Show: 25 50 75 100 Results

Search results: 25 out of 4,067

خطاب الوعظ في نهج البلاغة : دراسة في لسانيات النص == Preaching Discourse in Nahaj Al - Balagha : An Analytical Study from the perspective of Text Grammar

Author name: علاوي ريسان كاطع العسكري
Supervisor name: نوري حساني علوان الكاظمي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: The latest appearance of methods of researches associated with text grammar and analysis of discourse in 1960c caused an important change in the way of linguistic studies represented by a transfer from text to discourse as a complete unit. This direction attracts the attention of many researchers, some of them tried to find its origin and other tried to apply the foundation of this method on texts.As attempt to mix the heritage with modernity and to search heritage by new methods, we found the importance of applying this method on texts from heritage. Since Imam Ali' speech is described as lower than Allah' speech and higher than creatures' speech, I found that there are many reasons that attract me to have such a travel. Discourse has different forms and purposes, this thing led us to choose ''Preaching Discourse in Nahaj Al - Balagh : An Analytical study from the Perspective of Text Grammar''. Discourse is both spoken and written. Since discourse exists in letters and trusteeships, we decided that the title of the dissertation should be about discourse. This study consists of an introduction, four chapters and a conclusion. The introduction is divided into three parts, the first part is an illustration of text and discourse, the second part includes an explanation of method of text grammar, its history and its well - known theorists and the third part is devoted to show types of discourse in Nahaj Al - Balagh, definitions of preaching discourse, the nature of discourse and its subjects according to Imam Ali. The four chapters are : Chapter One is divided into two parts, the first part describes lexical alloying and the second part illustrates grammatical alloying. Chapter Two is also divided into two parts, the first part is about denotative relationships, the structure of a text and the arrangement of the actions of discourse. Chapter Three is divided into three parts, the first part is about purposeful criterions which is associated with the producer of the text, the second part is about the acceptability of text which is connected with the recipient of the text and the third part medially. Chapter Four shows the criterions which are outside of the text. At the end of this study, some conclusions are arrived at. This study is descriptive and analytical. I begin with describing phenomena and then analyze these phenomena by using scientific ways and means

تقديم الشخصية في السير الشعبية العربية == Introducing Character in Arabic Folkloric Biography

Author name: رغد عبد النبي شنين
Supervisor name: سعيد عبد الهادي المرهج
Specific topic: Language
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: We mean, when we mention a folk biography, that its popularity belongs only to the people and the people heritage, customs and traditions, this biographies are alike in between all folks, having the same plot which sometimes belongs, (popular biography), to the public tales , and this belonging is what makes them form far from of the higher cultures which were totally deal with high class people ,that led to carless with these tales and their description and writing. The folk biography include a number of long narrative works with similar artistic features and similar artistic objectives, as being an independent storytelling art, with its own artistic rules which are adopted by the most complete biographies and also, those biographies were written before the accruing of the higher artistic forms, and before it has all the clear features of the artistic folk biography.We have chosen, in our study of the folk biography, an important element of narration which is “the character” that may be the most important between these elements as it is develops the narrative event and contribute in its rise to an end in a time and a place determined by the producer of the text, and the critics have talked enough about the character, but they did not come up with a clear identification for it, the reasons may due to their perceptions of it, which is based mainly on qualities, also, on deference of reference systems which the concepts have derived their existence from, of which secures purpose of these reference systems. The references of those who are specialized in psychology are different from the reference of the Theology, Genetics and Sociology, and thereupon the concepts are different. .The limitations, that we can use for exploring the personal presentation techniques, are a number of artistic narrative methods which the novelist relies on to reveal the curtain from his characters before the reader and we will examine those methods in order to know the methods of characters presentation, we shall that especially in the folk biographies. My study is distributed between three chapters, and preceded by an introduction named(Folk Biography) and the Techniques of Characters Presentation), where I talked briefly about the folk biography concept and characters presentation techniques in the narrative, the first chapter was on character models in the Arabic folk biographies, and it included three sections, in the first one, I talked about the protagonist, the co - protagonist and the antagonist, whether in the second named (Secondary Characters), I talked about historical characters , wonder characters and realistic characters The second chapter was titled (The Presentation of the Character) and by using (Informing Presentation), and it comes in three suctions, the first one is titled (Description of the Feature) and (External Shape) , the second was titled (Naming Building and its symbolism) and the third was titled (Description of the inner worlds of the character) The third chapter was titled (Characters Presentation by using the Description (Appearing Presentation) which comes in three sections, the first was titled (The outer dialogue) , the second was (The inner dialogue), and the third was (The poetry dialogue).My work has faced a lot of obstacles which was difficulties like finding folk biographies copies and their study references which are existed in other countries other than Iraq, so I had to travel for them, also, the biographies was long and have a big number of characters and stories, as they represent an old era, and I had more problems like languages of these biographies as they were written in between the formal and street languages, ex : Bedouin, Syrian and Egyptian, that contain difficult Phrases to be understand, specially it represent an old era which contains a lot of grammatical and literal mistakes, and requires, for the purpose of scientific trust, quoting them from the biographies as the same as they are, after that, and for that reason I had to put my comments of correction, all that took a lot of my time and efforts but, by the help of Allah, my supervisor assistance and other teachers, I managed to accomplish what I think its suitable with the level I have reached in my study, and honors my university name

الاحتجاج الصرفي عند شراح الشافية في القرن الثامن الهجري == Morphological Evidence According To Al - Shafiya's Interpreters In The Eighth Hijri Century

Author name: باسم محمد عيادة الحلفي
Supervisor name: ليث داود سلمان
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: The researcher may be tired and aware of his transfer from a chapter or a subject to another or from a science to another, but all this disappears when he gets the results of the study. When the result is the fruit of his labor and long efforts, his transition is nothing but comfort and pleasure. Of the most important findings of the study are as follows : - The evidence is a mental behavior to which a person is entitled in matters that deprive him of proving or denying it by means of various mental evidence based on general principles and rules that cannot be proven or denied. - The study proves that the evidence proves the speech of the author of his honesty, such as the Book of Allah and the Sunnah of His Prophet (peace be upon him) and the words of the Arabs before his mission, in his time, and beyond. - It confirms that the witness and citation are no different from the evidence in terms of concept, both are linguistic evidence used by the grammarians to either confirm or deny. Therefore, between the evidence and the citation in general and specific due to the fact that they are equal in meaning and use, both are equal in that they prove the validity of the rule and opinion. However, the study proves that this general referred to as not being launched, there is another view is that the evidence is more than the citation because it is mind and transport either citation is only by transformation. - What has been proven in the study is that there are some terms that are very close to the two terms of evidence and citation : representation, ideals and examples. - What the study confirms is the use of large - scale the term evidence by the ancient scientists, but they expressed it in different words like cited, proving citation, and argument, and many more. - The study shows that there are many bases that are supported in the evidence by scientists that can be referred to as sources of evidence, which are generally transient and mental. The first, such as the Quran, Hadith of the prophet, and his evidence, and poetry and prose of the Arabs, proverbs and dialects. The second deals with analogy and morphology. There is a third type that does not include them, and this is what we call the other evidence. - What we have reached in our results is that the interpreters did not get out of the circles of the temporal and spatial evidence. They cited with the rules established and ruled by the grammarians in which they may be invoked, and the tribes did not depart from the tribes in which the eloquence and the statement from which the evidence is taken.

القصيدة الاعلامية في الشعر العراقي المعاصر منذ عام 2003 الى 2017م == Informative poem at Contemporary Iraqi Poetry Since2003 to 2017

Author name: باسم حساب راشد العبادي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: The reader of the contemporary Iraqi poetic works after the year (2003) and in the framework of poetic literature finds the emergence of poetic texts within the context of the media investing aesthetic through transmission to a means or a publicity holder, or news of what is outside the text in the basic degree ... This led to a decline in aesthetic value Within its teleological dimension in front of the topics arising from the conflict of ideological and ideological differences of the Iraqi society and the result of the new reality of cultural openness. This is justified by the adoption of poets in the construction of texts on the elements of popular attraction : objectivity, such as politics, religion, faith, doctrine and important events, and artistic with visual, musical, visual, inspirational, direct, and spontaneous, motivational, emotional, etc. to achieve propaganda, The political ... Through this, the idea of (the media poem in contemporary Iraqi poetry since 2003) was the subject of study ... What distinguishes our study is its comprehensiveness of the manifestations of the thematic issues in a period of time has not studied any study in this area, the era after 2003, which dealt with the poetic output until the end of 2017 as this period of the product is rich in conflicts and media issues ... As for the methodology of the research, the researcher adopted a descriptive and analytical approach based on monitoring the most important subjects in which the poets participated and then analyzing the texts to uncover the most important means of popular and artistic mass appeal adopted by the poets as informational marketers. The nature of the study imposed the paths of the work and was divided into three chapters preceded by a preliminary and followed by a conclusion and a list of sources and references. The introduction under the title (Political, Social and Cultural Changes in Iraq after 2003 was a brief reading). The first chapter came within the title of the media poem term and roots. It included three topics. The first topic was entitled (The media poem is a reading of the term). The title of the second subject (roots of the media poem in the Arabic poetry from the ignorance to the Abbasid period) Poeticism of the 20th century media poem) The second chapter was entitled "The manifestations of politics, the homeland, the society in the media poem" and included three topics : the first topic (the political poem), the second section is its title (homeland in the media poem) The third chapter entitled "The features of the active scene in the media poem" came in the first section entitled (religion in the media poem .. manifestations and multiple visions). The second topic was titled (manifestations of the interaction of the event in the media poem) The title of the third section (Other manifestations in the poem Media). The chapters were concluded with a conclusion that dealt with the most important findings of the researcher in this study.

التناص في كتاب العقد الفريد لابن عبد ربه 328 هـ

Author name: مها هلال محمد ال احمادي
Supervisor name: عبد الرحمن فرهود جساس | كاظم فاخر حاجم الخفاجي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: يعد كتاب العقد الفريد من الكتب التراثية ، التي تحمل كثيرا من القضايا المخباة في طياته ، التي تتناغم مع ما موجود اليوم في الساحة الادبية والنقدية ؛ مما جعله مدعاة الى الخوض في غماره ، ومحاولة استجلاب عدة التناص النقدية ، واخضاع عينات العقد الفريد ، الاخبارية المتنوعة والمختلفة الى تلك العدة ، ورؤية مدى التوافق الحاصل بين نظرية اليوم ، متمثلة بالتناص ، ورؤية الامس ، متمثلة باشارات تناصية مختلفة ، وكيفية تعامل اللسان العربي معها ، كل ذلك سنجده ماثلا في العنوان الموسوم بـ (التناص في كتاب العقد الفريد لابن عبد ربه ت 328 ه) . وقد قسمت البحث على اربعة فصول ، مسبوقة بمقدمة وتمهيد بعنوان (التناص) ، كان الفصل الاول بعنوان (العقد الفريد) ، شمل ثلاثة مباحث : الاول تناول المؤلف والعقد الفريد ، اما المبحث الثاني فقد ناقش دواعي التاليف والعنونة ، في حين سلط المبحث الثالث ضوءه على المنهج والروافد الفكرية والمرجعيات الادبية للكاتب . يعقبه الفصل الثاني بعنوان (تقنيات التناص) في خمسة مباحث : المبحث الاول بعنوان التناص الاجتراري ، والمبحث الثاني بعنوان التناص الامتصاصي ، اما المبحث الثالث فكان عنوانه التناص الحواري ، يليه المبحث الرابع بعنوان التناص الاستدعائي او تناص المزاوجة في حين يتناول المبحث الخامس التناص الاشاري . يليه الفصل الثالث بعنوان (اشكال التناص) جاء في مبحثين : المبحث الاول : التناص الديني ، والمبحث الثاني : التناص التراثي . ثم الفصل الرابع المعنون بـ (مقاصد الانزياح التناصي) وكان في جانبين : الاول : الجانب النظري تناولت فيه : المقصدية ، والانزياح ، والعلاقة بين المقصدية والانزياح . اما الجانب الثاني تناولت فيه ، مقاصد الانزياح التناصي في اربعة مباحث ، هي : مقاصد سياسية ، ومقاصد انكاتية ، ومقاصد وصفية ، ومقاصد متنوعة . ثم خاتمة تضمنت ابرز نتائج الاطروحة ، وابرز التوصيات المقترحة للدراسات التراثية اللاحقة ، سواء للعقد الفريد ام لغيره من كتب التراث العربي ، ثم قائمة بالمراجع والمصادر التي افاد منها البحث في رحلته ، مرورا بفقرة الملخص باللغة الانكليزية وانتهاء به . اما بالنسبة الى اهم المصادر التي يلجا لها الباحث في بحثه ، فكانت تعاني القلة وصعوبة الاختيار ، بين اسماء متنوعة ، لكن برصيد مستهلك ومكرر ، وهذه النقطة من النقاط الملموسة والمحسوسة ، حتى ان القارئ يجد نفسه امام كتاب واحد ، وليس كتبا متعددة ؛ لتكرار المعلومة ذاتها ؛ ولذلك جاءت تنظيراتي بعيدة نوعا ما ، عما يتلمسه القارئ في اثناء ازدحامات التنظير في الاطاريح الجامعية ؛ لذلك كانت اختياراتي محاطة بنوع من الدقة والتاني ، فضلا عن الايجاز ، الذي معه يجد المتلقي ما يبتغيه دونما اسراف او اطالة . واذا كان من مصدر خدمني وبقي لي رفيقا في اطروحتي ، فهو كتاب العقد الفريد باجزائه التسعة ، محاولة البحث عما يغني الموضوع ويسدد خطواته ويخدم خطته ومباحثه . اما المنهج المتبع في الاطروحة فهو المنهج الوصفي التحليلي ؛ كونه اقرب المناهج النقدية في دراستي البحثية . اذ حاول الباحث تجاوز المالوف في تلك الدراسات قدر الامكان ، والبحث في مجال المسكوت عنه ، في الجوانب التطبيقية للتناص ؛ ولان البحث قد حمل خصيصة للتناص ، ميزته عن سمة التناص الاعتيادي او المتواتر ، ووسمته بسمة الشعرية ، كان لزاما ان نجد طريقا اخر يختلف عن الطريق الذي تبنته الدراسات السابقة ؛ لابراز سمة التناصية في كتاب العقد الفريد وخصوصيتها ، عبر طرح خطة تتناول الجانب المالوف ، ثم محاولة اكمال المسير في تناول جانب اخر ، غير مطروح او متداول في الدراسات التناصية ؛ ولانني امام ابراز شعرية للتناصات الواردة في كتاب العقد الفريد ، تبنيت فكرة المقصدية ومدى ارتباطها وتعالقها مع قضية الوظيفة التناصية ، ومدى فقدان تلك الاخيرة في الدراسات التطبيقية التناصية . وفي الختام اود ان اتقدم بالشكر الجزيل ، لكل من وقف الى جانبي في محنة المرض ، وتساقط الهموم والاحزان ، شكرا لله  اولا واخرا ، ولنبينا محمد ولاهل بيته الكرام الطيبين الغر المنتجبين  ، والشكر للاستاذين المشرفين ، الاستاذ الدكتور عبد الرحمن فرهود جساس ، والاستاذ الدكتور كاظم فاخر حاجم الخفاجي ، على تواصلهما ومتابعتهما لي طوال مدة الدراسة ، فلهما مني اجمل الاماني بالخير والنماء ، والتوفيق والسداد في قابل الايام | This thesis sheds the lights on poetics of Intertextuality in ( Book of Unique decade to Ibn Abd Rabo 328 A.H) . There are a set of questions which need to study them. 1 - The book of unique decade is one of the most important books in old Arabic heritage, and it is in demand for its great importance. 2 - There are multiple intertextual materials. The researcher wants to make them prominent for the reader on the level of techniques , forms and needs. These two reasons made the researcher dedicate most of his time to look for and research in this domain.The researcher classified his thesis into four parts : Introduction and preface under the title " Poetic Forms and Intertextuality" and these parts as follows : Chapter one : This chapter contains three researches : - - The first research is "The author and the unique decade" - - The second research is " The purposes of authorship and rubric - - The third research is " Syllables, intellectual resources and it's reference Chapter two : Techniques of Intertextuality in four different researches which arranged as follows : - - The first research : The alajtarara Intertextuality. - - The second research : Absorption or intake Intertextuality. - - The third research : dialogic Intertextuality - - The fourth research : The recommended or matching research. - - The fifth research : The Intertextuality of Signs. Chapter three : Forms of Intertextuality can be divided into three studies. - - The first research : The religious and holy Intertextuality. - - The second research : The intertextuality with ample examples. - - The third research : The historical Intertextuality. - A - Chapter four : This chapter highlights on the purposes or goals of intertextual displacement and the connected relationship between them. It studies four researches : - - The first research : Political Purposes. - - The second research : Pleasurable Purposes. - - The third research : Descriptive purposes. - - The fourth research : Varied Purposes. In this chapter the researcher concludes all his ideas in four chapters as follows. The researcher wants to convey a very clear reflection or embodiment about the unique book for Abd Raba in 328 A.H. The researcher focuses on the poetics of Intertextuality which are available in author's works. All these works reflect many prominent merits of innovation and aesthetical styles of expressions. Also, the researcher aims to get an idea about how to make a well - formed intertextuality, and how to use them in the study from multiple domains, and we request Allah to achieve that successfully

دلالة الخطاب القراني : دراسة في ضوء تعدد الاوجه النحوية

Author name: احمد عبد الله نوح
Supervisor name: حامد ناصر عبود الظالمي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Wasit
First pages:

اعتبار المعدوم والغاء الموجود في النحو العربي == Considering the Nonexistent and Canceling the Existent

Author name: حسين علي محمد الموسوي
Supervisor name: سعدون احمد علي الربعي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: فان ثمة ظواهر لغوية ونحوية كثيرة ما زالت بها حاجة الى مزيد من الدراسة والبحث والتنقيب، ولعل ظاهرة (المعدوم والموجود) احدى هذه الظواهر. فقد تردد ذكر المعدوم والموجود عند النحويين المتاخرين من مثل ابي البركات (ت 577ه)، والسهيلي (ت581ه)، وابن مضاء القرطبي (ت 592ه)، والعكبري (ت 616ه)، والزركشي (ت 794ه) وغيرهم، اذ وردت عبارات مبثوثة في كتبهم تشير الى هذين المصطلحين، نحو قول ابي البركات : ((الاسم لا يرفعه الراافع موجود غير معدوم))، وقول العكبري : ((التقدير اعطاء المعدوم حكم الموجود))، وقول الزركشي : ((جواب الشرط اصله الفعل المستقبل، وقد يقع ماضيا...اكتفاء بالموجود عن المعدوم)). فعقدت العزم على متابعة هذين المصطلحين ودلالتيهما واستعمالاتهما في المظان اللغوية والنحوية باشارة من استاذي المشرف الذي اقترح علي هذا الموضوع. وقد تبين لي بعد احصاء اولي انهما قد وردا في مواضع محدودة في اثار النحويين واللغويين المتاخرين، فحاولت جمع شتاتهما ليستويا في موضوع يدرس هذه الظاهرة ويعالجها ليكون عنوانا لاطروحتي، اذ استقر الامر ان توسم بـ(اعتبار المعدوم والغاء الموجود في النحو العربي). لذلك يمكنني القول ان اهم سمة في هذا الموضوع انه جديد في بابه، وانه يعالج ظاهرة نحوية لم يات النحويون على ذكرها بالصورة التي تناولتها، نعم ربما بحثت معظم موضوعاته ولكن بكيفية مختلفة عن التي في دراستي هذه؛ ذلك انني اشترطت وجود ركنين في هذه الدراسة، الركن الاول يتمثل بالمعدوم النحوي الذي يسند له العمل او العلة، والركن الثاني يتمثل بالموجود الظاهر والمتلفظ به الذي يلغى ليحل الاول محله، وهذا موضوع جديد في جملته وتفصيله وبابه، وهذه دراسة بكر لم اجد احدا قد تناولها بالبحث والدراسة. ولا بد هاهنا من الاشارة الى انني لم ابحث في المسائل التي ورد فيها ذكر للمعدوم والموجود بلفظه فحسب، بل اتت الدراسة على مسائل لم يكن فيها ذكر لهما؛ ذلك ان معنى المعدوم والموجود حاضر في تلك المسائل على وفق هذه الدراسة، وقد اشرت الى ذلك في التمهيد بصورة لا لبس فيها. وتجدر الاشارة الى انني حرصت على ان تكون اراء متقدمي النحويين لاسيما الخليل وسيبويه حاضرة في المسائل التي تناولتها بالبحث، وذلك بالرجوع فيها الى مظانهم، والتحري فيها. وبعد ان جمعت المادة من مصادرها ومظانها، ووضعتها في مواضعها اقتضت طبيعة البحث والمادة المجموعة ان يكون موزعا على ثلاثة فصول تسبقها مقدمة وتمهيد، وتنتهي بخاتمة وثبت بالمصادر والمراجع.المقدمة : بينت فيها طبيعة الموضوع واهميته، ودواعي اختياري له، واجزاء البحث، وغير ذلك مما تقتضيه مقدمات الرسائل الجامعية.التمهيد : عرفت فيه بـ(المعدوم والموجود)، عند اللغويين، ثم ذكرت استعمال المفهومين عند الاصوليين، وتتبعت بعد ذلك ورودهما عند النحويين، لاختم التمهيد بوضع تعريف لكل من (المعدوم النحوي)، و(الموجود النحوي). الفصل الاول : جعلته بعنوان (اعتبار المعدوم والغاء الموجود في الاسماء)، وقسمته على مبحثين، تناولت في الاول منهما اعتبار المعدوم والغاء الموجود في الاسماء المبنية، وكان المبحث الثاني لدراسة الظاهرة في الاسماء المعربة.الفصل الثاني : جعلته بعنوان (اعتبار المعدوم والغاء الموجود في الافعال)، وقسمته على مبحثين، تناولت في الاول منهما اعتبار المعدوم والغاء الموجود في الافعال المبنية، اما المبحث الثاني فكان لدراسة الظاهرة في الافعال المعربة.الفصل الثالث : جعلته بعنوان (اعتبار المعدوم والغاء الموجود في الحروف)، وقسمته على مبحثين كذلك، تناولت في الاول منهما اعتبار المعدوم والغاء الموجود في حروف الجر، وتناولت في المبحث الثاني اعتبار المعدوم والغاء الموجود في حروف النصب والجزم. اما الخاتمة فقد اودعتها اهم المحاور والافكار والنتائج التي انتهى اليها البحث، وتلا ذلك ثبت بالمصادر والمراجع. فان كان في ما كتبت ما يحسن، فهو من فضل ربي ومنه، ثم لمن رعاني طالبا وباحثا، الا وهو استاذي المشرف الفاضل الدكتور سعدون احمد الربعي - ابقاه الله ذخرا للعربية وطلابها - وان كانت الاخرى فانما هو من تقصير النفس العاجزة عن بلوغ الكما | Arabic Syntax has been established on cause : grammarians look for reason whenever there is a need for it. They compared syntactic causes to sensory reasons, as al - Anbari says. It is not strange to see grammarians looking for a word or a structure that comes in a certain form. If this cause is not existent , they try to estimate it. But strangely enough, they sometimes search for a cause or a factor in spite of their existence : they cancel their effects and bring forward what is parallel to the existent or what is similar to it. This is to maintain the symmetry of their rules in spite of its artificiality.The main idea of this subject is built on the concept that the grammarians estimate a cause or a factor that does not exist. This phenomenon appears among the most grammarians. So, this study pursues that phenomenon in both old and recent grammar books. It consists of an introduction, three chapters, an epilogue and list of references.Introduction : shows the nature of the subject and its importance, its parts and the reasons why the research chose it. The preface defines this phenomenon and the reasons why the grammarians adopted it.Chapter one : considering the nonexistent and cancelling the existent among nouns) is divided into two parts : uninflected nouns and inflected nouns.Chapter two : is also divided into two parts : uninflected verbs and inflected verbs.Chapter three : is concerned with particles, prepositions, then particles of accusative and apocopate.The epilogue : exposes the main axis and the conclusions.The conclusions : are of the nonexistent and the existent which are the basic concepts in syntax developed only recently, as maintained by al - Anbari was their pioneer.The Grammarians do not agree on a definite meaning for(nonexistent).For this reason, Research develop his own definitions : "The nonexistent is an imagine element as it is not articulated. It serves to correct a syntactic rule.The existent is a pronounced element whose meaning is immediately clarified".The research has shown that the nonexistent convers nouns, verbs and particles, and that this interpretation may cause some problems for young learners.It has also shown that the phenomenon may change the meaning or it may lengthen speech unnecessarily

السؤال في شعر ادونيس == The question in the poetry of Adonis

Author name: سالار سليم الخواجه
Supervisor name: جاسم حميد جودة
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: لادونيس(علي احمد سعيد اسبر)، رهبة خاصة لا يمكن تجاوزها، فهو ليس احد ابرز شعراء العصر العربي الحديث والمعاصر، انما هو ايقونة شعرية ذات اصالة وفرادة وامتياز. فقد استثنى نفسه من الانتماء الى معالم اية مدرسة او تيار شعري، فلم يقلد الا نفسه التي ابتكارها ابتكارا، بعد صقلها في دروب الادب العربي القديم والاوربي الى حدود واسعة ايضا. فكتب ما لم يكتبه شاعر اخر، فكان شعره ابجدية داخل الابجدية، حيث اسرى بالقصيدة في افاق المخفي والمجهول والمحظور، ومنحها معمارا جديدا كليا، وانقذها من عالم الاجترار والنمطية، ونوع في طرق تعبيره الشعرية، فبلغ بالشعر ومعه ابعادا وضعته على درجة عالية من الاستحقاق والجدارة في موقع المختلف، واصبحت(الادونيسية) ظاهرة مشى في اثارها عدد لا يحصى من الشعراء العرب.اشاع (ادونيس) في شعره وفي نقده وكتابته الاخرى، ثقافة (السؤال)، فقد امن بان السؤال هو الاداة المزدوجة الفاعلية، من حيث الهدم والبناء، فالعقل الذي يستعين بالسؤال ليبني تصورا معينا حول فكرة ما، يستعين بعد حين بسؤال اخر لهدم هذا التصور او هذه الفكرة. ولم يكتف (ادونيس) بالتحريض على طرح الاسئلة وتداولها على نحو حيوي اذ لا غنى للانسان والثقافات في كتابة مستقبلها عن السؤال؛ انما خلده شعريا، انطلاقا من منظوره؛ بان الشعر الذي لا يطرح الاسئلة لا يستحق ان يؤخذ ماخذ الجد، ومن ثم فهو عاجز عن حماية نفسه في المستقبل. والشاعر الحقيقي هو ذلك الذي يخلق عالما جديدا كليا، ويؤسس افق نظر الى الوجود والانسان والذات والتاريخ والاشياء من جهة الخصوصية التي يقترحها بعينيه، وهذا كله لا يمكن ان ينجز خارج الاعتقاد باهمية السؤال والعمل على تنشيطه.فشعره مدونة كبيرة من الاسئلة، على تنوع مقاصدها واساليب طرحها وطرق تشكيلها.فجاء اختياري للسؤال موضوع بحث في شعر ادونيس، لخصوصية (السؤال) في مشروعه الشعري، بوصفه فعلا مؤسسا في هذا المشروع، بعدما تفرد بالاكثر جدلا وقوة من الاسئلة، ومن ثم لجدته بوصفه منطلقا في نطاق البحث الاكاديمي.وقد وقع منجز الشاعر الشعري باكمله تحت الدراسة، باستثناء ( الكتاب امس المكان الان)، لخصوصية هذا الكتاب من حيث التباس كتابته وتداخل الاجناس فيه "ففيه جانب موزون...وفيه نثر بلباس الشعر...وفيه كذلك اسلوب الكتابة القائم على التفعيلة...هكذا يمكن ان يقرا ’’الكتاب’’ بوصفه رواية - قصيدة او بوصفه شذرات وتشظيات "( ) ، فهو مشروع متكامل، عابر للانواع، فيه الشعر وغير الشعر لما تتوطد قاعدته في الادب العربي الحديث بعد، ومن الافضل ان يبحث في دراسة مستقلة.انقسم البحث على ثلاثة فصول وتمهيد وخاتمة؛ ادرجنا فيها ابرز ما انتهت اليها الدراسة من نتائج. وسبق الفصول تمهيد بعنوان(ما السؤال؟ وما معنى ان نسال؟)، اما الفصل الاول الذي بعنوان( تمفصل الشعري والفلسفي) بحثت فيه اهم ثلاثة موضوعات ذات بعد فلسفي في شعر ادونيس، اتخذت صيغة تساؤلية، وقدمت الفصل بمدخل عن علاقة الفلسفة بالشعر، ثم انتقلت في المبحث الاول منه للبحث عن (السؤال بين فكرتي الزمان - المكان) وكيف صاغ التساؤل مسار هذه العلاقة شعريا؛ ولان (الموت سؤالا متضخما) في شعره ومتشعبا، فهو واحد من الاسئلة التي لا تستهلكه الدراسات وان كثرت، حيث خصصت له المبحث الثاني من هذا الفصل، وفي المبحث الثالث تطرقت الى السؤال ضمن فكرة الانسان(الانسان بوصفه سؤالا عسيرا) وبوصفه حيوانا يسال، حسب ادونيس، انطلقت في رصد وتحليل جملة الاسئلة التي اثارها ادونيس في نطاقه.اما الفصل الثاني الذي قدمته بمدخل لخصت فيه المعنى العام للفصل الذي وقع تحت عنوان ( تمفصل الشعري والانثروبولوجي ) وقد ضم اسئلة حول موضوعات ذات نزعة او طابع انثروبولوجي، وكان لها حظوة كبيرة في شعره مجملا، اذ توزع الفصل على ثلاثة مباحث؛ الاول الذي بعنوان (السؤال والدين) استقصيت فيه سؤال الدين، ومعنى ان يكون المرء متدينا، وما ترتب بعد ذلك من سياقات وانثيالات تجاوزت جوهر الفكرة الاصيلة فيه، خاصة مع ارتباط الدين بالسلطة، واسباب وطرق حظرها لمثل هذا السؤال تحديدا، قديما وراهنا معا. وانتقلت في المبحث الثاني( السؤال والجسد) الى بحث مدى تاثير ما يحتفظ به الانسان من تقاليد ثقافية وتصورات دينية على فهمه للجسد وشكل علاقته فيه، حيث استعرضت تصور ادونيس الخاص عن الجسد وتفاصيله بوساطة السؤال، ولم الشعراء هم اقرب الناس الى اجسادهم؟ ولم اغفل محور(الجنس) بوصفه سؤالا متصلا بالجسد، اما المبحث الثالث الذي بعنوان( السؤال والهوية) وقعت فيه الاضاءة على الاسئلة الاكثر تعقيدا وهي : من/ما انا؟ ومن/ما نحن؟ ومن/ما الاخر؟ وفي الفصل الثالث والاخير الذي تحدد في عنوان( انطولوجيا السؤال) والمقصود بالانطولوجيا هنا، معنى الجرد او الاحصاء او الاستعراض او هي مراجعة عامة وشاملة للسؤال في اعمال الشاعر كاملة، وصار الفصل في مبحثين، اولهما بعنوان (تاكيد السؤال او السؤال مجردا من علامته)، حيث استعرضت مع التحليل النصوص التي ثبت فيها ادونيس عنايته بالسؤال، ولكن خارج صيغة الاستفهام هذه المرة، اما في المبحث الثاني، فقد بحثت عن ابرز الانماط واكثرها حضورا في التساؤل، تحت عنوان( انماط التساؤل).وقد بلغت مجموعات ادونيس الشعرية ضمن هذا البحث اثنتين وعشرين مجموعة، اخرها بعنوان( زوكالو : 2014م) منفردة، اما المجموعات السابقة لها، فقد اعتمدتها ضمن طبعة دار الساقي الاخيرة لاعمال ادونيس الكاملة، تحت ( الاعمال الشعرية الكاملة) بوصفها اخر الطبعات لاعماله، التي وقعت في ثمانية اجزاء، في المدة من ( 2012م - 2015م) بطبعاتها الاولى جميعا، اذ تم انجازها تحت اشراف(ادونيس) حسب ما اوضحت الدار عبر اتصال بهم.ولم اواجه من المشكلات سوى تلك التي تتعلق بقلة المصادر عن السؤال؛ اي السؤال من حيث هو اداة بحث وتقنية تفكير، على نحو مستقل ومخصص، فان اغلب المصادر التي انتبهت لاهميته، وقعت تحت اشارات سريعة، مختزلة ومكثفة، او في محاور صغيرة ضمن دراسات حول موضوعات متنوعة.اما بعد، شكرا ومحبة : ـ د. جاسم حميد جودة؛ لقبوله الاشراف على البحث ولاهتمامه ودعمه.ـ د.عدنان حسين العوادي؛ مفكرا واستاذا استثنائيا، فلاسمه عمق لن يخطئه العقل .ـ د. موسى خابط القيسي؛ لانحيازه للحقيقة ذات يوم | Adonis (Ali Ahmad Said Esber), especially awe can not be overcome, it is not one of the most prominent poets of the Arab era of modern and contemporary, but it is a poetic icon of authenticity and uniqueness and privilege .Pichet (Adonis) In his criticism in his poetry and other writing, the culture (question), it was believed that the question is the dual effectiveness tool, in terms of construction and demolition, in the mind that uses question For building a certain perception about the idea, it uses another question after a while to destroy this concept or idea. Not only did (Adonis) inciting to ask questions and circulation of vital as indispensable to man and cultures in writing the future of the question; but immortalized u Barer, from his perspective; that the hair that does not pose Alosi it does not deserve to be taken seriously, and then he is unable to protect himself in the future. The real poet is so that exactly Lq a new world entirely, and establishes the horizon looked into existence and the human self, history, things and beyond the point of privacy that proposed by his own eyes, and all this can’t be accomplished outside of belief Bah Mieh question and to activate it .He felt a great blog of questions, On the diversity of its purposes and put forward ways and methods of formation .He came to ask for an optional research topic in the poetry of Adonis, the specificity of (question) in his poetic, as indeed in the founding of this project, after the uniqueness and strength with the most controversial of questions, and then to his grandmother as a starting point in the range of academic research . Completed the entire poetic poet was signed under study, with the exception of ( the book yesterday the place now), the specificity of this book in terms of writing confusion and overlapping of races which is subject to side Mouzon ... and the prose dressed hair, And as well as Asolo based Trochee writing, So can read the '' book '' as a novel - a poem or as nuggets and Chziat, it is an integrated and independent project, It is best to search in an independent study .Search split three chapters and a boot and a conclusion; we included the highlight of the study concluded from the results. Previously chapters pave the title (What question? What does it mean to ask?), And the first chapter titled (articulation of poetic and philosophical) examined the three most important of subjects after philosophical in the poetry of Adonis, taken Tsaalah formula, provided chapter entrance relationship philosophy of hair, then I moved in the first MP urged him For to search for (Alsaa for the idea of time - place) and because the (death question hypertrophied) in his hair and divergent, it has allocated the second topic, and in the third section touched on the question within the idea of only Wonsan (human as a question difficult), it was launched in the monitoring and analysis of inter Alosil of Adonis raised in its scope that. As for the second season presented by the entrance summed up the general meaning of the separation which took place under the title of (poetic articulation and anthropology), as separation is distributed to three sections; the first entitled (the question of religion) And pain second search (question and body) and the third (question and identity) and in the third and final chapter , which number in the title of the Open (Anthology question) came in two sections, the first (Confirmation of the question or the question of an abstract mark) and the second (question patterns

الترجيح النحوي عند المرادي (ت749هـ) في كتبه توضيح المقاصد، والجنى الداني، وشرح التسهيل == Al - Muradi's Grammatical Weighting (died in 749 AH.) in his Books : (Tawdheeh Al - maqasid, Al - Jana Al - Dani and Sharh Al - Tasheel

Author name: حسين عليوي حسين عبود السيلاوي
Supervisor name: اسيل عبد الحسين حميدي الخفاجي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: تتناول هذه الرسالة الترجيح النحوي عند المرادي في كتبه (توضيح المقاصد، والجنى الداني، وشرح التسهيل)، فقد عمد الباحث الى اماطة اللثام عن موقف المرادي النحوي الترجيحي، وبيان الادلة التي اعتمد عليها في ترجيحه، ومصطلحات الترجيح عنده.واقتضت طبيعة البحث ان يكون في مقدمة وتمهيد وبابين وخاتمة، اما المقدمة فافصحت فيها عن سبب اختياري العنوان، وعرضت فيها خطة البحث، وذكرت فيها الدراسات السابقة، واما التمهيد(الترجيح واصول التفكير النحوي عند المرادي) فتناولت فيه مفهوم الترجيح اصطلاحا، وادلة المرادي في الترجيح، ومصطلحات الترجيح النحوي عنده.واشتمل الباب الاول( الترجيح النحوي في المعربات) على اربعة فصول، الفصل الاول (الترجيح النحوي في المرفوعات)، وقد انطوى هذا الفصل على مبحثين اثنين، خص الاول بدراسة الترجيح المتعلق بالمرفوعات في الجملة الاسمية، وخص الثاني بدراسة الترجيح المتعلق بالمرفوعات في الجملة الفعلية.وتناولت في الفصل الثاني (الترجيح النحوي في المنصوبات)، ودرست في الفصل الثالث (الترجيح النحوي في المجرورات)، وضم هذا الفصل مبحثين اثنين، اولهما وظفته لدراسة المجرور بحرف جر، وثانيهما جعلته مختصا بدراسة المجرور بالاضافة.وتناولت في الفصل الرابع (الترجيح النحوي في مسائل اخرى) وكان على مبحثين ايضا، درست في المبحث الاول الترجيح النحوي في المجزومات، وبحثت في المبحث الثاني الترجيح النحوي في التوابع.اما الباب الثاني( الترجيح النحوي في المبنيات)، فقد توزع على ثلاثة فصول، كان الترجيح النحوي في الاسماء من نصيب الفصل الاول، وكان الترجيح النحوي في الافعال من حظ الفصل الثاني، اما الفصل الثالث فقد عرضت فيه الترجيح النحوي في الحروف، فضم مباحث ثلاثة، كان المبحث الاول في الاحرف الاحادية، وكان الثاني في الاحرف الثنائية، وكان الثالث في الاحرف الثلاثية وما زاد عليها.وجاءت الخاتمة تحمل اهم ما خرجت به هذه الدراسة من نتائج | This thesis deals with (The Grammatical Weighting In Al Muradi Books : Tawdheeh Almaqasid, Al Juna Al Dani and Sharh Al Tasheel). The researcher intended to findout Al Muradi's point of view about the grammatical weighting; and also to know his proofs and idioms in weighting. The structure of the study has an introduction, a preface, two parts, and a conclusion. In the introduction, I explain why I have chosen such a topic, show the frame work of the study, and mention the previous studies. In the preface ( Weighting and the Roots of the Grammatical Thinking of Al Muradie) has dealt with the concept of weighting from the point of view of language and idioms; and Al Muradi's proofs, fields and idioms of weighting.The first part (the grammatical weighting in Al Mo'arabat) consisted of four chapters. The first chapter dealt with the grammatical weighting in Al Marfooat which focused on two points : the weighting of Al Marfooat in the noun sentences, and the weighting of Al Marfooat in the verb sentences. The second chapter dealt with the grammatical weighting in Al Mansoobat; and the third chapter dealt with the grammatical weighting in Al Majroorat which focused on two points : studying the noun after the preposition, and studying the genitive noun. Whereas the fourth chapter dealt with another two points : the grammatical weighting in Al Majzoomat; and that in Al Tawabe'a. The second part (the grammatical weighting in Al Mabniat) has three chapters. The first chapter dealt with the grammatical weighting in nouns, the second one dealt with the grammatical weighting in verbs, and the third chapter dealt with the letters which consisted of three studying points : the unique, the double, the triple and the quadruple letters.The most important results of this study are : 1 - The researcher found out that Al Muradi was an experienced grammarian who knew a lot about language use and language usage.2 - The researcher found out that Al Muradi preferred to show his work in fine, and because of this reason some of his weighting views has no proof. So the researcher studied the proofs of other grammarians and gave his opinion about them.3 - The researcher noticed that Al Muradi depended on the measuring means less than the hearing means in his proving; and this is not odd because the hearing means represents the essence of the grammatical rules and it is stronger than other means.4 - Al Muradi had followed the way which the modern grammarians followed after him concerning the Quranic reading which he concedered it as a proof in his grammatical analyses in general and in his weighting view points in specific. 5 - As the researcher noticed, Al Muradi was not clannish or hard - liner, but he followed the rules of his career and what he really believed in and proved. So he had free opinions as it is widely explained in this study.6 - The researcher found out that Al Muradi had refered to the works of other grammarians to support his proofs in weighting. He did not mention some of the names of those grammarians either because their works are well known or because he did not care of names in general. 7 - The study found out that Al Muradi was a grammatical facilitator. For instance , his opinion about Aqeel's language point of view concerning using ( La'ala ) as a preposition. Al Muradi thought that if the opinion of Al A'emma concerning it is true, then there is no need to explain it using far away opinions

الاستدلال بالقران لترجيح التوجيه النحوي في كتب معاني القران واعرابه حى نهاية القرن السادس من الهجرة == Inference by Qur'an to Probable the Grammatical Guidance in the Books of Meanings of Qur'an and Its Parsing until the End of Sixth Century of Migration

Author name: صادق كاظم محمد علي الصفار
Supervisor name: صباح عطيوي عبود الزبيدي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: The purpose of parsing the text is clear to everyone. So the parser takes on his shoulder to show the statement of the predicative relations among the vocabularies of that text, and his effort is reflected in : The statement of the predicate and the assignor, or the estimation of the term of the structure that has fallen from the structure depending on the understanding of the listener, or to give an expression of the word, or a sign of pronoun, or a semi - sentence, or statement of the type of a word, …etc . This study investigated the grammatical directives of the Qur'anic compounds that were deposited by their authors in books like : (Meanings of the Quran) and (the parsing of the Quran) But this study didn’t deal with all that was directed by the Qur'anic texts , But rather it dealt with the directions which are based on the Qur'anic evidence. So it sought to collect these directions which were in those books under the general title (Inference by the Qur'an to probable the grammatical guidance in the books of the meanings of the Qur'an and its parsing) Note that there was no book written in the meanings of the Quran or its parsing was devoid of inference the Quran by the Quran. Our early scholars 'may Allah have mercy on them' looked at the greatness of the style of this book, which the Arabs were unable to oppose the smallest Sura in it. And thus they gave the ruling of this style on what they couldn’t understand form its texts as if they want to tell that this book is enough to solve what they couldn’t understand. Therefore, the pioneers of the Arab tongue gave the Qur'anic evidence a great deal of attention and admitted that anyone uses Qura'an as his source will be no debatable. The Qur'anic guide ,which has been taken for weighting a grammatical direction, takes different images. They are : the context in both internal and external sides, the Quranic reading , the Qur'anic use and the Qur'anic counterpart in its both verbal and moral credibility.

الحكم بالاقـتضاء للمعنى في القران الكريــم == Judgment of the Required Meaning in the Holy Quran

Author name: محمد حشيش عداي الجوذري
Supervisor name: سعدون احمد علي الربعي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: The researcher in Arabic grammar observes spreading the case of deduction in ( counterpart less ) in many of the grammatical problems as the grammatical reason in which it is deduced on the correction of the grammatical decision or refusing a grammatical rule. The early grammatical depended on this reason and the modern grammatical do not refuse it. the grammatical reason is considered as the successful means in adopting the grammatical decision. It is indeed a just decision and none suspended in its decision, therefore, the grammatical depended on it in Arabic grammar. This reason needs to hard work mind, open - minded and present intuition. The research started looking for this reason in the grammatical books therefore he achieves what he wants in a hard work and got more than thirty grammatical problems which clarify the reason of counterpart less. According to what mentioned previously, the research arranges and classifies all these problem therefore, the present study consist of an introduction, preliminary, there chapters and end - result. The preliminary includes definition of the concept of counterpart less syntactically and semantically. The first chapter deals with the effect of counterpart less in establishing the grammatical decision in nouns. It also consists of two sections. The first section studies the uninflected nouns and the second section deals with inflective nouns. The second chapter is about the effect of counterpart less in establishing the grammatical decision in verbs. It includes two sections. The first one studies the undefective verbs the second is about the defective verbs. Chapter three deals with the counterpart less in letter. It also consists of two sections. The first section studies the active letters while the second is about the unactive letters. The research has been got benefit from the related studies whether they are inside Iraq or abroad so as to enrich the present study. The research has followed the scientific syllabus in this study which represented in collecting the opinions and doctrines in on problem an searching on the reason of uncounterpart and discussing it in a suitable way. The present study has got to some results which are : 1. the reason of counterpart less is the a curate means and a successful way in establishing the grammatical decision and refusing another. 2. the reason of counterpart less emerged with the grammar and the grammar emerged depending on it so both of there are connected. 3. it has been concluded that Al - Basra grammatical school had functioned this reason and used it more than the Al - Kufa grammatical school. 4. the reason of the counterpart less whenever it has a great role in establishing the grammatical decisions but its role doesn't reach to a great grand such as the origion of protest (Ausul AL - Ihtijaj) suchas listening, measuring, agreement and accompanying the case

ترابط المعنى عند ابي حيان في البحر المحيط : دراسة لسانية نصية == Abu Hayyan Al - Andalusi's Meaning Correlation in His Book

Author name: هدى محمد صالح عناد جبار
Supervisor name: سعدون احمد علي الربعي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: This study addresses the meaning correlation in one of the famous interpretations of the Quran which was authored by one of the (Andalus)'s prominent figures in grammar and interpretation : The Interpretation of (Al - Bahr Al - Muheet) by (Abu Hayyan Al - Andalusi) (d. 745 AH).I tried in this study to shed light on the means of linking the meaning related to the text level. After having read the text features with respect to the first criterion which is (script bonding), it appeared that the interpretation included verbal and moral connectors Therefore, I divided the study into two sections : the first one included the means of formal linkage comprising grammatical connectors : (assignment, deletion, and linking tools); and lexical linking tools (lexical redundancy and association), while the second one guarantees the means of conceptual coherence, which is the semantic convenience and relations.The importance of this study is that it represents a model that links the contemporary with the heritage by applying the standards of (Hadith) over a widespread interpretation among the scholars. The study found that (Abu Hayyan) was not just well proficient with the Grammar, but he was familiar with the text and means of text coherence in the Quran. He embraced the views of his predecessors in some occasions and had his own in others.He proved his views based on what Arabs said in poetry and prose, or on other Quranic verses what enhances his outlook of the Koran as a unified text.I noticed that he - in his handling of the grammatical issues - was not violating the grammatical rules. In addition, he did not tend to interpret the Quran in a way violates it outwardly.According to my search, there is no previous study of (Al - Bahr Al - Muheet) related to this aspect, i.e. by searching the means of meaning correlation in the Quranic text. 

دراسات الدكتور شوقي ضيف القرانية في ضوء النقد الحضاري == Studies of Dr. Shawki Daif Quran in the light of Civilization criticism

Author name: حاكم فضيل عطيوي
Supervisor name: هناء جواد عبد السادة العيساوي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: استجاب الناس بمختلف اقوامهم، وعبر التاريخ لدعوات الرسل، ووقفوا منها مواقف مختلفة، وقرؤوا كلام الله الذي حملوه اليهم وكتبوه، وبدؤوا يتعلمونه، ويفسرونه، ثم ذهبوا فيه من بعد رحيلهم مذاهب شتى، فكانت استجاباتهم عرضة للاختلاف، والتعدد، وان كان ذلك بين الدين الواحد، فدفعتهم ضرورة التفاهم الى الحوار، والقبول بالوساطة؛ حينما ادركوا اختلاف فهمهم وتعدده، وربما حل محله الصراع، والصدام، والاقتتال، وبدافع المساءلة لدراساتهم الدينية، جاءت اهمية هذا الموضوع الذي يقدم نقدا حضاريا لدراسات احد الجامعيين العرب من الذين استجابوا لمعالم الحضارة الاسلامية، وابوياتها المعاصرة، فتمحورت حول القران الكريم، وما دارت عليه من خصومة بين الباحثين المسلمين، والمستشرقين، وما بين هؤلاء وهؤلاء من اختلافات حضارية، وموجهات مذهبية متعددة، فاختص الموضوع بدراسات الدكتور شوقي ضيف القرانية الذي امضى قسطا غير قليل من حياته في التاليف الادبي، والنحوي، فشمل دراسات مختلفة، ابرزها : الفن ومذاهبه في الشعر العربي، والفن ومذاهبه في النثر العربي، وكذلك موسوعته في تاريخ الادب العربي على اجزاء، وايضا في تيسير النحو العربي بعدد من الكتب، وتحقيق التراث العربي بعدد من الكتب، ثم قدم عددا من الدراسات القرانية ضمتها بعض كتبه، وهي : تحقيق "كتاب السبعة في القراءات لابن مجاهد" في عام (1967)، وتاليف "سورة الرحمن وسور قصار - عرض ودراسة" في عام (1971)، و" الوجيز في تفسير القران الكريم" في عام (1993)، و"عالمية الاسلام" في عام (1996) ، و"الحضارة الاسلامية من القران والسنة" في عام (1997)، و"محمد خاتم المرسلين" في عام (2000)، و"القسم في القران الكريم"في عام (2001) ، و"معجزات القران" في عام (2002)، ويمكن عد كتابه "تاريخ الادب العربي - العصر الاسلامي" في عام (1964) من الكتب المهمة في هذا المجال ايضا، فتضمنت هذه الكتب دراسات قرانية ذات استجابات ابوية حضارية يمكن دراستها نقديا؛ لذلك صار عنوان البحث "دراسات الدكتور شوقي ضيف القرانية في ضوء النقد الحضاري"؛ فكان التعامل معه هنا على انه كاتب ذو استجابة ابوية حضارية، ومن باب الوساطة النقدية الحضارية كانت ضرورة النقد الحضاري لاستجابته التي دعته الى احياء المكتوب الاسلامي، واصلاح المقروء الاستشراقي ؛ مما سيتضح اكثره في الفصل الاول المعنون بـ "النقد الحضاري، واضاءة تطبيقية "؛ الذي ضم اولا : مرجعيات النقد الحضاري، وهي المرجعية التاريخية، والمرجعية الفلسفية، والمرجعية الاخلاقية، وثانيا : مفهوم النقد الحضاري للبنية الابوية، وثالثا : المقدمات الابوية للدكتور شوقي ضيف، وهي : المقدمة المذهبية ، والمقدمة القومية ، والمقدمة الاحيائية، اما الفصل الثاني، فعنوانه : دراساته في علوم القران، وقد ضم توطئة اصطلاحية ، وعددا من الدراسات عالج شوقي ضيف في كل منها قضية من قضايا علوم القران، وهي التدوين، والترتيب، والجمع، ورسم المصحف،ونشاة التفسير، والمكي والمدني، والنسخ، والمحكم، والمتشابه، والاعجاز القراني، والقراءات القرانية، وعروبة القران، وكان الفصل الثالث : دراساته في لغة القران، وضم دراسته المعجمية ، ثم دراسته النحوية الذي انقسم على قسمين هما : القسم، والاساليب الاخرى، وان هذا الاجراء في تقسيم البحث اقتضته مادة البحث ومنهجه، وهو يسير مع تفاصيل الكتابة سيرا متسلسلا على وفق متطلبات علمية، وترتيبات منهجية ، ومن الجدير بالذكر هنا انه لم يتعرض لهذا الموضوع احد بدراسة مستقلة لا في العراق، ولا خارجه؛ لذلك حظي هذا الاختيار بالترحيب، والثناء من لدن بعض الاساتذة في الجامعات العراقية وشهادتهم، وقد واجهت اعداد البحث بعض الصعوبات، ابرزها : جلب المؤلفات من خارج العراق، وما تطلبه من وقت وجهد، واخيرا لا يسع الباحث الا تقديم الشكر الجزيل للمشرفة على هذا البحث الاستاذ الدكتورة هناء جواد العيساوي؛ لما قدمته من متابعة موضوعية ، ومشاركة علمية، داعيا الله تعالى لها بدوام العافية ، والتواصل لخدمة الانسانية ، والتوفيق لحسن العاقبة، والحمد لله رب العالمين | The book "The Book of Seven in the Readings of Ibn Mujahid" in 1967, and the composition of "Surat Al - Rahman and Sur - Qasr - Presentation and Study" in 1971, Al - Wajeez in the Interpretation of the Holy Quran in 1993, Islam in 1996, Islamic Civilization of the Qur'an and Sunnah in 1997, Muhammad Khatam of Messengers in 2000, The Quran in 2001, Miracles (2002), and his book "History of Arabic Literature - the Islamic Age" (1964) can be considered an important book in this field as well..Boot entitled to "the concept of cultural criticism, and applied lighting"; which included first : the concept of cultural criticism of patriarchal structure, and secondly : introductions Parental Dr. Shawki guest, namely : Salafi interpretation, and national literature, biome facilitation, and then divided his studies Quranic on two chapters, the first : His studies in Quranic sciences, has been included in preparation idiomatic, and a number of studies Shawki treated guest in each issue of the Koran science issues, namely blogging, combine, drawing the Ottoman, the Mecca and civil, copying, and arbitrator, and of Like, the miracle of the Qur'an, and readings of Quranic, and the Arabism of the Koran , and was the second chapter : his studies in the language of the Corner, included three studies are; his study lexical, and grammatical study, which was divided on two sections : Section, and other . methods, then his rhetoricalIt is worth mentioning here that this subject has not been subjected to any independent study either in Iraq or abroad, so this choice was welcomed. , And praise from some professors in Iraqi universities and their testimony, has faced the preparation of the research some difficulties, most notably : bringing the literature from outside Iraq, and the required time and effort.,It is worth mentioning here that this subject has not been subjected to one independent study, neither in Iraq nor abroad. Therefore, this selection was welcomed and praised by some professors in Iraqi universities and their testimony. The preparation of the research faced some difficulties, And the time and effort required

الخطاب الحائد في العربية : دراسة في ضوء النظرية التداولية == Alha'id Discourse in Arabic A Study in the Light of the Pragmatic Theory

Author name: جاسم خيري حيدر الحلفي
Supervisor name: محسن حسين علي الخفاجي | قيس حمزة فالح الخفاجي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: هذه الدراسة تتناول نوعا من الخطاب يبدو غامضا في التراث العربي وهو (الخطاب الحائد)، وهو مصطلح اخترته ليدل على ظاهرة (الحيدة) التي جرى وصفها في العربية بانها تدل على الهرب من الجواب ،او الامتناع عن مطابقة الجواب للكلام السابق او الارسالية السابقة، وعلى الرغم من كثرة تداول هذه الظاهرة على مستوى الجدل والمناظرات او على مستوى اللغة العادية او لغة الخطاب اليومي؛ فمن النادر ان نجد التصريح بها فضلا عن دراستها قديما او حديثا، ويتهيا لي انها ظاهرة لم تنفرد بها العربية ،ولكنها اللغة التي وفرت لها كل الاليات الضرورية لاستعمالها بكفاءة. بعد البحث والتقصي ،وجدت ان هذه الظاهرة لم يبحثها العلماء القدماء ،ولا علماء العصر الحديث ،وتبين ان هذه الظاهرة من الغموض والتعقيد والتداخل الذي لا يمكن معه دراستها الا بمنهج يتصف بالفاعلية والمرونة الكافية لازالة هذا الغموض وكشف هذا الالتباس؛ فاخترت المنهج البراغماتي ليصبح عنوان هذه الاطروحة : (الخطاب الحائد في العربية ،دراسة في ضوء النظرية البراغماتية). ان البحث يتكون من تمهيد ،وخمسة فصول ،سبق بمقدمة ونتائج ختامية ؛ التمهيد كان للتعريف باصول ومفاهيم الخطاب الحائد، وقد جاء للتعريف بمفاصل البحث ،ووجود الظاهرة في التراث، ثم الفصل الاول يتناول الخطاب الحائد في ضوء نظرية السياق ،وهو يتكون من مبحثين؛ الاول اختص بتعيين حقل الخطاب الحائد ،والاخر اختص اليات الخطاب، وكان الفصل الثاني لدراسة الاحالة والتاشير في الخطاب الحائد من طريق ثلاثة مباحث ؛الاول لدراسة الاحالة ،والثاني لدراسة المرجعية العائدية ،والثالث لدراسة الاشاريات، اما الفصل الثالث فهو لدراسة الافتراض المسبق والتضمين من خلال مبحثين يتناولهما، والفصل الرابع تناول دراسة افعال الكلام من خلال مبحثين؛ المبحث الاول ناقش تاسيس مفهوم الفعل الكلامي، وناقش الاخر الفعل الكلامي غير المباشر، وجاء الفصل الخامس لدراسة الاستلزام الخطابي من خلال ثلاثة مباحث؛ الاول منها تناول الاستلزام العرفي، والثاني تناول الاستلزام الحواري، بينما كان الثالث لتناول المبادئ الاضافية. كل مبحث من التي ذكرناها يحتوي على مجموعة من المسائل الفرعية ، حاولت انا من خلالها استكمال بحث الظاهرة. | This study deals with a kind of discourse seems uncertain in the Arab heritage which (Alha'id Discourse), a term chosen for demonstrating the phenomenon (Alhaida) which have been described in Arabic as indicating escape from the answer, or to refrain from matching the answer is the former words or previous consignment, and despite the frequent phenomenon trading at the level of controversy and debates or on the normal level of language or the language of everyday speech; it is rare to find the authorization as well as studied ancient or modern, and preparing me it is a phenomenon that was not unique to Arab, but it is the language that gave her all the necessary mechanisms to be used efficiently. After research and investigation, I found that this phenomenon is not considered by ancient scholars, nor modern scholars era, and show that this phenomenon of ambiguity, complexity and interference that cannot be with him studied only approach is characterized by effective and sufficient flexibility to remove this ambiguity revealed this confusion; I chose to approach the pragmatic to become the title of this thesis : (Alha'id Discourse in Arabic, a study in the light of the pragmatic theory). The search consists of a preface, and the five seasons, already an introduction to final results; a preface was the definition of assets and the concepts of Alha'id discourse, and the first chapter deals with Alha'id discourse in light of the context theory, which consists of two sections; the first singled set Alha'id discourse field, and the other specialized discourse mechanisms, and was the second chapter to the study of reference and Deixis in Alha'id discourse by way of three sections; the first to study the reference, and the second to study the Anaphoric reference, and the third to study Deictic, the third chapter is to study the presupposition and entailment through two sections addressed by, the fourth chapter addressed the study of the speech act through two sections; the first section discussed the creation of the concept of speech act, and discussed other indirect speech act, came fifth chapter to the study of implicature through three sections; the first of which addressed conventional implicature, and the second talk about conversational implicature, while the third was to address the additional principles. All of these sections in which we have mentioned on a group of sub - issues have been included, which I tried to complete the search phenomenon.

الاجماع وخرقه في الدرس النحوي == The breaking Grammatial Consensus

Author name: علاء حسين خضير ظاهر المنصوري
Supervisor name: صباح عطيوي عبود الزبيدي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: Out of the grammarians' sayings , it has become clear that the consensus is an argument , which is the same as the consensus in other scientific realm , such as the jurisprudence or the foundationalists or in any other science of the Islamic civilization . It is secondary in relation to the origins of grammatology ; and the one who breaks it is to be considered definitely erroneous and , consequently , his saying is not to be relied on . The researcher has seen that most of the grammarians' sayings which have been disseminated throughout their books suggesting a consensus on certain grammatical judgements , were not far away from the break done by more than one grammarian ; therefore , it is often too hard to claim a consensus on certain grammatical judgements , as they occur in the realm of Al - Mo'rabat or in that of Al - Mebniyat , which approximately represent the whole Arabic grammarian , because there is no doubt , after closely looking into the grammarians ' classifieds, you find someone who has broken this or that consensus. It has become evident that most of those who had broken the consensus , hadn't done so without relying on an evidence but they relied on arguments quoted from poetry or prose they had heard from the Arabs , or on the basis of certain texts taken from the Qur'an or the prophet's sayings , or from the Semitic languages or by measuring in accordance to some other grammatical judgement , to enhance a breaker's doctrine within whose frame the breaking has taken place . In some other cases , a breaker relies on the speaker's intention , or on his own linguistic knowledge and independent opinions , in addition to his own craft as a grammarian . Some grammarians announce the consensus breaker's . But in some other cases , they don't mention his name , making us look for the name in their grammatical books . Some of them may mention the title of the book where the grammarian has broken the consensus , but when we turn to it , we don't find the place where the breaking has occurred , instead we find it in another book of the same author . The grammatical consensus had been broken by the heads of Al - Basriya school and Al - Kufiya school as well ; and by some other ancient grammarians . It has been broken , too , by modernist grammarian figures , as it is affirmed in most issues treated by this thesis

الصورة عند الجيلين الشعريين الستيني والسبعيني في العراق عقدي التشكل == The Poetic Image in Iraqi Poetry of The Sixteenths and The Seventeenths : The Decades of Formation

Author name: سامر عبد الكاظم جلاب الجوذري
Supervisor name: عبد العظيم رهيف السلطاني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: The use of the image and the importance of such use in the making of poetry was tackled by many researchers. This study focuses on the employment of the image, as well, in the poetry of the sixteenths and seventeenths where the image manifests its ability to refer to what’s important outside the text.The thesis aims at showing the achievements of the poets in the mentioned decades in terms of the image, its sources and the methods through which the poets form their images. Another aim is to balance between the achievements and works of the two decades in terms of the image and its three dimensions that are mentioned to verify the hypothesis of the difference between the two decades, and consequently examining the accuracy of the predominant view that they are two different decades.Moreover, the modern understanding of the “image” includes its employment as a metaphoric device, or as a group of visual signs artistically displayed on paper. Knowing the importance of the literary device, poets used it heavily, whether sketched with language or designed with lines. To have perfect manifestation of the poets’ interest in this aspect, we focus on the theoretical achievements related to the poetic image of poetry of the two decades.Deciding the identity of poetry of the two decades mentioned is more like finding an identity for the cultural and aesthetic history of that time. Imagery is the essence of poetry which is an art in language different from that written in prose. Thus, studying this device, i.e. imagery, and researching its requirements and function is quite necessary. We adopt a descriptive analysis that takes into account the historical arrangement of the texts samples. While in analyzing the poetic texts (verses) we use the text analysis method where we observe the signs, their relations, and the image formation.The study falls in an introduction and three chapters and a conclusion that summarizes the most important of the results. The introduction sets the definition of a “generation” and the role of a generation. Moreover, Iraqi “generations” are specifically formed by decades, as will be clarified in detail later in the chapter.Chapter One tackles the source of imagery for poets of the two decades, which the researcher considers sufficient to shed light on the nature of imagery. Analyzing the poetry of that time shows important regional and cultural features, and the chapter was ,thus, divided into two sections.Chapter Two deals with formations of the image used intentionally by the poets. It falls into two sections, dealing with the single image and the complex image successively.Chapter Three deals with the significance of the use of image in the two decades of poets analyzed through the context of the poems.This study tries to comprehensively deal with the efforts in the poetic work of the two decades in an important area of research represented by the decade of formation; the artistic and technical decade rather than the historical one. It handles the poets who emerged in the early sixteenth and seventeenths. Those poets whose longing for individuality prompted them to form, through experimentation, a new vision which was partially or completely different from that of those who preceded them.The sample of the study includes poets from the two decades. The poets of the sixteenths are Fadhil Al - Azawi, Sami Mehdi, Hasab Al - Sheik Jaafar, Fawzi Kareem, Hameed Saeed, and Amal Al - Zahawi. While the poets of the seventeenths are Khazel Al - Majidee, Zahir Al - Jizani, Adeeb Kamal al - Din, Kadhim Jihad, Kamal Sabti, Hashim Shafik, Bushrah Al - Bustani, and Sajida Hameed.This study sets about new area of researching, it deals with the early formation of the two decades, identifying the beginning of each decade and paving the way for the researchers to take interest in the comparative studies to manifest the reality of the difference between all the poetic decades. Moreover, the study revises the misconception that a (decade) refers to a literary generation in only ten years. The study shows that a (decade) represents a stage of formation of a new literary generation rather than an end of one. The study emphasizes that the realization of literary generation does not necessarily occur at the end of one. The concept of a poetic work can develop continually through the historical ages and the next decades. Hence, the element of time and its role is intentionally employed in this study as it has a great influence on motivating the poetic development.Though I do my best in handling the topic, perfection is impossible, and I hope that I was able to precisely cover the whole topic and give answers for the main questions of the study and its hypotheses.The researcher would like to thank his supervisor Prof. Abdul Adheem Raheef Alsultani for his countless efforts to help and supervise. I can not find the words of thanking that suit his esteemed status. He was so generous in lending the researcher the chance to discuss and defend his point of view when he was ready to do. May God give him success to be a master, a father, and a prosperous figure in the science of the Arabic Language. I hope him the long and healthy life. His great efforts are the reason the research came out as it is today.

الصمت فــي القران الكريم == Silence in the Qur'an

Author name: Mahdi Abdul Amir tempted Alktrani
Supervisor name: عباس محمد رضا حسن البياتي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: He studied the Koran objective and technical studies and many rhetorical, and the major themes and topics and the overall junior and detailed and textured and similar and other topics which are innumerable.The silence is part of these topics, and penetrates deep down, this means that talk of silence is to talk about important aspects of the book described a spokesman for the right of, and did not Koranic studies were represented in theses or others have dealt with this aspect of research and Signifying by according a literary approach and the vision of the Koran, and did not turn to him as a spectacle - silence - combines integrated scattered on the subject of study and academic research until Almighty God inspired him to consider, and search, and the stand has in his hands to see genders and secrets.Silence is the language has its own expressive on the level of literature and art in all genders, Silence is not merely tolerated or putting it off as that comes to the mind of some, or is the absence of impact or influential, but it is the presence of a conscious high language, and has a function tag and semiotic in the text, Hesitation and silence for two seconds before the word Yes, makes it stronger than it is without it.This thesis has been under the supervision of Prof. Dr. Mohammad Reza Abbas al - Bayati, who was supervised by her people and giving them too much time and effort bumper, in the Department of Arabic Language in the College of Education and Human Sciences at the University of Babylon.The plan, which went out in search has been split to pave and three chapters and a conclusion. .Boot on the rooting of the concept of silence included by reference to language books and dictionaries, rhetoric, literature, theater, novels, philosophy, and then exit the definition of idiomatic procedural, adopted by the researcher and the study constructing chapters. . In the first chapter split talk at the entrance and three sections, eating entrance silence its true sense is known, and divide it into silence involuntary ensure its first section, and the silence of involuntary ensure its second section, and spoke the third section about the silence of the silent picture painted by the Koran world and the Hereafter scenes.The second chapter is divided at the entrance and three sections also, eating talk about the flesh silent and its importance, functions and subscription tandem in word and movement language of the entrance, and arbitrary signifier and the signified in acoustic and silent language, and in the first part dealt with the implications of head movement silent, face, eye, and the second section talked about the hand and their implications, and the third section talked about the body and do sitting and implications. .The third chapter to talk about the language of silence inside, and split at the entrance of the three sections, the first section for brevity and deletions occur, and the second section of silence for the narrative, and the third section for semantic silence.Came Conclusion to talk about the most important outcome of the research.Finally, I ask God Almighty Aziz to guide our steps and to help us to please Him and his service, and to make this work purely

الزمان والمكان في ديوان الموشحات الاندلسية : دراسة في الموضوع والفن == Time and space in the office aroused Andalusian A study on the subject and art

Author name: ساهرة عليوي حسين العامري
Supervisor name: علي ابراهيم محمد الزرقاني
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: مما لاشك فيه ان النتاج الادبي بوصفه نشاطا انسانيا يقوم على تواشج العلاقات الزمكانية التي يطبع عليها المبدع افكاره ليشكل نصا جماليا يشع بالمشاعر الانسانية المعبرة عن التجربة الذاتية.. لذا حاولنا جاهدين دراسة الزمان والمكان في ديوان الموشحات الاندلسية الذي يضم مجموعة كبيرة من ابرز وشاحي بلاد الاندلس وعلى مدى العصور، تحقيق سيد غازي وبعد الوقفة التاملية في الديوان اخترت عددا من الوشاحين وجاء الاختيار على اساس غزارة الانتاج وتعدد الموضوعات.سعينا في هذه الدراسة الى استنطاق النص من خلال مختلف ادوات التحليل ووقفنا عند السمات الفنية في النص بوصفه بنية مكتنزة بمحولات فكرية متساوقة مع الاشكال الفنية التي يتزيا بها الموشح لذا اقتضت الطبيعة الاجرائية للبحث توزيعه على تمهيد وثلاثة فصول تطرقت في التمهيد عن المفهوم الزمان والمكان في اللغة والاصطلاح بالاضافة الى اصل الموشح والخلافات التي دارت حوله وعرض نماذج لاهم انواعه.وفي الفصل الاول تحدثت عن الزمن عبر الثنائيات، فكان في مبحثين، اهتم الاول بدراسة ثنائية (الحاضر/الماضي) اما الثاني فدرس ثنائية (الحاضر/ المستقبل).وخصص الفصل الثاني لدراسة توافق الذات وتباينها مع الليل في مبحثين شمل الاول على دراسة توافق الليل مع الذات اما الثاني فاهتم بتباين الليل مع الذات.اما الفصل الثالث فقد استقام على التشكيلات المكانية وضم مبحثين ، درس الاول الطبيعة الساكنة واهتم الثاني بالطبيعة المتحركة. وبعد هذا عمدت الباحثة الى استخلاص اهم النتائج التي توصل اليها البحث وتلا ذلك قائمة ضمت اهم المصادر والمراجع التي اعتمدت عليها هذه الدراسة وهي القران الكريم وديوان الموشحات وكتب التراجم وكتب الادب والنقد التي انبثقت منها اهم القضايا النقدية والادبية لتطوير هذه الدراسة.وبفيض من الحب والتقدير لا يسعني الا ان اقدم الشكر والعرفان الى مشرفي ومعلمي ا.د. علي ابراهيم الذي لم يبخل علي بمشورة او نصح وقراءة دقيقة قد اسهمت في اغناء هذا البحث وبلورة فكرته، اسال الله ان يسدد على الخير خطاه وان يوفقه لما يحب ويرضى.شكري وتقديري الى السيد رئيس لجنة المناقشة والسادة الاعضاء لتفضلهم بقبول مناقشتي، واخص بالشكر السيد رئيس لجنة المناقشة ا.د. علي اسد المحترم لسعة صدره وتوجيهاته السديدة، جزاهم الله عني خير الجزاء.واخيرا.. فلا ادعي الكمال لبحثي هذا فالكمال لله وحده فان اصبت فهو من فضل الله، وان زللت فمن نفس وهذه طبعة الانسان. واخر دعوانا ان الحمد لله رب العالمين. | There is no doubt that the literature product as a humanitarian activity is based on correlation among the time - place relations where the innovative prints his ideas to pose aesthetic text shines with human feelings that express the self - experiment. Therefore we tried hard to study the place and time in the book of Andalus Mowashahat which includes a huge of most prominent Mowashah writers of Andalus all over the times and eras, the investigation by Mr. Ghazi after the meditation pose in the book, I have choose some of them based on their huge productivity and variety of subjects. We endeavor in this study to explain the text through all methods of analyzing and we posed on artistic characteristics in the text as it is a creature enriched with conceptual transformers matching with artistic shapes that characterize the Mowashah, so the implementing nature of the research have obliged the necessity to make the research consisted of prologue and three chapters, in the prologue I have tackled with concept of time and place in the language plus to the origin of Mowashah and disputes existed about it and showing some samples for that. In the first chapter I talked about the time through duals , was in two sections , first one concerned to study the dual of (present/ past) while the second one concerned about the dual of (present/future). The second chapter was specialized to study the compatibility of the ego and its contrast with the night in two sections , first one concerned with studying the compatibility between the night with the ego, second one concerned with compatibility of the night with the ego. While the third chapter was based on place forms and included two sections , first one studied the static nature and second one concern about the moving nature. Then the researcher intended to conclude most results that the researcher has come up with, then a list of most important references and resources were depended in this research are Holly Quran, Diwan Almurashahat, Translation books and literature books and criticism from which most literature and criticism issues have emanated to develop this study. With much love and respect I would like to express my grateful to my supervisor Pro. Dr. Ali Ibrahim who has the big favor behind the enrichment of my research with all good remarks and consultancy, I pray to God to prosper him and support him.Finally, I don’t claim the perfection because the perfection is just belong to the Lord, if I succeed it is by Him if not so then it's because of myself. Thank for God for all.

دلالة المفردة القرانية بين اللغويين والاصوليين == Quranic single indication among linguists and fundamentalists

Author name: فاضل كامل محسن الموسوي
Supervisor name: رحيم جبر احمد الحسناوي | عامر عمران الخفاجي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: Spin thesis about Quranic single between linguists and those who call them naming linguists and scientists assets any fundamentalists The 1 yen confined to their work in the building jurisprudential evidence that will help the jurist in the development of legitimate issues of concern to people's lives of Muslims and organize their lives in this world and the Hereafter significance. Thesis dealt with as significant when linguists old and modern significance when fundamentalists in all doctrines. Then dealt with single and clarity in the Holy Quran and the reasons for this clarity as scientists have identified and how to judge that the single clear or ambiguous and put them Metrology that define it and how they differed in that he divided them see that some of the strange and mysterious vocabulary others see it as clear and as long as the development of scientists have significance and knew through their studies or explanatory language is not strange and Agmod in the Koran because all the vocabulary purely Arab, as stipulated in more than any decent but some ignorance Bdalaladtha because it is used in the private Magamhm invited themThe Anatoha strange and mystery. And has made Linguists great efforts identify the vocabulary and implications aid of tribes and their members and not all tribes. Then the fundamentalists came after that was the voltage multiplier and accuracy finite because their work entails provisions of the legitimacy of governing if people in Alehiatin The rulings in very precise based on the consequences of the studies in Mbahz wordy. I have found your search phrase from the results Perhaps the most prominent focus on attention on the fundamentalists studies being more accurate than linguists studies .etbin researcher that the students that crowned to this type of study and Eugdoa scientific comparison between linguistic studies and the study of fundamentalism in the field of single Koranic .nsol reconcile what God loves and is pleased that he is Hearing pr

جدل العام والخاص في شعر رشدي العامل == THE ARGUMENT OF THE GENERAL AND THE PARTICULAR IN RUSHDI AL - AMEL'S POETRY

Author name: راسم احمد عبيس الجرياوي
Supervisor name: علي ابراهيم محمد الزرقاني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: فقد حظي المنجز الشعري للجيل الخمسيني في العراق باهتمام بالغ وعناية فائقة وحفاوة كبيرة من النقاد والدارسين والباحثين المختصين بالشان الادبي بوصفه علامة فارقة وسمة بارزة ومميزة للحياة الادبية في العراق في تلك الحقبة التاريخية المهمة، لما انماز به ذلك النتاج من مواصفات موضوعية وتقنيات فنية وسمات اسلوبية حتمت على النقاد ان يقفوا امامه بالاجلال والاحترام والاعجاب والانبهار والانكباب عليه دراسة على نحو الوصف العام السطحي تارة او القراءة الفاحصة والتذوق المتاني والغوص في ابعاده الفنية العميقة تارة اخرى، ومن ثم مقاربتها في ضوء المناهج النقدية الحديثة المختلفة، فضلا عن استيفائها للمحاكمة والمساءلة في اطار المقولات الفلسفية والتصورات المعرفية الحديثة. وارتكازا على ذلك فان اختيارنا للمقولة الفلسفية (جدل العام والخاص) ليس من باب البذخ الثقافي او التبطر المعرفي او الثراء الفكري، وانما ينبعث من الواقع الجديد ورهاناته ومعطياته، وضرورة التعاطي الجاد مع حاجاته والاستجابة الواعية لمتطلباته في محاولة منا لمواكبة عجلة التطور في ميدان البحث العلمي التي تحتم علينا تحديث منظومتنا المعرفية والثقافية لتنسجم مع ممارساتنا المعرفية.وقد شابت الدراسات السابقة للشعراء العراقيين توجهات ايديولوجية بالدرجة الاساس، ايديولوجية بوصفها العام التي لا تتصل بتوجه سياسي اذ توزعت بين انتقاء الشعراء المدروسين، وانتقاء الطريقة التي يتناولون بها شعرهم. ولقد خسر اولئك الشعراء الذين تبنوا توجهات غير ايديولوجية جماعية وايديولوجية في ان، ومنهم الشاعر (رشدي العامل) الذي تبنى في شعره ايديولوجية جماعية وايديولوجية شخصية، اما العامة فقد تجلت بتوجه وطني وما يعج به من ارهاصات، واما الشخصية تجلت بقصائده التي خص بها زوجته وابنه بوصفه منتميا للحب في هذا السياق. ويبدو ان الدراسات السابقة لم تستطع مراعاة هذا التشابك بين الخاص في شعر رشدي العامل والعام فيه، اذ كانت تشدد على الخاص تارة وعلى العام تارة اخرى. والحق لا يمكن لايما دراسة ان تصل الى نتائج دقيقة من دون ان تراعي هذا التشابك بين جدل العام والخاص في شعره. ويعد رشدي العامل واحدا من الشعراء الخمسينيين الذين عاصروا جيلين اولهما : جيل السياب، وثانيهما : الجيل الستيني، وهذا التعاصر بين الجيلين اعطى لرشدي العامل ثقافة واسعة واكتراثا شعريا كبيرا، ولكن على الرغم من وقوعه بين جيلين الا انه بقي يعاني الاهمال والتجاهل ويرزح تحت وطاة النسيان وعدم الاكتراث ويئن من شدة الغبن والظليمة ولم تسلط عليه الاضواء كما سلطت على الشعراء الرواد والاجيال التي تلتهم، الامر الذي دعا بعض النقاد الى اطلاق تسمية (الجيل الضائع) عليهم من مثل (سعدي يوسف، وحسين مردان، ويوسف الصائغ، ومحمود بريكان، والفريد سمعان... وغيرهم)، وهذا الضياع دعاني الى تعقب شعر رشدي العامل وانارته واظهار سر جماله، ومن هنا تاتي اهمية الموضوع، يزاد على ذلك هو ان رشدي العامل لم يكن معروفا عند الكثير من الباحثين، وهذا ما زادني اصرارا وحرصا على ابراز شعره ودراسته، حتى انني لم اكن اعرفه الا بعد ان طرحه علي استاذي المشرف، فقد ذهبت وبحثت عنه لاتعرف عليه وعلى شعره فوجدته شاعرا عراقيا مبرزا حتى ان بعض النقاد يعده من الشعراء الرواد، وقد عاش حقبة ثقافية مزدهرة، وقد عثرت على ثماني مجاميع شعرية له، فضلا عن قصائد متفرقة لم تنشر لا في المجاميع الشعرية ولا في المجموعة الشعرية الكاملة التي طبعتها (دار المدى)، وكانت مبثوثة في الصحف والمجلات فضلا عن امتلاكه كتابات نقدية كانت مبثوثة في الصحف القديمة، وهذا الامر اعطاني حافزا وشجعني على لمس مواطن الايجاب والسلب في شعره، اما السبب الاخر هو قلة الدراسات التي تناولت شعره بالتعقيب والدراسة مقارنة باقرانه؛ لان اغلب الذين يدرسون الحقبة الخمسينية يركزون على الشعراء الرواد، ومن ثم ينتقلون الى الشعر الستيني، اما جيل العامل فلم يلتفت اليه الا قلة وهذه القلة لم تركز على شعره ولكنها تنظر اليه نظرة عابرة خاطفة، عدا ثلاث رسائل درست شعر الشاعر وكان فيها جهد يحمد، كانت الاولى (شعر رشدي العامل دراسة لغوية)، والثانية (الرومانسية في شعر رشدي العامل)، اما الثالثة (نحت في ضباب، شاعرية رشدي العامل).اما موضوعنا فتكمن الصعوبة فيه؛ لاني لم اجد رسالة او اطروحة او كتابا يدرس (جدل العام والخاص) وهذا جعلني الاقي صعوبات جمة، فضلا عن قلة المصادر التي تناولت رشدي العامل ما عدا اشارات مبثوثة في بعض المصادر، اما الصعوبة الاخرى فتكمن في كتابات العامل وكتابات النقاد الذين تعقبوا شعره بالدرس والتحليل، وتكمن صعوبة تلك الدراسات والكتابات في انها منشورة في الصحف القديمة في السبعينيات والثمانينيات فضلا عن مطلع التسعينيات، وهذه الصحف لم اعثر عليها الا بعد عناء وجهد كبيرين. اما المنهج الذي اعتمدته في دراستي فهو المنهج التحليلي الذي يعتمد على تحليل النصوص وابراز ما فيها من جودة وجمالية، فضلا عن المنهج التاريخي والنفسي لما لهما من اثر في اظهار فنية الشاعر. وقد اشتملت الدراسة على اربعة فصول مسبوقة بمقدمة وتمهيد ومنتهية بخاتمة تضمنت اهم ما توصلت اليه من نتائج وقائمة بمصادر البحث ومراجعه. اختص التمهيد ببيان مفهوم الجدل لغة واصطلاحا واراء الفلاسفة والكتاب فيه فضلا عن تعقب تطور الجدل في العصور الادبية. وبين ايضا مفهوم العام والخاص لغة واصطلاحا واراء الفلاسفة والنقاد فيه، مردوفا بتاسيس نظري جمالي لمفهوم العام والخاص. اما الفصل الاول فكان بعنوان (العام والخاص في الموضوع الوطني في شعر رشدي العامل) وقد ضم توطئة بينت فيها نبذة عن الوطن ومفهومه وكيف تطور عبر العصور وكيف كان يطلق عليه قديما. وقد ضم ثلاثة مباحث، الاول : الثورة، والثاني : الغربة، والثالث : السجن والظلم. وجاء الفصل الثاني بعنوان (العام والخاص في رومانسية رشدي العامل الشعرية) وتضمن ثلاثة مباحث، الاول : الحزن في شعره، والثاني : الحب، والثالث : الطبيعة.وكان الفصل الثالث بعنوان (العام والخاص في حضور المراة في شعر رشدي العامل) وقد اشتمل على مبحثين : المبحث الاول : المراة الحقيقية ضمن ثلاثة محاور : ا - المراة الزوجة.ب - المراة الام.ج - المراة الحبيبة. والثاني تناولت فيه المراة الرمز. اما الفصل الرابع والاخير فكان بعنوان (العام والخاص في توظيف التراث في شعر رشدي العامل) وقد اشتمل على توطئة بينت فيها مفهوم التراث وماهيته عند الشعراء، ومن ثم قسمته الى ثلاثة مباحث، كان الاول بعنوان (مرجعية التراث الديني)، وتضمن كل ما له علاقة بالدين من مثل القران الكريم والحديث النبوي الشريف واهل البيت (عليهم السلام) والصحابة، والمبحث الثاني فكان بعنوان (مرجعية التراث الاسطوري)، اما الثالث فكان بعنوان (مرجعية التراث الادبي). ولا ادع قلمي يفارق يدي حتى اذكر باعتزاز كبير استاذي المشرف الاستاذ الدكتور علي ابراهيم محمد الذي قوم بدقته وملاحظاته هذا العمل، باذلا في سبيل ذلك وقتا وجهدا طيبين، فاسال الله ان يجزيه عني افضل الجزاء.واخر دعوانا ان الحمد لله رب العالمين، والصلاة والسلام على النبي الهادي الامين واله الطاهرين | Each historical stage and era has its own cultural discourse which suits its proposals, cognitive tools which cope with its bets and achievements, and logic which suits its orientations. A good proof of this established eternal fact that is deeply rooted in the human mental frame is examining the innovative texts by using new philosophical ideas and modern literary criticism tools which prevail our culture.Development, modernization and renewal are characteristics of life in all its aspects and fields. Thus, all the aspects of life, whether material or morale, are subject to this eternal inevitability and are governed by this omnipotent logic. Therefore, the inquest of innovative texts by using modern philosophical ideas and criticism tools has become an urgent need and necessity which neither represents one of the forms of inevitability that no one can escape its fangs and grip nor avoid its dominion.Depending on what has been mentioned earlier, the researcher's choice of the philosophical (the Argument of the General the Specific) is not a kind of cultural splendor. Instead, this choice has been motivated by the new life or reality in all its bets, the necessity of the serious treatment of its needs, and conscious response to its demands in an attempt to cope with the wheel of development in the field of scientific research which necessitates the modernization of our cultural and cognitive systems to match our new pursuits.Rushdi AL - Amel is one of the poets of the fifties who are contemporary to two generations of poets : the generation of the pioneers and the generation of the sixties. This has given him wide education and great interest in poetry. However, unlike the pioneers and the following generations, AL - Amwl has remained unknown and the lights have not been shed on him. For this reason, some critics call AL - Amel and other poets like Sa'diYousuf, Hussein Marwan, Yousuf Al - Sa'gh, Mahmoud Braykan and others "the lost generation." It is this loss that makes the researcher follow Al - Amel's poetry to shed light on it and highlight its beauty. In brief, the reason behind choosing this topic is that researchers, the cultured and even the specialists do not know Rushdi AL - Amel. In fact, researcher himself didn't know about AL - Amel before suggesting the topic by Prof. Dr. Ali Ibraheem and Prof. Dr. HasanDakheel Al - Ta'i. As for which is based on analyzing texts in addition to the historical and psychological method which are necessary for showing the techniques used by the poet.The study has been divided into four chapters preceded by a preface and introduction and ended by the conclusions.In the preface, the researcher explains the linguistic and technical meanings of the concept of argumentation, and follows the development of argument in literature. In addition to this, the linguistic and technical meanings of the concepts of the general and the particular, the opinions of philosophers and critics have also been tackled. The first chapter is entitled (The General and the particular in the topic in Rushdi AL - Amel's poetry) includes a preamble and three sections : the first is specified to the Revolution in AL - Amel's poetry; the second is about alienation while the third is about imprisonment in Rushdi's poetry.The second chapter is entitled (The General and the Particular in Rushdi AL - Amel's Romantic Poetry). It includes three sections. The first is about sadness, the second is about love while the third is about the nature. The third chapter which is entitled (the General and the particular in the presence of the woman in Rushdi AL - Amel's Poetry) is divided into two sections : the first section is about the true woman and it includes three axes : a. the wife b. the mother c. the beloved. On the other hand, the second section is concerned with the symbol of the woman.As far as the last chapter is concerned, it is entitled (the General and the Particular in the Employment of the Heritage in Rushdi AL - Amel's Poetry). It is composed of three sections : the first is about religious heritage, the second section is concerned with the legendary heritage while the last deals with the literary heritage.Finally, the study has come up with the following findings : 1. Argument is the dispute between two issues so that each person tries to defend the issue which he or she adopts by strong evidence.2. In the era of evolution, the argument has disappeared and the word (logic) has been used instead of it. But philosopher Kent has brought it to life again with an additional meaning.3. The general and the Particular are present in every phenomenon and they are strongly related to each other to the extent that the general cannot be known without studying a large number of particular instances.4. Rushdi AL - Amel is one of the poets who love their country very much because of the injustice and the oppression which he has been subject to.5. Most of poetry which deals with alienation is concerned with internal alienation which governs the general external.6. The poet's experiment in prison has given him poetic richness and provided him with a chance of meditation and mental motivation.7. AL - Amel's romantic is near to realism and pun at the same time.8. Love in AL - Amel's poetry is not for the beloved. It is symbolic love for the country and childhood. It is spiritual love and not physical.9. It is found that the poet's relation with the "wife" woman is personal and not general.10. The "beloved" woman has been given greater attention in Rushdi AL - Amel's poetry than the other aspects. 11. Rushdi AL - Amel tries earnestly to make use of the poetic heritage from different generations, as well as making use of western poetry.12. It is found that AL - Amel has drawn from others and tried to modulate what he draws to serve the context of his own ideas

المنابع الثقافية للشعر العربي في القرنين الثاني والثالث الهجريين == Cultural Sources for Arabic poetry In the second and third centuries AD

Author name: سعد علي جعفر المرعب
Supervisor name: عباس محمد رضا حسن البياتي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: وفي خضم المعطيات الثقافية المؤثرة والمتاثرة بالبيئة الزمانية والمكانية نجد المضامين الثقافية للشاعر تظهر في دلالات النص المنتج , فالادب عامة والشعر خاصة منجز من منجزات الثقافة ومعطى من معطياتها المعرفية والذهنية . فحسن اختيار المعارف التي ترفد ثقافة الشاعر لا تؤدي دورا في حسن استعمال الالفاظ وجودة اختيار المعاني فحسب بل تعطي للمنتج رؤى واسعة في استيعاب مدركات الحياة ومعطياتها والتعبير عنها , فالتجربة الشعرية هي نتاج للثقافة المكونة من الشعور والفكر . تاتي اهمية دراسة المنابع الثقافية في كونها توضح المؤثرات الفكرية والقيمية في الاتجاهات العامة للمجتمع والاتجاهات الخاصة للشعراء المتاثرة بظروف النشاة والفكر والثقافة والمذهب على حد سواء فتاثر الشاعر ببيئة ما يكون المنبع الذي يؤثر في العمل الفني على حسب استيعابه لمؤثرات ذلك المنبع , فالشعر نشاط فكري معقد يوظف المنابع الثقافية في اخراج منجزه الادبي معتمدا في استيعابها على عقلية الشاعر ومدى استجابته للمنابع الثقافية , فيكون الشاعر متعاملا مع البؤر الثقافية المحركة للحياة بشكل مستمر موظفا دلالات الالفاظ في التعبير عن نوع المنبع او المنابع التي ينتمي لها , فتاتي اهمية المنابع الثقافية في عدها محفظة ارشيفية يجد فيها الفرد الشرح الوافي لسلوكه وفكره الذي هو جزء من السلوك والفكر الجمعي لمجتمع ما في عصر بعينه . تم اختيار موضوع اطروحتي (المنابع الثقافية للشعر العربي في القرنيين الثاني والثالث الهجريين) فكانت المدة الزمنية لهذا البحث تعتمد مع التقسيم السياسي في سقوط دولة ما وقيام دولة اخرى على التقسيم الفني لان دراسة التطور الادبي لايمكن ان يكون ظاهرة فجائية تقترن بتغير نوع الحكم وبمجيء دولة وذهاب اخرى بل يتمدد العصر الادبي بعضه على بعض الاخر . فلقد بدا في القرن الثاني على اساس بدء حدوث تطور شعري جديد نتيجة المتغيرات الخطيرة والعميقة الاثر التي جدت في حياة الجماعة الاسلامية فكان الهدف المركزي معرفة مدى تقبل شعراء كل عصر لانواع الثقافة الموروثة والاسلامية والمستجدة ومدى تاثيرها بالمنجز الشعري لدى كل منهم , فلكل عصر خصوصيته النقدية التي تجعلنا نتساءل عن مدى تاثر الدور الثالث والاخير من العصر الاموي بالثقافة المستجدة ومدى ميله الى الثقافة الموروثة وانكفائه عليها وتمثله للثقافة الاسلامية مع ملاحظة طريقة التوظيف الفني والبناء الشعري والصياغة الاسلوبية , ثم نتساءل عن العصر العباسي الاول ومدى تمثل الشعراء المخضرمين الذين عاشوا في عصر الدولة الاموية وادركوا الدولة العباسية والمولدين المنابع الثقافية حيث الحضارة والثراء والترجمة والمذاهب الفكرية والفلسفية والفرق السياسية مع انقسامهم ايضا الى شعراء الطبع والالتزام بعمود الشعر وشعراء الصنعة واستعمال الافكار العميقة والصنعة الفنية والبلاغية ومعرفة مدى تمثلهم لانواع الثقافة وكيفية التعبير عنها والمقارنة مع شعراء العصر العباسي الثاني حيث الانفتاح الكبير في الحضارة والثراء والترف والاتجاهات الفلسفية ومعرفة مدى تاثرهم بانواع الثقافة وكيفية تمثلهم لها وطريقة التعبير عن الثقافة المستجدة والناي عن الثقافة الموروثة والاسلامية ومعرفة شعراء كل عصر الذين مثلوا اتجاها في تمثلهم لمنبع ما او اكثر . اما منهج البحث في الاطروحة فكان المنهج الوصفي التحليلي ليتناسب مع المنابع الثقافية وتطبيقها على الاغراض الشعرية عاقدا موازنة بين شعراء البادية والحجاز في العصر الاموي وشعراء الطبع والصنعة في العصر العباسي الاول وشعراء الصورة في العصر العباسي الثاني معتمدا استخدام المنبع على الاغراض الشعرية في كل العصور متناولا الشعراء اصحاب الدواوين . ومن المصاعب التي واجهت البحث هو البحث عن الشعراء الذين يدخلون تاريخيا وفنيا ضمن مرحلة البحث فكان يجب علي الرجوع الى كتب التراجم والاعلام والسير للتاكد من الشاعر والمعلومات التاريخية التي تخصه فكان نتاج هذا العمل الشاق ماتكون لدي في الملحق الاول من تراجم الشعراء مع ذكر المصادر التي يرجع فيها لكل منهم, ثم واجهت البحث مشكلة الحصول على الدواوين الشعرية للشعراء والبحث عن مظانها ووضعها بين دفتي البحث فضلا عن المشكلة العويصة التي واجهت الجانب البحثي في تقسيم الشعراء لانه من الخطا وضع حدود فاصلة دقيقة بين العصر الاموي والعصر العباسي الاول والثاني تعود لاسباب هي طول المدة الزمنية التي بقي بها الشاعر على قيد الحياة فضلا على انه ابعد مايكون عن الصحة وضع حدود فاصلة تماما بين العصور وعلى الاخص من الناحيتين الاجتماعية والعقلية , وعليه فاني تعاملت مع شعراء العصر الاموي والعصر العباسي الثاني بالرجوع الى مناسبة القصيدة او الشخص الذي قيلت فيه لمعرفة دخولها ضمن مدة البحث من عدمه , هذا فضلا عن السيرورة والشهرة الادبية له في عصر ما ومعاصرته لمجموعة من الشعراء وتفاعله معهم ايجابا او سلبا واسلوبه الادبي المختص بعصر بعينه فكل هذه المعطيات تعتمد في عده ضمن مدة بعينها . وهذه الدراسة حلقة من سلسلة دراسات وبحوث اكاديمية سبقتها ومن اهمها على سبيل المثال لا الحصر : - 1. الشعر والتاريخ : د . نوري حمودي القيسي (كتاب). 2. المنابع الثقافية الاولى للشاعر الجاهلي : د . عادل البياتي (بحث). 3. عناصر الوحدة الثقافية في الشعر العربي ماقبل الاسلام : د . محمود عبد الله الجادر (بحث). 4. المنابع الثقافية للشعر العربي قبل الاسلام : مزاحم علي(رسالة). 5. المنابع الثقافية للشعر العربي في عصر صدر الاسلام والعصر الاموي : د . عباس محمد رضا (اطروحة) . 6. ابو تمام ثقافته من خلال شعره : د . ابتسام مرهون الصفار (كتاب). 7. ثقافة المتنبي واثرها في شعره : د . هدى الارنؤوطي (كتاب). 8. اثر التراث في الشعر العراقي الحديث : علي حداد (كتاب). 9. المرجعيات الثقافية الموروثة في الشعر الاندلسي عصري الطوائف والمرابطين : حسين مجيد الحصونة (اطروحة). 10 . التراث في شعر المحدثين : عدنان كاظم مهدي(اطروحة) . وقد تشكل الهيكل النظري للاطروحة من مقدمة وتمهيد اوضحت فيه الثقافة لغة واصطلاحا , واثر الثقافة في الشعر , ثم قسم الموضوع الى ثلاثة فصول فكان الفصل الاول الثقافة الموروثة فاشتمل على توطئة واربعة مباحث هي الموروث الشعبي والثقافة التاريخية والثقافة القيمية الاجتماعية وثقافة الامثال , ولقد تعمدت اغفال الشعر بصفته موردا للثقافة الموروثة لانه سيدخل البحث في باب التناص وهو بحث يختلف عن موضوع البحث ببيان الاصول والمنابع الاولى للثقافة لكونها ابعد من الشعر , اما الفصل الثاني فاشتمل على توطئة وثلاثة مباحث هي ثقافة الاقتباس القراني , الثقافة العبادية والعقائدية , وثقافة القصص القراني , اما الفصل الثالث الثقافة المستجدة , فاشتمل على توطئة ومبحثين هما الثقافة السياسية والعقلية , ثقافة القيم والمعارف الاجتماعية الجديدة واخيرا اشكر الاستاذ الدكتور عباس محمد رضا المشرف على هذه الاطروحة الذي لولاه لما خرجت هذه الاطروحة بالهيئة التي وصلت اليها | The culture represents the intellectual side of individuals and communities alike, but is the basis of human thought in the production and development of creativity, and then determine the culture identity of the community in the dimensions of the physical and moral culture of a society is the source of values and actions of individuals belonging to him and through him can be understood and taught. In the midst of cultural data affecting the environment and affected the temporal and spatial find cultural contents of the poet reflected on the implications of the text and its impact product technical literature has in general and poetry in particular accomplishment of the achievements of the culture. We have chosen the subject of this thesis (Headwaters cultural Arabic poetry in the second and third centuries Alahjrien) Thus, this period of time dependent with political division in the fall of a State and the other on the division of technical, Regarding the research methodology in the thesis was a descriptive analytical approach statistical commensurate headwaters with cultural and applied to the purposes of poetry. This study is an episode of a series of studies and academic research before it, may pose a theoretical structure of the thesis of an introduction and then smooth the theme section into three chapters, Was the first chapter inherited culture Vachtml a prelude and four Detectives culture is legendary and historical culture and culture values social and culture of Proverbs, Chapter II Vachtml on the preparation and the three sections is the culture of the quote Quranic, culture, worship and faith, culture Stories Qur'an, Chapter III comprising the preparation and Mbgesin two political culture and mentality, culture and values of the new social knowledge

اثر شعر عنترة بن شداد في شعر المتنبي : دراسة تاريخية في الرؤية والتشكيل == The effect of the poetry of Antara bin Shaddad in the poetry of Mutanabi A study of consistency in vision and formation

Author name: سعدون خلف عزر
Supervisor name: عبد الحسن علي مهلهل
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Mutanabb's poetry in vision and composition , the research came out with the following points : 1) Some of the text that influenced by Al - Mutanabbi invested them in more than a position as a foucs illuminated because of their effect on the part , to another one , so as to install them in mind due to the twin of his anticipation and wished on updating them.These updating texts are a try to achieve the goals through which .2) Al - Mutanabbi had deepen his vision in amplifying The Egoism (Al - Ana),whether the poetior the praised's Egoism(Al - Ana) influenced by Antra Ben shaddad's Egoism.This Egoism tra can be transcended the cuttent reality through the legendary as it was not a mirror to reflect the reality and transfer only ,but suggests another reality.As it wasn't easy to great and propose a new reality, he had amplified (Al - Ana) the Egoism for a legendary or semi - legendary hero to fit his goals and means of achieving them .3)Death and acknowledgment of its inevitability come as objectively equivalent to victory and challenge ,as death is one in battle or on the bed . Hence, the poet started defying , drawing the features of the hero who iskilled in a battle and gives all the values of masculinity in it. His speech in this regard is provocative in order to fight in order to fight injustice and his rejection of submission in all its forms , especially since the Abbasid state weakened till its weakness appeared in its division into states .4) Al - Mutanabbi believes that the belonging to the family or to the tribe doesn't get up to the sword and spear , so as to be clearly similar to Antra in this field .Stressing that weapons of fighting is the true descent of man and be has invested Antra's hybrid vision.The essence of man is his actions not his figure. And then he deepened the belonging to the Arabs to face the foreign invasion to be a comprehensive speech in the incitement to fight.5) The similarity of Al - Mutanabbi with Antra appears in the formation poetic where, I studied the text for both of two poets separately without paying attention or reference which relate the two poets according to mix the vocabularies of love and spinning which made the rhythm of everyone not stable , then to form a legendary picture to face a fact that can't be got rid of unless by the picture , in which Al - Mutanabbi had shown such a picture of a fighter's ethical and features. That hero who smils in spite of the death which surrounds him and it is a replica of the influential picture .6) The similarity of Al - Mutanabbi with Antra Ben shaddad in in pithiness filed can be come in two observation, first for supporting his text objectively through protesting to emphasize his vision and second Artistically according to eudden technics to arouse the studier , and thestudier's arousing might be in investing vocabularies and styles of amazing beauty. So Al - Mutanabbi renews the effective text to suit his anticipations in that field.7) The similarity of Antra's with Al - Mutanabbi's text's one more wrathful them general ones. He tended to intensive his text or a poem or a comprehensive vision from Antra's , and summarized it in one or two verses . This comes from his ability of creative from one side and to secret from other side , because he lived a criticized moments which regarded the similarity as a theft at the time. The process of short hand helps him to make the secret.What in indicates to the successful of the poet is that the ancient studies which is countoured with thefts and the modern that is contoured with similarity , didn't see his similarity with Antra Ben shaddad either in one or two verse which took from the postdated to the previous .8) It seems that Al - Mutanabbi has a criticism vision with profile deliberative. He chose the effective text to show for the reader that Al - Mutanabbi is the effective himself and Antra is the influenced. He realized that the content of the text is preexisted in language and meaning .

سيمياء سرد المنامات في الموروث الحكائي العربي == Semiotics Dreams Narration In The Arabic Heritage Gaii

Author name: احمد عباس كامل الازرقي
Supervisor name: عواد كاظم لفتة الغزي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Human has been known since ancient dreams, and can then first activity expressive and creative practiced before he knew the creative and communicative other activities, and the language codon and charged Dimension Alalamata rich first language of understanding human has ever known with the other, who was not determined features after having exceeded its presence ritual of belonging and reference actually ease the viewer into a fantasy landscape and a rupture of belonging, and not to celebrate the reality of it was dormitories treated as divine messages represent the people of God care and control of their own destinies. It was inevitable for a person to then marched reality of a dream, to enjoy the prospect of the Annunciation obtained or warns, which could afford the alarm or warning and this is not only converts a dream into a verbal version of lean manufacturing techniques to the language, which is the only medium to represent the dreams, here to be the regulator of to pass candidate through the narrative, and techniques, and laws, and abandon Tfeltat Almnamah language that is not subject to the terms of fact and rulings. I've been to Mnamat significant impact on the cultural and Islamic knowledge and the Arab scene and although human ignorant celebrate and sanctify her but that did not detract from its status in Islam that were not increased them after the clarity of its position in Islamic law, as mentioned in some of the Holy Quran He promised the mode of media reporting of the divine prophets, peace be upon them and in the Hadith promised dreams degree of prophecy, and in the Islamic intellectual perspective is the mode of inspiration and dignity to the good of the people of this nation. And cared Arab Entries Mounamat in their own, such as books interpreting dreams book interpretation of the great dreams of Ibn Sirin, and dreams of Ibn Abi Dunya or narrative works of the most famous works of the most comprehensive stems writer in the narrative another type, such as biography or built or the message or story and then ensure his texts dreams that employs the service of the narrative and enhance the intellectual and aesthetic formulation. The Mounamat Care albeit a large and noticeable, but did not come out for the field of special scientific and psychological studies when Freud and Jung, and Lacan in the system of Islamic thought studied dreams in some detail, but he stopped to describe a literary text stands on a par with other literary genres, or approached as a creative activity and is filed narrative reflects the narrative techniques and laws.As the narrative activity active humanly subject to the mechanism of the arrangement and a network of laws designed to bring about the kind of influence the recipient, it has been the darling that thrives signs and signals that hint at more than authorized, and this is the language that is based on a dream - mediated symbols charged give indications, it was appropriate to approach a sample semiotic research, which takes care of the mark, and the significance and reference spectrum. And by the multiplicity of semiotics curriculum and diversity depending on the material studied and privacy, the choice to approach semiotics narrative close to Taalgah textured dreams occurred as a narrative and as a bus signs and symbols, has provided the incentive to choose the title of this study, which is (Semiotics dreams are listed in the heritage of the Arab Gaii) and distributed this study Babin and the introduction and pave took care of the first section Baltoesel epistemological for Mnamat as proactive cognitive humanly rippling with human since the human dawn and to the present times, and is still a field of research and study, and were investigated as a dream of a centralized unilateral / seer, the prevalence deliberative / collective.In the first chapter the study shed light on the concept of dreams when ancient nations such as Greece, and the Egyptians and the Sumerians, Indians and Arabs as the ancient intellectual sediments that reflects many of the phenomena and beliefs. In the second chapter study addressed A_kaah Almnama text and how it can Incorporation to Nsusith as a written text and text as an innovative, The third chapter got the task of elucidation in this text and the emergence of the narrative techniques of Rao landmarks, and Roy, and quenched it.He specialized in Part II Applied study, as he got up the first chapter in which the characterization of the level of jobs, determined in accordance with the method of semiotic narrative in the texts of dreams can be described by this chapter that the focus of monetary characterization meeting in the first section and analysis narrative in Part II mediated by luring shifts to the forms of textual analysis of Mnamat.While the second chapter examines Alsemiae landmarks in space and time in Almnamah texts so that these texts tend deliberately to invest more than a place to invest the time and the place to look reflects the changes and temporal aspects require study in what has been termed space.The text can be described as a personal text Almnama par excellence enjoined this study in the third and final part of the study. The field of study Mtozaaa in the books of the Arab Gaii heritage of major news works such as songs, and the representation of the lecture, and contract unique is classified books in the interpretation of dreams and the other because it represents the container hosts for the texts of those dreams in addition to the diversity of topics such works, which led to a diversity of topics dreams, and I've the study considered that excludes dreams attributed to the prophets and imams peace what is known about it divine messages and methods of ways of revelation for the prophets, and the means of the means of inspiration, and payment when imams and this is often beyond the usual human dreams for them, and with the apparent diversity in dreams but we glimpse the thread of coherence the similarity between them is the tendency extreme to approach system of Islamic thought Bchkhos, and Hawwadth, and beliefs, and Gbeath making a lot of dreams seem similar extent of matching in terms of jobs, and connotations, and the emergence of personal Vdhaeadtha so, prompting the researcher to the classification of shifts in every race, including the sufficiency sample that check the adequacy of research and referral to replicate them.

خطاب اهل البيت (عليهم السلام) في اصول الكافي : دراسة تحليلية

Author name: عبد الله حسين خليف الكعبي
Supervisor name: كاظم فاخر حاجم الخفاجي | قاسم محمد كامل
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Dhi Qar
First pages:

حجاجية الخطاب القراني في موضوع الكافرين == Protesting the Qur'anic Discourse on the Subject of Disbelievers

Author name: الاء محمد كاطع الغالبي
Supervisor name: عبد الحسن علي مهلهل
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The Qur'anic discourse is distinctly a speech in the argument way because it is a speech between two conflicting parties on a fundamental issue which is the unification of the Almighty God and the performance of his orders and avoid what is forbidden to him . The purpose of the speech is to influence and persuade the recipient . For this reason, the Qur'anic expression used different means of persuasion in order to convince him , so the subject of the research entitled ( Addressing the Disbelievers in the Holy Quran - Study in the Argument - ) . I discussed the speech directed by the Almighty God or the apostles (Peace be upon them) or believers to the unbelievers , as well as, the speech of the unbelievers among themselves ( between masters and followers ) . I mean disbelievers : - anyone who does not recognize the existence of God or associate with him or who does not follow the teachings or deny the messages of the apostles (Peace be upon them). I address the verses that addressed the unbelievers sometimes the term(kafir ) is referred to and sometimes the term ( kafir ) is not mentioned or one of its derivatives , instead the term ''polytheist'' or ''oppressor'' or ''corrupted '' or other term is used . The nature of the search required that it be divided in to (a foreword) and (three chapters) and (a conclusion) . The (foreword)was divided in to two sections : - the first section was summarized as saying in the concept of (protest) in terms of definition of language and style . And mentioned the concept of (protest) at the most important poles of the school of protest in modern times . The second section was to define the concept of (kufr) language and terminology and then asked to mention the types of disbelievers who were included in the research , sometimes there is no mention of the (kafir) in particular , but there are words that differ from the root of the language of the (kafir) , but in the content enters the circle of (kufr) . I focused on ( polytheists and devils ) and studied the semantic differences between them and (kufr) . The first chapter was entitled ( Mechanisms of Arguing in Addressing the Unbelievers ) and included two topics ,the first entitled( Mechanisms of Language ) and examined : 1 - the impact of the links protests in addressing the infidels . And : 2 - the impact of protest methods in addressing the infidels , the second topic included (Rhetorical Mechanisms )and examined the effect of rhetorical mechanisms of analogy , metaphor and metonymy in directing the protest which is directed against the unbelievers . I would also like to note that I have listed chapter one with ( Mechanisms), but I mentioned only two mechanisms ( linguistics & rhetorical ) .This is because each mechanism falls under the concept of many mechanisms ,and this is why the designation chapter(Mechanisms). The second chapter , which was entitled ( The Relations of Protest in Addressing the Unbelievers in the Holy Quran ). This chapter has subheadings , namely , five relationships : - ( relationship of necessity , relationship of sequence , casual relationship , relationship of conclusion and relationship of non - agreement ). The third chapter was entitled ( Patterns of Protest in Addressing the Disbelievers in the Holy Quran ). It included three topics , the first section entitled '' Mental Argumentation '' and included quasi - logical arguments and rational arguments , the second topic was entitled ''Steering Argument '' which included : - 1 - guidance of preaching . 2 - guidance by induction. 3 - guidance on mentioning the consequences of things ( intimidation) . The third topic was entitled ''Impossible Argument '' and included the ''miracles'' that were used for the arguments of the unbelievers and the infidelity of them upon the truthfulness of the law of the Lord of the world . And included the miracle of the Quran and the sensual miracles . Finally the conclusion and I summarized the main findings of the research
1 ... 81 82 83 84 85 ... 163