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شعر مديح الخلفاء في العصر العباسي الاول : مقاربة تداولية == Praise Poetry Of Caliphs In The First Abbasid Era Pragmatic Approach

Author name: عبد الله بيرم يونس
Supervisor name: منتصر عبد القادر الغضنفري
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: Pragmatics deals with the relation between linguistic activity and its users, and successful methods of using the linguistic marks and different keys and contexts within which the discourse is made. Also it finds out the elements that make the discourse as a successful and obvious massage and it finds out the reasons for failure in communication with natural languages.Since pragmatics has the ability to call for non - linguistic aspects in the process of criticism and analysis in the address, this method has been chosen to approach the praise poetry of Caliphs in the first Abbasid era in a way which is different from most literary studies that deals with this poetry with regard to artistic form only. Praise poetry in general, and of Caliphs in particular isn’t based on the aesthetic conditions only, but also it takes into consideration the pragmatic and social conditions that require forms of speech manner according to tone keys in response to a general law that regulates the human communication and prescribes that the success of communication between speaker and addressee is based only on the response to the pragmatic rules, such as cooperation, politeness, courtesy … etc. Since these rules are characterized by usual communication, it is better that these rules are characterized by poetic speech which requires aesthetic form. So, how do the poets leave the dignity that they seek? The poetry that praises Caliphs requires special types of criticism, so the pragmatics is the most appropriate manner to approach this type of poetry. So, we followed the pragmatic manner in studying and analyzing the praise poetries mentioned in the Abbasid royal palace.

اثر الاسلام في شعر النقائض == Influence Of Isalam In Paradoxical Poetry

Author name: ميادة محمد عبد اللطيف المشهداني
Supervisor name: خليل ابراهيم عبد الوهاب القيسي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: I handle in my thesis : preface of culture of Arab Islamic Society and how this culture influenced on art level for poetry specially correspondence of poets because it is a source from culture sources, paradox started from this society and was a mean from means that used to make people laugh through humor which its essence was political most of time and declared among people as daily journals to get the component and call him names on sight and hear of ruling authority or by order from it, paradox reach its op and developed in Amawi age on hand of three poets (jarir, Al - Farazdiq, Al - Akhtal) and how Islam influenced in poetry of those poets and Islam influenced in poetry of those poets and how they influenced by it. In the first chapter ,handled influenced of Islam in meanings and how these meanings influenced in poetry of three Amawi poets, we study that they have colors of immaterial influenced which depend on adding properties of faith and good and Justice and mercy and wellness and belief and erasing the Injustice from complement persons of paradox poetry and most of its Islamic meanings were derived from holy Koran.In the second chapter I handled influence of Islam in terms and styles ,or terms and styles of three poets influenced by Islam, where they invested most of their terns from holy Koran ,also their ways influenced in way or another by Islam from style which reflect personality of poet where (style is a man).While third chapter handled poetical image for those three poets from their influence in poetical image by Islam and being derived from holy Koran and how reflect this image the experiences of poet where image connected with experience of poet and some specific emotional thought and related with feelings and control on poem and become apart from it and cooperate with rest parts by this complete experiences transfer and it is exactly structure of Arab poetry and from the most distinguish means which Koran depend upon it imaging meanings to apply feelings of material issues this wade it look like it is live image in movement ,poets used Koran image and refer to tern and Koran idiom and it is aesthetic mean in directing art consequence.

وظيفة الشعر في التراث البلاغي النقدي عند العرب من الـجاحظ (ت255هـ) الى حازم القرطاجني (ت684هـ) == The Function Of Poetry In The Arab Rhetorical Heritage Of Criticism From Al - Jahiz (D.255H) To Hazim Al - Qirtajni (D. 684H)

Author name: وســـن عبد المنعم ياسين ال فليح الزبيدي
Supervisor name: فاضل عبود خميس التميمي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: The present study, “The Function of Poetry in the Arab Rhetorical Heritage of Criticism from Al - Jahiz (d.255H.) to Hazim Al - Qirtajni (d.684H.)” Falls into an introduction four chapters and a conclusion A list of references and an abstract in English are also provided. The Introduction pinpoints the concept of function as well as showing the importance of poetry in the Arab rhetorical heritage of criticim and the role of the Arab poet. Chapter One presents a study of aesthtics as a coneept and science related to poetry within the sensational and descriptive frame, as well as the cognitive and semantic frame. Chapter Two shows the poetic benefit (al - nafii al - shiiri)as a term which is not found in the Arab heritage. So, it was the task of the researcher to look for the origins of this term by studying it in formationully and historically Chapter Three studies the concept of ethics linguistically and terminologically. It also includes a study of the poetic ethics beginning with pre - Islamic era. Chapter Four investigates the educational function of poetry which can be classified into general and specific functions. The study ends with the conclusion that shows the results concluded

الطيف في شعر البحتري == Phantom In Al - Bohtri's Poetry

Author name: ياسر محمود حسن عواد الحديدي
Supervisor name: نوار عبد النافع الدباغ
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: This Phantom covered a wide aspect of the Abbasi's poetry in general and Al - Bohtri's poetry in Particular. Al - Bohtri's phantom is restricted in the introductions of his Praises which draws attention to the fact that it is not concerned with a real woman but it was a symbol for what is beautiful and lovable to the poet himself.The facts that contributed to the use of phantom , Social and psychological ones. The poet suffered a lot when he was a way from the Caliph and the minister who loved them and had real friendship and admiration relation ships with them. The happy and nice time , had spent with them , made his life bored and not pleasant when the two characters got killed. These two characters were the central pillar in the phantom of Al - Bohtri's Poetry. The poet was Calliy for thers his old happy and nice days in the Abbasi Calphate Palace. Also , their phantoms were Called whenever he wanted to praise a Caliph or a stateman. The faculty of his poetic imagination helped his link vision with reality and real world with dream. The poet goes back to his memory to get the power from the old happy days. when hard times stand against the poet. He faces the painful present time with the old times.

المصطلح البلاغي في كتاب الكليات للكفوي (1094 هـ) == Rhetorical Term In Al - Kulliyat Book For Al - Kafawi (1094 A.H.)

Author name: لمياء حسين حسن حميد الهاشمي
Supervisor name: محمد سالم سعد الله الشيخ علي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: The terms, being practical and epistemological keys in any area of study, have become an effective tool that helps researchers in a certain discipline to understand them and to trace their true sense. The work on terms has busied a number of scholars in various areas. They exerted great efforts in the cause of illuminating concepts, and defining senses. They compiled dictionaries and encyclopedias which encompassed these terms. One of these books is Abi Al - Baqa Ul - Kafawi's (1094 A.H.) entitled Al - Kulliyat, a dictionary of linguistic differences, which contains a great number of terms that entered different scientific fields. We opted for studying this book for its highlighting of the rhetoric terms. The present thesis comprises four chapters. Chapter One studies the rhetorical term, which had undergone no changes. Chapter Two deals with the overlapping terms. The overlapping terms are those rhetorical terms that were presented by Al - Kafawi as overlapping with such disciplines as grammar, jurisprudence, logic, etc. Chapter Three is devoted to the rhetorical terms that were presented in a rather abridged manner to which we gave the label “condensed rhetorical term”. Chapter Four is dedicated to the rhetorical terms treated by Al - Kafawi away from their rhetorical arena. They were dealt with within grammatical, logical or fundamental frames - or other frames. The findings of the present study are : 1. Al - Kafawi depended on very subtle senses to show the differences among terms.2. Al - Kafawi has deviated from rhetoricians in his coning of some terms especially the term “ tandheem”.3. The obscurity of some terms of Al - Kafawi stems from his adoption of some rhetoricians’ limitations before having matured.4. Al - Kafawi has sometimes cited some concepts in an inaccurate way such as the term “altajnees”5. Al - Kafawi's style was coloured by a philosophical and logical colure, which became one of his distinctive features

جماليات الاستشهاد بالقران الكريم في كتب التراث الادبي العربي

Author name: فرحة عزيز محسن
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Quran citing takes a distinctive status in the critical work due to the great importance in determining the cited situations and matters.The writers s and authors are soncerned with citing at cuIturaI , religious and Literary references ( the aesthetics of citing of holy Quran in the Arab literary legacy books ).There are many reasons motivating the writers and critics to cite from the Quran text. This Quranic citing gives the text beauty and magnificence It heIps to discovere context and posside suggestible relations between terms and meanings. The thesis is divided in to three chapters in adduction a preface in which : it has studied the meaning of citing linguistically and idiomatically and its nature ,its motivtes , its reasons and its. It also contained three chapters. In the first chapter : we have studied the linguistic level in three parts, the first part deals with the grammatical level the second is semantica and third one is with morphological level. In the second chapter : we have studied the rhetorical level in three parts : the first part is Al - Badee'a science matters , the second is graphical matters and the third one is on the semantic matters. For the third chapter we have studied other levels , it has four parts. In first part, we have remedied the religious level. The second was concerned on the political level, third was on the intellectual level and the fourth one related to the social level. in the end we have mentioned the results, findings and research references. After all, in the these efforts, the researcher has not claimed that she reaches to perfection in this thesis, perfection only belongs to Allah.

ملامح الدرامية في شعر الاغتراب النسوي العراقي الحديث == Dramatic Structure In Modern Iraqi Female Poetry Of Expatriation

Author name: جنان عايد محمد الحسيني
Supervisor name: جبار عودة بدن الشحماني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Poetic drama has been an important subject that draws much attention since lyricism has begun to lessen and be replaced by ways of depicting the different problems that people face in their every - day life. Thus , it is necessary that the poet be aware of this change and the relation between drama and poetry. This depends on his / her view of the dimensions and levels of the text in the discourse and his / her recognition of the artistic work he / she is performing and through which the poet embodies the drama that includes conflicting events and persons who make the temporal and spatial frames of the dialogue in its multi - direction aspects. This study is about the dramatic structure in modern Iraqi female poetry of expatriation. Woman is always considered as the weakest and most narcissist creature who attempts to prove her active existence and presence in a narrow - minded society that once cam cells her identity once establishes it depending on her supremecy on man. She is more skillful especially in poetry of expatriation. While she is away from her homeland , she tries to be a part of the reality of expatriation. She expresses that through her sensitivity and warm feelings and , at the same time , is facing the tragic life and the painful reality. Even though , she is the most able to face all types of political , economic and social expatriation in the society. The researcher has noticed a substantial link between the poetic drama and expatriation and to how the Iraqi female poet expresses that in her poetry. This study consists of an introduction , three chapters and a conclusion. The introduction defines drama and expatriation and establishes the origin of the relation between drama and poetry or one side and between expatriation and loneliness on the other to define and limit those notions in their final form in light of modern studies. The researcher also highlights female poetry and how it responds to the situation especially that the Iraqi female poets live outside their country. The question is how able they are to embody the dramatic structure in their poems and to express the feelings of expatriation. Chapter one is made of three sections and discusses elements of the dramatic performance. The three sections are about the dramatic event , the dramatic characters and dialogue and conflict respectively. Chapter two , " Techniques of contemporary poems " , consists of two sections : The disguise on the level of the symbol and the disguise on the level of the myth respectively. Chapter three includes two sections : the first is about place and the second is about time. The conclusion includes the important results of the study ; among which is the overlap of drama and poetry as for as form and content are concerned. The study also reveals the nature of relation between expatriation and loneliness and their effect on those who are expatriated while they are seeking to prove their human existence against conflicts and crises. The female poet finds in her texts an outlet and escape from her expatriation and a reflection of her inside. She is firstly a woman and then she is a poet. She , as a female , has the characteristics of motherhood and homesickness. All that expressed in the dramatic structure of female poetry of expatriation.

الاخر في الشعر المهجري : دراسة في ضوء النقد الثقافي == The Other In The Immigration Poetry : A Study In The Light Of Cultural Criticism

Author name: احمد طعمة حرب
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: This Dissertation , entitled ( The Other in Immigration Poetry : A Study in the Light of Cultural Criticism ) , deals with the theme of " The types , Ways of its construction , how far do culture , religious and literary authorities impact its construction. It tries to discover the cultural patterns involved in the aesthetic aspects that contributed in the deterioration of the image of " The Other " , and made the poetic discourse suffer from contradiction , where it shows all that is beautiful and human , but it conceals too much ugliness and non - human intentions.This dissertation uncovers that immigration poets are interested in the aesthetic aspects rather than human aspects. Moreover , it shows how critics contributed in justifying and beautifying this discourse in such an exaggerate way.It falls into three chapters preceded by an introduction and followed by conclusions. Chapter one falls into three sections ;section one deals with the term of " The Other " linguistically and terminologically as well as the impact of the Arabic and Western cultures and religion on its formation ; section two dealt with the image of cultural criticism , its nature , its relation with other approaches and its merits and demerits ; section three was about the cultural authorities of immigration poetry and their role in forming the image of " The Other ".Chapter two is entitled The Recombinant Other. It falls into five sections , the first of which dealt with The National other , the second dealt with The Divine Other , the third introduced The Woman as being considered The Other , the fourth tackled Nature , the fifth is devoted to the transformations of The Recombinant.Chapter Three is entitled " The Different Other ". It is divided into five sections , section one dealt with The National other , section two talked about The Different other in color and religion , section three sheds light on The Invisible other , section four is devoted to The Defiled Other , the fifth section studied the transformations of The Different.In the conclusion we stated the most important results that we reached at. Finally the researcher does not claim having done a thorough study that deals with everything about the topic ; it's a mere try to study the topic.

الخطاب الشعري في لافتات احمد مطر

Author name: محمد وليد محمد
Supervisor name: ضياء راضي محمد الثامري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

قصيدة الحياة اليومية في شعر عدنان الصائغ == Every - Day Life Poem In Adnan Al - Sa'Igh Poetry

Author name: احمد محمد علي حمو الطائي
Supervisor name: احمد جار الله ياسين
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: حظيت الحياة بتفاصيلها اليومية باهتمام في الشعر الحديث، اقتناعا من الشعراء بما تحمله الحياة من مناطق شعرية غنية مضمرة في اعماقها قادرة على منافسة هيمنة الموضوعات التقليدية، عبر المراهنة على جاذبية اليومي البسيط في خلق الشعرية الحديثة، وذلك ياتي استجابة | Life with its minor details captures the attention of modern poetry. It is, as modern poets think, so rich with inherent poetic fields that it can get rid of the grip of traditional themes. Modern poets stress the ability of the simple daily life attraction to dominate modern poetry. They develop this conviction to follow the up - to - date progress and express the concerns of wide walks of life used to be neglected by traditional poetry. The study consists of an introduction and four chapters. The introduction deals with the concept of daily life poem linguistically and idiomatically. It discusses as well the numerous terms used to refer to this concept. It presents a critical historical overview discussing some modern and traditional poems in the light of Arabic and western critical views.The first chapter of the study tackles the patterns of daily life poem structuring. It falls into two sections. The first studies the simple patterns (represented in stanzas, imagery poems and thoughts). The second, however, deals with compound patterns (i.e. narrative structures and dramatic structures). The second chapter studies the techniques of daily life poem. It is also of two sections. The first is concerned with the linguistic techniques of daily life poem. It is tackled at three levels : the dictionary of daily life poetry, unusual collocations and prose performance. The second, however, is concerned with imagery techniques. It concentrates on the techniques of intertextuality, informativity and production.The third chapter is dedicated, however, in its two sections to the themes of daily life poem. The first tackles individualistic themes like woman, family and fear; while the second studies social themes like war, daily affairs and class conflict.Finally, the fourth chapter is concerned with the musical structure of daily life poem. It studies in its first section the cadence of rhymed poem and some of the prominent rhyming features like rhythmic shift, rounding, and rhyming. The second section is concerned, however, with the rhythm of blank verse. It tries to highlight some rhythmic feature through studying the phenomena of repetition, parallelism and sight rhythm. The study ends up with a list of the most important conclusions it comes up with.

خصائص الاسلوب في كتاب نسيم الصبا لابن حبيب الحلبي ت779هـ == Style Characteristics In Nesimu El - Saba Book For Ibn Hebib Al - Helebi (779 AH)

Author name: منتهى حسون زيدان الجبوري
Supervisor name: كريمة نوماس محمد المدني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: This study is based on examining and analyzing the aesthetic features that are appeared in one of the traditional books and such books shows us the reality of literature that belongs to an era that is described as an age of retardation and darkness so much. In spite of this, relentless pursuit uncovered literary products with high level of poeticism and in such case; these products are on the contrary to melancholic perspective towards the products of this era and its pioneers.IbnNesimu El - Seba book comes as a sample with which we can touch what can appear as distinctive stylistic feature as well as reflexiveto state of literature at such era which is charactized by publicity of ornament, novel and decoration with different manifestations and forms in all these products. The stylistic approach as a mechanism to deal with what looks like as phonetic ,structural or semantic ecarts and violations in texts of the book whether they are poetic or prosaic. The plan of the study involve Preface with which the researcher introduces IbnHebib Al - Helebi, Nesimu El - Seba and the stylistic feature for the literature of eighth century A.D. Three chapters of the study are specified to deal with stylistic feature within Phonetic level, which include assonance, phonetic paronomasia,repetition, parallelism, rhymes, rhythms and duality. Chapter two deals with stylisticfeatures within structural level that include negation , condition , interrogation , call,anastrophe,asyndeton , polysyndeton , brachylogyand circumlocution. Chapter Three is specified to deal with stylistic feature within semantic level, which include cultural referents, simile, metaphor, allusion, and antithesis. The study comes up with conclusionand with some results of the study.

لغة الشعر في ديوان حروب الردة == The Language Of Poetry In Divan Of Apostasy Wars

Author name: زينب حميد عبد الامير عبود النصراوي
Supervisor name: عبد الامير كاظم السعيدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: Language of the pillar of a poetic text, it is marked by different characteristics which distinguish it from the tools and means of other arts. The research surveyed the essentials of the language of poetry and extensively studied them so as to see their components as to the levels of rhythm, wording, structure and image. Accordingly, the study fell into four chapters preceded by an introduction and followed by a conclusion. The introduction was based on three topics : the first was a viewpoint in the concept of the language of poetry, which depended on the viewpoints of the critics in presenting the concept of the language of poetry and also its function as a semiotic and an emotional language together with how the language of poetry presented as a connecting point between the pre - Islamic and Islamic poetry in addition to the characteristics it had at the early Islamic period in particular. It was followed by reading of the divan of the apostasy wars setting it right through presenting the criteria followed in arranging and ordering the posts' poems in the divan. Little was said about the historical side connected with the poetry of the poets of the apostasy wars regarding the political motives as what was related to such motives was relatively far from the technical sides and they were also studied by others. Then came chapter one with the title ( The Rhythmic Level ) containing the rhythm with the sound it included set by the measure. As the sound is considered the smallest unit of speech and that the rhythm is itself is considered sound in addition to the dependence of poetry in the Islamic period on the system of reciting, therefore it has had superiority in the system of the language of poetry. Chapter on showed the measure, the rhyme and the rhyming letter; it was considered an external music keeping the internal symmetry. Chapter one showed the common characteristics among poets keeping the sound system, such as repetition, setting and rhetorical beautifiers such as alliteration and other aspects which help keep parallelism inside the text such as parallelism and necessitating what was required. The text then started to express itself through utterances and according the ( utterance level ) was set showing what the poetic text was characterized by such as clarity, strangeness, eloquence and suggestion. The lexicon was then presented with the linguistic synonyms it has had presenting the words connected with war, scholars, Islamic doctrine, time place and nature. It showed how the poets employed the vocabularies during the emotional experience the experienced. Utterances ( words ) combine to constitute the text setting the structure and accordingly, came the ( construction level ) starting with showing the most prominent expressionistic styles which contributed to making language of poets. It was of two sections starting with showing the sentence and its styles the "nominative and verbal sentence" swinging in the poetic tissue between the constant and the changeable according to the situation. The narrative ( written) sentence came next including what the poets employed such as the interrogative, the vocative, the imperative, the negation, the supplication and the swearing. This was followed by the states of the sentence with all that it had of fronting, delaying and parenthesis ( objection). Following structuring ( construction) came picturing ( figuration) in setting imagination and emotion under the title ( The Figuration Level ) containing the source of the picture ( figure) such as the psychological motives with its function in drawing the picture, the cultural motive and the environment. And then came the second section to include the most important picturing styles such as the narrative, the mysterious and the communicative which stamped the poetic text with beauty in addition to adding the feature of determination of displaying. The research tried to show the structure of the language of poetry within the poetic text in the divan of the apostasy wars by using a descriptive and analytic method. The thesis ended with a conclusion which included the most important results the researcher came out with before giving the sources and references used in the study.

مستويات التلقي وانماطه في القران الكريم

Author name: ضحى عبد الستار جبار العيسى
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Thus, the receivers of Quran were on different degrees and above them all was the prophet, so he is the ideal receiver and the true receiver for the Quran because he is the target of it and those who came after him of pure Imams, then followed by believers and hen Muslims. The disbelievers class, their chiefs like Walid bin Ottba and Ottba bin Abi Rabee'a and Abu Jabil etc... received the holly text and the Call of the prophet and effected and admired it, more were effected in the frame of the Quran and most were effected by its charm and style and few effected by the Quranic stories and the tales of absence yet, they never be believers and never responded because the Quran never met their lusty deeds and their temporal benefits or it may the abilities of the receiver so weak tounderstand this miracle text. At last we said : The Holly Quran is the speech for both man and Jens and for all the nations Arab or otherwise of Books followers and otherwise and despite the creativeness of this text but it left different effects inside who received it all according to his understanding and knowledge of the text beside the lusty deeds and the benefits which were the reasons for the acceptance or refusal of that Quranic text.where showing the Paradise scenes and the hell and the torture. This was because to rise the en\motions of the receiver, also the mentioning of the dialogue between the paradise dwelt and the hell people leaves its effects in the soul of the receiver and to realize that being never received at the lower life and not responding for the messenger Mohammed (peace be upon him) will face not receiving by God the only Dear at the Account day.Part two includes (the receiver out side the Quran text) : it includes the process of announcing and receiving outside the Quranic spelt, it lies intwo chapters : Chapter one : the included (assumed) receiver : this will be achieved at every receiver automatically, positively and deeply, and it can be explained for both hidden and apparent meanings. He is the assumed receiver who has the ideals features in solving the codes of the text and he is unlimited receiver who fills in his circle all of those who receive the text automatically and positively Chapter two : the real receiver : it divided into two parts : 1. The receiver at the time of descending of the Holly Quran.2. The receiver after the death of Prophet Mohammed (peace be upon him), that is after ending of the aspirator and accomplish of the text (this is out of our research extend). The receiver at the time of the descending of the Holly Quran coulddistributed into : 1. The Deep in Knowledge : they are the prophet Mohammed (peace be upon him) and the pure Imams (peace be upon them).2. The believers.3. The Muslims.4. The maneuvers.pon him) invitation, the messengers and prophets had receiving the divine speech either by way of aspirator or without any device, or by speech from behind abstract. All the prophets had received the divine speech with acceptance and obeying because they had special nature which is recalling and reacting with the speech. What about the receiving level of the people for their prophets, all people were divided into two parts : 1. Positive receiving.2. the negative receiving.Because the Holly Quran consists of direction towards the receiver, it has to make full use of the reaction of the people towards their prophets when they invited them their messages. The positive receiving leads to saving of this class. The second class was destroyed and had tortured because their receiving was negative.Chapter two : the receiving at the time of Message : it includes the Quranic verses which referred to Qoraish receiving and otherwise of the Call to the believing and how was the reaction. We got the idea that the level of receiving in Holly Quran divided into : belief people and other disbelief and other class maneuver. The belief people were positively receive the Call this what the Quranic verses referred to. The disbelief people had received the Call negatively and we reach the reasons which led to this negativity one of which running behind the wrong inheritance and heir denied for God sending man to be messenger. Also Islam and Quran never agree with their benefits which temporal and their lusty.aspects. Finally the people who were maneuvering, this class heard and received Quran from Prophet Mohammed (peace be upon him) but their minds never reacted with the speech because they made the process of the receiving failed to keep their benefits of removal. Chapter Three : the receiving at future : it concentrates on what is mentioned in Quran about announcing and receiving and the Account day he research is studying the theory of receiving and the relation Tbetween the reader, the receiver and the literary text. Holly Quran is the highest and the most creative literary text. The speech of Allah (be highest) is not normal speech, since it enforces the receiver to listen to it and react with. There is strong relation between the reader, the receiver and the literary text. Each of them has the authority. upon the reader because the text has the highest degree of effectiveness, the mature and integrated text can surround the receiver and the later has no way but to stoop to its authority. One of these texts is the Holly Quran and came next the poetic verses which were created by the biggest poets. Thus, any text carries the features of creativeness the receiver has no power to resist but to stoop to it since it launches from the satisfaction of that text. The reader in other side can practice his authority upon the text by hisability on creativeness in understanding the text.The thesis has been organized in preface, two parts and a conclusion.The preface deals with the mention of the linguistic aspect and the pronunciation idiom (for the receiver) and talks about the growth of receiving theory beside the aspects which form it, and mention the levels of the receiver too about the most prominent establishers of it.Part One : it includes (the receiving inside the Holly Quran text). It includes the process of '!.nnouncing and receiving at the Quranic spelt elf, it consist o~~apt' Chapter ~~· thi!"rec~t : " "g before Quran descending : it includes the Quran verses ""~£.~lk about receiving before descending of Quran like what happened to Adams (peace be upon him) at paradise and the earth, and the prophets who were prior to inspiration and Mohammed (peace be

الصورة الفنية في شعر القروي

Author name: حامد مردان شروان الشاعر
Supervisor name: قصي سالم علوان الجلبي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

تقنيات السينما في الرواية العربية 2000 - 2015 == Cinematic Techniques In The Arabic Novel From (2000 - 2015)

Author name: جبار سلطان حسن
Supervisor name: يوسف محمد جابر اسكندر
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Arabic novel with its regional orientation has not been isolated from the novel in general, since it employs a lot of cinematic techniques, proving, meanwhile, that it is open to other arts, keeping up the vibe of renewal and development, because many writers wrote with cinematic awareness and cinematic technique. This elicited the researcher to delve deeper into the effort found in the novels to achieve new modes of expression, which rely heavily on the image and the cinematic formation to maintain the tools to elevate the narrative speech, granting it the necessary narrative identity, which is featured with innovation and high narrative performance. The study is preceded by a forward, which tackles the definitions of concepts that are relevant to the study such as technicality, the concept of cinema, its techniques, and its impact on the Arabic novel. It also highlights the term "New Arabic Novel", and the classification of the novels under study according to it. Examining eventually the studied novels and the criteria of selecting them. The study falls into three chapters beginning with theoretic entries giving sufficient idea about each technology. The first chapter highlights the scenario. It is divided into two sections; the first includes types of scenario in the Arabic novel; the second is about the elements of scenario in the Arabic novel. The second chapter highlights the functions of the camera put into application. It falls into three main sections; the first tackles the corners of the camera, the second tackles the movement of the camera and its steadiness, and the third tackles the duration of the shots. The third chapter discusses the impact of montaging on the Arabic novel. It is divided into two main sections; the first is entitled "The Narrative Montage in the Novel in its Four Types : Horizontal, Reverse, Parallel, and Alternative Montage"; while the second tackles the Expressive Montage in the novel in its two types : the ideological and the rhythmic. The Conclusion sums up the findings of the research and the proposed recommendations.

ادب يعرب السعيدي القصصي : دراسة في البنية السردية

Author name: نجوى محمد جمعة البياتي
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

اتجاهات نقد النص الشعري في مجلة الاقلام 1990 - 2010 == Trends Of Criticizing Poetic Context In “ Al - Aqlam Magazine “ 1990 - 2010

Author name: منتظر عبد الخضر ساجت
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Praise is to Allah, Lord of all creatures, and blessing joined with peace of God be upon the seal of the Prophets and messengers (Mohammad) as well as his faithful Companions. Amen This research deals with literary criticism efforts which have been previously published on an Iraqi magazine "Al - Aqlam" extending to the period 1990 - 2010. It is titled as "The Trends of Poetic text Criticism ", as no unanimous approach deals with the literary criticism; moreover, there are several approaches contribute in one literary trend. Psychological Trend; for instance, has variant approaches : Freud - method, Lacan method, and Yong method. Each approach has its unique view and it somehow differs from another approach even if all approaches contribute on comprehensive view which it is the - psychological view. These fore mentioned methods are achieved on the level of theorization, and they are based on the same environmental rules. What is about the researchers who received the trends through translation?. The critical application in tackling literary texts ensures us that there is no specific enclosed approach can be applied on constant procedures and is applicable on all its details, but the overlap is obvious between all the different approaches. Therefore, it is impossible to depend on a constant inevitable approach because the criticism process is an interaction process between the creative text, the critic and his own literary and critical taste. For these reasons the critical trend is acceptable further than the depending approach. The period , which covers the articles within the research, is between 1990 - 2010, i.e. it extends for about 20 years and the concentration stage of the study was achieved on the last of this period ; in order that the study will be contemporary to the modern - literary criticism movement or to the literary criticism movements which have recently seen the light. This study presently shows unprecedented trends, since it includes for the first time studies about trends of literary criticism never established in the Arabic region; for instance, it includes the Cultural Criticism. For this reason, we'd rather the study be practiced on the recent years of the mentioned period since the Arabic region has witnessed relative stability.This research is established to deal with selective poetical texts, because it is impossible to deal with all the poetical texts published within the specific mentioned period. The plan has been put by researchers into choosing some agreeable poetical poems samples , the selective process had come according a certain view since the research obliged itself not to repeat the critic's name more than once , in order to be obtainable for more additional critics' names contribute on one study. The plan is made not to confine the critic's study to be subjected for unique circumstances whether the critic himself is one the followers of a certain trend or vice versa. These studies published in "Al - Aqlam Magazine" are by no means the best studies; however, the magazine includes between its pages many studies that differ between high significance and low - significance in order to let the reader read the magazine objectively. The research does not display the good studies only but also displays studies under the hopefulness level and the purpose beyond that is to disclose about the defects and to determine its places in order to overcome upon the defects. The research tries to achievean elaborate discussion and an analytic criticism to the under discussion critical context through active imposed dialogue in order to be capable of stopping at each point worthy of discussion , and lastly can classify each discussed point to be ordered and organized to its principal reference depending on the available critical - publications. On the other hand, the research can assay each text, and discloses its contents or stops nearer in order to thrill noticeable questions. The study is distributed among three chapters : the first chapter, "The Contextual Trends ", is related to the critics who made their deep comprehending understandable semantics meanings depending on the external environment i.e. the trends related to the factors are out of the text itself to understand the included meaning of the text. The second chapter, titled as "The Textual Trends", is concentrated on the critical achievements that depend on the text itself i.e. the efforts, which try to isolate the text, from the external factors in their approach. The third chapter, titled as " Other Trends " , includes critical efforts , which can not be ordered under neither the textual nor the contextual relation. Eventually the conclusion comes to conclude what is most significant on this study; moreover, the study has been initiated with preface to shortly introduce the reader to "Al - Aqlam Magazine ". Conclusions : Criticism movements have witnessed many continued turnings and many transformations; each trend may be utilized from the previous - mistaken trends, but after stages of its evolutionism, some of its adopters turn to be exaggerative then the defects occur once more which lead to emerge another trend as a result. The critical approaches, "Al - Aqlam Magzine" displays, are variant and different knowledge wise and type wise. Some of approaches are on the top of skillfulness and technique; while some of them are less significant.In addition, the approaches are variants according to the techniques they follow, so they come as (contextual, textual approaches and others). There is not a perfect application to any trend entirely, but in many - times the procedures violate the application limitedness, or maybe the researcher help himself, by a different approach, which his study adopts , because the creative doing is an art has its own property on estheticism and structure.Moreover, the creative doing is the outcome product of special essence lives on specific society which it has its own traditions and habits passes through specific history of special events and incidents This creative discourse or the creative dialogue is targeted to educated receiver of a good quality on culture and language, etc… Knowing these effecting factors is necessary to the critic of creativity, and it has an active consequence into directing the critical doing; therefore, there is not any critical approach that has the stability and the strictness or may refuse the borrowing from other trends. In addition, any critical doing has its own way in order to achieve its understandable point into the creative doing or to reveal and discover its nature, its esthetic secret, and its specific structure. The literary text has significant relation on the establishing process of the critical discourse and its procedures; because the literary text is the main substance of the criticism essence from which the critical process is formulated ; on the other hand , the discourse is not rooted out from the literary text and its procedures. Finally, praise is to Allah and peace and blessings be upon His honest Prophet. Amen.

نثر الامام الحسين (عليه السلام) : دراسة تحليلية في جمالية بنية النص == Imam Hussein's Prose : An Analytical Study At The Aesthetic Structure Of The Text

Author name: حيدر محمود شاكر حبيب
Supervisor name: نضال ابراهيم ياسين
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: The aesthetic studies are seen as one of the attempts to investigate the textual structure in the modern criticism. These analyses disclose the relationship between elements of the text and how they are interrelated. Accordingly, the present study entitled Emam Hussein's Prose : an Analytical Study of the Aesthetic Structure of the Text is concerned with the aesthetic, speculative and interpretive analyses in an attempt to pick out those aesthetic aspects and relations from the prospect of their concordance, order, adjacency and similarity. At the same time, these studies reveal the non - correspondences and antitheses of these aesthetical signs of the text.The study falls into six chapters, distributed throughout two parts. The first part comprises three chapters. The first one is an introduction to the aesthetics and textual structure in the contemporary criticism presenting a number of different views about the aestheticism. The second chapter is concerned with the aesthetics of lexical patterns in the texts as being used in Emam Hussein's prose writing and how critics have analysed these patterns. The third chapter discusses the aesthetical applications of the lexical patterns in the contemporary criticism. The second part is also composed of three chapters. The first one is concerned with discussing the aesthetics of similarity or conformity and adjacency and collocation in modern criticism as far as Emam Hussein's prose is concerned. The second chapter presents the aesthetics of the structure of condensing and the nature of its formation in rhetoric and criticism as well as how it is represented in Emam Hussein's prose. The third chapter argues the aestheticism of rhymed prose. and assonance in modern criticism and in Emam Hussein's prose.

الثنائيات الضدية في شعر ابي العلاء المعري : دراسة اسلوبية

Author name: علي عبد الامام مهلهل الاسدي
Supervisor name: نضال ابراهيم ياسين
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

تحول الخطاب الروائي في العراق : دراسة في الشكل == Change ( Shift, Turn Alteration ) Of The Novel Speech In Iraq (Study Of Morphology )

Author name: مشتاق سالم عبد الرزاق
Supervisor name: ضياء راضي محمد الثامري
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Thanksfullness of God of all God 's Pray on the prophet Mohammed the last sender and prophet of God. As well as his family members and his colleague. All human studies surrounded by the human mind and thinking and its descended which give different sort of vision of all fields of science and knowledge of humanity especially the literary side of it. This form and shape the creativity and criticism of mankind. which was and still has the completion stickled and connected to it from the time of until the Hanz Robert saying through which the researcher built this thesis.The Hnze Robert saying describes the relationship between production and recipient as the legend ( enemy brothers) and he has gone further to see the descendant of the legend from the beginning of Marks and finishing with italo Calvino the author of the well - known Novel ( If I was Travelling through a rainy Night ) which Hanz benefit from going through the Novel a lot to explain and declare ) a lot of his thoughts and ideas about the production and the receiving. And from his going through the whole of this Novel and their heroes and stars ( flanrry ) he was able to see the close relationship between time of writing and time of reading without worry of emptiness.The search in the scope of the Novel was compressive as comprehensive of literature that can contain all subjects as the psycharistics Doctor Fruid when he practice his theory on the novels of Dystoviscky and other novels. Many studies appeared later shared to in rich this field of knowledge such as Romantics studies and classical studies and many other studies showing pioneer attempts to discover the nature and essence of the world and followed by many literals ( verbal ) schools according to suggestions of the critics Pectin and Tudororoff as well as the formality schools which they take it as the starting point of their mythology. many other subjects in rich this world upon his fullness of human crisis and human cognitive.This did not stop at this point of those intellectual thinkers and critical but expanded to contain more cognitive and phenomenon as the occupancy echo phenomenon in the novel field of which was suggested by Julia Christina in the literature field or the ideas suggested by Foco which he publicized and employed by other critics and learners of Noval on cognitive basics evaluated for the human mind and his ability to understand those basics.We choose the formality phenomenon as away to study which has the ability upon other phenominons as the linguistic phenomenon or the litriture phenomenon upon studying in which The research depend upon unformal way as in Novel setting up by LizaKasim and Novel formality setting up by Hassan Bahrawee and The noval text lay down by hamid Al - Hamdany and the Arabic Noval art (technical ) setting up in Iraq by Shujaa Muslim Al - Any and many others that in rich this side of the branch of those studies.The first chapter This research depend on the way to connect between all approaches and phenomenon and ideologies to enable the critical mind to penetrate these formal ideology to employ these theories and ideologies on bases thinking according to the principle of those theories and help showing these theories in new look which is great different from its classical look. In another word, the research will study the formal content of in each stage of the critical phenomenon stages as vertical study and tosee how these ideology work in which will make it clear to see the difference from the speech in the two big stages; the recentness speech and the after recentness speech , as well as showing the speech befote recentness ( actual speech ) which look to the novel speech as real and horizontally. that is the speech will look to a community or group of community The second

شعرية النثر العباسي

Author name: هالة فتحي كاظم السعد
Supervisor name: مزهر عبد موزان السوداني | فهد محسن فرحان
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

الاداء البياني في خطب الحرب في نهج البلاغة == The Clarification Performance In Warfare Orations In Nahj Al - Balagha

Author name: نجلاء عبد الحسين عليوي الغزالي
Supervisor name: حاكم حبيب عزر الكريطي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: The Islamic oration was affected by rhetoric which was enlightened by the Holy Quran and the Prophet's Pure Talks to promote the art mode of the Arabic literature to such a remarkable level that couldn’t be noticed in the pre - Islamic period. Thus, it reached the peak. Oration is the only means of spreading and establishing new thoughts and concepts.At that time the orator became more comparable than the poet because oration was badly needed by people for establishing the principles of Islam and spreading its authority through preaching and directing them in the right way, and finally allow them to win what would enlighten their life on earth and after death. This also helped in uniting society, evoking determination and making enemies fear Islam.“Nahj Al - Balagha” represents a remarkable feature in the Islamic literature, being a unique mode and principle for all. It is a historical literal document second to the Holy Quran and the Pure Prophet's Talks in gaining rhetorical accuracy and magnificent mode.The Communder of the believers, Al - Imam Ali Bin Abi Talib, the henchman of Islam and the Prophet's son - in - law, was a caliph, a leader and a orator. He was the most revered and deliberate in manner; the knight who never hesitated to sacrifice for Islam and establish the good and right. He left behind unforgettable most effective literal inheritance for everyone and as our President Saddam Hussein (Allah may save and guard) said with regard of the evil forces “We are fighting them with the sword of Al - Imam Ali(peace be on him) to protect principles”. Indeed it is the sword of the right and good. And when one looks deeply into his words, he recognizes his rhetoric orations emerging from the bottom of his heart that was not free from pain These features appear in his oral and written orations. The warfare orations of Al - Imam make us feel that we are in front of a perfect magnificent rhetoric wording emerging from the bottom of a heart with some pain, so you find it stressed wording. He included in it what expresses God fearing and God worshipping and good deed. Oration was one of the Imam's weapons in his fights. He used it, owing to its being rhetorical, to evoke his men and encourage them and arousing their feelings and making them reach the aim he wanted them tounderstand and be aware of. I have chosen particularly the warfare orations in Nahj Al - Balagha to be aware of what they have from clarification. This is because those orations were often oral and none - officious, and free from any features of art. They are pure, so they represent the mode of the rhetorics. Some recent investigators have dealt with “The Nahj Al - Balagha” in general, and the orations in particular, but they were in grammatical and linguistic and artistry limitations. “The Clarification Performance in Warfare Orations” has not investigated the altogether content, but there are some bright images I utilized and some others I talked about.The references regard books of rhetoric, criticism and indication; and interpretation books of the Holy Quran and the Prophet's Talks sciences, and the proverbs as well as the Arabic literature cultural inheritance. I depended on Nahj Al - Balagha (Mohammed Abda Explanation) in determining the texts regarding warfare orations; and I also made use of Ibn Abi Hadeed Explanation.My research is arranged in three chapters proceeded by an a relusion and ended by a conclusion and as follows : Chapter one deals with the clarification performance aspects in warfare orations in Nahj Al - Balagha and includes four researches : assimilation, similitude, personification and association. Chapter two deals with the resources of the clarification performance of these orations - warfare orations - . The investigations are about The Holy Quran and the Pure Prophet's Talks and the Arabic poetry and then the Arabic proverbs.Chapter three deals with the functions of the clarification performance which comes in sequence as : the mental function, the psychological function, and the religious function.The conclusion includes : what the results that the research has arrived at. Then comes my whole tool in investigation, analysis, justification, and conclusion. These are the old and the new references. I have done my best and thanks to Allah I ended this research aided by Allah first, and by my supervisor Dr. Hakem Habeeb Al - Guraity who helped me much like a guiding torch in direction and reform. My thanks and respect to all those who never hesitated to offer help.

البحث اللغوي في كتاب التعليقات والنوادر لابي علي الهجري

Author name: مديحه خضير كاظم
Supervisor name: حاكم حبيب عزر الكريطي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Najaf
First pages:

ادب الشهيدة بنت الهدى القصصي : دراسة في الفن == The Fictional Literature Of The Martyr Bint Al - Huda (Study In Art)

Author name: قاسم نجم عبد الربيعي
Supervisor name: علي كاطع خلف المحمداوي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Najaf
First pages:
Abstract: Al - Alwyaa , the martyr , Bint Al - Huda had many novls and short stories.In the Field of novels , she wrote " The Virtue Wins " , " Two women and aman " , " That who looks for the truth " and " A meeting in the hospital ". In the field of short stories , she had three groups " I wish i knew " , The lost aunt " , and " a struggle from real life ".The experience of the Martyrs narrator had a difference in the artistic level , sometimes , in the simplicity of froms inspite of good themes as in her novel " two women and a man " or in her short story " The lost aunt " but in some texts , we find a high artistic work written by a professional writer who knows how to write as in her novel " The virtue wins " and in her short story " The voice of conscience ".Althongh the experience of the writer had a growth in quantity , it witnessed agrowth in quality also. The Martyr narrator and through her understanding for the philosophy of writing stories works to define all the differences in life , its opposites and its basic unities through the credence on many elements , so we find in her stories many historical texts , verses , proverbs and wisdomsThrough the use of those implements , she was able to understand what is found in life and used it in her stories. The story for Bint A - Huda had enumeration directed by an artistic hand and sometimes , we find dialogues, and dramatic scenes and description and the credence on the Poetic language in many of her stories especially the short ones.It is a kind of contrast , the writer used it to reveal and discover the false ideology of the other discourse as adiscourse that produces the loss and poverty.These are some of the artistic features which we noticed through the study and research , but what is important to us is that which is related to the " martyr narrator " herself and her position in the world of literature and art especially in the field of novls and short stories.The martyr narrator has a clear understanding of the circumstances in which she lived. she knew the historical , ideological and social structures in her society and she worked to absorb and re - build them in her stories. This shows us that the writer interacts with those complex circumstances and work with a clear thinking that gives her the chance to destroy the negative aspects and disclose them in her stories and made the reader takes the side of the positive - voices and ideas that the writer wants to explain in her stories.The martyr writer, in all of her stories was interested in the struggle between the good and the evil and she did her best to make the voice of the good , the highest , and make it the basic way in human communication. In her rich experience which contained , what is artistic , scientific and what is political , she was abl to disclose the depths of the humanitic soul in all its kinds which she had known well. we are in front of awriter who watched and understood her socity , so the story for her , is that which looks for the meaning , principles and the virtue in aworld in which the principles had confused. In her novel " The virtue wins ". we find ourselves infront of a trial of the humanstic decay in one of the Moslems houses and in her novel " That who looks for the truth " we find ourselves sympathize with that girl and look together for away that leads us to the bright truth which is represented by Islam.

المعنى في النقد العربي القديم حتى نهاية القرن السابع الهجري

Author name: حسين لفتة حافظ الزيادي
Supervisor name: حاكم حبيب عزر الكريطي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Najaf
First pages:
Abstract: Meanig in its simplest Logical definitions is : the copception or idea on the technical structure of the poem and the poet language a and it became clear that there is un acceptable kind of praising because there is agop between the receirer and the technical effect the same method was followed with the other poetic purposes revealing the goodness and badness elements of the poetic purposes by balancing and throwing lights on the defects and trying to amending it in the second chapter a studied the meaning criticism standards according to the critical opinions that are set by the critics and rhetoricians and how did thes standards became fixed basis on which the scholars depend to deduce the basic principles of studying the poetic texts , the most disting uished standars are, honestg , exaggeration, relingion , clarity and ambiguity , these are relating to the poetic meaning and the poet taste and the effect of civilization on that taste.A throu lights on the civilized development that occur in the abbasid era due to the prosperity of that era the arabic criticism issues and its effect on meaning hare been dealt with in the third chapter emphasizing on orgnizing orgnizing , nature, attribute, ancient,modern and poetic balancing or scaling , in a delition to the types of meaning and its significance, where a noticed that each of these issues has its deep effect on the poetic meaning a ccording to era through which these issues passed , and a stopped with its mostdisting uishd figures suchas al - jahidh , abdul - qhaher al - jerjany and hazim al - qhertajenng.in the fourth and the last chapter a dealt withrhetorics, issues and its effect on meaning the research emphasized on eloquence, summarization , description , metaphor and imagerg, where it becameclear that rhetorics is associated with the arabic criticism and handnever a purted from it till the late ags, and that most of the critics are areb rhetoricians such as ibn selam, al murad. ibnqhutaybah and ibn tabataba. there is no doubt that rhetorics had affeeted the poetic text and meaning because it is away to understand the text and findout its beauty poins by the image. the rheterical studies were fleurished dwe to the holy quren which is the eloquence source and the basic motive of these studies that tried to know the prodigy secret of the quranic text.in the conclusion a set the most important results of this study, such as.1 - the research reveals the critics interesting on ' the meaning of the meaning ' which is on element of the literary theay and the creativeness of linguistics, because the talked about the first branching of meaning aor about including mang meanings which they colled' the other'secend' meanings2 - the research shows that the reason of the less interesting of lamentation poetry is that this kind of poetry did not suit what the arab wanted for himself of strength, because lamentation poem usually involvedthe human emotions which rereals weakness withcraying and sorrow a and the arab refused that due to the societg nature at that time. 3 - the criticism theory is as ancient as arobs themselres, even that it was not with its modern concept, before the third centuty of hejira, it was perfeed within the critical judgement of the pre - islamic are.4 - the critics emphasiza the grammatical ruly and standars in the arabic speah, poetry and prose, because folloing these rules is a conditions for the speech rightness, and in literature we ask what is beyond rightness, it is creativness.5 - one who check the arob critics efforts who deal with the menning , will find that those critics and the poets were aware of this case importness, so they dealt with it early a and its derelopment was due to the arabic educational status, change.6 - through the research of the poetic purpose and the meaning effect which affect the ancient arabic poetry because by it we can define the poem weather it was satir, courtly ….j,e there was akind of independnce and throwgh this purpose the critic presented his ideas and opinions.7 - the research shows that the ancient crities, opinions had aneffect on the ancient arabic poetry a but sometimes these opinions were not accept able by the creative poets who has his own rules that lead him away from the critics judgement.8 - in spite of the quranic emph asis on the moral principel of the poetic text, through the research it appears that the arabic criticism went away from this field that it saperated the arts from morals.9 - the plagiarism standard rereals that it is possible to njudge the writer and his position and interactien with his enviornment. in addition it helps us to know the resoures of the writers and their psyhchological direction and their educational and intellectualsituntien ,so this standerd is abasic one for the literary criticism. 10 - the study shews that praising lexicon in the ummayed era became axiture of the in herited pre. is lamic mennings and the new sslamic mennings as wellas the environ ment effects and the general life development in the ummayad society
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