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عبد القادر المهيري وجهوده اللغوية == Abdl qader Al – Muhairy and his Linguistic efforts

Author name: صادق نوري محي
Supervisor name: مؤيد عبيد ال صوينت
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

تمثلات الهوية في الرواية النسوية العراقية (2010 - 2017) == Representations of Identityin Iraqi Womanish Novel (2010 - 2017)

Author name: سعد عمار وادي الخفاجي
Supervisor name: افتخار عناد اسماعيل الكبيسي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

التحليل الصرفي واثره الدلالي في التفسير البسيط للواحدي (ت468هـ) == Morphological analysis and its semantic impact in Al - Tafseer al – Baseet by Alwahidi ( 468 A.H)

Author name: سعد صباح جاسم
Supervisor name: كاطع جار الله سطام
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

تعدد الاوجه النحوية في تفسير القران العظيم لعلم الدين السخاوي(ت643هـ) == Multi – faceted in the Semantic Impact on Glorious Qur'an exegesis of Alamuddin al - Sakhawi (died 643AH

Author name: خلدون خليل ابراهيم
Supervisor name: باسل محمد محيي الدين
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

صرف سيبويه واثره الدلالي في كتب التفسير حتى نهاية القرن الثامن للهجرة == Exchange sipawayh and its impact semantic in books interpretation until the end of the of the eighth century migration

Author name: حسين كاطع عبد الحسن
Supervisor name: ڱاطع جار الله سطام
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

السرد في واقعة صفين لنصر بن مزاحم (تـ 212هـ)

Author name: حسين عبد مكطوف العتابي
Supervisor name: عبد الباقي بدر الخزرجي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

الشعر العراقي ما بعد مرحلة الريادة

Author name: مهند طارق نجم
Specific topic: Literature
Degree: Master
University location: Baghdad

اثر النحويين المغاربة في كتاب المقاصد الشافية للشاطبي (ت790هـ) == The influence of Moroccan Grammarians in the book of “Maqased Al-Shafia” by Al Shateby (790 hijri

Author name: احمد كاظم عجيل علي
Supervisor name: علي جميل احمد العبيدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

القصائد السبع العلويات لابن ابي الحديد المعتزلي (ت656هـ) : دراسة اسلوبية

Author name: احمد جهاد جابر الموسوي
Supervisor name: حسن عبد الهادي الدجيلي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

القصيدة القصيرة في الشعر الجاهلي : دراسة فنية == the short poem in the pre-Islamic poetry

Author name: احمد جليل ويس
Supervisor name: خالد علي مصطفى
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

المفارقة في مقامات العصر العباسي == Irony In Maqamat Of Abbasside Era

Author name: تغريد ضياء مشفي الفخري
Supervisor name: سامي مكي العاني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: Most of the Abbaside era Maqamat were based on a bitter irony out of a painful and a tragic reality that is full of contradictions and change of standards and values. Axiomatically they had a lot of instances of irony for it is the most suitable among artistic styles. It was , there fore , adopted by Maqamat writers as the artistic styles through which they expressed their suffering and boredom ; it had been a reflection of the time they lived. For them , irony was a defensive means for facing the cruelty , deprivation and misery in their lives ; a purification means , so to say , that would eliminate the deposits of dreadful ideas and would relieve the strains of poverty and need deep inside them. The irony of the Abbaside Era Maqamat is of three main types : 1. Verbal irony : it includes anti expectation , pedantry equivocation , pun , simile and quotation. 2. Irony of situation : it includes the self uncovering , dramatically and event irony. 3. Narrative irony : it includes spatial and temporal , the narrator - hero and the secondary characters irony. These three main types make up the three chapter of the this study , with each chapter being devoted to one type preceded by an introduction that illuminates the lexical and terminological meanings of "Maqama" and "Irony" and also the nature , importance , motives and aims of each one of them. All that followed by a conclusion that sums up the findings arrived at and most important of which are the following : 1. Maqama is a dramatized story that combines the techniques of both fiction and drama. It both narrates and displays ideas. It is based on a dramatic scene with action and dialogue , a matter which tints it with vitality and excitement that it has been an impressive type of art up to the present time. 2. Linguistic irony is produced by one signifier leading to two or more signified ideas. It , then , enables us to practice a multi - reading criticism because it deepens the text , extends its interpretative limits and widens its horizons. 3. The irony of situation embodied the suffering of the Maqamat writers that their Maqamat seemed to be a reverberation of what they lived and co - lived and what they thought and felt. The irony was their outlet to steam off and express their attitudes towards their surroundings. 4. Time and place in the Abbaside Era Maqamat where open. The characters moved about in absolute time and place. That is to generalize the purpose - idea and indicate that it is likely to happen at any time and place and to implicitly indicate the bad conditions and corruption. 5. The narrator in Abbaside Maqamat is an observer who seldom takes part in the events unlike the hero who undertakes the creation and activation of events and through whom the writer pictures what he wants to deliver. Most likely , the narrator represents the writer , whereas the hero represents the socially , politically and ideologically oppressed class

البناء السردي في شعر الحروب في القرن الرابع الهجري المتنبي وابو فراس الحمداني اختيارا == Narrative Structures In Poetry Of Wars In The Fourth Century For Hegira Al - Mutanabi And Abu - Firas Ai - Hamadany

Author name: مريم جعفر صادق
Supervisor name: افتخار عناد اسماعيل الكبيسي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: In The name of Allah The merciful Praise to Allah , horde of The worlds ,Prayer and peace on The most honorable human being of Allah wholes mohammed. The narrated since The ancient times one of The literary creativities but it met with great in tersest from newly student , where These studies done on The study of Arabic literature according to The old terminology of modernAnd ran it through what wrote in many books dealing with literature poetry and prose.This study is one of The attempts to demon strate the features of The narratiue in the arab Abbasi poetry of the novel of war in AL - Mutanabi and Abu firas - Al Hamadaui poetry, because of their time witnessed internal wars and foreign wars. Abbasi narratiue has been studied in many of the arts such as letters , shrines and stories as well as poetry , so his do coral thesis entitled : narration narrative structure in the poetry after second Abbasid era , and The narrative in bogeyed(tightwads amodel) , and many of the studies The nature of the subject of the letter was re uired according to the three chapters pre ceded by an introduction and boot folioed by a conclusion. so pared the narrative language and idiomatically to the Arabs and the west first and balance between the nature of the narrative and the multiplicity of the terminology news , story , storytelling ,study : personal decided in to the head and secondary in the first section while the second part , came the methods provided by the characters directly and in directly. The second chapter which debit with : circum stantial time and place , asit was the first topic is dedicated to time in accord ance with the chvonological order of Balasthag and retrieval , while the secnd section dealt with by the military place whether open space or enclosed the third chapter looking for : the first about the typesof euent , and howil began and how the narrator of events stamped. And then it ended with a condusion of this study in which the main results were presented that have been reaehed , followed byalist of sources and references approved.It was nat my education free of some of the difficulties experienced by, but l cannot help but offer uery much for each of the supportedme ,with acapacity of issuedand great con fidence and never donating to the guidauce and advice. prasebe to Allah and Allah bless Muhammad and his companions..

المتن والهامش في الكتاب لــ ادونيس : دراسة نقدية == Text And Margin In Adonis's "The Book" : A Critical Study

Author name: عز الدين صخي خضير
Supervisor name: عصام عسل حسن العتابي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The thesis deals with the text and the margin in Adonis's "The Book" A Critical Study. It describes the central saying which dominates the content of The Book on special level. On the other hand, It dominates the history of the population on public level. It is a hegemony throwing light on Adonis's view point who has uttered the culture of the transformed text. It springs from philosophical basis, believing in the principle of move due to the move of reality, leading to guarantee the Adonisian pure transformation, that forms an intellectual, knowledgeable, innovative and aesthetic break off with what is prevalence in the Arabic and global cultures.Adonisian text is interwoven one; many philosophies and culture has melted within it. Therefore, his text is a combination of poetry and intellect simultaneously. The Graphic and textual structure of the Book has gained a special importance; on hand described as a new innovative writerly text, history is dissolved within it. On the other hand, described as a science embracing all types of cultures - sometimes they cross with poetry and other time they meet with it. The former reveals the hegemony and persecution; the latter glorifies the innovation and liberation, and between this and that the opposition between text and margin, emerges the former glorifying, and the latter critical, within them dialectic occurs at which time is existed in its three dimensions (the past, the present and future) - exposing and knowledgeable - leading to the victory of the text over the margin and that is through presenting unified and comprehensive vision about reality. Its principal relies on the principle of motion; It leads the necessity of transformation. Through the induction of the whole content of "The Book" it turns out that the graphic and textual structure same as pyramid; religion serves as its basis, cylinder is composed of text and margin, and its top is the vantage point. So the start is deconstructive mode, its conflict is exposure and the salvation / vision, A structure each part of it inescapably depends on the other; and this combination of parts leads to vision / salvation. The hypothesis of thesis attempts to be proven from the introduction to the conclusion. It divides thesis into an introduction and three chapters discussing the reading of the text and margin in Adonis "The Book"; it depends on three pivots; first fundamental; second foundation; and the third the term which seeks for the potential exemplar of knowledge beyond Adonis's creative and intellectual idea. On the light of the exemplar, the term "the text and the margin in The Book" will be specified. The first chapter is The start / Deconstruction which discusses the tools of Adonis's critical view point toward The Stable / The religion. The first tool : the rebellion against the sacred; the second : the glorification of sin. Chapter two is The Conflict / the revelation which throws light on the dialectic of text and margin leading to exposing knowledge. That is achieved through three points; first is the combinative structure of The Book; the second is the dialectic the history of authority / the margin. The third is the dialectic of glorification / the body. Chapter three is salvation / visions which consists of a comprehensive vision discussing its singularity and its optimistic / pessimistic dimensions. The systematic and academic process of thesis ends up with conclusion which recapitulates the important results of the research, on intellectual level is that man in the absolute center of universe. On the creative level is that poetic writings do not correspond with axioms. However it is a perpetual transformation producing suspicion and anxiety in all certainties.

شعر النصح في عصر بني الاحمر : دراسة موضوعية فنية 635 - 897هـ == The Advising Poetry In Bani Al - Ahmer Era " An Artistic Objective Study 635 - 897H

Author name: سرى ظافر سلمان
Supervisor name: محمود شاكر محمود
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: In this study , which is entitled ( The Advising Poetry in Bani AL - Ahmer Era " An Artistic Objective Study " ) , I dealt with the concept of advising and how the poets utilized this concept in their poetry production not only to reform their society but also to preserve the last remaining of what they had from Andalus.This kind of these themes emerged in that dark period of Andalus history.The study is divided into three chapters preceded by the introduction and followed by the conclusion.In the introduction , we difined the advice and also showed the dimentions of its effect on a society.The first chapter deals with an objective study which is divided into two sections ,the first one deals with religious advice while the other deals with social advice.The second and the third chapters both are dedicated to the artistic study.The second chapter is divided into two sections, the first one included the poetic lexicon as well as the prominent styles which were adopted by the poets in their advising while the other dedicated to the artistic image.The third chapter,which deals with the poetic rhythm, cosists of two sections, the first section is for the framing rhythm (external) and the other is for the internal rhythm.Finally, the study ended up in the conclusion which summarizes the most important findings of the study

نقد البلاغة : دراسة في المشروع البلاغي للدكتور محمد العمري == Rhetoric Criticism Study In The Rhetoric Project Of Dr. Mohammed Al Omari

Author name: زينب ميثم علي
Supervisor name: فائز هاتو الشرع
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: فقد بينت النظريات والمناهج النقدية المعاصرة, بعد تفعيلها قراءة النص ان النصوص التراثية قابلة للتشكل وفق تصور حديث قد يختلف عن تصور منتجها, وقد اتضح مدى عمق كشف هذه النظريات للاسس التي ارساها بلاغيو العرب, التي كانت, ولا تزال محط انظار كبار النقاد والباحثي | Showed the theories and methods of monetary modern yet activated to read the text that the traditional texts are constituted in accordance with the perception of an interview differs from the perception of governing, as evidenced by the depth of these theories and foundations established by the Arabs, which was and still is the focus of attention leading critics and researchers rhetoric, reflected this perception in the project Dr. Mohammed Omari in reading the Arab eloquence, and it was the title of our research "Rhetoric Criticism study in the rhetoric project of Dr. Mohammed Al Omari" to solidify this perception, came divided Find the three seasons after booting between the Biography scientific Dr. Mohamed Omari, the concept of criticism of rhetoric, either the first chapter was titled "terms of reference of the project" has included three sections are : References Greek, Arabic and references, and the third section of Western references.The second chapter entitled "read the rhetoric" and included three topics are : the history of rhetoric, which included the history of magnificent poetic, and the date of the statement of rhetoric, and the date of the public rhetoric, the second section theories of rhetoric, which included the receipt of Western theories, Arabic and theories, while the third section was titled criticism rhetoric, which included cash of trends in rhetoric, and rhetoric bosses, and rhetorical Studies in cash.The third chapter, entitled "rhetorical project," which included three sections weakness : the concept and the term that was affiliated beneath terms that re - flick about, localized terminology, innovative and terminology, while the second section titled theoretical dimension included poetic discourse, discourse deliberative Hajaji, and of public rhetoric , while the third section came under the name Applied oriented included voice applications graphic, persuasive applications deliberative, public rhetoric applications. He concluded several search results Perhaps the most prominent. - Greek, Arab and Western Omari Project, it was the Greek in the establishment of the theoretical basis deliberative side persuasive, while formed to study the root acoustic balance, while contributed Western references in the order of these topics and consistency in a new configuration. - Track Dr. Omari in "read the rhetoric," its history and progress and the different sciences receive literature and speech from rhetorical to another in spaced periods of time, noting obtained evolution, as explained various theories special Ultimate received.

نقد السرد في مجلة الموقف الادبي (2005 - 2015)م == The Narrative Criticism In The Magazine Of Al - Maoqif Al - Adabi 2015 - 2005

Author name: جعفر محمد ونان جاسم
Supervisor name: فائز هاتو الشرع
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This Search Three adoptions : Cultural adoption posed represented by Almoqif Al - Adabi Magazine as it belong to the press and literature at the same time, and critical adoption by virtue of the modeling, critical adoption by virtue of detection and analysis and these three adoption came together to sets up construction structure of research ,the search turn around in the critical text that derived by critical Research, previous and studies that associated by Almoqif Al - Adabi Magazine so we will try to read accurate reading according to the persuasive means and its formative dimensions.Based on the search of the famous snappy repartee stating the following : that there asymmetrical experiences of critics have up to match in visions and consequences in parallel with that there is a difference in the platforms - with mostly - the political aspect.The aim of this research to the disclosure of the monetary values of the narrative in the Studies of the magazine moral position monthly rotating issued by the Arab Writers Union, integration requires research to capture the reins of assets and understated academic research.This attempts to search to answer the questions of banking : What is the relationship between the narrative terminology? How they were able to critics force of the issue of the disorder and after the terms of stability? And the impact of the literary theories in establishing the rules of the narrative which can define the meaning of the narrative indication and enriching the function and do a diversity of critical curricula monetary literacy? On the texts of the critical different application configuration and establishment; and that tended to appropriate evidence as registrars right ,accordingly.The criticism pass through of accomplished narrative Arabic and international levels and stages of development of the task, we will reveal in the body of the search for appropriate studies magazine criticism with this development arose configured, and we wander in view is correct, it was obliged to read carefully the magazine prepared within the framework of the extended time - frame of the number (405) of 2005m and number (523) of 2014; therefore those numbers directly from the Arab Writers Union, and I could not possessing banknote digitally; as well as the knowledge and briefed the preparation of other magazine starting from the first issue.The research ends with a conclusion with the most important findings of the research with the research recommendations, in this regard i don’t miss offer grateful thanks and respect for their modest effort , the head of council and the members, who bore the trouble reading this modest effort, apologized to them; if there are seen any errors and faults including those incumbent upon me gratitude for parents

الشخصية في روايات احمد سعداوي == The Character In Ahmed Sa'Adawy's Novels

Author name: بشرى رياض جوير
Supervisor name: سهير صالح ابو جلود
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This thesis which titled (The character in Ahmed Sa'adawy's Novels) aims to study a Narrative term that is (the character in the novel). The study divided in to an introduction, two sections and conclusion.The introduction studied the characters and its transformations in the Iraqi novel after 2003, and Ahmed Sa'adawy as a novelist. The first section is titled (the types as character). Its divided, in turn, in to three chapters : the marginal character, the mythicized character, and cultured character. The second section is titled (The Image of language), which divided, in turn, in to three chapters. The stylization, the dialogue and the intermediate forms, and the Aliens genres.This thesis has come up to a conclusion summarizing the final academic results. I hope that this thesis gives its benefits in the future studies to help researchers concerned with the world of narrative.

التناص الديني في شعر الغديريات : موسوعة الشيخ الاميني انموذجا == Religious Intertextuality In The Poetry Of The Ghdeeriyat From The Encyclopedia Of Sheikh Amini As A Model,

Author name: بشرى خضير شمخي
Supervisor name: هناء فاضل سلمان الدليمي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: My thesis entitled : (Religious Intertextuality in the Poetry of the Ghdeeriyat from The Encyclopedia of Sheikh Amini as a Model,), in which I applied one of the concepts of modern criticism which is Intertextuality on the poems taken from Islamic Heritage. My goal is to contribute to the revival of the heritage by using modern approaches.I studied the Ghdeeriyat poets from the first century after Higrah to the sixth century. The number of poets whom I studied their poetry of Ghadeeriyat is fifty - five. I have noticed that religious intertextuality was limited to the interaction with purely Islamic sources, such as the Koran, the Sunnah, biographies, and histories. That approves that these Ghadeeriyat are totally influenced by Islamic resources, as they did not demonstrate any other effects derived from other religious traditions.Koran was the cornerstone in the construction of intertextuality among poets, employing its words, phrases and connotations, using its style and reflections in a productive and interactive way. This interaction with the religious text demonstrates the evolution of the religious intertextuality. The tangible images varied in their texts including visual, auditory, and taste, it contributed to supplement the text with artistic beauty, continuous movement and imagery creativity reflecting the dominance of the sensory image in this accomplished poetic, which has added to the Arabic poetry creative a clear touch cannot be overlooked by unbiased critic.We have found that the poets of the Ghadeeriyat until the sixth century AH had been committed to the rhythm and did not follow those who tried to abandon them. They have totally turned away from composing poetry by feet of five rhythms, which are : the Hazaj, Madeed, Muqtadhab, Mudharia and Mutadara. In which they did not compose even one line. That may be because their desire to cope with inherited Arabic poetic, and respecting the recipient, as well as the lack of adequate freedom of expression and prolong the poem in these rhythms.The poets of the Ghadeeriyat preferred rhymes ending with vowel sound over that ending with constant sound in which they did not abandoned the Arabic poetic teste. The Ghadeeriyat were full of internal music, especially in the late centuries, reflecting the attention of poets to this arts after Ibn al Mua’taz had established the Badee’ and the style of modernize poets who followed Abu Tammam.

الفضاء الشعري في الغزل الاندلسي من الفتح حتى نهاية عصر الطوائف

Author name: ايمان حميد هدرس الزيدي
Supervisor name: محمود شاكر محمود
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

الولاء الاجتماعي واثره في الشعر الاندلسي : دراسة موضوعية فنية من عصر الطوائف حتى سقوط الاندلس 400هـ - 898 هـ == Social Impact Of Loyalty In The Andalusian Poetry - An Objective Study Of Art - From The Era Of Denominations Until The Fall Of Andalusia (400 AH - 898 AH)

Author name: احمد حسون حربي
Supervisor name: محمود شاكر محمود
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

مظاهر التمرد في الشعر الاندلسي : دراسة موضوعية فنية == The Forms of Rebellion In Andalusi Poetry : Artistic Objective Study

Author name: محمود شاكر محمود
Supervisor name: اسماعيل عباس جاسم
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The dissertation tries to define the term Rebellion and enumerate its from in the Andalusi society, through the Andalusions poerty that reflects their reality.After an enormous effort, the dissertation defined the Rebellion as a human phenomenon that tak

البلاغة الجديدة : دراسة في مفاهيم الشعرية واللسانيات المعاصرة == New Rhetoric - Study in poetic concepts of contemporary linguistics -

Author name: وليد فرحان علي
Supervisor name: فائز هاتو الشرع
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

بناء السرد في روايات يوسف زيدان == Structure Of The Narrative In The Novels Of Yousif Ziedan

Author name: ورود علي حسين
Supervisor name: باسم صالح حميد
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

الخطاب النقدي حول جهود ابي هلال العسكري النقدية والبلاغية قديما وحديثا == Critical discourse"Abu Hilal efforts on monetary and military rhetoric Past and present

Author name: ندى سالم عيدان الطائي
Supervisor name: خالد علي مصطفى
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

الخصائص الاسلوبية في الصحيفة العلوية

Author name: محمد محمود ياسر الجوراني
Supervisor name: خالد سهر محي الساعدي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
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