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دلالة البنية الصرفية في السور القرانية القصار == The Semantics Of The Morphological Structure In The Short Qur 'Anic Suras

Author name: جلال الدين يوسف فيصل العيداني
Supervisor name: فاخر هاشم سعد الياسري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: hanks to 1hc 11/mighty God vvhu enabled me to deaf whit the.sp1rzt f the Quranic atmosphere , which is the language that is ·1 honuo ·ed by God i11 being the language of the Holy Quran. Though the Oi ··anic text is a literary text and every text has its own featuresand a ns. still ir is very peculiar in its sounds. The Qur·anic longua e is a supers me model in its use of different forms and sounds.S , God allo1red me to have a share in this blessed route by means of conducting a semantic - morphological Qur,anic study entitle : The Semantics of the Morphological structure in the short Qur.an c Suras. There are many factors that interact in displayingthe motpho!ogica! semantics of the Qur,anic text , such as : the texical j contextud. functional and social ones ; in addition to the cause b~hind the issuing of the Sura or verse , its atmosphere , its locatio , its type and its sounds. Concerning my reliance on theshort Q 1r, anic 1·erses , this is because of their intensified sen1antic.features, H'hich are considered as acharacteristic of almost all short texts. s for the scale of measurement upon which this study is based. ·t is adigitalone. So that , the Sura whose verses are nomore th n twenty is considered as being short, and that wich ranges between lH'enty and eighty is an average one , and the Sura whose verses a e more than eighty is along one. Th study is organized in to three chapters. The first chapter( Jn the Circunference of the Infinitive' Al - Masdar , and the Derived' l - !vfushtaq) treats tow subjects. The first subject is : the i11finitive • al - ,\fasdar , and its t;pes , al - masdar al - mimi , masdar l - marra , masdar al - hay 'a , and ismul - Masdar. Thesecond sz bject is : the derived• al - mushtoq' which includes : the subject - moun. forms of exaggeration , the object - noun , adjective the comparetive - noun , time and place - noun , and the instrumen - 1101111. This chapter is a semantic - morphologicalstudy oft e short Suras , which shows the possibility of replacing fhrms by heir morphological alternatives. he second chapter (In the Circumference of Duality and plural ty) contains tow subject also. The first subject deals with the morpf ological semantics of duality in short Suras ; the second one hand! s rhe morphological semantics of plurality , 1vhich includesall typ s of plural such as : the regular maswline plural. the regular femini e plural. and all types of irregular plurals , especially noun of the lured and noun of the plural gender.he third chapter (In the Circumference of Verbs) comprises fours bject. The first is : the time semantics of verbs (past, present. and. ulure) in short Suras. The second one is : the semantics of additi n and other mise in verbs. The thierd is : its relation withthe s bject and object. As for the fourth subject. it is about emph sizing those verbs occurring in short Suras. A1oreover , I have arried out astatistical study of each of the above mentioned topics.he study ends with some conclusions that are stated in detail, and t nks to the Almighty good.

النقائض في الدرس النقدي العربي الحديث == Al NAQA 'ID In The Modern Arabic Criticism Studies

Author name: كامل عبد المحسن جاسم الحسن
Supervisor name: احمد حياوي السعد
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: This study deals with contemporary critics and scholars ' opinions for one of the poetic arts that strongly emerged in the literature of the Amawi era , namely , ( Al NAQA'ID ). The Study aims to discover the way through which the Arabic critical blog of the modern age treats such type of heritage texts as well as reveal the shifts which hit the Modern Arabic Critical system in the first place , so - called the Age of (Revival) , the time when contextual methodologies widely prevailed and were concerned mainly with outer contexts of the social , historical and psychological conditions surrounding the text and its cultural and social medium through (textual criticism) in the age of Modernism up to Reading & construe methodologies in the Post - Modernism age. The study is based on two concepts. The first one is based on the concept of discourse as a group of texts directed into a specific critical scope. The second is stemming from the constructive concept of Arabic Poetry in the Arabic Criticism system since long ago , which is based on the fact that the lyric poem is a linguistic structure includes ( form and content). Form is meant to include the issues of language , rhythm and Poetic Imageries. On the other hand , Content represents the meanings and thoughts included in the form. Hence , the researcher went ahead in dismantling this discourse into two sides. The first one contained the thematic issues and phenomena. The other side is the artistic issues and phenomena. In terms of Arabic critical methodologies , they represented the central crystal with which the discourse was concerned. It is indeed a methodological discourse based on methodical bases as specified by Modern Western methodologies , taking in consideration cultural Arabic particularity. The most important outcome of this research is the confirmation that The Modern Arabic Critical Discourse compared with Al NAQA'ID was coinciding with critical shifts that touched the modern Arabic discourse structure in general and they furthermore approved the dominance of thematic sides in the heritage text at the expense of artistic ones. Moreover , they manifested the strong presence of the historical and social methodology with a relative absence of the psychological one in terms of themes. Concerning artistic sides , the researcher noticed the intensive care that Arabic critics and scholars lavished so as to disclose the recognized artistic structure of Al NAQA'ID text through their works of disclosing the linguistic nature therein and the denotation of metaphor element in its structure. I also disclosed their endeavors in studying the rhythmical level , poetic imagery , as well as the critics ' interest in studying the involvement of the thematic phenomena such as Irony phenomenon , meaning exploration , expatriation , cultural involvement. Moreover , involving artistic phenomena such as bi - antagonism , argumentation and repetition. Furthermore , The research showed the critics ' agreement over the emptiness of such art from organic unity which was replaced by line unity on the poets part thereof equal to the heritage texts in Old Arabic Poetry.

ظاهرة الثقل في العربية ووسائل التخلص منها : دراسة صوتية == The Phenomenon Of Stress In Arabic Language : Means Of Getting Rid Of It ( Phonetic Study )

Author name: عدي صالح جبار
Supervisor name: صيوان خضير خلف المياحي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: This dissertation deals with the phenomenon of stress in Arabic language. It is one of the phonetic phenomena whose Rules are subject to the oral performance. The dissertation Studies the most important aspects that the phenomenon of Stress takes in the language and the reasons behind them And the means that the language used to get rid of stressed Speech. The dissertation is divided into four chapters preceded by An introduction and prelude and followed by the results. In The prelude light has been shed on this phenomenon as it Was used by the ancient people and the reasons behind the Lexicographers grammarians scientists of Quranic recitations And rhetoricians interest in it. Chapter one deals with stress in sounds and their individual Features. It is divided into two sections; section one tackles The stress of the sounds at their production. Section two Deals with the individual stress features. Chapter two talks about stress resulted from the adjacency of Sounds to each other. The chapter falls into two sections : Section one talks about stress that is resulted from simila Adjacent sounds. Whereas section two describes stress that Is resulted from different adjacer sounds. Chabter three studies syllable stress. It comes in two Sections; secton one studies the disparity of common syllables As they are stressed or unstressed section two studies stress Which is resulted from the sequence of some syllables. In chapter four we deal with stress resulting from the length of Structure as there are many sound elements

الجملة في ديوان المعبد الغريق للسياب البناء والدلالة == The Sentence In Collection (Temple Drowning ) For Sayyab Syntax And Semantics

Author name: مهند احمد ابراهيم
Supervisor name: عدنان عبد الكريم جمعة السالم
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The study is a wholesale basis in the understanding of the text , You may enter the world of the poet and reveal the meaning and connotations Thus, it opens the doors of the textTelly can be important in this letter the following : 1 - Sayyab did not come out too much about grammar originally syntax LittleThe impact of poetic weight in the formation of wholesale sometimes.2 - Linguistic context and the impact on the feelings of the poet syntax Since carrying a poet of conditions inside the poem.3 - Sayyab used two types of sentences which do not depart from the actual nominal and it is characterized by the palace and height. 4 - Find among the reasons for being in the Palace Wholesale literary position summary. 5 - Find between the delete of the sentence and the reasons for it. 6 - Find among the reasons for sentence length and the elements that led to the complete length in the poetic image. 7 - Sayyab ties linking his sentences moral and verbal. 8 - The most important contextual relations in linguistic cohesion sentence in the poetry collection. 9 - The temple is drowning ( customization , situational , ratio, dependency ). 10 - Sayyab adopted wholesale methods clearly , namely : A - It came a private Alastvhambesaagh style , in charge of your feet and often the last tool Interrogative. B - Call style came in and out of some compositions from the original for the purposes of rhetorical. C - This style came in different formats and different connotations. D - Exclamation style came in different formats , exclamation Balastvham , and the appeal , and so on.E - Came wishful thinking style (Leigh , though ).F - Apply condition method and delay came , and overlapping methods with him , as occurred Answer condition.G - Diversity among temporary exile and life imprisonment , according to entering the tool on the nominal and actual sentence.

دلالة المصطلح النحوي عند الكوفيين في ضوء الدراسات المعاصرة == The Conceptual Meaning In Al - Kufi'S Syntactical Expression In The Light Of The Modern Studies A Practical Study

Author name: هادي خلف رسن القرناوي
Supervisor name: هناء عبد الرضا رحيم الربيعي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Praise to God, the creator of the universe and his messenger, Muhammed the last of prophets and missionary, and on his sacred, kind household and fellowmen and those who followed him graciously and kindly till the Judgement Day and thereafter.... The expression occupies or takes over a prominent outstanding position or status in man's intellectual life, it is key or code that man can reach science, as mentioned by theancients. Through the expression the recipient understands and realizes the gateway of this science from its symbols that within the expressions, the vague, mysterious, equivocal points or issues become obvious in any science, all oblique and unclear issues are dissolved. The syntactical expression, as any liguisticexpression, formulates part of total, complementary structure, subject as other expressions subject to special or particularusage for specialized class or group inside the science that contains it that it becomes to have features drived from the environment that lives in, grows up and thrives. It is an accurate subject that needs a thorough reasearching, this makes different writings deal with the expression in different or various frames. Our subject attemptsto deal with thesemantic side of the expressions.The idea of study entitled "The meaning of the Syntactical Expression at Al - kufiee's in the Light of the Modern Studies" concentrates on a general study to the meaning of the syntactical expression, and the choice of the application of Al - Kufiee's syntactical expression was intentional and deliberate because the subject of syntacti - cal meaning needs a reconsedration in the subject so as the bases that are subsumed under the syntactical expressions be delimitied. As it is usual, Al - Kufiee's syntactical expression like a healthy suitable environment for such a study since it is subsumed under a limited schooling system included methodoligical, intellectual orientations or directions which characterizes this study. Despite this soecification or limitation there has been a give and take state with Al - Basra's syntactical expression owing to its priority and pecedence because there are notion and opinions stating that the rise or origin was at the same time and from scholars who were contemperaries to the establishment of Al - Basra's syntax. This was a reason for electing and choosing such a study because many of the meaning's features apply to it according to the methodo - logy of studying the expression. The study necessitates a descriptive, theoretical, and applicational methodology in expression, the reseracher tries to make use of what has been tackled in the former studies of Al - Kufiee's syntactical expression and applies at the same time what the study has arrived at in the field of researching that in a numerous titles have been mentioned derived from the actual applicational study of the expression. The relied on methodolgy started from what really exists and not from what is assumed to exist. This necessitates modifying or changing the methodology for more than once and in lieu of the subject in question. The sources and refrences connected with my study, either those concerned with the syntactical expressions in general or with Al - Kufiee's expression in particular had their effect in paving the way towards reasoning and argumentation and aiding me to delimit the scope of my study and its objective domain or field. The sources or refere - nces I depended on most in allocating the applicational positions of Al - Kufi's syntactic expression are the following references : (The Meanings of the Qura'n) by Ali - Bin Hamza Al - Kisaae (189H), (The meanings of the Qura'n) by Yahyia Bin Ziyad Al - Ferra (207H), (The Concise Syntax) by Ibin Sa'adaan Al - Kufi (231H), (Logic Reformation), by Jacob Ibn Isaac bin Al - Sukeit (244H) , (Thalab's councils) by Ahmed bin Yahyia Thalab (291H), (The Explication of Pauses and beginning), (The Explanation of the long Seven poems), (masculine and feminine) by Muhammad bin Al - Qassim Al - Anbari (328H) in addition to other traditional sources which contributed to stand on Al - Kufi's syntacti - cal expression and to make a comparison between him and Al - Basra's Syntactical expressio. As for the refrences that I greatly benefitted from in my study, these inclu - ded studies that concerned with the Syntactical expression in general and with Al - Kufi's in particular or with both schools like : (Kufa School and its methodology in studying language and its methodology in studying language and syntax) by doctor Mehdi Al - Makhzoumi, (The syntactical schools) by doctor Khadega Al - Hadithi, (Abu Zakarya Al - Faraa and his creed in Language and syntax) by doctor Ahmed Mekki Al - Ansari, (The Syntactical expression, its rise, development till late third century A.H) by doctor Awadth Hamed Al - Kouzi), (The syntactical expression and the origin of meaning) by doctor Riyadh Othman, (The Encyclopedia of the Syntactical) by doctor Yokhana Mirza Al - khamis,and many other studiesd that eased the difficulty of the Study and helped in directing some Kufi's syntactical expressions to the suitable place, all these difficulties were overcome with the aid of God and hid grace. The title of the thesis obliged me to have a look at some academic theses and disseratations entitled (The Syntactic Expression). All these studies tried to remedy and treat the stablizied syntactical expression at a particular syntactical personality or numerous ones. The land marks of one thorough syntactical expression cannot be clarified in the light of one personality because the world might be electric in opting its expressions in accordance with its intellectual directions which differ or vary according to individuals. This may not endow a fixed picture or vie for the subject if we followed the same means or method of researching.

البنية الايقاعية في شعر احمد مطر == The Rhythmic Structure In Ahmed Mater'S Poetry

Author name: زهراء عبد الكاظم محمد المظفر
Supervisor name: عبد الواحد زيارة اسكندر المنصوري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Ahmed Matar is known for his own peculiar style, in particular his Lafitat, i.e. ‘Banners’, that has made him a well - known poet in the Arab world filled with anger against their political systems and governments. His poems are characterized by a sarcastic style. Therefore, some like to call him ‘the king of poets’. His poems have studies from different perspectives by a number of researchers. While some researchers, such Ahmed Ghuneim who has dealt with the elements of creation in his poetry and Abulkareem Al - Saeedi who has focused on the poetic narration in his poetry, some others, such as Khalid Jaffal Lafta and Tahsin Hasan Jasim have studied the stylistic aspects of his poetry concentrated and the techniques of the poetic formation in his poetry respectively. However, none of them has spell out the rhythm in his poetry. After having consulted my supervisor, I have come up with this title : THE RHYTHMIC STRUCTURE IN AHMED MATER’S POETRY This study adopts two approaches, viz. historical and descriptive; it is divided into three main chapters preceded by a foreword and an introduction and followed by a conclusion. Chapter one which is titled ‘The Structure of the Prosodic Rhythm’ spells out the poetic meters along with their contexts and the types of rhymes in Ahmed Matar’s poems.Chapter two, for its turn, which is titled ‘The Structure of the Phonic Rhythm’ confines itself to different types of rhyme, such as that of lexical items, lines, texts, rhyme.As for the third chapter titled ‘The Structure of Musical Rhythm’, it focuses on the most important factors that contribute to enriching his poems’ rhythm, such as repetition, foregrounding, back grounding, paronomasia, antithesis, and so forth.The rhythmic structure in Ahmed Mater’s poetry has been studied by means of identifying the most important elements of such a structure and the main factors that influences and enriches the rhythm in Ahmed Mater’s full collocations of poems. Having carefully examined the poems, I have discovered that the Ramal Meter is the most dominant one in his poems, followed by the Rajis Meter, and then the rest of meters.In his poems, the rhyme has played a significant role in enriching the rhythmic structure of his text. The study shows that the poet, Ahmed Matar, banking on his linguistic and stylistic ability, has utilized a great number of stylistic features, such as repetition, foregrounding, back grounding, paronomasia, antithesis, and the like in an attempt to add artistic touches to his poems. To sum up, this study has focused on one of the most famous poets in the Arab world filled with anger against their political systems and governments. I hope that this study could provide the reader with an explanation to the most important elements of the rhythmic structure utilized successfully by the poet.

ثورات العلويين ومواليهم في شعر العصر الاموي : دراسة في الموضوع والفن

Author name: كريم حميد منشد سحيب الخلف
Supervisor name: احمد حياوي السعد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:

ايات الاصحاب في القران الكريم - دراسة دلالية == The Verses Of "As - Haab / Companions" In The Holy Quraan : A Semantic Study

Author name: صفاء حميد ضيوف
Supervisor name: مرتضى عباس فالح السلمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The present thesis aims at studying the verses that explicitly use the term "As - haab/ companions" and its derivatives within the specified context and the context of other verses related to it so as to show its semantic value , know its deep details, show the contents of its expressive ways , show the hiddens and psychological impulses in every type of companionship which reveal the true nature of their deeds , actions and behaviours. It also aims at portraying their present and future circumstances. This study depends on describing the linguistic phenomenon in the Quranic usage and analyzing it through pursuing the Quranic verses related to the subject. The nature of the subject has necessitated that the study of its verses be divided into three chapters starting with an introduction and preface and rounded up with the main conclusions followed by a list of the sources and references cited in the study and used by the researcher.The preface deals with the concept of "as - haab" by studying both the linguistic and idiomatic meanings and its expression in the Quranic usage. The first chapter is devoted to studying the companions of the earthly place. The researcher is interested in studying the place to which the term "as - haab" was attributed in accordance with the partnership of the general meaning to which theses places refer. This part was studied in two sections : The first is about the companions of the place enjoying heavenly care.The second is about companions of the place enjoying heavenly punishment. Chapter Two is about the afterlife companions and falls into two sections : The first involves companions of symbolic place.The second is about companions of the other life.Chapter Three is dedicated to studying the other meanings of companionship mentioned by the Holy Quraan; the words attributed or added to "as - haab" or one of its derivatives. The attempt has been to give a complete picture of the verses of "as - haab" in the Quraan to show the semantic features of the various companions and to what they lead in the context they come in and the meaning they came up with in the light of studying meanings of the linguistic styles of the verses. The chapter is in two sections : The first is studying man to man companionshipThe second is about studying other attributed companionships

مناهـج المسـتشرقين في دراسـة اصـوات اللغـة العربيـة في ضـوء الكتب المترجمـة == Orientalists'' Approaches In Studying Arabic Sounds

Author name: سهير كاظم حسن العصفور
Supervisor name: حامد ناصر عبود الظالمي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Science of sounds is regarded as one of those sciences that the study of which is significantly developed after is witnessed a long period of stagnation. This science has become to represent the developed manifestation of Modern Linguistics more than any other branch thereof. This development is reflected through it various methodologies of research, different devices and advanced equipment's that assisted in the field of linguistic sounds. Orientalist's endeavors have been directed to study Arabic language at all phonetic, morphological, grammatical and denotative levels. Using Arabic language by orientalists as a means to understand the Hebrew of Torah in the 16th century and the beginning of 17th century helped to elevate Arabic language to move ahead. In the 17th and 18th centuries, European Linguists were concerned with the language international structure hierarchically and this in fact influenced their orientations to study Arabic and some other Semitic languages such as Hebrew. They focused on the study of those two languages which belong to the ancient centuries. There was a drastic development in the field of linguistic studies in Europe in the 17th century, specifically in the field of Indo - European languages when Franz Bob made a comparison among the morphological systems of verbs in Sanskrit, Persian, Germanic and Greek languages. Accordingly ,this has made its own influence in the context of Semitic Languages Study by Orientalists especially after the discovery of many Assyrian.Aramaic and old Southern Arabic transcripts.This discovery widened the historical depth of comparison. Researchers concerned with the study of standard language by itself and they considered accents branching from the standard language as erroneous types but in the 19th century, after scientists discovered that rural accents contain the forms of structure in the standard language. Orientalists spent massive efforts to record the various accents of Arabic language. The initiative of studying Arabic sounds appeared in 19th century by some of the Western and Orientalists.Research has been widely developed in the respect alongside with the development of life and various types of science. Orientalists ,researches of Arabic sounds were brought up varied in compliance with the variation of both ,their studies on one hand and methodologies of research adopted by them in these studies on the other. Science of sounds is a branch of linguistic, and it is divided into two branches.First, Phonetics which deals with the linguistic sounds in isolation of the context. Second, Phonology which deals with sounds when forming speech sequence, phonetic rules governing such context and various linguistic phenomena such substitution , Diphthong , Al Emalah (pending) , Kl Tafkheem (Amplification ), Glotallization and other phonological issues. In the light of translated books , the research sought to introduce the methodologies adopted by Orientalists in studying the sounds of Arabic language. They involved Modern Linguistic Approaches in their study : - Historical approach - Comparative Historical Approach - Descriptive Approach - The Approach of linguistic Geography which is regarded as one of the applied linguistic approaches. The researcher noticed that Orientalists disagree over the number of the places of articulation.Brokelman arranged them into five places of articulations while Kanito did so into nine ones, flish in six ones.Billa , into eleven ones and he joined the features with the articulations. Moskati did so into seven places of articulation. Furthermore, Orientalists disagree over the arrangement of some places of sounds articulation that some of the arrange such places of articulation initially while others delay them compared to that arrangement adopted by Arabs such as(? ), and (?).Some Orientalists state that these articulations of( Arabic Kaf), that is , they are velar but others regard them as being pharyngeal articulated from(?) , and (?). Moreover, Orientalists disagree over the description of some places of articulation such as the articulation of (Arabic lam sound) that some of them regarded it as being lingual.Others regarded it as a palatal sound , others regarded it side - dental. Orientalists conducted deep researchers to study the sounds of Arabic Language and they read the books of early grammarians and the books of readings. They promoted wide range research concerning phonetic phenomena. Despite their being significantly accurate in describing the phonetic phenomenon, yet they wouldn't pay enough attention to some phenomena that they didn't explain thereof clearly enough nor they analyze such phenomenon sufficiently such as Emalat (bending) of (Ha'a), Al waqf and glottalization phenomenon. They mentioned only specific sides of such phenomena. Some Orientalists such as Kanito and Brajbishrasar cited Quran verses during their research to substitute some of language sounds or make them diphthong. Kantino was not precise in translating some of verses or the numbers thereof. Irrespective of the reason that motivate Orientalists to study Arabic language so their studies were highly helpful and even though the phonetic research was emerged out of the works of the works of Arabic linguists long ago yet, its development is accomplished at present by Orientalists.

جهود اللغويين العراقيين المعاصرين في الدراسات الصوتية

Author name: فراس حسن علي الكناني
Supervisor name: عدنان عبد الكريم جمعة السالم
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

الادب الاندلسي بين محاولات القمع وهاجس الابداع من عهد الامارة الى نهاية عهد الموحدين (138هـ - 635هـ) == Andalusian Literature Between Suppresaive Attempts And Creativity Premonition From Era Of Emarate Till The End Of Monothesists Era (138 A.H - 635 A.H)

Author name: نوران جمعة ابراهيم الحجاج
Supervisor name: علي مطشر نعيمة الشريفي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The creativity is deed the utmost aim for which the literary inspirits to trough it, facing its consequences and problems to adjunct the group of eminent of his pairs ; poets and authors thus we found that he attempts hardly to eternize his name and to document his creative work with all literary brogue and ability enhancing him to complete his way of brightness in the field of art. Thus, we accredited in this research on finding creativity aspects of this Andalusian and what he exposed to the intrigue and conspiracy of the Prince's high structure scarifying on their interests and objectives,plan of study we applied is consisted of three chapters were preceded by introduction, preface and finally a conclusion. preface arguedthe linguistic and terminology concepts for the terms of repression and obsession of creative and the most important constituents exciting literary to be creative and to realize his aim and then detect the obstacles and problems prevent achieving this purpose which occupied the mind of creative AndalusianLiterary. First chapter argues the forms of repression the Andalusian Literary exposed to in the high structure from the slanderers enemies who dedicated their efforts to monitor literates and making traps to repressive them by poetry removing them from high structure. And also express the attitude of some rulers and princes in Andalusia towards poets and literary and their creativity.Second chapter was to show the attitude of registering authority from the Andalusian Creativity individually such as exposure to the poets themselves or massively representing by repression some literary sorts which the Andalusians their unique insight and talents.Third chapter including the Andalusian Art achievement which is the outcome of their mind and creativity to promote the Andalusian Art proving the Andalusian identity forwarding a message including that Andalusians are eligible to reach the summit and be like their pairs if they get opportunity exciting them to render poems and assisting them to present their activity.At conclusion which is deemed the summary of research, we show most important results we concluded.

التماسك النصي في السور السبع الطوال == Cohesion In The Seven Long Chapters Of Quran

Author name: خليل عبد المعطي عثمان
Supervisor name: صيوان خضير خلف المياحي | سالم يعقوب يوسف
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: In Iinguistics , a new branch has recentIy emerged , i.e. ' Text Linguistics ' which gives fuII consideration to texts and the way in which these texts hang together as cohesive texts , performing various purposes in different ways. As such , the topic of text Iinguistics in generaI and grammaticaI cohesino in particuIar has become an area of interest of many Iinguists. One of the many reasons for seIecting this topic is to obtain more KnowIedge in this area , i.e. ' grammaticaI cohesion ' aIong with its different schooIs of thought , hoping to appIy it to Quranic texts in an attempt to anaIyze it textuaIIy. The significance of this study Iies in : 1)studying Quranic texts by adopting a text Iinguistics - based approach focusing on cohesion in generaI and grammaticaI cohesion in particuIar. 2) utiIizing both modern Iinguistic terminoIogy and traditionaI terminoIogy.3) focusing on ' cohesion ' as an approach to studying and anaIyzing the seven Iong chapters of Quran as sampIe of the study. The study fuIIs in to five chapters ( two chapters deaI with the defining matters and the theoreticaI part of the study and three chapters deaI with the practicaI part of the study )preceded by an introduction and foIIowed by concIusions and Iist of references. In the introduction , issues such as the reasons behind seIecting the topic , its significance and methodoIogy adopted are introduced. Chapter one, for its part , deaIs with the text and its grammar , and the difference between the sentence grammar and text grammar. Chapter two titIed ' Text Iinguistics and Cohesion ' focuses on the different opinions proposed by various schoIars ( be they oId or modern ) , cohesion and its types as weII as the schoIars ' views on cohesion and its importance in discourse anaIysis. WhiIe chapters three deaIs with grammaticaI cohesion ,such as reference , eIIipsis, substitution and conjunction and chapter four focuses on IexicaI cohesion , such as reiteration , coIIocation and its types , chapter five , for its part , deaIs with the infIuence of context.text recipient and occasion on text cohesion. Chapter six , for its part, speIIs out the main concIusions that the researcher has drawn : 1)AIthough it is not easy to define what " text" exactIy mean, any text shouId be cohesive.2) Cohesion is the main eIement in anaIyzing any text and thus distinguishing a text from just a group of Iinguistic eIements.3) Some schoIars , such as HaIIiday and Hasan did not mention 'reIative pronouns ' as cohesive devices , but the researcher and some other schoIars have identify them as cohesive devices.4) There is no harm to use modern Iinguistic ideas to study Quarnic texts as Iong as there is no contradiction them and our reIigion

المرجعيات الثقافية في شعر اديب كمال الدين == Cultural References In Adeep Kamaladeen'S Poetry

Author name: ياس عوض رشيد البصري
Supervisor name: علي مجيد داود البديري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The cultural references in the poetry of the Iraqi poet "Adeeb Kamaladeen" has formed a significant presence through their abundant frequency. Such references are various in their frequency and difficult in their source. Some of them have had obvious presence while the others are less frequent in his poetic texts. The diversity of cultural references have made the research consisted of four chapters based on six references, Quranic reference is one of them that featured by the most prominent presence in the experience of "Kamaladeen". Such experience has varied in its role into two kinds. One of them has inspired its presence from Quranic story, while the other has derived it from Quranic verse. The second reference is the mystic one, by which the poet has derived the mystic heritage from mystic conditions and stages. He has also employed the prominent figures, such as "Annefery, Alhallaj, and Altawheedi" in his poetry. Whereas the other references are historic and mythological ones which have been included in one chapter, because they are less frequent than the previous two references. Regarding the historic reference, the poet has manipulated "Karbala incident" and "Imam Hussain", who is the the most important person in that incident, Iraq¬¬ - Iran war in 1980 and other wars, which followed. In connection with the mythological reference, the poet has employed several myths, one of them is "Gilgamish myth" which has formed a striking presence in "Kamaladeen's poetry" In addition, the poet has used the artistic and literary reference, that has been combined in one chapter, through which the poet has employed the most famous Iraqi and Arabic singers. He has also used Iraqi and Arabic poets and novelists, as well as foreigners through the literary reference. Hence, all these references have signified variety of the poet's education and his continuous acquaintance with multiculturalism that has consequently served his poetic experience.

حداثة ابي تمام في ضوء النقد العربي القديم حتى نهاية القرن السابع الهجري == Abu Tammam'S Modernism From The Perpective Of Classical Arabic Criticism Till The End Of The Seventh Hijri Century

Author name: رنين ناظم يوسف
Supervisor name: مسلم حسب حسين
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This research studies modernism of Abu Tammam on the basis of the theory of classical Arabic criticism which consisted of rules and conditions put by the Arab critics and applied by the poets to make their poetry eloquent and solid with clear and vivid meanings.But Abu Tammam was keen to deviate from all these rules and principles in his poetry. Al - Amidi considered him as a rebel against the common foot of poetry because he played on words in his poems and became fond of rhetorics and figures of speech which he used extremely. Consequently,his poetry was corrupted by the heavy use of antithesis and paronomasia. Thus, he became the target of a strong movement of criticism that represented the conflict between the old and the new.Classical Arabic poetry was a summary of the experiences of the old poets. It directly expressed the social, cultural and intellectual aspects of their life. It was characterized by features of clarity of expression, agility and simplicity of language because it was natural and not superfacial. That was the case in the Arab poetry during the pre - Islamic time, beginning of lslam and the Ummaid era in addition to the majority of the poetry of the Abbasid era during which the way of living of the Arabs changed from nomadism to urbanism. Thus, there appeared a type of new Arab poets who had special knowledge and high education like Bashar Bin Burd, Muslim Bin Al - waleed and the most prominent of them was Abu Tammam.Modernism of Abu Tammam went far beyond the familiar in his illogical and unreasonable similies and metaphors. There was no appropriateness in his metaphor and no approximation in his similies. Besides, he played on words and used too much antithsis and paronomasia. He was good in some of them but not so in the others. That caused the Arab critics to attack him and refused his poetry which they said it deviated from the common foot of the Arabic poetry that was defined by Al - Marzooqi to have seven categories. any studies of criticism were conducted about Abu Tammam and his poetic school. This study is made up of an introduction,three chapters and conclusions. Chapters one and two consist of three sections each. Chapter three contains two sections.The introduction highlights modernism of poetry as viewed by the classical Arabic criticism both literally and as a term. It also reviews the concept of modernism since its appearance till the time of Abu Tammam. Chapter one is interested in the questions of imitation and nnovationin that Arabic criticism. Section one of the chapter shows the attitude of the linguists and narrators of the modern poetry, the position of khalef AL - Ahmar and his experience in criticism and the position of the critics of the classical poetry which they considered as the highest model that Arab poets should imitate and create in their poetry as a product of the individual liking. Section two is devoted to discuss modernism in relation to the theory of the foot of poetry that was represented in the seven categories as introduced by ALMarzooqi in the introduction of his book Commentary on Diwan of Ardor of Abu Tammam. The section also explains the principles of the poetic imagery in similie and metaphor and the role of poetic imagination to bring about new images and novel meanings that reflect beauty and psychological effect.Section one of chapter two discusses modernism in the poetry of Abu Tammam and the rules of the poetic language in the theory of Arabic criticism. The section also shows what was accepted and what was not in his language. The section shows how Abu Tammam, very heavily, used the rhetorical patterns especially antithesis and paronomasia where he was unsuccessful in some of them and good in others. Section three tackles the poetic meaning and the logical and mental characteristics that should be available in these meanings to be correct so that the poetry be undertood. This was agreed upon by the old Arab critics such as Qudama Bin Jaafar, Abi Helal Al - Askari, Abd Al - Qadir Al - Jirjani, Hazim Al - Qirtajinni and others. The section includes description of the meanings and their relation to the levels of description as far as exaggeration and excessiveness are concerned in that Qudama Bin Jaafar considered excessiveness as the best of the two schools of description.Finally, the section discusses ambiguity and complexity as products of corrupted poetic composition. Chapter three deals with modernism in the rhetorical image, modernism and the changes modern poets add to poetry in this concern. Modern poets paid more attertion to the form rather than to the meaning in their poetry. That led to the appearance of a new poem with specific features particulavly concerning the rhetorical image that depended on similie and metaphor. The poets started using these styles in new ways that were unfamiliar to the Arabic liking and taste. The first section of this chapter deals with similie and description and the rules put by the Arab critics to achieve approximation between the two sides of the similie; otherwise the similie would be exotic and not allowed. It was conditioned that the description contained most of the cases being described. The section mentions some samples of the similie and description in the traditional poem which the critics considered as better in comparison to the modern similies and description that deviated from the artistic critera and the common poetic taste. Section two talked about the metaphor and its definition by the Arab critics and availability of the conditions of approximation between the metaphoric expression and what it stood for. However, modern poets, particulary Abu Tammam, did not adhere to these conditions. Thus, Some of their metaphors were controversial. The conclusion presents the results of the study; the most important of which are that the classical Arab critics had a theory of criticism reflected in the opinins they stated in their books and set by Al - Marzooqi in the 5 Hijri century in a systematic approach that was finally shaped in what was later known as the foot of poetry that included seven categories and each of these categories represented a critical measurement of a certain question in poetry.

اسرار التعبير القراني في تفسير تسنيم للعلامة الشيخ عبد الله الجوادي الاملي دام ظله

Author name: ميثم عزيز جبر
Supervisor name: احمد رسن صحن
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This study starts with a preface discussing four points : AlAamily translation, the reason behind calling his book (Tasneem), and his method in Tafsir, the meaning of Secrets according to Al - Aamily, and the meaning of expressions in linguistics and terminology. In the first chapter (the secrets of words in Koran) the researcher discussed the linguistic meaning of the word in three sections : firstly the reason behind choosing a word in particular, secondly the secret of morphological form, thirdly the secret of definiteness and indefiniteness. The second chapter (the secrets of sentence in Koran) studies the meanings of the sentence and it is of two section : the first one is the secret of declarative sentence and its processes as deletion, backward and forward, and restriction. The second section is the secrets of the construction of the sentence as the imperative, negative, interrogative, and proclamation sentences. The third chapter (the secrets of the text and Koran) discusses the meanings and linguistic structures and rhetorical themes in more than a phrase as being intervented and the text title. It is of three sections : the first one is the secret of apostrophe. The second is about conjunction and disjunction. The third is about the secret of agreement in which the researcher mentioned the meanings of agreement and holy Koran. It is of three sections : agreement among Ayat in one Surah, agreement of the title of the Surah with its contents, and the agreement of the beginning and the end of Surah. Research methodology : The researcher’s method in this study is choosing the subject followed by a general overview about it. Then mentioning the most important samples mentioned by A - Aamily in the title and discussing each one respectively after viewing the opinions of the interpreters. After that the study shows the opinion of AlAamily to see what is the new addition. Results : The researcher has ended with recognizing the meaning of the secret according to Al - Aamily in linguistics and the reason behind it. Also the researcher detected the secrets of the word, sentence, and the text and what purposes and meanings they have and connecting all these things with external facts because the interpreter sees that all of these recording words of Koran express universal facts in existence because it is an inspiration from the Almighty Allah. The researcher also tried to expose several rhetorical themes such as clarifying forms of the text like apostrophe, conjunction, and agreement among Ayat by applying the modern textual norms of sentential multiplicity, cohesion and coherence. Then identifying the notion of text and modern linguistics and applying it to rhetorical Arabic heritage.

افعال الحركة للطبيعة في التعبير القراني == Verbs Of Movement For Natural In Qurans Expression

Author name: عبد الحي عبد النبي زيبك العبادي
Supervisor name: فاخر هاشم سعد الياسري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Praise be to Allah, Bari creatures wholes, and Mustafa Muhammad, may Allah bless him and his family, and Adam between water and mud, and prayers and peace be upon him and his family a granite blessed, and his companions Almentajabin.After : throughout the ages was a field ground for study and a field plenty of Tnkir in its goals, thanks to its cognitive and aesthetic depth, starting with his own language, which disable all?Koran the book of God immortal, and search of the noblest blessings that can fade researcher and adds to the old his years ago because the word of Allah a statement, and his style flowing senses static move in every place and time, and imagination semantic in the words of the Koran, including an astounding bright minds, with great likeness and beautifully woven and depth of sense, and which of the miracles and the statement allows multiple study which can be added to other Quranic Studies.Among the most prominent reasons that stood behind the choice of subject, because of the reaction of two characteristic distinguish it from is from the words, the two time event, in addition to the importance of the verb in the language, making it the centerpiece of significance, his work in the compositions Whatever his rank, moreover how it connotations sensory and moral , field of study was in the vicinity of the actions of the movement, which radiate out the implications of the central acts and grow in the context of the features of aesthetic and suggestive.Came this study feed into a tributary of the Quranic joists dealing with words, has been classified researcher study into three chapters, the first chapter singled study (the actions of the movement related to living with nature), has been ranked on five sections, according to the living creatures that have been associated with the movement acts, animals and birds, and fish, insects, reptiles, and certainly human does not enter into these categories, as well as the plant.The second chapter under the title (the actions of the movement of nature are silent), has been ranked on five Investigation Also, four of which are classified according to the elements it includes the perceived universe of heaven earth, sun, and the moon, and the fifth section was under other acts title included elements shooting stars and mountains , natural phenomena associated with the elements of Silent nature like a deluge and wind.The third chapter titled (artistic expression of some acts of nature movement in the Koran), this chapter enrolled, according to totals dictated by movement acts related to nature, live and silent and in both, and these acts studied dependent manner artistic taste in the actions of the movement and characteristics expressive in Quranic context links analysis and came five sections, too, and the study followed the conclusion of the most important findings of the researcher, and then followed by a proven sources and references

اثر وسائل الاتصال في الرواية العراقية المعاصرة (من 2000 - 2015)

Author name: غسان نجم عبد الله
Supervisor name: مشتاق فالح عبيد الفضلي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Often critical studies have proven in the field to talk to the old narrative and modern literary criticism and many are interested in theorizing to the beginnings of writing fiction in Iraq, Fna cash in history more than the present moment the Iraqi novel, and because the desire researcher was paid long ago to try to fight in the new Iraqi novelist experience and an update of the project, which began studying the master narrative, it has been proposed to subject the supervisor Prof. Dr. Luay Hamza Abbas, who crystallized the idea of the project is scientifically formulated entitled academic form in which it now.Counted researcher different samples through monitoring and followed the Iraqi novel from 2001 until 2015 have been addressed in the reading and analysis of the many novels that dealt with theme of communication and treated him, however, he selected a number of novels that thinks it meets the nature of the new clerical experience and grant writing feature distinctive new featuresIt would have been confronted by the researcher of the difficulties is the novelty of the topic you say who wrote it and the desire of the researcher also using modern sources cover the size of the creative space that dealt with samples of this research, but surmounted many difficulties in this area after traveling to Cairo and friction with the sources of digital literature.Researcher has not been adopted in this thesis on a specific approach vented stringent monetary approaches that may restrict the study and not to unnamed flexibility that may make or prematurely truncated work, so relied on the open reading theories on more than one approach as imposed by the nature of the study for each chapter. As for the use of the sources it relied on modern sources, including the World Wide Web Taking no sense to study communication and we are trying to emphasize its impact on writing fiction without that create an impact on the search noting that the sources of the World Wide Web were few compared to other confiscation, and so presented the study also comes : Track researcher concept of communication in an abbreviated pave on according to what has been written by specialists by relying on written communication and identify concepts own and then select the definition of modern means of communication, which included everything that can generate communicative relationship between man and his environment, then focused researcher on the transformation of communication theories as Try to track their transformations to the extent that he found useful and enriching research, and neglected them what he believes he does not own thing or benefit him, right down to the theory of Marshall McLuhan who represented the central point adopted the philosophy of research, a theory (Alanm technological), and then try to monitor shifts Iraqi novel since origination Even before 2001 brief in these transformations, focusing on the task of samples in the history of the Iraqi novel, justifiable reason for the delay awareness novelist in Iraq compared with the awareness of the hair.The first chapter was at the entrance of theoretical and four topics are : The theoretical entrance who tried to monitor the work and the nature of the novelist its flexibility, which gives him the ability to take advantage of all science, particularly modern means of communication.The Study of Technology (window or osmosis) a written proposal made search features and its impact in the novel Virgwalah Saad Said and novel under the sky Copenhagen to hawra al - nadawi, and the novel The Curse of Marquise Zia Aljbaili, and zero and one Morteza Kzar, black box for Klizar Anwar, as samples sought to fight in writing digital and computer techniques emotion.The second topic was about the vulnerability of Iraqi cinema novel techniques are issued this work novel City images as they are influenced by the scenario imaging, and novel black box as influenced by technology montage.The third section was about the vulnerability of the Iraqi novel techniques Press Fteraht three narrative models are (novel jogging behind Wolves Ali Badr) and (grandson of the BBC to Maysaloon Hadi) and (wonders of Baghdad Ward Badr) and tried to research that explores the press techniques within novelist field.The fourth section was in Photography camera technique was alone novel (city pictures Luay Hamza Abbas) with this technology.Prescribed for the second quarter in an attempt space study was divided into three sections are : The entrance of my brief is trying to justify the separation and movement of search procedures.Digital space structure, a space on the computer display, and the resulting new technologies, and how the Iraqi novelist plans to take advantage of this technology in their respective fields novelist.While the second section concerned with space - written script, a space that includes quotes, starting with the title of the outer shell and even entry in the body of the novel.The third topic dealt with as a perspective on the space as proposed by Julia Christivia and addressed the researcher point of view in space when the space As a producer of death or misery and tear through the deadly identities.The last chapter of the dissertation tries to address intellectual transformations in the Iraqi novel screening Tmzaradtha was in the form of the entrance to a theoretical respond and justify the movement of ideological transformation in the framework of the Arab novel and briefly, then divide the class into four sections the first was about the speech Acharri researcher dealt with the Covers novels as a producer for Continental not as a producer demonstrates what in the novel.Eat your language and their vulnerability in the means of communication and how this means provided liquidity written to reflect the language for more than one purpose.Then I dealt with in the third section of identity shifts that have emerged fragmented and fragmented confronted with the reality of a torn reflected back on the identity Assembly and the other on the individual identity that suffer repression and rejection.The last topic was about hybridization narrative as hinting intellectually novelist in thought and how the Iraqi novelist said of the means of communication in providing narratives Jdido insurgency and trying to break the traditional form novelist.She concluded Find Bkhamth summarizes the findings of the researcher of the findings and proposals in writing. Researcher

الحكم العطائية لابن عطاء السكندري (ت709هـ) : دراسة اسلوبية == Al - Hakame Al - Attaiah To The Son Of Ataa Alscandary (D. 709 AH) : Stylistic Study

Author name: علي عبد الحسن جاسم ال جليهم
Supervisor name: خالد نعيم الشناوي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Sufi literature is still tender fecund for study and research, because of its aesthetic attributes and expressed for the cognitive values, was (Al - hakame Al - Attaiah) by Ibn Ataa Allah Alscandary texts the value that was quite popular among the commentators, but it has not received from researchers proper attention, and described these texts as a brief and intense significance of the rule,described strongly foundries and beauty method, and the number is ( 264 ) text , so we chose the stylistic study to enter into their world of knowledge and aesthetic.The stylistic one of extrovert studies, which made its way in a statement properties up. The stylistic set of performance measures that practiced modalities structures linguistic statement relationship analysis and detection of functional and aesthetic characteristic values of the text itself, and it revealed the modalities of speech and description it includes aspects aesthetic, so it was the text of the son of a tender of Alexandria, the focus of the study, as the study came across three chapters, the first we dealt with the vocal stylistics in sections three, the first of the stylistic impressionism, and the second stylistic expressive, to be the end of the chapter by vocal suggestive, where he emerged as sound as an influential element in giving the impressionist aesthetic dimension effect actor in a dynamic text with the time, was the interlocking Semantic present at all levels.The second chapter titled ( stylistic Almorvo synthetic) , divided into four sections , we discussed in the first of the major structures , consisting of the text, and came detective others to look at ( the accumulation junctional parallel , formats nominal and actual sentence, and then formats the methods), respectively , has emerged as a standard text as a selection of suits and cognitive capabilities so as to create the recipient to retrieve assets and roots that provided the text of cognitive his visions , and had the thrill element prominent role in creating the necessary excitement in most word.The last chapter titled ( stylistic textural and contextual ) in two sections , the first of the stylistic formative brought together several themes : ( stylistic title, axis words , stylistic pilgrims and reasoning , brevity , partitioning , text unit) while we checked stylistic contextual in subjects ( simile , metaphor , metonymy , intertextuality , irony ).The study concluded that the most prominent stylistic features in Ibn Ataa text lies in weaving standard formats intense significance interconnected knowledge , taking to each other , it has emerged as vocal stylistics , including added aesthetic aspects that will improve the text, giving dimension impressionist great importance in most word.The isomorphism derived from the similarity and contrast linguistic structures an actor and a distinctive to the Ibn Atta text , as prevailed most of the texts balance, and attended other features indicate the stylistic creative and Albasimologih foundations from which , as evidenced by his choice of title or his penchant for pilgrims and reasoning and other.

الفصــول والغايات لابـي العلاء المعــري : دراسـة اسلوبيـة

Author name: سعد عزيز القطراني
Supervisor name: عبد الواحد زيارة اسكندر المنصوري
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

السياسات اللغوية واثرها في التنمية البشرية == The Linguistic Policies And Their Impact On Human Development

Author name: عذاب مطير عذافه الخزعلي
Supervisor name: حسن عبد الغني الاسدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: This study is considered an attempt to have a link between the Arabic language and its influence in the field of human development in the countries where Arabic language is used in that development.This matter is easy for the nations moving in the procession of human development; for it has been proved academically and practically and in view of the findings of the international organizations and others, that the countries having clear progress in human development uses their native language in teaching all the stages at schools. As for the nations which have no progress in human development, they don’t use their native language in teaching at school.This study is an attempt to make standard Arabic a language of life, promotion and civilization by showing the particular of the Arabic language which might help in the progress of its speakers and their development.For this reason, and according to the developmental point of view, this study defines the linguistic policies as the final outcome of the efforts exerted by the linguistic planner, which evaluate and assess, and authorize the linguistic scene by using the legislative authority. By using this authority, a progress and development is seen in the linguistic scene, which leads to high degrees of human development, and the government is committed to fulfill the items according to a specific timetable.Human development is seen as the result of an alert will which is fully conscious of what is going around it, its past and its future. This will is to be training and being trained in a liberal society ruled by an independent and willing authority, one having genuine democracy not copied ; its democracy stems from the roots of that society, and it should have a developmental ideology which both planning and fulfilling at the same time.The society of knowledge should have an access point to sources and information and its trading, generalization and expressing ideas and creativity. According to the outcomes of the linguistic policies, the access point is the language; the human development experts and sociolinguists notice that once the language is unified, strong, and committed to the procedures of linguistic planning, and the linguistic policies are in line with the requirements of human development, the process of thinking and creativity will be easy and simple, and the process of transferring information faster and better.The conclusion of this study is that according to the procedures of linguistic planning, development is the end of the unified linguistic instrument, and the end of this development is Man himself.

التمثيل السردي في روايات عالية ممدوح == The Narrative Representation In Alia Mamdouh’S Novels

Author name: امجد محمد رضا عودة
Supervisor name: عقيل عبد الحسين خلف
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The first chapter explored how actions are represented in Alia Mamdouh’s novels and consists of three sections. The first section examined transferring of real action (non - fiction) into words by containing real dates and events. The second sections explored biographies which is an account of someone’s life. The third section explores fiction which is nonrealistic events and actions.The second chapter investigates description. This chapter is divided into three sections. The first section studies description of reality. It focuses on the external (physical) description of people and places. The second section looks at character (person) description. The final section explores the description of imaginary characters and events which do not exist in the real world. The third chapter focuses on focalization. The first section of this chapter is internal focalization which is based the narrator. While the second section discuses external focalization which is divided into Palpable and abstract.This thesis is accompanied with a conclusion that summarizes the results of the research. As well as, an appendix which gives an introduction of the novelist (Alia Mamdouh) including her biography and major works that are used in this thesis. It also contains a table listing all the actions, description and focalization within these works. The narrative representation in its different shapes, forms, and patterns is widely present in people’s lives. Thus, it is open to the different requirements of writing and rhetoric through which thoughts and beliefs are conveyed to the reader. It highlights the diverse concepts which shape the way a narrative is written. One of the most prominent concepts that is taken into consideration is The Narrative Representation and how to embody it in novels. Since it is contains the problem, similarity, visualization, conversation, impersonation and embodiment of what is present in the human mind into a narrative format. In other words, how to transform what can be imagined into live words in the form of narrative. This thesis will discuss the narrative in Alia Mamdouh’s novels and is divided into an introduction, three different chapters and an appendix. Each of the first and second chapter contains three sections while the third chapter contains two only. The introduction discusses what representation is in terms of definition and its different concepts. Then it moves on to reveal its origin starting with Plato then Aristotle and ending with the Arab philosophers such as Ibn Rushd, Ibn Sina and al - Farabi. Representation is then discussed by the view of scholars of Arab Rhetoric such as al - Jurani, Al - sakkaki and Hazim Al - Qartajanni. Then it is investigated in the Orientalism study. There is a discussion of the relationship between representation and narrative and finally the development of the narrative representation.

المحسنات المعنوية في ادعية الصحيفة السجادية == Embellishments In The Prayers Of Alsahifah Alsajjadiyah

Author name: اسعد جساب مغامس محيي
Supervisor name: مرتضى عباس فالح السلمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Undoubtedly, the texts of Alsahifah Alsajjadiyah belong to the creative texts whose features are very distinguished. They need to be discovered and stand at, researchers have raced to gain the honor of researching their structures and discovering the secrets of their rhetoric. This study (Figures of Speech in the Prayers of Alsahifah Alsajjadiyah) was a trial to gain this great honor. The study is interested in the semantics of the figures of speech in Alsahifah Alsajjadiyah by Imam Ali Bin AlHussein (Peace be upon him). This depended on the activity of the semantics of the figures of speech in the structures of its texts. Good employment of the figures of speech and the Imam's knowledge of the value of the creativity in literary texts enhanced the vitality of the figures of speech. I believe that he tried to uncover the latent expressive power of these arts that help contribute in enhancing the texts, showing their references, and highlighting their artistic features. The study consists of three chapters preceded by an introduction and a prelude and followed by the conclusion, which summed up the topic and the results, and the list of references. The prelude includes a theoretical preface about the concepts, emergence, and function. It deals with the importance of Alsahifah Alsajjadiyah and its rhetoric, a summary about the emergence of rhetoric, its development stages and its function. Chapter one deals with the (Arts of Harmony) in four sections : (antithesis, analogy, congeries), it is followed by an appendix that tackles (arts of fusion). Chapter two is about (arts of delusion). It contains three sections : (pun, feigning ignorance by the learned, resemblance). It is followed by the art of (abstraction, praising in blame like style, good justification). Chapter three deals with the arts of elaboration and summarization. It includes three sections (epanodos, plurality and division). I added an appendix that deals with the art of (Combining and differentiating, Combining with differentiation and division). I looked at each section from two perspectives : the theoretical perspective and the practical one. Then I draw the conclusion which is the gist of the topic and the results of the study.The most important thing that the study reached at is that the arts of embellishments gain an extra importance for studying them in such creative texts, because their being well employed in the texts gave them a vitality that greatly impacted the text, which met the requirements of coherence and continuity and harmony. The study has also hinted that the use of these embellishments in the text of Alsahifah Alsajjadiyah cannot be considered as rhetorical embellishments only that complete the references, but the Imam had employed them to structure his texts as an expressive and vital tool which has a great impact on the two levels of rhetoric and semantics

مناهج تحقيق النصوص الادبية في مجلة المورد عقد السبعينيات : دراسة تحليلية == Approaches Of Investigating Literary Texts In The Journal Of Al - Mawrid In The Seventies : An Analytical Study

Author name: بسام علي حسين العميري
Supervisor name: قاسم خلف مشاري السكيني
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Actually, researchers give a great concern to the field of Text Investigation. Therefore, numerous articles and books come into existence about this considerable field of study. Such contributions identify its characteristics as well as initiate its rules and roots by which investigators attempt to set a remarkable touch that can take role in the characterization of ancient Arabic heritage. However, text investigators should have a great amount of knowledge about approaches of scientific investigation. Their task demands to be patient via working with manuscripts, to be professional about collecting lost poetry of a certain poet. This is so because the ultimate end of investigation is to follow accuracy and objectivity to reflect the poet's book or collection of poems as the poet intends.Concerning this area of investigation, a variety of researchers do their best to study old - fashioned texts. Throughout their investigations, they introduce their attempts as well as sufferings in this field. Their efforts reveal different capacities and distinctive scientific abilities. As a result of this serious work in the field, an apparent role has been observed upon the difference among their approaches of investigation although they agree on introducing texts in the correct way according to the scientific rules with a high degree of correctness and documentation. Their work follows a number of acceptable scientific and procedural bases.As a practical area of these investigations is those periodicals whose specialization is to re - exist the Arabic heritage such as the journal of Al - Mawrid. This journal is a quarterly old - fashioned and it is one of the most important periodicals in Iraq particularly and in the Arabic homeland in general. It is published by the ministry of Culture and Arts - Dar Al - Jahdh. The 1970s and its subsequent years represent its heyday since this period witnesses a great concern of investigations and literary manuscripts. All these achievements led to its publication in 1971. Due to the availability of the textual data of literary investigations in this decade, this dissertation comes entitled "The Approaches of Investigating Literary Texts in the Journal of Al - Mawrid in the decade of Seventies : an Analytical Study".This work involves an introduction, three chapters and conclusions. Accordingly, the introduction gives a preliminary overview about the journal under study including its foundation and historical development in the 1970s. As regards the chapters, the first two deal with the approaches of literary investigations of books and collections of poems which are investigated depending on handwriting manuscripts or printed manuscripts (the second novel). Chapter Three concerns the approaches of criticizing literary investigation in the journal of Al - Mawrid in the 1970s. The study has come with some conclusions. It reveals the amount of the investigated literary heritage including books and collections of poems in the 1970s by this journal. In additions, it shows the difference among investigators' approaches. One group follows the methodological rules of scientific investigation whereas another one ignores such rules through their investigations. Such ignorance is represented by lacking the premises of investigation, neglecting the set - up of the investigated text, the author's name, the title of the book, the identification of the book, documenting well - known scholars, quranic verses, poetic quotations, formatting lists of references and printing reproduction.Finally, the researcher does not claim perfection of this study which is indeed the result of hard work. Thus, in case it reaches the desired end, it is that duty to which Allah conducts me. Therefore, I have no superiority. On the other hand, wherever there is some weaknesses throughout this work, it is of course because of human beings' imperfection. What I do not regret on is that I have followed thinking, purified my intent, looked for truth and reliability. Hence, I hope to obtain retribution as a reward ofthese efforts. Almighty Allah I request to accept my good deeds since he is the Omnipotent.

الدراسات الاسلوبية وتطبيقاتها في النص القراني في رسائل الجامعات العراقية واطاريحها حتى عام 2014 م : دراسة نقدية == The Applicatians Of Stylistic Studies On The Quranic Text In Iraqi University Theses And Dissertations Till 2014 A.D : A Critical Analytical Study

Author name: وسام جمعة لفتة المالكي
Supervisor name: سامي علي جبار المنصوري
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: The aim of the study was to trace the academic stndies in Iraqi universities which had dealt with ( the stylistic method ) in analying and studying the Quranic text Showing at the same time , the significance of the stjlistic method in studying the text an being are of the novelty methods that associated language with literaturc, and showed the mechanisms and horizons of the textual research The stylistic method differs from other method in that it seeks at touching wpon multiple apects like , the special use of language the individual use each writer seeks to adopt,i.e.lis awn special stjleiin addition t.the aes theics that accompanies special use. The study takes on the critical analytical method that depends an the demonstration and crical analysis, beginning from the method local developments that the wuiversity schlars have claimed to use and made use of out of the study of tee Quranic discourse. Accor dingly.we have come acrass the basic visions of the stytistic method , then the mechanisms it depends upon , and how successful it is in applying these mechanisms. The methodology of schars has compelled us to divide the study in to three chaptere; these are the stylistics of theacoustic level, the tylics of the syntactic level , and the stylistics of the semantic level. Chapter One deals with the acoustic phenomena dealt by researchers and their studies , the are the a coutic syllable the stylistics of repetition the stylistics of the Qurani'c intonation Chpter Two tackies the sgntactic level whicl includes the morphological and grammatical levels and also tackles the following topics the stylistics of the morphlogicl level the stylistics of sentence structure and the stylistics of the structural phenomena phraseologg like : predication and style. Chpter Three which entiled The stylisitics of the semantic level involves three titles these are : the individualistic connatalion the contextual meaning and the descriptive meaning

الاثر الدلالي للحذف في القصص القراني : دراسة في الجملة == Meaning Of Deletion In The Quranic Stories : The A Study In The Sentence

Author name: سكينة باقر حسون
Supervisor name: عبد الجبار عبد الامير هاني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The Holy Quran has different methods to attract and convince people towards religion. Telling stories is one of these methods. Stories in the Holy Quran are used to serve the basic human task which is leading people to belief by the styles of looking at the previous nations and learning lessons from their positions towards their prophets. Besides, Mohammad, as the last sent messenger,made use of reference to those stories about the previous prophets and how they patiently stood agains the unbelievers and resisted difficulties to accomplish their missions.Introducing the stories in the texts of the Holy Quran suits the intention behind employing those stories. Linguistically, Quranic stories are not isolated by themselves or separated from the main linguistic structure of the Holy Quran; but they are placed in a very highly rhetorical artistic style with in the miracleous Quranic context. Moreover, the linguistic and rhetorical phenomena and styles used in the Quranic text also make use of the stories. Deletion is one of the styles that syntasts consider as linguistic phenomena whereas rhetoricians consider it as a kind of abbreviation that characterizes the linguistic structure of Arabic. The Holy Quran uses deletion in a rhetorical way fall of indications to convey the meanings and intentions targeted in the text.The purpose and the idea behind deletion in the Holy Quran is in harmony With the linguistic and artistic build up of the story.The approach adopted in this study is the syntactic rhetorical one. Chapter One is devoted to study deletion in the predicate of the sentence and whar is more than the predicate like the object. Chapter two is about deletion of the independent clause and the syndesis sentence in the Suras in addition to deletion in syndesis and conditional sentences. Chapter three studies deletion of many sentences and this move from syntax to the area of rhetorics to achieve the artistic brevity in the story.After full study of the intentions and pragmatics of the story texts in the Holy Quran and identifying places of deletion by the descriptive inductive method and discussing opinions of the syntasts, the interpreters and the commentators and preferring the opinion that agrees with the text of the Quranic story, the researcher concludes that the linguistic structure of the Quranic stories has achieved the rhetorical, semantic and aesthetic purposes That benefit these stories to achieve their purpose of serving the religious objective.
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