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جمالية المكان في رسوم الاطفال بين الريف والمدينة

Author name: اسراء حامد علي الجبوري
Supervisor name: عباس نوري خضير الفتلاوي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

العلاماتية في رسوم محمد مهر الدين == Indexes in Drawings of Mohammed Maheraldeen

Author name: ماهر كامل نافع فرحان الناصري
Supervisor name: عارف وحيد ابراهيم الخفاجي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

اللعب في الرسم الحديث == PLAYING IN MODERN PAINTING

Author name: عاد محمود حمادي محمد
Supervisor name: عماد محمود حمادي محمد
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

خصائص رسوم ذوي الافكار العقلانية واللاعقلانية من طلبة جامعة ديالى == DRAWINGS CHARACTERISTICS OF DYALA UNIVERSITY STUDENTS WHO HAVE RATIONAL AND IRRATIONAL BELIEFS

Author name: علي عبد الكريم رضا البياتي
Supervisor name: عباس نوري خضير الفتلاوي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

خصائص رسوم الاطفال وعلاقتها بالذكاء == Characteristic of the Children's drawings and their Relation with Intelligence

Author name: سهاد عبد المنعم عبد المحسن شعابث
Supervisor name: كاظم مرشد ذرب
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

جماليات الشكل والمضمون في رسوم علاء بشير == Aestheticism of figure and content with Alaa Bashir's Drawings

Author name: فاطمة عبد الله عمران المعموري
Supervisor name: حامد عباس مخيف المعموري
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الخصائص الفنية لرسوم طلبة المرحلة الثانوية ذوي القدرات الابتكارية == The Artistic Features of the Peuintings of the Secondary stage Pupils who have Highly Creative Abilities

Author name: حيدر عبد الامير رشيد الخزعلي
Supervisor name: فاهم حسين الطريحي | عباس نوري خضير الفتلاوي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الفطرية في الرسم العراقي المعاصر

Author name: ايمان عامر نعمة شبر
Supervisor name: عبد عون عبد علي | علي شناوة
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الحدس وتطبيقاته في الرسم الحديث == Intuition And Its Applications In Modern Painting

Author name: علي مهدي ماجد
Supervisor name: مكي عمران راجي الخفاجي | علي شناوة وادي
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

الزمن في رسوم يحيى بن محمود الواسطي == UNIVERSITY OF BABYLON COLLEGE OF ART - EDUCATION

Author name: مجيد حميد حسون خضير
Supervisor name: حسن مجيد حسين العبيدي | عبد السادة عبد الصاحب الخزاعي
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

الخصائص الفنية والدلالية للخط في رسوم الواسطي == Artistical Characteristics and Denotative line in AL - Wasity Drawings

Author name: محسن رضا محسن حسين القزويني
Supervisor name: كاظم نوير كاظم الزبيدي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

اشكالية المطلق في الرسم الحديث

Author name: فاخر محمد حسن الربيعي
Supervisor name: عاصم عبد الامير الاعسم | مكي عمران راجي
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

سمات الحداثة في الرسم العراقي المعاصر == FEATURES OF MODERNITY IN CONTEMPORARY IRAQI PAINTING

Author name: مواهب عبد الحميد عبد الله علي الخفاجي
Supervisor name: عارف وحيد ابراهيم الخفاجي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الابعاد المفاهيمية لما بـعد الكـولـونيالـيـة فـي الرسم العراقي المعاصــــر == Dimensional Conceptual of Post - Colonialism In Contemporary Iraqi Drawing

Author name: ناصر سماري جعفر
Supervisor name: شوقي مصطفى علي الموسوي
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث الحالي الابعاد المفاهيمية لما بعد الكولونيالية في الرسم العراقي المعاصر , والذي يسلط الضوء على اهمية الابعاد المفاهيمية في تكوين بنية الخطاب الثقافي العراقي بشكل عام وفي الحقل التشكيلي بشكل خاص. وقد احتوى البحث اربعة فصول,عني الفصل الاول بال | Current research deals with the " Dimensional Conceptual of post - colonialism in contemporary Iraqi drawing", which highlights the importance of conceptual dimensions in the formation of the Iraqi cultural discourse structure - in general, and in particular in the" PLASTIC ARTS" field. This research consist of four chapters, the first quarter transacts with the methodical framework of the current research represented by the content of the research , its importance and the necessity of such research which have been evolved due to the post - colonial discourse along with the urgent of disengaging from the colonial center through concentrating attention to the monetary theory of the post - colonialism literature both in criticism and literature itself , then to retort to the effects of imperialism and European intellectually, cognitively and artistically. out of this cultural narrative, some kind of a problematic obstetric had overshadowed - generally - an ideological results and - particularly - upon the contemporary Iraqi plastic art discourse which proposes an opposed outputs that rejects the colonial other by the means of contemporary cognitive ,artistic and technical techniques.The research aims to detect((conceptual dimensions of post - colonialism in contemporary Iraqi painting )) by revealing the mechanics by which the post - colonial act in painting. the study limited to the products of the Iraqi paintings to the period (2003 - 2015) to identify cognitive structure and cultural impact to the Iraqi plastic art. The second chapter includes an explanation of the theoretical framework and post studies, which included four topics within the vision of intellectual, philosophical and aesthetic implications ,the first topic addresses colonial discourse( references& characteristics), which contains three sections : First colonialism and the absent identity issue while the second contains the fundamental elements of the colonial discourse overcoming factors which have been recognized by colonial distortion of history and the language of the colonizer , his models, and up to the third section : of cultural and community awareness between opening and isolation to the other.the second topic deals with (conceptual dimensions of post - colonial practice and leadership), which includes two sections , first deals with the conceptual dimensions of : hegemony , mastery culture, racism , language, marginal ,the idea of recalling ideologies and the major narrations while the second sections deals with post - colonial discourse in contemporary ,modern and feminist criticized impacts , while the third one deals with the foundation process and displacing the other traces ( references and the prospects ) by the limits of foundation idea , peculiarity of the tradition and identity in the post - colonial discourse. The fourth topic addresses applications of the post - colonial ideology in the contemporary art within the European and Iraqi contemporary plastic art , it ends with several theoretical frameworks which helped the researcher with the research samples analyzing procedures. the third chapter deals with the research procedures based on applications of the conceptual dimensions of the post - colonial theory in contemporary Iraqi painting through searching procedures which contained 200 community with 20 samples.The fourth chapter includes the research results where some of the most important are : 1) varied methods of expression of contemporary Iraqi artists in the period that followed the occupation of Iraq in 2003, according to stylistic vision up to the performance levels of heated experimenting encoding and flatness and abstract concepts that depend on post - colonial.2) Art has become the issue of Iraqi contemporary painter emphasizes selective speech of the tragic events and social suffering that produced by Iraq invading war in 2003 and the sequent tragic events then after like series of terrorist (attacks ,bombing, killing and captivity and slaughter..) which was fertile material for the Iraqi artist. research also rises several conclusions includes : Contemporary Iraqi plastic art ( painting for instance) results shows patterns of a cognitive accumulations which directly effected by post - colonial impact within some levels of epistemic patterns that framing conducts of connections and disconnections channels among oriental and western given criterion of engaging between art and knowledge Research has came up with a significant recommendations like implementing researches that deals with criticizing post - colonial culturally and cognitively within the courses of artistic criticism in colonized countries since it will enhance the cognition of knowledge within their culture towards the post - colonial and support the foundation of post - colonial awareness in all countries suffered of colonialism Also research induces several suggestions one of the most important ones : Representations of the post - colonial discourse in the Arab plastic art.

جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة == Aesthetic Employment of Photograph In The Art of Post Modernism

Author name: حسن عطوان كاظم
Supervisor name: كامل عبد الحسين الشيخ خضير
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث الحالي ( جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة ) وقد حاول الباحث التعرف على جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة، من خلال الاجابة على هدف البحث الحالي، وقد اشتمل في بعض جزئياته، بيان طبيعة والية توظيف الصو

اثر المعرفة العلمية في رسوم عصر النهضة الايطالية == The Effect of Scientific Knowledge In The Paintings of Italian Renaissance

Author name: حيدر جواد كاظم محياوي السويدي
Supervisor name: كاظم نوير كاظم الزبيدي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: ضم البحث في طياته اوراقا تناولت ( اثر المعرفة العلمية في رسوم عصر النهضة الايطالية ) فدرس المعرفة العلمية في الفكر الفلسفي والجمالي واثره في رسوم عصر النهضة الايطالية، ويتكون البحث من اربعة فصول هي : الفصل الاول وقد اهتم بالاطار المنهجي، ومنه مشكلة الب | This research concerns (the effect of scientific knowledge in the paintings of Italian Renaissance ) thus it studies the scientific knowledge in the aesthetic and philosophical intellect and its effect on paintings of Italian Renaissance, research contains four chapters as follows : First chapter concerns with methodic frame from which the problem of research stems to determine the answers for the following questions : - Have the paintings of Italian Renaissance a relationship with science and scientific knowledge? And how the scientific knowledge reflected on paintings of Italian Renaissance. Plus, first chapter includes importance of research and its need. The goal of the research was( knowing the effect of scientific knowledge in the paintings of Italian Renaissance). But limits of research briefed to knowing the effect of scientific knowledge on oil paintings, fresco, tempera produced in paintings of Italian Renaissance in (1300 - 1600) which includes all its art periods. Chapter one ended with determining terms.Second chapter which includes theoretical frame consists of five sections : First section contains knowing from ideality to experimenting philosophy, second section deals with studying beauty between ideal and sensual. Third section deals with sciences of Italian Renaissance. Forth section deals with mutuality between science and art between painters and scientist of Renaissance. Finally fifth section concerns art of Italian Renaissance.Theoretical frame and antecedents studies ended with group of indicators that support the researcher in research procedures. Third chapter includes procedures of research which includes community of research and its sample, tool and mathematical and statistical means, then analyzing the sample statistically ,community of research (which was not included entirely due to its large size).Researcher has benefitted from resources done to sample (196) an art work, was limited with time and place parameters for research. Researcher ended with using a content analyzing tool, coefficient of tool constant and its truth, then using statistical methods, such (Cooper equation) for truth of tool and (Scoot equation) for accounting tool constant and mathematical mean to account percentage for each item from analysis application.Forth chapter contains display of results of research, conclusions, plus recommendations, suggestions, researchers has concluded the following : 1 - The researcher has achieved the results according to what theoretical frame comes with indicators appeared within analysis operation after treating research results statistically and draw out its percentage and account each items in application ,then accounts mathematic mean for these degrees. 2 - Results of research has showed that paintings of Italian Renaissance has a feature of affecting the sciences of that era tremendously and with a convergent rates for his sample as a proof to scientific and technical development which resulted in showing it in a aesthetic and art shape matching the nature.Also he concluded the following : 1 - Painting of Italian Renaissance has showed the ability of their artists of using the modern technology and sciences and use it in an uniform art frame.2 - Painting of Italian Renaissance has featured with employing new experimental shapes with more surprising and freedom in art composing. Ending the research with details of references , appendixes and an English abstract.

سمات الحداثة في فن الكرافيك الاوربي == The Features of Modernity In European Art Graphic

Author name: بشير احمد جعفر
Supervisor name: كامل عبد الحسين خضير النداوي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: The art is considered one of episodes that produce fresh perspective , Opening a new fields to wards.renew in all life scopes so The modernity does not be the result of a certain moment , but it refers to the many historical stages that are contributed and formed it.The modernity is a new intellectual movement in art in general and in European graphic art in particular. It mainly depends on trying to replace the intellectual reference that govern the human behaviour in life.And according to this fact , the modernity is an active partnership in the intellectual transformation grand witnessed by the humanity.The modernity does not call only for the evaluation of thought and renewal the literature but also to develop the art and out of old to the new style , language and thought without losing its cultural roots, and also its original features which are stemming from human civilization. As ( Audinos ) mentioned that every modern does not mention about a new view of life , man and science through art aesthetic and not be valuable.It is worth mention that Europe has been witnessed modernity in its large meaning which rapidly spread and impact on arts all over the world, among an important things that European modernism confirmed on especially in art : is great tendency toward abstraction or alienation depending on the currents brought by modernity , which made the shape rejects any static image through diversity in technology and style , so this figure appeared clearly in the art , particularly in the graphic artThese changes have led to revision the nature of the vision to art in general and graphic in particular. On art level , these changes represent by new European movements , the researcher has found the importance of knowing the modernism features in European graphic art. The research has focused on ( The features of modernity in European graphic art ). The research has contained four chapters , the first chapter is to show the researches problem which summarized in (What are the features of modernity in European graphic are) and its importance its needs and its aim which sets in (Definition of modernity attributes in the European graphic Art) during (1895 - 1978)and spatial in (Europe) , As objectivity identified by graphic works according to its techniques , and determine the terms contained therein. Chapter two has contained three studies ; the first one concentrated on the concept of modernity in art , the second one contained the grew up of the graphic art and its development through ages while the last one is about paths and directions of European modern graphic. Chapter three has devoted for the research procedures which contained identify the research community and choose the sample which is nearly (18) aprinted work , then the search tool and to analysis the sample.The Chapter four has contained the results , conclusions , proposals andrecommendations. Among the most important results finding by the researcherare : 1. Modernity led the movement changes in the nature of visibility to art ingeneral and graphic art in particular.2. modernity has combined between passion and scientific analysis in shape , colour and movement , and this method has formed the basis for many movements (Graphic art) in Europe.3. Modernity for the impressionists considers as a renewed movement which contributed in great change which accompanied the artist , of this school by their using the technology of ( wood engraving in colour , Lithograph in colour) as in examples (1 , 2 ,4).4. The modernity feature has confirmed for the impressionists by using symbols taken from lived environment which implemented in a style with simple lines as in example (1).5. For the expressionist artists , the modernity has confirmed that they have two levels within two ways : the first , is to determine the shapes by his strict limits of linear up to the point summary which makes the real foundation of forms away from realize , while the second is to look for about the details of the shape within geographical (modeling) strict for colour by using mechanism experimentation chromatography as in examples (3 , 18).6. Modernity for the expressionist artists , shown in colour by using the main colours ( black , red , green , yellow , and violet) with some changes in , with modern technologies (drypoint with aquatint in colour , woodcut in colour) as in examples (3, 18).7. Modernity for the brutality school , affirmed on unusual colour and vision as in examples (11).8. The brutal artist collected a total of technologies in their modern works , and within it ,modernist form has been activated and in modern view unlike the previous forms. And among these important technologies are (sugar lift Aquatint) as in example (11).9. Modernity to the Cubism school is characterized by analysis and forming shape. by returning shapes to the mind concept and meditation for cubists as in examples (9 , 14).10. Modernity to the cubists characterized by using of new technology ( linocut printed in five colours , etching) by these techniques , the features experimentation showed to the cubists as in examples (9 , 14).11. Modernity to the futurists arts is considered as renewed movement which contributed in great change which accompanied the artist of this school by introducing the concept of dynamic cosmic and used it in graphic art fieldas in example (5 ,10).12. Technologies for the futurists arts formed a modern touches through the expression and formal method of treatment manipulates light and shadow within the printed work. It was obvious in techniques of ( Etching ), (Linocut in colour) as in example (5,10).13. Modernity has appeared at abstractionists artists within the geometric abstraction which is the most reductionist level structure of formal and modern colour as in example (8 , 12).14. Abstractionists artists has taken a new formulation of the printed form by using modern technologies different from the previous techniques groups ,which enhanced the shape with modernism , and among the most important of these techniques are ( lithograph in colour , woodcut , Lithograph ) as in examples (6, 8,12).15. Modernity found at aldadanyeen and the surrealists , which comes from the illogic (neglect logic) and we can see through that they set out the visibility in their thoughts and emancipation outside the limits of laws to create forms (abstract forms which have mysterious nature) which consists of the absurd within abstraction as in examples (13 ,17).16. The Modernity has embodiment for alddadanyeen and the surrealists by defining the concepts of dream and realism in a new frame from the reality within dream which means expression of activities over realism in disordered forms or incoherence , one of the most important technologies that have emerged features of modernity they have are : (etching , lithograph , etching with Aquatint ,Aquatint with etching in colour ) as in examples (13, 15 , 16,17).The conclusions reached by the researcher Among the most prominent. : 1. Human dimension appeared in most of the fields of European art especially in graphic art.2. The new printed work considers as text which shows aesthetic relationships through the ordering of structural elements of the graphic art.3. The European artist graphic enabled to find spaces to show the expressive dimension in their works.4. The European artists graphic interested in experimentation which led to show a new technologies in his works.5. The printed work appeared diverse in forms features through diversity in arts fields for the European graphics.The search is over by recommendations and proposals with a list of references and sources and with abstract with English language.

الاضرار التي تصيب اللوحة الزيتية العراقية وطرائق صيانتها == The Damages of Iraqi Oil Painting and the Methods of its Conservation

Author name: فاضل عباس نعيم الدعمي
Supervisor name: ضاري مظهر صالح العامري
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

جدل الوعي واللاوعي في الرسم الاوربي الحديث == Interweaving of Consciousness and Unconsciousness in Modern European Painting

Author name: الوان خليف محمود الجبوري
Supervisor name: عاصم عبد الامير الاعسم
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

تحولات المضمون في الرسم الاوربي الحديث == Content Transformations in the Modern European Painting

Author name: يسرى صفاء فاهم مرجان
Supervisor name: محمد علي علوان عباس القره غولي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

النزعة الشعبية وتمثلاتها في رسوم نجيب يونس == Public Tendency in The Paintings of The Artist Najeeb Younis

Author name: ياسين علي ظاهر الحديدي
Supervisor name: حامد ابراهيم امهيدي الراشدي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

مشاهد الحرب في الرسم الاوربي الحديث == The war scenes in the Modern European Painting

Author name: وميض سمير هادي
Supervisor name: صفاء حاتم السعدون
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الارادي واللاارادي في الاداء الفني للرسم السريالي الاوربي الحديث == Voluntary and in voluntary in the artistic performance of the modern European surrealistic painting

Author name: وصال حمزة علي الجنابي
Supervisor name: علي مهدي ماجد
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الملامح الاجتماعية في الرسم الاوربي الحديث == Social Features in the Modern European Painting

Author name: ورقاء كاظم حميد الشمري
Supervisor name: فاخر محمد حسن الربيعي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:

توظيف الدلالات الدينية في الرسم العراقي المعاصر == The use of religious content in the contemporary Iraq painting

Author name: هدى طالب طراد النداوي
Supervisor name: عارف وحيد ابراهيم الخفاجي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:
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