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المفارقة في مقامات العصر العباسي == Irony In Maqamat Of Abbasside Era

Author name: تغريد ضياء مشفي الفخري
Supervisor name: سامي مكي العاني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: Most of the Abbaside era Maqamat were based on a bitter irony out of a painful and a tragic reality that is full of contradictions and change of standards and values. Axiomatically they had a lot of instances of irony for it is the most suitable among artistic styles. It was , there fore , adopted by Maqamat writers as the artistic styles through which they expressed their suffering and boredom ; it had been a reflection of the time they lived. For them , irony was a defensive means for facing the cruelty , deprivation and misery in their lives ; a purification means , so to say , that would eliminate the deposits of dreadful ideas and would relieve the strains of poverty and need deep inside them. The irony of the Abbaside Era Maqamat is of three main types : 1. Verbal irony : it includes anti expectation , pedantry equivocation , pun , simile and quotation. 2. Irony of situation : it includes the self uncovering , dramatically and event irony. 3. Narrative irony : it includes spatial and temporal , the narrator - hero and the secondary characters irony. These three main types make up the three chapter of the this study , with each chapter being devoted to one type preceded by an introduction that illuminates the lexical and terminological meanings of "Maqama" and "Irony" and also the nature , importance , motives and aims of each one of them. All that followed by a conclusion that sums up the findings arrived at and most important of which are the following : 1. Maqama is a dramatized story that combines the techniques of both fiction and drama. It both narrates and displays ideas. It is based on a dramatic scene with action and dialogue , a matter which tints it with vitality and excitement that it has been an impressive type of art up to the present time. 2. Linguistic irony is produced by one signifier leading to two or more signified ideas. It , then , enables us to practice a multi - reading criticism because it deepens the text , extends its interpretative limits and widens its horizons. 3. The irony of situation embodied the suffering of the Maqamat writers that their Maqamat seemed to be a reverberation of what they lived and co - lived and what they thought and felt. The irony was their outlet to steam off and express their attitudes towards their surroundings. 4. Time and place in the Abbaside Era Maqamat where open. The characters moved about in absolute time and place. That is to generalize the purpose - idea and indicate that it is likely to happen at any time and place and to implicitly indicate the bad conditions and corruption. 5. The narrator in Abbaside Maqamat is an observer who seldom takes part in the events unlike the hero who undertakes the creation and activation of events and through whom the writer pictures what he wants to deliver. Most likely , the narrator represents the writer , whereas the hero represents the socially , politically and ideologically oppressed class

جمالية المفردة والتركيب في مكاتيب الامامين جعفر الصادق وموسى الكاظم عليهما السلام == Aesthetics Of The Word And Expression In The Two Imams' Correspondence, Ja'Afer Al Sadiq And Musa Al Kadhim ( P.B.U.T)

Author name: حسين فاضل عيسى الحلو
Supervisor name: جنان منصور كاظم الجبوري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: تداخل مفهوم الجمال مع النقد والفلسفة والفن والبلاغة، ولكنه كسب استقلاله في الدراسات الحديثة فهذه الدراسات قد اعطت ابعاده النهائية حتى بات للجمال مذاهب ومدارس، وتحول الاهتمام بالجمال من الجوانب الفلسفية الى المذاهب الادبية والنقدية.يحاول البحث الكشف عن جم | Aesthetics concept interfered with criticism, philosophy, arts, and eloquence. But it gained its independence in the modern studies, for these studies gave its ultimate dimension, to the extent that it has own ideologies and schools. The interest in aesthetics transferred from the philosophical sides to the literary and critical ideologies. The study tries to discover the word aesthetics and its manifestation hints in the construction by selecting a traditional text and still keeping with a lot of aesthetic and virtual elements. The study tries, in addition to its induction and observation for aesthetic elements in the text, to understand the aesthetic philosophy in content from the function and goal sides, whether it is psychological, social, and so on. Nature of the subject demanded that the study is divided into an introduction, preface, three chapters, conclusion, and a list of references. Concerning the preface, it was entitled ' an introduction to aestheticism with a definition of correspondence'. It was divided into two branches. The first was entitled ' an introduction to aestheticism : roots and concepts'. It tackles some topics such as emergence and definition of the concept in the Old Greek and Arab studies. Then, it stated the concept - aestheticism - in the modern studies. The second part of the preface had an idea about the author of Imams' correspondence book, and definition of Imams' correspondence with clarifying their importance. First chapter which was entitled ' aestheticism of the musical level' was divided into three sections. The first which was entitled 'aestheticism of repetition' dealt with the extent of musical activity that can be achieved by repetition in the correspondence with taking into account of non - separation between this function and other functions of repetition. The second section which was entitled ' aesthetics of rhyme' came to uncover discovering functions of this musical style in the correspondence. The most prominent of these are rhythm and caring of listener's psychological aspect; whereas, the third section was devoted to ' aesthetics of alliteration' that had its influence on the text in the form and content levels. Second chapter was entitled 'aesthetics of structural level'. It has two sections. The first is composition styles. It included interrogative, imperative, and vocative; as well as efficiency of each style and its influence in achieving aestheticism in the text, in addition to efficiency to implement other functions. The second section dealt with the conditional style with clarifying its means and use of every one concerning structure and text coherence. Third chapter was about ' aesthetics of semantic level'. It has three sections. The first is concerned with aesthetics of simile. The study showed other functions that simile implied such as psychological or social functions : the second section tackled aesthetics of metaphor. The study also showed what is the benefit of metaphor. Finally, the third section discussed aesthetics of metonymy.

صورة المراة في الشعر العربي في كربلاء 1950 - 2000م

Author name: زينب عزيز هادي الموسوي
Supervisor name: فاروق محمود عبد الله الحبوبي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:

شعر ابن حماد العدوي : دراسة في الموضوع والفن == Ibin Hemmad Al Adewi's Verse : A Study In The Subject And Art

Author name: سالم محمد ناصر
Supervisor name: حربي نعيم محمد الشبلي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: Ibin Hemmad Al Adewi is one of the great figures of the fourth Hegira century and one of Basrah scientists. He is considered one of poetry publisher. His verse is loyal to the family of the prophet (p.b.u.t.). the current thesis dealt with his verse under the title (Ibin Hemmad Al Adewi's Verse : A Study in the Subject and Art).The thesis consisted of six chapters preceded by introduction and preface, and followed by conclusion. Concerning the preface, it consisted of two parts. The first tackled a general idea about the situation in Iraq during the fourth hegira century while the second part dealt with aspects of the poet's life and culture. The objective study was divided into two sections. The first comprised eulogy and what relates to the family of the prophet's (p.b.u.t.) laudation and elegiac which includes lamentation of the family of the prophet's (p.b.u.t.).The second chapter was devoted to other poetic purposes, that is pride, satire, complaint, and wisdom. The artistic study was distributed as follows and according to the chapters series in the study. So, third chapter concerned with the artistic construction, that is, constructing the traditional dialogue poem ( poems with introduction) and the ideological which concerns his ideological tendencies towards the family of the prophet's (p.b.u.t.). other introductions comprise complaint, wisdom, and a single erotic introduction of an elegiac poem. The poet expresses his sufferings, pains, feelings, and emotions by these introductions as well as his abilities to attract the listener's attention and to prepare him to receive the main topic, in addition to the conclusion, thus, conclusions were in harmony with the subject nature. Fourth chapter came to discuss poetic language; it was of two sections. The first comprises vocabularies. They are vocabularies of doctrine, proper nouns, sadness, time, place, war, and peace.Constructing was taught in the second section such as interrogative with all its categories, imperative, vocative, negation, and emphasis that refer to attractive meanings in his poetic text. These increase rhythm with fascinating music. Fifth chapter was about the artistic image. It has two sections. The first comprises means of image formation particularly the rhetoric image ( simile with all its types, metaphor with its two types : implicit and explicit, metonymy with all its types : attributed, described, and relative). These images add shining colors of the beautiful music that evoke inspiration and urge the listener to listen and enjoy the poet's verse. Second section had two subsections. The first was the sensory image ( optical, acoustic, tactile, and gustatory, whereas the researcher could not find the olfactory image in the divan). The second comprises the single and compound image.Six chapter discussed rhythm.it was divided into two sections. The first was the external rhythm that contains meters, measures : perfect, long, simple, abundant, absolute, restricted, and rhyme faults. The second section, internal rhythm included repetition, inlaying, rotating, turning second hemistich to the first hemistich, and alliteration that increase musical harmony.Concerning the end was about the conclusion. The researcher depended on a long list of references and resources to complete the study. Some of them were literary, critical, linguistic, historical, philosophical, dictionaries, and university theses and dissertations.

شعر مديح الخلفاء في العصر العباسي الاول : مقاربة تداولية == Praise Poetry Of Caliphs In The First Abbasid Era Pragmatic Approach

Author name: عبد الله بيرم يونس
Supervisor name: منتصر عبد القادر الغضنفري
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: Pragmatics deals with the relation between linguistic activity and its users, and successful methods of using the linguistic marks and different keys and contexts within which the discourse is made. Also it finds out the elements that make the discourse as a successful and obvious massage and it finds out the reasons for failure in communication with natural languages.Since pragmatics has the ability to call for non - linguistic aspects in the process of criticism and analysis in the address, this method has been chosen to approach the praise poetry of Caliphs in the first Abbasid era in a way which is different from most literary studies that deals with this poetry with regard to artistic form only. Praise poetry in general, and of Caliphs in particular isn’t based on the aesthetic conditions only, but also it takes into consideration the pragmatic and social conditions that require forms of speech manner according to tone keys in response to a general law that regulates the human communication and prescribes that the success of communication between speaker and addressee is based only on the response to the pragmatic rules, such as cooperation, politeness, courtesy … etc. Since these rules are characterized by usual communication, it is better that these rules are characterized by poetic speech which requires aesthetic form. So, how do the poets leave the dignity that they seek? The poetry that praises Caliphs requires special types of criticism, so the pragmatics is the most appropriate manner to approach this type of poetry. So, we followed the pragmatic manner in studying and analyzing the praise poetries mentioned in the Abbasid royal palace.

اثر الاسلام في شعر النقائض == Influence Of Isalam In Paradoxical Poetry

Author name: ميادة محمد عبد اللطيف المشهداني
Supervisor name: خليل ابراهيم عبد الوهاب القيسي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: I handle in my thesis : preface of culture of Arab Islamic Society and how this culture influenced on art level for poetry specially correspondence of poets because it is a source from culture sources, paradox started from this society and was a mean from means that used to make people laugh through humor which its essence was political most of time and declared among people as daily journals to get the component and call him names on sight and hear of ruling authority or by order from it, paradox reach its op and developed in Amawi age on hand of three poets (jarir, Al - Farazdiq, Al - Akhtal) and how Islam influenced in poetry of those poets and Islam influenced in poetry of those poets and how they influenced by it. In the first chapter ,handled influenced of Islam in meanings and how these meanings influenced in poetry of three Amawi poets, we study that they have colors of immaterial influenced which depend on adding properties of faith and good and Justice and mercy and wellness and belief and erasing the Injustice from complement persons of paradox poetry and most of its Islamic meanings were derived from holy Koran.In the second chapter I handled influence of Islam in terms and styles ,or terms and styles of three poets influenced by Islam, where they invested most of their terns from holy Koran ,also their ways influenced in way or another by Islam from style which reflect personality of poet where (style is a man).While third chapter handled poetical image for those three poets from their influence in poetical image by Islam and being derived from holy Koran and how reflect this image the experiences of poet where image connected with experience of poet and some specific emotional thought and related with feelings and control on poem and become apart from it and cooperate with rest parts by this complete experiences transfer and it is exactly structure of Arab poetry and from the most distinguish means which Koran depend upon it imaging meanings to apply feelings of material issues this wade it look like it is live image in movement ,poets used Koran image and refer to tern and Koran idiom and it is aesthetic mean in directing art consequence.

وظيفة الشعر في التراث البلاغي النقدي عند العرب من الـجاحظ (ت255هـ) الى حازم القرطاجني (ت684هـ) == The Function Of Poetry In The Arab Rhetorical Heritage Of Criticism From Al - Jahiz (D.255H) To Hazim Al - Qirtajni (D. 684H)

Author name: وســـن عبد المنعم ياسين ال فليح الزبيدي
Supervisor name: فاضل عبود خميس التميمي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: The present study, “The Function of Poetry in the Arab Rhetorical Heritage of Criticism from Al - Jahiz (d.255H.) to Hazim Al - Qirtajni (d.684H.)” Falls into an introduction four chapters and a conclusion A list of references and an abstract in English are also provided. The Introduction pinpoints the concept of function as well as showing the importance of poetry in the Arab rhetorical heritage of criticim and the role of the Arab poet. Chapter One presents a study of aesthtics as a coneept and science related to poetry within the sensational and descriptive frame, as well as the cognitive and semantic frame. Chapter Two shows the poetic benefit (al - nafii al - shiiri)as a term which is not found in the Arab heritage. So, it was the task of the researcher to look for the origins of this term by studying it in formationully and historically Chapter Three studies the concept of ethics linguistically and terminologically. It also includes a study of the poetic ethics beginning with pre - Islamic era. Chapter Four investigates the educational function of poetry which can be classified into general and specific functions. The study ends with the conclusion that shows the results concluded

الطيف في شعر البحتري == Phantom In Al - Bohtri's Poetry

Author name: ياسر محمود حسن عواد الحديدي
Supervisor name: نوار عبد النافع الدباغ
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: This Phantom covered a wide aspect of the Abbasi's poetry in general and Al - Bohtri's poetry in Particular. Al - Bohtri's phantom is restricted in the introductions of his Praises which draws attention to the fact that it is not concerned with a real woman but it was a symbol for what is beautiful and lovable to the poet himself.The facts that contributed to the use of phantom , Social and psychological ones. The poet suffered a lot when he was a way from the Caliph and the minister who loved them and had real friendship and admiration relation ships with them. The happy and nice time , had spent with them , made his life bored and not pleasant when the two characters got killed. These two characters were the central pillar in the phantom of Al - Bohtri's Poetry. The poet was Calliy for thers his old happy and nice days in the Abbasi Calphate Palace. Also , their phantoms were Called whenever he wanted to praise a Caliph or a stateman. The faculty of his poetic imagination helped his link vision with reality and real world with dream. The poet goes back to his memory to get the power from the old happy days. when hard times stand against the poet. He faces the painful present time with the old times.

المصطلح البلاغي في كتاب الكليات للكفوي (1094 هـ) == Rhetorical Term In Al - Kulliyat Book For Al - Kafawi (1094 A.H.)

Author name: لمياء حسين حسن حميد الهاشمي
Supervisor name: محمد سالم سعد الله الشيخ علي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: The terms, being practical and epistemological keys in any area of study, have become an effective tool that helps researchers in a certain discipline to understand them and to trace their true sense. The work on terms has busied a number of scholars in various areas. They exerted great efforts in the cause of illuminating concepts, and defining senses. They compiled dictionaries and encyclopedias which encompassed these terms. One of these books is Abi Al - Baqa Ul - Kafawi's (1094 A.H.) entitled Al - Kulliyat, a dictionary of linguistic differences, which contains a great number of terms that entered different scientific fields. We opted for studying this book for its highlighting of the rhetoric terms. The present thesis comprises four chapters. Chapter One studies the rhetorical term, which had undergone no changes. Chapter Two deals with the overlapping terms. The overlapping terms are those rhetorical terms that were presented by Al - Kafawi as overlapping with such disciplines as grammar, jurisprudence, logic, etc. Chapter Three is devoted to the rhetorical terms that were presented in a rather abridged manner to which we gave the label “condensed rhetorical term”. Chapter Four is dedicated to the rhetorical terms treated by Al - Kafawi away from their rhetorical arena. They were dealt with within grammatical, logical or fundamental frames - or other frames. The findings of the present study are : 1. Al - Kafawi depended on very subtle senses to show the differences among terms.2. Al - Kafawi has deviated from rhetoricians in his coning of some terms especially the term “ tandheem”.3. The obscurity of some terms of Al - Kafawi stems from his adoption of some rhetoricians’ limitations before having matured.4. Al - Kafawi has sometimes cited some concepts in an inaccurate way such as the term “altajnees”5. Al - Kafawi's style was coloured by a philosophical and logical colure, which became one of his distinctive features

جماليات الاستشهاد بالقران الكريم في كتب التراث الادبي العربي

Author name: فرحة عزيز محسن
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Quran citing takes a distinctive status in the critical work due to the great importance in determining the cited situations and matters.The writers s and authors are soncerned with citing at cuIturaI , religious and Literary references ( the aesthetics of citing of holy Quran in the Arab literary legacy books ).There are many reasons motivating the writers and critics to cite from the Quran text. This Quranic citing gives the text beauty and magnificence It heIps to discovere context and posside suggestible relations between terms and meanings. The thesis is divided in to three chapters in adduction a preface in which : it has studied the meaning of citing linguistically and idiomatically and its nature ,its motivtes , its reasons and its. It also contained three chapters. In the first chapter : we have studied the linguistic level in three parts, the first part deals with the grammatical level the second is semantica and third one is with morphological level. In the second chapter : we have studied the rhetorical level in three parts : the first part is Al - Badee'a science matters , the second is graphical matters and the third one is on the semantic matters. For the third chapter we have studied other levels , it has four parts. In first part, we have remedied the religious level. The second was concerned on the political level, third was on the intellectual level and the fourth one related to the social level. in the end we have mentioned the results, findings and research references. After all, in the these efforts, the researcher has not claimed that she reaches to perfection in this thesis, perfection only belongs to Allah.

ملامح الدرامية في شعر الاغتراب النسوي العراقي الحديث == Dramatic Structure In Modern Iraqi Female Poetry Of Expatriation

Author name: جنان عايد محمد الحسيني
Supervisor name: جبار عودة بدن الشحماني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Poetic drama has been an important subject that draws much attention since lyricism has begun to lessen and be replaced by ways of depicting the different problems that people face in their every - day life. Thus , it is necessary that the poet be aware of this change and the relation between drama and poetry. This depends on his / her view of the dimensions and levels of the text in the discourse and his / her recognition of the artistic work he / she is performing and through which the poet embodies the drama that includes conflicting events and persons who make the temporal and spatial frames of the dialogue in its multi - direction aspects. This study is about the dramatic structure in modern Iraqi female poetry of expatriation. Woman is always considered as the weakest and most narcissist creature who attempts to prove her active existence and presence in a narrow - minded society that once cam cells her identity once establishes it depending on her supremecy on man. She is more skillful especially in poetry of expatriation. While she is away from her homeland , she tries to be a part of the reality of expatriation. She expresses that through her sensitivity and warm feelings and , at the same time , is facing the tragic life and the painful reality. Even though , she is the most able to face all types of political , economic and social expatriation in the society. The researcher has noticed a substantial link between the poetic drama and expatriation and to how the Iraqi female poet expresses that in her poetry. This study consists of an introduction , three chapters and a conclusion. The introduction defines drama and expatriation and establishes the origin of the relation between drama and poetry or one side and between expatriation and loneliness on the other to define and limit those notions in their final form in light of modern studies. The researcher also highlights female poetry and how it responds to the situation especially that the Iraqi female poets live outside their country. The question is how able they are to embody the dramatic structure in their poems and to express the feelings of expatriation. Chapter one is made of three sections and discusses elements of the dramatic performance. The three sections are about the dramatic event , the dramatic characters and dialogue and conflict respectively. Chapter two , " Techniques of contemporary poems " , consists of two sections : The disguise on the level of the symbol and the disguise on the level of the myth respectively. Chapter three includes two sections : the first is about place and the second is about time. The conclusion includes the important results of the study ; among which is the overlap of drama and poetry as for as form and content are concerned. The study also reveals the nature of relation between expatriation and loneliness and their effect on those who are expatriated while they are seeking to prove their human existence against conflicts and crises. The female poet finds in her texts an outlet and escape from her expatriation and a reflection of her inside. She is firstly a woman and then she is a poet. She , as a female , has the characteristics of motherhood and homesickness. All that expressed in the dramatic structure of female poetry of expatriation.

الاخر في الشعر المهجري : دراسة في ضوء النقد الثقافي == The Other In The Immigration Poetry : A Study In The Light Of Cultural Criticism

Author name: احمد طعمة حرب
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: This Dissertation , entitled ( The Other in Immigration Poetry : A Study in the Light of Cultural Criticism ) , deals with the theme of " The types , Ways of its construction , how far do culture , religious and literary authorities impact its construction. It tries to discover the cultural patterns involved in the aesthetic aspects that contributed in the deterioration of the image of " The Other " , and made the poetic discourse suffer from contradiction , where it shows all that is beautiful and human , but it conceals too much ugliness and non - human intentions.This dissertation uncovers that immigration poets are interested in the aesthetic aspects rather than human aspects. Moreover , it shows how critics contributed in justifying and beautifying this discourse in such an exaggerate way.It falls into three chapters preceded by an introduction and followed by conclusions. Chapter one falls into three sections ;section one deals with the term of " The Other " linguistically and terminologically as well as the impact of the Arabic and Western cultures and religion on its formation ; section two dealt with the image of cultural criticism , its nature , its relation with other approaches and its merits and demerits ; section three was about the cultural authorities of immigration poetry and their role in forming the image of " The Other ".Chapter two is entitled The Recombinant Other. It falls into five sections , the first of which dealt with The National other , the second dealt with The Divine Other , the third introduced The Woman as being considered The Other , the fourth tackled Nature , the fifth is devoted to the transformations of The Recombinant.Chapter Three is entitled " The Different Other ". It is divided into five sections , section one dealt with The National other , section two talked about The Different other in color and religion , section three sheds light on The Invisible other , section four is devoted to The Defiled Other , the fifth section studied the transformations of The Different.In the conclusion we stated the most important results that we reached at. Finally the researcher does not claim having done a thorough study that deals with everything about the topic ; it's a mere try to study the topic.

الخطاب الشعري في لافتات احمد مطر

Author name: محمد وليد محمد
Supervisor name: ضياء راضي محمد الثامري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

قصيدة الحياة اليومية في شعر عدنان الصائغ == Every - Day Life Poem In Adnan Al - Sa'Igh Poetry

Author name: احمد محمد علي حمو الطائي
Supervisor name: احمد جار الله ياسين
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: حظيت الحياة بتفاصيلها اليومية باهتمام في الشعر الحديث، اقتناعا من الشعراء بما تحمله الحياة من مناطق شعرية غنية مضمرة في اعماقها قادرة على منافسة هيمنة الموضوعات التقليدية، عبر المراهنة على جاذبية اليومي البسيط في خلق الشعرية الحديثة، وذلك ياتي استجابة | Life with its minor details captures the attention of modern poetry. It is, as modern poets think, so rich with inherent poetic fields that it can get rid of the grip of traditional themes. Modern poets stress the ability of the simple daily life attraction to dominate modern poetry. They develop this conviction to follow the up - to - date progress and express the concerns of wide walks of life used to be neglected by traditional poetry. The study consists of an introduction and four chapters. The introduction deals with the concept of daily life poem linguistically and idiomatically. It discusses as well the numerous terms used to refer to this concept. It presents a critical historical overview discussing some modern and traditional poems in the light of Arabic and western critical views.The first chapter of the study tackles the patterns of daily life poem structuring. It falls into two sections. The first studies the simple patterns (represented in stanzas, imagery poems and thoughts). The second, however, deals with compound patterns (i.e. narrative structures and dramatic structures). The second chapter studies the techniques of daily life poem. It is also of two sections. The first is concerned with the linguistic techniques of daily life poem. It is tackled at three levels : the dictionary of daily life poetry, unusual collocations and prose performance. The second, however, is concerned with imagery techniques. It concentrates on the techniques of intertextuality, informativity and production.The third chapter is dedicated, however, in its two sections to the themes of daily life poem. The first tackles individualistic themes like woman, family and fear; while the second studies social themes like war, daily affairs and class conflict.Finally, the fourth chapter is concerned with the musical structure of daily life poem. It studies in its first section the cadence of rhymed poem and some of the prominent rhyming features like rhythmic shift, rounding, and rhyming. The second section is concerned, however, with the rhythm of blank verse. It tries to highlight some rhythmic feature through studying the phenomena of repetition, parallelism and sight rhythm. The study ends up with a list of the most important conclusions it comes up with.

خصائص الاسلوب في كتاب نسيم الصبا لابن حبيب الحلبي ت779هـ == Style Characteristics In Nesimu El - Saba Book For Ibn Hebib Al - Helebi (779 AH)

Author name: منتهى حسون زيدان الجبوري
Supervisor name: كريمة نوماس محمد المدني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: This study is based on examining and analyzing the aesthetic features that are appeared in one of the traditional books and such books shows us the reality of literature that belongs to an era that is described as an age of retardation and darkness so much. In spite of this, relentless pursuit uncovered literary products with high level of poeticism and in such case; these products are on the contrary to melancholic perspective towards the products of this era and its pioneers.IbnNesimu El - Seba book comes as a sample with which we can touch what can appear as distinctive stylistic feature as well as reflexiveto state of literature at such era which is charactized by publicity of ornament, novel and decoration with different manifestations and forms in all these products. The stylistic approach as a mechanism to deal with what looks like as phonetic ,structural or semantic ecarts and violations in texts of the book whether they are poetic or prosaic. The plan of the study involve Preface with which the researcher introduces IbnHebib Al - Helebi, Nesimu El - Seba and the stylistic feature for the literature of eighth century A.D. Three chapters of the study are specified to deal with stylistic feature within Phonetic level, which include assonance, phonetic paronomasia,repetition, parallelism, rhymes, rhythms and duality. Chapter two deals with stylisticfeatures within structural level that include negation , condition , interrogation , call,anastrophe,asyndeton , polysyndeton , brachylogyand circumlocution. Chapter Three is specified to deal with stylistic feature within semantic level, which include cultural referents, simile, metaphor, allusion, and antithesis. The study comes up with conclusionand with some results of the study.

لغة الشعر في ديوان حروب الردة == The Language Of Poetry In Divan Of Apostasy Wars

Author name: زينب حميد عبد الامير عبود النصراوي
Supervisor name: عبد الامير كاظم السعيدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: Language of the pillar of a poetic text, it is marked by different characteristics which distinguish it from the tools and means of other arts. The research surveyed the essentials of the language of poetry and extensively studied them so as to see their components as to the levels of rhythm, wording, structure and image. Accordingly, the study fell into four chapters preceded by an introduction and followed by a conclusion. The introduction was based on three topics : the first was a viewpoint in the concept of the language of poetry, which depended on the viewpoints of the critics in presenting the concept of the language of poetry and also its function as a semiotic and an emotional language together with how the language of poetry presented as a connecting point between the pre - Islamic and Islamic poetry in addition to the characteristics it had at the early Islamic period in particular. It was followed by reading of the divan of the apostasy wars setting it right through presenting the criteria followed in arranging and ordering the posts' poems in the divan. Little was said about the historical side connected with the poetry of the poets of the apostasy wars regarding the political motives as what was related to such motives was relatively far from the technical sides and they were also studied by others. Then came chapter one with the title ( The Rhythmic Level ) containing the rhythm with the sound it included set by the measure. As the sound is considered the smallest unit of speech and that the rhythm is itself is considered sound in addition to the dependence of poetry in the Islamic period on the system of reciting, therefore it has had superiority in the system of the language of poetry. Chapter on showed the measure, the rhyme and the rhyming letter; it was considered an external music keeping the internal symmetry. Chapter one showed the common characteristics among poets keeping the sound system, such as repetition, setting and rhetorical beautifiers such as alliteration and other aspects which help keep parallelism inside the text such as parallelism and necessitating what was required. The text then started to express itself through utterances and according the ( utterance level ) was set showing what the poetic text was characterized by such as clarity, strangeness, eloquence and suggestion. The lexicon was then presented with the linguistic synonyms it has had presenting the words connected with war, scholars, Islamic doctrine, time place and nature. It showed how the poets employed the vocabularies during the emotional experience the experienced. Utterances ( words ) combine to constitute the text setting the structure and accordingly, came the ( construction level ) starting with showing the most prominent expressionistic styles which contributed to making language of poets. It was of two sections starting with showing the sentence and its styles the "nominative and verbal sentence" swinging in the poetic tissue between the constant and the changeable according to the situation. The narrative ( written) sentence came next including what the poets employed such as the interrogative, the vocative, the imperative, the negation, the supplication and the swearing. This was followed by the states of the sentence with all that it had of fronting, delaying and parenthesis ( objection). Following structuring ( construction) came picturing ( figuration) in setting imagination and emotion under the title ( The Figuration Level ) containing the source of the picture ( figure) such as the psychological motives with its function in drawing the picture, the cultural motive and the environment. And then came the second section to include the most important picturing styles such as the narrative, the mysterious and the communicative which stamped the poetic text with beauty in addition to adding the feature of determination of displaying. The research tried to show the structure of the language of poetry within the poetic text in the divan of the apostasy wars by using a descriptive and analytic method. The thesis ended with a conclusion which included the most important results the researcher came out with before giving the sources and references used in the study.

مستويات التلقي وانماطه في القران الكريم

Author name: ضحى عبد الستار جبار العيسى
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Thus, the receivers of Quran were on different degrees and above them all was the prophet, so he is the ideal receiver and the true receiver for the Quran because he is the target of it and those who came after him of pure Imams, then followed by believers and hen Muslims. The disbelievers class, their chiefs like Walid bin Ottba and Ottba bin Abi Rabee'a and Abu Jabil etc... received the holly text and the Call of the prophet and effected and admired it, more were effected in the frame of the Quran and most were effected by its charm and style and few effected by the Quranic stories and the tales of absence yet, they never be believers and never responded because the Quran never met their lusty deeds and their temporal benefits or it may the abilities of the receiver so weak tounderstand this miracle text. At last we said : The Holly Quran is the speech for both man and Jens and for all the nations Arab or otherwise of Books followers and otherwise and despite the creativeness of this text but it left different effects inside who received it all according to his understanding and knowledge of the text beside the lusty deeds and the benefits which were the reasons for the acceptance or refusal of that Quranic text.where showing the Paradise scenes and the hell and the torture. This was because to rise the en\motions of the receiver, also the mentioning of the dialogue between the paradise dwelt and the hell people leaves its effects in the soul of the receiver and to realize that being never received at the lower life and not responding for the messenger Mohammed (peace be upon him) will face not receiving by God the only Dear at the Account day.Part two includes (the receiver out side the Quran text) : it includes the process of announcing and receiving outside the Quranic spelt, it lies intwo chapters : Chapter one : the included (assumed) receiver : this will be achieved at every receiver automatically, positively and deeply, and it can be explained for both hidden and apparent meanings. He is the assumed receiver who has the ideals features in solving the codes of the text and he is unlimited receiver who fills in his circle all of those who receive the text automatically and positively Chapter two : the real receiver : it divided into two parts : 1. The receiver at the time of descending of the Holly Quran.2. The receiver after the death of Prophet Mohammed (peace be upon him), that is after ending of the aspirator and accomplish of the text (this is out of our research extend). The receiver at the time of the descending of the Holly Quran coulddistributed into : 1. The Deep in Knowledge : they are the prophet Mohammed (peace be upon him) and the pure Imams (peace be upon them).2. The believers.3. The Muslims.4. The maneuvers.pon him) invitation, the messengers and prophets had receiving the divine speech either by way of aspirator or without any device, or by speech from behind abstract. All the prophets had received the divine speech with acceptance and obeying because they had special nature which is recalling and reacting with the speech. What about the receiving level of the people for their prophets, all people were divided into two parts : 1. Positive receiving.2. the negative receiving.Because the Holly Quran consists of direction towards the receiver, it has to make full use of the reaction of the people towards their prophets when they invited them their messages. The positive receiving leads to saving of this class. The second class was destroyed and had tortured because their receiving was negative.Chapter two : the receiving at the time of Message : it includes the Quranic verses which referred to Qoraish receiving and otherwise of the Call to the believing and how was the reaction. We got the idea that the level of receiving in Holly Quran divided into : belief people and other disbelief and other class maneuver. The belief people were positively receive the Call this what the Quranic verses referred to. The disbelief people had received the Call negatively and we reach the reasons which led to this negativity one of which running behind the wrong inheritance and heir denied for God sending man to be messenger. Also Islam and Quran never agree with their benefits which temporal and their lusty.aspects. Finally the people who were maneuvering, this class heard and received Quran from Prophet Mohammed (peace be upon him) but their minds never reacted with the speech because they made the process of the receiving failed to keep their benefits of removal. Chapter Three : the receiving at future : it concentrates on what is mentioned in Quran about announcing and receiving and the Account day he research is studying the theory of receiving and the relation Tbetween the reader, the receiver and the literary text. Holly Quran is the highest and the most creative literary text. The speech of Allah (be highest) is not normal speech, since it enforces the receiver to listen to it and react with. There is strong relation between the reader, the receiver and the literary text. Each of them has the authority. upon the reader because the text has the highest degree of effectiveness, the mature and integrated text can surround the receiver and the later has no way but to stoop to its authority. One of these texts is the Holly Quran and came next the poetic verses which were created by the biggest poets. Thus, any text carries the features of creativeness the receiver has no power to resist but to stoop to it since it launches from the satisfaction of that text. The reader in other side can practice his authority upon the text by hisability on creativeness in understanding the text.The thesis has been organized in preface, two parts and a conclusion.The preface deals with the mention of the linguistic aspect and the pronunciation idiom (for the receiver) and talks about the growth of receiving theory beside the aspects which form it, and mention the levels of the receiver too about the most prominent establishers of it.Part One : it includes (the receiving inside the Holly Quran text). It includes the process of '!.nnouncing and receiving at the Quranic spelt elf, it consist o~~apt' Chapter ~~· thi!"rec~t : " "g before Quran descending : it includes the Quran verses ""~£.~lk about receiving before descending of Quran like what happened to Adams (peace be upon him) at paradise and the earth, and the prophets who were prior to inspiration and Mohammed (peace be

الصورة الفنية في شعر القروي

Author name: حامد مردان شروان الشاعر
Supervisor name: قصي سالم علوان الجلبي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

تقنيات السينما في الرواية العربية 2000 - 2015 == Cinematic Techniques In The Arabic Novel From (2000 - 2015)

Author name: جبار سلطان حسن
Supervisor name: يوسف محمد جابر اسكندر
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Arabic novel with its regional orientation has not been isolated from the novel in general, since it employs a lot of cinematic techniques, proving, meanwhile, that it is open to other arts, keeping up the vibe of renewal and development, because many writers wrote with cinematic awareness and cinematic technique. This elicited the researcher to delve deeper into the effort found in the novels to achieve new modes of expression, which rely heavily on the image and the cinematic formation to maintain the tools to elevate the narrative speech, granting it the necessary narrative identity, which is featured with innovation and high narrative performance. The study is preceded by a forward, which tackles the definitions of concepts that are relevant to the study such as technicality, the concept of cinema, its techniques, and its impact on the Arabic novel. It also highlights the term "New Arabic Novel", and the classification of the novels under study according to it. Examining eventually the studied novels and the criteria of selecting them. The study falls into three chapters beginning with theoretic entries giving sufficient idea about each technology. The first chapter highlights the scenario. It is divided into two sections; the first includes types of scenario in the Arabic novel; the second is about the elements of scenario in the Arabic novel. The second chapter highlights the functions of the camera put into application. It falls into three main sections; the first tackles the corners of the camera, the second tackles the movement of the camera and its steadiness, and the third tackles the duration of the shots. The third chapter discusses the impact of montaging on the Arabic novel. It is divided into two main sections; the first is entitled "The Narrative Montage in the Novel in its Four Types : Horizontal, Reverse, Parallel, and Alternative Montage"; while the second tackles the Expressive Montage in the novel in its two types : the ideological and the rhythmic. The Conclusion sums up the findings of the research and the proposed recommendations.

ادب يعرب السعيدي القصصي : دراسة في البنية السردية

Author name: نجوى محمد جمعة البياتي
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

اتجاهات نقد النص الشعري في مجلة الاقلام 1990 - 2010 == Trends Of Criticizing Poetic Context In “ Al - Aqlam Magazine “ 1990 - 2010

Author name: منتظر عبد الخضر ساجت
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Praise is to Allah, Lord of all creatures, and blessing joined with peace of God be upon the seal of the Prophets and messengers (Mohammad) as well as his faithful Companions. Amen This research deals with literary criticism efforts which have been previously published on an Iraqi magazine "Al - Aqlam" extending to the period 1990 - 2010. It is titled as "The Trends of Poetic text Criticism ", as no unanimous approach deals with the literary criticism; moreover, there are several approaches contribute in one literary trend. Psychological Trend; for instance, has variant approaches : Freud - method, Lacan method, and Yong method. Each approach has its unique view and it somehow differs from another approach even if all approaches contribute on comprehensive view which it is the - psychological view. These fore mentioned methods are achieved on the level of theorization, and they are based on the same environmental rules. What is about the researchers who received the trends through translation?. The critical application in tackling literary texts ensures us that there is no specific enclosed approach can be applied on constant procedures and is applicable on all its details, but the overlap is obvious between all the different approaches. Therefore, it is impossible to depend on a constant inevitable approach because the criticism process is an interaction process between the creative text, the critic and his own literary and critical taste. For these reasons the critical trend is acceptable further than the depending approach. The period , which covers the articles within the research, is between 1990 - 2010, i.e. it extends for about 20 years and the concentration stage of the study was achieved on the last of this period ; in order that the study will be contemporary to the modern - literary criticism movement or to the literary criticism movements which have recently seen the light. This study presently shows unprecedented trends, since it includes for the first time studies about trends of literary criticism never established in the Arabic region; for instance, it includes the Cultural Criticism. For this reason, we'd rather the study be practiced on the recent years of the mentioned period since the Arabic region has witnessed relative stability.This research is established to deal with selective poetical texts, because it is impossible to deal with all the poetical texts published within the specific mentioned period. The plan has been put by researchers into choosing some agreeable poetical poems samples , the selective process had come according a certain view since the research obliged itself not to repeat the critic's name more than once , in order to be obtainable for more additional critics' names contribute on one study. The plan is made not to confine the critic's study to be subjected for unique circumstances whether the critic himself is one the followers of a certain trend or vice versa. These studies published in "Al - Aqlam Magazine" are by no means the best studies; however, the magazine includes between its pages many studies that differ between high significance and low - significance in order to let the reader read the magazine objectively. The research does not display the good studies only but also displays studies under the hopefulness level and the purpose beyond that is to disclose about the defects and to determine its places in order to overcome upon the defects. The research tries to achievean elaborate discussion and an analytic criticism to the under discussion critical context through active imposed dialogue in order to be capable of stopping at each point worthy of discussion , and lastly can classify each discussed point to be ordered and organized to its principal reference depending on the available critical - publications. On the other hand, the research can assay each text, and discloses its contents or stops nearer in order to thrill noticeable questions. The study is distributed among three chapters : the first chapter, "The Contextual Trends ", is related to the critics who made their deep comprehending understandable semantics meanings depending on the external environment i.e. the trends related to the factors are out of the text itself to understand the included meaning of the text. The second chapter, titled as "The Textual Trends", is concentrated on the critical achievements that depend on the text itself i.e. the efforts, which try to isolate the text, from the external factors in their approach. The third chapter, titled as " Other Trends " , includes critical efforts , which can not be ordered under neither the textual nor the contextual relation. Eventually the conclusion comes to conclude what is most significant on this study; moreover, the study has been initiated with preface to shortly introduce the reader to "Al - Aqlam Magazine ". Conclusions : Criticism movements have witnessed many continued turnings and many transformations; each trend may be utilized from the previous - mistaken trends, but after stages of its evolutionism, some of its adopters turn to be exaggerative then the defects occur once more which lead to emerge another trend as a result. The critical approaches, "Al - Aqlam Magzine" displays, are variant and different knowledge wise and type wise. Some of approaches are on the top of skillfulness and technique; while some of them are less significant.In addition, the approaches are variants according to the techniques they follow, so they come as (contextual, textual approaches and others). There is not a perfect application to any trend entirely, but in many - times the procedures violate the application limitedness, or maybe the researcher help himself, by a different approach, which his study adopts , because the creative doing is an art has its own property on estheticism and structure.Moreover, the creative doing is the outcome product of special essence lives on specific society which it has its own traditions and habits passes through specific history of special events and incidents This creative discourse or the creative dialogue is targeted to educated receiver of a good quality on culture and language, etc… Knowing these effecting factors is necessary to the critic of creativity, and it has an active consequence into directing the critical doing; therefore, there is not any critical approach that has the stability and the strictness or may refuse the borrowing from other trends. In addition, any critical doing has its own way in order to achieve its understandable point into the creative doing or to reveal and discover its nature, its esthetic secret, and its specific structure. The literary text has significant relation on the establishing process of the critical discourse and its procedures; because the literary text is the main substance of the criticism essence from which the critical process is formulated ; on the other hand , the discourse is not rooted out from the literary text and its procedures. Finally, praise is to Allah and peace and blessings be upon His honest Prophet. Amen.

نثر الامام الحسين (عليه السلام) : دراسة تحليلية في جمالية بنية النص == Imam Hussein's Prose : An Analytical Study At The Aesthetic Structure Of The Text

Author name: حيدر محمود شاكر حبيب
Supervisor name: نضال ابراهيم ياسين
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: The aesthetic studies are seen as one of the attempts to investigate the textual structure in the modern criticism. These analyses disclose the relationship between elements of the text and how they are interrelated. Accordingly, the present study entitled Emam Hussein's Prose : an Analytical Study of the Aesthetic Structure of the Text is concerned with the aesthetic, speculative and interpretive analyses in an attempt to pick out those aesthetic aspects and relations from the prospect of their concordance, order, adjacency and similarity. At the same time, these studies reveal the non - correspondences and antitheses of these aesthetical signs of the text.The study falls into six chapters, distributed throughout two parts. The first part comprises three chapters. The first one is an introduction to the aesthetics and textual structure in the contemporary criticism presenting a number of different views about the aestheticism. The second chapter is concerned with the aesthetics of lexical patterns in the texts as being used in Emam Hussein's prose writing and how critics have analysed these patterns. The third chapter discusses the aesthetical applications of the lexical patterns in the contemporary criticism. The second part is also composed of three chapters. The first one is concerned with discussing the aesthetics of similarity or conformity and adjacency and collocation in modern criticism as far as Emam Hussein's prose is concerned. The second chapter presents the aesthetics of the structure of condensing and the nature of its formation in rhetoric and criticism as well as how it is represented in Emam Hussein's prose. The third chapter argues the aestheticism of rhymed prose. and assonance in modern criticism and in Emam Hussein's prose.

الثنائيات الضدية في شعر ابي العلاء المعري : دراسة اسلوبية

Author name: علي عبد الامام مهلهل الاسدي
Supervisor name: نضال ابراهيم ياسين
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

تحول الخطاب الروائي في العراق : دراسة في الشكل == Change ( Shift, Turn Alteration ) Of The Novel Speech In Iraq (Study Of Morphology )

Author name: مشتاق سالم عبد الرزاق
Supervisor name: ضياء راضي محمد الثامري
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Thanksfullness of God of all God 's Pray on the prophet Mohammed the last sender and prophet of God. As well as his family members and his colleague. All human studies surrounded by the human mind and thinking and its descended which give different sort of vision of all fields of science and knowledge of humanity especially the literary side of it. This form and shape the creativity and criticism of mankind. which was and still has the completion stickled and connected to it from the time of until the Hanz Robert saying through which the researcher built this thesis.The Hnze Robert saying describes the relationship between production and recipient as the legend ( enemy brothers) and he has gone further to see the descendant of the legend from the beginning of Marks and finishing with italo Calvino the author of the well - known Novel ( If I was Travelling through a rainy Night ) which Hanz benefit from going through the Novel a lot to explain and declare ) a lot of his thoughts and ideas about the production and the receiving. And from his going through the whole of this Novel and their heroes and stars ( flanrry ) he was able to see the close relationship between time of writing and time of reading without worry of emptiness.The search in the scope of the Novel was compressive as comprehensive of literature that can contain all subjects as the psycharistics Doctor Fruid when he practice his theory on the novels of Dystoviscky and other novels. Many studies appeared later shared to in rich this field of knowledge such as Romantics studies and classical studies and many other studies showing pioneer attempts to discover the nature and essence of the world and followed by many literals ( verbal ) schools according to suggestions of the critics Pectin and Tudororoff as well as the formality schools which they take it as the starting point of their mythology. many other subjects in rich this world upon his fullness of human crisis and human cognitive.This did not stop at this point of those intellectual thinkers and critical but expanded to contain more cognitive and phenomenon as the occupancy echo phenomenon in the novel field of which was suggested by Julia Christina in the literature field or the ideas suggested by Foco which he publicized and employed by other critics and learners of Noval on cognitive basics evaluated for the human mind and his ability to understand those basics.We choose the formality phenomenon as away to study which has the ability upon other phenominons as the linguistic phenomenon or the litriture phenomenon upon studying in which The research depend upon unformal way as in Novel setting up by LizaKasim and Novel formality setting up by Hassan Bahrawee and The noval text lay down by hamid Al - Hamdany and the Arabic Noval art (technical ) setting up in Iraq by Shujaa Muslim Al - Any and many others that in rich this side of the branch of those studies.The first chapter This research depend on the way to connect between all approaches and phenomenon and ideologies to enable the critical mind to penetrate these formal ideology to employ these theories and ideologies on bases thinking according to the principle of those theories and help showing these theories in new look which is great different from its classical look. In another word, the research will study the formal content of in each stage of the critical phenomenon stages as vertical study and tosee how these ideology work in which will make it clear to see the difference from the speech in the two big stages; the recentness speech and the after recentness speech , as well as showing the speech befote recentness ( actual speech ) which look to the novel speech as real and horizontally. that is the speech will look to a community or group of community The second

شعرية النثر العباسي

Author name: هالة فتحي كاظم السعد
Supervisor name: مزهر عبد موزان السوداني | فهد محسن فرحان
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
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