of deformation are or the lines of fake beauty through which it was painted as well as how far it is realistic.The research field was to study the other people (Kurds) and be fully knowledgeable of who they really are.Here we are researching about the Kurds as other people and how the Arabs portrayed and imagine them, the Kurds who are different from the Arabs in terms of nationalism, language and culture and who have in common with each other in terms of living in the same country.How was the image portrayed? Was it negative or positive? How was the relationship between the two people politically inside that unified space? , this is what we are endeavoring to answer through our research relying on the following plan : Preface (portray of the latter (Kurds), concept and representation) : Theoretical presentation, in which we handled the concept of the portray, the latter, representation and idioms related to the latter (Kurds) as well as the ideology as an effective factor in establishing the portray of the Kurds.Regarding chapters and how they are divided, the thesis was in three chapters, each has two sections (researches).Chapter one is entitled as (the political portray of the Kurds and the ideological representation), in which we handled the relation between politics and ideology and literature; therefore, it was classified into two researches (sections) : The first one is (political portray/against the Kurds - with the authority), we stated how the political events affected between the two nationalities in establishing a negative image (portray) about the Kurds and how that taken portray leaked out. We handled novels which could be described as political ones in which there were political portrays formed against the Kurds.The second is entitled as (political portray/ with the Kurds - against the authority), we presented the events which resulted in meeting between the Arabs and Kurds as well as handling novels which contained positive images for the Kurds.Regarding the second chapter, it handled how the social relationships between the two parties (the social image of the Kurds) in the novel and it are divided into two sections (researches) : The first entitled as (Kurds are self participant - peaceful coexistence) in which we presented the meaning of peaceful coexistence and we also handled the novels which depicted the Kurds as participant to the Arabs through presenting portrays of peaceful coexistence between them.The second is entitled as (Kurds are self - paradox - self transformations and persistence) in which we presented an explanation for self concept and we studied novels depicted the selfness of the Kurds which was transformed, changed or dispersed in terms of identity and portrays for characters which were maintained in identity as well as our endeavor to state the formation of women's selfness.As for the third and last chapter, we took a pause at the nature of establishing the portray of the Kurds through establishment of technical studied novels (technical portray of the Kurds in the Arabic novels and it is in two researches : The first is entitled as (place shifts) in which we presented a theoretical presentation about the place and we handled the place shifts (the Kurd or how he is related to it) and its significance in the novels which presented portrays for the Kurdish environment and the places which were the settling ones for them.The second one is entitled as (point of view), it contained a theoretical introduction about (point of view) and then we studied point of view and visions in novels, subject of study as point of view establishes a technical standard in dealing with events from an angle.Eventually, we finished our research reaching to a closure which included all what we had come up with, I tried in my research(study) to answer all the questions that we put forward in the introduction and research them even relatively and prepared a summary for critical reading through which I endeavored to analyze novels and decode them.

المفارقة في الشعر العربي الحديث : محمد مهدي الجواهري انموذجا == The Irony Of Arabic Potery Mohammed Mehdi Al Jawahiri - Model

Author name: منتهى حسن محمد علي الانصاري
Supervisor name: جبير صالح حمادي القرغولي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Litrerary work is based on the paradoxes of multiple type and closely to related to humans and are often dump thwsw paradoxes between reality and fantasy produce paradoxes overcrowded as a shortcut to the life and existence which creates dimension Tagged couped by myself charged depending on the languge dose not say do not teel Ihave served the term irony area and wide in the arena cash because of its significant impact in the context of a literary work provide him with art card and aewsthetic fantastic as well as what permeates built linguistic elusive art unintended running thought the recipient not to mention their impact emotional and psychological in itself fit As students of science and kneledge we are looking for all that is useful in order to present it a scientifice way and the Academy allws for the largest possible number see it and benefit from at the same time Ihave dealt with many of the graduate student in various universities this topic and Ozvoh in various models they ate study and analysis and are beautifui and under the supervisions of professors qualified which studies in the hair such as : The irony of hair pioneer study in the product of the pioneers in free verse Hamza Faleh University did not understand the irony stands as a stand or graphical format or any case falls under this concept when the fild of hair only of but extended to many other creative races such as the story and novel and shrinesEating boot Investigation for the emergrnce of irony Tgosais historically through the sequence that leads to irony in the reference book but under different name to be crystallized and became a term commonly dealt with critics and researchers in the modern era starting from the age of philosophers Greeks up to the heritage of ancient Arab in which she was irony.The primary sources related to the subject matter was the most important of which was adopted in this research study it was basically the book irony and its characterisvs its author.De Landed academic study of this article on boot chapters branched turn to SSIand then to the demands as required by Article scientific and availability and a conclusion of the most important results of scientific research.1 - boot : included Study : Roots In the first chapter it addressed in a simple and moving away from the repetition and redundancy to avoid boredom when the receiver was the study of his autobiography for knowledge and take it for the purpose of controlling this phenomenon literarynirony in his hair.The events in that period make him about set of contradictions and paradoxes poetic tensions surrounding his work made about a set of contradictions and paradoxes poetic tensions surrounding his work in building traditiol and pome style and Gazetteer Tension between individual content and complexity of the problems because of the values and ideas and names as national and social justice As political events social and cultural : that prompted some poets rid of classical poetry to engage with their hair to address the topics. New purposes required by the need of the times and events. The jeweller found plenty of room for political purposes in creative aspirations with a shift from form to content. Believing that real innovation is in construction and content then it does not matter how old systems or modern to produce a new style do contribute to ridding the Arabic poetry of contrast between from and content. Ihave a balance between the national and artistic commitment through its relationship with reality and his ideas, and social value, as occurred in the jeweller poets and critics amony the paradox does not meet ; tradition and modernity. This heterogeneity has produced an organizational relationship, different linguistic language classical poetry ; a living language realistic, simple , capable of offering professional experience between anomalies and substantive.The suffering of the jeweller because persecution of his regime in the 1930 was the cause of artistic creativity , and has a sharp u - turn in critics counted a jeweller.2 - INorder to learn why literary phenomenon in the entire Cabinet , it is necessary to identify the most important reasons that have had the upper hand in its appearance. As is well known , if the inquiry , you must follow the clues to access knowledge. It included a chapter on the four demands of the task in the life of a jeweller , and arguably credited Preveza poet of irony in the critical period reasons that make him a poet of irony , addressed four topics included life , along the years , until his death.It is also known that the the poet Ibn environment , cannot tell his character only by intensive study of the living environment , and the conditions that encapsulates his life , where areligious man from a family committed to the culture of Najaf. Itried to display why make it personal resents the cleric , with evidence of his selected poetry , every person has a node , make him a poet , so he came a bookworm to show the negative impact of some sick souls in this domain , which worked hard to spread decadence and intellectual underdevelopment society as long as they enjoy the authentic cultural roots , place over millennia.He lived throughout his life Al - jawahiri , either within the home or outside , closely associated with doubt , with his countrymen. So the public image in his poetry , which shows the extent of mzlomiatha , in the time period coincided with the jeweller and the poet at the same time , he devoted himself to claim their rights from the oppressors , the various types of literary and rhetorical methods in order to reach the goal to the right of the disenfranchised. Defending the people standing in the ruling authorities of his time , the ruling was unjust in his poetry the most wonderful pictures and mastered for this hayer autocrat , radio and photographic methods of injustice and oppression , bot in a modern classic Arabic literature through his sincere. all these images in his poetry came with a choice of Cabinet models to show the irony that he wanted. And in the grandest literary way.And so discriminate topic of alienation and longing in a temporal paradox at all time sentimental style , psychological motivation and have varied reasons for resorting to organized in depth. What struck Iraq disasters and tragedies have made him a distinctive ground to produce a color psychologist. The alienation and nostalgia are the paradoxes in the poetic text ; as any alienation and nostalgia of the same coin. Known poets and Iraqi poet especially breathtaking passion and depth of IMDB, and the griel of the successive and significant expression of central systems for various poetry , not his feehings away from events and the paradoxes of his day , often emotional sensations close to ask to read or recite the political reality , and the events and hardships. The exile and alienation are concepts inseparable from the poet in his homeland and the homeland itself , and that alienation is the resulf of alienation and estrangement which both eeird and not vice versa.It has equal opposing the standards has the reality within his homeland Iraq. The temporal paradox achieved by temporal framed , shock and breaking the horizon of expectation , and the time given for the event has tagged a guide , mentioning husband. and that each of the contrast is essential to the existence of the other , Indeed necessary to understand its meaning , and integrated with the show big time paradpx in existence. And the other two facets of the same currency involving life and death , a stream gushing future is sooner or later death majestic.Is present is salvation weistra with time since wanted him no can be prepared by the incapacitated , or left , or an ally , or their death. Life had value because of the inevitability of death. The technical study structure of paradox being rhetorical formula (lumberjackrhetorical and metaphorical). Where anomalies the methods trakibih jeweller linguistic variety came within a method call and question marks , and the irony of all depends on the irony of these methods , through emplpyment in the most poetic purposes associated directly with a jeweller , a lament , and alienation and nostalgia. And within the semantic study of rhetoric metaphor , and simile , we prove that the irony one rhetorical arts , sigle missed far from other arts. As is the case in many metaphors and rhetorical art appear a;ongside the most supported and embellished and ignite beautiful , intellectually dimension helps communicate the message of the poet , his idea to the recipient , such as pervasive in the art of metaphor and simile and a certain God is good
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