Show: 25 50 75 100 Results

Search results: 25 out of 41

المعالجات الاخراجية للاحداث في افلام المكان الواحد == Directorial treatments of events in single-location films

Author name: سيف سعد عبد الهادي حسين القصاب
Supervisor name: براق انس المدرس
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

التمثلات الفكرية لادب التغيير في الفيلم السينمائي العربي == Intellectual representations of the literature of change in the Arab cinema

Author name: بدر شوقي بدران
Supervisor name: فادية فاروق سعيد
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

التوظيف الجمالي والدرامي للخدع السينمائية في الفلم الروائي == The Aesthetic and Dramatic Employment of Film’s Tricks in Narrative Film

Author name: عقيل عاشور الموسوي
Supervisor name: محمد عبد الجبار كاظم
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:

توظيف جماليات عناصر التعبير الفلمي في افلام السايكودراما == Using aesthetics of the elements of film expression in the Psychodrama films

Author name: علاء حسن خلف
Supervisor name: رعد عبد الجبارالشاطي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

اللقطة الطويلة لدى المخرج فرانسواتروفو : دراسة تحليلية في الاسلوب

Author name: سالم شدهان
Supervisor name: رعد عبد الجبار ثامر
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

تناص الاساطير العراقية في الصياغة السينمائية للفيلم الروائي العالمي

Author name: ماهر مجيد ابراهيم
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

دور المونتاج في الفيلم الوثائقي

Author name: اقصى نوري حسين
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الحرب والسلم بين السينما والتلفزيون : دراسة مقارنة

Author name: لانس جوزيف كونوي
Supervisor name: حارث عبود
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

مشكلات التوقيت والتحريك لافلام الرسوم المتحركة في العراق

Author name: بشار عبد الامير الشمري
Supervisor name: احمد نوري حسين
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

تعبيرية الاضاءة في افلام مدير التصوير حاتم حسين

Author name: صائب غازي راضي
Supervisor name: طالب جميل طاهر
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

وظيفة الصورة في الخطاب السينمائي الموجه للطفال

Author name: عباس هاشم عطية
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

دلالات المكان في تعميق الجو النفسي للشخصية في الفلم السينمائي : نماذج فلمية مختارة

Author name: فادية فاروق الدبوني
Supervisor name: عبد الجليل ابراهيم
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الاتجاه الملحمي في افلام اكير اكوروساوا

Author name: علاء حمد شعبان
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
University location: Baghdad

المعنى المكافئ للاخبار والايحاء في الحوارات الفلمية

Author name: علاء الدين عبد المجيد
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
University location: Baghdad

التحولات الدلالية واعادة تشكيل المادة الفلمية الخام في الفلم الروائي == Sementical Changes and refouming the Film raw - material in the Narrative film

Author name: عامر فتحي جميل الغرايبة
Supervisor name: رعد عبد الجبار ثامر الشاطي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

مهارة اداء الممثل الكوميدي في السينما المصرية == Performance Skill of Comedic Actor In Egyptian Cinema

Author name: منهل جواد محمد حسين الهاشمي
Supervisor name: عادل كريم سالم
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

السمات الاسلوبية لسينما المؤلف في اعمال محمد خان السينمائية == The Stylistic of Author Cinema in Mohammed Khan’s Films

Author name: عكاشة محمد صالح
Supervisor name: حمودي جاسم
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الصياغة السينمائية للحكاية الشعبية الخرافية في الفيلم الروائي

Author name: عدنان مزهر لفتة
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

تمثل القيم الاجتماعية في بناء شخصية المراة في الفلم الروائي العراقي

Author name: ايمان حمادي عبد الامير محمد علي
Supervisor name: رعد عبد الجبار ثامر الشاطي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

توظيف الوعي الايروتيكي في بنية الفلم الروائي ودلالاته السينمائية

Author name: فراس عبد الجليل الشاروط
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

جماليات توظيف العدسات طويلة البعد البؤري في تصوير المناظر البعيدة == AESTHETICS OF FUNCTIONAL PLACEMENT OF LONG FOCAL DISTANCE LENSES FOR PHOTOGRAPHY OF REMOTE SCENERIES

Author name: زياد طارق شاكر الدليمي
Supervisor name: عبد الجليل ابراهيم ادهم
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

الاشتغال الدلالي للتشفير في التعبير الفيلمي == Semantic Work For Coding In Film Expression

Author name: سعد ناظم عيسى الزبيدي
Supervisor name: رعد عبد الجبار ثامر الشاطي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: اخذت السينما تشق طريقها لتنحت لنفسها مكانا بارزا بين الفنون الاخرى. ليبدا هذا الطريق بدراسة السينما سيميائيا، وكانت اولى الخطوات في هذه الدراسة هي محاولة اثبات امتلاك السينما للغتها الخاصة، وذلك من خلال مقارنتها باللغة من حيث الوظيفة والوحدات والتنظي | Cinema started to make its own way to build special place among other kinds of art. The first steps on this study were a try to prove that the cinema has its own language; this was done by comparing it by the language from many angles, such as function, units, organizing and shape.Many results were appeared from this comparison; the most important one was the similarity between the film and the language in functionality. Also, the ability of implementing most of the linguistic aspects on cinema like coding, messaging, system, building, …, etc.As these aspects are common in all communication systems, any system has its own signs and symbolic meanings which are organized in the form of rules that permit to understand the messages built on similarity and difference relationships, which shows multiple kinds code.In addition to the codes in the film structure, as a part of semantic systems, depending on the aim of delivering messages with deep meanings, using all of its elements. For studying this process in details, and for analyzing the terms it contain, like sign, code, communication, meaning, culture, and for establishing scientific research basis, so this study represents an attempt to read the semantic work for codes which are included in the film texts. This study; named (Semantic work for code in film expression); contained four chapters as follow : Chapter One : Includes research problem which is represented by the study of the film code by explaining how they work, and explaining the role of the film expression elements in showing the film code. This chapter also contained the goals, the limits, the importance of this research and a definition for all of the used terms.Chapter Two : Theoretical frame and past studies, was divided into six parts, as follow : 1. Cima Part : Here we mentioned the Cima science and the founders of it, some important classifications for it and some important points for studying this science.2. Communication Part : The communication theory was discussed here (using Jackson diagram with the six levels), the importance of each level and some other important information about these levels.3. Codes Part : Explaining what is the code generally, then what is the cinematic code.4. Sign, Symbol and Code : The three aspects are discussed together as a one part and as different parts.5. Semantic Science Part : This science was discussed in details in this part.6. Film Expression Part : What is the film expression? How can we distinguish between the similar aspects in this field? The answers were mentioned here.Then, a quick show of the past studies was done.Chapter Three : Research procedure, includes the research process and the sample explaining. The samples were two films (Devil's Advocate, and Da Vinci Code).Chapter Four : This chapter contains the conclusions and the recommendations we get from this study, the most important one was the ability to form the complex indirect semantic for the cinematic code, by using the icon - pointer or the icon - symbol, as the iconize is a method (code) to recognize the direct and the indirect semantic, while pointer and symbol are tools to reach to the deep messages of the film. Last, the research contained suggestions and resources list and the English abstract.

التوظيف الجمالي والدرامي للماكياج في افلام الرعب == Recruitment Aesthetic And Dramatic Makeup In Horror Movies

Author name: اسيا علي محمود
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يحظى فن الماكياج بدراسات غنية في مجال الفنون المسرحية , كونه يشكل عنصرا مهما في تعبيرية البناء الشكلي الطبيعي لشخصية الممثل , وتطور هذا الفن اليوم بفضل التقنيات الحديثة التي اخذت طريقها الى السينما والتلفزيون , وبات يشكل ايضا احد العناصر المهمة في رسم | The art of make - up enjoys rich studies in the field of performing arts, being an important element in the expressionistic formal and natural building of the character actor. This art has evolved today, thanks to modern techniques, which took its way into film and television; in addition it became one of the important factors in shaping dramatic character and its expressive performance, whether in the reality or fiction movies, but especially in horror films, and film Fantasia. Hence, the art of make - up has emerged into horror movies, as well as its importance in the formation of the natural dimension of character where it became a narrative element that is closely related to the emotional and psychological dimension of characters. We should refer to the role of modern technologies and its addition to the industry of the art of make - up in terms of the accurate possibilities, and the ability to embodiment of (realistic and nonrealistic) of the characters in horror movies, eventually become the magnet of interest to the recipient incorporating all patterns filming characters and a variety of forms between personalities which are (familiar and unfamiliar). These patterns possess the ability of persuasion and have emotional and reactive presence within the receiver. On the basis of this perception, came this study to cover part of the large role played by the art of make - up in the design and construction of the dramatic character, especially in the (horror movies) in the light of which the researcher identified the title as : (Employment of aesthetic and dramatic makeup in horror movies), and the research included five chapters as follows : Chapter I (methodological framework), which included the following : 1. Research problem : which centered in the following question : How can makeup represent aesthetic and dramatic dimension to a character in the movie?2. Research objective : to identify aesthetic and dramatic employment of makeup in horror movies.3. Research Importance : the researcher finds that the art of make - up in the field of cinema did not take enough share of the study, particularly in the importance of its employment in the (horror movies); however theater studies have found addressing make - up, especially at the level of the plays exclusively.4. Research limits : Objective limits : study of (make - up in horror movies).Time boundaries : within the limits of horror movies produced (2007 - 2013).Place boundaries : (films that have been produced in American cinema) The chapter is finalized with identifying the most important terms.Chapter II, include (the theoretical framework and previous studies), the theoretical framework is comprised of 3 sections as follows : • The first section : a historical overview of the evolution of the art of make - up and its relationship to cinema.In this section, we studied the beginning of the evolution of the (make - up - mask) art and tracked down its development from the beginning of its inception in civilizations to being important element in drama and under the requirements of the drama its was taken as an essential element in the film, especially in the fantasia movies of which (thrillers, science fiction movies, and legendary film).• The second section : Aesthetic and dramatic dimensions of cinematic makeup.In this section we stressed the importance of the make - up and the level of its use in terms of natural dimension of the aesthetic and expressive sides, as well as the its aesthetic and drama importance in horror movies, both in the functioning of the colored pigments with a light element on the dramatic characters.• The third section : The role of make - up in drawing dramatic character in horror movies.In this section, we focused on the importance of the role of make - up and its impact in the creation of characters somewhat between the (realistic and unrealistic) characters, as well as the importance of employing the art of make - up tricks in its variant types ( normal , plastic , mechanical , and digital ) in the construction of the characters in horror movies.Previous studies : : No study on the research topic or problem or the importance of research in the field of the cinematic arts.The third Section included (research procedures) : Includes research methodology and the research communityThe researcher relied on the on the descriptive analytical method in the analysis of samples, based on the theoretical framework indicators as a tool for analysis, after being shown to a group of experts and arbitrators. Then a sample was selected deliberately for search due to reasons including : 1. Includes functions of make - up art on the level of building characters to respond to the requirements of the objectives of the research.2. They are movies that attracted a wide range of views by audience, because of its element of suspense and fear.The fourth section included an analysis of the three samples as follows : 1. The Underworld / Part 4. 20132. Resident Evil / part 3. 20073. Wolf man. 2010The fifth section included (the findings, conclusions, recommendations and proposals) : The main findings of the researcher after analyzing the sample are : 1. The techniques of the art of make - up in its varied types (natural, plastic, mechanical, digital) of the characters in horror movies were able to embody unfamiliar forms and far from reality. The main conclusions reached by the researcher : 1. The horror movies are based on the presence of abnormal characters, through transformation and change of their external appearance, because characters need in the in case of transition to (monsters, wolverines, zombies, vampires... etc.) to several techniques of make - up art that are merged with actor features to create creatures that far from reality.

البناء الاستعاري لعناصر التعبير في الصورة السينمائية : دراسة في افلام ستيفن سبيلبرغ == Construction Metaphor Elements of The Expression In The Photo Film (Study In Films Steven Spielberg)

Author name: حيدر صبري جعفر
Supervisor name: رعد عبد الجبار ثامر الشاطي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتلخص البحث بكونه يتصدى لاحدى الاساليب البلاغية لكتابة الصورة السينمائية وهي الاستعارة التي يلجا اليها صانعو الافلام من اجل ايصال معان ودلالات قد تعجز الصورة المرئية التقليدية عن ايصالها , فاستخدامها يعمل على تصوير المعقول وجعله ماديا متجسدا, لتضع تصور | The metaphor is considered as one of direction means and treatments to which the film makers resort so as to convey meanings and indications that the real visual picture is unable to convey. So it depicted the sensible and made it embodied physical to lay an imagery and answers in renewable methods, thus it creates a new reality with more accuracy and adjustment via the cinematic picture due to what it owns of elasticity and great capacities on embodying the reality and the imagined together which make it of credibility and rhetoric in expression influencing the receiver. The metaphoric construction in the cinematic picture works at the formation between the visible expression elements that exist in this picture like the shape and the generated meaning. It is not possible to solve the intermingle of the metaphoric structure without addressing the vertical constructs and getting away from the linear or the horizontal reading, which means that metaphor relies basically on the intellectual construction and the aware imagery of the receiver to solve the reticulation of the metaphoric structure. The metaphoric structure refers to outside the limits of action or incidence itself, yet it has an intellectual dimension inside the pictorial frame that is a pillar for understanding the basic action. The metaphoric construction became a artistic need that works at more than one level inside the structure of the cinematic film, hence our study was within this axis under the title (The Metaphoric Construction ofthe Expression Elements in the Cinematic Picture). Thus, the study here is interested in addressing the metaphor and how it operates with the expression elements in a way that leads to enriching the optical and intellectual content in the scene structure and what the content of expressing intension achieves, expands and deepens the pictorial meaning and increases the receiver's attraction to interact with it. This is what the thesis contained through its chapters divided by the researcher into four chapters. The first chapter came as a methodological framework for the research comprising of the research problem and its necessity where the problem was defined by the following question : what are the ways according to which the metaphoric construction of the expression elements is made in the cinematic picture? Chapter two included the research theoretical framework and the most important previous studies which are connected with this research. This chapter included three sections, the first one was (The Concept of Metaphor) addressing the analysis of metaphor structure in language, its concept for the linguistic philosophers and modernist, its concept according to the modern theory in addition to the conceptual and cultural asymptotics and its concept in the cinema. The second section entitled (The Patterns of Cinematic Metaphor) was a definition of the metaphoric patterns which are shown in the cinematic picture. It was a must first to try to understand the properties and conception of the picture and its role in producing the meaning, also the context role in defining the meaning of metaphor and which the citations say that they attract the receivers' attention as a metaphor. In the third section entitled (The Operating Mechanisms of the metaphor in the System of Expression Elements), the researcher addressed the metaphor structure and its relation with the picture, thedirector and the receiver, the montage role, the phonetic structure and its different elements, the camera, the formation and the colors in constructing the metaphor in the cinematic picture. The research should extract indicators by which he is guided to analyze his samples, thus his indicators submitted to the evaluation of an elite of experts encompassed the analyses contained in the research. Some of the indicators were as the following : It was a must to be guided by the previous studies addressing the research topic, in that the researcher did not find academic studies join this research in address, but some limited uses of metaphor were found within their researches and the ones concerned our current research were discussed. As to chapter three, it was the chapter that contained the research procedures including the research method which was the descriptive method and the research sample.The fourth chapter included the extraction of the final result stemmed from the analysis which came to answer the aims posed by the researcher. The research concluded a group of conclusions deduced from the research results, this chapter also included some recommendations found necessary by the researcher as well as suggestions for next studies that are similar to some axes of this study which we could not answer and encompass them for future researches. The research also contained a list of references and sources on which the researcher relied.

المعالجات الاخراجية وانفتاح النص في الفيلم الملحمي

Author name: حياة حيدر محمد علي
Supervisor name: علي حسين صفوك الركابي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تناولت الباحثة في هذا البحث(المعالجات الاخراجية وانفتاح النص في الفيلم الملحمي) في محاولة للتعرف على سبل وتنوع المعالجات الاخراجية السينمائية للفلم الملحمي عبر وسائل واساليب استعمال عناصر اللغة السينمائية استنادا الى رؤى وافكار المخرج السينمائي بما يحمله
1 2