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اثر التراث الجاهلي في الشعر الاموي == The Pre - Islamic Heritage Effect On The Ummayad Poetry

Author name: حسين عبد حسين
Supervisor name: حاكم حبيب عزر الكريطي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Najaf
First pages:
Abstract: Each nation has its own heritage which it celebrates as it is considered one of its continuation and immortality basis, a heritage that ensure interconnection of its present time with past reaching the future. Our literary heritage, especially the Pre - Islamic one has derived its facts from the nomadic environment to which it belongs, so it portraited it in the truest way of expressing its values, habits, traditions, thought, achievements and exploits. Hence, it has become a mirror in which the life aspects manifestations would be reflexed, and an alive image of the life status prevailing that period.This heritage has remained as a fountain from which the poets drew their need throughout ages of them is the Ummayad Era.The nature of the subject required that the research should be organized in three chapters preced by an introduction and a preface and followed by a conclusion.In the introduction, I referred to the heritage concept linguistically and conventionally, explaining the objective and the artistic causes hidden behind the Ummayad Poets inclination towards the Per - Islamic heritage and investing it in their poetry.In the first chapter, I have deal with the social tradition represented by the virtuous and the habits Arab values ,the Arab days, and the historical personalities and hreed horses and camels.While in the second chapter , I have studied the intellectual tradition and what legends and beliefs it contains such as AlGhurab, Al - Shaqraq, Al - Haman, Al - Sada…etc.In the third chapter,I have deal with literary and artistic tradition.In the literary tradition I stopped at the names of the poets that the Ummayad poets took from ,and educated in their poetry.Also I have stopped at the proverbs as they considered a social art and one of the literary culture's fountains while in the artistic tradition I talked about the poem artistic structure which is comprised the introduction, details and the main purpose. In addition, I have studied the language in words and in structure and stopped at some structures found in the Ummayad poem.As for rhythm, I have explained the nature of the poetic meters that the Ummayad prefer when writing poetry and studied the artistic image explaining the extent of the Ummayad poets’ being affected by their ancestors and their following them whether on thelevel of the single verse or a set of verses, or an the level of the whole poem. In the conclusion, I have reviewed the most important results that the research reached, of them were the following : ?? The heritage of any nation do not stop at the margins of a specific era. It is a continuous series that takes from each era what enriches it as influence and being influenced is acharacteristic accompanying each heritage.?? The literary heritage(artistic objective) is the main source of writer's education in general, and the poet in particular.?? The nomadic Arab values the Arab inherent have taken their to the Ummayad poets under the influence of the party that has blazed again.?? The Ummayad poets have made the pre - Islamic days one of their education sources, and utilized them in their as they were considered a record of their ancestors’ achievements and exploits ,and exploits, and bright pages of the history of their life.?? The Ummayad poets utilized the myths to relive their feelings and sentiments through subjecting then to their artistic experiences and their psychological sufferings.?? The poets’ talk about the poetry finds was not stamina from a belief or faith, but it is an attempt to show their artistic abilities, and their differentiation from their companions.?? The Ummayad poets followed their ancestors’ method in the artistic structure of the poem which is formed of three parts(introduction, details and the main purpose), with stopping at the margins of the sheer imitation, but they strived for renwal inside that arts framework.?? The pre - Islamic language was the basis that the Ummayad a doped in poetizing their poems, as there is no attempts to replace that nomadic language by other one.?? Most of the images that appeared in the Ummayad poetry were derived from the desert environment in which they were brought up or were close to.?? Their being affected by their ancestors’ image has been varied from the sheer negative imitation to perceiving those images and subjecting tem to their personal experiences then adding some adding some artistic touches to them.

اثر التراث في شعر عبد الله البردوني == The Influence Of Inheritance On Abdullah Al - Bardouni's Poetry

Author name: فاطمة عبد الله محمد عبد الحبيب العمري
Supervisor name: حاكم حبيب عزر الكريطي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Najaf
First pages:

شعر كشاجم : دراسة اسلوبـية == Poetry Kashajim ? Stylististic Study

Author name: سارة محمد حمزة
Supervisor name: ياسر علي عبد سلمان الخالدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: The object of this study is to determine the style aspects in the poetry of Abu AL - Fath Kashajim Al - Ramly Muhammad ibn Al - Hussain. It appears in the from of preface and three chapter. In the preface I mentioned something about the poet personal life , his poems and his position among his contemporaries simply , then I Tackett with the stylistics and its concepts , types and its relations with other literary concepts and sainces like language , rhetoric , critisim. Also I tackled with the subject of (style changing) in western studies which was known in Arabic studies as ( Al - Inziyah Al - udnl). The first chapter was to the right matic level and some subjects under lined it. The first the outer thematic level of poems which divided into two parts ( meter , why me scheme ). the second contains the sequence technique with all its types (voice , derivational and introduction ) Also I took alliteration of word ) types ( completed , non - completed ) derivational and other types. the third chapter concerning as pacts found , in the poetical collection of kashajim. Who second chapter is a study of construction level of poetry , and its divided in to three papers. the first is about the styles of poetic discourse (Nida style vocative partich (A - ya) ) , Is tifham (interrogative Amrw , Alnahi , the article "Aya" pat at the first position more than the others used in his poems. The third chapter tackled with semantic level in kashajim poetry , and it has three divisions. The first about similarity level , it contain similarity style and rhetorical borrowing. the second one is about Alknuya wara style ( the nearest meaning not the direct , I talked about (Alkinaya metonymy ) the third paper is about textual derivation intersexuality and this divided in to religions and literal.Religions textual derivation has two divisions , one related with Holy Quran and other with propend Muhammad traditions (Al - Hadeeth). The literal contextual derivation took two types poetic and proverbial , the I condnde my research study with bricf conclusion contained the most important results , with a full bibliography of references I benefited from them

الاشتغال الفضائي في شعر ناصر مؤنس : دراسة سيميائية == Space Engage In Nasser Sociable Hair Semiotic Study

Author name: الاء عبد الامير عيسى السعدي
Supervisor name: هيام عبد زيد عطية
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: This study was to trace the precursors first to work on the possibilities of stylistic and aesthetic that is added to the space the paper layout, is another element of interpretation and semantics down to actual experiences of mature, and these possibilities are (charts, paintings, punctuation, whiteness and blackness, reducing bullet shapes iconic and Ready), was being naughty and stand on it to engage in : 1 - Space script, which is in turn directed the read - only represented in the following elements (linear structure, the optical Naber, whiteness and blackness, colors and punctuation). 2 - Space picture, which is in turn directed to read and consider together represented in the following elements (shapes of the vehicle and the vehicle is naked and represented in triangles and squares and circles). This alert to the space (paper layout) and make another element is added to the elements of interpretive and dimensional semantic language, and conscious of the receiver to read and meditate and focus on the poetic text more starting thresholds and appearances the first constituent that space transformed from being spatially environmentally verbally acoustically, to being a hardcopy Tabaaaa Visually, passing a written brief and signs Coding and images accompanying the end of the language and format of linguistic Based on the foregoing became engage in space, addressing the eye, not the ear, and on the basis of that took a slap poetic attention from the presence of poets and became part mainly from the structure of the poetic text.

الزمن في الشعر العراقي المعاصر 1990 - 2010 == Time In Modern Iraqi Poetry 1990 - 2010

Author name: علي هادي محمد الخفاجي
Supervisor name: سلام كاظم الاوسي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: Time of more issues that preoccupied the mind of man , past and present , so Anjad aware of Sciences ago its subjects of time, and time gained importance from its association with human existence , man has tried since ancient interpretation of time trying to answer the questions that insisted on his mind. Where did we come from ? Where are we? Where do we go ? What is past is it really exists or is the accumulation of ideas? What the future you will come quickly or slowly Does it mean death and the yard or is it the beginning of a new phase did not realize it yet , and is currently just a moment meeting past and the future , all of these questions tried monotheistic religions interpreted as exhausted these questions philosophers, ancient and modern ( Aristotle, Plato and Plotinus , and Augustine , and Newton , and Einstein , and Cant , and Herbart Spencer , and Abdel - Rahman Badawi (. Poet and more people Achtgala in time because he shared his feelings and emotions with the recipients is mediated by hair trying to everyone involved in the existential his main concern about the time and trying to find answers in the eyes of the recipient. And the importance of the subject of time studied through hair Iraqi poets from 1990 to 2010, and dealt with the dimensions of time various psychological and existential , social and moved away from the meaning physicist of time in my studies , and began to study boot showed a single time in the philosophy and science , and the importance of time for literature , and in the first chapter dealt with remembering which represents the poet 's past and future as a utopia and a dream world , and the second chapter dealt with time as alienation psychologically , socially and intellectually , and the third chapter dealt with the symbol as a milestone schedule.

المفارقة في الادب المسرحي العراقي المعاصر == The Paradox In The Dramatic Literature Contemporary Iraqi

Author name: اثير محسن غافل الهاشمي
Supervisor name: باسم عبد الامير الاعسم
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: The paradoxical is an important technique , main mechanism in the literature in general and theater in particular, in spite of the breadth of the term within the literary movement and the modern critic , but it has not been emphasized in studying the text's theater, whether Arab or Iraqi, so that we directed in studying mechanism paradoxical in some in contemporary Iraqi accomplished playwright, due to be a fertile ground for what are enriched by the value of the objective and technical. We focused in our study of the paradox in the Iraq theater text in some way explain the dimensions and significance, patterns, and their impact through enriching the structure of the theater text , usefulness of symbols and meanings that came in the cases of verbal or positional context , in the light that formed the paradox types, multiple in literature, theater Iraqi in its sections (theater prose, theater poetry and children's theater), where we dealt with irony and types in each section of this stage, and was dominant in clear, with a diagnosis method of each writer in the presentation and content, as varied method of construction and function literary drawn by the irony with its details under each section of the structure theatrical text, and on this basis, we find that our study draw a line chart and clear, monitor the ironic structure of the text in the theater of Iraq through : 1 - chronology of the text of the Iraqi theater, where we studied the play texts time serial since the fifties of the last century to the present day.2 - Studying the irony and types according to the three divisions of the theater (the theater prose, theater, poetry, and children's theater).3 - It is said that the study included the method of construction and function of literary irony.4 - Focusing on methods of irony used in the theatrical text, stopping the pattern predicted by the shock and surprise; any broken the horizon waiting for the recipient, by moving away from direct language, or the use of irony, paradox, or leading to the anomaly

الوثيقة والتخيل التاريخي في روايات علي بدر == The Document & The Historical Imaginary At Ali Badran's Novels

Author name: رنا فرمان محمد الربيعي
Supervisor name: ناهضة ستار عبيد
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: We are trying in this study to reveal of two types of relationships between the historical documents and the text in Ali Badran novels after the change that the relationship witnesses between the history and the novel in the light of the data and visions of postmodernism , the research undertakes the process of narrator Ali Badran with the historical novel , merging within the novel texts , if we could to percept on the interpretation dimensions that he wanted to employ for these documents , as well as shed the light on the techniques that he used to merge the document within the text , the most techniques historigraphic metafication that enable by which repeal the facts after dealing with the event and left it , using parody technique to irony the event and the historical events that the mastery mechanisms , using many documents trying to refer to the narrative text , or subject its signs I order to serve the notation path , his aim was to create a universe able to push the documents , events and historical documents to reveal the unknown in the documents or through them , or in the events that form the framework of the text in general , all that according to novel drafting enable to open imagine more on human universes that history neglect.

القيم الجمالية في الحديث النبوي الشريف == Aesthetic Values In The Hadith Alnabawy Alsharif

Author name: حازم كريم عباس
Supervisor name: شاكر هادي حمود التميمي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: The research found the following results : • The frequency of different types of texts honest did not come Forcibly Dictated by ears, and wish him the soul, but rather spontaneously to savory and in various forms, is the latest variety in the texts, and the comfort and pleasure to the recipient, and that the repetition in the Hadith has exceeded the functional confirmation Incomprehensible, known the public and private, for a different degree of aesthetic technique and manner, as we find colored and changes in the text - Sharif, dressed in sackcloth different every time, and this makes the musical values, including the repetition of the basics of determining the aesthetic value.• was the naturalization of the effects of aesthetic in the Hadith makes it a model for the performance of voice spontaneous skilled team, including representative of the way technical check advantages bell sound of music, working to highlight the hidden of meaning added a new Tagged, Vchuq self to learn the new meaning, and of music generated by the the highest range, which holds the receiver on the vigilance and attention, and sends the wonder and surprise, and take verbal Mokhzha aesthetic consistency of it, standing, so influenced by the text and its interaction with the Prophet's religious scholars fair sentence.• The rhyme in the Hadith Sharif was sweet words, enjoy its hearing on the ears, and tend to him the soul, and approaching his music, hearts, proceed to the meaning of non - him, and greeted from affectation and artificiality, Stay away so the repetition is justified, and return the moral dull, and make the recipient continues with messianic text, as well as to those A - i - aarh sweetness and aesthetic art left behind by the rhyme innate light on the text of Prophet Mohammad.• The Hadith was a direct question - for the most part - of the structure of the surface position to the deep structure of meanings and connotations many explosive through different contexts, depending this shift to stir up the receiver and his participation in the production of meaning, and the realization of his mind in the detection and meditation, and acceptance and satisfaction, Thus, in the text al - estfham Prophet combines the aesthetic beauty of the text and received, the receiver based on the resonances and reactions as an effective and vital, is between him and the text continues the aesthetic and artistic interaction affected by the resulting psychological and emotional surprise. • Although different considerations apply and delays in the text of the Prophet, but it has been used for the purposes of aesthetic and sympathetic, helped the recipient to interact with the text - Sharif and objectives, as discern him to shift stylistic imposed by the presentation and the delay may cause gaps tension in the mind of the recipient led to a surprising causing the lattice, say so alone increased artistic and beautiful and influential.• A violation of the original which is (equality) in the Hadith, and the deviation from the familiar to the unfamiliar, a (brief) has the function of aesthetic and splash pulls the receiver and draws his attention, it becomes a text - Sharif in this brief overview function enables it to activate the thought of the listener and the realization of his mind to realize what behind this overview and shall be ¬ referral to highlight because it is aesthetic values.• metaphor was a way of technical means and aesthetic employed by the Great Prophet peace be upon him and his family and him to influence the recipient, and the consolidation of the meaning and enable it to himself through what is offered by the metaphor of shadows and visions between things and bring one of the other, so he will of the clearest Arts rhetoric and the most capable to portray the meaning is closer to the mind.• The structure of metaphor in the Hadith Sharif represented the summit of congruence between the parties to the analogy, even united by deleting one of the parties to the analogy and the tool and the face; to integrate image on both sides : (improved and reasonable), Vhsalt image Astaaria not simulated, almost meaning - mediated imagination hard, work on restructuring of the particles fact, dissolving elements to each other, Vgesdha influential sensory images in the same recipient, give rise to emotions, up to date the most responsive and fun to have, as well as enrich the semantic and aesthetic.• Try The Great Prophet peace be upon him and his family through photography Alkna?a - as one of the ways the technical and aesthetic that gives the image dimension Tgesemia heavier and imaginary exciting for the mind and conscience - to address the perceptions of mental for the recipient, exciting Baahaath and his references are and very active imagination of the recipient, when transferred perceived moral to the conscious sensuous concrete, and the meaning to the rigid image of simmering with life and movement, Vehtz those images suggestive of conscience, and the impact force penetrates into the depths of the soul; to acquire the expression and function of a strong splash, as well as the role that the function of aesthetic and technical fascinating.

القيم الجمالية في شعر شعراء الطبقة الثالثة الجاهليين == The Aesthetic Values In The Poetry Of The Third Generation Jahili Poets

Author name: فاطمة حميد يعكوب التميمي
Supervisor name: ياسر علي عبد سلمان الخالدي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Qadisiyah
First pages:

الذات والاخر في شعر عبد الوهاب البياتي == Self And The Other In The Poetry Of Abdul Wahab Al - Bayati

Author name: رشا عبد الحسن عبد العظيم
Supervisor name: هيام عبد زيد عطية
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: Not without poem that presents itself scout for itself and visions from the others so desires nilly and keeps hair Iraqi ample room induces cases self - consciousness poetry and see the other, which is a mosaic is intertwined with the details and Taataalq movement filled openness and isolation at the same time, so it received placedself and the other great interest in psychological studies, and literary.... And under consideration to them as part of Aetjze of this integration and integration can not be aware of the individual itself only through knowledge of the other to him as a mirror of the self Therefore , any rupture or separation from the other works to break down the ego and threatened loss and marginalization losing its place among the community. Word when Bayati is part of the same charge the semantics of certain signals and gestures, he wanted Bayati to express his feelings toward the other of which became self - mergers with other one permeate to inside to see his thoughts and behaviors found vary sometimes differ at other times to open up possibilities for different cultural which have an impact onachieve a distinct form of hair.

الفضاء السردي في شعر الاغتراب العراقي 1970 - 2012

Author name: وسن علي عبد الحسين الزبيدي
Supervisor name: صبحي ناصر حسين
Specific topic: Literature
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

اشعار الحكمة في ديوان الحماسة لابي تمام : دراسة موضوعية فنية == Wisdom Poetries In Enthusiasm (Al - Hamassa) Divan For Abi - Tammam ( Asubjective , Technical Study)

Author name: ورود وليد حمود حسين الصراف
Supervisor name: سعيد عدنان المحنة
Specific topic: Literature
Language: Arabic
University location: Najaf
First pages:
Abstract: Aperson who observes the research tittle finds that the wisdom subject is acomprehensive because wisdom is an important purpose of Arabic poetry purposes. Aby - tammam suggested to put completed section for the wisdom subject named it wisdom section. We did not use this section alone but We gathered all the divan sections and to find wisdom verses. The wisdom is mixed with other courses as Enthusiasm, elegy, praising and others. So wisdom is independent and also mixed with poetry purposes. Abu - tammam did not choose only the pre Islamic wisdom verses Alon, but he chose Islamic ( ummay ) reign until he reached (Abbasied reign ). this comperehension is an evidence that the poet is Educated and aware of choosing the best of the poetric vesses. We decided to study wisdom poetries Enthusism divon with artificial and subjective study. One who studied the wisdoms subject found that it is ahuman Phenomma comes from asharp sight and accurate thinking. This thinking don’t separate from realistic content. This reality is coming from organizing the relationship between the individual and society. This research cansist of introduction, three chopters and aconclusion. The research has many vesults. The most important ones are : - Wisdom is one of the ancient Arabic poetry purposes, It is aresult of along experiments and asharp sight towords people and their ethics. One who studied the purpose of wisdom, found out that it came from apure natuve motivated by experience. The word wisdom ( AL - Hikma ) does not come in poetry only, but alse in the holy quran and the holy prophet speech which refers to it s elevation, importance and it is wide using among people. The word comes in ninteen quranic verses in twelve sora but in each times it carries adifferent meaning deduced from context. It also comes twenty times in the holy prophet speech. We showed the relationship of wisdom with proverb, since bothe of them are abrief phrase come as aresult of experience or a sight towards things and matters, but they differes in other things of which is that wisdomc comes from a ware mind or reason so its more elevated than proverb. More, Islam rise had the important effect on people lives becaus, it is wisdom and advic guides people to the right way. During Islam begining, wisdom wos not taken from experience only,as in the pre - Islamic period, but it also taken from quran and people interested on the wisdom of the holy quran for its splended meaning. In the Aummayiad era, wisdom was mixed with the other poetic purposes like elegy , praising and AL - Ekhwanyat as in the political and Enthusiasm poetry, wisdom was restricted to the idea of unifying the social relalionships. When we studied the purpose of wisdom in Al - Hamassa divan, we found it as passages said by the poet, for this purpose, in an occasion, So the research studied the most distinguished poets of the divan and the psychology or mentality of each of them and his conditions which reflects on the poet who mentioned it in his wisdom poetry. The subjects of wisdom is poetry goes in two important dimensions and : - the mental or thinking wisdoms and moral wisdom. The first one clerified in life and death , time and its turnings or changings , charity and erils richness and poverity. while the moral wisdoms is represented by patience , ignorance,brother hoods, Frienship, ageness and youth. Each subject of hos its purposes and elevated meanings, which induce the poet psychology when he wrote any of these subjects. The most important of what we reached that all the similarities mentioned in the divan and all the poets of wisdom was connected with the material things that taken from noture and reality on which the poet lived , and all that comes from the real experience and deep Thoughts and feelings. most of the metaphors mentioned in the divan were imagination metaphors. Each poet has apoint of view when he draw his metaphors and connected it with what suit it and all that depended on the education and psychology of each poet. Meters and foots that poets used in Al - Hamassa in all wisdom verses, the most distinguished and more frequent was Al - taweel which half of the divan verses fallowed because it has awide space in which the poet stated his wisdoms throughout the experince he lived. The (AL - Rawy) letters that frequently used or mentioned in the divan poetries were (D) followed by (M) in the rhyme schme.the poets did not use the less frequent letters (h and ta a) or the rare (tha a,dhal,z,shaan,sad,dha a,gheen and w) , because of their difficult field. The meters of the divan verses came in more than one phase or phenomenon like (tasre a and tadweer). The (tadweer) phenomenon in wisdom verses is very clear one in apart of its rhymes, The same with the (Sinad) phenomenon wich considered adefect in the rhyme. These were the most distinguished results the thesis reached

اشكالية الخطاب العربي في (الكتاب) لادونيس == The Problematic Issue Of The Arabic Discourse In The "Book" For Audunece

Author name: وداد هاتف احمد وتوت
Supervisor name: سعيد عبد الهادي المرهج
Specific topic: Literature
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: 1 - The study examined the concepts, and the idioms of "problematic, discourse, writing, and copying" in accordance to special curriculum, and that is archeo - geniological curriculum. which is related the French philosopher Micheol Foco. And the curriculum and what are related to it of inspecting the traces of the thoughts, their shaping way, their overrating, and were shown on the body of the society; a new curriculum in Artistic critics, it provided the ultimate way to interpretate Audence accomplish "The book yesterday is the place today". Where the writer pursue the same curriculum in the way of molding his intellectual adoptings, creativeness, and what he wanted to say through this work.2 - After the proving of the study that the accomplish under the study "The book yesterday is the place today", is not mere Artistic text, but it is a speech in what speech is mean in its communicational of comprehensiveness, and big ideal. The reader discourse concept, was very good way in dealing with this accomplish, where the spirit of this concept was represented, in what was contended of cultural codes, and intellectual partteners that worked the production of the texts and directed their interpreting process. 3 - The concept of the writing, as concept by passed the speech of the kind, was the last of what Audence version settled on, and based on his good dealing in the description of modernistic works, especially the creative accomplish - field of study - of writing transfigurations which did not stand in specific cue of creative writings types, in poetry, and in prose. From this point of view this dissertation did not accept the describition of this work as collection of poems, in that it is a kind of writing which is comprehensive for poetry, prosaic, for historic, intellectual, and Artistic, it is the comprehensive speech of the comprehensive vision, which ruled its appearance, and did its speech.4 - The dissertation pick the standing contradiction between foco / foko concept of madness, Audonece, and then to his speech, where the former spoke about the real madness, and how the restrictions of the dealing were limited to types of speech, having no connection temadness, but to some undesirable categories spelled by the western society for the safety of the all, and by this he exposed the arrogance of the western society, while Audonece stance was similar to the Islamic intellectual where madness in the Arabic thing, is a tool in the hands of the group to face oppressive political regimes. And it was another type of madness, it was a metaphoric madness, which was able in its departing for reality space to pass the speech of rejecting, accusing, worning and giving advice in the name of religion, and for the sake of people in addition madness have another vision, in Audonece poetic vision and self discourse. His presence was clear, where its type of unknown similarity in this glob and the search in its hidden places, getting use of surreal vision in this matter. 5 - The study present the discourse of "the book….) as Archeo - geontic vision of the Arab - Islamic thinking, in all its parts. Dived in the roots of the intellectual crises since the starting of Islamic Arabic state since its founding, till nowadays. as well it got benefit of the reader discourse concept in the analysis of the accomplish understanding, where Audunece in his treating for intellectual and poetry issues in "The book…" a discourse reader, and historical symmetric standing in the Arabic discourse speech.6 - The thematic equivalent, represent a basic stand in treating "The book…", where from its beginning, of the Di - pattern, of the little in it main and branch types, its gender indicator, and it authorizing, as well the forms of the writings on the page space were divided in its almost in four writing forms, as equivalent to Arabic foggy thinking, and the loosing of the self between the past which was full in contradiction, burden with constraints and overcame with the control on present day thinking. In addition to the main sample, the motive of the work who is Al - Mutanabbi.7 - Audiences writing in "The book…" came in this variant form, which is full with references to be thematic equivalent for his book the authord to what is a function to concept of the author for Foko - and his rich thoughts and activity variation. In that this accomplish short half century walk, characterized with seriousness and balled, which which was byest to all what were different, and problematic, basing to the exploring, and thematic analysis a way from all before submissives accepted by the foundation - whether they were intellectual, cultural or social, the study did not adopt the concept of the mask, where despite its narrow space and its accupying with the self side of the mask and the person who wearing it, came under the thematic equivalent concept with no doubt.8 - The researcher conclude her research by admitting the fact the book today is the place tomorrow, is a deep study for Arabic - Islamic thinking life history, in all its appearances, identify, its almost biggest crisis, and the most dangerous effect for the presence and the future of this nation. And what distinguish this study is its departure to all what are expected of the writing forms, or research works, that limit its freedom in the search and explore, in that it dives in time and place, and shed light on dark paths to enlighten them in exploring and exposing to show the defects for the audience for treatment that may raise the place and it dwellers.

صورة الكورد في الرواية العربية في العراق ( من 2000 - الى 2015 ) == Picture Of The Kurds In The Arab Novel In Iraq (From 2000 - To 2015)

Author name: هديـل حسام الدين احمد
Supervisor name: سعيد عبد الهادي المرهج
Specific topic: Literature
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Novel has been academically occupied for more than a decade in our country as it could expand and take up a place comparable to poetry, and it was the best way which could express a nation that had no stability and for it is the closest to reality, I have found an appropriate way through it to study the nature of the relationships between the components of this country(my country), so I can participate in restoring some of our image on the statement of how it was originally portrayed and what the lines of deformation are or the lines of fake beauty through which it was painted as well as how far it is realistic.The research field was to study the other people (Kurds) and be fully knowledgeable of who they really are.Here we are researching about the Kurds as other people and how the Arabs portrayed and imagine them, the Kurds who are different from the Arabs in terms of nationalism, language and culture and who have in common with each other in terms of living in the same country.How was the image portrayed? Was it negative or positive? How was the relationship between the two people politically inside that unified space? , this is what we are endeavoring to answer through our research relying on the following plan : Preface (portray of the latter (Kurds), concept and representation) : Theoretical presentation, in which we handled the concept of the portray, the latter, representation and idioms related to the latter (Kurds) as well as the ideology as an effective factor in establishing the portray of the Kurds.Regarding chapters and how they are divided, the thesis was in three chapters, each has two sections (researches).Chapter one is entitled as (the political portray of the Kurds and the ideological representation), in which we handled the relation between politics and ideology and literature; therefore, it was classified into two researches (sections) : The first one is (political portray/against the Kurds - with the authority), we stated how the political events affected between the two nationalities in establishing a negative image (portray) about the Kurds and how that taken portray leaked out. We handled novels which could be described as political ones in which there were political portrays formed against the Kurds.The second is entitled as (political portray/ with the Kurds - against the authority), we presented the events which resulted in meeting between the Arabs and Kurds as well as handling novels which contained positive images for the Kurds.Regarding the second chapter, it handled how the social relationships between the two parties (the social image of the Kurds) in the novel and it are divided into two sections (researches) : The first entitled as (Kurds are self participant - peaceful coexistence) in which we presented the meaning of peaceful coexistence and we also handled the novels which depicted the Kurds as participant to the Arabs through presenting portrays of peaceful coexistence between them.The second is entitled as (Kurds are self - paradox - self transformations and persistence) in which we presented an explanation for self concept and we studied novels depicted the selfness of the Kurds which was transformed, changed or dispersed in terms of identity and portrays for characters which were maintained in identity as well as our endeavor to state the formation of women's selfness.As for the third and last chapter, we took a pause at the nature of establishing the portray of the Kurds through establishment of technical studied novels (technical portray of the Kurds in the Arabic novels and it is in two researches : The first is entitled as (place shifts) in which we presented a theoretical presentation about the place and we handled the place shifts (the Kurd or how he is related to it) and its significance in the novels which presented portrays for the Kurdish environment and the places which were the settling ones for them.The second one is entitled as (point of view), it contained a theoretical introduction about (point of view) and then we studied point of view and visions in novels, subject of study as point of view establishes a technical standard in dealing with events from an angle.Eventually, we finished our research reaching to a closure which included all what we had come up with, I tried in my research(study) to answer all the questions that we put forward in the introduction and research them even relatively and prepared a summary for critical reading through which I endeavored to analyze novels and decode them.

المفارقة في الشعر العربي الحديث : محمد مهدي الجواهري انموذجا == The Irony Of Arabic Potery Mohammed Mehdi Al Jawahiri - Model

Author name: منتهى حسن محمد علي الانصاري
Supervisor name: جبير صالح حمادي القرغولي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Litrerary work is based on the paradoxes of multiple type and closely to related to humans and are often dump thwsw paradoxes between reality and fantasy produce paradoxes overcrowded as a shortcut to the life and existence which creates dimension Tagged couped by myself charged depending on the languge dose not say do not teel Ihave served the term irony area and wide in the arena cash because of its significant impact in the context of a literary work provide him with art card and aewsthetic fantastic as well as what permeates built linguistic elusive art unintended running thought the recipient not to mention their impact emotional and psychological in itself fit As students of science and kneledge we are looking for all that is useful in order to present it a scientifice way and the Academy allws for the largest possible number see it and benefit from at the same time Ihave dealt with many of the graduate student in various universities this topic and Ozvoh in various models they ate study and analysis and are beautifui and under the supervisions of professors qualified which studies in the hair such as : The irony of hair pioneer study in the product of the pioneers in free verse Hamza Faleh University did not understand the irony stands as a stand or graphical format or any case falls under this concept when the fild of hair only of but extended to many other creative races such as the story and novel and shrinesEating boot Investigation for the emergrnce of irony Tgosais historically through the sequence that leads to irony in the reference book but under different name to be crystallized and became a term commonly dealt with critics and researchers in the modern era starting from the age of philosophers Greeks up to the heritage of ancient Arab in which she was irony.The primary sources related to the subject matter was the most important of which was adopted in this research study it was basically the book irony and its characterisvs its author.De Landed academic study of this article on boot chapters branched turn to SSIand then to the demands as required by Article scientific and availability and a conclusion of the most important results of scientific research.1 - boot : included Study : Roots In the first chapter it addressed in a simple and moving away from the repetition and redundancy to avoid boredom when the receiver was the study of his autobiography for knowledge and take it for the purpose of controlling this phenomenon literarynirony in his hair.The events in that period make him about set of contradictions and paradoxes poetic tensions surrounding his work made about a set of contradictions and paradoxes poetic tensions surrounding his work in building traditiol and pome style and Gazetteer Tension between individual content and complexity of the problems because of the values and ideas and names as national and social justice As political events social and cultural : that prompted some poets rid of classical poetry to engage with their hair to address the topics. New purposes required by the need of the times and events. The jeweller found plenty of room for political purposes in creative aspirations with a shift from form to content. Believing that real innovation is in construction and content then it does not matter how old systems or modern to produce a new style do contribute to ridding the Arabic poetry of contrast between from and content. Ihave a balance between the national and artistic commitment through its relationship with reality and his ideas, and social value, as occurred in the jeweller poets and critics amony the paradox does not meet ; tradition and modernity. This heterogeneity has produced an organizational relationship, different linguistic language classical poetry ; a living language realistic, simple , capable of offering professional experience between anomalies and substantive.The suffering of the jeweller because persecution of his regime in the 1930 was the cause of artistic creativity , and has a sharp u - turn in critics counted a jeweller.2 - INorder to learn why literary phenomenon in the entire Cabinet , it is necessary to identify the most important reasons that have had the upper hand in its appearance. As is well known , if the inquiry , you must follow the clues to access knowledge. It included a chapter on the four demands of the task in the life of a jeweller , and arguably credited Preveza poet of irony in the critical period reasons that make him a poet of irony , addressed four topics included life , along the years , until his death.It is also known that the the poet Ibn environment , cannot tell his character only by intensive study of the living environment , and the conditions that encapsulates his life , where areligious man from a family committed to the culture of Najaf. Itried to display why make it personal resents the cleric , with evidence of his selected poetry , every person has a node , make him a poet , so he came a bookworm to show the negative impact of some sick souls in this domain , which worked hard to spread decadence and intellectual underdevelopment society as long as they enjoy the authentic cultural roots , place over millennia.He lived throughout his life Al - jawahiri , either within the home or outside , closely associated with doubt , with his countrymen. So the public image in his poetry , which shows the extent of mzlomiatha , in the time period coincided with the jeweller and the poet at the same time , he devoted himself to claim their rights from the oppressors , the various types of literary and rhetorical methods in order to reach the goal to the right of the disenfranchised. Defending the people standing in the ruling authorities of his time , the ruling was unjust in his poetry the most wonderful pictures and mastered for this hayer autocrat , radio and photographic methods of injustice and oppression , bot in a modern classic Arabic literature through his sincere. all these images in his poetry came with a choice of Cabinet models to show the irony that he wanted. And in the grandest literary way.And so discriminate topic of alienation and longing in a temporal paradox at all time sentimental style , psychological motivation and have varied reasons for resorting to organized in depth. What struck Iraq disasters and tragedies have made him a distinctive ground to produce a color psychologist. The alienation and nostalgia are the paradoxes in the poetic text ; as any alienation and nostalgia of the same coin. Known poets and Iraqi poet especially breathtaking passion and depth of IMDB, and the griel of the successive and significant expression of central systems for various poetry , not his feehings away from events and the paradoxes of his day , often emotional sensations close to ask to read or recite the political reality , and the events and hardships. The exile and alienation are concepts inseparable from the poet in his homeland and the homeland itself , and that alienation is the resulf of alienation and estrangement which both eeird and not vice versa.It has equal opposing the standards has the reality within his homeland Iraq. The temporal paradox achieved by temporal framed , shock and breaking the horizon of expectation , and the time given for the event has tagged a guide , mentioning husband. and that each of the contrast is essential to the existence of the other , Indeed necessary to understand its meaning , and integrated with the show big time paradpx in existence. And the other two facets of the same currency involving life and death , a stream gushing future is sooner or later death majestic.Is present is salvation weistra with time since wanted him no can be prepared by the incapacitated , or left , or an ally , or their death. Life had value because of the inevitability of death. The technical study structure of paradox being rhetorical formula (lumberjackrhetorical and metaphorical). Where anomalies the methods trakibih jeweller linguistic variety came within a method call and question marks , and the irony of all depends on the irony of these methods , through emplpyment in the most poetic purposes associated directly with a jeweller , a lament , and alienation and nostalgia. And within the semantic study of rhetoric metaphor , and simile , we prove that the irony one rhetorical arts , sigle missed far from other arts. As is the case in many metaphors and rhetorical art appear a;ongside the most supported and embellished and ignite beautiful , intellectually dimension helps communicate the message of the poet , his idea to the recipient , such as pervasive in the art of metaphor and simile and a certain God is good

التركيب النحوي في شعر زهير بن ابي سلمى

Author name: مصطفى حامد مصطفى الخزرجي
Supervisor name: سحاب محمد رشم الاسدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

البناء السردي في شعر الحروب في القرن الرابع الهجري المتنبي وابو فراس الحمداني اختيارا == Narrative Structures In Poetry Of Wars In The Fourth Century For Hegira Al - Mutanabi And Abu - Firas Ai - Hamadany

Author name: مريم جعفر صادق
Supervisor name: افتخار عناد اسماعيل الكبيسي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: In The name of Allah The merciful Praise to Allah , horde of The worlds ,Prayer and peace on The most honorable human being of Allah wholes mohammed. The narrated since The ancient times one of The literary creativities but it met with great in tersest from newly student , where These studies done on The study of Arabic literature according to The old terminology of modernAnd ran it through what wrote in many books dealing with literature poetry and prose.This study is one of The attempts to demon strate the features of The narratiue in the arab Abbasi poetry of the novel of war in AL - Mutanabi and Abu firas - Al Hamadaui poetry, because of their time witnessed internal wars and foreign wars. Abbasi narratiue has been studied in many of the arts such as letters , shrines and stories as well as poetry , so his do coral thesis entitled : narration narrative structure in the poetry after second Abbasid era , and The narrative in bogeyed(tightwads amodel) , and many of the studies The nature of the subject of the letter was re uired according to the three chapters pre ceded by an introduction and boot folioed by a conclusion. so pared the narrative language and idiomatically to the Arabs and the west first and balance between the nature of the narrative and the multiplicity of the terminology news , story , storytelling ,study : personal decided in to the head and secondary in the first section while the second part , came the methods provided by the characters directly and in directly. The second chapter which debit with : circum stantial time and place , asit was the first topic is dedicated to time in accord ance with the chvonological order of Balasthag and retrieval , while the secnd section dealt with by the military place whether open space or enclosed the third chapter looking for : the first about the typesof euent , and howil began and how the narrator of events stamped. And then it ended with a condusion of this study in which the main results were presented that have been reaehed , followed byalist of sources and references approved.It was nat my education free of some of the difficulties experienced by, but l cannot help but offer uery much for each of the supportedme ,with acapacity of issuedand great con fidence and never donating to the guidauce and advice. prasebe to Allah and Allah bless Muhammad and his companions..

شعر الرصافي الرفاء البلنسي : دراسة موضوعية - فنية

Author name: خالد شكر محمود صالح الفراجي
Supervisor name: عبد الرحمن كريم عذاب اللامي
Specific topic: Literature
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الخصائص الاسلوبية في شعر ابي فراس الحمداني (ت 357هـ) والمعتمد بن عباد (ت 488هـ) : دراسة موازنة == Style Characters In Poets Of Abi Firas Al - Hamdani And Al - Mu'Tamid Comparative Study

Author name: محمود خضر جمعة جربوع الفرهودي
Supervisor name: فاضل بنيان محمد الجنابي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد الخصائص الاسلوبية من ابرز المقومات اللازمة للدخول الى صميم العوالم الفكرية والنفسية لشاعر، او لطائفة من الشعراء عاشوا ظروفا سياسية واجتماعية واقتصادية وثقافية متماثلة في عصر واحد، او عصور مختلفة، اذ ان الخصائص التي تتوزع على مستويات عدة تدخل في شعي | Thanks to Allah and Pray and Peace on his prophet Muhammad with all his relations and followers.The style characters are considered as a main distinguished necessitate elements to enter in essence of intellectual and psychological worlds of the poet, or for the group of poets those who lived in similar political, social, economic and cultural conditions at the same time or in different times, the characters which are distributed at number of levels, are enter in language details in their pronunciations and structure, also in internal and external rhythmic of this language, in the methods of using them and in indications which are lead by using special individual using in every poet or group of poets, in addition, the study of these characters and to balance between them showed the features of acuity and creation entered in aim of touching the basis of technical creation in pomes of poets.So I dealt in research ( Style Characters at Abi Firas Al - Hamadani and AL - Mu'tamid Bin Abad Poets Comparative study) in style characters in poem of two most greatest poets in sentimental pomes, this study divides to two parts, first one is specialized to study these characters by two chapters first one is on the life of the two poets, to know the conditions of their life, and to specify the main points with reasons beyond saying pomes.Chapter two at the first part specialized for studying the (style characteristic in Abu Firas Pomes) this chapter includes four sections, section one concentrated on the ideas of poets within three main sides which are represented the personality embodying, and to show love situation, and expressing the fascinating experience, section two talked on poems images, section three included the linguistic structures representing by requested and composition styles, chapter three contained the external poem music represented by measure and rhyme, also the interior music represented by repetition, and to bring the rear to the fore, homonym.Chapter three from first part specialized to study the (style characters in Al - Mu'tamid Bin Ebad poet), as in chapter two divided to four sections, first section talked on ideas, second on poetic images, third on studying linguistic structures, and fourth one dealt with internal and external music.Part two shade a light on the balance letter between two poets in one chapter included four sections, first one for the balance between the ideas of two poems, second one specialized to poetic language, when section three for the poem imagination, and at the end the section four dealt with emotion.So in this way, thesis will be finished and researcher arrive to the main important results, that the poem is the nature of the two poets, also the two poets could express themselves and embodied their personalities in their poets, research could also recognized the good using of vocabularies by two poets, and their function, researcher emphasis also on the weakness of imagination at Abu Firas, with over emotions on imagination image than Al - Mu'tamid, and showed the strongest of emotion to every one, which were reached some times to passionation especially in fascinating poets.These are the most important results in research, could researcher showed them by Allah supporting and gratitude, so we thank Allah in achievement of this research.

النزعة الانسانية في الشعر الاندلسي في عصر الطوائف

Author name: محمد عبد الرحمن محمود الفضلي
Supervisor name: سامي مكي العاني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: My thesis "Humanitarian Inclinations in Andalusian Poetry during the Age of Princelings" is composed of introduction, preface, and 2 chapters, each includes 2sections. The first section of the first chapter tackles the most important ages Andalusia had undergone before the Age of Princelings, and most prominent poets thereof. As for the second section, it tackles humanitarian inclinations in Andalusian poetry before the Age of Princelings. The first section of the second chapter exposes biographies of most prominent humanitarian poets of that Age, while the second section discusses humanitarian inclinations during the Age of Princelings.The preface includes information about humanity and its meaning in literature, and about sub states and princelings at the Age of Princelings.In short, my thesis exposes the humanitarian problems facing Andalusian poets being spokesmen of typical Andalusians. The problems used to be many whereas their solutions used to be almost "nil" because to fund deficiency due to the events they were exposed thereto subsequent to dividing their country into sub states and princelings as a result of their kings' misbehaviour, tyranny, and plunge in lusts, wine, impudence, effemination and invasion to enlarge their kingdoms. The victim was none but the typical Andalusian having to bear the rulers' tyranny as he was burdened with huge amounts of taxes he had to pay… he would see his money go to rulers squandering the same on their lusts whereas taxpayers were in bad need therefor to provide their families to improve their living… that was very painful. Hence, many found themselves obliged to leave their families, children and homes to get rid of that tyranny. Others were thrown into prisons and expatriated… the reasons were numerous and trivial. Andalusian poets undertook to depict all tragic events and scenes via rime, dictions, and figures of speech. So, they were not safe from the rulers' tyranny. Therefore, many poets emigrated… many were thrown into prisons… many were deported…Once you want to get acquainted with Andalusians' sufferings at that time, my thesis is exposed for you to read its contents and get knowledge thereabout… May God grant us success and prosperity.

التصوير الموسيقي في الشعر الاندلسي عصر ملوك الطوائف والمرابطين == The Imagery Musical In The Al - Andalusian Poetry : Era Of Al - Tawaif And Al - Moravid Kings

Author name: محمد عادل جاسم حمادي
Supervisor name: نصيرة احمد حمزة الشمري
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تضمنت تلك الدراسة مجموعة الدواوين الشعرية المحققة في عصر ملوك الطوائف والمرابطين , والتي حظيت باهتمام الباحثين في جميع المجالات الادبية والنقدية , ما اعطانا حافزا لدراسة الجوانب الموسيقية التي لم يسلط الضوء عليها سابقا. الفصل الاول : درسنا فيه التصوير | Chapter one discusses musical imagery.In this chapter there are three sections : Section one : assimilation imagerySection two : metaphorical imagerySection three : metonymy imagery The researcher in this chapter discusses the relation between rhetorical imagery and music : was the poet successful in relating rhetorical imagery to music ? Are there discrepancies among poets in the extent of drawing such a relation or not ? ln chapter two , the researcher studies poetic and musical structure. This chapter is of two sections : section one is about poetic functions ,which are eulogy , elegy , love , wine , description , pride , and lampoon. Taking into consideration the different views of critics and prosody specialists , the relationship between meter and poetic functions , verification of authenticity of such views within analysis , and was the poet successful in relating meter and poetic function with musical imagery structure or not , were also discussed in this section. Section two is about the structure of Andalusian terza rima. the functions here were ; eulogy ,elegy , wine ,nature , and love. ln this section the relation between meter and poetic functions , within the structure of poetic imagery concerning Andalusian terza rima was discussed. Chapter three discusses the features of prosodic structure. lt is comprised of two sections. Section one studies external music , including two functions ; meter and rhythm. Section two is about internal music. ln this section , the researcher deals with repetition , paronomasia , relating second hemistich to the first , concord , inlay ,and rotation. these arts have vital prosodic importance in the contribution of the structure of the musical imagery. The conclusion included the outcomes of the study followed by references

الغربة والحنين في شعر الجواهري

Author name: محمد حسون نهاي
Supervisor name: سحاب محمد رشم الاسدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

الشفاعة والاستعطاف في شعر العصر الاسلامي : دراسة موضوعية فنية

Author name: فاطمة سعد دواس
Supervisor name: محمد فليح حسن الجبوري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:

البناء الفني في شعر ابن زمرك الاندلسي 797هـ == The Technical Struchure Of The Verse Of Ibn Zumrak Al - Andulsi

Author name: علاء طالب عبد الله العاني
Supervisor name: سحاب محمد رشم الاسدي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: Islam ruled Andalucia for eight centuries during which Arabs Iaid the foundations of a great civilization. Andalucia became the bridge on which the Arabic culture crossed to Europe. When conflicts and domestic differences spread, the nation split up and became too weak to stop the Christian attacks in the north of the island. However the Arabic cultural heriage remained as a witness of the Arabic mental talent represented in various fields of Knowledge. Hence research work should reveal those distinguished masters of literature and their precious treasures. Ibn Zomrak was of those masters who marked an important stage out in the history of Arabic thought in Andalucia during a critical period of a threating collapse. He lived in the first half of the eighth Higri century and became one the distinguished people of the cultural movement in Grenada where litrary life flourished despite the deteriorated political conditions and the retraction of Arabic rule and the fall of the big bases in Andalucia. Ibn Zomrak was one of the Andalusi poest hose poetry was characterized by Keebing the inherited from and exploring new ideas , meanings, and images. He was one of many other poets whose potry needs to be exblored and revealed to readers to establish one pillar in the Andalusi studies. This study attempts to shed light on one of the poets of Andalucia whose poetry was scattered out in various Andalusi and east and west Arabic countries. The study collected, analyzed and verified his poetry and put it in its proper place among the poetry of his contempoatry great poets such as Ibn Elkhateeb, Ibn khatima, Abi - El - Bakaa, as he had a great aristic talent of writing poetry. The study is made up of an introduction, four chapters, and a con clusion. The introduction deals with the poet's evvironment which represents the geographical, political, cultural and constructional aspects of Granada; the birthplace of lbn Zomrak, and all of its surroundings such as hills, mountains, rivers, gardens, etc. In the introduction l referred to the policy adopted at home and abroad and the treaties of reconciliation and and friendship between the Kingdom of Granada and its neighboring countries. part of the inteduction tackled the conflicts among the members of the ruling family and the political relationships between the Kingdom Granada and the friendly Kingdom of Morocco ( Kingdom of Bani Mareen ) and the enemy Christion Kingdom of Castilla and Argoon. Then I dealt with the cultural environment and the literary development as a result of Bani Nasr's encouraging of a group of distinguished poets, thinkers, linguists, scientists, and doctors and the establishing of Yousofiya School and recruiting the best qualified teachers for it

المتن والهامش في الكتاب لــ ادونيس : دراسة نقدية == Text And Margin In Adonis's "The Book" : A Critical Study

Author name: عز الدين صخي خضير
Supervisor name: عصام عسل حسن العتابي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The thesis deals with the text and the margin in Adonis's "The Book" A Critical Study. It describes the central saying which dominates the content of The Book on special level. On the other hand, It dominates the history of the population on public level. It is a hegemony throwing light on Adonis's view point who has uttered the culture of the transformed text. It springs from philosophical basis, believing in the principle of move due to the move of reality, leading to guarantee the Adonisian pure transformation, that forms an intellectual, knowledgeable, innovative and aesthetic break off with what is prevalence in the Arabic and global cultures.Adonisian text is interwoven one; many philosophies and culture has melted within it. Therefore, his text is a combination of poetry and intellect simultaneously. The Graphic and textual structure of the Book has gained a special importance; on hand described as a new innovative writerly text, history is dissolved within it. On the other hand, described as a science embracing all types of cultures - sometimes they cross with poetry and other time they meet with it. The former reveals the hegemony and persecution; the latter glorifies the innovation and liberation, and between this and that the opposition between text and margin, emerges the former glorifying, and the latter critical, within them dialectic occurs at which time is existed in its three dimensions (the past, the present and future) - exposing and knowledgeable - leading to the victory of the text over the margin and that is through presenting unified and comprehensive vision about reality. Its principal relies on the principle of motion; It leads the necessity of transformation. Through the induction of the whole content of "The Book" it turns out that the graphic and textual structure same as pyramid; religion serves as its basis, cylinder is composed of text and margin, and its top is the vantage point. So the start is deconstructive mode, its conflict is exposure and the salvation / vision, A structure each part of it inescapably depends on the other; and this combination of parts leads to vision / salvation. The hypothesis of thesis attempts to be proven from the introduction to the conclusion. It divides thesis into an introduction and three chapters discussing the reading of the text and margin in Adonis "The Book"; it depends on three pivots; first fundamental; second foundation; and the third the term which seeks for the potential exemplar of knowledge beyond Adonis's creative and intellectual idea. On the light of the exemplar, the term "the text and the margin in The Book" will be specified. The first chapter is The start / Deconstruction which discusses the tools of Adonis's critical view point toward The Stable / The religion. The first tool : the rebellion against the sacred; the second : the glorification of sin. Chapter two is The Conflict / the revelation which throws light on the dialectic of text and margin leading to exposing knowledge. That is achieved through three points; first is the combinative structure of The Book; the second is the dialectic the history of authority / the margin. The third is the dialectic of glorification / the body. Chapter three is salvation / visions which consists of a comprehensive vision discussing its singularity and its optimistic / pessimistic dimensions. The systematic and academic process of thesis ends up with conclusion which recapitulates the important results of the research, on intellectual level is that man in the absolute center of universe. On the creative level is that poetic writings do not correspond with axioms. However it is a perpetual transformation producing suspicion and anxiety in all certainties.
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