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متحولات الصورة التخييلية

Author name: فلح حسن حسين الشكرجي

Supervisor name: وسام مرقس عوديشو

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

العلاقة بين انماط التربية الاسرية والتعبير الفني في رسوم تلامذة المرحلة الابتدائية == The Relationship Between Family Education Styles and the Artistic Expression Primary Stage pupil’s drawing

Author name: لمياء عدنان عبد رمضان

Supervisor name: رعد عزيز عبد الله

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

السمات التعبيرية التجريدية في رسوم انطوني تابيس وشاكر حسن ال سعيد : دراسة تحليلية مقارنة

Author name: عبد الرضا فليح صالح السوداني

Supervisor name: سلام جبار جياد السوداني

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

رسوم الكهوف انظمتها الشكلية ومرجعياتها الفكرية : دراسة تحليلية == CAVERNS SCENES Figures Construction Systems and Conceptual References

Author name: تانيا عبد البصير محمد حسن النعمة

Supervisor name: زهير صاحب

General topic: Fine Arts

Specific topic: Drawing

Degree: Doctorate

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

التصور والخيال في اللوحة التشكيلية العراقية المعاصرة

Author name: بسام سمير علي الحكيم

Supervisor name: حسام عبد المحسن عبود

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

العقائد في الرسوم الجدارية المصرية القديمة : دراسة تحليلية

Author name: شهرزاد محمود مصطفى الهاشمي

Supervisor name: زهير صاحب

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

جدل الصورة بين الفكر المثالي والرسم الحديث

Author name: سلام جبار جياد

Supervisor name: نجم عبد حيدر الجنديل

General topic: Fine Arts

Specific topic: Drawing

Degree: Doctorate

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

التكوين الفني في الرسم الاوربي والعراقي الحديث == The Artistic Composing in European and Modern Iraqi Painting - Analytical Study

Author name: الهام صبحي عبد حسين البياتي

Supervisor name: عياض عبد الرحمن امين محمود الدوري

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

اللون الابيض بين سلطة المفهوم وتقنية الرسم في اللوحة التشكيلية العراقية المعاصرة == The White Color Between Authority of the Concept and Painting Technique in the Iraqi Painting

Author name: انس كاظم ياسر شبر الحسيني

Supervisor name: بلاسم محمد جاسم

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

التعبيرية وتاثيراتها في الرسم العراقي المعاصر : دراسة تحليلية

Author name: سمير رحمة حسن الموزاني

Supervisor name: مكي عمران راجي الخفاجي

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

التحول الشكلي في الخزف العراقي المعاصر بين مفهومي الوظيفة والجمال == Formalistically Transformation in Contemporary Iraqi pottery between two concepts Function and Beauty

Author name: احمد شمس عطية الجبوري

Supervisor name: جبار محمود حسين العبيدي

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

وظيفة الابلاغ في الرسوم الجدارية العراقية والمصرية القديمة : دراسة تحليلية مقارنة == The informing Function of Iraqi and Egyptian Ancient Wall Painting Analytical and Comparative Study

Author name: ايلاف سعد علي البصري

Supervisor name: زهير صاحب

General topic: Fine Arts

Specific topic: Drawing

Degree: Doctorate

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

اشكالية التاويل في الرسم الحديث == The Hermeneutie Problematic in Modern Painting

Author name: لؤي رحيم داود ال ناهض

Supervisor name: ناصر عبد الواحد الشاوي

General topic: Fine Arts

Specific topic: Drawing

Degree: Doctorate

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

التعبيرية في رسوم الفنان اسماعيل فتاح الترك == EXPRESSIONAL TRANSFORMATIONS IN THE WORKS OF ART OF ESME'EL FTTAH AL - TURK

Author name: قصي نزار مهاوي الطليباوي

Supervisor name: سلام جبار جياد السوداني

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

اشكالية التلقي وانساق الرسم العراقي المعاصر == Reception Problematic and Systems of Contemporary Iraqi Painting

Author name: حامد ابراهيم امهيدي الراشدي

Supervisor name: بلاسم محمد جسام

General topic: Fine Arts

Specific topic: Drawing

Degree: Doctorate

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

السمات التصميمية في الرسم العراقي المعاصر == The Designing Features in Contemporary Iraqi Painting

Author name: ياسين وامي ناصر الظفيري

Supervisor name: هادي نفل مهدي

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

اساليب توظيف التراث الشعبي في اللوحة التشكيلية المعاصرة في الوطن العربي == Methods of Setting Folk Culture In Modern Formation Drawing Painting in Arab Homeland

Author name: شاكر توفيق الالوسي

Supervisor name: زهير صاحب

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

الصورة البصرية في الفن العربي الاسلامي وانعكاسها على الشكل المعماري العراقي المعاصر

Author name: نبيل عبد المجيد طه العزاوي

Supervisor name: عياض عبد الرحمن امين محمود الدوري

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

الواقعية في رسم المشرق العربي المعاصر الانظمة والاتجاهات

Author name: محمد مهذول محمد الطائي

Supervisor name: عياض عبد الرحمن امين محمود الدوري

General topic: Fine Arts

Specific topic: Drawing

Degree: Doctorate

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

المرجع في الرسم المعاصر في اليمن == The Referente in the Contemporary Painting in Yemen

Author name: صلاح ردمان سيف الرديني

Supervisor name: بلاسم محمد جسام

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

بنية الخطاب وعلاقته باستعارة الاشكال في الرسوم الجدارية البابلية والاشورية == The Structure of the Discourse and Its Relation with the Metaphors of the Shapes in Babylonian and Assyrian wall Paintings

Author name: صبا يوسف يعقوب محمد

Supervisor name: عادل سعيد سليمان الصفار

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

شفرة التجريد بين التواصل والمفهوم الجمالي في الرسم الحديث == The Abstrctess Code between Communication and The Aesthetic Conceptiu Modern Painting

Author name: عبد الكريم جبار مجيسر

Supervisor name: بلاسم محمد جسام

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

البناء التشكيلي للرسوم الموجهة للاطفال == The Formation Structure of The Painting For Children

Author name: كاظم عبد الزهرة رسن

Supervisor name: نجم عبد حيدر الجنديل

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: Developed countries got interested in comic stories after they touched the amount of their broad impact on the development of the child 's perceptions and influence on the growth of his character , and reached this limit interest forcing governments themselves to the legislation of laws that regulate and develop basic obligations and the rules of this art.It was a comic fount major supplying communities with knowledge and science and the publications that contain Comics spread widely distributed millions of copies and were conducted in the world hundreds of thousands of research studies and articles about this art , while the remaining Arab world and the Iraqi JH particular deals with this art has led to marginalize him , what was a major reason for the decline in the level of what is produced in this field of fees , in the Arab world is seen drawing for children as a limited role on decorating books and magazines is not seen critics and researchers to outcomes that will be drawing the bulk of them , but from the perspective of educational denial role art - making communities.From here came the attention of the researcher and its insistence on research in the history of this art and details and patterns , trends, and especially after it was discovered that the Arab Research and Studies in this regard are not available at all Never before an Arab researcher that the research in this field.Can be summed up what he had done researcher in this research are as follows : Researcher touched in the first quarter of the research to the research problem , and the spatial and temporal boundaries , and goals , and the definition of terms for a definition of the research linguistically ,in termly and procedurally.In the second chapter , which included theoretical framework , touched a researcher in the first section to the child's personality and how to grow , noting that growth determinants and reviewing the school when it came , in the fields of psychological and social science theories.While the second part consisted of comics history with a review of the most important patrons referring to the history of censorship art Alcolmx and laws enacted by governments because of the spread of this art is widely and people wanting it.In the third section reviewed the researcher styles and trends pursued by graphic artists are important in the world referring to a group of professional painters who left a clear imprint in the history of this art.While ensuring the fourth section a review of the history and active storyboards in Iraq , and was talking about the pioneers of this art in

مظاهر العنف في الرسم العراقي المعاصر == Phenomenology of Violence In Contemporary Art

Author name: زهراء اياد محمد صادق

Supervisor name: سلام جبار جياد السوداني

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: The phenomenology of violence has formed a notable mark in the modern Iraqi plastic art specially in the stage ( 1980_2012) , the political events and the social changes has Contributed to the production of a lot of art works which are depends expression and symbolic at work to Represent the surrounding environment by performances and the mental purport which that products marked by, the research had four chapters, the first chapter contented the Problematic of the research which had the most important question : did the presenting of violence in Iraqi art marked as a phenomenon? And the The importance of research was detection the mental significance of the Iraqi works in the time (1980_2012), and the research goals was discovering the violence in the contemporary Iraqi pains about terms of form , content and performance, and that had to recognition of some of the terminology that the title of this research contains , in chapter two represents the a complete study of the subject of the research which it was divided through three sections the first one had a full definition for the concept violence and it up growth and developed in humanity, and the second section contend representations of violence in paint starting from the cave paintings and in the appearance in the ancient civilizations down the contemporary art, third section had the representations of violence in Iraqi art through Recognition the general scene of the realty of Iraqi plastic art as a historical preamble to study the art experience that belong to the research subject, and recognition of ingredient that effects in drafting art works that belongs to paint and the changes that happened on it include the research lines, the theoretical chapter marked signal points : 1 - the phenomenology of violence ranged and developed with the humanity development till these days.2 - Violence is a social phenomenon and in the same tine it’s a culture land mark Spreads with a several ways media and modern technology, and violence appears as a result of ingredients cant be limited by one or tow ingredients, and through the Interaction between these ingredients, the violence actions motivated by dissimilar force from society to other and from person to other.3 - the phenomenology of violence linked with collectivism and individual memory so it Is expressed by image, marks and symbols which has icon power Not otherwise historical or critical on it as well as link blood with violence or viewer of broken and destroying with violence.4 - the Scientists and the Philosophers had differed about expressing the violence some of them think that the actually Components is a contrast Conflict and the conflict between the peace and violence are the natural, social, Psychological incentive, and the other think the deep reason of violence is inherent in the psychological Structure.The third chapter (research procedures) limited the research community and counted distributor on the period of time that represents the limits of research and summarized by drawing the sample was selected in meant which includes (12) samples analyzed in accordance with the descriptive analytical approach.researcher reviewed in Chapter Four findings are : 1 - personify the scenes which had deepness and mental content that carried in side look down on the violence behaviors and the penetration which are done by the extremes and that was showed in the sample (8) in the Mosque.2 - sadness, pain and fear were Overshadowed on Person's Features which was notable in the subjects that the samples (12),(8)and(2) review.3 - artest used Loans forms represents phenomenology of violence by performance methods that appears the artist's skill in direct and treatment of subjects and that was broadcasted through marks , Significance and holes that the bullets left and the turns, blood remnant that violence act caused it and that was clear in samples (12),(11) and(7)4 - Artists referred the forms elements in to violence phenomenology which was notable by crafts performance that changes in to an Article aesthetic , so the violence was one of the aesthetic materials and that was showed in the samples (6),(1) and(5).Results have been identified, including the following : 1 - the inspiration of violence has developed as a authority phenomenon for Iraqi paint with development of this phenomenon.2 - the violence has a clear share in the Iraqi contemporary paint which formed as a result of excretions living realty which was full with many difficulties , cresses , wars terrorism and blockade through its different periods.3 - Iraqi paint benefit from modern technical treatment to produce visual product and present fine art phenomenon the artist employed to support his paint surface.4 - iraqi contemporary paints hard and difficult throe made it have its own tragedy mark which represent violence as a special sign in the national plastic art.Later the identified and proposals been recommendations.

الخطاب الايديولوجي لصورة المراة في الرسم العراقي المعاصر == Ideological Discourse of The Image of Women In Contemporary Iraqi Drawing

Author name: زهراء موسى مهدي

Supervisor name: عياض عبد الرحمن امين محمود الدوري

General topic: Fine Arts

Specific topic: Drawing

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: يتناول البحث الخطاب الايديولوجي لصورة المراة في الرسم العراقي المعاصر تبلورت مشكلة البحث بالاسئلة الثلاثة التالية اولا هل تبدلت القيمة الجمالية لمظهر المراة في الرسم العراقي المعاصر؟ ثانيا هل للمرجع الايديولوجي حضور في صياغة اسلوب العرض؟ وثالثا هل للمرجع | This research Addresses with the ideological discourse of the image of women in contemporary Iraqi drawing Crystallized research problem the following three questions first Are changed the aesthetic value of the appearance Iraqi women in contemporary painting? Second, does the presence of ideological reference in the formulation Style of presentation? Third Is the local and global impact of the references Summons Metaphoric image of women? The importance of the research was the result of the fact that research is Unfrequented previously as well as detect stealthy ideological image of women in Iraqi drawing The objective contemporary research is detected ideological discourse of the image of women in Iraqi contemporary drawingas well as the the limits of research and definition of terms that were with him The chapter concludes with the first and start the second chapter (the theoretical framework), which contains four The first sections of the concept of discourse and ideology put forward by the researcher through hypotheses And definitions of philosophical concepts with philosophers and philosophical books The second section includes Historical root image of a woman who shows how it has changed the image of women through the ages And how it changed the look of the artist put forward a woman through to the image of women in the work of art either The third section display of modern technologies in the drawing, which shows the extent of the development Technology, and how, in turn, the impact of women in the form of artwork inside and tha four deal with amage women in drawing iraqi art, Access to Chapter IIIwhich addresses research procedures of the research community, the research sample, justifications Sample selection, the search tool as well as the use of researcher applied descriptive analysis To analyze the sample and then finally the sample represented in the analysis of eighteen sample to achieve the aim of the research Confined Ben1990 - 2012, and the researcher in chapter IV to a number Results of the most important is that there is a self and social ideology in addition to the use of material Folklore dramatically in the work of artists, as well as the absence of men in some Works and appearing beside women in other works of art as well as the use of artists In display technologies often oily colors without the intensity or add new material To the optical surface in the nineties, while we find the diversity of methods of presentation in the work Artists in the period the new millennium, the following findings and conclusions suggestions and recommendations Developed by the researcher to concludes with this search a list of sources Developed by the researcher to concludes with this search a list of sources.