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ابن معصوم المدني اديبا وناقدا

Author name: كريم علكم عويز الكعبي
Supervisor name: احمد جاسم النجدي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

الخطاب القراني الموجه الى الرسول صلى الله عليه واله وسلم

Author name: شهيد راضي حسين
Supervisor name: عدنان عبد الكريم جمعة
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

اللون في الشعر الجاهلي : دراسة دلالية فنية

Author name: صباح عودة عبد السيد القطراني
Supervisor name: حسن جبار محمد
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

شعر ابي حية النميري : دراسة موضوعية وفنية

Author name: كفاية عبد الحميد ناصر
Supervisor name: مزهر عبد السوداني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

ديوان سقط الزند : دراسة موضوعية وفنية

Author name: نهلة محمد حسن عبد الصمد
Supervisor name: مزهر عبد السوداني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

سورة هود عليه السلام : دراسة لغوية ودلالية

Author name: عبد الكريم ناصر محمود الخزرجي
Supervisor name: عبد الحسين المبارك | عبد الستار حامد
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

دلالات الفاظ الحب في شعر ابن الفارض

Author name: احمد رسن صحن
Supervisor name: عدنان عبد الكريم جمعة
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

استراتيجية خطاب التاليف عند الجاحظ الحيوان اختيارا

Author name: محمد هادي علوان
Supervisor name: فالح كامل اسكندر
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

السؤال في الخطاب القراني : دراسة حجاجية

Author name: محمد جاسم حنون
Supervisor name: خالد نعيم الشناوي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

الحجاج في كتاب المراجعات للسيدعبد الحسين شرف الدين

Author name: يعرب فرج حاجم المنصوري
Supervisor name: مرتضى عباس فالح
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

المباحث اللغوية عند الاجهوري ت1066هـ في كتابه شرح الدرر السنية في نظم السيرة النبوية للحافظ العراقي ت806هـ

Author name: مصطفى حامد يعقوب
Supervisor name: عبد الواحد زيارة اسكندر
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

البناء الفني في شعر ابي الحسن التهامي المتوفى (416هـ)

Author name: عبد الحسين عبد النبي عباس
Supervisor name: فالح كامل اسكندر
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

ابلاغية الخطاب العالمي في النص القراني : دراسة في الوظائف التداولية لنظرية النحو الوظيفي

Author name: عباس عبد العزيز صيهود
Supervisor name: احمد رسن صحن
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

الشعر النسوي العراقي في الرسائل والاطاريح الاكاديمية 1988-2015 : دراسة تحليلية

Author name: ضحى عبد الستار جبار العيسى
Supervisor name: جبار عودة بدن
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

الكتب الصرفية التعليمية في العراق من 1950 الى 2018 م : دراسة في منهج التاليف == Instructional Books of Morphology in Iraq from 1950 to 2018 : A Study in Authorship Process

Author name: سجاد محمد ضرب شعبان
Supervisor name: سامي علي جبار المنصوري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

جهود الدارسين المحدثين في رسم المصحف : دراسة لغوية == Efforts of Contemporary Scholars in the Orthography in the Qura'n Alinguistic Studu

Author name: زهراء ستار جبار الصيمري
Supervisor name: بشير سعيد سهر
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

مدرسة بكر بن وائل الشعرية

Author name: رضية فاضل جاسم
Supervisor name: مصطفى عبد اللطيف جياووك
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

رسائل الادباء الى الخلفاء والوزراء والامراء حتى نهاية القرى الرابع الهجري : دراسة تداولية

Author name: رحاب فيصل عبد الوهاب المناع
Supervisor name: محمد عبد كاظم الخفاجي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

التلمذة الشعرية في العصر العباسي بين النظرية والتطبيق

Author name: حنان بندر علي العبودي
Supervisor name: ماجد عبد الحميد الكعبي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

القصيدة الاعلامية في الشعر العراقي المعاصر منذ عام 2003 الى 2017م == Informative poem at Contemporary Iraqi Poetry Since2003 to 2017

Author name: باسم حساب راشد العبادي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: The reader of the contemporary Iraqi poetic works after the year (2003) and in the framework of poetic literature finds the emergence of poetic texts within the context of the media investing aesthetic through transmission to a means or a publicity holder, or news of what is outside the text in the basic degree ... This led to a decline in aesthetic value Within its teleological dimension in front of the topics arising from the conflict of ideological and ideological differences of the Iraqi society and the result of the new reality of cultural openness. This is justified by the adoption of poets in the construction of texts on the elements of popular attraction : objectivity, such as politics, religion, faith, doctrine and important events, and artistic with visual, musical, visual, inspirational, direct, and spontaneous, motivational, emotional, etc. to achieve propaganda, The political ... Through this, the idea of (the media poem in contemporary Iraqi poetry since 2003) was the subject of study ... What distinguishes our study is its comprehensiveness of the manifestations of the thematic issues in a period of time has not studied any study in this area, the era after 2003, which dealt with the poetic output until the end of 2017 as this period of the product is rich in conflicts and media issues ... As for the methodology of the research, the researcher adopted a descriptive and analytical approach based on monitoring the most important subjects in which the poets participated and then analyzing the texts to uncover the most important means of popular and artistic mass appeal adopted by the poets as informational marketers. The nature of the study imposed the paths of the work and was divided into three chapters preceded by a preliminary and followed by a conclusion and a list of sources and references. The introduction under the title (Political, Social and Cultural Changes in Iraq after 2003 was a brief reading). The first chapter came within the title of the media poem term and roots. It included three topics. The first topic was entitled (The media poem is a reading of the term). The title of the second subject (roots of the media poem in the Arabic poetry from the ignorance to the Abbasid period) Poeticism of the 20th century media poem) The second chapter was entitled "The manifestations of politics, the homeland, the society in the media poem" and included three topics : the first topic (the political poem), the second section is its title (homeland in the media poem) The third chapter entitled "The features of the active scene in the media poem" came in the first section entitled (religion in the media poem .. manifestations and multiple visions). The second topic was titled (manifestations of the interaction of the event in the media poem) The title of the third section (Other manifestations in the poem Media). The chapters were concluded with a conclusion that dealt with the most important findings of the researcher in this study.

شعر الارجاني : دراسة فنية

Author name: وداد يعقوب سلمان الحراك
Supervisor name: قصي سالم علوان الجلبي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

الغزل في شعر جرير : دراسة فنية

Author name: هاشم طه عبد الصمد اليوسف
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

شعر الاعمى التطيلي : دراسة موضوعية وفنية == The poetry of Al - A’ama Al - Tatuauli An objective Artistic stady

Author name: عبد الله عبد الشمخي
Supervisor name: جنان محمد عبد الجليل
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
Key words:
  • شعر - اندلسي
  • عصر المرابطين
  • الاعمى التطيلي
First pages:
Abstract: تعد الاندلس واحدة من اهم مراكز الحضارة العربية، التي اشرقت على اوربا، التي كانت قابعة في ظلام التخلف والضياع، ولذلك فان في التراث الاندلسي الكثير من الكنوز التي لم يكشف عنها، ولم يمط اللثام عن نصاعة اشراقتها الزاهية. ان الاعمى التطيلي واحد من الشعراء الاندلسي المهمين، فقد كان يجمع بين نظرة الاجلال والتقدير التي يحملها لاسلافه من المشرقين، جاهليهم واسلامهم وامويهم وعباسيهم، فضلا عن تاثره بجماليات بيئته وبخصوصيتها الحضرية والفكرية، وهذا مادفعني لدراسة الشاعر مستعينا بالمصادر القديمة، وبالاخص ذخيرة ابن بسام، وطراز ابن سناء الملك. غير ان المنطلق الرئيسي للداسة كان ديوان التطيلي، الذي حققه د. احسان عباس، والمستدرك الذي اعده الدكتور محمد مجيد السعيد، مستفيدا من المناهج النقدية لخلق رؤية شمولية تحاول ان تحلل النص وتكشف النقاب عن جماليته وخصوصيته. هذواقد اثرت الاستغناء عن التمهيد الذي يتناول الشاعر وحياته، فقد كان في المقدمة الضافية التي اعدها الدكتور احسان عباس للديوان ما يغني عن التكرار والاعادة، وقد اشرت الى الظروف السياسية والاجتماعية للدولة المرابطية في اثناء فصلي الدراسة الموضوعية، لما لها من صلة بها. توزعت الدراسة على ثلاثة فصول، تناول الاول منها الاغراض الوجدانية، وضم اربعة مباحث، كان الاول للغزل بشقيه الحسي والمعنوي، وقد وجدت ان الغزل الخاص بمقدمات القصائد، كان حسيا تقليديا، في حين كانت قصائده الغزلية الخاصة، تصطبغ بالحزن والالم، وتنحو نحو السرد القصصي الممزوج بالغنائية، مما يذكرنا بالشعر العذري، كمواجد الغزل بالمذكر في موشحاته الذي نعتقد انه تقليد فني يقصد ابراز البراعة والترويج عن النفس. اما الرثاء، فنلاحظ ان رثاءه لزوجته اتسم بصدق الشعور، وحرارة العاطفة، مما جعله من روائع المراثي الاندلسية، مما يميزه عن الرثاء للاخرين الذي كان تقليديا لاعاطفة فيه. وتناول المبحث الثالث الشكوى، فقد تناولت فلسفته في الحياة والموت، ونفوره من الحياة التي حرمته نعمة البصر وجعلته محتاجا لغيره، ويمتزج هذا مع الزهديات التي تناولتها في المبحث الرابع من هذا الفصل. اما الفصل الثاني، فقد تناولت فيه الاغراض الموضوعية، اذ وقفت عند المديح للوزراء، والقضاة وغيرهم، وقد وجدت ان مدائحه تكاد تكون تقليدية مكررة بصورة المشارقة، كمواقفت في المبحث الثاني عند شعر الوصف، فدرست وصف الطبيعة الصامتة والمتحركة، ومظاهر الحضارة، ووجدت ان اوصافه تاثرت كثيرا بكف بصره الذي جعله يصف معتمدا على اوصاف الاخرين لا على رؤية جمالية خاصة. ووجدت للشاعر رؤية جمالية واضحة في العتاب، اذ يستفيد من عاهته في الاستعطاف وطلب العون من الاخرين. وانفرد الفصل الثالث للاغراض الفنية، موزعا على ثلاثة مباحث، اختص الاول باللغة والاسلوب، فوجدت ان الفاظه تراوحت بين السهولة والجزالة، افصح فيها الشاعر عن ثقافته القرانيه والشعرية، مما منحه اسلوبا متينا، امتاز بطول النفس مبرءا من الاسفاف، مستفيدا من الوان البديع المختلفة في حين ادخل في موشحاته اللهجة العامية واللغة الاعجمية في خرجاتها. اما مبحث الموسيقى فقد وجدت الشاعر قد ركز على الاوزان الطويلة، عدا قصيدتين من مشطور الرجز، كمراكز على القوافي الذلل، مبتعدا عن الوحش والنفر من القوافي، كما ان الوشاح استطاع بحسه الموسيقي المرهق ان يوزع انغامه بشكل هندسي رائع على خارطة القصيدة، كما استعان بتعدد القوافي والاوزان في الموشحات، التي توزعت بين الموشح التام هي الغالبة. اما في الصورة فقد درسنا الصور البسيطة والمركبة واللوحة، وقد اعتمد الشاعر على ما اختزنته مخيلته من صور نشات من ثقافته لا من رؤيته وقد ابدع في التشكيل واعادة صياغة صورة، اي اعتماد على ذهنه لا مشاهدته، وصوره يولدها من العدم فهو يقلب المتعارف عليه ولكن بشكل مقنع، فالفكرة لا يتناولها كما هي وانما يولد منها المعاني، فهو يميل الى التفكير الخاص (التفكيك) فالطابع العام هو التامل الذهني عكس المبصرين، فعالمه داخلي في كثير من الاحيان، وقد اثر فقدان البصر في صورة التي اخفق في بعض منها. وفي الختام لا يدعي الباحث لبحثه الكمال فهو لله وحده، لكن عذره انه ساح في طريق وعر، وجمع مناهج شتى، هدفها اضاءة وابراز معالمه الجمالية فالدراسات الانسانية ليس فيها احكام مطلقة | The skillful and creative poet, Al - Aama Al - Tatauli has not gained what he deserves of study and investigation that might correspond to his importance as one of the poets of Andulsia who wrote verse and Muoshahs and who tackled all poetic genres. He is also considered as prominent Washah (writer of Muashah) in Andulsia. For these reasons, the researcher chose this poet to be the subject of his study. As a starting point, the poetic text is taken as the basis of the study. The other approaches of criticism were then utilized to analyse allThe aspects of the text due to the importance of the political , social and psychological immediate influences on any work of creation. he study consists of three chapter. There is no special biography of the poet because the researcher found the comments of the editor about the life of the poet at the beginning of the collection of his works as enough and because there is no significant information to add about this question. Chapter one is concerned with studying the subjective genres of the poet, i.e love, elegy, complaint, and religious devotion. Each of these genres is presented in a separate subsection.Chapter two is a study of the objective genres of his poetry, i.e. praise, description and blame. The genre of praise includes praising of clergymen, judges, princes, women and the infloential men in the state. Description also includes desscribing still and moving nature in addition to describing arms and weapons. Chapter three includes the artistic analysis, it discusses the language, the techinque, the internal and external melody and the artistic image including the simple and compound ones and the portait in the poetry of Al - A ama Al - Tatauli. The researcher arrived at the following condusion : - The poet tackled most of the known poetic genres where he either imitates or innovates but within the known rhythm and framework of the Arabic poetry. - His poems of praising are characterized by the deletion of the introduction and directly going through the main purpose of praising . - He was the first to do this . Besides he made an innovation in one of his introduction where he blamed life in a style of religious devotion. - The poet was behined in the genre of description in comparison with the other poets of his time in Andulsia because of his blindness. - The poet was characterized by his firm technique and soft and eloquent words that flow smoothly and easily to make very sweet music He did so by making use of the different kinds of eloquency such as similie , homonymy , and metaphor in addition to his Knowledge of music and his writing of Muwash which is mainly based on music. - He derived his images from his poetic education and the stock of his imagination . - He tend to mental imagination , abstraction and untying and he has his own internal world

رموز القران الكريم

Author name: جيهان فضل الحجاج
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:

النص في خطاب علي حرب النقدي

Author name: هشام يونس جاسم الياسري
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: / the text in terms of meaning and intention which used to be the text represents an essetial and most important core for modern and post - modem studies and the theories of the new critical scene. It has become a fertile field of knowledge in which critics and linguists indulged. Thus several and different theories and theses emerged, each tackling 'text' in view of its own principles , methodological and epistimological procedures, such as the russian Formalism, Neo - Criticisim, Structuralism, ~ermutics,andTextualism ,etc..These critical theories have produced different and contradictory v1s10ns of 'text' that intersects with the old vision both in its methodological and epistimological field. With the new critical visions, a bouycot has been established between the text and the writer, who used to dominate ultimate concern of critics and scholars. This bouycot eventually led to the announcement of"the writer's death".After this death of the writer, the text began to be associated with the reader, according to the 'Reader Response theory' which inserested itself in the reader and his/her reading and response.The idea of the present research started with my reading of the Lebanese writer Ali Harb's writinigs which, I believe, include an epistimological and methodological approach of the 'text' and its reading that deserves to be chosen for study. When I told my supervisor, I found that he agrees with me in his assessment of the topic's theoretical and epistimological richness embodded in the introduction of of a comprehensive and integrated textual vision enriched by a reading vision that goes along with it in addition torevealing the bases and epistimological principles out of which this vision came and flourished.The philosophical ahievement of post - modernism has become an important source from which this vision took a lot.Furthermore, this vision is an investable and applicable critical approach that can be adopted in text reading.Besides, this topic is a novel one that has not yet been studied before.The first chapter of the thesis falls into three sections. The first one deals with the etmology of the term 'text', covering its linguistic meaning, multiple meanings,and its metaphorical meanings. The second section tackles the concept of 'text' in scholastic circles and its integration into the other intermingled and overlapping concepts and its fluctuation from one specific scholar to another. Section three touches upon the definition of the term, revealing the difficuty faced in this task due to the differences among schools that used the term.Chapter Two deals with the term 'text' in Ali Harb's critical discource.It falls into three sections,too. The first tackles the the theme of textual identity; the structure of the text can be said to have two aspects : the phonological and the reading aspects. The section tries to show the characteristics of both. Section Two studies the text features; it tries to clarify each to open the way to Section Three which is devoted to study the concept of 'text' in Ali Harb's critical discourse.The third chapter studies the types of text and the bases for their differences due to which they are classified into types, showing the features of each text type. ··Chapter Four falls into two sections. The first deals with the critical possiblities for the reader and the possibilty of multi - readings for the same person of the same text. Section Two tacles the the reading of the text showing its nature, requirements, characteristics, and purposes.It, also, tackles the types of readings clarifying the epistimological vision that makes a specific treatment of a text determined by the text type. The chapter concludes with an account of Ali Khattab's reading approach which he uses in his critical endeavours.Lastly, the results of the study are introdused.
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