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فتح المغلقات لابيات السبع المعلقات للفاكهي (ت 982ه) : دراسة لغوية نحوية

Author name: نصير عبد اللطيف عبد الله محمد
Supervisor name: حسين ابراهيم مبارك التميمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:

الخبر المروي في الشعر الجاهلي انماطه ووظائفه == Anecdote Irrigated in pre - Islamic poetry Types and Functions An Artistic Study

Author name: غزوان طه لطيف جاسم
Supervisor name: خليل ابراهيم عبد الوهاب
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:
Abstract: This thesis is concerned with a literary form named as “Al - Khabar” which means in, Arabic heritage, “Anecdote” or “Tale”. Anecdote is a transmitted form, narrating people’s actions, deeds and situations, in both poetic and prosaic styles. Anecdote occupies a great stature in ancient Arabic literature.The field of this study is “Anecdote in Pre - Islamic Poetry”,in three chapters preceded by a preface and introduction. The introduction is dedicated to handle two issues, the first is the meanings of “Al - Khabar” in Arabic dictionaries and terminology, while the second is about “Al - Khabar” status between orality and inscription. The first chapter is devoted to study “Al - Khabar - Anecdote” paradigms, in four sections : Section one : Fictional Anecdote.Section two : Factual Anecdote.Section three : Fantastic Anecdote.Section four : Historical Anecdote. The second chapter is dedicated to study functions of “Al - Khabar - Anecdote”, in three sections : Section one : Documentary Function.Section two : Social Function.Section three : Psychological Function. The third chapter is assigned to deal with “Al - Khabar - Anecdote” image within structures of poetical themes, in two secions : Section one : Themes related to “Self”.Section two : Themes related to “Other”. The thesis has come up to a conclusion summarizing the final academic results.

الدلالة الزمنية للجملة العربية في الحديث النبوي الشريف في صحيح البخاري (ت256هـ) == Time Connotation of the Arabic Sentence in the Prophet's Tradition as Exemplified in Sahih Elbukhari

Author name: مصطفى احمد محمد
Supervisor name: ليث اسعد عبد الحميد
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:

ايات الخلق : دراسة دلالية

Author name: مصطفى فرحان عبد الرحمن
Supervisor name: رشيد عبد الرحمن العبيدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: By the name of Allah the Most Gracious the Most Merciful AlQuran is the holy speech of Allah that commanded us to study its verses by understanding its terms and its meaning .]from this concept wished to study verses of AlQuranWitch considered sours of all sciences .As I joined the higher studies to get the master degree in the Arabic language , God helped me to make this wish true by DR : : Rasheed Abd Alruhman Alubeidi .The president of college of Arabic and Quran sciences Who choosed the title of this thesis in titled : { verses of creatures } By verses of creatures I meant the verses which talking about creation. As creation of the sky ,earth and universes .I mad this thesis in two chapters with an introduction and a conclusion . The introduction is to determine the aims of this research and the reason that led to choose it as subject of this thesis . Chapter one is devoted to study the meaning of the term : ( to create ) in the Arabic language and Quranic expression , and L illustrate the semantic development factor on the term ( to create ) .I studded the terms that indicating to creation in the Quran . In the chapter two attempt to study the subject of creatures which are : 1 - the creation of the sky and the earth .2 - the creation of angles and jinn .3 - the creation of water ,plants and animals.4 - the creation of man .The research ends with a conclusion indicating its final academic results . Mustafa - f - Abdul AllRuhman Arabic dep College of Arabic language and Quran sciences .

الزمن الروائي عند غائب طعمة فرمان

Author name: خالد مرعي حسن المسعودي
Supervisor name: سلام كاظم الاوسي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:

الواقعي والمتخيل في شعر محمود درويش (2002م - 2008م)

Author name: زينب مظفر محمد علي
Supervisor name: كمال عبد الرزاق صالح
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The research included an introduction and three chapters , each chapter included three treatises . The first chapter was dedicated to the homeland and its three treatises ( the earth , the exile , local ) . The second treatise included Woman ; the first treatise contained the mother woman , and the second dealt with the beloved woman and as a feminine nature , and the third one was about the woman symbolized by the poet special symbols which are sometimes different . While the third chapter included Life , it was also divided into three treatises ; the first one included dream , and the second dealt with disappointment and hope, whereas the third included death The study uses methodology of stylistic research in analyzing the poet's works stylistically with concentrating on the poet's language and words with its actions and implications and importance. Reading those poems was like a productive reading , which means that the researcher has the right to analyze the style of the poet , his method and his poetic language . The research required making use of all sources and available studies , researches and articles each according to presented points to find what enriches the research indicative elements .The study concluded results that formed the research conclusion followed by a list of various sources and references including linguistic , literary and critical

عنــونة الكتـب النقـدية عند حاتم الصكر : دراسة تحليلية

Author name: زهراء خالد يونس الحديدي
Supervisor name: قبية توفيق اليوزبكي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: بعد ان انتهينا من دراسة موضوع الرسالة يمكننا ان نوجز اهم النتائج التي توصلنا اليها من خلال النقاط الاتية : • يتعامل الصكر مع عنواناته بقصدية نقدية واعية غايتها تحقيق عدة اهداف، منها ماله علاقة بشخصية الصكر الشاعرة والناقدة في ان واحد ، ومنها ماله علاقة بطبيعة موضوع الكتاب ومباحثه .فضلا عن الجوانب الاخرى التي ترتبط بالقارئ واساليب جذبه لقراءة الكتاب عبر عتبة العنوان اولا .• احيانا يجعل الصكر مقدمات كتبه وسيلة للحديث المباشر او غير المباشر عن سر عنونته للكتاب او الدوافع وراء اختيار مفردات العنوان .• ان اهتمام الصكر بالعنونة ياتي نتيجة اطلاعه على المناهج النقدية الحديثة التي اهتمت بالعتبات النصية ومنها العنوان بوصفه اولى عتبات النص التي لايمكن تجاهلهواذلك لانه يحمل من الشفرات والرموز الدالة ، مايحـتم عليه مواجهة النـص بكـل ثــقة ، فلايمكن قراءة العنوان بمعزل عن النص .• غلبت الجملة الاسمية على عناوين الصكر التي تفتقر الى المبتدا ظاهريا ، وهذا ماجعل العنوان ينبني على الحذف مما يستقطب اهتمام المتلقي واثارته ، كما لاحظنا ميل الصكر للمركب الاضافي في كثير من العنوانات ولاسيما الرئيسة ، فضلا عن غلبة الجملة الطويلة على معظم عنواناته الداخلية ومنها المزدوجـة على نـحو خاص ، وغياب العنوان المكون من مفردة واحدة ربما بسبب انتماء النصوص الى الحقل النقدي الذي لايمكن للعنوان المفرد ان يلبي مقاصده .• ثمة دافعان رئيسان وراء ميل الصكر الى العنونة الفنية ؛ اولهما كونه شاعرا قبل ان يكون ناقدا ، وثانيهما كون النصوص التي يشتغل عليها نقديا هي نصوص شعرية في معظم الاحيان سواء اكانت قديمة ام حديثة ، ومن ثم فان طبيعتها الفنية تغريه باختيار عنوانات تناسب هذه الطبيعة الادبية .• غلب على الصكر الميل الى العنونة الفنية في تشكيل العنوانات الرئيسة لكتبه كونها الابرز في مواجهة القارئ من العنوانات الداخلية ، وهي عامل جذب اول في عملية التلقي ، فضلا عن كون العنونة الفنية تعكس رغبته في تنشيط الوظيفة الاغرائية للعنوان لاستقطاب القارئ الى حقل النقد .• يشكل الصكر العنوانات الداخلية الفنية بعد ان يتخذ من النصوص الشعرية التي يدرسها او من التجارب الفنية للشاعر مرجعا للتناص معها عبر عتبة العنوان وهو بذلك يحقق هدفين ؛ اولهما : اختصار مهمة البحث في تشكيل العنوان بالعثور على العنوان ومفرداته وفكرته من النص المدروس نفسه ، والثاني : الدخول الفني في علاقة تناص مع النص المدروس تخضع لواحد من قوانين التناص المعروفة .\• كثرة العنوانات المتناصة الخارجية والداخلية التي تعكس ثقافة الصكر الواسعة وانفتاحه على النصوص الادبية والنقدية ،التراثية ، والحديثة ، الشرقية والغربية ، وذلك يتطلب من قاريء كتبه جهدا كبيرا في استيعاب تلك العنوانات وفهم صلتها بمتونها .• ان العنوانات الوصفية المباشرة تكثر في العنوانات الداخلية ولاتحضـر في العـنوانات الرئيسة الا في عنوانين هما : ( رفائيل بطي وريادة النقد الشعري في العراق ) و( الشعر والتوصيل ) ، وغالبا ماتكون العنوانات الداخلية الوصفية الاخبارية في الكتب التي يكون عنوانها الرئيس صريحوامباشرا بدلالاته كما في العنوانين المـذكورين انفا .• لايميل الصكر الى العنوان التجنيسي كثيرا في تشكيل العنوانات الرئيسة لمؤلفاته النقدية وذلك لانه لايحبذ الوضوح والمباشرة في الدلالة التي تحدثها مـثل هذه العنوانات ، بل يعمد دائما الى الاساليب الفنية الايحائية في تشكيل معظم عنواناته الرئيسة . اما التجنيس في العنوانات الداخلية فانه يحضر بقوة في المباحث التي تخضع للمنهجية الاكاديمية ولغتها في الكتابة كما في كتابه ( مرايا نرسيس ) الذي هو في الاصل اطروحته للدكتوراه ،والذي حمل عنوانا فرعيا اكاديميا مباشرا .• اقتصار العنونة المزدوجة على العنوانات الداخلية عند الصكر ، وغيابها عن العنوانات الرئيسة بسبب تشكيلها النحوي الذي يتركب من جملتين طويلتين غالبا .• العنونة المزدوجة عند الصكر توحي بمراعاته لجانب التلقي واختلافه بين القراء عبر وضع خيارين مختلفين من العنونة في ان واحد ، احدهما مباشر والاخر فني ايحائي متناص .

اثر معاني حروف الجر في تفسير ابي السعود ارشاد العقل السليم الى مزايا الكتاب الكريم == The Impact of Preposositional Letters in Abi Sou'oud Interpretation Instruction of the Healthy Mind to the Features of Holly Kora'an

Author name: شوكــت طــه محمــود
Supervisor name: عبد الستار فاضل خضر جاسم النعيمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: This letter has marked (meaning the impact of Prepositions in the interpretation Abe So'oud guide the benefits of a healthy mind to the holy book) with study of the impact of the meanings of Prepositions in the interpretation Abe so'oud; and the letters of prepositions have great in directing meaning in acts, So they know their meanings an important tool in detecting secrets interpreter book God Almighty, and if the Scouts Zmekhshari longer applied to the theory of systems, Abu Saoud, the interpretation is no less important after the Abu Saoud worked in a teaching Scouts and Anwarul downloads of opaque and Mdarschma motion interpreted to combine them in this travel flour. search extracted with an introduction and followed preface, and two chapters, and a conclusion. The preface in two subjects : the first in the meanings of Prepositions and their problems, and second : in Abu Saoud, and have interpreted the first quarter, which marked the trades and one was : perceptive, and Alta, Kef, llam, and Wawau. Chapter II letters that more than one word, was : in, on, and, to,, and Ruba, even, and Hasha. In the conclusion highlighted search results, and the finding of the issues dealt with whether regarding topics Prepositions or interpretation (guide a sound mind). It is most important not prove the existence meaning of the act to include other act, and the absence of rotation between Prepositions, the statement by came to address the problem does not exist at all, it was a negative impact on the meaning, as well as with increasing characters say. It turned out that the Abu Al Souad , and was organizing the jewels benefits Scouts, Anwarul Downloading However, it was not a follower of them in all, it was his own views of different elements in some subjects

الاصول الثلاثية المضعفة في القـران الكريم : دراسة ومعجم == The Duplicative Treliteral Origins in the Glorious Qur'an A study and a lexicography

Author name: نور رياض نزار العابد
Supervisor name: عبد العزيز ياسين عبد الله
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: وبعد ... فعنوان رسالتي ( الاصول الثلاثية المضعفة في القران الكريم / دراسة ومعجم ) تتضمن البحث حول ظاهرة التضعيف او التكرار والاصول الثلاثية المضعفة في اللغة العربية ثم كان القران الكريم ميدانا لهذا البحث ...اما الخطة المنتهجة في تنفيذ مطالب الرسالة فقد اقتضت ان تكون موزعة في قسمين ، خصص الاول منهما للدراسة الوصفية الاحصائية للاصول الثلاثية المضعفة في العربية وفي نص القران الكريم ، وخصص الثاني للمعجم والدراسة المعجمية للاصول الثلاثية المضعفة الواردة في لغة التنزيل الحكيم .احتوى القسم الاول على تمهيد وفصلين ، اولهما بعنوان ( التضعيف في العربية ) ، والاخر بعنوان ( الاصول الثلاثية المضعفة في القران الكريم احصاء وتوصيف ) ، وتضمن التمهيد والفصلان مباحث وفقرات عدة . واحتوى القسم الثاني على الاصول الثلاثية المضعفة الواردة في القران الكريم والبالغ عددها ( 156 ) اصلا مرتبة ترتيبا هجائيا وموزعة على ( 28 ) حرفا على وفق الترتيب الالفبائي .اسال الله تعالى ان يتقبل مني عملي هذا خالصا لوجهه الكريم وان يكرمني بحسن الخاتمة وحسن الثواب وان يغفر لي مواقع مني من خطا او سهو او نسيان وحسبي عليه توكلت واليه انيب . | This is concerned with research of the duplicative treliteral origins in the glorious Quran It tackled the derived forms from the duplicative treliteral origins and made a specialized dictionary with those mentioneditems in the glorious Quran.. The thesis contained two main parts : The first part included : the descriptive and counting study , preliminary and two parts .The preliminary is concerned with the research of the origins of language according to development originality and terms It also contained the linguistic doctrines which tacked the origin of language and its development .The first part dealt with studying the duplicating phenomenon in Arabic language and the relation of morphology with the duplicating phenomenon . It tackled the concept of duplicating , its terms and qualities. I also talks about the parts of duplicative verb its types and intensfection of the duplicative treliteral verb to the pronouns .The second part included the descriptive and counted study of the duplicative treliteral origins in the glorious Quran It comprised calculating all the items which belonged to the mentioned duplicative treliteral origins in the glorious Quran and making tables with their detailsas well as a phonetic study for the mentioned origins in the glorious Quran .The second main part of the thesis included a detailed dictionary of the items which related to the mentioned duplicative treliteral radicals in the glorious Quran

البنى الصوتية والصرفية للسور : (محمد، والفتح، والحجرات) : دراسة تحليلية == Phonation Construction and Morphological for Verses : Muhammad, Al Fatih and Al Hujurat

Author name: فؤاد علي جلال
Supervisor name: عماد عبد يحيى الحيالي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: الحمد لله رب العالمين، الكبير المتعال، ذي الجلال والعظمة والاكرام، مستحق الحمد والثناء في الارض والسماء، نحمده ونستعينه ونستهديه ونستغفره ولا نكفره، والصلاة والسلام على اشرف المرسلين وخاتم الانبياء وسيد المرسلين ورحمة الله للعالمين، سيد القادة وقائد السادة، امامنوانور ابصارنا محمد وعلى اله الاطهار وصحبه البررة الاخيار وورثته واحبابه وعلينواعلى عباد الله الصالحين.اما بعد : فان من اهم الاسباب التي دفعتنا لاختيار هذا الموضوع هو ندرة البحث في مجال دلالة الاصوات والظواهر الصوتية عند علمائنا الاجلاء من القدماء والمحدثين، فثمة ضرورة ملحة لوضع تفسير صوتي يربط بين دلالة الصوت وسياق الاية، ليفسر لنا سر تجمع صوتي معين في سياق، مع تجمع صوتي اخر ذي صفات مغايرة في سياق اخر.وهذه المفارقة واضحة في القران الكريم، اذ يلاحظ انتشار الاصوات المدوية والقوية الجرس في الايات التي تتحدث عن القتال والعذاب والجحيم، ويلاحظ تجمع الاصوات المتسمة بخفة الجرس في الايات التي تتحدث عن السكينة والاطمئنان ووصف الجنة، وعليه فالاصوات في تغير طردي مستمر وفق تغير السياق.ولابد من وضع تفسير في اطار القدرة الانسانية للوقوف على هذه الاسرار الدقيقة في القران الكريم اذ ان الاصوات قد توزعت في القران الكريم توزعا موجها مقصودا ولا يمكن لصوت ان يحل محل صوت اخر.ونحن لا ندعي السبق في هذا الميدان الشائك الصعب المنال، فمن الاجحاف بل من قلة ادب العلم بحق علمائنا، اتهامهم بالتقصير اذ يبدو ان تحفظ تلك النخبة الرائدة من العلماء من الولوج في مدارك هذا النوع من الدرس الصوتي كان نابعا من احترازهم وتوقيهم من الوقوع في مزلق التعسف والربط القسري وتحميل الايات ما لا تتحمله، وذلك بسبب صعوبة الربط بين دلالة الصوت وسياق الاية.وعلى الرغم من خطورة الموضوع ودقته فلم تغب الدلالة الصوتية عن اهتمام العلماء قدماء ومحدثين، ومع ذلك فان هذا الدرس يحتاج الى تعمق اكثر لسبر اغواره، ونحن نعد هذا البحث وبتواضع خطوة - ليست الاولى ولا الاخيرة - باتجاه تفسير القران الكريم تفسيرا صوتيا بوصف ذلك مستوى من مستويات التفسير اللغوي، خدمة لكتاب الله العزيز.وقد تفضل استاذي المشرف فضيلة الدكتور (عماد عبد يحيى الحيالي) باقتراح الموضوع بعنوان : (تشكيل البنى الصوتية والصرفية للسور المدنية : محمد ، والفتح، والحجرات)، وسبب اختيار هذه السور الثلاث انها سور مدنية سبقتها ثلاث عشرة سورة مكية منها السبع الحواميم وتلتها خمس سور مكية، وهذه الثلاث المدنية "تدور كلها حول محور واحد، وهو النبي ، والايمان به وطاعته والادب معه"( )، اي انها مترابطة ترابطا موضوعيا.واقتضت طبيعة البحث ان ينتظم في خمسة فصول مسبوقة بتمهيد ومقفوة بخاتمة، وقد خص التمهيد للتعريف بالسور الثلاث وعرض لمضامينهوااغراضهواالنقاط التي تجمع بينها.اما الفصل الاول فقد عني باستشراف دلالة صفات الاصوات، وقسم على مبحثين؛ عالج المبحث الاول الصفات الصوتية الرئيسة وهي (الجهر والهمس والانفجار والاحتكاك والتوسط والاطباق والانفتاح والتفخيم والترقيق)، وعقد المبحث الثاني لتحليل الصفات الثانوية وهي (الصفير والغنة والاستعلاء واللين).وتناول الفصل الثاني التجمعات الصوتية الصامتية، ووقف الفصل الثالث عند التجمعات الصوتية المصوتية، وتطرق الفصل الرابع الى الظواهر الصوتية التجويدية، وتوزعت الدراسة فيه على اربعة مباحث؛ جعل المبحث الاول لتحليل المماثلة الكاملة (الادغام) والاقلاب، اما المبحث الثاني فاهتم بتحليل المماثلة الجزئية (الاخفاء)، وافرد المبحث الثالث للقلقلة، وخص المبحث الرابع بتحليل المقاطع والفواصل.وقد عرج الفصل الخامس على تشكيل البنى الصرفية، وتالف من مبحثين؛ حوى المبحث الاول تشكيل البنى الفعلية، واستجلى المبحث الثاني تشكيل البنى الاسمية، وجاءت الخاتمة لتثبيت اهم النتائج التي توصل اليها البحث بخصوص السور الثلاث ودراسة دلالة الظواهر والصيغ.وبين البحث مدى المواءمة الوثيقة بين الصوت وسياق الاية ومعناه وغايته بحدود قدرة الباحث على الفهم والربط.واظهر البحث مدى تاثير الاصوات او الصفات او الظواهر الصوتية او الفواصل او المقاطع او الصيغ الصرفية في اذهان السامعين واسماع المخاطبين ونفوسهم، كما اظهر تغيرا لافتا في الاصوات مع تغير السياق والمواضيع، مبينا مدى الترابط الوثيق بين دلالة الاصوات والسياقات المجتمعة فيهوااحيانا يصل الى حد التطابق، فاذا تطلب السياق تهدئة المخاطب واطمئنانه التجا الى استعمال اصوات رقيقة خفيضة سلسة الجرس تتسم بالنعومة والرتابة والرخاء سهلة على اللسان ومستطابة في السمع، وعكس ذلك اذا اقتضى السياق جد عزم المخاطبين للمواجهة لدفع خطر قوة الكفر وازالة شوكتها اتكا على اصوات تتميز بقوة الجرس وضخامة الدوي لاعداد المجاهدين نفسيا من جهة وبث الرعب والوجل في نفوس جنود الكفر من جهة اخرى. والنكتة الاهم في هذا المقام هو ان اسلوب القران في هذا الترابط القوي بين سياقاته ودلالة الاصوات والظواهر في غاية الدقة والاعجاز.وتوصل البحث الى ان التجمعات الصوتية والظواهر التجويدية والصيغ الصرفية لم تتوزع سدى من غير قصد، وانما هناك غايات ومقاصد دقيقة وراءها.وبين البحث انه ليس ثمة اية دلالة للاصوات او الظواهر بمعزل عن السياق، ولفت الى انه ليس هناك دلالة ثابتة للظواهر والاصوات والتجمعات الصوتية في كل السياقات فهي تتغير وفق تغير السياق.وبين البحث تخصص كل سورة بصفات واصوات ومقاطع وفواصل وصيغ معينة وفق موضوع السورة وهدفها، وثمة مناسبة بين دلالاتهواالسياقات المتجمهرة فيها في السور الثلاث، واختصاص كل صفة او صوت او مقطع او فاصلة بدلالات ومعان معينة ومحددة ومستقلة، كما بين سبب قلة او كثرة انتشار نوع معين من الاصوات والصفات والمقاطع والصيغ في السور الثلاث. وربط البحث بين دلالة الظواهر الصوتية التجويدية والسياقات الواردة فيها، ولم يسبق ان تطرق احد الى هذا الموضوع فيما نعلم.واتبع البحث منهجا وصفيا تحليليا للوقوف على جمال الاصوات والصيغ الصرفية مستندا في ذلك على الجداول الاحصائية التي اضفت سمة علمية على البحث، اذ رصد البحث الظاهرة من خلال الاحصاء العلمي الدقيق ومن ثم وصفهواحللها.وتجنب البحث ما امكنه استعمال المصطلحات والرموز الاجنبية مواجد سبيلا الى استعمال المصطلحات العربية لاقتناعه بغنائها، وقد فضل البحث ان يكون ترتيب فصوله وفق الموضوعات الصوتية لابراز الظاهرة الصوتية المعينة بوصفها بنية صوتية تشكيلية، ولتجنب تكرار دراستهواتشتتها فيما لو كانت الدراسة منعقدة على دراسة سورة بعد اخرى، واتبع تسلسل السور والايات داخل العناوين الصوتية. وقد اثر البحث ان يكون رصد الظواهر في الصفات والصوامت والمصوتات والمقاطع وفق النسب المئوية للاصوات او الصفات او المقاطع، لوافق عدد مرات تكرار الظاهرة اذ الاول ادق واكثر علمية.وقد اقتصر البحث على تحليل اعلى ثلاث نسب لكل تجمع صوتي او تجمع في الصفة او تجمع المقاطع في كل سورة من السور الثلاث والتزم بهذا المنهج ما عدا حالتين؛ الاولى : وجود نسب متقاربة من النسب الثلاث الاعلى، الثانية : وجود مطابقة تامة بين الصوت او الصفة او الظاهرة وسياق الاية. كما التزم البحث بمنهج واحد في استعمال المصطلحات الا عند نقل المعلومة بنصها، فقد حافظ على استعمال النص للمصطلح المخالف.واشتمل البحث على احصاء للصوامت والمصوتات والمقاطع الصوتية في السور الثلاث توخينا فيه الدقة، ومن ثم استخراج النسب المئوية لها في جداول احصائية باستخدام برنامج (اكسل) الحقت بالرسالة، واعتمد الاحصاء على الصوت الملفوظ لا الرسم المكتوب والوقوف على الفواصل بالساكن مفصولا عما يليه في مطلع الاية التالية، كما عد الشدة صوتين والغنة والتنوين نونا، واهمل رسم المصوتات القصيرة التي وضعت على الصوامت التي تسبق المصوتات الطويلة لانه لواجود لها في المنطوق.واقتصر البحث في تناول صفات الاصوات الرئيسة والثانوية على اهم الصفات التي اتفق عليها الاصواتيون، وقد تابع البحث مذهب المحققين من علماء الاداء في عد الراء غير تكرارية في الاداء القراني.والقران الكريم هو المصدر الرئيس لمادة البحث تليه مصادر ومراجع صوتية وصرفية ولغوية قيمة فضلا عن التفاسير قديمهواحديثها، وامدت كتب الصوت والقراءات البحث بتاسيس علمي لوصف الظواهر، وافاد البحث من كتب الصرف تنظيرا وتحليلا وبخاصة ما يتعلق فيها بمعاني الصيغ، واغنت التفاسير البحث في بيان سياق الاية ومناسبة نزولهوامعرفة مقامهواتصوير المواقف تصويرا دقيقا. وثمة نوع اخر من المصادر التي تميزت بالندرة وهي الكتب الصوتية التطبيقية التي تناولت تحليل الظواهر الصوتية في القران الكريم، وافترق منهجنا عن منهجها باعتماده على ترتيب الفصول وفق الموضوعات لوافق ترتيب السور كما ذكرنا، والذي ادى الى تفريق تحليلها للظواهر في مواضع متعددة.والذي يؤخذ على كتب الصوت عموما انها اولت عرض الموضوعات الصوتية اهتماما اكبر بكثير من اهتمامها بالتطبيق على النصوص، في حين اعتمد منهجنا على التطبيق اعتمادا كبيرا لنقل الدرس الصوتي الى دائرة التماس مع الدرس الدلالي. وقد اعترض البحث صعوبات تتمثل في قلة البحوث التي تتناول دلالات الاصوات على المستوى التركيبي ولاسيما في اطار القران الكريم، وتبرز من هنا صعوبة اخرى هي ان التحليل المبني على الذوق المرتبط بالسياق المعين لا يمكن ان يعم على كل سياق ترد فيه الاصوات التي تناولها ذلك التحليل.وظهرت للبحث صعوبة الاحصاء المعتمد على جهدي والذي استغرق اشهرا عديدة، الى ان هيا الله  لي الاخ الدكتور (اوات محمد امين) في جامعة كركوك الذي دلني على طريقة علمية لعملية الاحصاء من خلال برنامج (اكسل) على الة الحاسوب فجزاه الله عني خير الجزاء وله مني العرفان والثناء.ومن الصعوبات قلة المصادر الاساسية عن الموضوع في مكتبات مدينة السليمانية ومكتبات جامعتهواالمكتبات الشخصية مما اضطر الباحث للتنقل باستمرار بين مدن الموصل واربيل والسليمانية ومراجعة المكتبات فيها في ظرف لا تخفى صعوبته على الكافة.وبعد كل ما قلت اتوجه بالشكر للمولى القدير الذي من علي بهذه الدراسة المباركة عن القران الكريم واعانني بصبر من عنده، وكان من منة الباري  ان اشرف على هذه الرسالة استاذي الفاضل وشيخي الجليل الدكتور (عماد عبد يحيى الحيالي)، فله مني خالص الشكر الجزيل وفائق الوفاء والعرفان، فقد احاطني باشرافه العلمي الدقيق ورايه السديد، وكانت له دقائق ولطائف اغنت البحث، وتوجيهات قومت اخطاءه فاستوت الرسالة على سوقها، وله فضل اقرار فكرتهواعنوانهوااعداد خطتهواامدادي بما احتجت اليه من المصادر، وله مني احسان الولد لابيه اذ احاطني برعاية ابوية، واخذت من ادب العلم على يديه ما يدعوني الى الدعاء له بان يجازيه الله  عني ما هو اهل له.ومن العرفان بالفضل ان اشكر لاساتذتي في قسم اللغة العربية فضلهم في تنشئتي العلمية في السنة التحضيرية، والشكر موصول لاخوي النجيبين شقيقي الاكبر الدكتور (جلال علي جلال) واخي ورفيق دربي (شوكت طه محمود) وعائلتيهما كفاء ما قدما لي من جهد لاكمال رسالتي، ولمن كان له مشورة راجحة وعون علمي اخص منهم (الدكتور محمد صابر والدكتور طه صالح امين والدكتورة دلخوش جارالله والدكتورة اشواق النجار والدكتور صالح ملا عزيز والاخت تارا فائز)، والشكر موصول للموظفين في جامعات الموصل وصلاح الدين والسليمانية، اما من تحمل مني الكثير الكثير في مدة دراستي عائلتي ولاسيما امي العزيزة فلها مني احسان لا ينقطع وفق ما امرني به ربي ، وعرفان لهم محفوظ في النفس ما حييت.ولاشك في ان لجنة المناقشة الموقرة ستقوم العمل وتصححه حتى يخرج بصورته العلمية المرجوة له، وما بدى من الباحث من الخطواالقصور والنقص سيكملها الاساتذة المناقشون الاجلاء، وذلك باغناء البحث بارائهم وتوجيهاتهم وتصويباتهم القيمة التي اتقبلها كهدايا عزيزة علي.ولابد ان اعترف هنا بان هذا البحث لا يخلو من العيوب والاخطاء ومرد ذلك جهل الباحث وضعفه وتقصيره، فهو من جهد البشر المجبول على النقص، وعسى ان يغفر لباحث مبتدئ هفواته، وحسبي فيه جد المسعى واخلاص النية لوجه الله الكريم المنان، عسى الله ان يكتب لي فيه اجرا في الاخرة قبل ان انال به شهادة في الدنيا. | This search talking for constructive voice and morphology is the one in which formed for Verses : Muhammad , Al Fatih and Al Hujurat. The search followed a descriptive analytical approach to determine the significance of the votes and acoustic phenomena and morphological versions and link between them and the context of the revelations contained therein is based on the statistical tables rigorous scientific research, which dominated scientific feature. The nature of the search warrant that convenes in five chapters and a preface and followed a conclusion, has been pre - defined three verses of the content and purpose of combining them, but First chapter has dealt with prescriptions votes and divided into two subjects : the first one dealt with the main features : which are : (pronouncing and whisper and the explosion and friction, mediation and closing, openness and aggrandizement and attenuation factors), and a second subject to analyze acoustic secondary attributes : the sibilant, nasal twang and arrogance and vowel, and address Chapter II groupings acoustic silent and stop, and Chapter III crowd voting recordings, Turning to Chapter IV to acoustic phenomena intonation study and spread on four Investigation, the thesis of the first full analysis of similar (Slurring) and inverting The second thesis focused analysis similar partial (concealment) and members of the thesis is concerned III,IV singled thesis analyzed passages and commas have stopped Chapter V to form structures phonations, and consisted of two subjects : the first one about the actual formation of structures, and clarified thesis second formation rot nominal. The conclusion to stabilize the most important findings of the research on the three verses and study indication phenomena and formulas

عيوب المعنى في التراث النقدي عند العرب من القرن الرابع الى نهاية القرن السابع الهجري == Flaws in the monetary heritage meaning when the Arabs from the fourth century to the end of the seventh century AH

Author name: عبد الرحمن جابر شاكر العاني
Supervisor name: مواهب عباس رافع
Specific topic: Language
Degree: Master
Language: Arabic
University location: Anbar
First pages:
Abstract: I have been the subject of study (defects meaning in Heritage Cash on Arabs from the fourth century to the end of the seventh century AH), has addressed a group of books cash, in the specified period - from the fourth century to the end of the seventh century - it proceeded to collect these books and research for defects addressed by scientists therein, and the main driver in this research is to love severe criticism, but why choose a theme, it is that wrote criticism has given most attention to the interface quality, and that because of the side utilitarian Knowing quality help receiver to taste texts and the popularity of texts without the other, and see quality also helps creators, as is standard when creativity, and the second reason for the central quality, is represented as an intent sole per vision aesthetic, and as a result there is no theory that specializes in mediocrity, and this is very dangerous, as the central Quality Control model that was established in literary texts and face, and every variation from that model good count poor, not studying and neglected neglected, and only sometimes description him opposite good recipes. This research has included on this conclusion with a boot and three caused Investigation conclusion and a list of sources and references. The boot has spoken it on the main defects that are talked about critics The detective has allocated the first research study direction correction to critics towards verses, and then devote the second topic studied direction guidance The third section has examined the vision compromise between critics and poets, and then reported the most prominent results through the conclusion of which was followed by a list of sources and references on which the search.

الدرس اللغوي في كتاب المفهم لما اشكل من تلخيص كتاب مسلم لاحمد بن عمر القرطبي (ت 656هـ) == A Linguistic Study of Al - Mufhim Lima Ashkal of the Summarised book of Muslim of Ahmed Bin Ummar Al - Qurtubi (died in 656 A.H)

Author name: عبير طارق ظاهر الحاصود
Supervisor name: رافع عبد الله مالو العبيدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: The present study comes in two main parts proceeded by an introduction and prelusion. Each part of the study basically consist of three chapters. The prelusion provides a broad identification of Al - Qurtubi lists his prominent teachers and students among whom Al - Qurtubi of the interpretation of Al - ajami LiAhkam Al - Quran , and values the book of Al - Mufhim among the interpretations of the authentic sayings of the Prophet (PBUH) .The first chapter falls into two sections, the first presents the main sources and references of Al - Qurtubi along with his well - known scholars whose views have not been fully investigated in their books. It is evident that the two most common scholars in the book of Al - Mufhim are Al - Hurawi and Al - Jawhari. The second section deals with the auditory sources of language based mainly on the Holly Quran and its readings, the authentic sayings, and the prose and poetry of the Arabs.Entitled “Linguistic - Semantic Researches”, the second consists of three sections; the first presents types of semantic refrences, i.e. phonetic, linguistic, figurative, and Islamic, the second deals with the semantic contexts which are the contextual, mental, and time reference, and the third tachles the semantic relations between texemes such as shared meanings, opposition, synonymy, trileterals, dileterals, etc. The third chapter picture the non - semantic researches of the language throughout three sections : The first carries he title of the “Linguistic Derivation “ in which Al - Qurtubi clarifies that Perception is the true origin from which the lexical meaning is derived, the second presents the dialects in terms of three levels, i.e. phonetics, structures, and forms, the third deals with the linguistic reform and Al - Qurtubi has noticeable standpoints in this failed.The second part of the study illustrates Al - Qurtubi great efforts in the faileds of grammar and syntax throughout three chapters. The first chapter has two sections under the titles. The Factors and causes “end” The Syntactic Aspects including nouns, verbs, and letters rather than viewing Al - Qurtubi’s valuable efforts to link syntax with meaning. The second chapter shows Al - Qurtubi’s endeavors in the field of grammatical interpretations along five sections namely, Implication, changing to final or initial positions, elision, addition, and finally polysemy. Furthermore, Al - Qurtubi’s approach can be regarded as selective, adopting Basra’s approach in one time and Koffa’s one in another.The second part of the study ends with the third chapter which comes in two sections dealing with syntactic researchers. In the first section, Al - Qurtubi interest in directing the syntactic form of the middle letter of the triliteral verbs refering to the syntactic origin to which it belongs and directing the meanings of the offixed and suffixed verb as well as sources and derivations, the second are all revealed. The second section entails Al - Qurtubi’s efforts in a verity of syntactic fields such as assimilation and substitution.Finally, the study concludes with the most important finding reached of work.

اساليب الحجاج في ديوان الطغرائي == Methods of the protest in poetry of Al_Tghrai

Author name: حسام عيسى دهيم
Supervisor name: سناء هادي عباس الجشعمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Methods The protest(Al_Tghri). This study displays the subject(Influence the receiver) as described it as a wide range for the protest,and that made it related to the problematic which rasied by rhetoric and lingual speech and communcation.The study includes perface and three chapters : The structure of protesting text, logical indications in Al - Al tgrai poetry and the protest and poetry. The preface dealt the concept of the protest and influence It tried to find relations between the protest and loyalty because they are very important in the speech protest. The first chapter the dealt with methods of persuasion or influence in speech .The second chapter dealt with recent rhetoric and it is another point to ancient rhetoric which is an idiom seemed in Perelman and Tyteca after that which called it is (protest) methods rhetoric lead to persuasion and protest starting anomaly from Arstiya rhetoric the chapter third the poet in this in his speech used the protest links , he have instrument language and used it in from it in a from which supporting the protests , joining between cause and effect. structure of the protest text is dedicated to search in the concepts of the structure and the protest text and the methods of its structure and characteristics and the most important conditions which are underlied the protest in certain text and the most important features which distinguish it for the other texts. The second study dealt the linguistic structure of the loyalty of the protest text . The second Chapter offered the connection the protest with figurehead logic under the title of logical signs in aceThe issues are consisted which raised by the implications of mental , natural and objectivity and protest of these indications that served each issue presented by the poet. The third chapter which called ( the protest and poetry) was set aside an applied the elements of protest for the adults ,it is a study of aesthetics that the protester depending on them .

توظيف التراث في خطاب عمر الطالب القصصي

Author name: الهام عبد الوهاب عبد القادر
Supervisor name: فاطمة عيسى جاسم ابو رغيف
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: يعد توظيف التراث في النصوص السردية العربية وتحديدا العراقية من المواضيع التي حضيت وما تزال تحضى باهتمام طائفة من النقاد والدارسين العرب والعراقيين والتي التفتت بشكل واضح لظاهرة التناص مع التراث بحيث اسست لعملية توظيفه في نصوص الكتاب العرب والعراقيين ولكن هناك القليل من الدراسات والكتابات التي تناثرت هنواهناك والتي تحدثت عن توظيف التراث تحديدا في النصوص السردية العراقية فقد شكل هذا الاتجاه نحو التناص مع مفردات التراث ظاهرة بارزة منذ بدايات القرن العشرين وبعد الاطلاع على العديد من القصص وروايات لمبدعين عراقيين وتحديدا موصليين استثمروا التراث في ثنايا ابداعاتهم القصصية والروائية اخترنا المنجز الابداعي للكاتب عمر الطالب الذي ساهم في اغناء الحياة الادبية والفكرية في العراق بشكل خاص والادب العربي بشكل عام خلال مسيرته الابداعية التي زادت على نصف قرن من الزمان لم يتوقف فيها عن الكتابة والابداع والبحث والتقصي في كافة المجالات الادبية والنقدية وقد اخترنا مجالوااحدواهو توظيفه للتراث في ثنايا ابداعه الفني لكي نتمكن من تسليط الاضواء واستكشاف منابع وخزين حياته في مدينة الموصل التي احبها كثيرواذكرها كثيرا في العديد من رواياته وقصصه وقد كان التراث العراقي وخصوصا الموصلي حاضرواواضحا في كل ما كتب وسطر بحيث شكل ظاهرة تستحق التعمق في تجلياتها في نصوصه الابداعية فضلا عن ما اخفته من دلالات معاصرة عبرت عن هموم بلده العراق والذي اظهر التصاقه به ناسواتراثواقد ظهر ذلك جليا في المجموعتين القصصيتين (خمسينيات اضاعها ضباب الايام) (نقطة ضعف) وفي رواياته (الاحداق المجروحة) و(انسان الزمن الجديد) و(من الذي ياتي) و(الطريق الى عدن) و(الرقص مع الخيول) وغيرها مما جعله يسرد سيرته الذاتية وحياته فضلا عن ان توظيف التراث في نصوصه رسمها بالمعاصرة والحداثة التي تتسم بالواقعية المتدفقة بالحياة دون كسل وخمول الى اخر لحظة من حياته. وقد قسمت الرسالة الى مقدمة وتمهيد وثلاثة فصول وخاتمة مشفوعة بقائمة للمصادر والمراجع . وتوصلت الباحثة الى مجموعة من النتائج منها : ان توظيف الحكاية الشعبية العراقية والامثال والشخصيات والامكنة التراثية فضلا عن الالفاظ العامية والعادات والتقاليد تم عبر عدة تقانات استخدمها الكاتب في اسقاط الواقع العراقي عليها فضلا عن استخدام التراث بما يحويه من ترميز كشف عن المسكوت عنه في النص . | Recruitment is the subject of folklore narratives in Arabic, specifically the Iraqi was a topic of interest is still a group of critics, scholars Arab and Iraqis and by the fragmentation is clearly the phenomenon of lntertextual founded with the heritage so that the process employed in the texts of Arab writers and Iraqis But there are few studies and literature scattered here and there about the employment of folklore specifically in the texts of novels and stories This has been the trend towards lntertextual folklore items with a significant phenomenon since the beginning of the twentieth century, a theme chosen for this study and address it . Having considered the outcome of many Iraqi novelist and fiction, especially fiction and output novelist in the city of Mosul writers folklore invested in the course of their creations and feature stories, which made us choose done creative (Omar ALtalb), which enriched the literary and intellectual life in Iraq in particular and in Arabic literature in general . Because the study required his entire study creative deep and long mired deep in the memory of the creative writer was the choice of study (recruitment folklore in a speech Omar Altalb Story) so that we can highlight and explore the sources of the stock of his life in the city of Mosul, which I love very much and mentioned in many stories The novels . We found that the conductivity of the People's life or folklore in particular Musli was present both in the literature to form a phenomenon worth in - depth analysis and to add a contemporary connotations expressed concerns and aspirations that reflect the concerns of his country. This is evident in the two groups Algossitin (Khmsinat begging fog days) and (weakness) and novels (Alahaddaq Elmejrouhp) and (the new person time) and (who came) and (the road to Aden) and (dance with horses) that recruitment of folk In these texts given the nature of contemporary and modern realism that are flowing life without laziness and inaction to the last moment of his life.

المشكل النحوي في لغة الحديث النبوي الشريف في كتاب شواهد التوضيح والتصحيح لمشكلات الجامع الصحيح لابن مالك

Author name: خالد علي حمو المتيوتي
Supervisor name: خزعل فتحي زيدان البدراني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: تضمن هذا البحث دراسة المشكل النحوي في لغة الحديث النبوي في كتلب ابن مالك شواهد التوضيح والتصحيح لمشكلات الجامع الصحيح وقد عرضنا فيه لما اشكل من الفاظ الحديث النبوي التي ذكرها ابن مالك في معالجته وعرضه للاراء النحوية وقد تكونت هذه الرسالة من تمهيد وفصلين ، تكون التمهيد من قسمين قمنا في القسم الاول باجراء موازنة بين كتب اعراب الحديث النبوي ، وفي القسم الثاني عرضنا لمفهوم المشكل عند ابن مالك وكيف وجه الاحاديث النبوية من خلال هذا المفهوم . اما فصلا الرسالة فقد كان الاول منهما تحت عنوان المشكل في التاويل النحوي قمنا فيه بعرض مظاهر التاويل النحوي التي اعتمدها ابن مالك في تخريج المشكل في الاحاديث الشريفة ، وكان الفصل الثاني تحت عنوان المشكل في الاعراب قمنا فيه بعرض المشكل في الاسماء والافعال والحروف وكيف خرج ابن مالك الاشكالات النحوية في هذا الباب . ثم ختمنا بحثنا باهم النتائج التي توصل اليها البحث ومن اهمها اان ابن مالك نبه في المسائل التي عالجها على اغفال النحاة لبعض المسائل ، كما انه وسع من خلال معالجاته للمشكل على اجازة قسم من المسائل التي وردت مشكلة وهي مما منعه النحاة كما ان ابن كالك نبه عى ان كثيرا من المسائل التي عدها النحاة ضرورة شعرية او منعوه او حكموا عليه بالشذوذ بانها موجودة في الحديث النبوي ، لكن امتناع النحاة من استشهاد بالحديث النبوي جعلهم يحكمون على مثل هذه المسائل بانها ضرورة شعرية او انها ممتنعة . | Prophet sayings is characterized by their high eloquence and fluency and form undepleting source of linguistic and other studies. The subject of this thesis entitled Syntactic Controversy in Prophet Sayings Language in Ibn Malik’s Shawahed Al Tawdheeh wal Tasheeh Lemushklat Al Jame Al Saheeh is concerned with the syntactic aspect of the prophet sayings. The importance of this study lies in stating syntactic problems in Saheeh Al Bukhari where Ibn Malik tried to tackle and correct syntactically. Ibn Malik’s views are reviewed and studied and compared with other grammarians views. The aim is to make the prophet’s sayings more correct. The thesis consists of an introduction and two chapters. The introduction is divided into two parts the first of which compares books concerned with prophets sayings linguistically. Part two deals with the concept of controversy according to Ibn Malik view. Chapter one, entitled controversy in Syntactic Interpretation reviews interpretation kinds that Ibn Malik used in dealing with syntactic controversy, including deletion, inclusion and increasing. Chapter two, entitled controversy is subdivided into three parts, dealing with controversy in name, verb and letter. The main conclusions derived is that prophets sayings are proofs for Ibn Malik and the concept of controversy was not decided. Issues dealt by Ibn Malik was distributed among various classes of syntax and the author pointed out some issues neglected by the grammarians

التنضيدية في المسائل التجويدية لمهذب الدين البصري (ت1090هـ) : دراسة وتحقيق == AL - Tantheedia in AL - Tajeedia matters Mohathab Al Deen Al Basri (D. 1090 H)

Author name: علي حسين رسن
Supervisor name: فائزة عباس حميدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The conclusion includes the fruitful results of the thesis : 1.The author of the book is a scholar in grammar and readings. He was not just a before collector; he was a critic and collector.2.All the stoppings the author mentioned in his book, was not full stoppings as he claims, they were varied among the other types such as Al - Kafi, Al - Hasan, Al - Matlaq and Al - Jaaez.3. The author created one new type of stopping that was not mentioned before.4.Al - Shaikh Mohatheb Al - Deen Al - Basry deacribed the scholars in most of his opinions of late and earliers.5.The author of the book did not mention real reasons for the stoppings he mentioned.6.The book was rich in terms of mentioning the Quranic verses.7. He mentioned some of the moral disagreement between Basra and Kufa. He tends to Al - Basra opinion.8.The Quran reader should take into account the situations of startings and stoppings in order to make the meaning clear.Finally, I end the book with various indexes of the Quranic verses, and the prophet speeches and the advertisement and the topicsAll.we want is to pray and thank Allah (the Lord of the two worlds) .474Chapter two : is a study for the book and it contains three sections : section one : states the name of the book, the documentation between the author and the book, his style and resources.section two : deals with phonological, morphological, syntactical and linguistic phenomena such as sloping, replacing and diphthonizingand dialects, etc.section three : describes the script, curriculum of investigation and some of pictures of the book.Part two includes the text being studied in which the author of the book introduces a phonological prologue including how the sounds are produced, the number of sounds, their characteristics Furthermore, this part contains the rules of Al - Tajweed such as dilution ،amplification ،presentation ،maximizing, minimizing and separating of speech in certain linguistic phenomena such as sloping , Rom, and Al - Ishmam, and he made a conclusion of some seeking forms for Muslims divisions After that he moved to the core of the book content; i.e., determining the full stopping in the Holy Quranfrom Al - Fatiha Sura to Al - Nas Sura.His major work was to know the reasons of dropping Al - Sura the number of its verses, its words, and its letters, then he determined the situations of the full stopping, later on he made a conclusion with the use of a prophet's speech and it goes for all Quran Suras.in the end of his book, he explained the script and showed the situations of disagreement with the standard script. Then, he mentioned the Quran readers and their narrators and their alphabet with the Holy Quran.471AbstractAll praise goes to Allah, and all prayer goes for Prophet Muhammed and his relatives (peace be upon him) and all his comrades with him.This thesis is an analytical study and investigation for the Book of Al - Tantheedia in Al - Tajweedia Matters for the relegion specialist Ahmed Abdul Radha Al - Basri (died after 1090 B.C.) .This book is about Al - Waqif and Al - Abitida science. This science deals with the subjects of Al - Quran that care for the matters of Al - Waqif that Quranic reader needs to take them into accountbecause such matters agree with the rules of language grammar and meaning to make the meaning clearer.This book carries the utmost importance for it relates to Al - Quran Al - Kareemsecondly, it is considered as one of thw sources of the science of Al - Waqif and Al - Albitida which our Arabic library lacks to.The One of the aims of this thesis is to revive the Islamic heritage that is not very wide on the level of international libraries. The thesis is divided into two main parts with Introduction and Conclusion.The introduction contains the importance of the topic and why it was selected.part one deals with Al - Tantheedia in the matters of Al - Tajweedia, this part has two chapters.Chapter one contains the life of the author and in turn contains three sections : section one : author's name, relatives, birthday, and his death.section two : deals with his masters and his students, his travels, and his scientific status.section three : deals with his scientific works.

مادة (ن ز ل) في التعبير القراني : دراسة لغوية == Article ( Nazala ) in the Quranic expression/linguistis study letter submitted by the student

Author name: مصطفى عذيب عليوي
Supervisor name: صبيحة حسن طعيس
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Constitution of Muslim life So I choose to look at the substance of the material that many of their appearance in it, and substance (Nazala) was my address (Article (Nazala) in the Quran statement/ linguistics studying) was divided by booting three chapters preceded by an introduction and followed by a conclusion.Ensure that the meaning of the boot (Nazala) in the language and in the commentators convention. Chapter The boot was eating (Nazala) in the Arabic language and in the commentators convention, the first chapters dealt with the (audio level in three sections I : Voices (Nazala) and the second voice modulation and third intake votes CT and CT, and the chapter dealt with the (Level morphological in two sections : the first : the formulas morphological and second : the meanings of morphological variations, Chapter III Fajssth level (grammar) and made in two sections : the first : (wholesale news reporting) and the second sentence construction, and the conclusion in pits on the findings of the research

التصاقب في القران الكريم == Al - Tasaqub in Al - Quran Al - Kareem

Author name: يمامة محمد عبد الكريم كشموله
Supervisor name: هاني صبري علي ال يونس
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: انبثقت نظرية التصاقب من طيات صفحات كتاب ابن جني "الخصائص" وهي نظرية لاقت الاعجاب من قبل العلماء والباحثين، وقد كان لابن جني فضل الريادة فيها، والتصاقب عنده هو التقارب ما بين الالفاظ باصواتهوامعانيها، وتقارب صوت اللفظ مع معناه، وقد تطورت هذه النظرية عند العلماء العرب والغربيين وسلط عليها الضوء ولكن بمسمى جديد هو "الاونوماتوبيا" ومعناه : ان الصوت يصبح شفافا يصور المعنى من جوانبه. وقد كان لنا شرف المساهمة في تطبيق هذه النظرية على القران الكريم - كتاب الله المعجز - .تضم هذه النظرية في محتواها عدة قوانين هي : تقارب لفظين او اكثر يجمعهما صوتين متشابهين مع اختلاف الصوت الثالث وقد يكون هذا الصوت المختلف هو الاول مثل صد وسد او الثاني مثل كتم وكظم وكمم او الثالث مثل فصل وفصم، وقد يكون الاختلاف في اكثر من صوت كان يكون صوتين مثل مد ومط او ثلاثة اصوات مثل غبر وافل، وتضم هذه النظرية قانونا اخر هو تقارب الاصول اي تقارب لفظين فيكون احدهما ثلاثيا والاخر رباعيا مثل قسط وقسطس، وقانونا اخر هو التقليب اي يكون للفظين الاصوات نفسها مع اختلاف ترتيبها مثل رجم وجرم. لقد تناولنا هذا الموضوع بتاصيل المعنى المعجمي لكل لفظة من تلك الالفاظ ثم اتبعنا ذلك باية من الايات القرانية التي تحوي هذه اللفظة او ما اشتق منها ثم ربطنا بين هذه المجموعة الواحدة من الالفاظ بما سميناه دلالة التصاقب، اي الدلالة التي تربط بين هذه الالفاظ في المجموعة الواحدة واعقبنا ذلك بالتحليل والتوجيه الصوتي لكل لفظة وبينا قوة اللفظة الواحدة في استعمالها مع اللفظة الاخرى. وهكذا كان عملنا في الرسالة كلها، ومع الالفاظ جميعها لنؤكد في النهاية على وجود التصاقب في القران الكريم كحقيقة واقعية نؤمن بهوانقتنع بها كما اقتنعنا بوجودها في اللغة العربية. | The Quranic studies have attracted the attention of many Moslems. So a large number of such studies were produced. Some of them are old fashioned while the others are of recent style. In the same trend, it is enjoyable to propose a considerable enough study to put a finger - print within the area of the Quranic studies especially with the term "Tasaqub". This was always and frequently described and discussed by our teacher. Tasaqub means the compatibility between phone and meaning of a homonym. It is mostly synonymous to the term Onomatopia. In addition, because this study may add new contributions to the linguistic study of Al - Quran Al - Kareem, hopefully this choice was taken and started to search about "the Tasaqub in Al - Quran Al - Kareem". So this became the title of the thesis. The thesis contained an introduction and five chapters. Each one deals with certain part of the Tasaqub. The introduction comprises a linguistic and terminological meaning of this term, the ancient concept of Tasaqub , the recent one of it and the Tasaqub in the logic of Ebn Jeni. The first chapter contains homonyms having the same oral and oral/dental pronouncement exits. Where pronouncement exit means from which place in the mouth, the phone can be exit. The second one deals with the homonyms that have dental pronouncement exits (between dental to dental/gingival).Whereas chapter three comprises only the phones of gingival pronouncement exits. Chapter four is divided into two sections : the first one treats the laurel phonic exits whereas the second section deals with the stratified phonic exits. Chapter five contains three sections : the first studies the phones of uvulas exits whereas the second one deals with faucial phonic exits and the third section deals with the Gullety phonic exits.The phonic configuration through this study is arranged according to seven laws. The first law depends on the first phone (the phone of the first letter in a homonym) which is changed in the first homonym of a certain group (each group contain two or three homonyms of same phone and meaning i.e Tasaqub ).The second law deals with which is changed in the second phone. The third law is concern with third phone change. The forth law depends on the changes of two phones out of three. But when the three phones are changed, it refers to the fifth law. When one of these phones is triliteral and the other is quadrilateral, it relates to the sixth law. Whereas the seventh law comprises homonyms which have the same phone but differing in their arrangements (advancing and delay law). Finally, the study concluded the following points : • The homonyms which obeyed the Tasaqub laws showed compatibility between the phones and the meanings.• The embodiment of phone to the meaning in the recent research work is called onomatopia.• The onomatopia is the extent of its original linguistic and phonic origin which was anciently lead by Ebn Jeni.• The Tasaqub between the homonyms on one hand and between their meanings on the other is one of a fantastic theory which attracts many researchers.• Ebn Jeni stated that the Tasaqub of homonyms is present in thousand places. In this study, some homonyms were found in Al - Quran Al - Kareem, whereas the others were not found.• Homonyms of Tasaqub present according to seven laws. Most of them are obeyed by the first three laws; the lowest number was controlled by the sixth law while intermediate number of homonyms followed the seventh law.• The association of certain phones to indicate certain acts is denoted by the Tasaqub .

التعارض والترجيح في كتب الخلاف النحوي الانصاف - التبيين - الائتلاف == Opposition and Preference In the Contradicted Grammatical BooksAl - Insaf , Al - Tabyeen , Al - Etila

Author name: محمد امين حسن عبو
Supervisor name: حسن سليمان حسين الجميلي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: التعارض والترجيح في كتب الخلاف النحوي : الانصاف - التبيين - الائتلاف )) هذا هو عنوان الاطروحة التي جرى اعدادها لدراسة ظاهرة التعارض والترجيح . واشتملت على مقدمة وثلاثة ابواب وخاتمة وثبت بالمصادر والمراجع وثلاثة كشافات : كشاف للايات القرانية ، وكشاف للاحاديث الشريفة ، وكشاف للاشعار العربية . الباب الاول - يتناول تاريخ التعارض والترجيح ونظريتهما ، ويضم فصلين : الاول - يبحث في تاريخ التعارض والترجيح في اطوار الخلاف النحوي الثلاثة : طور تكون الخلاف ونموه ، وطور التنافس بين المذهبين البصري والكوفي ، وطور الترجيح بين المذاهب المختلفة . والثاني - يبحث في نظرية التعارض والترجيح ، ويقف عند محاورها الرئيسة : مدلول التعارض والترجيح ، وحكم قبول المعارضة ، ومجال التعارض والترجيح ، واركان التعارض والترجيح ، وصور تعارض الادلة النحوية والترجيح بينها . والباب الثاني - يتناول التعارض في كتب الخلاف الثلاثة ، ويضم فصلين ايضا : الاول - يبحث في ركني التعارض ، وهما : وجود مسالة اختلف فيها اثنان او اكثر ، وتقابل دليلين او اكثر وتعارضهما . والثاني - يبحث في مجال التعارض ، وهو الادلة النحوية ، وجرى التاكيد فيه على الادلة النحوية المعروفة ( السماع ، القياس ، الاستصحاب ، الاجماع ) ، مع الوقوف عند صور تعارض الادلة بين البصريين والكوفيين ، وموقف النحاة الثلاثة من هذه الادلة . والباب الثالث - يتناول الترجيح في كتب الخلاف الثلاثة ، ويضم ثلاثة فصول : الاول - يبحث في طرائق الترجيح واركانه ، جرى فيه الوقوف طويلا عند اركان الترجيح ، مع نقد دليل الترجيح عند النحاة الثلاثة . والثاني - يبحث في ادلة الترجيح النحوية ، جرى التاكيد فيه على الادلة المعروفة ، ووجوه الاعتراض على ادلة النحاة . والثالث - يبحث في علل الترجيح النحوية ، جرى التاكيد فيه على سمات العلة وشروطها ، ومسالك العلة وانواعها | This study includes three chapters : the first one deals with the history of opposition and preference and their theories . It also contains two sections . The first one studies the history of opposition and preference in the three contradicted syntactic stages which are as follows : the stage of its appearance and growth , the stage of the competition between the kufi and Basri trends , the last stage contains preference among other varied books . The second section deals mainly with the theory of opposition and preference and its basic elements such as : the sense of opposition and preference , the principle of accepting opposition , its positions , its elements and the forms of opposition among contradicted syntactic evidences . The second chapter concerns the incongruity in the three contradicted books and also falls into two sections . The first one stresses on the two opposing elements which are : the question that has also been discussed and opposed by two or more , and the two equalled or contradicted evidences . The second one deals with the conception of opposition including the syntactic evidences . Emphasis has been focused on some famous Syntactic evidences ( the audile , measurement , constancy , unanimity ) with stress on examples of contradicted evidences between the kufi and Basri schools and the attitude of the linguists towards them . The third chapter deals with the preference in the three contradicted books and includes three sections too : The first one is dedicated to study methods and elements of preference which have fully been analyzed with critical points for the evidence of preference itself according to the three Grammarians . The second section deals with the preferable syntactic evidences , with special emphasis on the famous ones and some objections directed to the evidences of the Grammarians . The third one finally studies the syntactic preferable reasons , their kinds and conditions with much consideration

البنى التكوينية في روايات عبده خال == The Structural structures in Novels of Abdo Khal

Author name: حسام عليوي محيبس
Supervisor name: زينب هادي حسن
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Owing to changes the Arabic Novel has witnessed in general and the Saudi Novel in specialty in depicting inner aspects of a human under the societies' changes or its sartatics , this research comes as to aim at the Saudi society structure. The current research includes the Saudi Society structure via the novel and delving into the social systems that rule the life therein , along with the essential elements that form it , along with the highlighting the important matters ensued by these systems. This could be done by the critic method in the research and literary closeness of the novelist. Our efforts focused on two directions : , the first direction is the structure trend as being described as a procedural unique method that comprehend factors of analysis and research, the other one is to deeply delve into the social systems concerning with the Saudi Society , via the novel accomplishment of the Saudi Novelist ( Abdulkhal). We have chosen this novelist because he had been awarded Al - Boker in 2010 about his novel ( casting with evils) that being represented as his fruition accomplishment and that includes eight novels , in addition to his literary experience that imitate the human inner aspects. After discussing with Dr. ( Zainab Hadi Hasan), it has been determined the research 's dimensions . The research includes theoretical preface for the structure and its philosophy dealing with the literary text based on the discussions of ( Lusyan Ghuldman ) , along with the psychological lesson in the novel ; it also includes three critic chapters and as follows : Chapter one includes the analysis of sociological addressing , it includes four researches , the first is about assimilation , interpretation , the second the indicative structure , the third is about possible awareness , the last one is about the world's vision. Chapter two includes the text's social and ideological structure. It includes five researches , the first one includes the social side , the other is religious side , the 3rd one is the political , the fourth is the economic and the last one is the psychological one The chapter three includes the new Saudi novel changes . It includes three researches , the first one is an introduction to the novel , the other one is about the new Saudi Novel , and the last one includes the artistic changes in the novelist ( Abdulkhal). It has been relied on many important references in the structure , the Saudi Society and new Saudi Novel. . Of these references were ( Structural domain and literary criticism for ( Lusyan Ghuldman) . The research faced some difficulties including exaggerated novel accomplishment filled with indications of the novelist( Abdulkahl) . I have not missed to thank Dr. ( Zainab Hadi Hasan) for her confidence in me and Dr. ( Nidhal AbulJabbar Hassoni) and ( Dr. Khalid Sahar )

الاخر في الشعر العراقي 447هـ - 547هـ : دراسة تحليلية فنية == The other in the Iraqi poetry (447 AH 547h) An analytical study of art

Author name: احمد سعيد محمد
Supervisor name: زينب فاضل احمد النعيمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The subject of other is not new issues, but the conflict of self and ego and us within poetic ability and substantive production concepts have made this topic curriculum researchers in studies of poetry, and perhaps the Abbasid period during the Seljuk presence of important eras which carries harbingers of literary and historical events dominated the Iraqi poetry , production phenomena and topics and one another, our study was the disclosure of this phenomenon, and his possessions and poetry texts.Selection has occurred in the study on Iraqi poetry; the Abbasid caliphate center and a theater a lot of invasions and battles and strife, as well as internal divisions, which reflected negatively on the Arab state and the emergence of dissension and infighting movements, the year (447 AH) was started presence Seljuks in Iraq after the elimination of Albuehi presence and the accompanying events influenced in directing public literature and poetry private, and the resulting phenomenon (the other) from the coalition and the difference in the subjects.The subject structure based on three chapters preceded an introduction included the reasons for choosing the subject and objectives of the study and demonstrate the extent of taking researchers of this phenomenon in other subjects, and to clarify the structure underlying subject, and comes after the introduction pave clarifing the researcher another concept illustrates the language and idiomatically, with the brevity of the political situation and economic and cultural in Iraq in the period of study, and to clarify the nature of existence and the Seljuk princes and its impact on the duration of the study.The three chapters are, the researcher dealt with in the first chapter of which the other recombinant, which is divided into three sections, thecfirst of which the other entitled acclaimed, which included exposure to the other Arab acclaimed and other national acclaimed and other religious acclaimed, and the second of which was entitled the other madrigal him and was on two kinds : women spinning and spinning the male, and the third of which was entitled winery, which has comported with the spirit of the poet and aspirations to escape from the bitter reality loaded worries and sorrows.The second chapter was titled different other, first section was of it is a reflection of the other satire explaining satire poets strata of society in various segment, and second section was entitled separation in which the researcher explaining two kinds of parting : moral posed abandonment, leave, remoteness and so on, and material represented death, which is the voice of the yard, and the third section titled graying as well as its effects on the poet psychologically and then breaks the poet that appear in the texts of poetry.The technical study has taken into the third chapter. The language and structures were the material of the first section of it, and the image of poetic material for the Study of the second section, and the music poetic material for the Study of the third section, followed by the technical study conclusion includes the most important findings of the study, then the list of sources and references that depended on the researcher in the subject and abstract in English language .The coalition and the difference issue are subject to the same poet through her love and the reluctance of those around, the poet is comport with the other remembrance of his virtues and veneration as in the acclaimed, and different with what decries of other recipes, and the harmonious coalition with the conscience of the poet in the image of women between beauty and intercourse, and the various with broadcasts actions of different feelings like parting and dams.dArab acclaimed has dominated the poetic texts that deal with other acclaimed at the national expense of the other, which did not get much luck of praise, and perhaps approach with the occupation as well as lack of awareness, many of them Arabic language and lack an appreciation for the language of poetry has taken large proportions in the minds of poets that reflected negatively in the texts of poetry.Spinning has become a cause for the emergence of recombinant other poets in the experiments between emotion and feeling, image of women not only are part physically, but promised to signify emotional objective existence of ego poet in scattered images of the other recombinant.The existence of the other phenomenon spinning by male was an extension to the previous eras of the impact of mixing with other Arab tribes, it is from the second century AH data through the sinking of some poets urbanization, luxury and fun on the boards of drink and hosing of boys Persians and the Romans.Winery mixed with other topics have been mentioned, and more are found in the spinning and separation, in Spinning looks like a poet spittle beloved and saliva like winery, while in parting poet describes the state of stunned and grief and distress that screaming his head as a result of separation, reflected the winery urgent desire poet stability and psychological dimension of the variables social, hair winery came in this era strophes poetic or short poems or verses scattered.We have found that one in Iraqi poetry different his image has been focused on the arts are three : (satire, separation, gray hairs), and the satire has taken poets of different ways, including individual satire and collective satire hostile tribe or enemies and their armies, and tends poet sometimes satire is wise ever and days and what it does with its people, and jokes and we found satire beloved, satire friend and make them a target for another satiric in different part, came the other imageesatiric reflection of discontent poets and anger at the other rational and non - rational in life between cursing and reproach, grandfather and humor, and derision, inclusive of all strata of society.The parting varied repercussions in the texts of poets between the parting moral in the departure and remoteness abandoned and weird, material and parting represented death and the yard, and poet fluctuated between longing and loving memories with folk and nostalgia for the place, or the pain and anguish and refraction.Another gray hairs in different obsessed tragically in the hearts of poets has the form; because the most important signs of the paradox of youth and the reluctance of women; so he was associated with the gray hair in sometimes complaining and bemoaning, mention past year, it is a symbol of stress and grief and confusion and dispersion

الهوية في سرديات جمعة اللامي : دراسة في ضوء التحليل الثقافي == Identity in Juma Al - lami s Narrations As a study in the light of cultural analysis

Author name: احسان جابر شبيب البخاتي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: It is definitely clear that identity has become a subject of great importance since the previous century because of what was known as " policy of identity ". The policy that was in alliance with the cultural studies. The policy of identity means a policy that is limited with those nouns that come from certain identities " historically the weakened people " instead of being a policy built on the base of some policies or certain social philosophies. it is sometimes said that the policy of identity is urged or motivated by desire of getting some kind of confess , but in most of the cases it has been flexible further by a desire of getting a free dealing or free treatment . S it has been clear that cultural studies was looked at as a shade to the policy of identity that is divided into two halves : one stands with the marginal or fellow identities and the other understands identities as shapes of cruelty and chains or even as a part of the social structure to control and slave the other. Yet , we choose the title of the study " Identity in Juma Al - lami 's Narrations " as a study in the light of cultural analysis . His narration in stories or in novels represents the society and its discourse that stands on the variety of spoken language and the signs that well understood by the society memory which is ,in a way or in another , a mirror of that memory referred to by hidden contexts in a way that we classified it as postmodernism . The discourse of identity occupies wide area in Juma Al - lami 's narrations. This is a result of the problematic issues of the Iraqi identity since the establishing of the modern Iraqi country .like the varied religious , social , racial and political Iraqi tissue. All the governments failed in making this tissue a united one hom identity so the instability continues because of the struggles and conflicts . In general the centre identities imposed themselves on the other branch identities to control and weaken them through the valid or invalid letters. The identity in Juma Al - lami 's narrations varies according to variety of the cultural identity in the Iraq society . So the religion , political and collective identity appears in its local , home and world frames. Identity suffered a lot of anxiety because of the power of the centre and the dictatorship regimes that brought many problems such as scattering and trying to achieve oneself and the worry of being destroyed , divided and breaking of the identity that led to changing in identity willingly or unwillingly. In fact the identity becomes robbed materially or symbolically. The feeling of the one origin identity that deserves life made people in one shelter behind their branch identity so as to defend their existence and regain their rights taken forcibly . This is what has been faced with violence and oppression by the centre powers that are always try to take power in order to impose their one identity , ambition and desire. This is, in fact , what created the inside and outside exiles and alienation even in the one community. This is what led to illusion of the one identity through ideology that coming from different environments as the ideal solution in the way of the modern state and society in general. This is faced by the illusion of the power as result in seeing its procedures and policies as the correct ones as well as to the double characters and particularly in Iraq. In spite of that , we can say that the cultural composition was not absent in representing identity and taking its role which in general was controlled by the state and knowledge that is called " Identity Difference" which represents in many cases the point of view of the self about the echo . As a matter of fact Juma Al - lami , as a writer , has given cultural projects to replace the identities that believe in being the only one , he presents , for example , the human and the universal identity just as Edward Saed has done . The concept that means feeling one identity does not neglect the identity of the other , does not mean slave others but the ideal solution is that how to live peacefully and respect the other in true life within one society or many communities .

انماط الجملة الاسنادية في ديوان ابن ابي حصينة : دراسة نحوية - تطبيقية == Patterns of the Sentence Al - Ansariyah in Diwan the Poet Ibn Abi Huseina

Author name: احباب ياس خضير
Supervisor name: صبيحة حسن طعيس
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Thanks to Almighty God the most merciful, the most compass - ionate. The descriptive analysis is chosen to be the procedure in my study. It deals with a certain phase in a certain language or tackles a certain phenomenon. It describes it inductively. It relates with the common aspects with the vocabularies in this induction which is called "Grammar" whereas the title of my study is Patterns of the Arabic Sentence Al ansariyah in the Diwan of the poet " Ibn Abi Husseina". The reason behind choosing this subject is to be the first time of searching in this field and it is updated topic to be searched. The second reason is that the poet is considered one of the great and imaginative poets in Arabic where the search in his field is quite unique. These two reasons make it worthy that the topic to be searched. The Construction of the sentence is taken into consideration according to the divisions of the Arabic grammarians, basically the noun phrase and the verb phrase not linguistically as a subject or a predicate. The study includes three chapters and an introduction and a conclusion. The introduction has a biography of the poet and his main works and the basic purposes that he talks about. The structure of the sentence between the language and the idioms and its definitions in the contemporary Arab poets. The first chapter involves the absolutenoun phrase and its components : the subject in the first section whereas the second section studies the predicate. The second chapter includes the limited noun phrase. The first section includes the copying noun phrase with letters and the second one includes the copying noun phrase with verbs whereas the third chapter is allotted to study the verb phrase which includes the affirmative and the negative sentence, with the conclusion and the references. The researcher relies on the kind of analysis of the opinions of the old and new scholars with the old and heritage references, such as ( Sibaway 180 H ) and AL - Muqtadhab for Mubbarad ( 285 H ) and AL - Osol Fi AL - Nihool for Ibn AL - Saraaj ( 316 ) and AL - Khasais for Ibn Jinny ( 392 H ) and References for letters, linguistically and semanticly such as : Horouf AL - Maany for AL - Zujjajy ( 340 H ) and Wasaf AL - Mabany for Maliqqi ( 702 H ) and AL - Jinny AL - Dany in the Horouf AL - Maani for AL - Murady ( 749 H ) In addition to the dictionaries such as AL - Aiyn for AL - Khalil and Maqqyes AL - Lagha for Ibn Faris and Lisan AL - Arab for Ibn Mandhor and AL - Moheet for AL - Fairouze Abady and etc. In the light of the sound analyses for the chapters of the study. It is concluded that : 1. The poet Ibn Aby Husseina was regarded a remarkable poet among others of his contemporaries. 2. The purposes in his works are mainly praise and flirting and lamentation and wisdom. The purpose of praise is just for getting money. 3. The existence of the noun phrase is more than the verb phrase. 4. The presence of the limited Arabic Sentence is more than the absolute sentence. 5. The subject is existed obviously in the first section in the first chapter " subject with EL, and with additional with the suffixes and the pronouns. 6. The definite subject is used more than the definite one. 7. In the second section in chapter one, all the images are depicted on the forms that the predicate comes in the form of an indefinite singular and definite singular and it comes in the form of verbs in the imperfect tense. 8. In chapter Two, the noun phrase which is copied with verbs are happened to be more than those of letters. And the modals "ان واخواتها " come more than " ليس ) and ( لا ) and the modals ( كان واخواتها ) come in the first rank. 9. The first chapter includes two sections : the first is the verb phrase with the perfect and imperfect tenses and the other section includes the negative sentence. 10. The negative sentences are widely used in the poet's works representing the negative sentence with ( لا ) and ( ما ) and more with ( لم ) and then (لمواليس

ملامح الخيال في قصص الاطفال في العراق من (1970 - 2003) : دراسة موضوعية - فنية == The fiction in children's tales in Iraq (1970 - 2003)Objective - Artistic Study

Author name: ابراهيم عبد الرضا رشم
Supervisor name: يونس عباس حسين
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

الاساليب البلاغية في النص المسرحي النثري والاوبرالي لمحمد علي الخفاجي == Eloquent Methods in the Opera, and prose Theatric text for " Mohammed Ali Al - khafaji"

Author name: كوثر حسن مكطوف طاهر الاسدي
Supervisor name: ساهرة عدنان وهيب العنبكي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The current thesis is concerned over studying the eloquent methods in the Opera, theatric accomplishment , and prose theatre since there have been theses preceded my own , dealt with the same subject " the study of the poet " Mohammed Ali Al - Khafaji" as being directed by my . Drs. ( Sahira Adnan and Nuaas Mohammed Ali) to study the Opera theatre since this subject has not been largely studied or dealt with ; beside, the poet's production was in two methods : the first the Opera theatre ( Sinmar ) and the other one is Opera of " Kawa Al - Hidad" . The department 's policy has suggested and the committee of seminar to add the prose production represented in " AHADIHIM YUSLIM AL - QUDIS HATHIHI AL - LAYLA" and AL - DEEK AL - NASHEET" , besides , the play of Al - Hussein " AL - HUSSEIN WAQIF FI YASARI" . The latter is a prose - Poetry drama for being not previously studied ; the poet was vary in literary types in his writings, therefore , we have not left the poetic theatre in this study owing to the texts ' authority , especially Opera . This interference contributed into enriching the texts eloquently, especially in the two sides composition and indication . The supervisor's selection lied in selecting the study eloquently since there are little of such studies dealing with the Opera , theatric and prose accomplishment in the eloquent books .In respect to obstacles of research , concerning with the collection of achievements of the poet that have helped us to get some of which , including , Dr. Nuaas Mohammed Ali Al - Khafaji and the other I have been unable to get for the non - availability of texts even in the house of the poet. These texts are ( The play of Adraka Sharzad Al - Sabah, Opera : When dancers get tired" . Dr. Nuaas who is the son of the poet has told me that ' Al - Khafaji" has lost the texts that he owns and he was determining to re - write them , but the fate was preceded him by his death before he accomplished his project. The drama of " AL - DEEK AL - NASHEET" has been found in Al - Aqlam magazine . The thesis includes three chapters , introduction, preface and conclusion. In the preface , I have dealt with three branches , the first one is about Opera , the second is about drama in the context and poetic theatre , including child theatre and the interference of different literary types and the last one is about the texts of the poet. The chapter one has referred to researches in the science of meanings that being divided into three researches , the first one has been about the composition methods ( order , question, calling and negative ) ,where I have indicated the importance of existing such methods inside the theatric texts in composing the sentence , along with its dominance in the text, the 2nd research has been about the composition and indicating about the importance of the sentence - and its composition , the third research has been about Khabar and its types . The chapter two the texts indication and that being divided into three researches , the first one has been about the similarity and its types , the second research has been about metaphor and its relation in the texts, then , I have talked about symbols an indications the poet has dealt with in the prose theatre. The chapter three comes under the title " Al - Badeaa science " , it has been divided into researches , composing of three elements , counterpoint , opposite , verse , exchange and division , the second research has been about Anaphylaxis , reiteration, repeat . We have mentioned the repeat for its indication , where the music repeat gets vary for letters , utterances and phrases in the sentence and syllables. The third part has been assigned for quotation and its significance in the achievements of Al - Khafaji .In conclusion , I have accomplished most important results , indicating the eloquent text has interaction sides in the aesthetic and linguistic functions in the text ; every eloquent element has a definite function in the context
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