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اسلوب التعبير عن المنتظر بين القران الكريم والعهد القديم : دراسة تحليلية مقارنة == The Expression of the Be-waited Savor in the Holy Quran and the Old Testament A Comparative Analytical Study

Author name: زينة كاظم محسن حافظ
Supervisor name: مناف مهدي الموسوي | فكري جواد عبد
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Najaf
First pages:

المرجعيات الثقافية في النثر الفني الفاطمي == Cultural References of Fatimid Prose

Author name: محسن علي حسين العرباوي
Supervisor name: محمد حسين عبد الله المهداوي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:

اثر الصفات الصوتية في تفسير الظواهر اللغوية : دراسة صوتية صرفية == The Influence of Phonetic Features In the Explanation of Linguistic Phenomena A Phonetic- Morphological Study

Author name: كاظم سالم علي الحسناوي
Supervisor name: محمد حسين علي زعين
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:

شعرية السرد في شعر احمد مطر == Narrative Poetic In Ahmmed Motar Poetry

Author name: عبد الكريم خضير السعيدي
Supervisor name: علي كاظم اسد
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Najaf
First pages:

الاداء البياني في السور القصار == The Rhetorical Performance in the Short Suras

Author name: عقيل عبد الزهرة مبدر
Supervisor name: علي كاظم اسد
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Najaf
First pages:

لغة قريش : دراسة في اللهجة والاداء == Quraysh's Language: A Study in the Dialect and Performance

Author name: مهدي حارث مالك الغانمي
Supervisor name: عبد الكاظم محسن الياسري
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Najaf
First pages:

الغرائبية في الرواية العراقية من 2003-2017م == THE UNCANNY THE IRAQI NOVEL 2003-2017

Author name: مرتضى حسين علي حسن الخفاجي
Supervisor name: محسن تركي الزبيدي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:

الحجاج لدى شعراء المهجر الشمالي الـرابـطـة الـقـلـمـيـة == Argumentation among the Northern Diaspora Pencil Assoiation

Author name: مـحـمـد صالـح ارخـيـص
Supervisor name: تـغـريـد ضـياء مـشـفـي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

ادلة الترجيح اللغوي والنحوي للتوجيه الدلالي في السور القصار == Linguistic and Grammatical Preference Attestaions for Semantic Guidance in the Chapters in the Holy Qur'an

Author name: عماد فاضل عبد
Supervisor name: مكي محيي عيدان الكلابي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:

اثر الوصائل في تحليل الخطاب خطب نهج البلاغة انموذجا == The Effect of the Conjunctions in the Analysis of the Discourse (Speech), the sermons of Nahj Al - Balaghah (Path of Eloquence) as an instance

Author name: ايناس عبد براك بشان الحدراوي
Supervisor name: عادل نذير بيري الحساني
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:

الدلالة القرانية في ضوء مفهوم القيمة ل دي سوسير == Quranic significance in light of De Saussure s concept of value

Author name: قحطان هادي حسن الجليحاوي
Supervisor name: ليث قابل الوائلي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:

المناهج الصرفية في الرسائل الجامعية العراقية حتى 2010 : دراسة تحليلية

Author name: اسامة عبد الغفور نصيف جاسم العبيدي
Supervisor name: سلام موجد خلخال الزبيدي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:

خاتمة القصيدة العربية في العصر الفاطمي

Author name: انمار كامل خضير الغانمي
Supervisor name: حربي نعيم محمد الشبلي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:

شعرية السرد في الرواية العراقية (2010 - 2015) == Poetics of Narration in the Iraqi Novel 2010 - 2015

Author name: احمد مجيد شاكر البصام
Supervisor name: احمد صبيح محسن الكعبي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:

موجهات التلقي في الخطاب التفسيري : مواهب الرحمن اختيارا

Author name: علياء حميد محمد الغرابي
Supervisor name: حسين علي عبد الحسين الدخيلي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: في عينة دراستنا, لا بد لنا من وصف الاثر المدروس بنحو يضيء مناحي ابداعه التي نحاول الوغول فيها.. ان الخطاب التفسيري بنحو عام, يعبر عن المحتوى الذي تتبناه نصوص شارحة ذات غايات معرفية تتمثل بالتبيين, والتوضيح, وتتداخل فيها غايات اخر, غالبا ما تكون نفعيتها مشيرة الى تبني وجهات نظر دلائلية مذهبية, وهذا ما نجده في الخطاب التفسيري في مواهب الرحمن للسيد عبد الاعلى السبزواري. وعطفا على الرؤية الانفة في فهم سمات هذا الاثر, فانه من الضرورة بمكان ان نعد هذا سبيلا داعيا الى دراسته ومبررا رئيسا في اتخاذه انموذجا للتطبيق, ومن ثم فانه لم يكن خلوا من الدراسة في غير جامعة والبحث والاهتمام عند غير باحث وهو ما دعانا الى تامله والوقوف عند نظام ارساله لنتعرف - من خلال ذلك - على استراتيجيات البناء النصي للخطاب والكيفيات التي يوجه تلقيه عبرها تبعا لذلك.. وفضلا عن ذلك فان الرغبة في تطبيق مقولات نظرية التلقي على جنس غير ادبي وذي غايات كشفية توضيحية هي المسوغ الرئيس في دراسة موجهات التلقي في الخطاب التفسيري عند السيد السبزواري, لكونها مقاربة تغامر برهان ابداعية الخطاب التفسيري في مواهب الرحمن, وعلى الرغم من ان هذا المسلك يتضمن تعقيدا اجرائيا لا يخلو من الصعوبة؛ لانغلاق ملفوظات الخطاب على مدلولات توجيهية, ولضرورة تطويع مقولات النظرية لتحقيق الانسجام مع الخطاب المدروس الا ان كل ذلك لم يكن مانعا من الدراسة والتحري والرصد والتحليل, في موضوعتنا الموسومة : ((موجـــــــهات التلقــــي في الخـــــطاب التفــــــسيري "مواهــــــب الرحمـــــــــــن" اخــــــــــــــتيارا)). الا ان غياب دراسة ممنهجة لمفهوم الموجهات فيما توخيناه على الاقل, وانتماء جزء من مقولات نظرية التلقي الى ادبيات الخطاب الفني, وانغماس تفسير مواهب الرحمن في البحث العرفاني, كل ذلك مثل صعوبات ضاعفت الجهد وان لم تكن مخلة بعزيمتنا في انجازه.. واذ يقوم الطرح الذي تتبناه الدراسة على كشف موجهات التلقي بوصفها استراتيجيات خطابية, تتوسط الارسال والتلقي فان هذه التقنيات تنتج قصدية يسعى المؤلف اليها, وبتولد هذه الاشكالية فان دراستنا تهدف الى بيان المقاصد في ذلك الخطاب التفسيـري, على وفق محاور تمثلها, من حيث كونــها نصية وسياقية وبلاغية.. وقد قامت الدراسة على تمهيد وثلاثة فصول, سبقتها مقدمة, ولحقتها خاتمة, تلتها قائمة بالمصادر والمراجع, واذ تناول التمهيد اضاءات تعريفية بمفهوم الموجهات ونظرية التلقي ومفهوم الخطاب التفسيري الذي تبناه البحث, فضلا عن تعريف مختصر بالسيد عبد الاعلى السبزواري ومؤلفه, فقد جاء الفصل الاول بـعنوان : (الموجهات النصية), وقسم على مبحثين, سبقتهما توطئة, تتحدث عن اهمية الموجهات ودورها في تلقي النص، وتناول المبحث الاول الذي جاء بعنوان : (المصاحبات الموازية) العناوين الرئيسة والفرعية, في حين كان المبحث الثاني بعنوان : (المتتاليات الجملية). ووسم الفصل الثاني بـ(الموجهات السياقية), وقسم على ثلاثة مباحث, كان الاول منها بعنوان : (المواضعة التاريخية), والمبحث الثاني بعنوان : (الايديولوجيا موجها للتلقي), والثالث بعنوان : (التاويل موجها للتلقي), اما الفصل الثالث فعنوانه : (الموجهات البلاغية) وفيه مبحثان : تناول المبحث الاول (الظواهر البلاغية) فيما وسم المبحث الثاني (الحجاج موجها بلاغيا). كما اتقدم بوافر الشكر والامتنان الى استاذي المشرف السيد ا.د حسين علي الدخيلي , لقبوله الاشراف على هذا العمل , ولملاحظه السديدة ومتابعاته الدقيقة التي خدمت مسار البحث .وبعد.. فلا تسعني خاتمة هذه المقدمة التعريفية الا ان اقدم حمدا لا انقطاع له, ولا امد, الى مالك رقي على ما انعم وارفد, فما توفيقي الا به, عليه توكلت واليه انيب, فان اخطات, وتلك جبلة الانسان الناقص, فمن نفسي وان اصبت فمن الله عز شانه وجلت قدرته.. | The interpretive discourse has a great cognitive and creative value, therefore, the research sample ''Interpretation of the talents of Rahman for Sayyid Abdul - A'aLa Sabzawari'' has been chosen Because of its features that are unique to other interpretations in its wonderful style and diversity in dealing with topics.The researcher's selection of the title came to be (guides of reception in interpretive discourse : the talents of Rahman as achoice). The research paper consists of an introduction followed by three chapters and the bibliography.The introduction contains the definition of the guides ,aprecis about reception theory, the concept of introduction to the life Sayyid Sabzawari and his contribution .Chapter one is entitled '' textual guides'' and is divided in to two sections; the frist is ''parallel Accompaniers'' and the second is '' sentence sequences''. Chapter two is entitled ''contextual guides'' and is divided in to two second is ''AL - Hajaj as arhetorical guide''

تمثلات الاخر في كتب الرحلة العربية رسالة ابن فضلان انموذجا == The other representations in the books of the Arab journey, Ibn Fadlan's l etter as a sample

Author name: منى حسن علي
Supervisor name: احمد حياوي السعد
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: After we stood on the text of Ibn Fadlan's journey, we presented intensive preoccupations about Ibn Fadlan's vision and perceptions of the other in his social, spatial and religious diversity, which allowed us to monitor and follow the behavior of the other, so the study opened on the nature of the other social and his life system of customs and traditions, Food, clothing and others .Since the journey is a travel from one place to another over time, we had to stand on the other spatial and the nature of the geographical environment of different climate, water, land and natural phenomena, as well as the implications carried by some places across the spaces of the journey and spatial extensions and their association with time..The religious' other takes share of the lesson , so we show theIbn Fadlan's view to the religious beliefs and differences , and thenature of the dialogue with the other, the religious centrality as wellas the concept of identity and concepts related to building the cultural identity of the individual and society.According to all these data, we find that the cultural approach is best suited to reading this heritage text according to the concepts of assimilation and the other, which are one of the most important concepts of cultural criticism applications and because this critiqueprocedure - that across surround the text to deals with the activity of human - detection the productions processes of cultural in general and approach to the cognitive subjects and the cultural reality that contributed to its crystallization.We sought to combinethe analysis and draw conclusions and reached conclusions that can be summed up in the following points : • It was estimated to Ibn Fadlan that , he was the first eyewitness in the fourth century AH to describe the country of the Russians and some of the areas of Eastern Europe, which no one arrived before him on his trip which is regarded exceptional and unique, varied interests between the geographical description and historical, cultural and civilization.• The journey is rich in knowledge accumulated diverse and holds in it many of the people's patterns of cultures which intended by travelers in their different cultural and civilizational environments and it is full of content of the experiences and experiences that benefit human sciences in various genres.• We observed in the journey many pictures of the other depending on the position taken by others, it shows us that Ibn Fadlan's view of the other in his social environment is not typical or fixed at all, but ranged from rejection and acceptance , as he censure some of the habits that do not match with what is in his country values, in oher hand we find him l applaud Some of them were to their similarity with their style. Thus, it was clear to us that his cultural references and cultural composition influenced his receiving andrepresenting the other. • Ibn Fadlan was objective in describing people with whom he differed in civilization, religion and tradition. He sometimes avoided commenting or declaring his personal opinion directly, but he tended to summarize and abbreviate, and sometimes his descriptive language was mixed with surprise at times and denouncing another of the unusual practices in his culture and customs Which he sometimes tried to change.• Although the journey was purely religiously declared as an official mission to non - Muslim countries to teach religious law, we found that it was not devoid of political and exploratory dimensions, nor was it free of the curiosity of the traveler based on the scientific and cognitive survey. As well as it benefit in aspects of it geography and history, especially when it mentions the distances, dimensions and days separating the countries that have penetrated them.• The place formed variant other and not familiar space, it was sometimes harsh ,brutal and hostile, especially with regard to nature and variability, and did not neglect the places news miraculous, which was popular within the public taste and was able to find a presence within the official texts represented by the travel text.• The religion formed a fundamental criterion and an effective tool in Ibn Fadlan's view of his rule over the other, which is represented in , the rejection and acceptance that is because of the connection of the close traveler to his reference, which is basically an integrated Islamic system of cultural, religious and intellectual values, especially in the places that requires self - comparison with the other in some way It can be seen from a hidden feeling of cultural superiority based on his belief in his cultural references that see non - Arab and non - Muslim peoples are barbaric and uncivilized.• The traveler not only writes his observation and monitoring then recording the data he encounters, but allowed himself to highlight his religious identity and victory in front of the identity of the other without domination or robbery, passingthe civilized context, loaded with the collision that characterized the relationship of a Muslim with an infidel when he crosses his space , we find him sometimes takes a neutral stance through expressing his opinion, and at other times expresses expressions of surprise, and ridicule.• Ibn Fadlan deal with the other depending on the difference and rejection on the one hand, acceptance, compatibility and neutrality on the other hand with the same psychological harmony, whether penetrating the spaces of Islam or disbelief, we note that his relationship with the other is a positive relationship and non - hostile and far from superiority, based on recognition of cultural differences Among peoples. • Finally, it can be said that the resulting images and representations of the other were governed by Ibn Fadlane's religious repertoire, which serves as a reference and a measure to consider the superiority of Islamic religious, cultural and political centrality of the Abbasid Caliphate then.

المفاجاة الاسلوبية في الخطاب القراني == STYLISTIC SURPRISE IN THE QURANIC SPEECH A PRACTICAL STYLISTICS

Author name: منـذر زيارة قاســم
Supervisor name: ازهار علي ياسين
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: تعد دراسة المفاجاة الاسلوبية دراسة للابعاد التاثيرية للخطاب القراني لدى المتلقي , وهي ضمن اطار الدراسات اللسانية الاسلوبية المعاصرة , وبذا تكون محاولة للخروج من الاطر البلاغية والتفسيرية لقراءة النصوص الابداعية ومنها القران الكريم والمفاجاة الاسلوبية اصطلاح ظهر في اوربا اواسط القرن العشرين على يد الروسي رومان جاكبسون , وعرفها " تولد اللامنتظر من خلال المنتظر " , وطورها الامريكي ميخائيل ريفاتير , وجعل قيمة كل ظاهرة اسلوبية تتناسب تناسبا طرديا مع حدة المفاجاة وتتناسب تناسبا عكسيا مع تكرراها وتواردها , وتتلخص بادخال العناصر غير المتوقعة مع العناصر المتوقعة في سياق النص . وتعمل المفاجاة في ضوء معايير واضحة وهي الاسلوب , والسياق , والقارئ , والتلقي . التي تعد مواطن تعيينها . ويعد الخطاب القراني بوصفه اثرى النصوص الابداعية في التراث العربي بيئة خصبة لدراسة المفاجاة الاسلوبية في ضوء دراسة وسائل التاثير في المتلقي لذلك الخطاب الالهي والاثار الجمالية الناتجة من ذلك فجاء البحث في تمهيد بين المفاجاة والخطاب في اللغة والاصطلاح . وتناول الفصل الاول منه المفاجاة الاسلوبية في ضوء نظريات التواصل اللساني والوظائف اللغوية والتحليل الوظائفي لها . وجاء الفصل الثاني لدراسة الاثار الجمالية للمفاجاة في ضوء مستويات الخطاب القراني الشكلية وتمحور الفصل الثالث لدراسة تلك الاثار على المستوى الدلالي متخذا من المفارقة القرانية انموذجا للدراسة .وختمت البحث بعد حمد الله سبحانه بالتركيز على اظهار وسائل الاثارة والتاثير والقناع والامتاع في الخطاب القراني التي اسهمت في فهم الخطاب القراني في ضوء المفاجاة الاسلوبية | The study of the stylistic surprise is deemed a study of the influential dimensions of the Quranic speech of the recipient. It is within the framework of the contemporary linguistic, stylistic studies, and hence there's an attempt to get out of the rhetorical and interpretive frameworks to read creative texts including Quran. The stylistic surprise appeared in Europe in mid - 20th century by the Russian, Roman Jacobson, who defined it as "the origination of the unforeseen through the foreseen". And this concept was developed by the American, Michael Revatier, who made the value of each phenomenon stylistically direct to the severity of the surprise, and inverse to the recurrence. This could be summed up through bringing together unexpected elements and expected ones in the context. The surprise operates in light of clear criteria specifically style, context, reader and recipient. The Quranic speech, as the most creative text, has enriched the Arab heritage in a fertile environment in order to study the stylistic surprise by studying the means that influence the recipient of that divine speech, and aesthetic effects resulting from it. This study consists of an introduction on both a surprise and speech in language and terminology. The first chapter has made a reference to the stylistic surprise in the light of theories of linguistic communication, linguistic functions and functional analysis. The second chapter is devoted to studying the aesthetic effects of the surprise in light of the levels of the structural Quranic speech. While the third chapter has focused on studying these effects at the semantic level, taking the Quranic paradox as model of the study. The study has closed up with a focus on disclosing the means of excitement, persuasion influence and joy available at in the Quranic speech, which contributed to the understanding of the Quranic speech in the light of a stylistic surpris

تمثلات الهوية في تراث الجاحظ : دراسة في ضوء النقد الثقافي == Identity Exem plifications in Al - Jahiz,s Heritage : a study from a cultural criticism perspective

Author name: مريم عبد النبي عبد المجيد
Supervisor name: احمد حياوي السعد
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Identity represents a feature or certain features of another corresponding entity or entities. In fact, identity is a controversy among many philosophers, scholars and creativists. Thus, it represents the individualistic and collective belonging, and its configurations behave according to the nature of this belonging and the incurred changes. This study examines the potential values in categorizing the identities in the traditional Arabic heritage as exemplified by Al - Jahiz discourse in light of the cultural criticism approach and its connection with the cultural patterns of the Arabic society. It also studies the realizations, manifestations and the old roots of identity which dates back to remote times and deeply - rooted within other peoples, civilizations and religions.There is a detection of its danger in transmitting the meanings of ignorance, exile, exclusion, booing and atonement on the part of the other who is ethno - and religion - deviant. These meanings have their consequences which feed the seeds of arrogance, enmity, hatred, conflict and segregating the Ego from the Other. In addition to these, there is the breaking of the bonds of peace and love with planting the seeds of rupture and distortion in society and among nations and religions. Al - Jahiz,s discourse is associated with categorizing identities and its manifestations in relation to the Ego and the Other, or ,We, and ,They,. Identity was a basic concept in his writings, and he has a wide readership and his works were highly culturally consumed from past time till nowadays. Since the appearance of printing, his works have still been reproduced in elegant copies celebrating it as a typical example of literature and a first - degree pedagogic, cultural material, which is rarely absent from the curricula from the Gulf to the Ocean. This study is of three chapters with a prelude on (Al - Jahiz,s Discourse and its Exemplifications of Identity).The basic dimensions constituting Al - Jahiz,s discourse of exemplifying identity with its implied patterns that are also associated with the cultural Arabic realizations have been discussed. The first chapter also included studying the moral and the physical identity seen as the basis of recognizing the Self and the Other.The researcher has accounted for Al - Jahiz,s exemplifications and views ofmen and women identities and those of biological disabilities. In the second chapter, the religious identity has been studied. In its first section, the realizations of Muslim identities have been examined together with its phenomena and consequences uncovering a serious side of the Mu,tazila thought and their views of the Other having different dogmas. In the second section, the researcher the identity of the Jews, Christians and the Magi as manifested in Al - Jahiz,s perspective of the different - religion Other, together with what is implied in this perspective of meanings such as exile, exclusion, the moral and physical mocking. The third chapter examines the ,international identity, where the researcher studies the pstterning values in Al - Jahiz,s discourse reflecting subliming, favouring and devaluing in the context of identifying the identity of the Arabs, Persians, the Turks, the Sudanese from both positive and negative sides. After that, there is a conclusion chapter with summarizing the most important results arrived at. Then, references finalize this study.

الابعاد التداولية في شروح نهج البلاغة == Pragmatics in the Interpretations of Nahj Al - Balagha (Rhetoric Approach)

Author name: محمد مهدي حسين
Supervisor name: عبد الحسين علك المبارك
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Al - Balagha has been of great importance in the Islamic and humanitarian system since it was written by Al - Sharif Al - Ridia (rh) to the present day. This is due to its preoccupation with various aspects of life on the one hand, and for its author's great reputation from the other hand. Studies and research about this book has been still working. Many of the different achievements in the knowledge sectors come at the forefront of this approach (the interpretations of Nahj Al - Balagha) have represented a great cognitive treasure in various fields and research; linguistic, rhetorical, religious, and historical. Time has kept a number of those interpretations. In spite of the large number of studies and research that have been developed in the interpretations of the approach, most of them have been in the fields of (grammar, rhetoric, or signifier), as well as many of them limited to a specific explanation. The researcher has not noticed a study aims to interpret contemporary pragmatics; therefore, he has decided to write about (Pragmatics in the interpretations of Nahj Al - Balagha). The study concentrates on applying contemporary pragmatics automatically to the code of annotations, and to interpret what the scholars presented through their analytical model of the deliberative nature of the upper discourse. Due to many studies have been made in pragmatics, the study has left it to avoid repetition. Consequently, Introduction has focused on ( Changes in the Pragmatic approach in the Interpretaions of Al - Balagha). It discusses two significant points : text writing (Nahj Al - Balagha) and the chronological divergence between Al - Nahj and interpretations with reference to the difference in reading Al - Nahj by interpreters based on the deliberative approximations they adopted. The first chapter of the study is concerned with the descriptive dimension in the interpretations of Nahj Al - Balagha. It is divided into two sections. The first one deals with the interpretive methods and the interpretative practice based on the interpretive methods of the narrators (deletion, submission, delay, and referral). The second one (the intention between the statement and the hint) explains how interpreters addressed the purposes of discourses of the upper discourse based on the graphical aspect of eloquence (metaphor, simile, imagery, and symbolism). The second chapter explores the communicative dimension in the interpretations of Nahj Al - Balagha which is also divided into two sections. In the first section (communication variables and competencies), the researcher has presented the variables of the communication process between the discourse of the approach and the participants through the Jacobson plan, as well as as the deliberative competencies of the participants (linguistics and encyclopedias). While the second section focuses on (communication strategies) in the interpretations. It studied three strategies (implicit, guiding, and solidarity). The third chapter is devoted to analyzing the evidence dimension in the interpretations of Nahj Al - Balagha. It falls into two sections. Section one (the evidence indicators) demonstrates the issueof the imamate by the interpreters through the discourse of approach and their emphasis on the most important mechanisms of this evidence ((kinship, allegiance, text, knowledge, and courage). As for section two, it analyzes evidence and mechanisms of opposition dialogue) which is the debate and the evidence and the narration of the evidence. The thesis ends with conclusion sums up the findings of this study

الرسائل النثرية في عصري الموحدين وبني الاحمر : دراسة فنية == Prose letters in Both Ages of Almuhadeen and Benialahamar : A poetic study

Author name: محمد كاظم نعمة الخرسان
Supervisor name: مسلم حسب حسين
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Prose letters in the both ages of almuhadeen and benialahamar do not seem to have been previously studied critically ; therefire, this study is then an attempt to deal with these letters by detecting their poetic phenomena. This includes shedding the light on their most important constituent elements such as detecting the use of rhythm at the level of sound, word, and phrase, as well as studying sound rhythm within parallel texts .The study then moved on to detecting the treatment of the style been used in the structure of poetic prose of these letters - this is exemplified in foregrounding and back grounding , parenthesis ,and deletion . furthermore, the study has also dealt with detecting semantic parallelism at the levels of constructing prose texts of these letters .In addition to the elements above been dealt with, the study has also tackied one of the most important elements used in the structure of poeticprose of these letters, that is, the image which represents the aesthetic facet that characterises prose texts. Other figures of speech such metaphor, simile, and metonym that have also been dealt with as they are used in these letters.One of The most important conclusion of this study is that these texts have been identified as a type of independent Andulusi literature; nevertheless, they remained within the scope of oriental literature to which they were too biased.

الهوية في شعر صعاليك ما قبل الاسلام == The Identity in the Poetry of Saaleks Before Islam

Author name: محمد سالم فرحان
Supervisor name: جنان محمد عبد الجليل
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: There is no doubt that the reality in the life of poets Alsalik was lacking in stability in many cases and since the human in the Arab society before Islam suffers from the power of the collective entity tribe and the value of the rights of his rights has strengthened the value of the sense of identity from here was chosen on the hair of the titans in the era of pre - Islam as a text the title of identity came in the Poetry of the pre - Islam Salik . the importance of the research lies in the serious attempt to complete a serious of studies that are concerned with the poetic heritage, and objective values, which were mainly in building the society at that time, and to work to create a state of communication between the nations past and present .In addition, the researcher had a desire to study poetry in order to study the requirements of our time. There have been many studies dealing with identity in the narrative fields and some modern poetry .These studies explicitly or implicitly indicate the lack of per - Islamic poetry in this aspect and its inability to fly on the human horizon And this heritage, which is in the depths of time, is not yet exhausted, and that the discussion of its issues remains renewed with the renewal of the visions and perceptions assigned to its studay and the exploration of its mysteries.We have relied on the data of cultural criticism, because of their problematic issues, as well as the openness of cultural criticism on the various monetary approaches that lit up important aspects in the speech of Saalikis.Abstract bAs we use such a science, we do not adopt it or take it as a follower. We looked at open text ablutions.The study was divided in to three chapters, preceded by a conclusion. The introduction dealt with the concept of identity, the concept of language and terminology, and the relationship between identity and stupidity.The first chapter was entitled " the problems of identity" . it is divided into there categories : the first is the economic influence of of poverty, the second is the ethnic influence the effectiveness of marginalization, and the third is the moral influence and the crisis of belonging .As for the second credit, he went up to study the types of identity. He come up with three questions : the first is the double identity, the second is the identity, the third is the artificial identity.The third chapter deals with the values of countermeasures and is distributed to three subjects.The first topic deals with escape flight, while the second section includes the observer's elevation, while the third section refers to the humanization of the animal.The research concludes with the conclusion of the most important findings. In conclusion, I may have succeeded in this endeavor without my claim of perfection in it, and the opinions of those concerned with the calendar and the discussion remain the great hope in this. And the last call to me is praise to Allah, lord of the worlds.

اسرار التعبير بحرف الجر في نهج البلاغة : دراسة نحوية تحليلية == Secrets of Expressing with the preposition in Nahj al - Balagha : An Analytical Grammatical study

Author name: قاسم درهم كاطع السعيدي
Supervisor name: خليل خلف بشير
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Studying the literary heritage texts is of great advantage as it is the way of revealing the rhetoric of the Arabic language and its treasures , specifically if these texts are from nahj al - balagha for they hold the primacy in the purity of language and eloquence . Nahj al Balagha was written by lmam Ali Bin Abi Talib , the master of eloquence , and this prompts the researcher greatly to ponder on Nahj al - Balagha long enough and then study Secrets of Expressing with the preposition in Nahj al - Balagha : an Analytical Grammatical Study . The nature of the study , however , requires to involves a preface , four chapter and a conclusion . The Preface deals with the theoretical ground to get at the vision selected in stating the meaning of the preposition in the ambiguous subject . so this required to discuss the views related to the meaning of the preposition used in the subjects where the sense is deepened , and the to come to an adequateview that the researcher depends upon in this study. Consequently , the date , which the research got inductively , has been divided into four chapter . The first chapter studies the secrets of expressing with the one - letter preposition which includes three topics : The first one deals with the secrets of expressing with the preposition ( baa ) the second one with the letter ( kaaf ) and the third one with the letter ( laam ) The second chapter tackles the secrets of expressing with the two - letter prepositions which consists of three topics : the first one studies the secrete of expressing with the prepositions ( ann ) the second one with the prepositions ( fee ) and the third one with the preposition ( min ) the third chapter deals with the secrets of expressing with the three - letter and four - letter propositions . This chapter is made up of three topice : the first one analyzes the secrets of expressing with the prepositions ( illa ) the second one with the proposion ( ala ) and the third one with the prepositions ( rubba and hatta ) The fourth chapter studies the secrets of collective meaning ( explanation , oath , accompaniment ). Finally , the conclusion which includes the most important results of the study . The approach followed in the study and in presenting the texts is an analytical approach because access to the ambiguous meaning requires deconstructions of the meaning into its components , reading the situations contexts accurately , and know what is associated with the context This thesis has depended on various sources and references , particularly books of grammar marked By studying the meaning of letters , such as Al - Azhia in the Science of Letter by Al - Harawi , and others. Regarding the explanations of Nahj al - Balagha , in fact , were great supports to expose the texts and understand the aimed at . Writing the thesis also depended on a number of those explanations and among them were Minhaj al - Bara'a by Al - khoel , The Explanation of Nahj al - Balagha by ibn Hadeed Al - Mu'tazili , and others. Infact , writng in such a research is not easy and feasible because the topic concerns with the speech of the master of guardians ( peace and blessing upon him ) and the judgment on a particular questions is not facile , Such a research required extreme accuracy which cannot be realized without pondering on the texts of Nahj al - BaIagha and then understand them adequately. Finally , I would like thank my tutor and my supervisor Dr . KHALEEL AHALEF BASHEER for his following up this thesis accurately . I also extend my thanks to all those who offered their beneficial advice, or a kind word , or a special invocation. However , I want just to say that l do not claim to have a chieved a perfect work . in fact , l have tried to do something that will be of use for those who intend to study the rhetoric and eloquent saying of lmam Ali Bin Abi Talib for no one is able to touch on the secrets of the writings and saying . What is right in this study is certainly from the incapacitated and helpless soul . There fore , I beg God to accept my whatever l do seeking His forgiveness and mercy

الانسجام الصوتي في خطب العرب ووصاياهم في عصر ما قبل الاسلام == Acoustic Harmony in Arab Speeches and Commandments in the pre - lslamic

Author name: علي عواد ميزر الزبيدي
Supervisor name: عدنان عبد الكريم جمعة السالم
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Pre - Islamic prose is still inexhaustible source of knowledge, scholars and others, of different levels and disciplines, make use of it as it is a subject carries art connotations. Undoubtedly, speech is the most significant means of communication among individual people and groups, and it is the most needed means of persuasion, satisfaction and influence in a recipient. Speeches and commandments are considered the most important means to which speakers resorted to in order to impact and persuade recipients. Those who are interested in the Pre - Islamic era speeches and commandments could find that there's a kind of a clear acoustic harmony. In other words, he sounds of the words they use are compatible with the intensity, softness, preaching, guidance, command and prohibition. These are carefully used for the purpose of achieving the desired purpose and getting spread among people, then easily memorized and used.The study is in an introduction followed by four chapters, then a conclusion of the most significant results found. The introduction has served the title (Acoustic Harmony in Arab Speeches and Commandments). The first chapter has paid much attention to study a syllable and importance of an acoustic harmony in forming an acoustic syllabic texture, which is under the title (Acoustic Harmony in Arab Speeches and Commandments). It consists of three sections, preceded by a preface stating ( syllable, its types, its characteristics). The first section is devoted to the study of assigning the correct verbs to pronouns, while the second deals with rebalancing an acoustic texture, and the third shows disapproval of succession of proverbs in the Arabic structures.The second chapter has discussed the harmony in neighboring sounds in context, which includes three sections. In the first section, there's a study on the diphthong phenomenon, in the second typicality, and in the third section a paradox phenomenon has been elaborated on. While the third chapter has paid much attention to study the phenomenon of vowel letter change and exchange. The fourth chapter goes on discussing an acoustic harmony in rhythmic phenomena in Arab speeches and commandments, containing three sections. The first section discloses repetition, while the second is on acoustic harmony, and the third focuses on an acoustic aesthetic assonance.The study has come with the following results : • This study is the first of its type in the field of Arab Speeches and Commandments in the Pre - Islamic era.• The speeches and commandments are considered the most important means of influence and persuasion on a recipients.• The study disclosed the influence of an acoustic harmony on sound syllables in Arab speeches and commandments.• Diphthonging seeks to achieve an acoustic harmony among neighboring sounds in the context in Arab speeches and commandments.• The study showed how Pre - Islamic speaker sought to create consistency and harmony among different sounds in the context.• The study disclosed that the acoustic repetition in Arab speeches and commandments is clear phenomenon, which was achieved through a number of levels, once through repeating a sound or word or a syllable. • The study disclosed that assonance of different types is a prominent sign in Arab speeches and commandments

خطاب الوعظ في نهج البلاغة : دراسة في لسانيات النص == Preaching Discourse in Nahaj Al - Balagha : An Analytical Study from the perspective of Text Grammar

Author name: علاوي ريسان كاطع العسكري
Supervisor name: نوري حساني علوان الكاظمي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: The latest appearance of methods of researches associated with text grammar and analysis of discourse in 1960c caused an important change in the way of linguistic studies represented by a transfer from text to discourse as a complete unit. This direction attracts the attention of many researchers, some of them tried to find its origin and other tried to apply the foundation of this method on texts.As attempt to mix the heritage with modernity and to search heritage by new methods, we found the importance of applying this method on texts from heritage. Since Imam Ali' speech is described as lower than Allah' speech and higher than creatures' speech, I found that there are many reasons that attract me to have such a travel. Discourse has different forms and purposes, this thing led us to choose ''Preaching Discourse in Nahaj Al - Balagh : An Analytical study from the Perspective of Text Grammar''. Discourse is both spoken and written. Since discourse exists in letters and trusteeships, we decided that the title of the dissertation should be about discourse. This study consists of an introduction, four chapters and a conclusion. The introduction is divided into three parts, the first part is an illustration of text and discourse, the second part includes an explanation of method of text grammar, its history and its well - known theorists and the third part is devoted to show types of discourse in Nahaj Al - Balagh, definitions of preaching discourse, the nature of discourse and its subjects according to Imam Ali. The four chapters are : Chapter One is divided into two parts, the first part describes lexical alloying and the second part illustrates grammatical alloying. Chapter Two is also divided into two parts, the first part is about denotative relationships, the structure of a text and the arrangement of the actions of discourse. Chapter Three is divided into three parts, the first part is about purposeful criterions which is associated with the producer of the text, the second part is about the acceptability of text which is connected with the recipient of the text and the third part medially. Chapter Four shows the criterions which are outside of the text. At the end of this study, some conclusions are arrived at. This study is descriptive and analytical. I begin with describing phenomena and then analyze these phenomena by using scientific ways and means

تقديم الشخصية في السير الشعبية العربية == Introducing Character in Arabic Folkloric Biography

Author name: رغد عبد النبي شنين
Supervisor name: سعيد عبد الهادي المرهج
Specific topic: Language
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: We mean, when we mention a folk biography, that its popularity belongs only to the people and the people heritage, customs and traditions, this biographies are alike in between all folks, having the same plot which sometimes belongs, (popular biography), to the public tales , and this belonging is what makes them form far from of the higher cultures which were totally deal with high class people ,that led to carless with these tales and their description and writing. The folk biography include a number of long narrative works with similar artistic features and similar artistic objectives, as being an independent storytelling art, with its own artistic rules which are adopted by the most complete biographies and also, those biographies were written before the accruing of the higher artistic forms, and before it has all the clear features of the artistic folk biography.We have chosen, in our study of the folk biography, an important element of narration which is “the character” that may be the most important between these elements as it is develops the narrative event and contribute in its rise to an end in a time and a place determined by the producer of the text, and the critics have talked enough about the character, but they did not come up with a clear identification for it, the reasons may due to their perceptions of it, which is based mainly on qualities, also, on deference of reference systems which the concepts have derived their existence from, of which secures purpose of these reference systems. The references of those who are specialized in psychology are different from the reference of the Theology, Genetics and Sociology, and thereupon the concepts are different. .The limitations, that we can use for exploring the personal presentation techniques, are a number of artistic narrative methods which the novelist relies on to reveal the curtain from his characters before the reader and we will examine those methods in order to know the methods of characters presentation, we shall that especially in the folk biographies. My study is distributed between three chapters, and preceded by an introduction named(Folk Biography) and the Techniques of Characters Presentation), where I talked briefly about the folk biography concept and characters presentation techniques in the narrative, the first chapter was on character models in the Arabic folk biographies, and it included three sections, in the first one, I talked about the protagonist, the co - protagonist and the antagonist, whether in the second named (Secondary Characters), I talked about historical characters , wonder characters and realistic characters The second chapter was titled (The Presentation of the Character) and by using (Informing Presentation), and it comes in three suctions, the first one is titled (Description of the Feature) and (External Shape) , the second was titled (Naming Building and its symbolism) and the third was titled (Description of the inner worlds of the character) The third chapter was titled (Characters Presentation by using the Description (Appearing Presentation) which comes in three sections, the first was titled (The outer dialogue) , the second was (The inner dialogue), and the third was (The poetry dialogue).My work has faced a lot of obstacles which was difficulties like finding folk biographies copies and their study references which are existed in other countries other than Iraq, so I had to travel for them, also, the biographies was long and have a big number of characters and stories, as they represent an old era, and I had more problems like languages of these biographies as they were written in between the formal and street languages, ex : Bedouin, Syrian and Egyptian, that contain difficult Phrases to be understand, specially it represent an old era which contains a lot of grammatical and literal mistakes, and requires, for the purpose of scientific trust, quoting them from the biographies as the same as they are, after that, and for that reason I had to put my comments of correction, all that took a lot of my time and efforts but, by the help of Allah, my supervisor assistance and other teachers, I managed to accomplish what I think its suitable with the level I have reached in my study, and honors my university name
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